Tag Archives: disney

Hollywood Studios Get ISP Blocking Order Against Rarbg in India

Post Syndicated from Ernesto original https://torrentfreak.com/hollywood-studios-score-blocking-order-against-rarbg-in-india-180417/

While the major Hollywood studios are very reluctant to bring a pirate site blocking case to their home turf, they are very active abroad.

The companies are the driving force behind lawsuits in Europe, Australia, and are also active in India, where they booked a new success last week.

Website blocking is by no means a new phenomenon in India. The country is known for so-called John Doe orders, where a flurry of websites are temporarily blocked to protect the release of a specific title.

The major Hollywood studios are taking a different approach. Disney Enterprises, Twentieth Century Fox, Paramount Pictures, Columbia Pictures, Universal, and Warner Bros. are requesting blockades, accusing sites of being structural copyright infringers.

One of the most recent targets is the popular torrent site Rarbg. The Hollywood studios describe Rarbg as a ‘habitual’ copyright infringer and demand that several Internet providers block access to the site.

“It is submitted that the Defendant Website aids and facilitates the accessibility and availability of infringing material, and induce third parties, intentionally and/or knowingly, to infringe through their websites by various means,’ the movie studios allege.

The complaint filed at the High Court of Delhi lists more than 20 Internet providers as co-defendants, and also includes India’s Department of Telecommunications and Department of Electronics and Information Technology in the mix.

The two Government departments are added because they have the power to enforce blocking orders. Specifically, the Hollywood studios note that the Department of Technology’s license agreement with ISPs requires these companies to ensure that copyright infringing content is not carried on their networks.

“It is submitted that the DoT itself acknowledges the fact that service providers have an obligation to ensure that no violation of third party intellectual property rights takes place through their networks and that effective protection is provided to right holders of such intellectual property,” the studios write.

Last week the court granted an injunction that requires local Internet providers including Bharti Airtel, Reliance Communications, Telenor, You Broadband, and Vodafone to block Rarbg.

Blocking order

As requested, the Department of Telecommunications and Department of Electronics and Information Technology are directed to notify all local internet and telecom service providers that they must block the torrent site as well.

The order is preliminary and can still be contested in court. However, given the history of similar blocking efforts around the world, it is likely that it will be upheld.

While there’s not much coverage on the matter, this isn’t the first blocking request the companies have filed in India. Last October, a similar case was filed against another popular torrent site, 1337x.to, with success.

TorrentFreak reached out to the law firm representing the Hollywood studios to get a broader overview of the blocking plans in India. At the time of writing, we have yet to hear back.

A copy of the order obtained by Disney Enterprises, Twentieth Century Fox, Paramount Pictures, Columbia Pictures, Universal, Warner Bros and the local Disney owned media conglomerate UTV Software, is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

TV Broadcaster Wants App Stores Blocked to Prevent Piracy

Post Syndicated from Andy original https://torrentfreak.com/tv-broadcaster-wants-app-stores-blocked-to-prevent-piracy-180416/

After first targeting torrent and regular streaming platforms with blocking injunctions, last year Village Roadshow and studios including Disney, Universal, Warner Bros, Twentieth Century Fox, and Paramount began looking at a new threat.

The action targeted HDSubs+, a reasonably popular IPTV service that provides hundreds of otherwise premium live channels, movies, and sports for a relatively small monthly fee. The application was filed during October 2017 and targeted Australia’s largest ISPs.

In parallel, Hong Kong-based broadcaster Television Broadcasts Limited (TVB) launched a similar action, demanding that the same ISPs (including Telstra, Optus, TPG, and Vocus, plus subsidiaries) block several ‘pirate’ IPTV services, named in court as A1, BlueTV, EVPAD, FunTV, MoonBox, Unblock, and hTV5.

Due to the similarity of the cases, both applications were heard in Federal Court in Sydney on Friday. Neither case is as straightforward as blocking a torrent or basic streaming portal, so both applicants are having to deal with additional complexities.

The TVB case is of particular interest. Up to a couple of dozen URLs maintain the services, which are used to provide the content, an EPG (electronic program guide), updates and sundry other features. While most of these appear to fit the description of an “online location” designed to assist copyright infringement, where the Android-based software for the IPTV services is hosted provides an interesting dilemma.

ComputerWorld reports that the apps – which offer live broadcasts, video-on-demand, and catch-up TV – are hosted on as-yet-unnamed sites which are functionally similar to Google Play or Apple’s App Store. They’re repositories of applications that also carry non-infringing apps, such as those for Netflix and YouTube.

Nevertheless, despite clear knowledge of this dual use, TVB wants to have these app marketplaces blocked by Australian ISPs, which would not only render the illicit apps inaccessible to the public but all of the non-infringing ones too. Part of its argument that this action would be reasonable appears to be that legal apps – such as Netflix’s for example – can also be freely accessed elsewhere.

It will be up to Justice Nicholas to decide whether the “primary purpose” of these marketplaces is to infringe or facilitate the infringement of TVB’s copyrights. However, TVB also appears to have another problem which is directly connected to the copyright status in Australia of its China-focused live programming.

Justice Nicholas questioned whether watching a stream in Australia of TVB’s live Chinese broadcasts would amount to copyright infringement because no copy of that content is being made.

“If most of what is occurring here is a reproduction of broadcasts that are not protected by copyright, then the primary purpose is not to facilitate copyright infringement,” Justice Nicholas said.

One of the problems appears to be that China is not a party to the 1961 Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations. However, TVB is arguing that it should still receive protection because it airs pre-recorded content and the live broadcasts are also archived for re-transmission via catch-up services.

The question over whether unchoreographed live broadcasts receive protection has been raised in other regions but in most cases, a workaround has been found. The presence of broadcaster logos on screen (which receive copyright protection) is a factor and it’s been reported that broadcasters are able to record the ‘live’ action and transmit a copy just a couple of seconds later, thereby broadcasting an already-copyrighted work.

While TVB attempts to overcome its issues, Village Roadshow is facing some of its own in its efforts to take down HDSubs+.

It appears that at least partly in response to the Roadshow legal action, the service has undergone some modifications, including a change of brand to ‘Press Play Extra’. As reported by ZDNet, there have been structural changes too, which means that Roadshow can no longer “see under the hood”.

According to Justice Nicholas, there is no evidence that the latest version of the app infringes copyright but according to counsel for Village Roadshow, the new app is merely transitional and preparing for a possible future change.

“We submit the difference to be drawn is reactive to my clients serving on the operators a notice,” counsel for Roadshow argued, with an expert describing the new app as “almost like a placeholder.”

In short, Roadshow still wants all of the target domains in its original application blocked because the company believes there’s a good chance they’ll be reactivated in the future.

None of the ISPs involved in either case turned up to the hearings on Friday, which removes one layer of complexity in what appears thus far to be less than straightforward cases.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Key Internet Players Excoriate Canadian Pirate Site Blocking Plan

Post Syndicated from Ernesto original https://torrentfreak.com/key-internet-players-excoriate-canadian-pirate-site-blocking-plan-180323/

In January, a coalition of Canadian companies called on the country’s telecom regulator CRTC to establish a local pirate site blocking program, which would be the first of its kind in North America.

The Canadian deal is supported by FairPlay Canada, a coalition of both copyright holders and major players in the telco industry, such as Bell and Rogers, which also have media companies of their own.

Before making any decisions, the CRTC has asked the public for comments. Last week we highlighted a few from both sides, but in recent days two Internet heavyweights have chimed in.

The first submission comes from the Internet Infrastructure Coalition (i2Coalition), which counts Google, Amazon, Cogeco PEER1, and Tucows among its members. These are all key players in the Internet ecosystem, with a rather strong opinion.

In a strongly-worded letter, the coalition urges the CRTC to reject the proposed “government-backed internet censorship committee” which they say will hurt the public as well as various companies that rely on a free and open Internet.

“The not-for-profit organization envisioned by the FairPlay Canada proposal lacks accountability and oversight, and is certain to cause tremendous collateral damage to innocent Internet business owners,” they write.

“There is shockingly little judicial review or due process in establishing and approving the list of websites being blocked — and no specifics of how this blocking is actually to be implemented.”

According to the coalition, the proposal would stifle innovation, shutter legitimate businesses through overblocking, and harm Canada’s Internet economy.

In addition, they fear that it may lead to broad blockades of specific technologies. This includes VPNs, which Bell condemned in the past, as well as BitTorrent traffic.

