Tag Archives: david

Steal This Show S03E09: Learning To Love Your Panopticon

Post Syndicated from Ernesto original https://torrentfreak.com/steal-show-s03e09-learning-love-panopticon/

stslogo180If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!

In this episode we meet Diani Barreto from the Berlin Bureau of ExposeFacs. Launched in June 2014, ExposeFacts.org supports and encourages whistleblowers to disclose information that citizens need to make truly informed decisions in a democracy.

ExposeFacts aims to shed light on concealed activities that are relevant to human rights, corporate malfeasance, the environment, civil liberties and war.

Steal This Show aims to release bi-weekly episodes featuring insiders discussing copyright and file-sharing news. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

The guests for our news discussions will vary, and we’ll aim to introduce voices from different backgrounds and persuasions. In addition to news, STS will also produce features interviewing some of the great innovators and minds.

Host: Jamie King

Guest: Diani Barreto

Produced by Jamie King
Edited & Mixed by Riley Byrne
Original Music by David Triana
Web Production by Siraje Amarniss

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Algo-rhythmic PianoAI

Post Syndicated from Janina Ander original https://www.raspberrypi.org/blog/pianoai/

It’s no secret that we love music projects at Pi Towers. On the contrary, we often shout it from the rooftops like we’re in Moulin Rouge! But the PianoAI project by Zack left us slack-jawed: he built an AI on a Raspberry Pi that listens to his piano playing, and then produces improvised, real-time accompaniment.

Jamming with PIanoAI (clip #1) (Version 1.0)

Another example of a short teaching and then jamming with piano with a version I’m more happy with. I have to play for the Pi for a little while before the Pi has enough data to make its own music.

The PianoAI

Inspired by a story about jazz musician Dan Tepfer, Zack set out to create an AI able to imitate his piano-playing style in real time. He began programming the AI in Python, before starting over in the open-source programming language Go.

The Go language gopher mascot with headphones and a MIDI keyboard

The Go mascot is a gopher. Why not?

Zack has published an excellent write-up of how he built PianoAI. It’s a very readable account of the progress he made and the obstacles he had to overcome while writing PianoAI, and it includes more example videos. It’s hard to add anything to Zack’s own words, so I shan’t try.

Paper notes for PianoAI algorithm

Some of Zack’s notes for his AI

If you just want to try out PianoAI, head over to his GitHub. He provides a detailed guide that talks you through how to implement and use it.

Music to our ears

The Raspberry Pi community never fails to amaze us with their wonderful builds, not least when it comes to musical ones. Check out this cool-looking synth by Toby Hendricks, this geometric instrument by David Sharples, and this pyrite-disc-reading music player by Dmitry Morozov. Aren’t they all splendid? And the list goes on and on

Which instrument do you play? The recorder? The ocarina? The jaw harp? Could you create an AI like Zack’s for it? Let us know in the comments below, and share your builds with us via social media.

The post Algo-rhythmic PianoAI appeared first on Raspberry Pi.

Julia Reda MEP Likened to Nazi in Sweeping Anti-Pirate Rant

Post Syndicated from Andy original https://torrentfreak.com/julia-reda-mep-likened-to-nazi-in-sweeping-anti-pirate-rant-170926/

The debate over copyright and enforcement thereof is often polarized, with staunch supporters on one side, objectors firmly on the other, and never the twain shall meet.

As a result, there have been some heated battles over the years, with pro-copyright bodies accusing pirates of theft and pirates accusing pro-copyright bodies of monopolistic tendencies. While neither claim is particularly pleasant, they have become staples of this prolonged war of words and as such, many have become desensitized to their original impact.

This morning, however, musician and staunch pro-copyright activist David Lowery published an article which pours huge amounts of gas on the fire. The headline goes straight for the jugular, asking: Why is it Every Time We Turn Over a Pirate Rock White Nationalists, Nazi’s and Bigots Scurry Out?

Lowery’s opening gambit in his piece on The Trichordist is that one only has to scratch below the surface of the torrent and piracy world in order to find people aligned with the above-mentioned groups.

“Why is it every time we dig a little deeper into the pro-piracy and torrenting movement we find key figures associated with ‘white nationalists,’ Nazi memorabilia collectors, actual Nazis or other similar bigots? And why on earth do politicians, journalists and academics sing the praises of these people?” Lowery asks.

To prove his point, the Camper Van Beethoven musician digs up the fact that former Pirate Bay financier Carl Lündstrom had some fairly unsavory neo-fascist views. While this is not in doubt, Lowery is about 10 tens years too late if he wants to tar The Pirate Bay with the extremist brush.

“It’s called guilt by association,” Pirate Bay co-founder Peter Sunde explained in 2007.

“One of our previous ISPs [owned by Lündstrom] (with clients like The Red Cross, Save the Children foundation etc) gave us cheap bandwidth since one of the guys in TPB worked there; and one of the owners [has a reputation] for his political opinions. That does NOT make us in any way associated to what political views anyone else might or might not have.”

After dealing with TPB but failing to include the above explanation, Lowery moves on to a more recent target, Megaupload founder Kim Dotcom. Dotcom owns an extremely rare signed copy of Hitler’s autobiographical manifesto, Mein Kampf (My Struggle) and once wore a German World War II helmet. It’s a mistake Prince Harry made in 2005 too.

“I’ve bought memorabilia from Churchill, from Stalin, from Hitler,” Dotcom said in response to the historical allegations. “Let me make absolutely clear, OK. I’m not buying into the Nazi ideology. I’m totally against what the Nazis did.”

With Dotcom dealt with, Lowery then turns his attention to the German Pirate Party’s Julia Reda. As a Member of the European Parliament, Reda has made it her mission to deal with overreaching copyright law, which has made her a bit of a target. That being said, would anyone really try to shoehorn her into the “White Nationalists, Nazi’s and Bigots” bracket?

They would.

In his piece, Lowery highlights comments made by Reda last year, when she complained about the copyright situation developing around the diary written by Anne Frank, which detailed the horrors of living in occupied countries during World War II.

Anne Frank died in 1945 which means that the book was elevated into the public domain in the Netherlands on January 1, 2016, 70 years after her death. A copy was made available at Wikisource, a digital library of free texts maintained by the Wikimedia Foundation, which also operates Wikipedia.

However, in early February that same year, Anne Frank’s diary became unavailable, since U.S. copyright law dictates that works are protected for 95 years from date of publication.

“Today, in an unfortunate example of the overreach of the United States’ current copyright law, the Wikimedia Foundation removed the Dutch-language text of The Diary of a Young Girl,” said Jacob Rogers, Legal Counsel for the Wikimedia Foundation

“We took this action to comply with the United States’ Digital Millennium Copyright Act (DMCA), as we believe the diary is still under US copyright protection under the law as it is currently written,” he added.

Lowery ignores this background in its entirety. He actually ignores all of it in an effort to paint a picture of Reda engaging in some far-right agenda. Lowery even places emphasis on Reda’s nationality to force his point home.

“I don’t really know what to make of her except to say that this German politician really should find something other than the Anne Frank Diary and the Anne Frank Foundation to use as an example of a work that should be freely available in the public domain,” he writes.

“Think of all the copyrighted works out there for which she might reasonably argue a claim of public domain. She decided to pick the Anne Frank diary. Hmm.”

Lowery then accuses Reda of urging people on Twitter to pirate the book, in order to hurt the fight against anti-Semitism and somehow deprive Jewish people of an income.

“After all sales of the book are used by the Anne Frank Foundation to fight anti-semitism. It’s really quite a bad look for any MP, German or not. (Even if it is just the make-believe LARPing RPG EU Parliament),” Lowery writes.

“Or maybe that is the point? Defund the Anne Frank Foundation. Cause you know I read in the twittersphere that copyright producing media conglomerates are controlled by you-know-who.”

At this point, Lowery moves on to Fight For the Future, stating that their lack of racial diversity caused them to stumble into a racially charged copyright dispute involving the famous Martin Luther King speech.

The whole article can be read here but hopefully, most readers will recognize that America needs less division right now, not more hatred.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

FRED-209 Nerf gun tank

Post Syndicated from Janina Ander original https://www.raspberrypi.org/blog/nerf-gun-tank-fred-209/

David Pride, known to many of you as an active member of our maker community, has done it again! His FRED-209 build combines a Nerf gun, 3D printing, a Raspberry Pi Zero, and robotics to make one neat remotely controlled Nerf tank.

