Post Syndicated from Andy original https://torrentfreak.com/youtube-refuses-to-process-dmca-counternotice-for-creepy-bugs-cartoon-200328/
Earlier this week we reported on a dark parody cartoon depicting a washed-out Bugs Bunny as a sex pest. The controversial video was created by Hunter Hancock, the person behind the MeatCanyon channel.
It was hit with a copyright complaint by Warner Bros. As a result, the MeatCanyon channel received a copyright strike and the cartoon was taken down.
When a video is targeted by a copyright holder with a manual complaint (i.e one not actioned as a result of ContentID matching), users can generally refer to the DMCA for guidance. This means that if they believe their content was not infringing (under fair use guidelines, for example), they can submit a DMCA counternotice to YouTube explaining why the content should not have been taken down.
This is exactly what Hancock did in response to the Warner complaint.
“This is my own creation. I animated every frame, composed the music, recorded the audio and made the backgrounds,” he told YouTube in his counternotice shared with TorrentFreak.
“This creation is under fair use,” he continued. “The characters have been stylized by myself to not reflect directly with the traditional characters. There is no branded logo to incite that this is a real video owned by Warner Brothers, but is in fact a parody video created by none other than by myself.”
As required under the law, Hancock swore that he had a “good faith belief” that the material had been removed due to a mistake and also consented to the jurisdiction of his local federal court, in case Warner chose to sue him – something it must do within two weeks to prevent the content from being restored. Should that time pass with no lawsuit, then the content would’ve been put back up and the strike removed.
In the event, however, none of those things happened. In short, YouTube declined to accept the apparently valid DMCA counternotice filed by Hancock and refused to pass it on to Warner.
“Based on the information you provided, it appears that you do not have the necessary rights to post the content on YouTube. Therefore, we regretfully cannot honor your request. It has not been forwarded to the original claimant, and we will not be able to restore your video,” YouTube’s correspondence reads.
While this response from YouTube runs counter to what most people would expect under the DMCA counter-claim process, it is not unprecedented. The EFF previously reported that agreements YouTube has with rightsholders may effectively deny access to the system.
“In many instances, even if you successfully submit a DMCA counter-notice, the video will not be reinstated. These agreements are opaque, and scope of what’s allowed under them is unknown. They may be short-term, or long-term,” the EFF previously explained.
In this case, the refusal of YouTube to allow a counter-claim represents a double-edged sword. While Hancock submitted the notice in good faith, genuinely believing he was in a good position to put his side of the argument by insisting he was protected under fair use doctrines, the reality of dealing with a lawsuit, should one be initiated, is a serious proposition and not to be underestimated.
After being denied by YouTube and further consideration, he decided that fighting probably wasn’t the best option after all.
“I am in no place to fight this in court due to financial reasons. It seems unnecessary to start a GoFund me or ask for help, because it’s between me and Warner Brothers,” he told TF.
“It also made me think YouTube wanted the video off the platform. It is a very crude video so I can’t blame them for that, but it would’ve been nice to have been given more information on why this video was unacceptable to stay up on my page. It’s very disheartening.”
While the decision by YouTube will be viewed by some as anti-consumer and a denial of due process, in this case the platform arguably did the animator a favor. Instead of expending resources he doesn’t have on a legal process that could go either way and could even prove financially ruinous, he can now concentrate on creating new content for fans.
Some battles are worth fighting but it’s definitely worth weighing the costs first.