“VPN usage itself could be targeted by this proposal, as could the use of torrents, another technology with wide legitimate usage, including digital security on public wifi, along with myriad other business requirements,” the coalition writes.

“We caution that this proposal could be used to attempt to restrict technology innovation. There are no provisions within the FairPlay proposal to avoid vilification of specific technologies. Technologies themselves cannot be bad actors.”

According to the i2Coalition, Canada’s Copyright Modernization Act is already one of the toughest anti-piracy laws in the world and they see no need to go any further. As such, they urge the authorities to reject the plan.

“The government and the CRTC should not hesitate to firmly reject the website blocking plan as a disproportionate, unconstitutional proposal sorely lacking in due process that is inconsistent with the current communications law framework,” the letter concludes.

The second submission we want to highlight comes from the Internet Society. In addition to many individual members, it is supported by dozens of major companies. This includes Google and Facebook, but also ISPs such as Verizon and Comcast, and even copyright holders such as 21st Century Fox and Disney.

While the Internet Society’s Hollywood members have argued in favor of pirate site blockades in the past, even in court, the organization’s submission argues fiercely against this measure.

Pointing to an extensive report Internet Society published last Spring, they inform the CRTC that website blocking techniques “do not solve the problem” and “inflict collateral damage.”

The Internet Society calls on the CRTC to carefully examine the proposal’s potential negative effects on the security of the Internet, the privacy of Canadians, and how it may inadvertently block legitimate websites.

“In our opinion, the negative impacts of disabling access greatly outweigh any benefits,” the Internet Society writes.

Thus far, nearly 10,000 responses have been submitted to the CRTC. The official deadline passes on March 29, after which it is up to the telecoms regulator to factor the different opinions into its final decision.

The i2Coalition submission is available here (pdf) and the Internet Society’s comments can be found here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

The robotic teapot from your nightmares

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/robotic-teapot/

For those moments when you wish the cast of Disney’s Beauty and the Beast was real, only to realise what a nightmare that would be, here’s Paul-Louis Ageneau’s robotic teapot!

Paul-Louis Ageneau Robotic teapot Raspberry Pi Zero

See what I mean?

Tale as old as time…

It’s the classic story of guy meets digital killer teapot, digital killer teapot inspires him to 3D print his own. Loosely based on a boss level of the video game Alice: Madness Returns, Paul-Louis’s creation is a one-eyed walking teapot robot with a (possible) thirst for blood.

Kill Build the beast

“My new robot is based on a Raspberry Pi Zero W with a camera.” Paul-Louis explains in his blog. “It is connected via a serial link to an Arduino Pro Mini board, which drives servos.”

Each leg has two points of articulation, one for the knee and one for the ankle. In order to move each of the joints, the teapot uses eight servo motor in total.

Paul-Louis Ageneau Robotic teapot Raspberry Pi Zero

Paul-Louis designed and 3D printed the body of the teapot to fit the components needed. So if you’re considering this build as a means of acquiring tea on your laziest of days, I hate to be the bearer of bad news, but the most you’ll get from your pour will be jumper leads and Pi.

Paul-Louis Ageneau Robotic Raspberry Pi Zero teapot
Paul-Louis Ageneau Robotic Raspberry Pi Zero teapot
Paul-Louis Ageneau Robotic Raspberry Pi Zero teapot

While the Arduino board controls the legs, it’s the Raspberry Pi’s job to receive user commands and tell the board how to direct the servos. The protocol for moving the servos is simple, with short lines of characters specifying instructions. First a digit from 0 to 7 selects a servo; next the angle of movement, such as 45 or 90, is input; and finally, the use of C commits the instruction.

Typing in commands is great for debugging, but you don’t want to be glued to a keyboard. Therefore, Paul-Louis continued to work on the code in order to string together several lines to create larger movements.

Paul-Louis Ageneau Robotic teapot Raspberry Pi Zero

The final control system of the teapot runs on a web browser as a standard four-axis arrow pad, with two extra arrows for turning.

Something there that wasn’t there before

Jean-Paul also included an ‘eye’ in the side of the pot to fit the Raspberry Pi Camera Module as another nod to the walking teapot from the video game, but with a purpose other than evil and wrong-doing. As you can see from the image above, the camera live-streams footage, allowing for remote control of the monster teapot regardless of your location.

If you like it all that much, it’s yours

In case you fancy yourself as an inventor, Paul-Louis has provided the entire build process and the code on his blog, documenting how to bring your own teapot to life. And if you’ve created any robotic household items or any props from video games or movies, we’d love to see them, so leave a link in the comments or share it with us across social media using the hashtag #IBuiltThisAndNowIThinkItIsTryingToKillMe.

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Welcome Michele – Our HR Coordinator

Post Syndicated from Yev original https://www.backblaze.com/blog/welcome-michele-our-hr-coordinator/

Backblaze is growing rapidly and as we have more and more job listings coming online and more employees to corral, we needed another member on our Human Resources team! Enter Michele, who is joining the HR folks to help recruit, onboard, and expand our HR organization. Lets learn a bit more about Michele shall we?

What is your Backblaze Title?
HR Coordinator.

Where are you originally from?
I was born and raised in the East Bay.

What attracted you to Backblaze?
The opportunity to learn new skills, as most of my experience is in office administration… I’m excited to jump into the HR world!

What do you expect to learn while being at Backblaze?
So much! All of the ins and outs of HR, the hiring and onboarding processes, and everything in between…so excited!

Where else have you worked?
I’ve previously worked at Clars Auction Gallery where I was Consignor Relations for 6 years, and most recently at Stellar Academy for Dyslexics where I was the Office Administrator/Bookkeeper.

Where did you go to school?
San Francisco Institute of Esthetics and Cosmetology.

What’s your dream job?
Pastry Chef!

Favorite place you’ve traveled?
Maui. I could lay on the beach and bob in the water all day, every day! But also, Disney World…who doesn’t love a good Disney vacation?

Favorite hobby?
Baking, traveling, reading, exploring new restaurants, SF Giants games

Star Trek or Star Wars?
Star Wars.

Coke or Pepsi?
Black iced tea?

Favorite food?
Pretty much everything…street tacos, ramen, sushi, Thai, pho.

Why do you like certain things?
Because why not?

Anything else you’d like you’d like to tell us?
I love Disney!

Another person who loves Disney! Welcome to the team Michele, we’ll have lots of tea ready for you!

The post Welcome Michele – Our HR Coordinator appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.

Welcome Lin – Our Newest Support Tech!

Post Syndicated from Yev original https://www.backblaze.com/blog/welcome-lin-newest-support-tech/

As Backblaze continues to grow a couple of our departments need to grow right along with it. One of the quickest-growing departments we have at Backblaze is Customer Support. We do all of our support in-house and the team grows to accommodate our growing customer base! We have a new person joining us in support, Lin! Lets take a moment to learn a bit more about her shall we?

What is your Backblaze Title?
Jr. Support Technician.

Where are you originally from?
Ventura, CA. It’s okay if you haven’t heard of it, it is very, very, small.

What attracted you to Backblaze?
The company culture, the delightful ads on Critical Role, and how immediately genuinely friendly everyone I met was.

Where else have you worked?
I previously did content management at Wish, and an awful lot of temp gigs. I did a few years at a coffee shop in the beginning of college, but my first job ever was a JoAnn’s Fabrics.

Where did you go to school?
San Francisco State University

What’s your dream job?
Magical Girl!

Favorite place you’ve traveled?
Tokyo, but Disneyworld is a real close second.

Favorite hobby?
I spend an awful lot of time playing video games, and possibly even more making silly costumes.

Star Trek or Star Wars?
Truthfully I love both. But I was raised on original series and next generation Trek.

Coke or Pepsi?
Coke … definitely coke.

Favorite food?
Cupcakes. Especially funfetti cupcakes.

Anything else you’d like you’d like to tell us?
I discovered Sailor Moon as a child and it possibly influenced my life way too much. Like many people here I am a huge Disney fan; Anyone who spends longer than a few hours with me will probably tell you I can go on for hours about my cat (but in my defense he’s adorable and fluffy and I have the pictures to prove it).

We keep hiring folks that love Disney! It’s kind of amazing. It’s also nice to have folks in the office that can chat about the latest Critical Role episode! Welcome aboard Lin, we’ll try to get some funfetti stocked for the cupcakes that come in!

The post Welcome Lin – Our Newest Support Tech! appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.

