Tag Archives: competition

This is a really lovely Raspberry Pi tricorder

Post Syndicated from Helen Lynn original https://www.raspberrypi.org/blog/raspberry-pi-tricorder-prop/

At the moment I’m spending my evenings watching all of Star Trek in order. Yes, I have watched it before (but with some really big gaps). Yes, including the animated series (I’m up to The Terratin Incident). So I’m gratified to find this beautiful The Original Series–style tricorder build.

Star Trek Tricorder with Working Display!

At this year’s Replica Prop Forum showcase, we meet up once again wtih Brian Mix, who brought his new Star Trek TOS Tricorder. This beautiful replica captures the weight and finish of the filming hand prop, and Brian has taken it one step further with some modern-day electronics!

A what now?

If you don’t know what a tricorder is, which I guess is faintly possible, the easiest way I can explain is to steal words that Liz wrote when Recantha made one back in 2013. It’s “a made-up thing used by the crew of the Enterprise to measure stuff, store data, and scout ahead remotely when exploring strange new worlds, seeking out new life and new civilisations, and all that jazz.”

A brief history of Picorders

We’ve seen other Raspberry Pi–based realisations of this iconic device. Recantha’s LEGO-cased tricorder delivered some authentic functionality, including temperature sensors, an ultrasonic distance sensor, a photosensor, and a magnetometer. Michael Hahn’s tricorder for element14’s Sci-Fi Your Pi competition in 2015 packed some similar functions, along with Original Series audio effects, into a neat (albeit non-canon) enclosure.

Brian Mix’s Original Series tricorder

Brian Mix’s tricorder, seen in the video above from Tested at this year’s Replica Prop Forum showcase, is based on a high-quality kit into which, he discovered, a Raspberry Pi just fits. He explains that the kit is the work of the late Steve Horch, a special effects professional who provided props for later Star Trek series, including the classic Deep Space Nine episode Trials and Tribble-ations.

A still from an episode of Star Trek: Deep Space Nine: Jadzia Dax, holding an Original Series-sylte tricorder, speaks with Benjamin Sisko

Dax, equipped for time travel

This episode’s plot required sets and props — including tricorders — replicating the USS Enterprise of The Original Series, and Steve Horch provided many of these. Thus, a tricorder kit from him is about as close to authentic as you can possibly find unless you can get your hands on a screen-used prop. The Pi allows Brian to drive a real display and a speaker: “Being the geek that I am,” he explains, “I set it up to run every single Original Series Star Trek episode.”

Even more wonderful hypothetical tricorders that I would like someone to make

This tricorder is beautiful, and it makes me think how amazing it would be to squeeze in some of the sensor functionality of the devices depicted in the show. Space in the case is tight, but it looks like there might be a little bit of depth to spare — enough for an IMU, maybe, or a temperature sensor. I’m certain the future will bring more Pi tricorder builds, and I, for one, can’t wait. Please tell us in the comments if you’re planning something along these lines, and, well, I suppose some other sci-fi franchises have decent Pi project potential too, so we could probably stand to hear about those.

If you’re commenting, no spoilers please past The Animated Series S1 E11. Thanks.

The post This is a really lovely Raspberry Pi tricorder appeared first on Raspberry Pi.

Stream to Twitch with the push of a button

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/tinkernut-twitch-streaming/

Stream your video gaming exploits to the internet at the touch of a button with the Twitch-O-Matic. Everyone else is doing it, so you should too.

Twitch-O-Matic: Raspberry Pi Twitch Streaming Device – Weekend Hacker #1804

Some gaming consoles make it easy to stream to Twitch, some gaming consoles don’t (come on, Nintendo). So for those that don’t, I’ve made this beta version of the “Twitch-O-Matic”. No it doesn’t chop onions or fold your laundry, but what it DOES do is stream anything with HDMI output to your Twitch channel with the simple push of a button!

eSports and online game streaming

Interest in eSports has skyrocketed over the last few years, with viewership numbers in the hundreds of millions, sponsorship deals increasing in value and prestige, and tournament prize funds reaching millions of dollars. So it’s no wonder that more and more gamers are starting to stream live to online platforms in order to boost their fanbase and try to cash in on this growing industry.

Streaming to Twitch

Launched in 2011, Twitch.tv is an online live-streaming platform with a primary focus on video gaming. Users can create accounts to contribute their comments and content to the site, as well as watching live-streamed gaming competitions and broadcasts. With a staggering fifteen million daily users, Twitch is accessible via smartphone and gaming console apps, smart TVs, computers, and tablets. But if you want to stream to Twitch, you may find yourself using third-party software in order to do so. And with more buttons to click and more wires to plug in for older, app-less consoles, streaming can get confusing.

Enter Tinkernut.

Side note: we ❤ Tinkernut

We’ve featured Tinkernut a few times on the Raspberry Pi blog – his tutorials are clear, his projects are interesting and useful, and his live-streamed comment videos for every build are a nice touch to sharing homebrew builds on the internet.

Tinkernut Raspberry Pi Zero W Twitch-O-Matic

So, yes, we love him. [This is true. Alex never shuts up about him. – Ed.] And since he has over 500K subscribers on YouTube, we’re obviously not the only ones. We wave our Tinkernut flags with pride.

Twitch-O-Matic

With a Raspberry Pi Zero W, an HDMI to CSI adapter, and a case to fit it all in, Tinkernut’s Twitch-O-Matic allows easy connection to the Twitch streaming service. You’ll also need a button – the bigger, the better in our opinion, though Tinkernut has opted for the Adafruit 16mm Illuminated Pushbutton for his build, and not the 100mm Massive Arcade Button that, sadly, we still haven’t found a reason to use yet.

Adafruit massive button

“I’m sorry, Dave…”

For added frills and pizzazz, Tinketnut has also incorporated Adafruit’s White LED Backlight Module into the case, though you don’t have to do so unless you’re feeling super fancy.

The setup

The Raspberry Pi Zero W is connected to the HDMI to CSI adapter via the camera connector, in the same way you’d attach the camera ribbon. Tinkernut uses a standard Raspbian image on an 8GB SD card, with SSH enabled for remote access from his laptop. He uses the simple command Raspivid to test the HDMI connection by recording ten seconds of video footage from his console.

Tinkernut Raspberry Pi Zero W Twitch-O-Matic

One lead is all you need

Once you have the Pi receiving video from your console, you can connect to Twitch using your Twitch stream key, which you can find by logging in to your account at Twitch.tv. Tinkernut’s tutorial gives you all the commands you need to stream from your Pi.

The frills

To up the aesthetic impact of your project, adding buttons and backlights is fairly straightforward.

Tinkernut Raspberry Pi Zero W Twitch-O-Matic

Pretty LED frills

To run the stream command, Tinketnut uses a button: press once to start the stream, press again to stop. Pressing the button also turns on the LED backlight, so it’s obvious when streaming is in progress.

The tutorial

For the full code and 3D-printable case STL file, head to Tinketnut’s hackster.io project page. And if you’re already using a Raspberry Pi for Twitch streaming, share your build setup with us. Cheers!

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Under-Fire “Kodi Box” Company “Sold to Chinese Investor” For US$8.82m

Post Syndicated from Andy original https://torrentfreak.com/under-fire-kodi-box-company-sold-to-chinese-investor-for-us8-82m-180426/

Back in 2016, an article appeared in Kiwi media discussing the rise of a new company pledging to beat media giant Sky TV at its own game.

My Box NZ owner Krish Reddy told the publication he was selling Android boxes loaded with Kodi software and augmented with third-party addons.

Without any hint of fear, he stated that these devices enabled customers to access movies, TV shows and live channels for free, after shelling out a substantial US$182 for the box first, that is.

“Why pay $80 minimum per month for Sky when for one payment you can have it free for good?” a claim on the company’s website asked.

Noting that he’d been importing the boxes from China, Reddy suggested that his lawyers hadn’t found any problem with the business plan.

“I don’t see why [Sky] would contact me but if they do contact me and … if there’s something of theirs that they feel I’ve unlawfully taken then yeah … but as it stands I don’t [have any concerns],” he said.

At this point, Reddy said he’d been selling the boxes for just six weeks and had shifted around 80 units. To get coverage from a national newspaper at this stage of the game must’ve been very much appreciated but Reddy didn’t stop there.

In a bulk advertising email sent out to 50,000 people, Reddy described his boxes as “better than Sky”. However, by design or misfortune, the email managed to land in the inboxes of 50 Sky TV staff and directors, something that didn’t go unnoticed by the TV giant.

With Reddy claiming sales of 8,000 units, Sky ran out of patience last April. In a letter from its lawyers, the pay-TV company said Reddy’s devices breached copyright law and the Fair Trading Act. Reddy responded by calling the TV giant “a playground bully”, again denying that he was breaking the law.

“From a legal perspective, what we do is completely within the law. We advertise Sky television channels being available through our website and social media platforms as these are available via streams which you can find through My Box,” he said.

“The content is already available, I’m not going out there and bringing the content so how am I infringing the copyright… the content is already there, if someone uses the box to search for the content, that’s what it is.”

The initial compensation demand from Sky against Reddy’s company My Box ran to NZD$1.4m, around US$1m. It was an amount that had the potential rise by millions if matters got drawn out and/or escalated. But despite picking a terrible opponent in a battle he was unlikely to win, Reddy refused to give up.

“[Sky’s] point of view is they own copyright and I’m destroying the market by giving people content for free. To me it is business; I have got something that is new … that’s competition,” he said.

The Auckland High Court heard the case against My Box last month with Judge Warwick Smith reserving his judgment and Reddy still maintaining that his business is entirely legal. Sales were fantastic, he said, with 20,000 devices sold to customers in 12 countries.

Then something truly amazing happened.

