Tag Archives: creative

Singapore ISPs Block 53 Pirate Sites Following MPAA Legal Action

Post Syndicated from Andy original https://torrentfreak.com/singapore-isps-block-53-pirate-sites-following-mpaa-legal-action-180521/

Under increasing pressure from copyright holders, in 2014 Singapore passed amendments to copyright law that allow ISPs to block ‘pirate’ sites.

“The prevalence of online piracy in Singapore turns customers away from legitimate content and adversely affects Singapore’s creative sector,” said then Senior Minister of State for Law Indranee Rajah.

“It can also undermine our reputation as a society that respects the protection of intellectual property.”

After the amendments took effect in December 2014, there was a considerable pause before any websites were targeted. However, in September 2016, at the request of the MPA(A), Solarmovie.ph became the first website ordered to be blocked under Singapore’s amended Copyright Act. The High Court subsequently ordering several major ISPs to disable access to the site.

A new wave of blocks announced this morning are the country’s most significant so far, with dozens of ‘pirate’ sites targeted following a successful application by the MPAA earlier this year.

In total, 53 sites across 154 domains – including those operated by The Pirate Bay plus KickassTorrents and Solarmovie variants – have been rendered inaccessible by ISPs including Singtel, StarHub, M1, MyRepublic and ViewQwest.

“In Singapore, these sites are responsible for a major portion of copyright infringement of films and television shows,” an MPAA spokesman told The Straits Times (paywall).

“This action by rights owners is necessary to protect the creative industry, enabling creators to create and keep their jobs, protect their works, and ensure the continued provision of high-quality content to audiences.”

Before granting a blocking injunction, the High Court must satisfy itself that the proposed online locations meet the threshold of being “flagrantly infringing”. This means that a site like YouTube, which carries a lot of infringing content but is not dedicated to infringement, would not ordinarily get caught up in the dragnet.

Sites considered for blocking must have a primary purpose to infringe, a threshold that is tipped in copyright holders’ favor when the sites’ operators display a lack of respect for copyright law and have already had their domains blocked in other jurisdictions.

The Court also weighs a number of additional factors including whether blocking would place an unacceptable burden on the shoulders of ISPs, whether the blocking demand is technically possible, and whether it will be effective.

In common with other regions such as the UK and Australia, for example, sites targeted for blocking must be informed of the applications made against them, to ensure they’re given a chance to defend themselves in court. No fully-fledged ‘pirate’ site has ever defended a blocking application in Singapore or indeed any jurisdiction in the world.

Finally, should any measures be taken by ‘pirate’ sites to evade an ISP blockade, copyright holders can apply to the Singapore High Court to amend the blocking order. This is similar to the Australian model where each application must be heard on its merits, rather than the UK model where a more streamlined approach is taken.

According to a recent report by Motion Picture Association Canada, at least 42 countries are now obligated to block infringing sites. In Europe alone, 1,800 sites and 5,300 domains have been rendered inaccessible, with Portugal, Italy, the UK, and Denmark leading the way.

In Canada, where copyright holders are lobbying hard for a site-blocking regime of their own, there’s pressure to avoid the “uncertain, slow and expensive” route of going through the courts.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

AWS IoT 1-Click – Use Simple Devices to Trigger Lambda Functions

Post Syndicated from Jeff Barr original https://aws.amazon.com/blogs/aws/aws-iot-1-click-use-simple-devices-to-trigger-lambda-functions/

We announced a preview of AWS IoT 1-Click at AWS re:Invent 2017 and have been refining it ever since, focusing on simplicity and a clean out-of-box experience. Designed to make IoT available and accessible to a broad audience, AWS IoT 1-Click is now generally available, along with new IoT buttons from AWS and AT&T.

I sat down with the dev team a month or two ago to learn about the service so that I could start thinking about my blog post. During the meeting they gave me a pair of IoT buttons and I started to think about some creative ways to put them to use. Here are a few that I came up with:

Help Request – Earlier this month I spent a very pleasant weekend at the HackTillDawn hackathon in Los Angeles. As the participants were hacking away, they occasionally had questions about AWS, machine learning, Amazon SageMaker, and AWS DeepLens. While we had plenty of AWS Solution Architects on hand (decked out in fashionable & distinctive AWS shirts for easy identification), I imagined an IoT button for each team. Pressing the button would alert the SA crew via SMS and direct them to the proper table.

Camera ControlTim Bray and I were in the AWS video studio, prepping for the first episode of Tim’s series on AWS Messaging. Minutes before we opened the Twitch stream I realized that we did not have a clean, unobtrusive way to ask the camera operator to switch to a closeup view. Again, I imagined that a couple of IoT buttons would allow us to make the request.

Remote Dog Treat Dispenser – My dog barks every time a stranger opens the gate in front of our house. While it is great to have confirmation that my Ring doorbell is working, I would like to be able to press a button and dispense a treat so that Luna stops barking!

Homes, offices, factories, schools, vehicles, and health care facilities can all benefit from IoT buttons and other simple IoT devices, all managed using AWS IoT 1-Click.

All About AWS IoT 1-Click
As I said earlier, we have been focusing on simplicity and a clean out-of-box experience. Here’s what that means:

Architects can dream up applications for inexpensive, low-powered devices.

Developers don’t need to write any device-level code. They can make use of pre-built actions, which send email or SMS messages, or write their own custom actions using AWS Lambda functions.

Installers don’t have to install certificates or configure cloud endpoints on newly acquired devices, and don’t have to worry about firmware updates.

Administrators can monitor the overall status and health of each device, and can arrange to receive alerts when a device nears the end of its useful life and needs to be replaced, using a single interface that spans device types and manufacturers.

I’ll show you how easy this is in just a moment. But first, let’s talk about the current set of devices that are supported by AWS IoT 1-Click.

Who’s Got the Button?
We’re launching with support for two types of buttons (both pictured above). Both types of buttons are pre-configured with X.509 certificates, communicate to the cloud over secure connections, and are ready to use.

The AWS IoT Enterprise Button communicates via Wi-Fi. It has a 2000-click lifetime, encrypts outbound data using TLS, and can be configured using BLE and our mobile app. It retails for $19.99 (shipping and handling not included) and can be used in the United States, Europe, and Japan.

The AT&T LTE-M Button communicates via the LTE-M cellular network. It has a 1500-click lifetime, and also encrypts outbound data using TLS. The device and the bundled data plan is available an an introductory price of $29.99 (shipping and handling not included), and can be used in the United States.

We are very interested in working with device manufacturers in order to make even more shapes, sizes, and types of devices (badge readers, asset trackers, motion detectors, and industrial sensors, to name a few) available to our customers. Our team will be happy to tell you about our provisioning tools and our facility for pushing OTA (over the air) updates to large fleets of devices; you can contact them at [email protected].

AWS IoT 1-Click Concepts
I’m eager to show you how to use AWS IoT 1-Click and the buttons, but need to introduce a few concepts first.

Device – A button or other item that can send messages. Each device is uniquely identified by a serial number.

Placement Template – Describes a like-minded collection of devices to be deployed. Specifies the action to be performed and lists the names of custom attributes for each device.

Placement – A device that has been deployed. Referring to placements instead of devices gives you the freedom to replace and upgrade devices with minimal disruption. Each placement can include values for custom attributes such as a location (“Building 8, 3rd Floor, Room 1337”) or a purpose (“Coffee Request Button”).

Action – The AWS Lambda function to invoke when the button is pressed. You can write a function from scratch, or you can make use of a pair of predefined functions that send an email or an SMS message. The actions have access to the attributes; you can, for example, send an SMS message with the text “Urgent need for coffee in Building 8, 3rd Floor, Room 1337.”

Getting Started with AWS IoT 1-Click
Let’s set up an IoT button using the AWS IoT 1-Click Console:

If I didn’t have any buttons I could click Buy devices to get some. But, I do have some, so I click Claim devices to move ahead. I enter the device ID or claim code for my AT&T button and click Claim (I can enter multiple claim codes or device IDs if I want):

The AWS buttons can be claimed using the console or the mobile app; the first step is to use the mobile app to configure the button to use my Wi-Fi:

Then I scan the barcode on the box and click the button to complete the process of claiming the device. Both of my buttons are now visible in the console:

I am now ready to put them to use. I click on Projects, and then Create a project:

I name and describe my project, and click Next to proceed:

Now I define a device template, along with names and default values for the placement attributes. Here’s how I set up a device template (projects can contain several, but I just need one):

The action has two mandatory parameters (phone number and SMS message) built in; I add three more (Building, Room, and Floor) and click Create project:

I’m almost ready to ask for some coffee! The next step is to associate my buttons with this project by creating a placement for each one. I click Create placements to proceed. I name each placement, select the device to associate with it, and then enter values for the attributes that I established for the project. I can also add additional attributes that are peculiar to this placement:

I can inspect my project and see that everything looks good:

I click on the buttons and the SMS messages appear:

I can monitor device activity in the AWS IoT 1-Click Console:

And also in the Lambda Console:

The Lambda function itself is also accessible, and can be used as-is or customized:

As you can see, this is the code that lets me use {{*}}include all of the placement attributes in the message and {{Building}} (for example) to include a specific placement attribute.