Spanish Authorities Launch New Campaign to Block Pirate Websites

Post Syndicated from Andy original https://torrentfreak.com/spanish-authorities-launch-new-campaign-to-block-pirate-websites-180223/

Following complaints from Disney, 20th Century Fox, Paramount, Sony, Universal and Warner, a court in Spain recently ordered local ISPs to block HDFull.tv and Repelis.tv, a pair of popular pirate sites.

Citing changes in local law which helped facilitate the action, the MPA welcomed the blockades as necessary to prevent further damage to the creative industries. Now, just a week later, it seems that Spain really has the bit between its teeth.

An announcement from the Guardia Civil (Civil Guard), the oldest law enforcement agency in the country, reveals that almost two dozen websites have just been blocked for infringing intellectual property rights.

“The Civil Guard, within the framework of the ‘Operation CASCADA’, has initiated a campaign to block websites that allow people to download content protected by copyright and disseminate them through links in P2P networks, that is, networks of computers that work without fixed servers,” the Civil Guard said in a statement.

“In this first phase, a total of 23 web domains have been blocked from which direct download links of all kinds of protected audiovisual material such as movies, series, music and video games were accessed, many of them of recent creation and without being released yet in our country.

“High-quality versions of films available on the cinema billboards of our country were offered, although they had not yet been sold in physical or digital format and dubbed with audio in several languages.”

A full list of websites and domains hasn’t yet been provided by the authorities but familiar names including divxtotal.com and gamestorrents.com are confirmed to be included in the first wave.

The Civil Guard, which is organized as a military force under the authority of the Ministry of the Interior and Ministry of Defense, said that the administrators of the sites operate their platforms from abroad, generating advertising revenue from Spanish visitors who are said to make up 80% of the sites’ traffic.

In common with similar sites, the authorities accuse their owners of taking evasive action to avoid being shut down, including hiding the true location of their servers while moving them from country to country and masking domain registration data.

“Cases have been detected in which previously judicially blocked domains were reactivated in a matter of hours, with practically identical domain names or even changing only the extension thereof. In this way, and even if several successive blocks were made, they were able to ‘resurrect’ the web pages again in a very short space of time,” the Civil Guard reports.

“For all these reasons, components of the Department of Telematic Crimes of the Central Operative Unit of the Civil Guard, responsible for the investigation, were forced to implement a series of measures tending to cause a total blockade of them that would be effective and definitive, being currently inaccessible web pages or lacking download links.”

According to the authorities, the sites are now being continuously monitored, with replacement domains being blocked in less than three hours. That doesn’t appear to have been the case yesterday, however.

It’s claimed that the blocked sites were created by “a person of Spanish origin” who subsequently sold them to a company in Argentina. On Thursday, Argentina-based site Dixv.com.ar fired back against the blockade with a new site called Yadivx.com, which is reportedly serving all of the former’s content to users in Spain.

The sites’ owners continue to administer the rogue sites from Argentina, Spanish authorities believe. Only time will tell who will emerge victorious but at least for now, the sites are remaining defiant.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Pirate Site Admin Sentenced to Two Years Prison & €83.6 Million Damages

Post Syndicated from Andy original https://torrentfreak.com/pirate-site-admin-sentenced-to-two-years-prison-e83-6-million-damages-180221/

Way back in 2011, Streamiz was reported to be the second most popular pirate streaming site in France with around 250,000 visitors per day. The site didn’t host its own content but linked to movies elsewhere.

This prominent status soon attracted the attention of various entertainment companies including the National Federation of Film Distributors (FNDF) which filed a complaint against the site back in 2009.

Investigators eventually traced the presumed operator of the site to a location in the Hauts-de-Seine region of France. In October 2011 he was arrested leaving his Montrouge home in the southern Parisian suburbs. His backpack reportedly contained socks stuffed with almost 30,000 euros in cash.

The man was ordered to appear before the investigating judge but did not attend. He also failed to appear during his sentencing this Monday, which may or may not have been a good thing, depending on one’s perspective.

In his absence, the now 41-year-old was found guilty of copyright infringement offenses and handed one of the toughest sentences ever in a case of its type.

According to an AFP report, when the authorities can catch up with him the man must not only serve two years in prison but also pay a staggering 83.6 million euros in damages to Disney, 20th Century Fox, Warner Bros and SACEM, the Society of Authors, Composers and Music Publishers.

Streamiz is now closed but at its peak offered around 40,000 movies to millions of users per month. In total, the site stood accused of around 500,000,000 infringements, earning its operator an estimated 150,000 euros in advertising revenue over a two year period.

“This is a clear case of commercial counterfeiting” based on a “very structured” system, David El Sayegh, Secretary General of SACEM, told AFP. His sentence “sends a very clear message: there will be no impunity for pirates,” he added.

With an arrest warrant still outstanding, the former Streamiz admin is now on the run with very few options available to him. Certainly, the 83.6 million euro fine won’t ever be paid but the prison sentence is something he might need to get behind him.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Community Profile: Estefannie Explains It All

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/community-profile-estefannie/

This column is from The MagPi issue 59. You can download a PDF of the full issue for free, or subscribe to receive the print edition through your letterbox or the digital edition on your tablet. All proceeds from the print and digital editions help the Raspberry Pi Foundation achieve our charitable goals.

“Hey, world!” Estefannie exclaims, a wide grin across her face as the camera begins to roll for another YouTube tutorial video. With a growing number of followers and wonderful support from her fans, Estefannie is building a solid reputation as an online maker, creating unique, fun content accessible to all.

A woman sitting at a desk with a laptop and papers — Estefannie Explains it All Raspberry Pi

It’s as if she was born into performing and making for an audience, but this fun, enjoyable journey to social media stardom came not from a desire to be in front of the camera, but rather as a unique approach to her own learning. While studying, Estefannie decided the best way to confirm her knowledge of a subject was to create an educational video explaining it. If she could teach a topic successfully, she knew she’d retained the information. And so her YouTube channel, Estefannie Explains It All, came into being.

Note taking — Estefannie Explains it All

Her first videos featured pages of notes with voice-over explanations of data structure and algorithm analysis. Then she moved in front of the camera, and expanded her skills in the process.

But YouTube isn’t her only outlet. With nearly 50000 followers, Estefannie’s Instagram game is strong, adding to an increasing number of female coders taking to the platform. Across her Instagram grid, you’ll find insights into her daily routine, from programming on location for work to behind-the-scenes troubleshooting as she begins to create another tutorial video. It’s hard work, with content creation for both Instagram and YouTube forever on her mind as she continues to work and progress successfully as a software engineer.

A woman showing off a game on a tablet — Estefannie Explains it All Raspberry Pi

As a thank you to her Instagram fans for helping her reach 10000 followers, Estefannie created a free game for Android and iOS called Gravitris — imagine Tetris with balance issues!

Estefannie was born and raised in Mexico, with ambitions to become a graphic designer and animator. However, a documentary on coding at Pixar, and the beauty of Merida’s hair in Brave, opened her mind to the opportunities of software engineering in animation. She altered her career path, moved to the United States, and switched to a Computer Science course.

A woman wearing safety goggles hugging a keyboard Estefannie Explains it All Raspberry Pi

With a constant desire to make and to learn, Estefannie combines her software engineering profession with her hobby to create fun, exciting content for YouTube.

While studying, Estefannie started a Computer Science Girls Club at the University of Houston, Texas, and she found herself eager to put more time and effort into the movement to increase the percentage of women in the industry. The club was a success, and still is to this day. While Estefannie has handed over the reins, she’s still very involved in the cause.

Through her YouTube videos, Estefannie continues the theme of inclusion, with every project offering a warm sense of approachability for all, regardless of age, gender, or skill. From exploring Scratch and Makey Makey with her young niece and nephew to creating her own Disney ‘Made with Magic’ backpack for a trip to Disney World, Florida, Estefannie’s videos are essentially a documentary of her own learning process, produced so viewers can learn with her — and learn from her mistakes — to create their own tech wonders.

Using the Raspberry Pi, she’s been able to broaden her skills and, in turn, her projects, creating a home-automated gingerbread house at Christmas, building a GPS-controlled GoPro for her trip to London, and making everyone’s life better with an Internet Button–controlled French press.

Estefannie Explains it All Raspberry Pi Home Automated Gingerbread House

Estefannie’s automated gingerbread house project was a labour of love, with electronics, wires, and candy strewn across both her living room and kitchen for weeks before completion. While she already was a skilled programmer, the world of physical digital making was still fairly new for Estefannie. Having ditched her hot glue gun in favour of a soldering iron in a previous video, she continued to experiment and try out new, interesting techniques that are now second nature to many members of the maker community. With the gingerbread house, Estefannie was able to research and apply techniques such as light controls, servos, and app making, although the latter was already firmly within her skill set. The result? A fun video of ups and downs that resulted in a wonderful, festive treat. She even gave her holiday home its own solar panel!