A company up to its eyeballs in litigation, selling a commodity product that an amateur can buy and configure at home for US$40, reportedly got a chance of a lifetime. Reddy revealed to Stuff that a Chinese investor had offered to buy his company for an eye-watering NZ$10 million (US$7.06m).

“We have to thank Sky,” he said. “If they had left us alone we would just have been selling a few boxes, but the controversy made us world famous.”

Reddy noted he’d been given 21 days to respond to the offer, but refused to name the company. Interestingly, he also acknowledged that if My Box lost its case, the company would be liable for damages. However, that wouldn’t bother the potential investor.

“It makes no difference to them whether we win or lose, because their operations won’t be in New Zealand,” Reddy said.

According to the entrepreneur, that’s how things are playing out.

The Chinese firm – which Reddy is still refusing to name – has apparently accepted a counter offer from Reddy of US$8.8m for My Box. As a result, Reddy will wrap up his New Zealand operations within the next 90 days and his six employees will be rendered unemployed.

Given that anyone with the ability to install Kodi and a few addons before putting a box in the mail could replicate Reddy’s business model, the multi-million dollar offer for My Box was never anything less than a bewildering business proposition. That someone carried through with it an even higher price is so fantastic as to be almost unbelievable.

In a sea of unhappy endings for piracy-enabled Kodi box sellers globally, this is the only big win to ever grace the headlines. Assuming this really is the end of the story (and that might not be the case) it will almost certainly be the last.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Congratulations to Oracle on MySQL 8.0

Post Syndicated from Michael "Monty" Widenius original http://monty-says.blogspot.com/2018/04/congratulations-to-oracle-on-mysql-80.html

Last week, Oracle announced the general availability of MySQL 8.0. This is good news for database users, as it means Oracle is still developing MySQL.

I decide to celebrate the event by doing a quick test of MySQL 8.0. Here follows a step-by-step description of my first experience with MySQL 8.0.
Note that I did the following without reading the release notes, as is what I have done with every MySQL / MariaDB release up to date; In this case it was not the right thing to do.

I pulled MySQL 8.0 from [email protected]:mysql/mysql-server.git
I was pleasantly surprised that ‘cmake . ; make‘ worked without without any compiler warnings! I even checked the used compiler options and noticed that MySQL was compiled with -Wall + several other warning flags. Good job MySQL team!

I did have a little trouble finding the mysqld binary as Oracle had moved it to ‘runtime_output_directory’; Unexpected, but no big thing.

Now it’s was time to install MySQL 8.0.

I did know that MySQL 8.0 has removed mysql_install_db, so I had to use the mysqld binary directly to install the default databases:
(I have specified datadir=/my/data3 in the /tmp/my.cnf file)

> cd runtime_output_directory
> mkdir /my/data3
> ./mysqld –defaults-file=/tmp/my.cnf –install

2018-04-22T12:38:18.332967Z 1 [ERROR] [MY-011011] [Server] Failed to find valid data directory.
2018-04-22T12:38:18.333109Z 0 [ERROR] [MY-010020] [Server] Data Dictionary initialization failed.
2018-04-22T12:38:18.333135Z 0 [ERROR] [MY-010119] [Server] Aborting

A quick look in mysqld –help –verbose output showed that the right command option is –-initialize. My bad, lets try again,

> ./mysqld –defaults-file=/tmp/my.cnf –initialize

2018-04-22T12:39:31.910509Z 0 [ERROR] [MY-010457] [Server] –initialize specified but the data directory has files in it. Aborting.
2018-04-22T12:39:31.910578Z 0 [ERROR] [MY-010119] [Server] Aborting

Now I used the right options, but still didn’t work.
I took a quick look around:

> ls /my/data3/
binlog.index

So even if the mysqld noticed that the data3 directory was wrong, it still wrote things into it.  This even if I didn’t have –log-binlog enabled in the my.cnf file. Strange, but easy to fix:

> rm /my/data3/binlog.index
> ./mysqld –defaults-file=/tmp/my.cnf –initialize

2018-04-22T12:40:45.633637Z 0 [ERROR] [MY-011071] [Server] unknown variable ‘max-tmp-tables=100’
2018-04-22T12:40:45.633657Z 0 [Warning] [MY-010952] [Server] The privilege system failed to initialize correctly. If you have upgraded your server, make sure you’re executing mysql_upgrade to correct the issue.
2018-04-22T12:40:45.633663Z 0 [ERROR] [MY-010119] [Server] Aborting

The warning about the privilege system confused me a bit, but I ignored it for the time being and removed from my configuration files the variables that MySQL 8.0 doesn’t support anymore. I couldn’t find a list of the removed variables anywhere so this was done with the trial and error method.

> ./mysqld –defaults-file=/tmp/my.cnf

2018-04-22T12:42:56.626583Z 0 [ERROR] [MY-010735] [Server] Can’t open the mysql.plugin table. Please run mysql_upgrade to create it.
2018-04-22T12:42:56.827685Z 0 [Warning] [MY-010015] [Repl] Gtid table is not ready to be used. Table ‘mysql.gtid_executed’ cannot be opened.
2018-04-22T12:42:56.838501Z 0 [Warning] [MY-010068] [Server] CA certificate ca.pem is self signed.
2018-04-22T12:42:56.848375Z 0 [Warning] [MY-010441] [Server] Failed to open optimizer cost constant tables
2018-04-22T12:42:56.848863Z 0 [ERROR] [MY-013129] [Server] A message intended for a client cannot be sent there as no client-session is attached. Therefore, we’re sending the information to the error-log instead: MY-001146 – Table ‘mysql.component’ doesn’t exist
2018-04-22T12:42:56.848916Z 0 [Warning] [MY-013129] [Server] A message intended for a client cannot be sent there as no client-session is attached. Therefore, we’re sending the information to the error-log instead: MY-003543 – The mysql.component table is missing or has an incorrect definition.
….
2018-04-22T12:42:56.854141Z 0 [System] [MY-010931] [Server] /home/my/mysql-8.0/runtime_output_directory/mysqld: ready for connections. Version: ‘8.0.11’ socket: ‘/tmp/mysql.sock’ port: 3306 Source distribution.

I figured out that if there is a single wrong variable in the configuration file, running mysqld –initialize will leave the database in an inconsistent state. NOT GOOD! I am happy I didn’t try this in a production system!

Time to start over from the beginning:

> rm -r /my/data3/*
> ./mysqld –defaults-file=/tmp/my.cnf –initialize

2018-04-22T12:44:45.548960Z 5 [Note] [MY-010454] [Server] A temporary password is generated for [email protected]: px)NaaSp?6um
2018-04-22T12:44:51.221751Z 0 [System] [MY-013170] [Server] /home/my/mysql-8.0/runtime_output_directory/mysqld (mysqld 8.0.11) initializing of server has completed

Success!

I wonder why the temporary password is so complex; It could easily have been something that one could easily remember without decreasing security, it’s temporary after all. No big deal, one can always paste it from the logs. (Side note: MariaDB uses socket authentication on many system and thus doesn’t need temporary installation passwords).

Now lets start the MySQL server for real to do some testing:

> ./mysqld –defaults-file=/tmp/my.cnf

2018-04-22T12:45:43.683484Z 0 [System] [MY-010931] [Server] /home/my/mysql-8.0/runtime_output_directory/mysqld: ready for connections. Version: ‘8.0.11’ socket: ‘/tmp/mysql.sock’ port: 3306 Source distribution.

And the lets start the client:

> ./client/mysql –socket=/tmp/mysql.sock –user=root –password=”px)NaaSp?6um”
ERROR 2059 (HY000): Plugin caching_sha2_password could not be loaded: /usr/local/mysql/lib/plugin/caching_sha2_password.so: cannot open shared object file: No such file or directory

Apparently MySQL 8.0 doesn’t work with old MySQL / MariaDB clients by default 🙁

I was testing this in a system with MariaDB installed, like all modern Linux system today, and didn’t want to use the MySQL clients or libraries.

I decided to try to fix this by changing the authentication to the native (original) MySQL authentication method.

> mysqld –skip-grant-tables

> ./client/mysql –socket=/tmp/mysql.sock –user=root
ERROR 1045 (28000): Access denied for user ‘root’@’localhost’ (using password: NO)

Apparently –skip-grant-tables is not good enough anymore. Let’s try again with:

> mysqld –skip-grant-tables –default_authentication_plugin=mysql_native_password

> ./client/mysql –socket=/tmp/mysql.sock –user=root mysql
Welcome to the MariaDB monitor. Commands end with ; or \g.
Your MySQL connection id is 7
Server version: 8.0.11 Source distribution

Great, we are getting somewhere, now lets fix “root”  to work with the old authenticaion:

MySQL [mysql]> update mysql.user set plugin=”mysql_native_password”,authentication_string=password(“test”) where user=”root”;
ERROR 1064 (42000): You have an error in your SQL syntax; check the manual that corresponds to your MySQL server version for the right syntax to use near ‘(“test”) where user=”root”‘ at line 1

A quick look in the MySQL 8.0 release notes told me that the PASSWORD() function is removed in 8.0. Why???? I don’t know how one in MySQL 8.0 is supposed to generate passwords compatible with old installations of MySQL. One could of course start an old MySQL or MariaDB version, execute the password() function and copy the result.

I decided to fix this the easy way and use an empty password:

(Update:: I later discovered that the right way would have been to use: FLUSH PRIVILEGES;  ALTER USER’ root’@’localhost’ identified by ‘test’  ; I however dislike this syntax as it has the password in clear text which is easy to grab and the command can’t be used to easily update the mysql.user table. One must also disable the –skip-grant mode to do use this)

MySQL [mysql]> update mysql.user set plugin=”mysql_native_password”,authentication_string=”” where user=”root”;
Query OK, 1 row affected (0.077 sec)
Rows matched: 1 Changed: 1 Warnings: 0
 
I restarted mysqld:
> mysqld –default_authentication_plugin=mysql_native_password

> ./client/mysql –user=root –password=”” mysql
ERROR 1862 (HY000): Your password has expired. To log in you must change it using a client that supports expired passwords.