FRED-209 – 3D printed Raspberry Pi Nerf Tank

Uploaded by David Pride on 2017-09-17.

A Nerf gun for FRED-209

David says he worked on FRED-209 over the summer in order to have some fun with Nerf guns, which weren’t around when he was a kid. He purchased an Elite Stryfe model at a car boot sale, and took it apart to see what made it tick. Then he set about figuring out how to power it with motors and a servo.

Nerf Elite Stryfe components for the FRED-209 Nerf tank of David Pride

To control the motors, David used a ZeroBorg add-on board for the Pi Zero, and he set up a PlayStation 3 controller to pilot his tank. These components were also part of a robot that David entered into the Pi Wars competition, so he had already written code for them.

3D printing for FRED-209

During prototyping for his Nerf tank, which David named after ED-209 from RoboCop, he used lots of eBay loot and several 3D-printed parts. He used the free OpenSCAD software package to design the parts he wanted to print. If you’re a novice at 3D printing, you might find the printing advice he shares in the write-up on his blog very useful.

3D-printed lid of FRED-209 nerf gun tank by David Pride

David found the 3D printing of the 24cm-long lid of FRED-209 tricky

On eBay, David found some cool-looking chunky wheels, but these turned out to be too heavy for the motors. In the end, he decided to use a Rover 5 chassis, which changed the look of FRED-209 from ‘monster truck’ to ‘tank’.

FRED-209 Nerf tank by David Pride

Next step: teach it to use stairs

The final result looks awesome, and David’s video demonstrates that it shoots very accurately as well. A make like this might be a great defensive project for our new apocalypse-themed Pioneers challenge!

Taking FRED-209 further

David will be uploading code and STL files for FRED-209 soon, so keep an eye on his blog or Twitter for updates. He’s also bringing the Nerf tank to the Cotswold Raspberry Jam this weekend. If you’re attending the event, make sure you catch him and try FRED-209 out yourself.

Never one to rest on his laurels, David is already working on taking his build to the next level. He wants to include a web interface controller and a camera, and is working on implementing OpenCV to give the Nerf tank the ability to autonomously detect targets.

Pi Wars 2018

I have a feeling we might get to see an advanced version of David’s project at next year’s Pi Wars!

The 2018 Pi Wars have just been announced. They will take place on 21-22 April at the Cambridge Computer Laboratory, and you have until 3 October to apply to enter the competition. What are you waiting for? Get making! And as always, do share your robot builds with us via social media.

The post FRED-209 Nerf gun tank appeared first on Raspberry Pi.

Inside the MPAA, Netflix & Amazon Global Anti-Piracy Alliance

Post Syndicated from Andy original https://torrentfreak.com/inside-the-mpaa-netflix-amazon-global-anti-piracy-alliance-170918/

The idea of collaboration in the anti-piracy arena isn’t new but an announcement this summer heralded what is destined to become the largest project the entertainment industry has ever seen.

The Alliance for Creativity and Entertainment (ACE) is a coalition of 30 companies that reads like a who’s who of the global entertainment market. In alphabetical order its members are:

Amazon, AMC Networks, BBC Worldwide, Bell Canada and Bell Media, Canal+ Group, CBS Corporation, Constantin Film, Foxtel, Grupo Globo, HBO, Hulu, Lionsgate, Metro-Goldwyn-Mayer (MGM), Millennium Media, NBCUniversal, Netflix, Paramount Pictures, SF Studios, Sky, Sony Pictures Entertainment, Star India, Studio Babelsberg, STX Entertainment, Telemundo, Televisa, Twentieth Century Fox, Univision Communications Inc., Village Roadshow, The Walt Disney Company, and Warner Bros. Entertainment Inc.

The aim of the project is clear. Instead of each company considering its anti-piracy operations as a distinct island, ACE will bring them all together while presenting a united front to decision and lawmakers. At the core of the Alliance will be the MPAA.

“ACE, with its broad coalition of creators from around the world, is designed, specifically, to leverage the best possible resources to reduce piracy,”
outgoing MPAA chief Chris Dodd said in June.

“For decades, the MPAA has been the gold standard for antipiracy enforcement. We are proud to provide the MPAA’s worldwide antipiracy resources and the deep expertise of our antipiracy unit to support ACE and all its initiatives.”

Since then, ACE and its members have been silent on the project. Today, however, TorrentFreak can pull back the curtain, revealing how the agreement between the companies will play out, who will be in control, and how much the scheme will cost.

Power structure: Founding Members & Executive Committee Members

Netflix, Inc., Amazon Studios LLC, Paramount Pictures Corporation, Sony Pictures Entertainment, Inc., Twentieth Century Fox Film Corporation, Universal City Studios LLC, Warner Bros. Entertainment Inc., and Walt Disney Studios Motion Pictures, are the ‘Founding Members’ (Governing Board) of ACE.

These companies are granted full voting rights on ACE business, including the approval of initiatives and public policy, anti-piracy strategy, budget-related matters, plus approval of legal action. Not least, they’ll have the power to admit or expel ACE members.

All actions taken by the Governing Board (never to exceed nine members) need to be approved by consensus, with each Founding Member able to vote for or against decisions. Members are also allowed to abstain but one persistent objection will be enough to stop any matter being approved.

The second tier – ‘Executive Committee Members’ – is comprised of all the other companies in the ACE project (as listed above, minus the Governing Board). These companies will not be allowed to vote on ACE initiatives but can present ideas and strategies. They’ll also be allowed to suggest targets for law enforcement action while utilizing the MPAA’s anti-piracy resources.

Rights of all members

While all members of ACE can utilize the alliance’s resources, none are barred from simultaneously ‘going it alone’ on separate anti-piracy initiatives. None of these strategies and actions need approval from the Founding Members, provided they’re carried out in a company’s own name and at its own expense.

Information obtained by TorrentFreak indicates that the MPAA also reserves the right to carry out anti-piracy actions in its own name or on behalf of its member studios. The pattern here is different, since the MPAA’s global anti-piracy resources are the same resources being made available to the ACE alliance and for which members have paid to share.

Expansion of ACE

While ACE membership is already broad, the alliance is prepared to take on additional members, providing certain criteria are met. Crucially, any prospective additions must be owners or producers of movies and/or TV shows. The Governing Board will then vet applicants to ensure that they meet the criteria for acceptance as a new Executive Committee Members.

ACE Operations

The nine Governing Board members will meet at least four times a year, with each nominating a senior executive to serve as its representative. The MPAA’s General Counsel will take up the position of non-voting member of the Governing Board and will chair its meetings.

Matters to be discussed include formulating and developing the alliance’s ‘Global Anti-Piracy Action Plan’ and approving and developing the budget. ACE will also form an Anti-Piracy Working Group, which is scheduled to meet at least once a month.

On a daily basis, the MPAA and its staff will attend to the business of the ACE alliance. The MPAA will carry out its own work too but when presenting to outside third parties, it will clearly state which “hat” it is currently wearing.

Much deliberation has taken place over who should be the official spokesperson for ACE. Documents obtained by TF suggest that the MPAA planned to hire a consulting firm to find a person for the role, seeking a professional with international experience who had never been previously been connected with the MPAA.

They appear to have settled on Zoe Thorogood, who previously worked for British Prime Minister David Cameron.

Money, money, money

Of course, the ACE program isn’t going to fund itself, so all members are required to contribute to the operation. The MPAA has opened a dedicated bank account under its control specifically for the purpose, with members contributing depending on status.

Founding/Governing Board Members will be required to commit $5m each annually. However, none of the studios that are MPAA members will have to hand over any cash, since they already fund the MPAA, whose anti-piracy resources ACE is built.

“Each Governing Board Member will contribute annual dues in an amount equal to $5 million USD. Payment of dues shall be made bi-annually in equal shares, payable at
the beginning of each six (6) month period,” the ACE agreement reads.

“The contribution of MPAA personnel, assets and resources…will constitute and be considered as full payment of each MPAA Member Studio’s Governing Board dues.”

That leaves just Netflix and Amazon paying the full amount of $5m in cash each.

From each company’s contribution, $1m will be paid into legal trust accounts allocated to each Governing Board member. If ACE-agreed litigation and legal expenses exceed that amount for the year, members will be required to top up their accounts to cover their share of the costs.

For the remaining 21 companies on the Executive Committee, annual dues are $200,000 each, to be paid in one installment at the start of the financial year – $4.2m all in. Of all dues paid by all members from both tiers, half will be used to boost anti-piracy resources, over and above what the MPAA will spend on the same during 2017.