Now Available
I’ve barely scratched the surface of this cool new service and I encourage you to give it a try (or a click) yourself. Buy a button or two, build something cool, and let me know all about it!

Pricing is based on the number of enabled devices in your account, measured monthly and pro-rated for partial months. Devices can be enabled or disabled at any time. See the AWS IoT 1-Click Pricing page for more info.

To learn more, visit the AWS IoT 1-Click home page or read the AWS IoT 1-Click documentation.

Jeff;

 

Amazon Sumerian – Now Generally Available

Post Syndicated from Jeff Barr original https://aws.amazon.com/blogs/aws/amazon-sumerian-now-generally-available/

We announced Amazon Sumerian at AWS re:Invent 2017. As you can see from Tara‘s blog post (Presenting Amazon Sumerian: An Easy Way to Create VR, AR, and 3D Experiences), Sumerian does not require any specialized programming or 3D graphics expertise. You can build VR, AR, and 3D experiences for a wide variety of popular hardware platforms including mobile devices, head-mounted displays, digital signs, and web browsers.

I’m happy to announce that Sumerian is now generally available. You can create realistic virtual environments and scenes without having to acquire or master specialized tools for 3D modeling, animation, lighting, audio editing, or programming. Once built, you can deploy your finished creation across multiple platforms without having to write custom code or deal with specialized deployment systems and processes.

Sumerian gives you a web-based editor that you can use to quickly and easily create realistic, professional-quality scenes. There’s a visual scripting tool that lets you build logic to control how objects and characters (Sumerian Hosts) respond to user actions. Sumerian also lets you create rich, natural interactions powered by AWS services such as Amazon Lex, Polly, AWS Lambda, AWS IoT, and Amazon DynamoDB.

Sumerian was designed to work on multiple platforms. The VR and AR apps that you create in Sumerian will run in browsers that supports WebGL or WebVR and on popular devices such as the Oculus Rift, HTC Vive, and those powered by iOS or Android.

During the preview period, we have been working with a broad spectrum of customers to put Sumerian to the test and to create proof of concept (PoC) projects designed to highlight an equally broad spectrum of use cases, including employee education, training simulations, field service productivity, virtual concierge, design and creative, and brand engagement. Fidelity Labs (the internal R&D unit of Fidelity Investments), was the first to use a Sumerian host to create an engaging VR experience. Cora (the host) lives within a virtual chart room. She can display stock quotes, pull up company charts, and answer questions about a company’s performance. This PoC uses Amazon Polly to implement text to speech and Amazon Lex for conversational chatbot functionality. Read their blog post and watch the video inside to see Cora in action:

Now that Sumerian is generally available, you have the power to create engaging AR, VR, and 3D experiences of your own. To learn more, visit the Amazon Sumerian home page and then spend some quality time with our extensive collection of Sumerian Tutorials.

Jeff;

 

Analyze Apache Parquet optimized data using Amazon Kinesis Data Firehose, Amazon Athena, and Amazon Redshift

Post Syndicated from Roy Hasson original https://aws.amazon.com/blogs/big-data/analyzing-apache-parquet-optimized-data-using-amazon-kinesis-data-firehose-amazon-athena-and-amazon-redshift/

Amazon Kinesis Data Firehose is the easiest way to capture and stream data into a data lake built on Amazon S3. This data can be anything—from AWS service logs like AWS CloudTrail log files, Amazon VPC Flow Logs, Application Load Balancer logs, and others. It can also be IoT events, game events, and much more. To efficiently query this data, a time-consuming ETL (extract, transform, and load) process is required to massage and convert the data to an optimal file format, which increases the time to insight. This situation is less than ideal, especially for real-time data that loses its value over time.

To solve this common challenge, Kinesis Data Firehose can now save data to Amazon S3 in Apache Parquet or Apache ORC format. These are optimized columnar formats that are highly recommended for best performance and cost-savings when querying data in S3. This feature directly benefits you if you use Amazon Athena, Amazon Redshift, AWS Glue, Amazon EMR, or any other big data tools that are available from the AWS Partner Network and through the open-source community.

Amazon Connect is a simple-to-use, cloud-based contact center service that makes it easy for any business to provide a great customer experience at a lower cost than common alternatives. Its open platform design enables easy integration with other systems. One of those systems is Amazon Kinesis—in particular, Kinesis Data Streams and Kinesis Data Firehose.

What’s really exciting is that you can now save events from Amazon Connect to S3 in Apache Parquet format. You can then perform analytics using Amazon Athena and Amazon Redshift Spectrum in real time, taking advantage of this key performance and cost optimization. Of course, Amazon Connect is only one example. This new capability opens the door for a great deal of opportunity, especially as organizations continue to build their data lakes.

Amazon Connect includes an array of analytics views in the Administrator dashboard. But you might want to run other types of analysis. In this post, I describe how to set up a data stream from Amazon Connect through Kinesis Data Streams and Kinesis Data Firehose and out to S3, and then perform analytics using Athena and Amazon Redshift Spectrum. I focus primarily on the Kinesis Data Firehose support for Parquet and its integration with the AWS Glue Data Catalog, Amazon Athena, and Amazon Redshift.

Solution overview

Here is how the solution is laid out:

 

 

The following sections walk you through each of these steps to set up the pipeline.

1. Define the schema

When Kinesis Data Firehose processes incoming events and converts the data to Parquet, it needs to know which schema to apply. The reason is that many times, incoming events contain all or some of the expected fields based on which values the producers are advertising. A typical process is to normalize the schema during a batch ETL job so that you end up with a consistent schema that can easily be understood and queried. Doing this introduces latency due to the nature of the batch process. To overcome this issue, Kinesis Data Firehose requires the schema to be defined in advance.

To see the available columns and structures, see Amazon Connect Agent Event Streams. For the purpose of simplicity, I opted to make all the columns of type String rather than create the nested structures. But you can definitely do that if you want.

The simplest way to define the schema is to create a table in the Amazon Athena console. Open the Athena console, and paste the following create table statement, substituting your own S3 bucket and prefix for where your event data will be stored. A Data Catalog database is a logical container that holds the different tables that you can create. The default database name shown here should already exist. If it doesn’t, you can create it or use another database that you’ve already created.

CREATE EXTERNAL TABLE default.kfhconnectblog (
  awsaccountid string,
  agentarn string,
  currentagentsnapshot string,
  eventid string,
  eventtimestamp string,
  eventtype string,
  instancearn string,
  previousagentsnapshot string,
  version string
)
STORED AS parquet
LOCATION 's3://your_bucket/kfhconnectblog/'
TBLPROPERTIES ("parquet.compression"="SNAPPY")

That’s all you have to do to prepare the schema for Kinesis Data Firehose.

2. Define the data streams

Next, you need to define the Kinesis data streams that will be used to stream the Amazon Connect events.  Open the Kinesis Data Streams console and create two streams.  You can configure them with only one shard each because you don’t have a lot of data right now.

3. Define the Kinesis Data Firehose delivery stream for Parquet

Let’s configure the Data Firehose delivery stream using the data stream as the source and Amazon S3 as the output. Start by opening the Kinesis Data Firehose console and creating a new data delivery stream. Give it a name, and associate it with the Kinesis data stream that you created in Step 2.

As shown in the following screenshot, enable Record format conversion (1) and choose Apache Parquet (2). As you can see, Apache ORC is also supported. Scroll down and provide the AWS Glue Data Catalog database name (3) and table names (4) that you created in Step 1. Choose Next.

To make things easier, the output S3 bucket and prefix fields are automatically populated using the values that you defined in the LOCATION parameter of the create table statement from Step 1. Pretty cool. Additionally, you have the option to save the raw events into another location as defined in the Source record S3 backup section. Don’t forget to add a trailing forward slash “ / “ so that Data Firehose creates the date partitions inside that prefix.

On the next page, in the S3 buffer conditions section, there is a note about configuring a large buffer size. The Parquet file format is highly efficient in how it stores and compresses data. Increasing the buffer size allows you to pack more rows into each output file, which is preferred and gives you the most benefit from Parquet.

Compression using Snappy is automatically enabled for both Parquet and ORC. You can modify the compression algorithm by using the Kinesis Data Firehose API and update the OutputFormatConfiguration.

Be sure to also enable Amazon CloudWatch Logs so that you can debug any issues that you might run into.

Lastly, finalize the creation of the Firehose delivery stream, and continue on to the next section.

4. Set up the Amazon Connect contact center

After setting up the Kinesis pipeline, you now need to set up a simple contact center in Amazon Connect. The Getting Started page provides clear instructions on how to set up your environment, acquire a phone number, and create an agent to accept calls.