Ouch, forgot that. Lets try again:

> mysqld –skip-grant-tables –default_authentication_plugin=mysql_native_password

> ./client/mysql –user=root –password=”” mysql
MySQL [mysql]> update mysql.user set password_expired=”N” where user=”root”;

Now restart and test worked:

> ./mysqld –default_authentication_plugin=mysql_native_password

>./client/mysql –user=root –password=”” mysql

Finally I had a working account that I can use to create other users!

When looking at mysqld –help –verbose again. I noticed the option:

–initialize-insecure
Create the default database and exit. Create a super user
with empty password.

I decided to check if this would have made things easier:

> rm -r /my/data3/*
> ./mysqld –defaults-file=/tmp/my.cnf –initialize-insecure

2018-04-22T13:18:06.629548Z 5 [Warning] [MY-010453] [Server] [email protected] is created with an empty password ! Please consider switching off the –initialize-insecure option.

Hm. Don’t understand the warning as–initialize-insecure is not an option that one would use more than one time and thus nothing one would ‘switch off’.

> ./mysqld –defaults-file=/tmp/my.cnf

> ./client/mysql –user=root –password=”” mysql
ERROR 2059 (HY000): Plugin caching_sha2_password could not be loaded: /usr/local/mysql/lib/plugin/caching_sha2_password.so: cannot open shared object file: No such file or directory

Back to the beginning 🙁

To get things to work with old clients, one has to initialize the database with:
> ./mysqld –defaults-file=/tmp/my.cnf –initialize-insecure –default_authentication_plugin=mysql_native_password

Now I finally had MySQL 8.0 up and running and thought I would take it up for a spin by running the “standard” MySQL/MariaDB sql-bench test suite. This was removed in MySQL 5.7, but as I happened to have MariaDB 10.3 installed, I decided to run it from there.

sql-bench is a single threaded benchmark that measures the “raw” speed for some common operations. It gives you the ‘maximum’ performance for a single query. Its different from other benchmarks that measures the maximum throughput when you have a lot of users, but sql-bench still tells you a lot about what kind of performance to expect from the database.

I tried first to be clever and create the “test” database, that I needed for sql-bench, with
> mkdir /my/data3/test

but when I tried to run the benchmark, MySQL 8.0 complained that the test database didn’t exist.

MySQL 8.0 has gone away from the original concept of MySQL where the user can easily
create directories and copy databases into the database directory. This may have serious
implication for anyone doing backup of databases and/or trying to restore a backup with normal OS commands.

I created the ‘test’ database with mysqladmin and then tried to run sql-bench:

> ./run-all-tests –user=root

The first run failed in test-ATIS:

Can’t execute command ‘create table class_of_service (class_code char(2) NOT NULL,rank tinyint(2) NOT NULL,class_description char(80) NOT NULL,PRIMARY KEY (class_code))’
Error: You have an error in your SQL syntax; check the manual that corresponds to your MySQL server version for the right syntax to use near ‘rank tinyint(2) NOT NULL,class_description char(80) NOT NULL,PRIMARY KEY (class_’ at line 1

This happened because ‘rank‘ is now a reserved word in MySQL 8.0. This is also reserved in ANSI SQL, but I don’t know of any other database that has failed to run test-ATIS before. I have in the past run it against Oracle, PostgreSQL, Mimer, MSSQL etc without any problems.

MariaDB also has ‘rank’ as a keyword in 10.2 and 10.3 but one can still use it as an identifier.

I fixed test-ATIS and then managed to run all tests on MySQL 8.0.

I did run the test both with MySQL 8.0 and MariaDB 10.3 with the InnoDB storage engine and by having identical values for all InnoDB variables, table-definition-cache and table-open-cache. I turned off performance schema for both databases. All test are run with a user with an empty password (to keep things comparable and because it’s was too complex to generate a password in MySQL 8.0)

The result are as follows
Results per test in seconds:

Operation         |MariaDB|MySQL-8|

———————————–
ATIS              | 153.00| 228.00|
alter-table       |  92.00| 792.00|
big-tables        | 990.00|2079.00|
connect           | 186.00| 227.00|
create            | 575.00|4465.00|
insert            |4552.00|8458.00|
select            | 333.00| 412.00|
table-elimination |1900.00|3916.00|
wisconsin         | 272.00| 590.00|
———————————–

This is of course just a first view of the performance of MySQL 8.0 in a single user environment. Some reflections about the results:

  • Alter-table test is slower (as expected) in 8.0 as some of the alter tests benefits of the instant add column in MariaDB 10.3.
  • connect test is also better for MariaDB as we put a lot of efforts to speed this up in MariaDB 10.2
  • table-elimination shows an optimization in MariaDB for the  Anchor table model, which MySQL doesn’t have.
  • CREATE and DROP TABLE is almost 8 times slower in MySQL 8.0 than in MariaDB 10.3. I assume this is the cost of ‘atomic DDL’. This may also cause performance problems for any thread using the data dictionary when another thread is creating/dropping tables.
  • When looking at the individual test results, MySQL 8.0 was slower in almost every test, in many significantly slower.
  • The only test where MySQL was faster was “update_with_key_prefix”. I checked this and noticed that there was a bug in the test and the columns was updated to it’s original value (which should be instant with any storage engine). This is an old bug that MySQL has found and fixed and that we have not been aware of in the test or in MariaDB.
  • While writing this, I noticed that MySQL 8.0 is now using utf8mb4 as the default character set instead of latin1. This may affect some of the benchmarks slightly (not much as most tests works with numbers and Oracle claims that utf8mb4 is only 20% slower than latin1), but needs to be verified.
  • Oracle claims that MySQL 8.0 is much faster on multi user benchmarks. The above test indicates that they may have done this by sacrificing single user performance.
  •  We need to do more and many different benchmarks to better understand exactly what is going on. Stay tuned!

Short summary of my first run with MySQL 8.0:

  • Using the new caching_sha2_password authentication as default for new installation is likely to cause a lot of problems for users. No old application will be able to use MySQL 8.0, installed with default options, without moving to MySQL’s client libraries. While working on this blog I saw MySQL users complain on IRC that not even MySQL Workbench can authenticate with MySQL 8.0. This is the first time in MySQL’s history where such an incompatible change has ever been done!
  • Atomic DDL is a good thing (We plan to have this in MariaDB 10.4), but it should not have such a drastic impact on performance. I am also a bit skeptical of MySQL 8.0 having just one copy of the data dictionary as if this gets corrupted you will lose all your data. (Single point of failure)
  • MySQL 8.0 has several new reserved words and has removed a lot of variables, which makes upgrades hard. Before upgrading to MySQL 8.0 one has to check all one’s databases and applications to ensure that there are no conflicts.
  • As my test above shows, if you have a single deprecated variable in your configuration files, the installation of MySQL will abort and can leave the database in inconsistent state. I did of course my tests by installing into an empty data dictionary, but one can assume that some of the problems may also happen when upgrading an old installation.

Conclusions:
In many ways, MySQL 8.0 has caught up with some earlier versions of MariaDB. For instance, in MariaDB 10.0, we introduced roles (four years ago). In MariaDB 10.1, we introduced encrypted redo/undo logs (three years ago). In MariaDB 10.2, we introduced window functions and CTEs (a year ago). However, some catch-up of MariaDB Server 10.2 features still remains for MySQL (such as check constraints, binlog compression, and log-based rollback).

MySQL 8.0 has a few new interesting features (mostly Atomic DDL and JSON TABLE functions), but at the same time MySQL has strayed away from some of the fundamental corner stone principles of MySQL:

From the start of the first version of MySQL in 1995, all development has been focused around 3 core principles:

  • Ease of use
  • Performance
  • Stability

With MySQL 8.0, Oracle has sacrifices 2 of 3 of these.

In addition (as part of ease of use), while I was working on MySQL, we did our best to ensure that the following should hold:

  • Upgrades should be trivial
  • Things should be kept compatible, if possible (don’t remove features/options/functions that are used)
  • Minimize reserved words, don’t remove server variables
  • One should be able to use normal OS commands to create and drop databases, copy and move tables around within the same system or between different systems. With 8.0 and data dictionary taking backups of specific tables will be hard, even if the server is not running.
  • mysqldump should always be usable backups and to move to new releases
  • Old clients and application should be able to use ‘any’ MySQL server version unchanged. (Some Oracle client libraries, like C++, by default only supports the new X protocol and can thus not be used with older MySQL or any MariaDB version)

We plan to add a data dictionary to MariaDB 10.4 or MariaDB 10.5, but in a way to not sacrifice any of the above principles!

The competition between MySQL and MariaDB is not just about a tactical arms race on features. It’s about design philosophy, or strategic vision, if you will.

This shows in two main ways: our respective view of the Storage Engine structure, and of the top-level direction of the roadmap.

On the Storage Engine side, MySQL is converging on InnoDB, even for clustering and partitioning. In doing so, they are abandoning the advantages of multiple ways of storing data. By contrast, MariaDB sees lots of value in the Storage Engine architecture: MariaDB Server 10.3 will see the general availability of MyRocks (for write-intensive workloads) and Spider (for scalable workloads). On top of that, we have ColumnStore for analytical workloads. One can use the CONNECT engine to join with other databases. The use of different storage engines for different workloads and different hardware is a competitive differentiator, now more than ever.

