Tag Archives: Flick

Court Orders Pirate IPTV Linker to Shut Down or Face Penalties Up to €1.25m

Post Syndicated from Andy original https://torrentfreak.com/court-orders-pirate-iptv-linker-to-shut-down-or-face-penalties-up-to-e1-25m-180911/

There are few things guaranteed in life. Death, taxes, and lawsuits filed regularly by Dutch anti-piracy outfit BREIN.

One of its most recent targets was Netherlands-based company Leaper Beheer BV, which also traded under the names Flickstore, Dump Die Deal and Live TV Store. BREIN filed a complaint at the Limburg District Court in Maastricht, claiming that Leaper provides access to unlicensed live TV streams and on-demand movies.

The anti-piracy outfit claimed that around 4,000 live channels were on offer, including Fox Sports, movie channels, commercial and public channels. These could be accessed after the customer made a payment which granted access to a unique activation code which could be entered into a set-top box.

BREIN told the court that the code returned an .M3U playlist, which was effectively a hyperlink to IPTV channels and more than 1,000 movies being made available without permission from their respective copyright holders. As such, this amounted to a communication to the public in contravention of the EU Copyright Directive, BREIN argued.

In its defense, Leaper said that it effectively provided a convenient link-shortening service for content that could already be found online in other ways. The company argued that it is not a distributor of content itself and did not make available anything that wasn’t already public. The company added that it was completely down to the consumer whether illegal content was viewed or not.

The key question for the Court was whether Leaper did indeed make a new “communication to the public” under the EU Copyright Directive, a standard the Court of Justice of the European Union (CJEU) says should be interpreted in a manner that provides a high level of protection for rightsholders.

The Court took a three-point approach in arriving at its decision.

  • Did Leaper act in a deliberate manner when providing access to copyright content, especially when its intervention provided access to consumers who would not ordinarily have access to that content?
  • Did Leaper communicate the works via a new method to a new audience?
  • Did Leaper have a profit motive when it communicated works to the public?
  • The Court found that Leaper did communicate works to the public and intervened “with full knowledge of the consequences of its conduct” when it gave its customers access to protected works.

    “Access to [the content] in a different way would be difficult for those customers, if Leaper were not to provide its services in question,” the Court’s decision reads.

    “Leaper reaches an indeterminate number of potential recipients who can take cognizance of the protected works and form a new audience. The purchasers who register with Leaper are to be regarded as recipients who were not taken into account by the rightful claimants when they gave permission for the original communication of their work to the public.”

    With that, the Court ordered Leaper to cease-and-desist facilitating access to unlicensed streams within 48 hours of the judgment, with non-compliance penalties of 5,000 euros per IPTV subscription sold, link offered, or days exceeded, to a maximum of one million euros.

    But the Court didn’t stop there.

    “Leaper must submit a statement audited by an accountant, supported by (clear, readable copies of) all relevant documents, within 12 days of notification of this judgment of all the relevant (contact) details of the (person or legal persons) with whom the company has had contact regarding the provision of IPTV subscriptions and/or the provision of hyperlinks to sources where films and (live) broadcasts are evidently offered without the permission of the entitled parties,” the Court ruled.

    Failure to comply with this aspect of the ruling will lead to more penalties of 5,000 euros per day up to a maximum of 250,000 euros. Leaper was also ordered to pay BREIN’s costs of 20,700 euros.

    Describing the people behind Leaper as “crooks” who previously sold media boxes with infringing addons (as previously determined to be illegal in the Filmspeler case), BREIN chief Tim Kuik says that a switch of strategy didn’t help them evade the law.

    “[Leaper] sold a link to consumers that gave access to unauthorized content, i.e. pay-TV channels as well as video-on-demand films and series,” BREIN chief Tim Kuik informs TorrentFreak.

    “They did it for profit and should have checked whether the content was authorized. They did not and in fact were aware the content was unauthorized. Which means they are clearly infringing copyright.