After setting up the contact center, in the Amazon Connect console, choose your Instance Alias, and then choose Data Streaming. Under Agent Event, choose the Kinesis data stream that you created in Step 2, and then choose Save.

At this point, your pipeline is complete.  Agent events from Amazon Connect are generated as agents go about their day. Events are sent via Kinesis Data Streams to Kinesis Data Firehose, which converts the event data from JSON to Parquet and stores it in S3. Athena and Amazon Redshift Spectrum can simply query the data without any additional work.

So let’s generate some data. Go back into the Administrator console for your Amazon Connect contact center, and create an agent to handle incoming calls. In this example, I creatively named mine Agent One. After it is created, Agent One can get to work and log into their console and set their availability to Available so that they are ready to receive calls.

To make the data a bit more interesting, I also created a second agent, Agent Two. I then made some incoming and outgoing calls and caused some failures to occur, so I now have enough data available to analyze.

5. Analyze the data with Athena

Let’s open the Athena console and run some queries. One thing you’ll notice is that when we created the schema for the dataset, we defined some of the fields as Strings even though in the documentation they were complex structures.  The reason for doing that was simply to show some of the flexibility of Athena to be able to parse JSON data. However, you can define nested structures in your table schema so that Kinesis Data Firehose applies the appropriate schema to the Parquet file.

Let’s run the first query to see which agents have logged into the system.

The query might look complex, but it’s fairly straightforward:

WITH dataset AS (
  SELECT 
    from_iso8601_timestamp(eventtimestamp) AS event_ts,
    eventtype,
    -- CURRENT STATE
    json_extract_scalar(
      currentagentsnapshot,
      '$.agentstatus.name') AS current_status,
    from_iso8601_timestamp(
      json_extract_scalar(
        currentagentsnapshot,
        '$.agentstatus.starttimestamp')) AS current_starttimestamp,
    json_extract_scalar(
      currentagentsnapshot, 
      '$.configuration.firstname') AS current_firstname,
    json_extract_scalar(
      currentagentsnapshot,
      '$.configuration.lastname') AS current_lastname,
    json_extract_scalar(
      currentagentsnapshot, 
      '$.configuration.username') AS current_username,
    json_extract_scalar(
      currentagentsnapshot, 
      '$.configuration.routingprofile.defaultoutboundqueue.name') AS               current_outboundqueue,
    json_extract_scalar(
      currentagentsnapshot, 
      '$.configuration.routingprofile.inboundqueues[0].name') as current_inboundqueue,
    -- PREVIOUS STATE
    json_extract_scalar(
      previousagentsnapshot, 
      '$.agentstatus.name') as prev_status,
    from_iso8601_timestamp(
      json_extract_scalar(
        previousagentsnapshot, 
       '$.agentstatus.starttimestamp')) as prev_starttimestamp,
    json_extract_scalar(
      previousagentsnapshot, 
      '$.configuration.firstname') as prev_firstname,
    json_extract_scalar(
      previousagentsnapshot, 
      '$.configuration.lastname') as prev_lastname,
    json_extract_scalar(
      previousagentsnapshot, 
      '$.configuration.username') as prev_username,
    json_extract_scalar(
      previousagentsnapshot, 
      '$.configuration.routingprofile.defaultoutboundqueue.name') as current_outboundqueue,
    json_extract_scalar(
      previousagentsnapshot, 
      '$.configuration.routingprofile.inboundqueues[0].name') as prev_inboundqueue
  from kfhconnectblog
  where eventtype <> 'HEART_BEAT'
)
SELECT
  current_status as status,
  current_username as username,
  event_ts
FROM dataset
WHERE eventtype = 'LOGIN' AND current_username <> ''
ORDER BY event_ts DESC

The query output looks something like this:

Here is another query that shows the sessions each of the agents engaged with. It tells us where they were incoming or outgoing, if they were completed, and where there were missed or failed calls.

WITH src AS (
  SELECT
     eventid,
     json_extract_scalar(currentagentsnapshot, '$.configuration.username') as username,
     cast(json_extract(currentagentsnapshot, '$.contacts') AS ARRAY(JSON)) as c,
     cast(json_extract(previousagentsnapshot, '$.contacts') AS ARRAY(JSON)) as p
  from kfhconnectblog
),
src2 AS (
  SELECT *
  FROM src CROSS JOIN UNNEST (c, p) AS contacts(c_item, p_item)
),
dataset AS (
SELECT 
  eventid,
  username,
  json_extract_scalar(c_item, '$.contactid') as c_contactid,
  json_extract_scalar(c_item, '$.channel') as c_channel,
  json_extract_scalar(c_item, '$.initiationmethod') as c_direction,
  json_extract_scalar(c_item, '$.queue.name') as c_queue,
  json_extract_scalar(c_item, '$.state') as c_state,
  from_iso8601_timestamp(json_extract_scalar(c_item, '$.statestarttimestamp')) as c_ts,
  
  json_extract_scalar(p_item, '$.contactid') as p_contactid,
  json_extract_scalar(p_item, '$.channel') as p_channel,
  json_extract_scalar(p_item, '$.initiationmethod') as p_direction,
  json_extract_scalar(p_item, '$.queue.name') as p_queue,
  json_extract_scalar(p_item, '$.state') as p_state,
  from_iso8601_timestamp(json_extract_scalar(p_item, '$.statestarttimestamp')) as p_ts
FROM src2
)
SELECT 
  username,
  c_channel as channel,
  c_direction as direction,
  p_state as prev_state,
  c_state as current_state,
  c_ts as current_ts,
  c_contactid as id
FROM dataset
WHERE c_contactid = p_contactid
ORDER BY id DESC, current_ts ASC

The query output looks similar to the following:

6. Analyze the data with Amazon Redshift Spectrum

With Amazon Redshift Spectrum, you can query data directly in S3 using your existing Amazon Redshift data warehouse cluster. Because the data is already in Parquet format, Redshift Spectrum gets the same great benefits that Athena does.

Here is a simple query to show querying the same data from Amazon Redshift. Note that to do this, you need to first create an external schema in Amazon Redshift that points to the AWS Glue Data Catalog.

SELECT 
  eventtype,
  json_extract_path_text(currentagentsnapshot,'agentstatus','name') AS current_status,
  json_extract_path_text(currentagentsnapshot, 'configuration','firstname') AS current_firstname,
  json_extract_path_text(currentagentsnapshot, 'configuration','lastname') AS current_lastname,
  json_extract_path_text(
    currentagentsnapshot,
    'configuration','routingprofile','defaultoutboundqueue','name') AS current_outboundqueue,
FROM default_schema.kfhconnectblog

The following shows the query output:

Summary

In this post, I showed you how to use Kinesis Data Firehose to ingest and convert data to columnar file format, enabling real-time analysis using Athena and Amazon Redshift. This great feature enables a level of optimization in both cost and performance that you need when storing and analyzing large amounts of data. This feature is equally important if you are investing in building data lakes on AWS.

 


Additional Reading

If you found this post useful, be sure to check out Analyzing VPC Flow Logs with Amazon Kinesis Firehose, Amazon Athena, and Amazon QuickSight and Work with partitioned data in AWS Glue.


About the Author

Roy Hasson is a Global Business Development Manager for AWS Analytics. He works with customers around the globe to design solutions to meet their data processing, analytics and business intelligence needs. Roy is big Manchester United fan cheering his team on and hanging out with his family.

 

 

 

Amazon Aurora Backtrack – Turn Back Time

Post Syndicated from Jeff Barr original https://aws.amazon.com/blogs/aws/amazon-aurora-backtrack-turn-back-time/

We’ve all been there! You need to make a quick, seemingly simple fix to an important production database. You compose the query, give it a once-over, and let it run. Seconds later you realize that you forgot the WHERE clause, dropped the wrong table, or made another serious mistake, and interrupt the query, but the damage has been done. You take a deep breath, whistle through your teeth, wish that reality came with an Undo option. Now what?

New Amazon Aurora Backtrack
Today I would like to tell you about the new backtrack feature for Amazon Aurora. This is as close as we can come, given present-day technology, to an Undo option for reality.

This feature can be enabled at launch time for all newly-launched Aurora database clusters. To enable it, you simply specify how far back in time you might want to rewind, and use the database as usual (this is on the Configure advanced settings page):

Aurora uses a distributed, log-structured storage system (read Design Considerations for High Throughput Cloud-Native Relational Databases to learn a lot more); each change to your database generates a new log record, identified by a Log Sequence Number (LSN). Enabling the backtrack feature provisions a FIFO buffer in the cluster for storage of LSNs. This allows for quick access and recovery times measured in seconds.