A DAY AT RASPBERRY PI TOWERS!! LINK IN BIO ⚡🎥 @raspberrypifoundation

1,910 Likes, 43 Comments – Estefannie Explains It All (@estefanniegg) on Instagram: “A DAY AT RASPBERRY PI TOWERS!! LINK IN BIO ⚡🎥 @raspberrypifoundation”

And that’s just the beginning of her adventures with Pi…but we won’t spoil her future plans by telling you what’s coming next. Sorry! However, since this article was written last year, Estefannie has released a few more Pi-based project videos, plus some awesome interviews and live-streams with other members of the maker community such as Simone Giertz. She even made us an awesome video for our Raspberry Pi YouTube channel! So be sure to check out her latest releases.

Best day yet!! I got to hangout, play Jenga with a huge arm robot, and have afternoon tea with @simonegiertz and robots!! 🤖👯 #shittyrobotnation

2,264 Likes, 56 Comments – Estefannie Explains It All (@estefanniegg) on Instagram: “Best day yet!! I got to hangout, play Jenga with a huge arm robot, and have afternoon tea with…”

While many wonderful maker videos show off a project without much explanation, or expect a certain level of skill from viewers hoping to recreate the project, Estefannie’s videos exist almost within their own category. We can’t wait to see where Estefannie Explains It All goes next!

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Court Orders Spanish ISPs to Block Pirate Sites For Hollywood

Post Syndicated from Andy original https://torrentfreak.com/court-orders-spanish-isps-to-block-pirate-sites-for-hollywood-180216/

Determined to reduce levels of piracy globally, Hollywood has become one of the main proponents of site-blocking on the planet. To date there have been multiple lawsuits in far-flung jurisdictions, with Europe one of the primary targets.

Following complaints from Disney, 20th Century Fox, Paramount, Sony, Universal and Warner, Spain has become one of the latest targets. According to the studios a pair of sites – HDFull.tv and Repelis.tv – infringe their copyrights on a grand scale and need to be slowed down by preventing users from accessing them.

HDFull is a platform that provides movies and TV shows in both Spanish and English. Almost 60% its traffic comes from Spain and after a huge surge in visitors last July, it’s now the 337th most popular site in the country according to Alexa. Visitors from Mexico, Argentina, United States and Chile make up the rest of its audience.

Repelis.tv is a similar streaming portal specializing in movies, mainly in Spanish. A third of the site’s visitors hail from Mexico with the remainder coming from Argentina, Columbia, Spain and Chile. In common with HDFull, Repelis has been building its visitor numbers quickly since 2017.

The studios demanding more blocks

With a ruling in hand from the European Court of Justice which determined that sites can be blocked on copyright infringement grounds, the studios asked the courts to issue an injunction against several local ISPs including Telefónica, Vodafone, Orange and Xfera. In an order handed down this week, Barcelona Commercial Court No. 6 sided with the studios and ordered the ISPs to begin blocking the sites.

“They damage the legitimate rights of those who own the films and series, which these pages illegally display and with which they profit illegally through the advertising revenues they generate,” a statement from the Spanish Federation of Cinematographic Distributors (FEDECINE) reads.

FEDECINE General director Estela Artacho said that changes in local law have helped to provide the studios with a new way to protect audiovisual content released in Spain.

“Thanks to the latest reform of the Civil Procedure Law, we have in this jurisdiction a new way to exercise different possibilities to protect our commercial film offering,” Artacho said.

“Those of us who are part of this industry work to make culture accessible and offer the best cinematographic experience in the best possible conditions, guaranteeing the continuity of the sector.”

The development was also welcomed by Stan McCoy, president of the Motion Picture Association’s EMEA division, which represents the plaintiffs in the case.

“We have just taken a welcome step which we consider crucial to face the problem of piracy in Spain,” McCoy said.

“These actions are necessary to maintain the sustainability of the creative community both in Spain and throughout Europe. We want to ensure that consumers enjoy the entertainment offer in a safe and secure environment.”

After gaining experience from blockades and subsequent circumvention in other regions, the studios seem better prepared to tackle fallout in Spain. In addition to blocking primary domains, the ruling handed down by the court this week also obliges ISPs to block any other domain, subdomain or IP address whose purpose is to facilitate access to the blocked platforms.

News of Spain’s ‘pirate’ blocks come on the heels of fresh developments in Germany, where this week a court ordered ISP Vodafone to block KinoX, one of the country’s most popular streaming portals.

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Australian Government Launches Pirate Site-Blocking Review

Post Syndicated from Andy original https://torrentfreak.com/australian-government-launches-pirate-site-blocking-review-180214/

Following intense pressure from entertainment industry groups, in 2014 Australia began developing legislation which would allow ‘pirate’ sites to be blocked at the ISP level.

In March 2015 the Copyright Amendment (Online Infringement) Bill 2015 (pdf) was introduced to parliament and after just three months of consideration, the Australian Senate passed the legislation into law.

Soon after, copyright holders began preparing their first cases and in December 2016, the Australian Federal Court ordered dozens of local Internet service providers to block The Pirate Bay, Torrentz, TorrentHound, IsoHunt, SolarMovie, plus many proxy and mirror services.

Since then, more processes have been launched establishing site-blocking as a permanent fixture on the Aussie anti-piracy agenda. But with yet more applications for injunction looming on the horizon, how is the mechanism performing and does anything else need to be done to improve or amend it?

Those are the questions now being asked by the responsible department of the Australian Government via a consultation titled Review of Copyright Online Infringement Amendment. The review should’ve been carried out 18 months after the law’s introduction in 2015 but the department says that it delayed the consultation to let more evidence emerge.

“The Department of Communications and the Arts is seeking views from stakeholders on the questions put forward in this paper. The Department welcomes single, consolidated submissions from organizations or parties, capturing all views on the Copyright Amendment (Online Infringement) Act 2015 (Online Infringement Amendment),” the consultation paper begins.

The three key questions for response are as follows:

– How effective and efficient is the mechanism introduced by the Online Infringement Amendment?

– Is the application process working well for parties and are injunctions operating well, once granted?

– Are any amendments required to improve the operation of the Online Infringement Amendment?

Given the tendency for copyright holders to continuously demand more bang for their buck, it will perhaps come as a surprise that at least for now there is a level of consensus that the system is working as planned.

“Case law and survey data suggests the Online Infringement Amendment has enabled copyright owners to work with [Internet service providers] to reduce large-scale online copyright infringement. So far, it appears that copyright owners and [ISPs] find the current arrangement acceptable, clear and effective,” the paper reads.

Thus far under the legislation there have been four applications for injunctions through the Federal Court, notably against leading torrent indexes and browser-based streaming sites, which were both granted.

The other two processes, which began separately but will be heard together, at least in part, involve the recent trend of set-top box based streaming.

Village Roadshow, Disney, Universal, Warner Bros, Twentieth Century Fox, and Paramount are currently presenting their case to the Federal Court. Along with Hong Kong-based broadcaster Television Broadcasts Limited (TVB), which has a separate application, the companies have been told to put together quality evidence for an April 2018 hearing.

With these applications already in the pipeline, yet more are on the horizon. The paper notes that more applications are expected to reach the Federal Court shortly, with the Department of Communications monitoring to assess whether current arrangements are refined as additional applications are filed.

Thus far, however, steady progress appears to have been made. The paper cites various precedents established as a result of the blocking process including the use of landing pages to inform Internet users why sites are blocked and who is paying.

“Either a copyright owner or [ISP] can establish a landing page. If an [ISP] wishes to avoid the cost of its own landing page, it can redirect customers to one that the copyright owner would provide. Another precedent allocates responsibility for compliance costs. Cases to date have required copyright owners to pay all or a significant proportion of compliance costs,” the paper notes.

But perhaps the issue of most importance is whether site-blocking as a whole has had any effect on the levels of copyright infringement in Australia.

The Government says that research carried out by Kantar shows that downloading “fell slightly from 2015 to 2017” with a 5-10% decrease in individuals consuming unlicensed content across movies, music and television. It’s worth noting, however, that Netflix didn’t arrive on Australian shores until May 2015, just a month before the new legislation was passed.

Research commissioned by the Department of Communications and published a year later in 2016 (pdf) found that improved availability of legal streaming alternatives was the main contributor to falling infringement rates. In a juicy twist, the report also revealed that Aussie pirates were the entertainment industries’ best customers.