    “This is evident from the CJEU case law in GS Media as well as Filmspeler and The Pirate Bay, aka the Dutch trilogy because the three cases came from the Netherlands, but these rulings are applicable throughout the EU.

    “They just keep at it knowing they’re cheating and we’ll take them to the cleaners,” Kuik concludes.

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    YouTube Won’t Put Up With Blatant Piracy Tutorials Forever

    Post Syndicated from Andy original https://torrentfreak.com/youtube-wont-put-up-with-blatant-piracy-tutorials-forever-180506/

    Once upon a time, Internet users’ voices would be heard in limited circles, on platforms such as Usenet or other niche platforms.

    Then, with the rise of forum platforms such as phpBB in 2000 and Invision Power Board in 2002, thriving communities could gather in public to discuss endless specialist topics, including file-sharing of course.

    When dedicated piracy forums began to gain traction, it was pretty much a free-for-all. People discussed obtaining free content absolutely openly. Nothing was taboo and no one considered that there would be any repercussions. As such, moderation was limited to keeping troublemakers in check.

    As the years progressed and lawsuits against both sites and services became more commonplace, most sites that weren’t actually serving illegal content began to consider their positions. Run by hobbyists, most didn’t want the hassle of a multi-million dollar lawsuit, so links to pirate content began to diminish and the more overt piracy tutorials began to disappear underground.

    Those that remained in plain sight became much more considered. Tutorials on how to pirate specific Hollywood blockbusters were no longer needed, a plain general tutorial would suffice. And, as communities matured and took time to understand the implications of their actions, those without political motivations realized that drawing attention to potential criminality was neither required nor necessary.

    Then YouTube and social media happened and almost overnight, no one was in charge and anyone could say whatever they liked.

    In this new reality, there were no irritating moderator-type figures removing links to this and that, and nobody warning people against breaking rules that suddenly didn’t exist anymore. In essence, previously tight-knit and street-wise file-sharing and piracy communities not only became fragmented, but also chaotic.

    This meant that anyone could become a leader and in some cases, this was the utopia that many had hoped for. Not only couldn’t the record labels or Hollywood tell people what to do anymore, discussion site operators couldn’t either. For those who didn’t abuse the power and for those who knew no better, this was a much-needed breath of fresh air. But, like all good things, it was unlikely to last forever.

    Where most file-sharing of yesterday was carried out by hobbyist enthusiasts, many of today’s pirates are far more casual. They’re just as thirsty for content, but they don’t want to spend hours hunting for it. They want it all on a plate, at the flick of a switch, delivered to their TV with a minimum of hassle.

    With online discussions increasingly seen as laborious and old-fashioned, many mainstream pirates have turned to easy-to-consume videos. In support of their Kodi media player habits, YouTube has become the educational platform of choice for millions.

    As a result, there is now a long line of self-declared Kodi piracy specialists scooping up millions of views on YouTube. Their videos – which in many cases are thinly veiled advertisements for third party addons, Kodi ‘builds’, illegal IPTV services, and obscure Android APKs – are now the main way for a new generation to obtain direct advice on pirating.

    Many of the videos are incredibly blatant, like the past 15 years of litigation never happened. All the lessons learned by the phpBB board operators of yesteryear, of how to achieve their goals of sharing information without getting shut down, have been long forgotten. In their place, a barrage of daily videos designed to generate clicks and affiliate revenue, no matter what the cost, no matter what the risk.

    It’s pretty clear that these videos are at least partly responsible for the phenomenal uptick in Kodi and Android-based piracy over the past few years. In that respect, many lovers of free content will be eternally grateful for the service they’ve provided. But like many piracy movements over the years, people shouldn’t get too attached to them, at least in their current form.

    Thanks to the devil-may-care approach of many influential YouTubers, it won’t be long before a whole new set of moderators begin flexing their muscles. While your average phpBB moderator could be reasoned with in order to get a second chance, a determined and largely faceless YouTube will eject offenders without so much as a clear explanation.