After that regrettable moment when all seems lost, you simply pause your application, open up the Aurora Console, select the cluster, and click Backtrack DB cluster:

Then you select Backtrack and choose the point in time just before your epic fail, and click Backtrack DB cluster:

Then you wait for the rewind to take place, unpause your application and proceed as if nothing had happened. When you initiate a backtrack, Aurora will pause the database, close any open connections, drop uncommitted writes, and wait for the backtrack to complete. Then it will resume normal operation and being to accept requests. The instance state will be backtracking while the rewind is underway:

The console will let you know when the backtrack is complete:

If it turns out that you went back a bit too far, you can backtrack to a later time. Other Aurora features such as cloning, backups, and restores continue to work on an instance that has been configured for backtrack.

I’m sure you can think of some creative and non-obvious use cases for this cool new feature. For example, you could use it to restore a test database after running a test that makes changes to the database. You can initiate the restoration from the API or the CLI, making it easy to integrate into your existing test framework.

Things to Know
This option applies to newly created MySQL-compatible Aurora database clusters and to MySQL-compatible clusters that have been restored from a backup. You must opt-in when you create or restore a cluster; you cannot enable it for a running cluster.

This feature is available now in all AWS Regions where Amazon Aurora runs, and you can start using it today.

Jeff;

Hello World Issue 5: Engineering

Post Syndicated from Russell Barnes original https://www.raspberrypi.org/blog/hello-world-issue-5/

Join us as we celebrate the Year of Engineering in the newest issue of Hello World, our magazine for computing and digital making educators.

 

Inspiring future engineers

We’ve brought together a wide range of experts to share their ideas and advice on how to bring engineering to your classroom — read issue 5 to find out the best ways to inspire the next generation.



Plus we’ve got plenty on GP and Scratch, we answer your latest questions, and we bring you our usual collection of useful features, guides, and lesson plans.

Highlights of issue 5 include:

  • The bluffers’ guide to putting together a tech-themed school trip
  • Inclusion, and coding for the visually impaired
  • Getting students interested in databases
  • Why copying may not always be a bad thing

How to get Hello World #5

Hello World is available as a free download under a Creative Commons license for everyone in world who is interested in computer science and digital making education. Get the latest issue as a PDF file straight from the Hello World website.

We’re currently offering free print copies of the magazine to serving educators in the UK. This offer is open to teachers, Code Club and CoderDojo volunteers, teaching assistants, teacher trainers, and others who help children and young people learn about computing and digital making. Subscribe to have your free print magazine posted directly to your home, or subscribe digitally — 20000 educators have already signed up to receive theirs!

Get in touch!

You could write for us about your experiences as an educator, and share your advice with the community. Wherever you are in the world, get in touch by emailing our editorial team about your article idea — we would love to hear from you!

Hello World magazine is a collaboration between the Raspberry Pi Foundation and Computing At School, which is part of the British Computing Society.

The post Hello World Issue 5: Engineering appeared first on Raspberry Pi.

Pirate IPTV Blocking Case is No Slam Dunk Says Federal Court Judge

Post Syndicated from Andy original https://torrentfreak.com/pirate-iptv-blocking-case-is-no-slam-dunk-says-federal-court-judge-180502/

Last year, Hong Kong-based broadcaster Television Broadcasts Limited (TVB) applied for a blocking injunction against several unauthorized IPTV services.

Under the Copyright Act, the broadcaster asked the Federal Court to order ISPs including Telstra, Optus, Vocus, and TPG plus their subsidiaries to block access to seven Android-based services named as A1, BlueTV, EVPAD, FunTV, MoonBox, Unblock, and hTV5.

Unlike torrent site and streaming portal blocks granted earlier, it soon became clear that this case would present unique difficulties. TVB not only wants Internet locations (URLs, domains, IP addresses) related to the technical operation of the services blocked, but also hosting services akin to Google Play and Apple’s App Store that host the app.

Furthermore, it is far from clear whether China-focused live programming is eligible for copyright protection in Australia. If China had been a party to the 1961 Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations, it would receive protection. As it stands, it does not.

That causes complications in respect of Section 115a of the Copyright Act which allows rightsholders to apply for an injunction to have “overseas online locations” blocked if they facilitate access to copyrighted content. Furthermore, the section requires that the “primary purpose” of the location is to infringe copyrights recognized in Australia. If it does not, then there’s no blocking option available.

“If most of what is occurring here is a reproduction of broadcasts that are not protected by copyright, then the primary purpose is not to facilitate copyright infringement,” Justice Nicholas said in April.

This morning TVB returned to Federal Court for a scheduled hearing. The ISPs were a no-show again, leaving the broadcaster’s legal team to battle it out with Justice Nicholas alone. According to details published by ComputerWorld, he isn’t making it easy for the overseas company.

The Judge put it to TVB that “the purpose of this system [the set-top boxes] is to make available a broadcast that’s not copyright protected in this country, in this country,” he said.

“If 10 per cent of the content was infringing content, how could you say the primary purpose is infringing copyright?” the Judge asked.

But despite the Judge’s reservations, TVB believes that the pirate IPTV services clearly infringe its rights, since alongside live programming, the devices also reproduce TVB movies which do receive protection in Australia. However, the company is also getting creative in an effort to sidestep the ‘live TV’ conundrum.

TVB counsel Julian Cooke told the Court that live TVB broadcasts are first reproduced on foreign servers from where they are communicated to set-top devices in Australia with a delay of between one and four minutes. This is a common feature of all pirate IPTV services which potentially calls into question the nature of the ‘live’ broadcasts. The same servers also carry recorded content too, he argued.

“Because the way the system is set up, it compounds itself … in a number of instances, a particular domain name, which we refer to as the portal target domain name, allows a communication path not just to live TV, but it’s also the communication path to other applications such as replay and video on demand,” Cooke said, as quoted by ZDNet.

Cooke told the Court that he wasn’t sure whether the threshold for “primary purpose” was set at 50% of infringing content but noted that the majority of the content available through the boxes is infringing and the nature of the servers is even more pronounced.

“It compounds the submission that the primary purpose of the online location which is the facilitating server is to facilitate the infringement of copyright using that communication path,” he said.

As TF predicted in our earlier coverage, TVB today got creative by highlighting other content that it does receive copyright protection for in Australia. Previously in the UK, the Premier League successfully stated that it owns copyright in the logos presented in a live broadcast.

This morning, Cooke told the court that TVB “literary works” – scripts used on news shows and subtitling services – receive copyright protection in Australia so urged the Court to consider the full package.

“If one had concerns about live TV, one shouldn’t based on the analysis we’ve done … if one adds that live TV infringements together with video on demand together with replay, there could be no doubt that the primary purpose of the online locations is to infringe copyright,” he said.

Due to the apparent complexity of the case, Justice Nicholas reserved his decision, telling TVB that his ruling could take a couple of months after receiving his “close attention.”

Last week, Village Roadshow and several major Hollywood studios won a blocking injunction against a different pirate IPTV service. HD Subs Plus delivers around 600 live premium channels plus hundreds of movies on demand, but the service will now be blocked by ISPs across Australia.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

MPAA Chief Says Fighting Piracy Remains “Top Priority”

Post Syndicated from Andy original https://torrentfreak.com/mpaa-chief-says-fighting-piracy-remains-top-priority-180425/

After several high-profile years at the helm of the movie industry’s most powerful lobbying group, last year saw the departure of Chris Dodd from the role of Chairman and CEO at the MPAA.

The former Senator, who earned more than $3.5m a year championing the causes of the major Hollywood studios since 2011, was immediately replaced by another political heavyweight.

Charles Rivkin, who took up his new role September 5, 2017, previously served as Assistant Secretary of State for Economic and Business Affairs in the Obama administration. With an underperforming domestic box office year behind him fortunately overshadowed by massive successes globally, this week he spoke before US movie exhibitors for the first time at CinemaCon in Las Vegas.

“Globally, we hit a record high of $40.6 billion at the box office. Domestically, our $11.1 billion box office was slightly down from the 2016 record. But it exactly matched the previous high from 2015. And it was the second highest total in the past decade,” Rivkin said.

“But it exactly matched the previous high from 2015. And it was the second highest total in the past decade.”

Rivkin, who spent time as President and CEO of The Jim Henson Company, told those in attendance that he shares a deep passion for the movie industry and looks forward optimistically to the future, a future in which content is secured from those who intend on sharing it for free.

“Making sure our creative works are valued and protected is one of the most important things we can do to keep that industry heartbeat strong. At the Henson Company, and WildBrain, I learned just how much intellectual property affects everyone. Our entire business model depended on our ability to license Kermit the Frog, Miss Piggy, and the Muppets and distribute them across the globe,” Rivkin said.

“I understand, on a visceral level, how important copyright is to any creative business and in particular our country’s small and medium enterprises – which are the backbone of the American economy. As Chairman and CEO of the MPAA, I guarantee you that fighting piracy in all forms remains our top priority.”