“The Department is aware that other factors — such as the increasing availability of television, music and film streaming services and of subscription gaming services — may also contribute to falling levels of copyright infringement,” the paper notes.

Submissions to the consultation (pdf) are invited by 5.00 pm AEST on Friday 16 March 2018 via the government’s website.

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Британският орган по конкуренцията: сделката Fox – Sky не е в обществен интерес поради риск за медийния плурализъм

Post Syndicated from nellyo original https://nellyo.wordpress.com/2018/01/24/murdoch-3/

Когато беше предложено на правителството на ГЕРБ  да въведе оценка на плурализма при допускане на медийните концентрации, първата страница на Труд беше заета от заглавието Държавни юзди за медиите слага кабинетът. И идеята отпадна от програмата.

Вероятно в медиите на Мърдок и другите засегнати издатели и собственици  също е имало кампания срещу контрола за плурализъм – но той е въведен и действа. Според  прессъобщение от 23 януари 2018  конкурентният орган (CMA) в Обединеното кралство е взел решение, според което  поемането на пълния контрол  над Sky от Fox не е в обществен интерес  поради съображения, свързани с медийния плурализъм.  Още информация от сайта на правителството на Обединеното кралство:

Плурализъм

Плурализмът на медиите е централен въпрос за демократичния процес в Обединеното кралство и като такъв е  защитен от закона. CMA  установява, че ако сделката приключи, както е предложено, тя няма да е в обществен  интерес.  Murdoch Family Trust (MFT), който контролира Fox и News Corporation (News Corp), засилвайки контрола си над Sky, би имал твърде голям контрол над доставчиците на новини във Великобритания във всички медийни платформи (телевизия, радио, онлайн и вестници) и следователно твърде голямо влияние върху общественото мнение и политическия дневен ред. Новините на MFT се гледат, четат или слушат от близо една трета от населението на Обединеното кралство и имат  дял от потреблението, който е значително по-голям  от всички останали доставчици на новини, с изключение на BBC и ITN.

Поради контрола си върху News Corp, фамилията Мърдок вече има значително влияние върху общественото мнение и  поемането на пълния контрол  над Sky от Fox ще го укрепи още повече. Въпреки съществуването  и на други медийни услуги, предоставящи новини в Обединеното кралство, CMA временно е установила, че те няма да бъдат достатъчни, за да неутрализират увеличеното влияние на MFT, ако се даде ход на сделката.

Стандарти за електронни медии

В разследването на CMA са разгледани и редица доказателства, за да се разбере дали Fox, Sky и MFT имат истински ангажимент към стандартите на електронните медии в Обединеното кралство. В това отношение се констатира, че Fox, който ще упражнява пълен контрол над Sky, не е вероятно да действа срещу обществения интерес. Като цяло Fox има истински ангажимент към стандартите   в Обединеното кралство. Тук е утвърден доставчик, притежаващ лицензии  повече от 20 години. CMA взе под внимание политиките и процедурите, които Fox  има, за да гарантира, че стандартите   са изпълнени.

Наистина преди 2012 г. имаше сериозни недостатъци в контролирания от МФТ вестник News of the world, който  спазваше закона и медийните стандарти. Но News Corp впоследствие е въвела процеси и процедури за справяне с проблема. CMA  е установила, че оттогава насам  няма опасения за стандартите в пресата на MFT.

Разследването разгледа неотдавнашните твърдения за сексуален тормоз срещу служители на Fox News в САЩ. Макар да са сериозни, CMA смята, че те не са пряко свързани с постигането на стандартите за радио- и телевизионно разпространение в ОК и не поставят под съмнение ангажимента на Fox или MFT към стандартите  за електронни медии в Обединеното кралство.

Ан Ламбер, ръководеща групата за независими разследвания, заявява:

Плурализмът на медиите е централен въпрос за нашия демократичен процес. Много е важно никоя група или индивид да няма твърде голям контрол над нашите медии или прекалено голяма власт, за да може да повлияе на политическата програма.

Ако сливането Fox / Sky продължи съгласно предложението, то ще бъде в противоречие с обществения интерес. Това би довело до факта, че фамилията  Мърдок ще има твърде голям контрол върху доставчиците на новини в Обединеното кралство и твърде голямо влияние върху общественото мнение и политическия дневен ред.

Следващи стъпки

CMA изложи редица потенциални възможности за справяне с тези проблеми, посочени в обявлението за обществени средства за защита.Органът предложи евентуални средства за защита, като взе предвид и обявяването от компанията Fox на 14 декември 2017 г., че е договорила продажбата на някои активи, включително интересите им в Sky, на The Walt Disney Company. Докладът на CMA ще бъде финализиран и предоставен на министъра по въпросите на цифровите технологии, културата, медиите и спорта до 1 май 2018 г.  Той  ще вземе окончателното решение за предложената сделка.

В момента тече триседмичен период на консултации по  констатациите на СМА.

Hollywood Says Only Site-Blocking Left to Beat Piracy in New Zealand

Post Syndicated from Andy original https://torrentfreak.com/hollywood-says-only-site-blocking-left-to-beat-piracy-in-new-zealand-180123/

The Motion Picture Distributors’ Association (MPDA) is a non-profit organisation which represents major international film studios in New Zealand.

With companies including Fox, Sony, Paramount, Roadshow, Disney, and Universal on the books, the MPDA sings from the same sheet as the MPAA and MPA. It also hopes to achieve in New Zealand what its counterparts have achieved in Europe and Australia but cannot on home soil – mass pirate site blocking.

In a release heralding the New Zealand screen industry’s annual contribution of around NZ$1.05 billion to GDP and NZ$706 million to exports, MPDA Managing Director Matthew Cheetham says that despite the successes, serious challenges lie ahead.

“When we have the illegal file sharing site the Pirate Bay as New Zealand’s 19th most popular site in New Zealand, it is clear that legitimate movie and TV distribution channels face challenges,” Cheetham says.

MPDA members in New Zealand

In common with movie bosses in many regions, Cheetham is hoping that the legal system will rise to the challenge and assist distributors to tackle the piracy problem. In New Zealand, that might yet require a change in the law but given recent changes in Australia, that doesn’t seem like a distant proposition.

Last December, the New Zealand government announced an overhaul of the country’s copyright laws. A review of the Copyright Act 1994 was announced by the previous government and is now scheduled to go ahead this year. The government has already indicated a willingness to consider amendments to the Act in order to meet the objectives of New Zealand’s copyright regime.

“In New Zealand, piracy is almost an accepted thing, because no one’s really doing anything about it, because no one actually can do anything about it,” Cheetham said last month.

It’s quite unusual for Hollywood’s representatives to say nothing can be done about piracy. However, there was a small ray of hope this morning when Cheetham said that there is actually one option left.

“There’s nothing we can do in New Zealand apart from site blocking,” Cheetham said.

So, as the MPDA appears to pin its hopes on legislative change, other players in the entertainment industry are testing the legal system as it stands today.

Last September, Sky TV began a pioneering ‘pirate’ site-blocking challenge in the New Zealand High Court, applying for an injunction against several local ISPs to prevent their subscribers from accessing several pirate sites.

The boss of Vocus, one of the ISP groups targeted, responded angrily, describing Sky’s efforts as “dinosaur behavior” and something one would expect in North Korea, not in New Zealand.

“It isn’t our job to police the Internet and it sure as hell isn’t SKY’s either, all sites should be equal and open,” General Manager Taryn Hamilton said.

The response from ISPs suggests that even when the matter of site-blocking is discussed as part of the Copyright Act review, introducing specific legislation may not be smooth sailing. In that respect, all eyes will turn to the Sky process, to see if some precedent can be set there.

Finally, another familiar problem continues to raise its head down under. So-called “Kodi boxes” – the now generic phrase often used to describe set-top devices configured for piracy – are also on the content industries’ radar.

There are a couple of cases still pending against sellers, including one in which a budding entrepreneur sent out marketing letters claiming that his service was better than Sky’s offering. For seller Krish Reddy, this didn’t turn out well as the company responded with a NZ$1m lawsuit.

Generally, however, both content industries and consumers are having a good time in New Zealand but the MPDA’s Cheetham says that taking on pirates is never easy.