    When this happens (and it’s only a question of time given the growing blatancy of many tutorials) YouTubers will not only lose their voices but their revenue streams too. While YouTube’s partner programs bring in some welcome cash, the profitable affiliate schemes touted on these channels for external products will also be under threat.

    Perhaps the most surprising thing in this drama-waiting-to-happen is that many of the most popular YouTubers can hardly be considered young and naive. While some are of more tender years, most – with their undoubted skill, knowledge and work ethic – should know better for their 30 or 40 years on this planet. Yet not only do they make their names public, they feature their faces heavily in their videos too.

    Still, it’s likely that it will take some big YouTube accounts to fall before YouTubers respond by shaving the sharp edges off their blatant promotion of illegal activity. And there’s little doubt that those advertising products (which is most of them) will have to do so sooner rather than later.

    Just this week, YouTube made it clear that it won’t tolerate people making money from the promotion of illegal activities.

    “YouTube creators may include paid endorsements as part of their content only if the product or service they are endorsing complies with our advertising policies,” YouTube told the BBC.

    “We will be working with creators going forward so they better understand that in video promotions [they] must not promote dishonest activity.”

    That being said, like many other players in the piracy and file-sharing space over the past 18 years, YouTubers will eventually begin to learn that not only can the smart survive, they can flourish too.

    Sure, there will be people out there who’ll protest that free speech allows citizens to express themselves in a manner of their choosing. But try PM’ing that to YouTube in response to a strike, and see how that fares.

    When they say you’re done, the road back is a long one.

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    Yahoo! Fined 35 Million USD For Late Disclosure Of Hack

    Post Syndicated from Darknet original https://www.darknet.org.uk/2018/05/yahoo-fined-35-million-usd-for-late-disclosure-of-hack/?utm_source=rss&utm_medium=social&utm_campaign=darknetfeed

    Yahoo! Fined 35 Million USD For Late Disclosure Of Hack

    Ah Yahoo! in trouble again, this time the news is Yahoo! fined for 35 million USD by the SEC for the 2 years delayed disclosure of the massive hack, we actually reported on the incident in 2016 when it became public – Massive Yahoo Hack – 500 Million Accounts Compromised.

    Yahoo! has been having a rocky time for quite a few years now and just recently has sold Flickr to SmugMug for an undisclosed amount, I hope that at least helps pay off some of the fine.

    Read the rest of Yahoo! Fined 35 Million USD For Late Disclosure Of Hack now! Only available at Darknet.

    #CensorshipMachine

    Post Syndicated from nellyo original https://nellyo.wordpress.com/2018/03/03/illegal_/

     

    На 1 март 2018 Европейската комисия публикува Препоръка  относно мерките за ефективно справяне с незаконното онлайн съдържание, която представя идеите на Комисията за това как да се ускори премахването на незаконно съдържание. Отделно от това, подобни идеи са развити в предложенията за ревизия на медийното и авторското право, както и в дискусиите за борба с дезинформацията и фалшивите новини.

    Аз също говорих за това на конференцията за фалшивите новини, организирана от АЕЖ през ноември 2017: ЕК препоръчва  на частни търговски дружества да се даде възможност да заличават съдържание, качено от граждани. Сега Европейската комисия продължава идеите в тази посока.

    В правна  система, основана на върховенство на правото, съдът е този, който трябва да се произнася при намеса в свободата на изразяване, поне досега това беше неоспорвано положение. ЕК насърчава тенденцията е да се овластят доставчици да правят такава преценка – точно както идеята за трите удара преди време.

    Реакцията на European Digital Rights (EDRi):

    Европейските политици работят за най-големия интернет филтър, който някога сме виждали. Това може да звучи драматично, но наистина не е преувеличено. Ако предложението бъде прието, уеб сайтове като Soundcloud, eBay, Facebook и Flickr ще бъдат принудени да филтрират всичко, което искате да качите. Алгоритъм ще  определя кое от съдържанието, което качвате, ще се вижда от останалия свят и кое – няма.