That tackling piracy is high on the MPAA’s agenda won’t comes as a surprise but at least in terms of the numbers of headlines plastered over the media, high-profile anti-piracy action has been somewhat lacking in recent years.

With lawsuits against torrent sites seemingly a thing of the past and a faltering Megaupload case that will conclude who-knows-when, the MPAA has taken a broader view, seeking partnerships with sometimes rival content creators and distributors, each with a shared desire to curtail illicit media.

“One of the ways that we’re already doing that is through the Alliance for Creativity and Entertainment – or ACE as we call it,” Rivkin said.

“This is a coalition of 30 leading global content creators, including the MPAA’s six member studios as well as Netflix, and Amazon. We work together as a powerful team to ensure our stories are seen as they were intended to be, and that their creators are rewarded for their hard work.”

Announced in June 2017, ACE has become a united anti-piracy powerhouse for a huge range of entertainment industry groups, encompassing the likes of CBS, HBO, BBC, Sky, Bell Canada, CBS, Hulu, Lionsgate, Foxtel and Village Roadshow, to name a few.

The coalition was announced by former MPAA Chief Chris Dodd and now, with serious financial input from all companies involved, appears to be picking its fights carefully, focusing on the growing problem of streaming piracy centered around misuse of Kodi and similar platforms.

From threatening relatively small-time producers and distributors of third-party addons and builds (1,2,3), ACE is also attempting to make its mark among the profiteers.

The group now has several lawsuits underway in the United States against people selling piracy-enabled IPTV boxes including Tickbox, Dragon Box, and during the last week, Set TV.

With these important cases pending, Rivkin offered assurances that his organization remains committed to anti-piracy enforcement and he thanked exhibitors for their efforts to prevent people quickly running away with copies of the latest releases.

“I am grateful to all of you for recognizing what is at stake, and for working with us to protect creativity, such as fighting the use of illegal camcorders in theaters,” he said.

“Protecting our creativity isn’t only a fundamental right. It’s an economic necessity, for us and all creative economies. Film and television are among the most valuable – and most impactful – exports we have.

Thus far at least, Rivkin has a noticeably less aggressive tone on piracy than his predecessor Chris Dodd but it’s unlikely that will be mistaken for weakness among pirates, nor should it. The MPAA isn’t known for going soft on pirates and it certainly won’t be changing course anytime soon.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Invent new sounds with Google’s NSynth Super

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/google-nsynth-super/

Discover new sounds and explore the role of machine learning in music production and sound research with the NSynth Super, an ongoing project from Google’s Magenta research team that you can build at home.

Google Open NSynth Super Testing

Uploaded by AB Open on 2018-04-17.

What is the NSynth Super?

Part of the ongoing Magenta research project within Google, NSynth Super explores the ways in which machine learning tools help artists and musicians be creative.

Google Nsynth Super Raspberry Pi

“Technology has always played a role in creating new types of sounds that inspire musicians — from the sounds of distortion to the electronic sounds of synths,” explains the team behind the NSynth Super. “Today, advances in machine learning and neural networks have opened up new possibilities for sound generation.”

Using TensorFlow, the Magenta team builds tools and interfaces that let  artists and musicians use machine learning in their work. The NSynth Super AI algorithm uses deep neural networking to investigate the character of sounds. It then builds new sounds based on these characteristics instead of simply mixing sounds together.

Using an autoencoder, it extracts 16 defining temporal features from each input. These features are then interpolated linearly to create new embeddings (mathematical representations of each sound). These new embeddings are then decoded into new sounds, which have the acoustic qualities of both inputs.

The team publishes all hardware designs and software that are part of their ongoing research under open-source licences, allowing you to build your own synth.

Build your own NSynth Super

Using these open-source tools, Andrew Black has produced his own NSynth Super, demoed in the video above. Andrew’s list of build materials includes a Raspberry Pi 3, potentiometers, rotary encoders, and the Adafruit 1.3″ OLED display. Magenta also provides Gerber files for you to fabricate your own PCB.

Google Nsynth Super Raspberry Pi

Once fabricated, the PCB includes a table of contents for adding components.

The build isn’t easy — it requires soldering skills or access to someone who can assemble PCBs. Take a look at Andrew’s blog post and the official NSynth GitHub repo to see whether you’re up to the challenge.

Google Nsynth Super Raspberry Pi
Google Nsynth Super Raspberry Pi
Google Nsynth Super Raspberry Pi

Music and Raspberry Pi

The Raspberry Pi has been widely used for music production and music builds. Be it retrofitting a boombox, distributing music atop Table Mountain, or coding tracks with Sonic Pi, the Pi offers endless opportunities for musicians and music lovers to expand their repertoire of builds and instruments.

If you’d like to try more music-based projects using the Raspberry Pi, you can check out our free resources. And if you’ve used a Raspberry Pi in your own musical project, please share it with us in the comments or via our social network accounts.

The post Invent new sounds with Google’s NSynth Super appeared first on Raspberry Pi.

Russia Blacklists 250 Pirate Sites For Displaying Gambling Ads

Post Syndicated from Andy original https://torrentfreak.com/russia-blacklists-250-pirate-sites-for-displaying-gambling-ads-180421/

Blocking alleged pirate sites is usually a question of proving that they’re involved in infringement and then applying to the courts for an injunction.

In Europe, the process is becoming easier, largely thanks to an EU ruling that permits blocking on copyright grounds.

As reported over the past several years, Russia is taking its blocking processes very seriously. Copyright holders can now have sites blocked in just a few days, if they can show their operators as being unresponsive to takedown demands.

This week, however, Russian authorities have again shown that copyright infringement doesn’t have to be the only Achilles’ heel of pirate sites.

Back in 2006, online gambling was completely banned in Russia. Three years later in 2009, land-based gambling was also made illegal in all but four specified regions. Then, in 2012, the Russian Supreme Court ruled that ISPs must block access to gambling sites, something they had previously refused to do.

That same year, telecoms watchdog Rozcomnadzor began publishing a list of banned domains and within those appeared some of the biggest names in gambling. Many shut down access to customers located in Russia but others did not. In response, Rozcomnadzor also began targeting sites that simply offered information on gambling.

Fast forward more than six years and Russia is still taking a hard line against gambling operators. However, it now finds itself in a position where the existence of gambling material can also assist the state in its quest to take down pirate sites.

Following a complaint from the Federal Tax Service of Russia, Rozcomnadzor has again added a large number of ‘pirate’ sites to the country’s official blocklist after they advertised gambling-related products and services.

“Rozkomnadzor, at the request of the Federal Tax Service of Russia, added more than 250 pirate online cinemas and torrent trackers to the unified register of banned information, which hosted illegal advertising of online casinos and bookmakers,” the telecoms watchdog reported.

Almost immediately, 200 of the sites were blocked by local ISPs since they failed to remove the advertising when told to do so. For the remaining 50 sites, breathing space is still available. Their bans can be suspended if the offending ads are removed within a timeframe specified by the authorities, which has not yet run out.

“Information on a significant number of pirate resources with illegal advertising was received by Rozcomnadzor from citizens and organizations through a hotline that operates on the site of the Unified Register of Prohibited Information, all of which were sent to the Federal Tax Service for making decisions on restricting access,” the watchdog revealed.

Links between pirate sites and gambling companies have traditionally been close over the years, with advertising for many top-tier brands appearing on portals large and small. However, in recent times the prevalence of gambling ads has diminished, in part due to campaigns conducted in the United States, Europe, and the UK.

For pirate site operators in Russia, the decision to carry gambling ads now comes with the added risk of being blocked. Only time will tell whether any reduction in traffic is considered serious enough to warrant a gambling boycott of their own.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Facebook Privacy Fiasco Sees Congress Urged on Anti-Piracy Action

Post Syndicated from Andy original https://torrentfreak.com/facebook-privacy-fiasco-sees-congress-urged-on-anti-piracy-action-180420/

It has been a tumultuous few weeks for Facebook, and some would say quite rightly so. The company is a notorious harvester of personal information but last month’s Cambridge Analytica scandal really brought things to a head.

With Facebook co-founder and Chief Executive Officer Mark Zuckerberg in the midst of a PR nightmare, last Tuesday the entrepreneur appeared before the Senate. A day later he faced a grilling from lawmakers, answering questions concerning the social networking giant’s problems with user privacy and how it responds to breaches.

What practical measures Zuckerberg and his team will take to calm the storm are yet to unfold but the opportunity to broaden the attack on both Facebook and others in the user-generated content field is now being seized upon. Yes, privacy is the number one controversy at the moment but Facebook and others of its ilk need to step up and take responsibility for everything posted on their platforms.

That’s the argument presented by the American Federation of Musicians, the Content Creators Coalition, CreativeFuture, and the Independent Film & Television Alliance, who together represent more than 650 entertainment industry companies and 240,000 members. CreativeFuture alone represents more than 500 companies, including all the big Hollywood studios and major players in the music industry.