“It’s been called the golden age of television and a lot of premium movies have been released in the last 12 or 18 months. Content providers and distributors have really upped their game in the last five or 10 years to meet what people want but it’s very difficult to compete with free,” Cheetham concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Hollywood Asks New UK Culture Secretary To Fight Online Piracy

Post Syndicated from Andy original https://torrentfreak.com/hollywood-asks-new-uk-culture-secretary-to-fight-online-piracy-180119/

Following Prime Minister Theresa May’s cabinet reshuffle earlier this month, Matt Hancock replaced Karen Bradley as Secretary of State for Digital, Culture, Media and Sport.

Hancock, the 39-year-old MP for West Suffolk, was promoted from his role as Minister for Digital and Culture, a position he’d held since July 2016.

“Thrilled to become DCMS Secretary. Such an exciting agenda, so much to do, and great people. Can’t wait to get stuck in,” he tweeted.

Of course, the influence held by the Culture Secretary means that the entertainment industries will soon come calling, seeking help and support in a number of vital areas. No surprise then that Stan McCoy, president and managing director at the ‎Motion Picture Association’s EMEA division, has just jumped in with some advice for Hancock.

In an open letter published on Screen Daily, McCoy begins by reminding Hancock that the movie industry contributes considerable sums to the UK economy.

“We are one of the country’s most valuable economic and cultural assets – worth almost £92bn, growing at twice the rate of the economy, and making a positive contribution to the UK’s balance of payments,” McCoy writes.

“Britain’s status as a center of excellence for the audiovisual sector in particular is no accident: It results from the hard work and genius of our creative workforce, complemented by the support of governments that have guided their policies toward enabling continued excellence and growth.”

McCoy goes on to put anti-piracy initiatives at the very top of his wishlist – and Hancock’s to-do list.

“A joined-up strategy to curb proliferation of illegal, often age-inappropriate and malware-laden content online must include addressing the websites, environments and apps that host and facilitate piracy,” McCoy says.

“In addition to hurting one of Britain’s most important industries, they are overwhelmingly likely to harm children and adult consumers through nasty ads, links to adult content with no age verification, scams, fraud and other unpleasantness.”

That McCoy begins with the “piracy is dangerous” approach is definitely not a surprise. This Hollywood and wider video industry strategy is now an open secret. However, it feels a little off that the UK is being asked to further tackle pirate sites.

Through earlier actions, facilitated by the UK legal system and largely sympathetic judges, many thousands of URLs and domains linking to pirate sites, mirrors and proxies, are impossible to access directly through the UK’s major ISPs. Although a few slip through the net, directly accessing the majority of pirate sites in the UK is now impossible.

That’s already a considerable overseas anti-piracy position for the MPA who, as the “international voice” of the Motion Picture Association of America (MPAA), represents American corporations including Disney, Paramount, Sony Pictures, 20th Century Fox, Universal, and Warner Bros.

There’s no comparable blocking system for these companies to use in the United States and rightsholders in the UK can even have extra sites blocked without going back to court for permission. In summary, these US companies arguably get a better anti-piracy deal in the UK than they do at home in the United States.

In his next point, McCoy references last year’s deal – which was reached following considerable pressure from the UK government – between rightsholders and search engines including Google and Bing to demote ‘pirate’ results.

“Building on last year’s voluntary deal with search engines, the Government should stay at the cutting edge of ensuring that everyone in the ecosystem – including search engines, platforms and social media companies – takes a fair share of responsibility,” McCoy says.

While this progress is clearly appreciated by the MPA/MPAA, it’s difficult to ignore that the voluntary arrangement to demote infringing content is somewhat special if not entirely unique. There is definitely nothing comparable in the United States so keeping up the pressure on the UK Government feels a little like getting the good kid in class to behave, while his rowdy peers nearer the chalkboard get ignored.

The same is true for McCoy’s call for the UK to “banish dodgy streaming devices”.

“Illegal streaming devices loaded with piracy apps and malware – not to mention the occasional electrical failure – are proliferating across the UK, to the detriment of consumers and industry,” he writes.

“The sector is still waiting for the Intellectual Property Office to publish the report on its Call for Views on this subject. This will be one of several opportunities, along with the promised Digital Charter, to make clear that these devices and the apps and content they supply are unacceptable, dangerous to consumers, and harmful to the creative industry.”

Again, prompting the UK to stay on top of this game doesn’t feel entirely warranted.

With dozens of actions over the past few years, the Police Intellectual Property Crime Unit and the Federation Against Copyright Theft (which Hollywood ironically dumped in 2016) have done more to tackle the pirate set-top box problem than any group on the other side of the Atlantic.

Admittedly the MPAA is now trying to catch up, with recent prosecutions of two ‘pirate’ box vendors (1,2), but largely the work by the studios on their home turf has been outpaced by that of their counterparts in the UK.

Maybe Hancock will mention that to Hollywood at some point in the future.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Coalition Against Piracy Launches Landmark Case Against ‘Pirate’ Android Box Sellers

Post Syndicated from Andy original https://torrentfreak.com/coalition-against-piracy-launches-landmark-case-against-pirate-android-box-sellers-180112/

In 2017, anti-piracy enforcement went global when companies including Disney, HBO, Netflix, Amazon and NBCUniversal formed the Alliance for Creativity and Entertainment (ACE).

Soon after the Coalition Against Piracy (CAP) was announced. With a focus on Asia and backed by CASBAA, CAP counts many of the same companies among its members in addition to local TV providers such as StarHub.

From the outset, CAP has shown a keen interest in tackling unlicensed streaming, particularly that taking place via illicit set-top boxes stuffed with copyright-infringing apps and add-ons. One country under CAP’s spotlight is Singapore, where relevant law is said to be fuzzy at best, insufficient at worst. Now, however, a line in the sand might not be far away.

According to a court listing discovered by Singapore’s TodayOnline, today will see the Coalition Against Piracy’s general manager Neil Kevin Gane attempt to launch a pioneering private prosecution against set-top box distributor Synnex Trading and its client and wholesale goods retailer, An-Nahl.

Gane and CAP are said to be acting on behalf of four parties, one which is TV giant StarHub, a company with a huge interest in bringing media piracy under control in the region. It’s reported that they have also named Synnex Trading director Jia Xiaofen and An-Nahl director Abdul Nagib as defendants in their private criminal case after the parties failed to reach a settlement in an earlier process.

Contacted by TodayOnline, an employee of An-Nahl said the company no longer sells the boxes. However, Synnex is reportedly still selling them for S$219 each ($164) plus additional fees for maintenance and access to VOD. The company’s Facebook page is still active with the relevant offer presented prominently.

The importance of the case cannot be understated. While StarHub and other broadcasters have successfully prosecuted cases where people unlawfully decrypted broadcast signals, the provision of unlicensed streams isn’t specifically tackled by Singapore’s legislation. It’s now a major source of piracy in the region, as it is elsewhere around the globe.

Only time will tell how the process will play out but it’s clear that CAP and its members are prepared to invest significant sums into a prosecution for a favorable outcome. CAP believes that the supply of the boxes falls under Section 136 (3A) of the Copyright Act but only time will tell.

Last December, CAP separately called on the Singapore government to not only block ‘pirate’ streaming software but also unlicensed streams from entering the country.

“Within the Asia-Pacific region, Singapore is the worst in terms of availability of illicit streaming devices,” said CAP General Manager Neil Gane. “They have access to hundreds of illicit broadcasts of channels and video-on-demand content.”

CAP’s 21 members want the authorities to block the software inside devices that enables piracy but it’s far from clear how that can be achieved.

Update: The four companies taking the action are confirmed as Singtel, Starhub, Fox Network, and the English Premier League

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Our ‘Kodi Box’ Is Legal & Our Users Don’t Break the Law, TickBox Tells Hollywood

Post Syndicated from Andy original https://torrentfreak.com/our-kodi-box-is-legal-our-users-dont-break-the-law-tickbox-tells-hollywood-171229/

Georgia-based TickBox TV is a provider of set-top boxes that allow users to stream all kinds of popular content. Like other similar devices, Tickboxes use the popular Kodi media player alongside instructions how to find and use third-party addons.

Of course, these types of add-ons are considered a thorn in the side of the entertainment industries and as a result, Tickbox found itself on the receiving end of a lawsuit in the United States.

Filed in a California federal court in October, Universal, Columbia Pictures, Disney, 20th Century Fox, Paramount Pictures, Warner Bros, Amazon, and Netflix accused Tickbox of inducing and contributing to copyright infringement.

“TickBox sells ‘TickBox TV,’ a computer hardware device that TickBox urges its customers to use as a tool for the mass infringement of Plaintiffs’ copyrighted motion pictures and television shows,” the complaint reads.