    Този интернет филтър е предвиден в предложенията за нова европейска нормативна уредба. Интернет филтрите не могат и не трябва да се използват за регулиране на авторското право. Те не работят. Но има много по-голям проблем: след като бъде инсталиран, интернет филтърът може и ще бъде използван за безброй други цели. Обзалагаме се, че политиците радостно очакват интернет филтъра, за да го използват в биткаите си  с фалшиви новини, тероризъм или нежелани политически мнения.

    EDRi подчертава, че има много причини да сте срещу тези предложения – ето три:

    • Това е атака срещу вашата свобода на изразяване.
    • Филтри като тези  правят много грешки.
    • Платформите ще  бъдат насърчени да избягват риска  – за сметка на вашата свобода.

    e-paper pocket money tracker using Monzo pots

    Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/monzo-money-tracker/

    Jason Barnett used the pots feature of the Monzo banking API to create a simple e-paper display so that his kids can keep track of their pocket money.

    Monzo ePaper Pot Jason Barnett Raspberry Pi

    Monzo

    For those outside the UK: Monzo is a smartphone-based bank that allows costumers to manage their money and payment cards via an app, removing the bank clerk middleman.

    In the Monzo banking app, users can set up pots, which allow them to organise their money into various, you guessed it, pots. You want to put aside holiday funds, budget your food shopping, or, like Jason, manage your kids’ pocket money? Using pots is an easy way to do it.

    Jason’s Monzo Pot ePaper tracker

    After failed attempts at keeping track of his sons’ pocket money via a scrap of paper stuck to the fridge, Jason decided to try a new approach.

    He started his build by installing Stretch Lite to the SD card of his Raspberry Pi Zero W. “The Pi will be running headless (without screen, mouse or keyboard)”, he explains on his blog, “so there is no need for a full-fat Raspbian image.” While Stretch Lite was downloading, he set up the Waveshare ePaper HAT on his Zero W. He notes that Pimoroni’s “Inky pHAT would be easiest,” but his tutorial is specific to the Waveshare device.

    Monzo ePaper Pot Jason Barnett Raspberry Pi

    Before ejecting the SD card, Jason updated the boot partition to allow him to access the Pi via SSH. He talks makers through that process here.

    Among the libraries he installed for the project is pyMonzo, a Python wrapper for the Monzo API created by Paweł Adamczak. Monzo is still in its infancy, and the API is partly under construction. Until it’s completed, Paweł’s wrapper offers a more stable way to use it.

    After installing the software, it was time to set up the e-paper screen for the tracker. Jason adjusted the code for the API so that the screen reloads information every 15 minutes, displaying the up-to-date amount of pocket money in both kids’ pots.

    Here is how Jason describes going to the supermarket with his sons, now that he has completed the tracker:

    “Daddy, I want (insert first thing picked up here), I’ve always wanted one of these my whole life!” […] Even though you have never seen that (insert thing here) before, I can quickly open my Monzo app, flick to Account, and say “You have £3.50 in your money box”. If my boy wants it, a 2-second withdrawal is made whilst queueing, and done — he walks away with a new (again, insert whatever he wanted his whole life here) and is happy!

    Jason’s blog offers a full breakdown of his project, including all necessary code and the specs for the physical build. Be sure to head over and check it out.

    Have you used an API in your projects? What would you build with one?

    The post e-paper pocket money tracker using Monzo pots appeared first on Raspberry Pi.

    Roguelike Simulator

    Post Syndicated from Eevee original https://eev.ee/release/2017/12/09/roguelike-simulator/

    Screenshot of a monochromatic pixel-art game designed to look mostly like ASCII text

    On a recent game night, glip and I stumbled upon bitsy — a tiny game maker for “games where you can walk around and talk to people and be somewhere.” It’s enough of a genre to have become a top tag on itch, so we flicked through a couple games.