In letters sent to the Senate Committee on the Judiciary; the Senate Committee on Commerce, Science, and Transportation; and the House Energy and Commerce Committee, the coalitions urge Congress to not only ensure that Facebook gets its house in order, but that Google, Twitter, and similar platforms do so too.

The letters begin with calls to protect user data and tackle the menace of fake news but given the nature of the coalitions and their entertainment industry members, it’s no surprise to see where this is heading.

“In last week’s hearing, Mr. Zuckerberg stressed several times that Facebook must ‘take a broader view of our responsibility,’ acknowledging that it is ‘responsible for the content’ that appears on its service and must ‘take a more active view in policing the ecosystem’ it created,” the letter reads.

“While most content on Facebook is not produced by Facebook, they are the publisher and distributor of immense amounts of content to billions around the world. It is worth noting that a lot of that content is posted without the consent of the people who created it, including those in the creative industries we represent.”

The letter recalls Zuckerberg as characterizing Facebook’s failure to take a broader view of its responsibilities as a “big mistake” while noting he’s also promised change.

However, the entertainment groups contend that the way the company has conducted itself – and the manner in which many Silicon Valley companies conduct themselves – is supported and encouraged by safe harbors and legal immunities that absolve internet platforms of accountability.

“We agree that change needs to happen – but we must ask ourselves whether we can expect to see real change as long as these companies are allowed to continue to operate in a policy framework that prioritizes the growth of the internet over accountability and protects those that fail to act responsibly. We believe this question must be at the center of any action Congress takes in response to the recent failures,” the groups write.

But while the Facebook fiasco has provided the opportunity for criticism, CreativeFuture and its colleagues see the problem from a much broader perspective. They suck in companies like Google, which is also criticized for shirking its responsibilities, largely because the law doesn’t compel it to act any differently.

“Google, another major global platform that has long resisted meaningful accountability, also needs to step forward and endorse the broader view of responsibility expressed by Mr. Zuckerberg – as do many others,” they continue.

“The real problem is not Facebook, or Mark Zuckerberg, regardless of how sincerely he seeks to own the ‘mistakes’ that led to the hearing last week. The problem is endemic in a system that applies a different set of rules to the internet and fails to impose ordinary norms of accountability on businesses that are built around monetizing other people’s personal information and content.”

Noting that Congress has encouraged technology companies to prosper by using a “light hand” for the past several decades, the groups say their level of success now calls for a fresh approach and a heavier touch.

“Facebook and Google are grown-ups – and it is time they behaved that way. If they will not act, then it is up to you and your colleagues in the House to take action and not let these platforms’ abuses continue to pile up,” they conclude.

But with all that said, there is an interesting conflict that develops when presenting the solution to piracy in the context of a user privacy fiasco.

In the EU, many of the companies involved in the coalitions above are calling for pre-emptive filters to prevent allegedly infringing content being uploaded to Facebook and YouTube. That means that all user uploads to such platforms will have to be opened and scanned to see what they contain before they’re allowed online.

So, user privacy or pro-active anti-piracy filters? It might not be easy or even legal to achieve both.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Announcing Coolest Projects North America

Post Syndicated from Courtney Lentz original https://www.raspberrypi.org/blog/coolest-projects-north-america/

The Raspberry Pi Foundation loves to celebrate people who use technology to solve problems and express themselves creatively, so we’re proud to expand the incredibly successful event Coolest Projects to North America. This free event will be held on Sunday 23 September 2018 at the Discovery Cube Orange County in Santa Ana, California.

Coolest Projects North America logo Raspberry Pi CoderDojo

What is Coolest Projects?

Coolest Projects is a world-leading showcase that empowers and inspires the next generation of digital creators, innovators, changemakers, and entrepreneurs. The event is both a competition and an exhibition to give young digital makers aged 7 to 17 a platform to celebrate their successes, creativity, and ingenuity.

showcase crowd — Coolest Projects North America

In 2012, Coolest Projects was conceived as an opportunity for CoderDojo Ninjas to showcase their work and for supporters to acknowledge these achievements. Week after week, Ninjas would meet up to work diligently on their projects, hacks, and code; however, it can be difficult for them to see their long-term progress on a project when they’re concentrating on its details on a weekly basis. Coolest Projects became a dedicated time each year for Ninjas and supporters to reflect, celebrate, and share both the achievements and challenges of the maker’s journey.

three female coolest projects attendees — Coolest Projects North America

Coolest Projects North America

Not only is Coolest Projects expanding to North America, it’s also expanding its participant pool! Members of our team have met so many amazing young people creating in all areas of the world, that it simply made sense to widen our outreach to include Code Clubs, students of Raspberry Pi Certified Educators, and members of the Raspberry Jam community at large as well as CoderDojo attendees.

 a boy showing a technology project to an old man, with a girl playing on a laptop on the floor — Coolest Projects North America

Exhibit and attend Coolest Projects

Coolest Projects is a free, family- and educator-friendly event. Young people can apply to exhibit their projects, and the general public can register to attend this one-day event. Be sure to register today, because you make Coolest Projects what it is: the coolest.

The post Announcing Coolest Projects North America appeared first on Raspberry Pi.

Start a CoderDojo with our free online training

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/start-a-coderdojo-with-our-free-online-training/

You can now sign up to our newest free online course Start a CoderDojo to learn more about CoderDojo and how you can easily set up one of these free coding clubs for young people in your area. With less than two weeks until the course begins, we wanted to tell you about the course’s content and why the course’s creator put it together for you.

Start a CoderDojo || free online learning || Raspberry Pi Foundation

Get support and advice on how to grow your confidence in coding and start a CoderDojo for young people in your area.

What is CoderDojo?

CoderDojo is a global network of free, volunteer-led, community-based programming clubs for young people aged 7 to 17. There are currently more than 1700 Dojos running regularly across 75 countries. All of these clubs were started by individuals who are passionate about giving young people the opportunity to learn to code. Some people assume you need technical skills to start a Dojo, but that’s not true. The most important thing is that you can bring people together for a shared goal.

What is covered on the course?

The course was developed by Philip, CoderDojo’s Educational Content Lead. It gives those who think empowering young people to be tech creators is important the resources and supports to achieve that goal by starting a Dojo. Divided over three weeks and running for about four hours in total, the course provides practical advice and resources on everything you need to know to plan and run a fun, social, and creative coding club for young people.

“In the first week, you’ll look at what coding is, at the worldwide CoderDojo community of coding clubs, and at the creative approach CoderDojos take to helping young people learn to code. In week two, you’ll move on to setting up your Dojo with a team, a venue, and any needed materials. You’ll also look at how to find young people to attend. Week three wraps up the course by giving you sample plans for a Dojo session and a Dojo’s year, and we’ll be talking about how to grow and develop your Dojo over time as your attendees become better coders.”
— Philip

Who is the course for?

Anyone interested in enabling young people to be tech creators should take this course. Parents, teachers, librarians, IT professionals, youth workers, and others have all started Dojos in their community. They say that “it’s an amazing experience that led [them] to expand [their] personal horizons”, and that they “find it really rewarding”.

The course is free and open to all — if you’re interested, then sign up now.

If you’re already mentoring at a Dojo, the course is a great opportunity to revise what you’ve learnt, and a chance to share your insights with newcomers in the discussion sections. Parents and guardians who wish to learn more about CoderDojo and are considering getting involved are also more than welcome to join.

The post Start a CoderDojo with our free online training appeared first on Raspberry Pi.

Tinkernut’s hidden Coke bottle spy cam

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/tinkernuts-spy-cam/

Go undercover and keep an eye on your stuff with this brilliant secret Coke bottle spy cam from Tinkernut!

Secret Coke Bottle SPY CAM! – Weekend Hacker #1803

SPECIAL NOTE*** THE FULL TUTORIAL WILL BE AVAILABLE NEXT WEEK April Fools! What a terrible day. So many pranks. You can’t believe anything you read. People invading your space. The mental and physical anguish of enduring the day. It’s time to fight back! Let’s catch the perps in action by making a device that always watches.

Keeping tabs

A Raspberry Pi Zero W, a small camera, and a rechargeable Lithium Polymer (LiPo) battery constitute the bulk of this project’s tech. A pair of 3D-printed parts, and gelatine-solidified Coke Zero make up the fake fizzy body.

Tinkernut Coke bottle Raspberry Pi Spy Cam

“So let’s make this video as short as possible and just buy a cheap pre-made spy cam off of Amazon. Just kidding,” Tinkernut jokes in the tutorial video for the project, before going through the step-by-step process of using the Raspberry Pi to “DIY this the right way”.

After accessing the Zero W from his laptop via SSH, Tinkernut opted for using the rpi_camera_surveillance_system Python script written by GitHub user RuiSantosdotme to control the spy cam. Luckily, this meant no additional library setup, and basically no lag on the video feed.