On the roadmap side, MySQL is carefully steering clear of features that close the gap between MySQL and Oracle. MariaDB has no such constraints. With MariaDB 10.3, we are introducing PL/SQL compatibility (Oracle’s stored procedures) and AS OF (built-in system versioned tables with point-in-time querying). For both of those features, MariaDB is the first Open Source database doing so. I don’t except Oracle to provide any of the above features in MySQL!

Also on the roadmap side, MySQL is not working with the ecosystem in extending the functionality. In 2017, MariaDB accepted more code contributions in one year, than MySQL has done during its entire lifetime, and the rate is increasing!

I am sure that the experience I had with testing MySQL 8.0 would have been significantly better if MySQL would have an open development model where the community could easily participate in developing and testing MySQL continuously. Most of the confusing error messages and strange behavior would have been found and fixed long before the GA release.

Before upgrading to MySQL 8.0 please read https://dev.mysql.com/doc/refman/8.0/en/upgrading-from-previous-series.html to see what problems you can run into! Don’t expect that old installations or applications will work out of the box without testing as a lot of features and options has been removed (query cache, partition of myisam tables etc)! You probably also have to revise your backup methods, especially if you want to ever restore just a few tables. (With 8.0, I don’t know how this can be easily done).

According to the MySQL 8.0 release notes, one can’t use mysqldump to copy a database to MySQL 8.0. One has to first to move to a MySQL 5.7 GA version (with mysqldump, as recommended by Oracle) and then to MySQL 8.0 with in-place update. I assume this means that all old mysqldump backups are useless for MySQL 8.0?

MySQL 8.0 seams to be a one way street to an unknown future. Up to MySQL 5.7 it has been trivial to move to MariaDB and one could always move back to MySQL with mysqldump. All MySQL client libraries has worked with MariaDB and all MariaDB client libraries has worked with MySQL. With MySQL 8.0 this has changed in the wrong direction.

As long as you are using MySQL 5.7 and below you have choices for your future, after MySQL 8.0 you have very little choice. But don’t despair, as MariaDB will always be able to load a mysqldump file and it’s very easy to upgrade your old MySQL installation to MariaDB 🙂

I wish you good luck to try MySQL 8.0 (and also the upcoming MariaDB 10.3)!

Announcing Coolest Projects North America

Post Syndicated from Courtney Lentz original https://www.raspberrypi.org/blog/coolest-projects-north-america/

The Raspberry Pi Foundation loves to celebrate people who use technology to solve problems and express themselves creatively, so we’re proud to expand the incredibly successful event Coolest Projects to North America. This free event will be held on Sunday 23 September 2018 at the Discovery Cube Orange County in Santa Ana, California.

Coolest Projects North America logo Raspberry Pi CoderDojo

What is Coolest Projects?

Coolest Projects is a world-leading showcase that empowers and inspires the next generation of digital creators, innovators, changemakers, and entrepreneurs. The event is both a competition and an exhibition to give young digital makers aged 7 to 17 a platform to celebrate their successes, creativity, and ingenuity.

showcase crowd — Coolest Projects North America

In 2012, Coolest Projects was conceived as an opportunity for CoderDojo Ninjas to showcase their work and for supporters to acknowledge these achievements. Week after week, Ninjas would meet up to work diligently on their projects, hacks, and code; however, it can be difficult for them to see their long-term progress on a project when they’re concentrating on its details on a weekly basis. Coolest Projects became a dedicated time each year for Ninjas and supporters to reflect, celebrate, and share both the achievements and challenges of the maker’s journey.

three female coolest projects attendees — Coolest Projects North America

Coolest Projects North America

Not only is Coolest Projects expanding to North America, it’s also expanding its participant pool! Members of our team have met so many amazing young people creating in all areas of the world, that it simply made sense to widen our outreach to include Code Clubs, students of Raspberry Pi Certified Educators, and members of the Raspberry Jam community at large as well as CoderDojo attendees.

 a boy showing a technology project to an old man, with a girl playing on a laptop on the floor — Coolest Projects North America

Exhibit and attend Coolest Projects

Coolest Projects is a free, family- and educator-friendly event. Young people can apply to exhibit their projects, and the general public can register to attend this one-day event. Be sure to register today, because you make Coolest Projects what it is: the coolest.

The post Announcing Coolest Projects North America appeared first on Raspberry Pi.

Reddit Copyright Complaints Jump 138% But Almost Half Get Rejected

Post Syndicated from Andy original https://torrentfreak.com/reddit-copyright-complaints-jump-138-but-almost-half-get-rejected-180411/

So-called ‘transparency reports’ are becoming increasingly popular with Internet-based platforms and their users. Among other things, they provide much-needed insight into how outsiders attempt to censor content published online and what actions are taken in response.

Google first started publishing its report in 2010, Twitter followed in 2012, and they’ve now been joined by a multitude of major companies including Microsoft, Facebook and Cloudflare.

As one of the world’s most recognized sites, Reddit joined the transparency party fairly late, publishing its first report in early 2015. While light on detail, it revealed that in the previous year the site received just 218 requests to remove content, 81% of which were DMCA-style copyright notices. A significant 62% of those copyright-related requests were rejected.

Over time, Reddit’s reporting has become a little more detailed. Last April it revealed that in 2016, the platform received ‘just’ 3,294 copyright removal requests for the entire year. However, what really caught the eye is how many notices were rejected. In just 610 instances, Reddit was required to remove content from the site, a rejection rate of 81%.

Having been a year since Reddit’s last report, the company has just published its latest edition, covering the period January 1, 2017 to December 31, 2017.

“Reddit publishes this transparency report every year as part of our ongoing commitment to keep you aware of the trends on the various requests regarding private Reddit user account information or removal of content posted to Reddit,” the company said in a statement.

“Reddit believes that maintaining this transparency is extremely important. We want you to be aware of this information, consider it carefully, and ask questions to keep us accountable.”

The detailed report covers a wide range of topics, including government requests for the preservation or production of user information (there were 310) and even an instruction to monitor one Reddit user’s activities in real time via a so-called ‘Trap and Trace’ order.

In copyright terms, there has been significant movement. In 2017, Reddit received 7,825 notifications of alleged copyright infringement under the Digital Millennium Copyright Act, that’s up roughly 138% over the 3,294 notifications received in 2016.

For a platform of Reddit’s unquestionable size, these volumes are not big. While the massive percentage increase is notable, the site still receives less than 10 complaints each day. For comparison, Google receives millions every week.

But perhaps most telling is that despite receiving more than 7,800 DMCA-style takedown notices, these resulted in Reddit carrying out just 4,352 removals. This means that for whatever reasons (Reddit doesn’t specify), 3,473 requests were denied, a rejection rate of 44.38%. Google, on the other hand, removes around 90% of content reported.

DMCA notices can be declared invalid for a number of reasons, from incorrect formatting through to flat-out abuse. In many cases, copyright law is incorrectly applied and it’s not unknown for complainants to attempt a DMCA takedown to stifle speech or perceived competition.

Reddit says it tries to take all things into consideration before removing content.

“Reddit reviews each DMCA takedown notice carefully, and removes content where a valid report is received, as required by the law,” the company says.

“Reddit considers whether the reported content may fall under an exception listed in the DMCA, such as ‘fair use,’ and may ask for clarification that will assist in the review of the removal request.”

Considering the numbers of community-focused “subreddits” dedicated to piracy (not just general discussion, but actual links to content), the low numbers of copyright notices received by Reddit continues to baffle.

There are sections in existence right now offering many links to movies and TV shows hosted on various file-hosting sites. They’re the type of links that are targeted all the time whenever they appear in Google search but copyright owners don’t appear to notice or care about them on Reddit.

Finally, it would be nice if Reddit could provide more information in next year’s report, including detail on why so many requests are rejected. Perhaps regular submission of notices to the Lumen Database would be something Reddit would consider for the future.

Reddit’s Transparency Report for 2017 can be found here.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

PUBG Files Copyright Lawsuit to Shut Down Competition

Post Syndicated from Ernesto original https://torrentfreak.com/pubg-files-copyright-lawsuit-to-shut-down-competition-180405/

When PlayerUnknown’s Battlegrounds (PUBG) was first released little over a year ago, it became an instant hit.

Within a month a million copies of the first public beta version were sold and this has since grown to over 28 million copies on the PC alone.

This success earned the company hundreds of millions of dollars in revenue, but according to PUBG, this could have been much more if others hadn’t copied their work.

This week PUBG filed a lawsuit against NetEase, the company behind the mobile games “Rules of Survival” and “Knives Out“, accusing it of copyright infringement, unfair competition and trade dress infringement.

In a complaint filed in a federal court in California, PUBG alleges that the two mobile apps were released before PUBG’s own mobile application to gain market share. In doing so, the company copied several crucial elements without permission, PUBG adds.

The 155-page complaint lists a long summary of elements that PUBG believes are infringing on its copyrighted works. This includes buildings, landscapes, vehicles, weapons, clothing, the pre-play area, and the shrinking gameplay area.

“On information and belief, Defendants copied PUBG’s expressive depictions of the pre-play area where other depictions could have been used for the purpose of evoking the same gameplay experience depicted in BATTLEGROUNDS,” one example reads.

The games also feature PUBG’s iconic “Winner Winner Chicken Dinner” salute, which is displayed to the winner of the game. In addition, both games use references to this phrase in their advertising efforts.

Chicken dinner

These and other similarities are used to confuse the public into believing that the NetEase games are developed by PUBG, the company notes, repeating the same arguments for Rules of Survival (ROS) and Knives Out (KO).

“Defendants intended to create consumer confusion as to the source of ROS and intended to cause consumers to believe, incorrectly, that ROS had been developed by PUBG.”

The company highlights this point by noting that both games are regularly referred to as “PUBG” mobile in the marketplace, suggesting that there indeed is confusion.