    What we found were tiny windows into numerous little worlds, ill-defined yet crisply rendered in chunky two-colored pixels. Indeed, all you can do is walk around and talk to people and be somewhere, but the somewheres are strangely captivating. My favorite was the last days of our castle, with a day on the town in a close second (though it cheated and extended the engine a bit), but there are several hundred of these tiny windows available. Just single, short, minimal, interactive glimpses of an idea.

    I’ve been wanting to do more of that, so I gave it a shot today. The result is Roguelike Simulator, a game that condenses the NetHack experience into about ninety seconds.


    Constraints breed creativity, and bitsy is practically made of constraints — the only place you can even make any decisions at all is within dialogue trees. There are only three ways to alter the world: the player can step on an ending tile to end the game, step on an exit tile to instantly teleport to a tile on another map (or not), or pick up an item. That’s it. You can’t even implement keys; the best you can do is make an annoying maze of identical rooms, then have an NPC tell you the solution.

    In retrospect, a roguelike — a genre practically defined by its randomness — may have been a poor choice.

    I had a lot of fun faking it, though, and it worked well enough to fool at least one person for a few minutes! Some choice hacks follow. Probably play the game a couple times before reading them?

    • Each floor reveals itself, of course, by teleporting you between maps with different chunks of the floor visible. I originally intended for this to be much more elaborate, but it turns out to be a huge pain to juggle multiple copies of the same floor layout.

    • Endings can’t be changed or randomized; even the text is static. I still managed to implement multiple variants on the “ascend” ending! See if you can guess how. (It’s not that hard.)

    • There are no Boolean operators, but there are arithmetic operators, so in one place I check whether you have both of two items by multiplying together how many of each you have.

    • Monsters you “defeat” are actually just items you pick up. They’re both drawn in the same color, and you can’t see your inventory, so you can’t tell the difference.

    Probably the best part was writing the text, which is all completely ridiculous. I really enjoy writing a lot of quips — which I guess is why I like Twitter — and I’m happy to see they’ve made people laugh!


    I think this has been a success! It’s definitely made me more confident about making smaller things — and about taking the first idea I have and just running with it. I’m going to keep an eye out for other micro game engines to play with, too.

    What’s the Best Solution for Managing Digital Photos and Videos?

    Post Syndicated from Roderick Bauer original https://www.backblaze.com/blog/discovering-best-solution-for-photo-video-backup/

    Digital Asset Management (DAM)

    If you have spent any time, as we have, talking to photographers and videographers about how they back up and archive their digital photos and videos, then you know that there’s no one answer or solution that users have discovered to meet their needs.

    Based on what we’ve heard, visual media artists are still searching for the best combination of software, hardware, and cloud storage to preserve their media, and to be able to search, retrieve, and reuse that media as easily as possible.

    Yes, there are a number of solutions out there, and some users have created combinations of hardware, software, and services to meet their needs, but we have met few who claim to be satisfied with their solution for digital asset management (DAM), or expect that they will be using the same solution in just a year or two.

    We’d like to open a dialog with professionals and serious amateurs to learn more about what you’re doing, what you’d like to do, and how Backblaze might fit into that solution.

    We have a bit of cred in this field, as we currently have hundreds of petabytes of digital media files in our data centers from users of Backblaze Backup and Backblaze B2 Cloud Storage. We want to make our cloud services as useful as possible for photographers and videographers.

    Tell Us Both Your Current Solution and Your Dream Solution

    To get started, we’d love to hear from you about how you’re managing your photos and videos. Whether you’re an amateur or a professional, your experiences are valuable and will help us understand how to provide the best cloud component of a digital asset management solution.

    Here are some questions to consider:

    • Are you using direct-attached drives, NAS (Network-Attached Storage), or offline storage for your media?
    • Do you use the cloud for media you’re actively working on?
    • Do you back up or archive to the cloud?
    • Did you have a catalog or record of the media that you’ve archived that you use to search and retrieve media?
    • What’s different about how you work in the field (or traveling) versus how you work in a studio (or at home)?
    • What software and/or hardware currently works for you?
    • What’s the biggest impediment to working in the way you’d really like to?
    • How could the cloud work better for you?