What we want to do is create a script that activates the camera and serves it to a web page so that we can access it from any web browser. There are plenty of different ways to do this (Motion, Raspivid, etc), but I found a simple Python script that does everything I need it to do and doesn’t require any extra software or libraries to install. The best thing about it is that the lag time is practically unnoticeable.

With the code in place, every boot-up of the Raspberry Pi automatically launches both the script and a web page of the live video, allowing for constant monitoring of potential sneaks and thieves.

Tinkernut Coke bottle Raspberry Pi Spy Cam

The projects is powered by a 1500mAh LiPo battery and the Adafruit LiPo charger. It also includes a simple on/off switch, which Tinkernut wired to the charger and the Pi’s PP1 and PP6 connector pads.

Tinkernut Coke bottle Raspberry Pi Spy Cam

Tinkernut decided to use a Coke Zero bottle for the build, incorporating 3D-printed parts to house the Pi, and a mix of Coke and gelatine to create a realistic-looking filling for the bottle. However, the setup can be transferred to pretty much any hollow item in your home, say, a cookie jar or a cracker box. So get creative and get spying!

A complete spy cam how-to

If you’d like to make your own secret spy cam, you can find a tutorial for Tinkernut’s build at hackster.io, or follow along with his video below. Also make sure to subscribe his YouTube channel to be updated on all his newest builds — they’re rather splendid.

BUILD: Coke Bottle SPY CAM! – Tinkernut Workbench

Learn how to take a regular Coke Zero bottle, cram a Raspberry Pi and webcam inside of it, and have it still look like a regular Coke Zero bottle. Why would you want to do this? To spy on those irritating April Fooligans!!!

And if you’re interested in more spy-themed digital making projects, check out our complete 007 how-to guide for links to tutorials such as our Sense HAT puzzle box, Parent detector, and Laser tripwire.

The post Tinkernut’s hidden Coke bottle spy cam appeared first on Raspberry Pi.

Raspberry Pi aboard Pino, the smart sailboat

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/pino-smart-sailing-boat/

As they sail aboard their floating game design studio Pino, Rekka Bellum and Devine Lu Linvega are starting to explore the use of Raspberry Pis. As part of an experimental development tool and a weather station, Pis are now aiding them on their nautical adventures!

Mar 2018: A Smart Sailboat

Pino is on its way to becoming a smart sailboat! Raspberry Pi is the ideal device for sailors, we hope to make many more projects with it. Also the projects continue still, but we have windows now yay!

Barometer

Using a haul of Pimoroni tech including the Enviro pHat, Scroll pHat HD and Mini Black HAT Hack3r, Rekka and Devine have been experimenting with using a Raspberry Pi Zero as an onboard barometer for their sailboat. On their Hundred Rabbits YouTube channel and website, the pair has documented their experimental setups. They have also built another Raspberry Pi rig for distraction-free work and development.

Hundred Rabbits Pino onboard Raspberry Pi workstation and barometer

The official Raspberry Pi 7″ touch display, a Raspberry Pi 3B+, a Pimorni Blinkt, and a Poker II Keyboard make up Pino‘s experimental development station.

“The Pi computer is currently used only as an experimental development tool aboard Pino, but could readily be turned into a complete development platform, would our principal computers fail.” they explain, before going into the build process for the Raspberry Pi–powered barometer.

Hundred Rabbits Pino onboard Raspberry Pi workstation and barometer

The use of solderless headers make this weather station an ideal build wherever space and tools are limited.

The barometer uses the sensor power of the Pimoroni Enviro HAT to measure atmospheric pressure, and a Raspberry Pi Zero displays this data on the Scroll pHAT HD. It thus advises the two travellers of oncoming storms. By taking advantage of the solderless header provided by the Sheffield-based pirates, the Hundred Rabbits team was able to put the device together with relative ease. They provide all information for the build here.

Hundred Rabbits Pino onboard Raspberry Pi workstation and barometer

All aboard Pino

If you’d like to follow the journey of Rekka Bellum and Devine Lu Linvega as they continue to travel the oceans aboard Pino, you can follow them on YouTube or Twitter, and via their website.

We are Hundred Rabbits

This is us, this what we do, and these are our intentions! We live, and work from our sailboat Pino. Traveling helps us stay creative, and we feed what we see back into our work. We make games, art, books and music under the studio name ‘Hundred Rabbits.’

 

The post Raspberry Pi aboard Pino, the smart sailboat appeared first on Raspberry Pi.

MPAA Aims to Prevent Piracy Leaks With New Security Program

Post Syndicated from Andy original https://torrentfreak.com/mpaa-aims-to-prevent-piracy-leaks-with-new-security-program-180403/

When movies and TV shows leak onto the Internet in advance of their intended release dates, it’s generally a time of celebration for pirates.

Grabbing a workprint or DVD screener of an Oscar nominee or a yet to be aired on TV show makes the Internet bubble with excitement. But for the studios and companies behind the products, it presents their worst nightmare.

Despite all the takedown efforts known to man, once content appears, there’s no putting the genie back into the bottle.

With this in mind, the solution doesn’t lie with reactionary efforts such as Internet disconnections, site-blocking and similar measures, but better hygiene while content is still in production or being prepared for distribution. It’s something the MPAA hopes to address with a brand new program designed to bring the security of third-party vendors up to scratch.

The Trusted Partner Network (TPN) is the brainchild of the MPAA and the Content Delivery & Security Association (CDSA), a worldwide forum advocating the innovative and responsible delivery and storage of entertainment content.

TPN is being touted as a global industry-wide film and television content protection initiative which will help companies prevent leaks, breaches, and hacks of their customers’ movies and television shows prior to their intended release.

“Content is now created by a growing ecosystem of third-party vendors, who collaborate with varying degrees of security,” TPN explains.

“This has escalated the security threat to the entertainment industry’s most prized asset, its content. The TPN program seeks to raise security awareness, preparedness, and capabilities within our industry.”

The TPN will establish a “single benchmark of minimum security preparedness” for vendors whose details will be available via centralized and global “trusted partner” database. The TPN will replace security assessments programs already in place at the MPAA and CDSA.

While content owners and vendors are still able to conduct their own security assessments on an “as-needed” basis, the aim is for the TPN to reduce the number of assessments carried out while assisting in identifying vulnerabilities. The pool of “trusted partners” is designed to help all involved understand and meet the challenges of leaks, whether that’s movie, TV show, or associated content.

While joining the TPN program is voluntary, there’s a strong suggestion that becoming involved in the program is in vendors’ best interests. Being able to carry the TPN logo will be an asset to doing business with others involved in the scheme, it’s suggested.

Once in, vendors will need to hire a TPN-approved assessor to carry out an initial audit of their supply chain and best practices, which in turn will need to be guided by the MPAA’s existing content security guidelines.

“Vendors will hire a Qualified Assessor from the TPN database and will schedule their assessment and manage the process via the secure online platform,” TPN says, noting that vendors will cover their own costs unless an assessment is carried out at the request of a content owner.

The TPN explains that members of the scheme aren’t passed or failed in respect of their security preparedness. However, there’s an expectation they will be expected to come up to scratch and prove that with a subsequent positive report from a TPN approved assessor. Assessors themselves will also be assessed via the TPN Qualified Assessor Program.

By imposing MPAA best practices upon partner companies, it’s hoped that some if not all of the major leaks that have plagued the industry over the past several years will be prevented in future. Whether that’s the usual DVD screener leaks, workprints, scripts or other content, it’s believed the TPN should be able to help in some way, although the former might be a more difficult nut to crack.

There’s no doubting that the problem TPN aims to address is serious. In 2017 alone, hackers and other individuals obtained and then leaked episodes of Orange is the New Black, unreleased ABC content, an episode of Game of Thrones sourced from India and scripts from the same show. Even blundering efforts managed to make their mark.

“Creating the films and television shows enjoyed by audiences around the world increasingly requires a network of specialized vendors and technicians,” says MPAA chairman and CEO Charles Rivkin.

“That’s why maintaining high security standards for all third-party operations — from script to screen — is such an important part of preventing the theft of creative works and ultimately protects jobs and the health of our vibrant creative economy.”

According to TPN, the first class of TPN Assessors was recruited and tested last month while beta-testing of key vendors will begin in April. The full program will roll out in June 2018.

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UK Urges Online Intermediaries to Tackle Piracy, Or Else

Post Syndicated from Ernesto original https://torrentfreak.com/uk-urges-online-intermediaries-to-tackle-piracy-or-else-180329/

In recent years the UK Government has been very proactive when it comes to intellectual property enforcement, supporting a broad range of anti-piracy initiatives.

The authorities have also pushed for cooperation between copyright holders and online intermediaries. Last year, this resulted in a ‘landmark’ agreement between the creative industries and search engines, to tackle online piracy.