“Fifty percent (50%) of all dues received from Global Alliance Members other than
the MPAA Member Studios…shall, as agreed by the Governing Board, be used (a) to increase the resources spent on online antipiracy over and above….the amount of MPAA’s 2017 Content Protection Department budget for online antipiracy initiatives/operations,” an internal ACE document reads.

Intellectual property

As the project moves forward, the Alliance expects to gain certain knowledge and experience. On the back of that, the MPAA hopes to grow its intellectual property portfolio.

“Absent written agreement providing otherwise, any and all data, intellectual property, copyrights, trademarks, or know-how owned and/or contributed to the Global Alliance by MPAA, or developed or created by the MPAA or the Global Alliance during the Term of this Charter, shall remain and/or become the exclusive property of the MPAA,” the ACE agreement reads.

That being said, all Governing Board Members will also be granted “perpetual, irrevocable, non-exclusive licenses” to use the same under certain rules, even in the event they leave the ACE initiative.

Terms and extensions

Any member may withdraw from the Alliance at any point, but there will be no refunds. Additionally, any financial commitment previously made to litigation will have to be honored by the member.

The ACE agreement has an initial term of two years but Governing Board Members will meet not less than three months before it is due to expire to vote on any extension.

To be continued……

With the internal structure of ACE now revealed, all that remains is to discover the contents of the initiative’s ‘Global Anti-Piracy Action Plan’. To date, that document has proven elusive but with an operation of such magnitude, future leaks are a distinct possibility.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Steal This Show S03E08: P2P Money: Trouble For Governments?

Post Syndicated from J.J. King original https://torrentfreak.com/steal-show-s03e08-p2p-money-trouble-governments/

stslogo180If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!

In this episode, we look at how the first P2P revolution in filesharing is segueing into a new P2P money revolution – even bringing along some of the same developers like Zooko and Bram Cohen.

The big question is, given the devastating effect filesharing had on the entertainment industries, how will decentralizing money effect banks and, even more critically, governments?

Steal This Show aims to release bi-weekly episodes featuring insiders discussing copyright and file-sharing news. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

The guests for our news discussions will vary, and we’ll aim to introduce voices from different backgrounds and persuasions. In addition to news, STS will also produce features interviewing some of the great innovators and minds.

Host: Jamie King

Guest: Paige Peterson

Produced by Jamie King
Edited & Mixed by Riley Byrne
Original Music by David Triana
Web Production by Siraje Amarniss

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Pioneers Summer Camp 2017

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/pioneers-summer-camp-2017/

In July, winners of the first two Pioneers challenges came together at Google HQ at Kings Cross in London for the Pioneers Summer Camp. This event was a special day to celebrate their awesomeness, and to give them access to some really cool stuff.

Pioneers: Google Summer Camp 2017

In July this year, winners of the first two Pioneers challenges came to Google HQ in London’s Kings Cross to meet, make and have an awesome time.

The lucky Pioneers

The summer camp was organised specifically for the winners of the two Pioneers challenges Make us laugh and Make it outdoors. Invitations went out to every team that won an award, including the Theme winners, winners in categories such as Best Explanation or Inspiring Journey, and those teams that received a Judges’ Recognition. We also allowed their mentors to attend, because they earned it too.

Code Club Scotland on Twitter

Excited about @Raspberry_Pi Pioneers day at @Google today with @jm_paterson and The Frontier Team #makeyourideas https://t.co/wZqfqqgZuL

With teams of excited Pioneers arriving from all over the UK, the day was bound to be a great success and a fun experience for all.

The Pioneers Summer Camp

The event took place at the rather impressive Google HQ in King’s Cross, London. Given that YouTube Space London is attached to this building, everyone, including the mentors and the Raspberry Pi team, was immediately eager to explore.

YouTube Space London

image c/o IBT

In rooms designed around David-Bowie-associated themes, e.g. Major Tom and Aladdin Sane, our intrepid Pioneers spent the morning building robots and using the Google AIY Projects kit to control their builds. Every attendee got to keep their robot and AIY kits, to be able to continue their tech experiments at home. They also each received their own Raspberry Pi, as well as some Google goodies and a one-of-a-kind Raspberry Pi hoody…much to the jealousy of many of our Twitter followers.

Raspberry Pi Pioneers Summer Camp 2017
Raspberry Pi Pioneers Summer Camp 2017
Raspberry Pi Pioneers Summer Camp 2017

Meanwhile, mentors were invited to play with their own AIY kits, and the team from pi-top took accompanying parents aside to introduce them to the world of Scratch. This in itself was wonderful to witness: nervous parents started the day anxiously prodding at their pi-top screens, and they ended it with a new understanding of why code and digital making makes their kids tick.

Raspberry Pi Pioneers Summer Camp 2017

After the making funtimes, the Pioneers got to learn about career opportunities within the field of digital making from some of the best in the industry. Representatives from Google, YouTube, and the Shell Scholarship Fund offered insights into their day-to-day work and some of their teams’ cool projects.

Raspberry Pi Pioneers Summer Camp 2017
Raspberry Pi Pioneers Summer Camp 2017
Raspberry Pi Pioneers Summer Camp 2017

And to top off the day, our Pioneers winners went on a tour of the YouTube studios, a space to which only YouTube Creators have access. Lucky bunch!

The evening

When the evening rolled around, Pioneers got to work setting up their winning projects. From singing potatoes to sun-powered instruments and builds for plant maintenance, the array of ideas and creations showcased the incredible imagination these young makers have displayed throughout the first two seasons of Pioneers.

Raspberry Pi Pioneers Summer Camp 2017
Raspberry Pi Pioneers Summer Camp 2017
Raspberry Pi Pioneers Summer Camp 2017
Raspberry Pi Pioneers Summer Camp 2017

As well as a time for showing off winning makes, the evening was also an opportunity for Pioneers, mentors, and parents to mingle, chat, swap Twitter usernames, and get to know others as interested in making and changing the world as they are.

Raspberry Pi Pioneers Summer Camp 2017

The Pioneers Summer Camp came to a close with a great Q&A by some eager Pioneers, followed by praise from Raspberry Pi Foundation CEO Philip Colligan, Mike Warriner of Google UK, and Make it outdoors judge Georgina Asmah from the Shell Centenary Scholarship Fund.

Become a Pioneer

We’ll be announcing the next Pioneers challenge on Monday 18 September, and we’re so excited to see what our makers do with the next theme. We’ve put a lot of brain power into coming up with the ultimate challenge, and it’s taking everything we have not to let it slip!

Well, maybe I can just…don’t tell anyone, but here’s a sneek peak at part of the logo. Shhhh…

One thing we can tell you: this season of Pioneers will include makers from the Republic of Ireland, thanks in part to the incredible support from our team at CoderDojo. Woohoo!

We’ll announce the challenge via the Raspberry Pi blog, but make sure to sign up for the Pioneers newsletter to get all the latest information directly to your inbox.

The post Pioneers Summer Camp 2017 appeared first on Raspberry Pi.

timeShift(GrafanaBuzz, 1w) Issue 11

Post Syndicated from Blogs on Grafana Labs Blog original https://grafana.com/blog/2017/09/01/timeshiftgrafanabuzz-1w-issue-11/

September is here and summer is officially drawing to a close, but the Grafana team has stayed busy. We’re prepping for an upcoming Grafana 4.5 release, had some new and updated plugins, and would like to thank two contributors for fixing a non-obvious bug. Also – The CFP for GrafanaCon EU is open, and we’d like you to speak!


GrafanaCon EU CFP is Open

Have a big idea to share? Have a shorter talk or a demo you’d like to show off?
We’re looking for 40-minute detailed talks, 20-minute general talks and 10-minute lightning talks. We have a perfect slot for any type of content.

I’d Like to Speak at GrafanaCon

Grafana Labs is Hiring!

Do you believe in open source software? Build the future with us, and ship code.

Check out our open positions

From the Blogosphere

Zabbix, Grafana and Python, a Match Made in Heaven: David’s article, published earlier this year, hits on some great points about open source software and how you don’t have to spend much (or any) money to get valuable monitoring for your infrastructure.

The Business of Democratizing Metrics: Our friends over at Packet stopped by the office recently to sit down and chat with the Grafana Labs co-founders. They discussed how Grafana started, how monitoring has evolved, and democratizing metrics.