PUBG mobile?

In January, PUBG reached out to Apple asking the company to take action against the allegedly infringing applications listed in its iOS store but NetEase denied the allegations.

As a result, the company saw no other option than to file this lawsuit. In addition to monetary damages, PUBG wants both mobile games to be taken offline permanently, to shield the company from further harm.

“PUBG has suffered irreparable harm as a result of Defendants’ infringing activities and will continue to suffer irreparable harm in the future unless Defendants are enjoined from their infringing conduct,” the suit reads.

Specifically, PUBG asks the court to order NetEase “to remove each and every version of the games Rules of Survival, Knives Out, and similarly infringing games, from distribution and to cease developing and supporting those games.”

While it appears obvious that Rules of Survival and Knives Out are inspired by PUBG, it’s up to the court to determine whether the copyright infringement and unfair competition claims hold.

A copy of PUBG’s 155-page complaint, obtained by TorrentFreak, is available here (pdf). NetEase has yet to respond to the allegations.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Backblaze Announces B2 Compute Partnerships

Post Syndicated from Gleb Budman original https://www.backblaze.com/blog/introducing-cloud-compute-services/

Backblaze Announces B2 Compute Partnerships

In 2015, we announced Backblaze B2 Cloud Storage — the most affordable, high performance storage cloud on the planet. The decision to release B2 as a service was in direct response to customers asking us if they could use the same cloud storage infrastructure we use for our Computer Backup service. With B2, we entered a market in direct competition with Amazon S3, Google Cloud Services, and Microsoft Azure Storage. Today, we have over 500 petabytes of data from customers in over 150 countries. At $0.005 / GB / month for storage (1/4th of S3) and $0.01 / GB for downloads (1/5th of S3), it turns out there’s a healthy market for cloud storage that’s easy and affordable.

As B2 has grown, customers wanted to use our cloud storage for a variety of use cases that required not only storage but compute. We’re happy to say that through partnerships with Packet & ServerCentral, today we’re announcing that compute is now available for B2 customers.

Cloud Compute and Storage

Backblaze has directly connected B2 with the compute servers of Packet and ServerCentral, thereby allowing near-instant (< 10 ms) data transfers between services. Also, transferring data between B2 and both our compute partners is free.

  • Storing data in B2 and want to run an AI analysis on it? — There are no fees to move the data to our compute partners.
  • Generating data in an application? — Run the application with one of our partners and store it in B2.
  • Transfers are free and you’ll save more than 50% off of the equivalent set of services from AWS.

These partnerships enable B2 customers to use compute, give our compute partners’ customers access to cloud storage, and introduce new customers to industry-leading storage and compute — all with high-performance, low-latency, and low-cost.

Is This a Big Deal? We Think So

Compute is one of the most requested services from our customers Why? Because it unlocks a number of use cases for them. Let’s look at three popular examples:

Transcoding Media Files

B2 has earned wide adoption in the Media & Entertainment (“M&E”) industry. Our affordable storage and download pricing make B2 great for a wide variety of M&E use cases. But many M&E workflows require compute. Content syndicators, like American Public Television, need the ability to transcode files to meet localization and distribution management requirements.

There are a multitude of reasons that transcode is needed — thumbnail and proxy generation enable M&E professionals to work efficiently. Without compute, the act of transcoding files remains cumbersome. Either the files need to be brought down from the cloud, transcoded, and then pushed back up or they must be kept locally until the project is complete. Both scenarios are inefficient.

Starting today, any content producer can spin up compute with one of our partners, pay by the hour for their transcode processing, and return the new media files to B2 for storage and distribution. The company saves money, moves faster, and ensures their files are safe and secure.

Disaster Recovery

Backblaze’s heritage is based on providing outstanding backup services. When you have incredibly affordable cloud storage, it ends up being a great destination for your backup data.

Most enterprises have virtual machines (“VMs”) running in their infrastructure and those VMs need to be backed up. In a disaster scenario, a business wants to know they can get back up and running quickly.

With all data stored in B2, a business can get up and running quickly. Simply restore your backed up VM to one of our compute providers, and your business will be able to get back online.

Since B2 does not place restrictions, delays, or penalties on getting data out, customers can get back up and running quickly and affordably.

Saving $74 Million (aka “The Dropbox Effect”)

Ten years ago, Backblaze decided that S3 was too costly a platform to build its cloud storage business. Instead, we created the Backblaze Storage Pod and our own cloud storage infrastructure. That decision enabled us to offer our customers storage at a previously unavailable price point and maintain those prices for over a decade. It also laid the foundation for Netflix Open Connect and Facebook Open Compute.

Dropbox recently migrated the majority of their cloud services off of AWS and onto Dropbox’s own infrastructure. By leaving AWS, Dropbox was able to build out their own data centers and still save over $74 Million. They achieved those savings by avoiding the fees AWS charges for storing and downloading data, which, incidentally, are five times higher than Backblaze B2.

For Dropbox, being able to realize savings was possible because they have access to enough capital and expertise that they can build out their own infrastructure. For companies that have such resources and scale, that’s a great answer.

“Before this offering, the economics of the cloud would have made our business simply unviable.” — Gabriel Menegatti, SlicingDice

The questions Backblaze and our compute partners pondered was “how can we democratize the Dropbox effect for our storage and compute customers? How can we help customers do more and pay less?” The answer we came up with was to connect Backblaze’s B2 storage with strategic compute partners and remove any transfer fees between them. You may not save $74 million as Dropbox did, but you can choose the optimal providers for your use case and realize significant savings in the process.

This Sounds Good — Tell Me More About Your Partners

We’re very fortunate to be launching our compute program with two fantastic partners in Packet and ServerCentral. These partners allow us to offer a range of computing services.

Packet

We recommend Packet for customers that need on-demand, high performance, bare metal servers available by the hour. They also have robust offerings for private / customized deployments. Their offerings end up costing 50-75% of the equivalent offerings from EC2.

To get started with Packet and B2, visit our partner page on Packet.net.

ServerCentral

ServerCentral is the right partner for customers that have business and IT challenges that require more than “just” hardware. They specialize in fully managed, custom cloud solutions that solve complex business and IT challenges. ServerCentral also has expertise in managed network solutions to address global connectivity and content delivery.

To get started with ServerCentral and B2, visit our partner page on ServerCentral.com.

What’s Next?

We’re excited to find out. The combination of B2 and compute unlocks use cases that were previously impossible or at least unaffordable.

“The combination of performance and price offered by this partnership enables me to create an entirely new business line. Before this offering, the economics of the cloud would have made our business simply unviable,” noted Gabriel Menegatti, co-founder at SlicingDice, a serverless data warehousing service. “Knowing that transfers between compute and B2 are free means I don’t have to worry about my business being successful. And, with download pricing from B2 at just $0.01 GB, I know I’m avoiding a 400% tax from AWS on data I retrieve.”

What can you do with B2 & compute? Please share your ideas with us in the comments. And, for those attending NAB 2018 in Las Vegas next week, please come by and say hello!

The post Backblaze Announces B2 Compute Partnerships appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.

Iflix Sees Piracy as Main Competitor, Not Netflix

Post Syndicated from Ernesto original https://torrentfreak.com/iflix-sees-piracy-as-main-competitor-not-netflix-180330/

While Netflix is without a doubt the most used paid video streaming service worldwide, there are dozens of smaller players fighting for a piece of the pie.

Iflix is one of these companies. The service is available in 25 countries across Asia, the Middle East, and Africa, streaming movies and TV-shows to 6.5 million subscribers.

In the coming years, the streaming service hopes to expand its reach by offering a better product than its competition. This includes the likes of Netflix and Amazon, but iflix sees piracy as its main adversary.

“That is really the big player,” Sherwin dela Cruz, iflix’s country manager, says in an interview with ANC’s The Boss.

“The sooner we get people to pay for our service and watch content in one of the real services, I think that’s when we can say that the market is really growing.”

Dela Cruz sees the music industry as a good example, where services such as Spotify offer a relatively complete alternative to piracy. As a result, illegal downloading has decreased in countries where it became available.

“That’s sort of like the aspiration for us – to get more people to have just one, two or three services and just watch what they want to watch on their mobile phones without really looking at pirated content,” dela Cruz says.

Interestingly, iflix doesn’t only see piracy as a problem that needs to be quashed. At the moment, they also use it as market intelligence to find out what content local audiences are interested in.

Iflix uses the German company TECXIPIO, which is known to actively monitor BitTorrent traffic, to track local piracy trends. In addition, they also buy pirated DVDs from street vendors to find out what people want.

This information is used to license the content people are most interested in, so it can offer the best possible alternative to piracy.

The company previously informed us that they believe that piracy is a signal from the public that they can’t get what they want through legal options. Going forward, Iflix hopes to grow its user base by directly competing with piracy.

“We believe that people in emerging markets do not actively want to steal content, they do so because there is no better alternative,” iflix concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

MagPi 68: an in-depth look at the new Raspberry Pi 3B+

Post Syndicated from Rob Zwetsloot original https://www.raspberrypi.org/blog/magpi-68/

Hi folks, Rob from The MagPi here! You may remember that a couple of weeks ago, the Raspberry Pi 3 Model B+ was released, the updated version of the Raspberry Pi 3 Model B. It’s better, faster, and stronger than the original and it’s also the main topic in The MagPi issue 68, out now!

Everything you need to know about the new Raspberry Pi 3B+

What goes into ‘plussing’ a Raspberry Pi? We talked to Eben Upton and Roger Thornton about the work that went into making the Raspberry Pi 3B+, and we also have all the benchmarks to show you just how much the new Pi 3B+ has been improved.