In a new Industrial Strategy White Paper released this week the Government highlights this deal as a great success. However, it was only the start. More is needed to properly address the piracy problem.

“Online piracy continues to be a serious inhibitor to growth in the creative industries. Technologies like stream ripping and illicit streaming devices enable illegitimate access to content without rewarding its creators.

“Many rights holders are also concerned about how their works are exploited online, especially where they are used without generating substantial returns for content creators,” the Government adds.

The report outlines a broad strategy on how the Government and the creative industries can work together. This includes financial support but also concrete interventions regarding online intermediaries.

As with the search engines before, the Government plans to host a series of roundtables with copyright holders, social media companies, user upload platforms, digital advertising outfits, and online marketplaces. The goal of these meetings is to broker voluntary anti-piracy agreements.

The roundtables will be used to identify any significant piracy problems and develop ‘voluntary’ codes of practice to address these, including upload filters.

“These measures could include proactive steps to detect and remove illegal content, improving the effectiveness of notice and takedown arrangements, reducing incentives for illegal sites to engage in infringement online and reducing the burdens on rights holders in relation to protecting their content,” the Government writes.

While the envisioned codes of conduct are voluntary, the Government notes that if these roundtables fail to produce the desired outcome, new legislation may be put in place.

“[If this] fails to result in the agreement of an effective code by 31 December 2018, government will consider further legislative action to strengthen the UK copyright framework to ensure that the identified problems are addressed.”

This type of warning is not new. The UK Government used similar language when it tried to convince search engines to reach a voluntary anti-piracy agreement with copyright holders. This eventually paid off.

In addition to brokering voluntary codes, the UK Government says it will also continue to address the so-called “value gap” in both the UK and Europe.

At the same time, the Government also renewed its support for the ‘Get it Right’ campaign. It will make an additional £2 million available which, among other things, will be used to educate consumers on the dangers of copyright infringement and warn pirating subscribers.

The UK Government hopes that these and other incentives will eventually help the creative industry to flourish, so it created new jobs and benefit the UK economy as a whole.

“Together we can build on the UK’s position as a global leader and strengthen its advantage as a creative nation by increasing the number of opportunities and jobs in the creative industries across the country, improving their productivity, and enabling us to greatly expand our trading ambitions abroad.”

A copy of the white paper “Industrial Strategy: building a Britain fit for the future” is available here.

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Join us at Raspberry Fields 2018!

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/raspberry-fields-2018/

This summer, the Raspberry Pi Foundation is bringing you an all-new community event taking place in Cambridge, UK!

Raspberry Fields 2018 Raspberry Pi festival

Raspberry Fields

On the weekend of Saturday 30 June and Sunday 1 July 2018, the Pi Towers team, with lots of help from our community of young people, educators, hobbyists, and tech enthusiasts, will be running Raspberry Fields, our brand-new annual festival of digital making!

Raspberry Fields 2018 Raspberry Pi festival

It will be a chance for people of all ages and skill levels to have a go at getting creative with tech, and it will be a celebration of all that our digital makers have already learnt and achieved, whether through taking part in Code Clubs, CoderDojos, or Raspberry Jams, or through trying our resources at home.

Dive into digital making

At Raspberry Fields, you will have the chance to inspire your inner inventor! Learn about amazing projects others in the community are working on, such as cool robots and wearable technology; have a go at a variety of hands-on activities, from home automation projects to remote-controlled vehicles and more; see fascinating science- and technology-related talks and musical performances. After your visit, you’ll be excited to go home and get making!

Raspberry Fields 2018 Raspberry Pi festivalIf you’re wondering about bringing along young children or less technologically minded family members or friends, there’ll be plenty for them to enjoy — with lots of festival-themed activities such as face painting, fun performances, free giveaways, and delicious food, Raspberry Fields will have something for everyone!

Get your tickets

This two-day ticketed event will be taking place at Cambridge Junction, the city’s leading arts centre. Tickets are £5 if you are aged 16 or older, and free for everyone under 16. Get your tickets by clicking the button on the Raspberry Fields web page!

Where: Cambridge Junction, Clifton Way, Cambridge, CB1 7GX, UK
When: Saturday 30 June 2018, 10:30 – 18:00 and Sunday 1 July 2018, 10:00 – 17:30

Get involved

We are currently looking for people who’d like to contribute activities, talks, or performances with digital themes to the festival. This could be something like live music, dance, or other show acts; talks; or drop-in Raspberry Fields 2018 Raspberry Pi festivalmaking activities. In addition, we’re looking for artists who’d like to showcase interactive digital installations, for proud makers who are keen to exhibit their projects, and for vendors who’d like to join in. We particularly encourage young people to showcase projects they’ve created or deliver talks on their digital making journey!Raspberry Fields 2018 Raspberry Pi festival

Your contribution to Raspberry Fields should focus on digital making and be fun and engaging for an audience of various ages. However, it doesn’t need to be specific to Raspberry Pi. You might be keen to demonstrate a project you’ve built, do a short Q&A session on what you’ve learnt, or present something more in-depth in the auditorium; maybe you’re one of our approved resellers wanting to showcase in our market area. We’re also looking for digital makers to run drop-in activity sessions, as well as for people who’d like to be marshals with smiling faces who will ensure that everyone has a wonderful time!

If you’d like to take part in Raspberry Fields, let us know via this form, and we’ll be in touch with you soon.

The post Join us at Raspberry Fields 2018! appeared first on Raspberry Pi.

Founder of Fan-Made Subtitle Site Lose Copyright Infringement Appeal

Post Syndicated from Andy original https://torrentfreak.com/founder-of-fan-made-subtitle-site-lose-copyright-infringement-appeal-180318/

For millions of people around the world, subtitles are the only way to enjoy media in languages other than that in the original production. For the deaf and hard of hearing, they are absolutely essential.

Movie and TV show companies tend to be quiet good at providing subtitles eventually but in line with other restrictive practices associated with their industry, it can often mean a long wait for the consumer, particularly in overseas territories.

For this reason, fan-made subtitles have become somewhat of a cottage industry in recent years. Where companies fail to provide subtitles quickly enough, fans step in and create them by hand. This has led to the rise of a number of subtitling platforms, including the now widely recognized Undertexter.se in Sweden.

The platform had its roots back in 2003 but first hit the headlines in 2013 when Swedish police caused an uproar by raiding the site and seizing its servers.

“The people who work on the site don’t consider their own interpretation of dialog to be something illegal, especially when we’re handing out these interpretations for free,” site founder Eugen Archy said at the time.

Vowing to never give up in the face of pressure from the authorities, anti-piracy outfit Rättighetsalliansen (Rights Alliance), and companies including Nordisk Film, Paramount, Universal, Sony and Warner, Archy said that the battle over what began as a high school project would continue.

“No Hollywood, you played the wrong card here. We will never give up, we live in a free country and Swedish people have every right to publish their own interpretations of a movie or TV show,” he said.

It took four more years but in 2017 the Undertexter founder was prosecuted for distributing copyright-infringing subtitles while facing a potential prison sentence.

Things didn’t go well and last September the Attunda District Court found him guilty and sentenced the then 32-year-old operator to probation. In addition, he was told to pay 217,000 Swedish krona ($26,400) to be taken from advertising and donation revenues collected through the site.

Eugen Archy took the case to appeal, arguing that the Svea Hovrätt (Svea Court of Appeal) should acquit him of all the charges and dismiss or at least reduce the amount he was ordered to pay by the lower court. Needless to say, this was challenged by the prosecution.

On appeal, Archy agreed that he was the person behind Undertexter but disputed that the subtitle files uploaded to his site infringed on the plaintiffs’ copyrights, arguing they were creative works in their own right.

While to an extent that may have been the case, the Court found that the translations themselves depended on the rights connected to the original work, which were entirely held by the relevant copyright holders. While paraphrasing and parody might be allowed, pure translations are completely covered by the rights in the original and cannot be seen as new and independent works, the Court found.

The Svea Hovrätt also found that Archy acted intentionally, noting that in addition to administering the site and doing some translating work himself, it was “inconceivable” that he did not know that the subtitles made available related to copyrighted dialog found in movies.

In conclusion, the Court of Appeal upheld Archy’s copyright infringement conviction (pdf, Swedish) and sentenced him to probation, as previously determined by the Attunda District Court.

Last year, the legal status of user-created subtitles was also tested in the Netherlands. In response to local anti-piracy outfit BREIN forcing several subtitling groups into retreat, a group of fansubbers decided to fight back.

After raising their own funds, in 2016 the “Free Subtitles Foundation” (Stichting Laat Ondertitels Vrij – SLOV) took the decision to sue BREIN with the hope of obtaining a favorable legal ruling.

In 2017 it all fell apart when the Amsterdam District Court handed down its decision and sided with BREIN on each count.

The Court found that subtitles can only be created and distributed after permission has been obtained from copyright holders. Doing so outside these parameters amounts to copyright infringement.

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