Visualizing CloudWatch with Grafana: Yuzo put together an article outlining his first experience adding a CloudWatch data source in Grafana, importing his first dashboard, then comparing the graphs between Grafana and CloudWatch.

Monitoring Linux performance with Grafana: Jim wanted to monitor his CentOS home router to get network traffic and disk usage stats, but wanted to try something different than his previous cacti monitoring. This walkthrough shows how he set things up to collect, store and visualize the data.

Visualizing Jenkins Pipeline Results in Grafana: Piotr provides a walkthrough of his setup and configuration to view Jenkins build results for his continuous delivery environment in Grafana.


Grafana Plugins

This week we’ve added a plugin for the new time series database Sidewinder, and updates to the Carpet Plot graph panel. If you haven’t installed a plugin, it’s easy. For on-premises installations, the Grafana-cli will do the work for you. If you’re using Hosted Grafana, you can install any plugin with one click.

NEW PLUGIN

Sidewinder Data Source – This is a data source plugin for the new Sidewinder database. Sidewinder is an open source, fast time series database designed for real-time analytics. It can be used for a variety of use cases that need storage of metrics data like APM and IoT.

Install Now

UPDATED PLUGIN

Carpet Plot Panel – This plugin received an update, which includes the following features and fixes:

  • New aggregate functions: Min, Max, First, Last
  • Possibility to invert color scheme
  • Possibility to change X axis label format
  • Possibility to hide X and Y axis labels

Update Now


This week’s MVC (Most Valuable Contributor)

This week we want to thank two contributors who worked together to fix a non-obvious bug in the new MySQL data source (a bug with sorting values in the legend).

robinsonjj
Thank you Joe, for tackling this issue and submitting a PR with an initial fix.

pdoan017
pdoan017 took robinsonjj’s contribution and added a new PR to retain the order in which keys are added.

Thank you both for taking the time to both troubleshoot and fix the issue. Much appreciated!


Tweet of the Week

We scour Twitter each week to find an interesting/beautiful dashboard and show it off! #monitoringLove

Nice! Combining different panel types on a dashboard can add more context to your data – Looks like a very functional dashboard.


What do you think?

Let us know how we’re doing! Submit a comment on this article below, or post something at our community forum. Help us make these roundups better and better!

Follow us on Twitter, like us on Facebook, and join the Grafana Labs community.

Steal This Show S03E07: ‘Connecting The Counterculture’

Post Syndicated from Ernesto original https://torrentfreak.com/steal-show-s03e07-connecting-counterculture/

stslogo180If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!

In this episode, we meet Steve Phillips of The Pursuance Project. Pursuance is a new tool for organising activists and journalists online which springs directly from the work of journalist Barrett Brown and Barrett’s experience handling the Stratfor HBGary leaks around 2012-2013, which resulted in him going to prison.

We discuss the tech behind the Panama Papers and Snowden leaks, the details behind the HB Gary leaks, how Steve was inspired by the story of Anonymous’ first big online hit and how organizational tools are the new frontier online – whether for corporate teams or activist groups.

Steal This Show aims to release bi-weekly episodes featuring insiders discussing copyright and file-sharing news. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

The guests for our news discussions will vary, and we’ll aim to introduce voices from different backgrounds and persuasions. In addition to news, STS will also produce features interviewing some of the great innovators and minds.

Host: Jamie King

Guest: Steve Phillips

Produced by Jamie King
Edited & Mixed by Riley Byrne
Original Music by David Triana
Web Production by Siraje Amarniss

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Analyzing Salesforce Data with Amazon QuickSight

Post Syndicated from David McAmis original https://aws.amazon.com/blogs/big-data/analyzing-salesforce-data-with-amazon-quicksight/

Salesforce Sales Cloud is a powerful platform for managing customer data. One of the key functions that the platform provides is the ability to track customer opportunities. Opportunities in Salesforce are used to track revenue, sales pipelines, and other activities from the very first contact with a potential customer to a closed sale.

Amazon QuickSight is a rich data visualization tool that provides the ability to connect to Salesforce data and use it as a data source for creating analyses, stories, and dashboards  and easily share them with others in the organization. This post focuses on how to connect to Salesforce as a data source and create a useful opportunity dashboard, incorporating Amazon QuickSight features like relative date filters, Key Performance Indicator (KPI) charts, and more.

Walkthrough

In this post, you walk through the following tasks:

  • Creating a new data set based on Salesforce data
  • Creating your analysis and adding visuals
  • Creating an Amazon QuickSight dashboard
  • Working with filters

Note: For this walkthrough, I am using my own Salesforce.com Developer Edition account. You can sign up for your own free developer account at https://developer.salesforce.com/.

Creating a new Amazon QuickSight data set based on Salesforce data

To start, you need to create a new Amazon QuickSight data set. Sign in to Amazon QuickSight at https://quicksight.aws using the link from the home page. Enter your Amazon QuickSight account name and choose Continue. Next, enter your Email address or user name and password, then choose Sign In.

On the Amazon QuickSight start page, choose Manage Data, which takes you to a list of your data sets. Choose New Data Set, and choose Salesforce as your data source. Enter a data source name—in this example, I called mine “SFDC Opportunity.” Choose Create Data Source to open the Salesforce authentication page, where you can enter your Salesforce user name and password.

After you are authenticated to Salesforce, you are presented with a drop-down list that lets you select data from Reports or Objects. For this tutorial, choose Object. Scroll down in the list to choose the Opportunity object, and then choose Select.

To finish creating your data set, choose Visualize to go to where you can create a new Amazon QuickSight analysis from this data.

Creating your analysis and adding visuals

Now that you have acquired your data, it’s time to start working with your analysis. In Amazon Quicksight, an analysis is a container for a set of related visual stories. When you chose Visualize, a new analysis was created for you. This is where you start to create the visuals (charts, graphs, etc.) that will be the building blocks for your dashboard.

In Amazon QuickSight, Salesforce objects look like database tables. In the analysis that you just created, you can see the columns in the Fields list for the Opportunity object.

The Opportunity object in Salesforce has a number of default fields. Salesforce administrators can extend this object by adding other custom fields as required—these custom fields are usually marked with a “_c” at the end.

In the Fields List, you can see that Amazon QuickSight has divided the fields into Dimensions and Measures.  You use these to create your visualizations and dashboard. For this particular dashboard, you create five different visuals to display the data in a few different ways.

Opportunity by Stage

For the first visualization, you create a horizontal bar chart showing “Opportunity by Stage”. In the Fields List, choose the StageName dimension and the ExpectedRevenue measure. By default, this should create a horizontal bar chart for you, as shown in the following image.

Notice that this chart includes the Closed Won category, which we aren’t interested in showing. Choose the bar for Closed Won, and in the pop-up menu, choose Exclude Closed Won. This filters the chart to show only opportunities that are in progress.

It’s important to note that for this dashboard, we only want to show the opportunities that are not Closed Won. So in the menu bar on the left side, choose Filter.

By default, the filter that you just created was only applied to a single visualization. To change this, choose the filter, and then choose All Visuals from the drop-down list. This applies the filter to all visuals in the analysis.

To finish, select the chart title and rename the chart to Opportunity by Stage.

Opportunity by Month

Next, you need to create a new visual to show “Opportunity by Month.” You use a vertical bar chart to display the data. On the Amazon QuickSight toolbar, choose Add, and then choose Add visual. For this visual, choose CloseDate from the dimensions and ExpectedRevenue from the measures.

Using the Visual Types menu, change the chart type to a Vertical Bar Chart. By default, the chart displays the revenue by year, but we want to break it down a bit further. Choose Field Wells, and using the CloseDate drop-down menu, change the Aggregate to Month.

With the change to a monthly aggregate, your chart should look something like the following:

Select the chart title and rename the chart to Opportunity by Month.

Expected Revenue

When working with Salesforce opportunities, there are two measures that are important to most sales managers—the first is the total amount associated with the opportunity, and the second is what the actual expected revenue will be. For the next visual, you use the KPI chart to display these measures.

Choose Add on the Amazon QuickSight toolbar, and then choose Add visual. From the measures, choose ExpectedRevenue, and then Amount. To change your visualization, go to the Visual Types menu and choose the Key Performance Indicator (KPI). Your visualization should change and be similar to the following:

Select the chart title and rename the chart to Expected Revenue.

Opportunity by Lead Source

Next, you need to look at where the opportunity actually came from. This helps your dashboard users understand where the leads are being generated from and their value to the business. For this visual, you use a Horizontal Bar Chart.