    Please Contribute Your Ideas

    To contribute, please answer the following two questions in the comments below or send an email to [email protected]. Please comment or email your response by December 22, 2017.

    1. How are you currently backing up your digital photos, video files, and/or file libraries/catalogs? Do you have a backup system that uses attached drives, a local network, the cloud, or offline storage media? Does it work well for you?
    2. Imagine your ideal digital asset backup setup. What would it look like? Don’t be constrained by current products, technologies, brands, or solutions. Invent a technology or product if you wish. Describe an ideal system that would work the way you want it to.

    We know you have opinions about managing photos and videos. Bring them on!

    We’re soliciting answers far and wide from amateurs and experts, weekend video makers and well-known professional photographers. We have a few amateur and professional photographers and videographers here at Backblaze, and they are contributing their comments, as well.

    Once we have gathered all the responses, we’ll write a post on what we learned about how people are currently working and what they would do if anything were possible. Look for that post after the beginning of the year.

    Don’t Miss Future Posts on Media Management

    We don’t want you to miss our future posts on photography, videography, and digital asset management. To receive email notices of blog updates (and no spam, we promise), enter your email address above using the Join button at the top of the page.

    Come Back on Thursday for our Photography Post (and a Special Giveaway, too)

    This coming Thursday we’ll have a blog post about the different ways that photographers and videographers are currently managing their digital media assets.

    Plus, you’ll have the chance to win a valuable hardware/software combination for digital media management that I am sure you will appreciate. (You’ll have to wait until Thursday to find out what the prize is, but it has a total value of over $700.)

    Past Posts on Photography, Videography, and Digital Asset Management

    We’ve written a number of blog posts about photos, videos, and managing digital assets. We’ve posted links to some of them below.

    Four Tips To Help Photographers and Videographers Get The Most From B2

    Four Tips To Help Photographers and Videographers Get The Most From B2

    How to Back Up Your Mac’s Photos Library

    How to Back Up Your Mac’s Photos Library

    How To Back Up Your Flickr Library

    How To Back Up Your Flickr Library

    Getting Video Archives Out of Your Closet

    Getting Video Archives Out of Your Closet

    B2 Cloud Storage Roundup

    B2 Cloud Storage Roundup

    Backing Up Photos While Traveling

    Backing up photos while traveling – feedback

    Should I Use an External Drive for Backup?

    Should I use an external drive for backup?

    How to Connect your Synology NAS to B2

    How to Connect your Synology NAS to B2

    The post What’s the Best Solution for Managing Digital Photos and Videos? appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.

    Build a Flick-controlled marble maze

    Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/flick-marble-maze/

    Wiggle your fingers to guide a ball through a 3D-printed marble maze using the Pi Supply Flick board for Raspberry Pi!

    Wiggle, wiggle, wiggle, wiggle, yeah

    Using the Flick, previously seen in last week’s Hacker House’s gesture-controlled holographic visualiser, South Africa–based Tom Van den Bon has created a touch-free marble maze. He was motivated by, if his Twitter is any indication, his love for game-making and 3D printing.

    Tom Van den Bon on Twitter

    Day 172 of #3dprint365. #3dprinted Raspberry PI Controlled Maze Thingie Part 3 #3dprint #3dprinter #thingiverse #raspberrypi #pisupply

    All non-electronic parts of this build are 3D printed. The marble maze sits atop a motorised structure which moves along two axes thanks to servo motors. Tom controls the movement using gestures which are picked up by the Flick Zero, a Pi Zero–sized 3D-tracking board that can detect movement up to 15cm away.

    Find the code for the maze, which takes advantage of the Flick library, on Tom’s GitHub account.

    Make your own games

    Our free resources are a treasure trove of fun home-brew games that you can build with your friends and family.

    If you like physical games such as Tom’s gesture-controlled maze, you should definitely check out our Python quick reaction game! In it, players are pitted against each other to react as quickly as possible to a randomly lighting up LED.

    raspberry pi marble maze

    You can also play solo with our Lights out game, where it’s you against four erratic lights eager to remain lit.