Super fighting robots

Did you know that the next Pi Wars is soon? The 2018 Raspberry Pi robotics competition is taking place later in April, and we’ve got a full feature on what to expect, as well as top tips on how to make your own kick-punching robot for the next round.

More to read

Still want more after all that? Well, we have our usual excellent selection of outstanding project showcases, reviews, and tutorials to keep you entertained.

See pictures from Raspberry Pi’s sixth birthday, celebrated around the world!

This includes amazing projects like a custom Pi-powered, Switch-esque retro games console, a Minecraft Pi hack that creates a house at the touch of a button, and the Matrix Voice.

With a Pi and a 3D printer, you can make something as cool as this!

Get The MagPi 68

Issue 68 is available today from WHSmith, Tesco, Sainsbury’s, and Asda. If you live in the US, head over to your local Barnes & Noble or Micro Center in the next few days for a print copy. You can also get the new issue online from our store, or digitally via our Android and iOS apps. And don’t forget, there’s always the free PDF as well.

New subscription offer!

Want to support the Raspberry Pi Foundation and the magazine? We’ve launched a new way to subscribe to the print version of The MagPi: you can now take out a monthly £4 subscription to the magazine, effectively creating a rolling pre-order system that saves you money on each issue.

You can also take out a twelve-month print subscription and get a Pi Zero W, Pi Zero case, and adapter cables absolutely free! This offer does not currently have an end date.

That’s it for now. See you next month!

The post MagPi 68: an in-depth look at the new Raspberry Pi 3B+ appeared first on Raspberry Pi.

GoDaddy Ordered to Suspend Four Music Piracy Domains

Post Syndicated from Andy original https://torrentfreak.com/godaddy-ordered-to-suspend-four-music-piracy-domains-180327/

There are many methods used by copyright holders and the authorities in their quest to disable access to pirate sites.

Site blocking is one of the most popular but pressure can also be placed on web hosts to prevent them from doing business with questionable resources. A skip from one host to another usually solves the problem, however.

Another option is to target sites’ domains directly, by putting pressure on their registrars. It’s a practice that has famously seen The Pirate Bay burn through numerous domains in recent years, only for it to end up back on its original domain, apparently unscathed. Other sites, it appears, aren’t always so lucky.

As a full member of IFPI, the Peruvian Union of Phonographic Producers (UNIMPRO) protects the rights of record labels and musicians. Like its counterparts all over the world, UNIMPRO has a piracy problem and a complaint filed against four ‘pirate’ sites will now force the world’s largest domain registrar into action.

Mp3Juices-Download-Free.com, Melodiavip.net, Foxmusica.site and Fulltono.me were all music sites offering MP3 content without the copyright holders’ permission. None are currently available but the screenshot below shows how the first platform appeared before it was taken offline.

MP3 Juices Downnload Free

Following a complaint against the sites by UNIMPRO, the Copyright Commission (Comisión de Derecho de Autor) conducted an investigation into the platforms’ activities. The Commission found that the works they facilitated access to infringed copyright. It was also determined that each site generated revenue from advertising.

Given the illegal nature of the sites and the high volume of visitors they attract, the Commission determined that they were causing “irreparable damage” to legitimate copyright holders. Something, therefore, needed to be done.

The action against the sites involved the National Institute for the Defense of Competition and the Protection of Intellectual Property (Indecopi), an autonomous public body of the Peruvian state tasked with handling anti-competitive behavior, unfair competition, and intellectual property matters.

Indecopi HQ

After assessing the evidence, Indecopi, through the Copyright Commission, issued precautionary (interim) measures compelling US-based GoDaddy, the world’s largest domain registrar which handles the domains for all four sites, to suspend them with immediate effect.

“The Copyright Commission of INDECOPI issued four precautionary measures in order that the US company Godaddy.com, LLC (in its capacity as registrar of domain names) suspend the domains of four websites, through which it would have infringed the legislation on Copyright and Related Rights, by making available a large number of musical phonograms without the corresponding authorization, to the detriment of its legitimate owners,” Indecopi said in a statement.

“The suspension was based on the great evidence that was provided by the Commission, on the four websites that infringe copyright, and in the framework of the policy of support for the protection of intellectual property.”

Indecopi says that GoDaddy can file an appeal against the decision. At the time of writing, none of the four domains currently returns a working website.

TorrentFreak has requested a comment from GoDaddy but at the time of publication, we were yet to receive a response.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Friday Squid Blogging: Giant Squid Stealing Food from Each Other

Post Syndicated from Bruce Schneier original https://www.schneier.com/blog/archives/2018/03/friday_squid_bl_617.html

An interesting hunting strategy:

Off of northern Spain, giant squid often feed on schools of fish called blue whiting. The schools swim 400 meters or less below the surface, while the squid prefer to hang out around a mile deep. The squid must ascend to hunt, probably seizing fish from below with their tentacles, then descend again. In this scenario, a squid could save energy by pirating food from its neighbor rather than hunting its own fish, Guerra says: If the target squid has already carried its prey back to the depths to eat, the pirate could save itself a trip up to the shallow water. Staying below would also protect a pirate from predators such as dolphins and sperm whales that hang around the fish schools.

If a pirate happened to kill its victim, it would also reduce competition. The scientists think that’s what happened with the Bares squid: Its tentacles were ripped off in the fight over food. “The victim, disoriented and wounded, could enter a warmer mass of water in which the efficiency of their blood decreases markedly,” the authors write in a recent paper in the journal Ecology. “In this way, the victim, almost asphyxiated, would be at the mercy of the marine currents, being dragged toward the coast.”

It’s called “food piracy.”

As usual, you can also use this squid post to talk about the security stories in the news that I haven’t covered.

Read my blog posting guidelines here.

Spanish Netflix Competitor Filmin Partnered With Leading Pirate Site

Post Syndicated from Ernesto original https://torrentfreak.com/spanish-netflix-competitor-partnered-leading-pirate-site-180310/

In 2011 Hollywood’s MPAA highlighted SeriesYonkis as one of the most prolific pirate sites on the Internet.

“With a worldwide Alexa rank of 855, Seriesyonkis.com is one the most visited websites in the world for locating and streaming unauthorized copies of motion picture and television content,” Hollywood’s industry group informed the US Government.

While the MPAA was calling for tough enforcement actions, film industry partners in Spain came up with a different plan. They signed an unprecedented deal with the pirate site in 2011, hoping to convert its users into paying customers.

The main figures in this unusual episode are Juan Carlos Tous, the founder of the legal streaming platform Filmin, and SeriesYonkis owner Alexis Hoepfner, who operated the pirate site under his company Burn Media.

With help from lawyer Andy Ramos they negotiated a unique deal that would ‘merge’ both businesses. According to local newspaper El Confidencial, which has seen a copy of the agreement, SeriesYonkis company would get a 23% stake in Filmin, on the condition that pirate links were replaced with legal ones within a set period.

The entire agreement was kept secret by a confidentiality clause, which worked well until a few days ago.

SeriesYonkis also made two loans of 250,000 euros available, which were convertible into shares. In addition to the above, Filmin also offered compensation for every pirate it converted, up to 10 euros per user that signed up for an annual subscription.

The agreement further stipulated that SeriesYonkis had to apologize for its pirate ways. Point five stressed that SeriesYonkis and other Burn Media sites had to “carry out communication and awareness actions so that the users of the websites understand the need to legally access audiovisual content.”

Interestingly, SeriesYonkis wasn’t planning to go down and let other pirate sites take its traffic. The agreement included a clause that obligated Filmin to spend 25,000 euros to shut down or reduce traffic to other pirate sites.

The episode took place when Spain was about to implement its Sinde law, which would make it hard for local pirate sites in a country that was considered a “safe haven” at the time. However, not everything went according to plan.

The Sinde law didn’t destroy all Spanish pirate sites and six months after signing the agreement, SeriesYonkis stopped deleting pirate links. Even worse, its owner launched several new pirate sites, such as SeriesCoco and SeriesKiwi.

Filmin’s founder was outraged and sent an email demanding answers.

“I would like to hear your opinion on the progress and explanation of your plan with SeriesCoco! I do not understand anything! I thought you were going to decrease, and I see that you are opening portals!! WTF!” Tous wrote.

The deal eventually fell apart. Filmin kept its shares and stopped paying for new referrals. SeriesYonkis’ company Burn Media filed a lawsuit to get back its money, but thus far that hasn’t happened.

According to an insider close to the deal, the idea was brilliant. SeriesYonkis reportedly earned millions of euros at the time, more than Filmin, and used this money to go legal and destroy the competition ahead of a tough new anti-piracy law.

“The pirate not only abandons its weapons, but is integrated into the industry, and uses capital earned from piracy to fight against it,” a source told El Confidencial.

“It was a winning deal for everyone,” another source added, regretting that it didn’t work out. “It was a very bold agreement, something unusual in this sector, that would have changed the scenario if it had worked.”

Today, roughly seven years after the agreement was set into motion, Filmin is one of the larger streaming platforms in Spain. SeriesYonkis is also still around, but was sold by Hoefner in 2016 and no longer links to pirated content.

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Bell Asks Employees to Back Pirate Site Blocking Plan

Post Syndicated from Ernesto original https://torrentfreak.com/bell-asks-employees-to-back-pirate-site-blocking-plan-180222/

Last month, a coalition of Canadian companies called on the local telecom regulator CRTC to establish a local pirate site blocking program, which would be the first of its kind in North America.

The Canadian deal is supported by Fairplay Canada, a coalition of both copyright holders and major players in the Telco industry, such as Bell and Rogers, which also have media companies of their own.

Thus far, there’s been a fair amount of opposition to the proposal. While CTRC is reviewing FairPlay Canada’s plans, OpenMedia has launched a petition to stop the effort in its tracks, which has already been signed by tens of thousands of Canadians.