“TickBox promotes the use of TickBox TV for overwhelmingly, if not exclusively, infringing purposes, and that is how its customers use TickBox TV. TickBox advertises TickBox TV as a substitute for authorized and legitimate distribution channels such as cable television or video-on-demand services like Amazon Prime and Netflix.”

The copyright holders reference a TickBox TV video which informs customers how to install ‘themes’, more commonly known as ‘builds’. These ‘builds’ are custom Kodi-setups which contain many popular add-ons that specialize in supplying pirate content. Is that illegal? TickBox TV believes not.

In a response filed yesterday, TickBox underlined its position that its device is not sold with any unauthorized or illegal content and complains that just because users may choose to download and install third-party programs through which they can search for and view unauthorized content, that’s not its fault. It goes on to attack the lawsuit on several fronts.

TickBox argues that plaintiffs’ claims, that TickBox can be held secondarily liable under the theory of contributory infringement or inducement liability as described in the famous Grokster and isoHunt cases, is unlikely to succeed. TickBox says the studios need to show four elements – distribution of a device or product, acts of infringement by users of Tickbox, an object of promoting its use to infringe copyright, and causation.

“Plaintiffs have failed to establish any of these four elements,” TickBox’s lawyers write.

Firstly, TickBox says that while its device can be programmed to infringe, it’s the third party software (the builds/themes containing addons) that do all the dirty work, and TickBox has nothing to do with them.

“The Motion spends a great deal of time describing these third-party ‘Themes’ and how they operate to search for and stream videos. But the ‘Themes’ on which Plaintiffs so heavily focus are not the [TickBox], and they have absolutely nothing to do with Defendant. Rather, they are third-party modifications of the open-source media player software [Kodi] which the Box utilizes,” the response reads.

TickBox says its device is merely a small computer, not unlike a smartphone or tablet. Indeed, when it comes to running the ‘pirate’ builds listed in the lawsuit, a device supplied by one of the plaintiffs can accomplish the same task.

“Plaintiffs have identified certain of these thirdparty ‘builds’ or ‘Themes’ which are available on the internet and which can be downloaded by users to view content streamed by third-party websites; however, this same software can be installed on many different types of devices, even one distributed by affiliates of Plaintiff Amazon Content Services, LLC,” the company adds.

Referencing the Grokster case, TickBox states that particular company was held liable for distributing a device (the Grokster software) “with the object of promoting its use to infringe copyright.” In the isoHunt case, it argues that the provision of torrent files satisfied the first element of inducement liability.

“In contrast, Defendant’s product – the Box – is not software through which users can access unauthorized content, as in Grokster, or even a necessary component of accessing unauthorized content, as in Fung [isoHunt],” TickBox writes.

“Defendant offers a computer, onto which users can voluntarily install legitimate or illegitimate software. The product about which Plaintiffs complain is third-party software which can be downloaded onto a myriad of devices, and which Defendant neither created nor supplies.”

From defending itself, TickBox switches track to highlight weaknesses in the studios’ case against users of its TickBox device. The company states that the plaintiffs have not presented any evidence that buyers of the TickBox streaming unit have actually accessed any copyrighted material.

Interestingly, however, the company also notes that even if people had streamed ‘pirate’ content, that might not constitute infringement.

First up, the company notes that there are no allegations that anyone – from TickBox itself to TickBox device owners – ever violated the plaintiffs’ exclusive right to perform its copyrighted works.

TickBox then further argues that copyright law does not impose liability for viewing streaming content, stating that an infringer is one who violates any of the exclusive rights of the copyright holder, in this case, the right to “perform the copyrighted work publicly.”

“Plaintiffs do not allege that Defendant, Defendant’s product, or the users of Defendant’s product ‘transmit or otherwise communicate a performance’ to the public; instead, Plaintiffs allege that users view streaming material on the Box.

“It is clear precedent [Perfect 10 v Google] in this Circuit that merely viewing copyrighted material online, without downloading, copying, or retransmitting such material, is not actionable.”

Taking this argument to its logical conclusion, TickBox insists that if its users aren’t infringing copyright, it’s impossible to argue that TickBox induced its customers to violate the plaintiffs’ rights. In that respect, plaintiffs’ complaints that TickBox failed to develop “filtering tools” to diminish its customers’ infringing activity are moot, since in TickBox’s eyes no infringement took place.

TickBox also argues that unlike in Grokster, where the defendant profited when users’ accessed infringing content, it does not. And, just to underline the earlier point, it claims that its place in the market is not to compete with entertainment companies, it’s actually to compete with devices such as Amazon’s Firestick – another similar Android-powered device.

Finally, TickBox notes that it has zero connection with any third-party sites that transmit copyrighted works in violation of the plaintiffs’ rights.

“Plaintiff has not alleged any element of contributory infringement vis-à-vis these unknown third-parties. Plaintiff has not alleged that Defendant has distributed any product to those third parties, that Defendant has committed any act which encourages those third parties’ infringement, or that any act of Defendant has, in fact, caused those third parties to infringe,” its response adds.

But even given the above defenses, TickBox says that it “voluntarily took steps” to remove links to the allegedly infringing Kodi builds from its device, following the plaintiffs’ lawsuit. It also claims to have modified its advertising and webpage “to attempt to appease Plaintiffs and resolve their complaint amicably.”

Given the above, TickBox says that the plaintiffs’ application for injunction is both vague and overly broad and would impose “imperssible hardship” on the company by effectively shutting it down while requiring it to “hack into and delete content” which TickBox users may have downloaded to their boxes.

TickBox raises some very interesting points around some obvious weaknesses so it will be intriguing to see how the Court handles its claims and what effect that has on the market for these devices in the US. In particular, the thorny issue of how they are advertised and promoted, which is nearly always the final stumbling block.

A copy of Tickbox’s response is available here (pdf), via Variety

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Kodi Piracy and Addon Predictions for 2018

Post Syndicated from Andy original https://torrentfreak.com/kodi-piracy-and-addon-predictions-for-2018-171228/

During 2017, Kodi and its sea of third-party addons hit the headlines hundreds of times.

Streaming in this fashion became a massive deal throughout the year and eventually, copyright holders decided to take action, cracking down on groups such as TVAddons, ZemTV, and addons offered by jsergio123 and The_Alpha.

In November, the problems continued when the Ares Project, the group behind the hugely popular Ares Wizard and Kodi repository, threw in the towel after being threatened by the MPA-led anti-piracy coalition Alliance for Creativity and Entertainment.

The combined might of Columbia, Disney, Paramount, Twentieth Century Fox, Universal, Warner, Netflix, Amazon, and Sky TV was too much, leading to Ares Project leader Tekto shutting everything down.

This was a significant development. Over a two year period, Ares serviced an estimated 100 million users. After interviewing Tekto last month, today we catch up with the developer again, listening to his thoughts on how the scene might further develop in 2018 and what threats lie ahead.

TF: Could you tell us a bit about Kodi’s suitability as an unauthorized streaming platform moving forward? Is it flexible enough to deal with threats, is its current development effort sufficient, do addon developers like the way it works, and how could it be improved?

Tekto: The public awareness of Kodi and the easy ways with which it can be customised via builds and its open source nature makes it the perfect platform for Python coders. It’s easy to fork, copy, adapt and learn, and it’s good for “builders” who modify, personalize, and “brand”.

It’s also easy for users to obtain, install, and work with the plethora of wizards and addons etc, all backed by up blogs and YouTube tutorials. It’s the perfect open source platform to develop and customise to access a massive range of content. Content that may well be contentious but regardless, it is publicly available all over the web.

TF: Obviously Kodi is the big thing at the moment but other apps, such as Showbox, TerrariumTV, and similar products are carving a decent niche for themselves. Where do you see the market sitting on these kinds of products moving forward and are they a threat to Kodi’s dominance?

Tekto: The apps and other services don’t offer the same level of personalization. That’s what will keep a certain dedicated following happy with Kodi. We’ve had Plex, Streamio, Emby and so on, but none offer the flexibility of Kodi.

TF: Does Kodi have any major weaknesses that you know of? Is it under threat from other systems perhaps?

Tekto: Lets not forget we had CCcam [card sharing] for a decade and with Sky [UK TV provider] changing their encryption to end that source, a myriad of IPTV providers sprung up to replace it. All that killing the CCcam method has done, is moved people off CCcam to IPTV. It hasn’t stopped piracy or access to “premium content”, it just moved somewhere else. It probably also makes the providers more money than CCcam accounts ever did.

TF: There have been a lot of legal threats in 2017. Are third-party addon developers and their community under serious threat?