On the Amazon QuickSight toolbar, choose Add, and then choose Add visual. From the measures, choose Amount, and for the dimensions, choose LeadSource. To change your visualization, go to the Visual Types menu and choose the Horizontal Bar Chart. Your visualization should change and be similar to the following:

Note: If you can’t read the chart labels for the bars, grab the axis line and drag to resize.

Select the chart title and rename the chart to Opportunity by Lead Source.

Expected Revenue vs. Opportunity Amount

For the last visual, you look at the individual opportunities and how they contribute to the total pipeline. A tree map is a specialized chart type that lets your dashboard users see how each opportunity amount contributes to the whole.  Additionally, you can highlight if there is a difference between the Expected Revenue and the Amount by sizing the marks by the Amount and coloring them by the Expected Amount.

On the Amazon QuickSight toolbar, choose Add, and then choose Add visual. From the measures, choose ExpectedRevenue and Amount. From the dimensions, choose Name. To change your visualization, go to the Visual Types menu and choose the Tree Map. Your visualization should change and be similar to the following:

Select the chart title and rename the chart to Expected Revenue vs Opportunity Amount.

Creating an Amazon QuickSight dashboard

Now that your visuals are created, it’s time to do the fun part—actually putting your Amazon QuickSight dashboard together. To create a dashboard, resize and position your visuals on the page, using the following layout:

To resize a visual, grab the handle in the lower-right corner and drag it to the height and width that you want.

To move your visual, use the grab bar at the top of the visual, as shown here:

When you are done resizing your visuals, your canvas should look something like this:

To create a dashboard, choose Share in the Amazon QuickSight toolbar. Then choose Create Dashboard. For this dashboard, give it a name of SFDC Opportunity Dashboard, and choose Create Dashboard. You are prompted to enter the email address or user name of the users you want to share this dashboard with.

Because we are just concentrating on the design at the moment, you can choose Cancel and share your dashboard later using the Share button on the dashboard toolbar.

Working with filters

There is one more feature that you can use when viewing your dashboard to make it even more useful. Earlier, when you were working with the Analysis, you added a filter to remove any opportunities that were tagged as Closed Won. Now, as you are viewing the dashboard, you add a filter that you can use to filter on a relative date.

This feature in Amazon QuickSight allows you to choose a time period (years, quarters, months, weeks, etc.) and then select from a list of relative time periods. For example, if you choose Year, you could set the filter options to Previous Year, This Year, Year to Date, or Last N Years.

This is especially handy for a Salesforce Opportunity dashboard, as you might want to filter the data using the Close Date field to see when the opportunity is actually set to close.

To create a relative date filter, choose Filter on the toolbar. Choose the filter icon, and then choose CloseDate, as shown in the following image:

At the top of the Edit Filter pane, change the drop-down list to apply the filter to All Visuals. The default filter type is Time Range, so use the drop-down list to change the filter type to Relative Dates.  For the time period, choose Quarters. To view all the current opportunities in your dashboard, choose the option for This Quarter, and choose Apply.

With the date filter in place, you have the final component for your dashboard, which should look something like the following example:

It’s important to note that at this point, you have added the filter when viewing the dashboard. If you think this is something that other users might want to do, you can go back to your Amazon QuickSight Analysis and add the filter there—that way it will be available for all dashboard users.

Summary

In this post, you learned how to connect to Salesforce data and create a basic dashboard. You can apply the same techniques to create analyses and dashboards from all different types of Salesforce data and objects. Whether you want to analyze your Salesforce account demographics or where your leads are coming from, or evaluate any other data stored in Salesforce, Amazon QuickSight helps you quickly connect to and visualize your data with only a few clicks.

 


Additional Reading

Learn how to visualize Amazon S3 analytics data with Amazon QuickSight!


About the Author

David McAmis is a Big Data & Analytics Consultant with Amazon Web Services. He works with customers to develop scalable platforms to gather, process and analyze data on AWS.

 

 

 

 

Community Profile: David Pride

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/community-profile-david-pride/

This column is from The MagPi issue 55. You can download a PDF of the full issue for free, or subscribe to receive the print edition in your mailbox or the digital edition on your tablet. All proceeds from the print and digital editions help the Raspberry Pi Foundation achieve its charitable goals.

David Pride’s experiences in computer education came slightly later in life. He admits to not being a grade-A student: he left school with few qualifications, unable to pursue further education at university. There was, however, a teacher who instilled in him a passion for computers and coding which would stick with him indefinitely.

David Pride The MagPi Raspberry Pi Community Profile

David joined us at the St James’s Palace community celebration, mingling with the likes of the Duke of York, plus organisers of Jams and clubs, such as Grace and Femi

Welcome to the Community

Twenty years later, back in 2012, David heard of the Raspberry Pi – a soon-to-be-released “new little marvel” that he instantly fell for, head first. Despite a lack of knowledge in Linux and Python, he experimented and had fun. He found a Raspberry Jam and, with it, Pi enthusiasts like Mike Horne and Peter Onion. The projects on display at the Jam were enough to push David further into the Raspberry Pi rabbit hole and, after working his way through several Python books, he began to take steps into the world of formal higher education.

David Pride The MagPi Raspberry Pi Community Profile

David’s determination to access and complete further education in computing has earned him a three-year PhD studentship. Not bad for a “lousy student”

Back to School

With a Mooc qualification from Rice University under his belt, he continued to improve upon his self-taught knowledge, and was fortunate enough to be accepted to study for a master’s degree in Computer Science at the University of Hertfordshire. With a distinction for his final dissertation, David completed the course with an overall distinction for his MSc, and was recently awarded a fully funded PhD studentship with The Open University’s Knowledge Media Institute.

David Pride The MagPi Raspberry Pi Community Profile

Self-playing xylophones, Wiimote air drums, Lego sorters, Pi Wars robots, and more. David is continually hacking toys, giving them new Pi-powered life

Maker of things

The portfolio of projects that helped him to achieve his many educational successes has provided regular retweet material for the Raspberry Pi Twitter account, and we’ve highlighted his fun, imaginative work on this blog before. His builds have travelled to a range of Jams and made their way to the Raspberry Pi and Code Club stands at the Bett Show, as well as to our birthday celebrations.

David Pride The MagPi Raspberry Pi Community Profile

“Pi & Chips – with a little extra source”

His website, the pun-tastic Pi and Chips, is home to the majority of his work; David also links to YouTube videos and walk-throughs of his projects, and relates his experiences at various events. If you’ve followed any of the action across the Raspberry Pi social media channels – or indeed read any previous issues of The MagPi magazine – you’ll no doubt have seen a couple of David’s projects.

David Pride The MagPi Raspberry Pi Community Profile 4-Bot

Many readers will have come across the wonderful 4-Bot before, and it has even made an appearance alongside David in a recent Bloomberg interview. Considering the trillions of possible game positions, David made a compromise and, if you’re lucky, you may just be able to beat it

The 4-Bot, a robotic second player for the family game Connect Four, allows people to go head to head with a Pi-powered robotic arm. Using a Python imaging library, the 4-Bot splits the game grid into 42 squares, and recognises them as being red, yellow, or empty by reading the RGB value of the space. Using the minimax algorithm, 4-Bot is able to play each move within 25 seconds. Believe us when we say that it’s not as easy to beat as you’d hope. Then there’s his more recent air drum kit, which uses an old toy found at a car boot sale together with a Wiimote to make a functional air drum that showcases David’s toy-hacking abilities… and his complete lack of rhythm. He does fare much better on his homemade laser harp, though!

The post Community Profile: David Pride appeared first on Raspberry Pi.

Thomas and Ed become a RealLifeDoodle on the ISS

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/astro-pi-reallifedoodle/

Thanks to the very talented sooperdavid, creator of some of the wonderful animations known as RealLifeDoodles, Thomas Pesquet and Astro Pi Ed have been turned into one of the cutest videos on the internet.

space pi – Create, Discover and Share Awesome GIFs on Gfycat

Watch space pi GIF by sooperdave on Gfycat. Discover more GIFS online on Gfycat

And RealLifeDoodles aaaaare?

Thanks to the power of viral video, many will be aware of the ongoing Real Life Doodle phenomenon. Wait, you’re not aware?

Oh. Well, let me explain it to you.