However, there are also people who are backing the blocking efforts. In some cases, with a gentle push from their employer.

Canadian law Professor Micheal Geist, who’s one of the most vocal opponents of the blocking plans, recently tweeted a note Bell sent to its employees. Through an internal message, the ISP asks its workers to “help stop online piracy and protect content creators.”

Bell’s internal message

The company clearly hopes that its employees will back the site-blocking agenda, but according to Geist, this may not be the best way to do it.

Geist points out that the internal message doesn’t encourage employees to disclose their affiliation with Bell. This raises eyebrows, in particular, because Bell agreed to a $1.25 million settlement in 2015 after it encouraged some employees to write positive reviews and ratings on Bell apps.

In this case, the message has nothing to with app ratings, but it’s clear that the company is encouraging its employees to support a regulatory effort that serves Bell’s interests.

“All Canadians can provide their views on the website blocking proposal, but corporate encouragement to employees to participate in regulatory processes on the company’s behalf may raise the kinds of concerns regarding misleading impressions that sparked the Commissioner of Competition to intervene in 2015,” Geist’s writes in a blog post.

Even if Bell’s request is ‘fair play’ and within the boundaries of what’s allowed, it may do more harm than good.

Geist’s observation was picked up by local media with iPhoneinCanada describing Bell’s effort as “disingenuous,” which might lead to even more opposition in response.

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Game Companies Oppose DMCA Exemption for ‘Abandoned’ Online Games

Post Syndicated from Ernesto original https://torrentfreak.com/game-companies-oppose-dmca-exemption-for-abandoned-online-games-180217/

There are a lot of things people are not allowed to do under US copyright law, but perhaps just as importantly there are exemptions.

The U.S. Copyright Office is currently considering whether or not to loosen the DMCA’s anti-circumvention provisions, which prevent the public from ‘tinkering’ with DRM-protected content and devices.

These provisions are renewed every three years after the Office hears various arguments from the public. One of the major topics on the agenda this year is the preservation of abandoned games.

The Copyright Office previously included game preservation exemptions to keep these games accessible. This means that libraries, archives, and museums can use emulators and other circumvention tools to make old classics playable.

Late last year several gaming fans including the Museum of Art and Digital Entertainment (the MADE), a nonprofit organization operating in California, argued for an expansion of this exemption to also cover online games. This includes games in the widely popular multiplayer genre, which require a connection to an online server.

“Although the Current Exemption does not cover it, preservation of online video games is now critical,” MADE wrote in its comment to the Copyright Office.

“Online games have become ubiquitous and are only growing in popularity. For example, an estimated fifty-three percent of gamers play multiplayer games at least once a week, and spend, on average, six hours a week playing with others online.”

This week, the Entertainment Software Association (ESA), which acts on behalf of prominent members including Electonic Arts, Nintendo and Ubisoft, opposed the request.

While they are fine with the current game-preservation exemption, expanding it to online games goes too far, they say. This would allow outsiders to recreate online game environments using server code that was never published in public.

It would also allow a broad category of “affiliates” to help with this which, according to the ESA, could include members of the public

“The proponents characterize these as ‘slight modifications’ to the existing exemption. However they are nothing of the sort. The proponents request permission to engage in forms of circumvention that will enable the complete recreation of a hosted video game-service environment and make the video game available for play by a public audience.”

“Worse yet, proponents seek permission to deputize a legion of ‘affiliates’ to assist in their activities,” ESA adds.

The proposed changes would enable and facilitate infringing use, the game companies warn. They fear that outsiders such as MADE will replicate the game servers and allow the public to play these abandoned games, something games companies would generally charge for. This could be seen as direct competition.

MADE, for example, already charges the public to access its museum so they can play games. This can be seen as commercial use under the DMCA, ESA points out.

“Public performance and display of online games within a museum likewise is a commercial use within the meaning of Section 107. MADE charges an admission fee – ‘$10 to play games all day’.

“Under the authority summarized above, public performance and display of copyrighted works to generate entrance fee revenue is a commercial use, even if undertaken by a nonprofit museum,” the ESA adds.

The ESA also stresses that their members already make efforts to revive older games themselves. There is a vibrant and growing market for “retro” games, which games companies are motivated to serve, they say.

The games companies, therefore, urge the Copyright Office to keep the status quo and reject any exemptions for online games.

“In sum, expansion of the video game preservation exemption as contemplated by Class 8 is not a ‘modest’ proposal. Eliminating the important limitations that the Register provided when adopting the current exemption risks the possibility of wide-scale infringement and substantial market harm,” they write.

The Copyright Office will take all arguments into consideration before it makes a final decision. It’s clear that the wishes of game preservation advocates, such as MADE, are hard to unite with the interests of the game companies, so one side will clearly be disappointed with the outcome.

A copy of ESA’s submissionavailablelble here (pdf).

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EFF Urges US Copyright Office To Reject Proactive ‘Piracy’ Filters

Post Syndicated from Andy original https://torrentfreak.com/eff-urges-us-copyright-office-to-reject-proactive-piracy-filters-180213/

Faced with millions of individuals consuming unlicensed audiovisual content from a variety of sources, entertainment industry groups have been seeking solutions closer to the roots of the problem.

As widespread site-blocking attempts to tackle ‘pirate’ sites in the background, greater attention has turned to legal platforms that host both licensed and unlicensed content.

Under current legislation, these sites and services can do business relatively comfortably due to the so-called safe harbor provisions of the US Digital Millennium Copyright Act (DMCA) and the European Union Copyright Directive (EUCD).

Both sets of legislation ensure that Internet platforms can avoid being held liable for the actions of others provided they themselves address infringement when they are made aware of specific problems. If a video hosting site has a copy of an unlicensed movie uploaded by a user, for example, it must be removed within a reasonable timeframe upon request from the copyright holder.

However, in both the US and EU there is mounting pressure to make it more difficult for online services to achieve ‘safe harbor’ protections.

Entertainment industry groups believe that platforms use the law to turn a blind eye to infringing content uploaded by users, content that is often monetized before being taken down. With this in mind, copyright holders on both sides of the Atlantic are pressing for more proactive regimes, ones that will see Internet platforms install filtering mechanisms to spot and discard infringing content before it can reach the public.

While such a system would be welcomed by rightsholders, Internet companies are fearful of a future in which they could be held more liable for the infringements of others. They’re supported by the EFF, who yesterday presented a petition to the US Copyright Office urging caution over potential changes to the DMCA.

“As Internet users, website owners, and online entrepreneurs, we urge you to preserve and strengthen the Digital Millennium Copyright Act safe harbors for Internet service providers,” the EFF writes.

“The DMCA safe harbors are key to keeping the Internet open to all. They allow anyone to launch a website, app, or other service without fear of crippling liability for copyright infringement by users.”

It is clear that pressure to introduce mandatory filtering is a concern to the EFF. Filters are blunt instruments that cannot fathom the intricacies of fair use and are liable to stifle free speech and stymie innovation, they argue.

“Major media and entertainment companies and their surrogates want Congress to replace today’s DMCA with a new law that would require websites and Internet services to use automated filtering to enforce copyrights.

“Systems like these, no matter how sophisticated, cannot accurately determine the copyright status of a work, nor whether a use is licensed, a fair use, or otherwise non-infringing. Simply put, automated filters censor lawful and important speech,” the EFF warns.

While its introduction was voluntary and doesn’t affect the company’s safe harbor protections, YouTube already has its own content filtering system in place.

ContentID is able to detect the nature of some content uploaded by users and give copyright holders a chance to remove or monetize it. The company says that the majority of copyright disputes are now handled by ContentID but the system is not perfect and mistakes are regularly flagged by users and mentioned in the media.

However, ContentID was also very expensive to implement so expecting smaller companies to deploy something similar on much more limited budgets could be a burden too far, the EFF warns.

“What’s more, even deeply flawed filters are prohibitively expensive for all but the largest Internet services. Requiring all websites to implement filtering would reinforce the market power wielded by today’s large Internet services and allow them to stifle competition. We urge you to preserve effective, usable DMCA safe harbors, and encourage Congress to do the same,” the EFF notes.

The same arguments, for and against, are currently raging in Europe where the EU Commission proposed mandatory upload filtering in 2016. Since then, opposition to the proposals has been fierce, with warnings of potential human rights breaches and conflicts with existing copyright law.

Back in the US, there are additional requirements for a provider to qualify for safe harbor, including having a named designated agent tasked with receiving copyright infringement notifications. This person’s name must be listed on a platform’s website and submitted to the US Copyright Office, which maintains a centralized online directory of designated agents’ contact information.

Under new rules, agents must be re-registered with the Copyright Office every three years, despite that not being a requirement under the DMCA. The EFF is concerned that by simply failing to re-register an agent, an otherwise responsible website could lose its safe harbor protections, even if the agent’s details have remained the same.

“We’re concerned that the new requirement will particularly disadvantage small and nonprofit websites. We ask you to reconsider this rule,” the EFF concludes.

The EFF’s letter to the Copyright Office can be found here.

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Pirate Streaming Search Engine Exploits Crunchyroll Vulnerability

Post Syndicated from Ernesto original https://torrentfreak.com/pirate-streaming-search-engine-exploits-crunchyroll-vulnerability-180213/

With 20 million members around the world, Crunchyroll is one of the largest on-demand streaming platforms for anime and manga content.

Much like Hollywood, the site has competition from pirate streaming sites which offer their content without permission. These usually stream pirated videos which are hosted on external sites.

However, this week Crunchyroll is facing a more direct attack. The people behind the new streaming meta-search engine StreamCR say they’ve found a way to stream the site’s content from its own servers, without paying.

“This works due to a vulnerability in the Crunchyroll system,” StreamCR’s operators tell TorrentFreak.