Tekto: If Kodi third-party devs “stopped”, something else would take over. All the Android apps that have sprung up (some have been around a while anyway) are already filling some gaps or giving options for those looking to stream.

Having tried some of these, I have to say for non-tech users there are two or three apps that will suit them perfectly. Others need more work and fewer invasive ads to be more successful. Will Kodi stop? No. It is evolving and finding a new path. It has to. Well, the coders have to, at least.

TF: What is your overall assessment of the various legal attacks this year?

Tekto: What is being missed by all these legal “efforts” is the removal of the sources being accessed. Whilst the sources exist, apps and Kodi add-ons will find ways to access them.

Did taking out a few Kodi devs and a wizard remove any content? Did it stop just one movie from being accessed? No. It did nothing to stop piracy. It did, however, give those receiving HUGE fees to act for the various movie and broadcasters, something to write on their “success” boards and reports.

It just upset users for a few days whilst things adapted to the new situation. The Kodi builds listed on Ares all had their own wizards anyway – so they all carried on working. All the add-ons on Ares were mostly linked to Github, so they carried on working anyway.

The takedown of guys working on the URL resolver for Covenant didn’t work at all. The code still works and if you add, let’s say, Real Debrid, it won’t ever stop working, even Exodus still works! Let’s add to this that Covenant was then forked five or six times and re-marketed.

I’d say it probably increased “acts of copyright infringement” or at least access to “copyright infringing material”. TV Addons immediately took over development of the “URL resolver”, so it will be maintained and fixes for it released.

The URL resolver module uses regex – regular expressions to emulate a web browser (for the most part). Let that sink in; A URL resolver is a way to bypass a web browser, as most of the content is hosted on “publicly accessible” websites, that still remain publicly available with or without Covenant or whatever the forks are called.

TF: Sp there isn’t a Doomsday scenario?

Tekto: If the Kodi third-party scene is somehow stopped – all Wizards, builds, etc were all stopped this very second – there would be a dozen new apps for Android in weeks. Meanwhile, there are hundreds of websites you could switch to, to watch the same content. ACE, MPA etc need to wake up to that fact.

TF: One of the big deals this year, as far as the legal position goes, has been the clarification of “communication to the public” following cases at the European level featuring [pirate box seller] Filmspeler and The Pirate Bay. How do you think this will affect the addon and build scenes moving forward?

Tekto: I’ve long believed that Kodi wizards and scraper addons operated in a way that wasn’t illegal, in that they never provided content, never actually handled the copyright protected files themselves.

It still remains my belief that the recent efforts to use the Ziggo [Pirate Bay] ruling concerning “communicating to the public” is directly linked to torrents or at the very least actually providing content itself. It may be legal “saber rattling” – however standing your ground in the face of a well-funded legal behemoth is beyond hobbyists.

TF: An addon developer I spoke with recently said that fellow addon developers will need to be smarter in future, perhaps by developing addons that aren’t so obviously infringing and are more general in their functionality. Do you feel this is a route they’re likely to take and will it make any difference? How do you think a more ‘underground’ scene will affect the situation on the ground?

Tekto: Going Underground? Most will say grab a VPN and you’re safe – take note that a VPN isn’t enough. They may not get your logs, but they will get your payment info, or the times you are online tagged against another log etc. Anything like PayPal, Gmail, AdSense, etc is 100% out too – they will give people up in a heartbeat. People will have to avoid Facebook, Twitter and so on, as again, they will also link back to the “real you”.

I expect more will move to Tor as a first level of hiding their identities. Hosting via Tor-only sites might be a way to avoid some obvious methods of tracing people. Add-on devs could access Github and release code without ever having to reveal who they are.

Let’s not get into the whole “freedom of speech” etc scenario, however. It should mean that any developer should realistically make much greater efforts to hide their identities.

TF: Thank you for your time, Tekto. Any final messages for the readers?

Tekto: Yes, our Ares Wizard has returned. It’s a mainentance tool now.

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“Pirate” Streaming Service Sued by “Legal” Competitor

Post Syndicated from Ernesto original https://torrentfreak.com/pirate-streaming-service-sued-by-legal-competitor-171222/

In recent years there has been a boom in video streaming services, some operating with proper licenses and others without.

In a few cases, the line between legal and illegal is hard to spot for the public. When the latest Hollywood blockbusters are available for free it’s quite clear, but there are also slick-looking paid subscription services that operate without proper licenses.

The latter is what eTVnet is accused of. The streaming service targets Russian speakers in the United States and is accessible via the web or streaming boxes such as Roku. However, it does so without proper licenses, a complaint filed at a Massachusetts federal court alleges.

“On information and belief, the eTVnet Conspirators have illegally copied thousands of movies and are distributing them to paying customers illegally,” the complaint reads.

“By populating their streaming video service with stolen, illegally copied, and infringing copyrighted content, the eTVnet Conspirators have unlawfully and unfairly gained an advantage over their competitors, including Plaintiff.”

While this reads like a typical copyright infringement lawsuit, it isn’t. The complaint was filed by the Scottish company Alamite Ventures, which operates TUA.tv, a competing streaming service in the US.

The company filed suit against eTVnet, which is incorporated in Canada, as well as two owners and operators of the streaming service. They stand accused of civil conspiracy, unfair business practices, and false or misleading representations of fact under the Lanham Act.

“The eTVnet Conspirators deceptively market the eTVnet Service as a legal and fully licensed service,” Alamite Ventures notes.

ETVNET

There obviously can’t be a claim for copyright infringement damages, since Alamite is not a copyright holder, but the complaint does mention that major US companies such as HBO, Disney and Netflix are harmed as well.

“Given the staggering amount of copyright infringement committed by the eTVnet Conspirators, the damage to United States-based copyright owners easily eclipses $100,000,000,” it reads.

There is no calculation or evidence to back the $100 million claim, which seems quite substantial. However, according to Alamite Ventures there is no doubt that eTVnet is willingly operating a pirate service.

“…the eTVnet Conspirators know that their actions are illegal and have instituted a sophisticated scheme to avoid getting caught.”

“For example, the eTVnet Conspirators do not allow new users to access the stolen content library until they can verify that the new users are not “spies” or affiliated with content producers or law enforcement.”

Alamite Ventures hopes the court will agree and requests damages, as well as the shutdown of eTVnet in the United States.

A copy of the full complaint is available here (pdf).

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Treasure Trove of AACS 2.0 UHD Blu-Ray Keys Leak Online

Post Syndicated from Ernesto original https://torrentfreak.com/treasure-trove-of-aacs-2-0-uhd-blu-ray-keys-leak-online-171211/

Nowadays, movie buffs and videophiles find it hard to imagine a good viewing experience without UHD content, but disc rippers and pirates have remained on the sidelines for a long time.

Protected with strong AACS 2.0 encryption, UHD Blu-ray discs have long been one of the last bastions movie pirates had yet to breach.

This year there have been some major developments on this front, as full copies of UHD discs started to leak online. While it remained unclear how these were ripped, it was a definite milestone.

Just a few months ago another breakthrough came when a Russian company released a Windows tool called DeUHD that could rip UHD Blu-ray discs. Again, the method for obtaining the keys was not revealed.

Now there’s another setback for AACS LA, the licensing outfit founded by Warner Bros, Disney, Microsoft, Intel, and others. On various platforms around the Internet, copies of 72 AACS 2.0 keys are being shared.

The first mention we can find was posted a few days ago in a ten-year-old forum thread in the Doom9 forums. Since then it has been replicated a few times, without much fanfare.

The keys

The keys in question are confirmed to work and allow people to rip UHD Blu-ray discs of movies with freely available software such as MakeMKV. They are also different from the DeUHD list, so there are more people who know how to get them.

The full list of leaked keys includes movies such as Deadpool, Hancock, Passengers, Star Trek: Into Darkness, and The Martian. Some movies have multiple keys, likely as a result of different disc releases.

The leaked keys are also relevant for another reason. Ten years ago, a hacker leaked the AACS cryptographic key “09 F9” online which prompted the MPAA and AACS LA to issue DMCA takedown requests to sites where it surfaced.

This escalated into a censorship debate when Digg started removing articles that referenced the leak, triggering a massive backlash.

Thus fas the response to the AACS 2.0 leaks has been pretty tame, but it’s still early days. A user who posted the leaked keys on MyCe has already removed them due to possible copyright problems, so it’s definitely still a touchy subject.

The question that remains now is how the hacker managed to secure the keys, and if AACS 2.0 has been permanently breached.

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