Taking often comical video clips, those with a know-how and skill level that outweighs my own in spades add faces and emotions to inanimate objects, creating what the social media world refers to as a Real Life Doodle. From disappointed exercise balls to cannibalistic piles of leaves, these video clips are both cute and sometimes, though thankfully not always, a little heartbreaking.

letmegofree – Create, Discover and Share Awesome GIFs on Gfycat

Watch letmegofree GIF by sooperdave on Gfycat. Discover more reallifedoodles GIFs on Gfycat

Our own RealLifeDoodle

A few months back, when Programme Manager Dave Honess, better known to many as SpaceDave, sent me these Astro Pi videos for me to upload to YouTube, a small plan hatched in my brain. For in the midst of the video, and pointed out to me by SpaceDave – “I kind of love the way he just lets the unit drop out of shot” – was the most adorable sight as poor Ed drifted off into the great unknown of the ISS. Finding that I have this odd ability to consider many inanimate objects as ‘cute’, I wanted to see whether we could turn poor Ed into a RealLifeDoodle.

Heading to the Reddit RealLifeDoodle subreddit, I sent moderator sooperdavid a private message, asking if he’d be so kind as to bring our beloved Ed to life.

Yesterday, our dream came true!

Astro Pi

Unless you’re new to the world of the Raspberry Pi blog (in which case, welcome!), you’ll probably know about the Astro Pi Challenge. But for those who are unaware, let me break it down for you.

Raspberry Pi RealLifeDoodle

In 2015, two weeks before British ESA Astronaut Tim Peake journeyed to the International Space Station, two Raspberry Pis were sent up to await his arrival. Clad in 6063-grade aluminium flight cases and fitted with their own Sense HATs and camera modules, the Astro Pis Ed and Izzy were ready to receive the winning codes from school children in the UK. The following year, this time maintained by French ESA Astronaut Thomas Pesquet, children from every ESA member country got involved to send even more code to the ISS.

Get involved

Will there be another Astro Pi Challenge? Well, I just asked SpaceDave and he didn’t say no! So why not get yourself into training now and try out some of our space-themed free resources, including our 3D-print your own Astro Pi case tutorial? You can also follow the adventures of Ed and Izzy in our brilliant Story of Astro Pi cartoons.

Raspberry Pi RealLifeDoodle

And if you’re quick, there’s still time to take part in tomorrow’s Moonhack! Check out their website for more information and help the team at Code Club Australia beat their own world record!

The post Thomas and Ed become a RealLifeDoodle on the ISS appeared first on Raspberry Pi.

Popcorn Time Devs Help Streaming Aggregator Reelgood to ‘Fix Piracy’

Post Syndicated from Ernesto original https://torrentfreak.com/popcorn-time-devs-help-streaming-aggregator-reelgood-to-fix-piracy-170812/

During the fall of 2015, the MPAA shut down one of the most prominent pirate streaming services, Popcorn Time fork PopcornTime.io.

While the service was found to be clearly infringing, many of the developers didn’t set out to break the law. Most of all, they wanted to provide the public with easy access to their favorite movies and TV-shows.

Fast forward nearly two years and several of these Popcorn Time developers are still on the same quest. The main difference is that they now operate on the safe side of the law.

The startup they’re working with is called Reelgood, which can be best described as a streaming service aggregator. The San-Francisco based company, founded by ex-Facebook employee David Sanderson, recently raised $3.5 million and has opened its doors to the public.

The goal of Reelgood is similar to Popcorn Time in the way that it aims to be the go-to tool for people to access their entertainment. Instead of using pirate sources, however, Reelgood stitches together content from various legal platforms, both paid and free.

Reelgood

TorrentFreak spoke to former Popcorn Time developer Luigi Poole, who’s leading the charge on the development of Reelgood’s web app. He stresses that the increasing fragmentation of streaming services, which drives some people to pirate sites, is one of the problems Reelgood hopes to fix.

“There’s a misconception that torrenting is done by bad people who don’t want to pay for content. I’d say, in the vast majority of cases, torrenting is a symptom of the massive fragmentation that’s been given as the only legal option to the consumer,” Poole says.

While people have many reasons to pirate, some stick to unauthorized services because it’s simply too cumbersome to dig through all the legal options. Pirate sites have a single interface to all popular movies and TV-shows and legal platforms don’t.

“The modern TV/movie ecosystem is made up of an increasing number of different services. This makes finding content like changing channels, only more complicated. Is that movie you’re about to buy or rent on a service you already pay for? Right now there’s no way to do this other than a cumbersome search using each service’s individual search. Time to go digging,” Poole says.

“We believe this is the main reason people torrent — it’s just easier, given that the legal options presented to us are essentially a ‘go fetch’ treasure hunt,” he adds.

Flipping that channel on an old school television often beats the online streaming experience. That is, for those who want more than Netflix alone.

And the problem isn’t going away anytime soon. As we reported earlier this week, there’s a trend towards more fragmentation, instead of less. Disney is pulling some of its most popular content from the US Netflix in 2019, keeping piracy relevant.

“The untold story is that consumers are throwing up their hands with all this fragmentation, and turning to torrenting not because it’s free, but because it’s intuitive and easy,” Poole says.

“Reelgood fixes this problem by acting as a pirate site interface for every legal option, sort of like a TV guide to anything streaming, also giving you notifications anytime something is new, letting you track when certain content becomes available, and not only telling you where it’s available but taking you straight there with one click to play.”

Reelgood can be seen as a defragmentation tool, creating a uniform interface for all the legal platforms people have access to. In addition to paid services such as Netflix and HBO, it also lists free content from Fox, CBS, Crackle, and many other providers.

TorrentFreak took it for a spin and it indeed works as advertised. Simply add your streaming service accounts and all will be bundled into an elegant and uniform interface that allows you to watch and track everything with a single click.

The service is still limited to US libraries but there are already plans to expand it to other countries, which is promising. While it may not eradicate piracy anytime soon, it does a good job of trying to organize the increasingly complex streaming landscape.

Unfortunately, it’s still not cheap to use more than a handful of paid services, but that’s a problem even Reelgood can’t fix. Not even with help from seven former Popcorn Time developers.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Steal This Show S03E06: ‘The Crypto-Financier Of The Underground’

Post Syndicated from J.J. King original https://torrentfreak.com/steal-show-s03e06-crypto-financier-underground/

stslogo180If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!

In this episode, we meet Dan Hassan, a very early Bitcoin enthusiast who’s taking a different approach to making use of his cryptocurrency wealth. Instead of moving to Silicon Valley, buying a Tesla and funding dubious startups, Dan’s helping activists and progressives find their feet in crypto.

His aim is to create an extended gang of independently wealthy individuals who can dedicate themselves to disruption and the building of radical, new social alternatives. What could be more STEAL THIS SHOW?

*Please note, although we did manage to screw some crypto tips out of Dan, nothing in this show is to intended as financial advice. These are weird times. Literally no one can predict what’s going to happen!

Steal This Show aims to release bi-weekly episodes featuring insiders discussing copyright and file-sharing news. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

The guests for our news discussions will vary, and we’ll aim to introduce voices from different backgrounds and persuasions. In addition to news, STS will also produce features interviewing some of the great innovators and minds.

Host: Jamie King

Guest: Robert Barat and Rob Vincent

Produced by Jamie King
Edited & Mixed by Riley Byrne
Original Music by David Triana
Web Production by Siraje Amarniss

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

TVAddons Returns, But in Ugly War With Canadian Telcos Over Kodi Addons

Post Syndicated from Andy original https://torrentfreak.com/tvaddons-returns-ugly-war-canadian-telcos-kodi-addons-170801/

After Dish Network filed a lawsuit against TVAddons in Texas, several high-profile Kodi addons took the decision to shut down. Soon after, TVAddons itself went offline.

In the weeks that followed, several TVAddons-related domains were signed over (1,2) to a Canadian law firm, a mysterious situation that didn’t dovetail well with the US-based legal action.

TorrentFreak can now reveal that the shutdown of TVAddons had nothing to do with the US action and everything to do with a separate lawsuit filed in Canada.

The complaint against TVAddons

Two months ago on June 2, a collection of Canadian telecoms giants including Bell Canada, Bell ExpressVu, Bell Media, Videotron, Groupe TVA, Rogers Communications and Rogers Media, filed a complaint in Federal Court against Montreal resident, Adam Lackman, the man behind TVAddons.

The 18-page complaint details the plaintiffs’ case against Lackman, claiming that he communicated copyrighted TV shows including Game of Thrones, Prison Break, The Big Bang Theory, America’s Got Talent, Keeping Up With The Kardashians and dozens more, to the public in breach of copyright.