Simply put, StreamCR uses an active Crunchyroll account to locate the video streams and embeds this on its own website. This allows people to access Crunchyroll videos in the best quality without paying.

“This gives access to the full library in the region of our server, retrieving it as long as we’re not bound by the regular regional restriction. For this, we pick a US server as American Crunchyroll has the most library of content.

Stream in various qualities

The exploit was developed in-house, the StreamCR team informs us. While it works fine at the moment the team realizes that this may not last forever, as Crunchyroll might eventually patch the vulnerability.

However, the meta-search engine will have made its point by then.

“We expect them to fix this, Why wouldn’t they? In the meantime, this can demonstrate how vulnerable Crunchyroll is at the moment,” they tell us.

The site’s ultimate plan is to become the go-to search engine for people looking to stream all kinds of pirated videos. In addition to Crunchyroll, StreamCR also indexes various pirate sites, including YesMovies, Gomovies, and 9anime.

“StreamCR’s goal is to let people access streams with ease from a universal site, we’re trying to have a Google-like experience for finding online streams,” they say.

TorrentFreak reached out to Crunchyroll asking for a comment on the issue, but at the time of publication, we have yet to hear back.

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US Online Piracy Lawsuits Skyrocket in the New Year

Post Syndicated from Ernesto original https://torrentfreak.com/u-s-online-piracy-lawsuits-skyrocket-in-the-new-year-180211/

Since the turn of the last decade, numerous people have been sued for illegal file-sharing in US courts.

Initially, these lawsuits targeted hundreds or thousands of BitTorrent users per case, but this practice has been rooted out since. Now, most file-sharing cases target a single person, up to a dozen or two at most.

While there may be fewer defendants, there are still plenty of lawsuits filed every month. These generally come from a small group of companies, regularly referred to as “copyright trolls,” who are looking to settle with the alleged pirates.

According to Lex Machina, there were 1,019 file-sharing cases filed in the United States last year, which is an average of 85 per month. More than half of these came from adult entertainment outfit Malibu Media (X-Art), which alone was good for 550 lawsuits.

While those are decent numbers, they could easily be shattered this year. Data collected by TorrentFreak shows that during the first month of 2018, three copyright holders filed a total of 286 lawsuits against alleged pirates. That’s three times more than the monthly average for 2017.

As expected, Malibu Media takes the crown with 138 lawsuits, but not by a large margin. Strike 3 Holdings, which distributes its adult videos via the Blacked, Tushy, and Vixen websites, comes in second place with 133 cases.

Some Malibu Media cases

While Strike 3 Holdings is a relative newcomer, their cases follow a similar pattern. There are also clear links to Malibu Media, as one of the company’s former lawyers, Emilie Kennedy, now works as in-house counsel at Strike 3.

The only non-adult copyright holder that filed cases against alleged BitTorrent pirates was Bodyguard Productions. The company filed 15 cases against downloaders of The Hitman’s Bodyguard, totaling a few dozen defendants.

While these numbers are significant, it’s hard to predict whether the increase will persist. Lawsuits targeted at BitTorrent users often come in waves, and the same companies that flooded the courts with cases last month could easily take a break the next.

While copyright holders have every right to go after people who share their work without permission, these type of cases are not without controversy.

Several judges have referred used strong terms including “harassment,” to describe some of the tactics that are used, and the IP-address evidence is not always trusted either.

That said, there’s no evidence that Malibu Media and others are done yet.

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Court Orders Hosting Provider to Stop Pirate Premier League Streams

Post Syndicated from Ernesto original https://torrentfreak.com/court-orders-hosting-provider-to-stop-pirate-premier-league-streams-180126/

In many parts of the world football, or soccer as some would call it, is the number one spectator sport.

The English Premier League, widely regarded as one the top competitions, draws hundreds of millions of viewers per year. Many of these pay for access to the matches, but there’s also a massive circuit of unauthorized streams.

The Football Association Premier League (FAPL) has been clamping down on these pirate sources for years. In the UK, for example, it obtained a unique High Court injunction last year, which requires local Internet providers to block streams as they go live.

In addition, the organization has also filed legal action against a hosting provider through which several live sports streaming sites are operating. The case in question was filed in the Netherlands where Ecatel LTD, a UK company, operated several servers.

According to the complaint, Ecatel hosted sites such as cast247.tv, streamlive.to and iguide.to, which allowed visitors to watch live Premier League streams without paying.

As the streaming platforms themselves were not responsive to takedown requests, the Premier League demanded action from their hosting provider. Specifically, they wanted the company to disconnect live streams on their end, by null-routing the servers of the offending customer.

This week the Court of The Hague issued its judgment, which is a clear win for the football association.

The Court ruled that, after the hosting company receives a takedown notice from FAPL or one of its agents, Ecatel must disconnect pirate Premier League streams within 30 minutes.

“[The Court] recommends that, after 24 hours of service of this judgment, Ecatel cease and discontinue any service used by third parties to infringe the copyright to FAPL by promptly but no later than 30 minutes after receipt of a request to that end,” the verdict reads.

The ban can be lifted after the game has ended, making it a temporary measure similar to the UK Internet provider blockades. If Ecatel fails to comply, it faces a penalty of €5,000 for each illegal stream, to a maximum of € 1,500,000.

While the order is good news for the Premier League, it will be hard to enforce, since Ecatel LTD was dissolved last year. Another hosting company called Novogara was previously linked with Ecatel and is still active, but that is not mentioned in the court order.

This means that the order will mostly be valuable as a precedent. Especially since it goes against an earlier order from 2015, which Emerce pointed out. This warrants a closer look at how the Court reached its decision.

In its defense, Ecatel had argued that an obligation to disconnect customers based on a takedown notice would be disproportionate and violate its entrepreneurial freedoms. The latter is protected by the EU Charter of Fundamental Rights.

The Court, however, highlights that there is a clash between the entrepreneurial rights of Ecatel and the copyrights of FAPL in this case. This requires the Court to weigh these rights to see which prevails over the other.

According to the verdict, the measures Ecatel would have to take to comply are not overly costly. The company already null-routed customers who failed to pay, so the technical capabilities are there.

Ecatel also argued that disconnecting a server could affect legal content that’s provided by its customers. However, according to the Court, Ecatel is partly to blame for this, as it does business with customers who seemingly don’t have a proper takedown process themselves. This is something the company could have included in their contracts.

As a result, the Court put the copyrights of FAPL above the entrepreneurial freedom rights of the hosting provider.

The second right that has to be weighed is the public’s right to freedom of expression and information. While the Court rules that this right is limited by the measures, it argues that the rights of copyright holders weigh stronger.

“Admittedly, this freedom [of expression and information] is restricted, but according to the order, this will only apply for the duration of the offending streams. Furthermore, as said, this will only take place if the stream has not already been blocked in another way,” the Court writes.

If any legal content is affected by the measures then the offending streaming platform itself will experience more pressure from users to deal with the problem, and offer a suitable takedown procedure to prevent similar problems in the future, the Court notes.

TorrentFreak reached out to FAPL and Ecatel’s lawyers for a comment on the verdict but at the time of writing we haven’t heard back.

The verdict appears to be a powerful precedent for copyright holders. Kim Kuik, director of local anti-piracy group BREIN, is pleased with the outcome. While BREIN was not involved in this lawsuit, it previously sued Ecatel in another case.

“It is a good precedent. An intermediary like Ecatel has its accountability and must have an effective notice and take down procedure,” Kuik tells TorrentFreak.

“Too bad it wasn’t also against the people behind Ecatel, who now can continue using another vehicle. The judge thinks this verdict serves a warning to them. Time will tell if that is so.”

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Are Torrent Sites Using DMCA Notices to Quash Their Competition?

Post Syndicated from Ernesto original https://torrentfreak.com/are-torrent-sites-using-dmca-notices-to-quash-their-competition-180114/

Every day, copyright holders send out millions of takedown notices to various services, hoping to protect their works.

While most of these requests are legitimate, the process is also being abused. Google prominently features examples of such dubious DMCA requests in its transparency report.

This week we were contacted by the owner of YTS.me after he noticed some unusual activity. In recent weeks his domain name has been targeted with a series of takedown notices from rather unusual people.

Senders with names such as Niklas Glockner, Michelle Williams, Maria Baader, Stefan Kuefer, Anja Herzog, and Markus Ostermann asked Google to remove thousands of YTS.me URLs.

Every notice lists just one movie title, but hundreds of links, most of which have nothing to do with the movie in question.

A few URLs from a single notice

These submitters are all relatively new and there is no sign that they are authorized by the applicable copyright holder. This, and the long list of irrelevant URLs suggest that these DMCA notices are abusive.

The owner of YTS.me believes that the senders have a clear motive. The purpose of the notices is to remove well-ranked pages and push the targeted sites down in Google’s search results.

“These all are fake people names submitting fake DMCA complaints and are not authorized to submit complaints,” the YTS.me operator notes.

“Even if they are real people they would have submitted, or are authorized to submit, complaints for only a few titles. Instead, they submit fake complaints and submit all the URLs possible on our website to degrade its ranking.”

The question that remains is, who is responsible for these notices? Looking at the list of sites that are targeted by these abusive senders we see a pattern emerge. They all target copycats of defunct sites such as YTS and ExtraTorrent.

Markus Osterman’s activity

This leads the YTS.me operator to the conclusion that one of its main competitors is sending these notices. While there is no hard evidence, it seems plausible that another YTS copycat is attempting to take the competition out of Google’s search results to gain more exposure itself.

YTS.me has a good idea of who the perpetrator(s) are – a person or group that also operates several other copycat sites. Thus far there’s no bulletproof evidence though, but it’s a likely explanation.

In any case, the DMCA takedown requests are definitely out of order and warrant further investigation by Google.

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