The key claim is that Lackman achieved this by developing, hosting, distributing or promoting Kodi add-ons.

Adam Lackman, the man behind TVAddons (@adam.lackman on Instagram)

A total of 18 major add-ons are detailed in the complaint including 1Channel, Exodus, Phoenix, Stream All The Sources, SportsDevil, cCloudTV and Alluc, to name a few. Also under the spotlight is the ‘FreeTelly’ custom Kodi build distributed by TVAddons alongside its Kodi configuration tool, Indigo.

“[The defendant] has made the [TV shows] available to the public by telecommunication in a way that allows members of the public to have access to them from a place and at a time individually chosen by them…consequently infringing the Plaintiffs’ copyright…in contravention of sections 2.4(1.1), 3(1)(f) and 27(1) of the Copyright Act,” the complaint reads.

The complaint alleges that Lackman “induced and/or authorized users” of the FreeTelly and Indigo tools to carry out infringement by his handling and promotion of infringing add-ons, including through TVAddons.ag and Offshoregit.com, in contravention of sections 3(1)(f) and 27(1) of the Copyright Act.

“Approximately 40 million unique users located around the world are actively using Infringing Addons hosted by TVAddons every month, and approximately 900,000 Canadian households use Infringing Add-ons to access television content. The amount of users of Infringing add-ons hosted TVAddons is constantly increasing,” the complaint adds.

To limit the harm allegedly caused by TVAddons, the complaint asked for interim, interlocutory, and permanent injunctions restraining Lackman and associates from developing, promoting or distributing any of the allegedly infringing add-ons or software. On top, the plaintiffs requested punitive and exemplary damages, plus costs.

The interim injunction and Anton Piller Order

Following the filing of the complaint, on June 9 the Federal Court handed down a time-limited interim injunction against Lackman which restrained him from various activities in respect of TVAddons. The process took place ex parte, meaning in secret, without Lackman being able to mount a defense.

The Court also authorized a bailiff and computer forensics experts to take control of Internet domains including TVAddons.ag and Offshoregit.com plus social media and hosting provider accounts for a period of 14 days. These were transferred to Daniel Drapeau at DrapeauLex, an independent court-appointed supervising counsel.

The order also contained an Anton Piller order, a civil search warrant that grants plaintiffs no-notice permission to enter a defendant’s premises in order to secure and copy evidence to support their case, before it can be destroyed or tampered with.

The order covered not only data related to the TVAddons platform, such as operating and financial details, revenues, and banking information, but everything in Lackman’s possession.

The Court ordered the telecoms companies to inform Lackman that the case against him is a civil proceeding and that he could deny entry to his property if he wished. However, that option would put him in breach of the order and would place him at risk of being fined or even imprisoned. Catch 22 springs to mind.

The Court did, however, put limits on the number of people that could be present during the execution of the Anton Piller order (ostensibly to avoid intimidation) and ordered the plaintiffs to deposit CAD$50,000 with the Court, in case the order was improperly executed. That decision would later prove an important one.

The search and interrogation of TVAddons’ operator

On June 12, the order was executed and Lackman’s premises were searched for more than 16 hours. For nine hours he was interrogated and effectively denied his right to remain silent since non-cooperation with an Anton Piller order amounts to contempt of court. The Court’s stated aim of not intimidating Lackman failed.

The TVAddons operator informs TorrentFreak that he heard a disturbance in the hallway outside and spotted several men hiding on the other side of the door. Fearing for his life, Lackman called the police and when they arrived he opened the door. At this point, the police were told by those in attendance to leave, despite Lackman’s protests.

Once inside, Lackman was told he had an hour to find a lawyer, but couldn’t use any electronic device to get one. Throughout the entire day, Lackman says he was reminded by the plaintiffs’ lawyer that he could be held in contempt of court and jailed, even though he was always cooperating.

“I had to sit there and not leave their sight. I was denied access to medication,” Lackman told TorrentFreak. “I had a doctor’s appointment I was forced to miss. I wasn’t even allowed to call and cancel.”

In papers later filed with the court by Lackman’s team, the Anton Piller order was described as a “bombe atomique” since TVAddons had never been served with so much as a copyright takedown notice in advance of this action.

The Anton Piller controversy

Anton Piller orders are only valid when passing a three-step test: when there is a strong prima facie case against the respondent, the damage – potential or actual – is serious for the applicant, and when there is a real possibility that evidence could be destroyed.

For Bell Canada, Bell ExpressVu, Bell Media, Videotron, Groupe TVA, Rogers Communications and Rogers Media, serious problems emerged on at least two of these points after the execution of the order.

For example, TVAddons carried more than 1,500 add-ons yet only 1% of those add-ons were considered to be infringing, a tiny number in the overall picture. Then there was the not insignificant problem with the exchange that took place during the hearing to obtain the order, during which Lackman was not present.

Clearly, the securing of existing evidence wasn’t the number one priority.

Plaintiffs: We want to destroy TVAddons

And the problems continued.

No right to remain silent, no right to consult a lawyer

The Anton Piller search should have been carried out between 8am and 8pm but actually carried on until midnight. As previously mentioned, Adam Lackman was effectively denied his right to remain silent and was forbidden from getting advice from his lawyer.

None of this sat well with the Honourable B. Richard Bell during a subsequent Federal Court hearing to consider the execution of the Anton Piller order.

“It is important to note that the Defendant was not permitted to refuse to answer questions under fear of contempt proceedings, and his counsel was not permitted to clarify the answers to questions. I conclude unhesitatingly that the Defendant was subjected to an examination for discovery without any of the protections normally afforded to litigants in such circumstances,” the Judge said.

“Here, I would add that the ‘questions’ were not really questions at all. They took the form of orders or directions. For example, the Defendant was told to ‘provide to the bailiff’ or ‘disclose to the Plaintiffs’ solicitors’.”

Evidence preservation? More like a fishing trip

But shockingly, the interrogation of Lackman went much, much further. TorrentFreak understands that the TVAddons operator was given a list of 30 names of people that might be operating sites or services similar to TVAddons. He was then ordered to provide all of the information he had on those individuals.

Of course, people tend to guard their online identities so it’s possible that the information provided by Lackman will be of limited use, but Judge Bell was not happy that the Anton Piller order was abused by the plaintiffs in this way.

“I conclude that those questions, posed by Plaintiffs’ counsel, were solely made in furtherance of their investigation and constituted a hunt for further evidence, as opposed to the preservation of then existing evidence,” he wrote in a June 29 order.

But he was only just getting started.

Plaintiffs unlawfully tried to destroy TVAddons before trial

The Judge went on to note that from their own mouths, the Anton Piller order was purposely designed by the plaintiffs to completely shut down TVAddons, despite the fact that only a tiny proportion of the add-ons available on the site were allegedly used to infringe copyright.

“I am of the view that [the order’s] true purpose was to destroy the livelihood of the Defendant, deny him the financial resources to finance a defense to the claim made against him, and to provide an opportunity for discovery of the Defendant in circumstances where none of the procedural safeguards of our civil justice system could be engaged,” Judge Bell wrote.

As noted, plaintiffs must also have a “strong prima facie case” to obtain an Anton Piller order but Judge Bell says he’s not convinced that one exists. Instead, he praised the “forthright manner” of Lackman, who successfully compared the ability of Kodi addons to find content in the same way as Google search can.

So why the big turn around?

Judge Bell said that while the prima facie case may have appeared strong before the judge who heard the matter ex parte (without Lackman being present to defend himself), the subsequent adversarial hearing undermined it, to the point that it no longer met the threshold.

As a result of these failings, Judge Bell declared the Anton Piller order unlawful. Things didn’t improve for the plaintiffs on the injunction front either.

The Judge said that he believes that Lackman has “an arguable case” that he is not violating the Copyright Act by merely providing addons and that TVAddons is his only source of income. So, if an injunction to close the site was granted, the litigation would effectively be over, since the plaintiffs already admitted that their aim was to neutralize the platform.

If the platform was neutralized, Lackman could no longer earn money from the site, which would harm his ability to mount a defense.

“In considering the balance of convenience, I also repeat that the plaintiffs admit that the vast majority of add-ons are non-infringing. Whether the remaining approximately 1% are infringing is very much up for debate. For these reasons, I find the balance of convenience favors the defendant, and no interlocutory injunction will be issued,” the Judge declared.

With the Anton Piller order declared unlawful and no interlocutory injunction (one effective until the final determination of the case) handed down, things were about to get worse for the telecoms companies.

They had paid CAD$50,000 to the court in security in case things went wrong with the Anton Piller order, so TVAddons was entitled to compensation from that amount. That would be helpful, since at this point TVAddons had already run up CAD$75,000 in legal expenses.

On top, the Judge told independent counsel to give everything seized during the Anton Piller search back to Lackman.

The order to return items previously seized

But things were far from over. Within days, the telecoms companies took the decision to the Court of Appeal, asking for a stay of execution (a delay in carrying out a court order) to retain possession of items seized, including physical property, domains, and social media accounts.

Mid-July the appeal was granted and certain confidentiality clauses affecting independent counsel (including Daniel Drapeau, who holds the TVAddons’ domains) were ordered to be continued. However, considering the problems with the execution of the Anton Piller order, Bell Canada, TVA, Videotron and Rogers et al, were ordered to submit an additional security bond of CAD$140,000, on top of the CAD$50,000 already deposited.

So the battle continues, and continue it will

Speaking with TorrentFreak, Adam Lackman says that he has no choice but to fight the telcoms companies since not doing so would result in a loss by default judgment. Interestingly, both he and one of the judges involved in the case thus far believe he has an arguable case.

Lackman says that his activities are protected under the Canadian Copyright Act, specifically subparagraph 2.4(1)(b) which states as follows:

A person whose only act in respect of the communication of a work or other subject-matter to the public consists of providing the means of telecommunication necessary for another person to so communicate the work or other subject-matter does not communicate that work or other subject-matter to the public;

Of course, finding out whether that’s indeed the case will be a costly endeavor.

“It all comes down to whether we will have the financial resources necessary to mount our defense and go to trial. We won’t have ad revenue coming in, since losing our domain names means that we’ll lose the majority of our traffic for quite some time into the future,” Lackman told TF in a statement.

“We’re hoping that others will be as concerned as us about big companies manipulating the law in order to shut down what they see as competition. We desperately need help in financially supporting our legal defense, we cannot do it alone.

“We’ve run up a legal bill of over $100,000 to date. We’re David, and they are four Goliaths with practically unlimited resources. If we lose, it will mean that new case law is made, case law that could mean increased censorship of the internet.”

In the hope of getting support, TVAddons has launched a fundraiser campaign and in the meantime, a new version of the site is back on a new domain, TVAddons.co.

Given TVAddons’ line of defense, the nature of both the platform and Kodi addons, and the fact that there has already been a serious abuse of process during evidence preservation, this is now one of the most interesting and potentially influential copyright cases underway anywhere today.

TVAddons is being represented by Éva Richard , Hilal Ayoubi and Karim Renno in Canada, plus Erin Russell and Jason Sweet in the United States.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

The Heart of Maker Faire

Post Syndicated from Janina Ander original https://www.raspberrypi.org/blog/heart-maker-faire/

We at the Raspberry Pi Foundation find it incredibly rewarding to help people make and share things they love. It’s amazing to be part of an incredibly creative community of makers. And we’re not the only ones who feel this way: for this year’s Maker Faire UK, the team over at NUSTEM created the Heart of Maker Faire, a Pi-powered art installation that is a symbol of this unique community. And to be perfectly frank, it’s bloody gorgeous.

The Heart of Maker Faire

NUSTEM’s new installation for Maker Faire UK 2017, held on 1st & 2nd April at the Centre for Life, Newcastle-upon-Tyne. Visitors wrote notes about things they love, and sealed them in jars. They then read their heart rates, and used the control boxes to associate their jar and heart rate with a space on the shelves.

A heart for the community

NUSTEM is a STEM outreach organisation from Northumbria University, and the makers there are always keen to build interactive projects that get people excited about technology. So at this year’s Faire, attendees passing their installation were invited to write down something close to their heart, put that note in a jar, and measure their heart rate. Then they could connect their heart rate, via a QR code, to a space on a shelf lined with LEDs. Once they placed the jar in their space, the LEDs started blinking to imitate their heart beat. With this art piece, the NUSTEM team wants to say something about “how we’re all individuals, but about our similarities too”.

NUSTEM on Twitter

Still beating. Heart of #MakerFaireUK

Making the heart beat

This is no small build – it uses more than 2,000 NeoPixel LEDs, as well as five Raspberry Pis, among other components. Two Pi 3s are in charge of registering people’s contributions and keeping track of their jars. A Pi Zero W acts as a central hub, connecting its bigger siblings via WiFi, and storing a MySQL database of the jars’ data. Finally, two more Pi 3s control the LEDs of the Heart via a script written in Processing. The NUSTEM team has made the code available here for you “to laugh at” (their words, not mine!)

Heart of Maker Faire shelf

The heart, ready to be filled with love

A heart for art

Processing is an open-source programming language used to create images, graphs, and animations. It can respond to keyboard and mouse input, so you can write games with it as well. Moreover, it runs on the Pi, and you can use it to talk to the Pi’s GPIO pins, as the Heart of Maker Faire team did. Hook up buttons, sensors, and LEDs, and get ready to create amazing interactive pieces of art! If you’d like to learn more, read Matt’s blog post, or watch the talk he gave about Processing at our fifth birthday party earlier this year.

Matt Richardson: Art with Processing on the Raspberry Pi – Raspberry Pi Birthday Event 2017 – Talks

Matt Richardson: Art with Processing on the Raspberry Pi Sunday 5th March 2017 Raspberry Pi Birthday Event 2017 Filmed and edited by David and Andrew Ferguson. This video is not an official video published by the Raspberry Pi Foundation. No copyright infringement intended.

To help you get started, we’re providing a free learning resource introducing you to the basics of Processing. We’d love to see what you create, so do share a link to your masterworks in the comments!

World Maker Faire

We’ll be attending World Maker Faire in New York on the 23rd and 24th of September. Will you be there?

The post The Heart of Maker Faire appeared first on Raspberry Pi.

Steal This Show S03E05: ‘Hacking The System’

Post Syndicated from Ernesto original https://torrentfreak.com/steal-show-s03e05-hacking-system/

stslogo180If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!

In this episode, we meet two Dangerous Internet Hackers from 2600 and the radio show Off The Hook, to discuss how hacking became so important to politics — from Russians messing with elections to Volkswagen lying about emissions.

We also check in on Chelsea Manning and the Cablegate leaks, and look at the role hacking has as part of a future political resistance. Plus: when entities like The Pirate Bay are able to launch a meaningful assault on the centuries-old edifice of copyright, has the establishment woken up to the power of hackers to shape our culture?

Steal This Show aims to release bi-weekly episodes featuring insiders discussing copyright and file-sharing news. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

The guests for our news discussions will vary, and we’ll aim to introduce voices from different backgrounds and persuasions. In addition to news, STS will also produce features interviewing some of the great innovators and minds.

Host: Jamie King

Guest: Robert Barat and Rob Vincent

Produced by Jamie King
Edited & Mixed by Riley Byrne
Original Music by David Triana
Web Production by Siraje Amarniss

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Steal This Show S03E04: ‘Re-Decentralizing The Net’

Post Syndicated from Ernesto original https://torrentfreak.com/steal-show-s03e04-re-decentralising-net/

stslogo180If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!

In this episode, we meet Ryan Shea, co-founder of Blockstack. This ambitious project aims to create a new, decentralized Internet in which users, not Big Content, own their data and keep control of how their apps run.

We discuss why the internet needs re-decentralising, if and how to pull users away from reliance on monopoly platforms like Facebook and Google, and much more. Plus, Ryan and Jamie come up with a scheme for a blockchain-powered meme market!

Blockstack, which integrates with the IPFS distributed storage system, could have significant upsides in the filesharing world. It would provide, for example, an entirely new DNS, meaning no more domain attacks for filesharing sites. Combined with the fact that they permanence of distributed filesystems makes takedown notices almost impossible to enforce, and it’s easy to see one key reason this has the potential to be a very disruptive development.

Steal This Show aims to release bi-weekly episodes featuring insiders discussing copyright and file-sharing news. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

The guests for our news discussions will vary, and we’ll aim to introduce voices from different backgrounds and persuasions. In addition to news, STS will also produce features interviewing some of the great innovators and minds.

Host: Jamie King

Guest: Ryan Shea

Produced by Jamie King
Edited & Mixed by Riley Byrne
Original Music by David Triana
Web Production by Siraje Amarniss

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.