    For games you can build on your computer with no need for any extra tech, Scratch games such as our button-smashing Olympic weightlifter and Hurdler projects are perfect — you can play them just using a keyboard and browser!

    raspberry pi marble maze

    And if you’d like to really get stuck into learning about game development, then you’re in luck! CoderDojo’s Make your own game book guides you through all the steps of building a game in JavaScript, from creating the world to designing characters.

    Cover of CoderDojo Nano Make your own game

    And because I just found this while searching for image content for today’s blog, here is a photo of Eben’s and Liz’s cat Mooncake with a Raspberry Pi on her head. Enjoy!

    A cat with a Raspberry Pi pin on its head — raspberry pi marble maze

    Ras-purry Pi?

    The post Build a Flick-controlled marble maze appeared first on Raspberry Pi.

    How To Back Up Your Flickr Library

    Post Syndicated from Peter Cohen original https://www.backblaze.com/blog/how-to-backup-your-flickr-library/

    Flickr and cloud backup image

    UPDATE May 17, 2018:  On April 20, Flickr announced that is being acquired by the image hosting and sharing service SmugMug. At that time, Flickr users were told that they have until May 25, 2018, to either accept the new terms of service from SmugMug or download their photo files from Flickr and close their accounts. Here is an excerpt from the email that was sent to Flickr users:

    We think you are going to love Flickr under SmugMug ownership, but you can choose to not have your Flickr account and data transferred to SmugMug until May 25, 2018. If you want to keep your Flickr account and data from being transferred, you must go to your Flickr account to download the photos and videos you want to keep, then delete your account from your Account Settings by May 25, 2018.

    If you do not delete your account by May 25, 2018, your Flickr account and data will transfer to SmugMug and will be governed by SmugMug’s Terms and Privacy Policy.

    We wanted to let our readers know of this change, and also help them download their photos if they wish to do so. To that end, we’ve updated a post we published a little over a year ago with instructions on how to download your photos from Flickr. It’s a good idea to have a backup of your photos on Flickr whether or not you plan to continue with the service.

    To read more:

    You can read Peter’s updated post from March 21, 2017, How to Back Up Your Flickr Library, below.

    — Editor

    Flickr is a popular photo blogging service used by pro and amateur photographers alike. Flickr helps you archive your photos in the cloud and share them publicly with others. What happens when Flickr is the only place you can find your photos, though?

    I hadn’t thought that much of that contingency. I’ve been a Flickr user since the pre-Yahoo days — 2004. I recently took stock of all the photos I’d uploaded to Flickr and realized something unsettling: I didn’t have some of these images on my Mac. It’s been 13 years and probably half a dozen computers since then, so I wasn’t surprised that some photos had fallen through the cracks.

    I decided to be better safe than sorry. I set out to backup my entire Flickr library to make sure I had everything. And I’m here to pass along what I learned.

    Flickr’s Camera Roll and Album Download Options

    Most of Flickr’s workflow — and most of their supported apps — focus on getting images into Flickr, not out of Flickr. That doesn’t mean you can’t download images from Flickr, but it isn’t straightforward.

    You can download photos directly from Flickr using their Camera Roll view, which organizes all your photos by the date they were taken. This is Flickr’s file-management interface, letting you select photos for whichever use you wish. Once you’ve selected the photos you want using the check boxes, Flickr will create a ZIP file that you can download. You are limited to 500 photos at a time, so this could take a number of repetitions if you have a lot of photos.

    Flickr Camera Roll View screenshot

    The download UI once you’ve met your photo selections:

    Flickr Camera Roll options

    You also can download Flickr Albums. Like the limit for the camera roll, you are limited to the number of photos you can download. In the case of albums, the limit is 5,000 files from albums at a time.

    Flickr’s download albums selection dialog:

    Flickr download albums

    Guidelines from Flickr’s download help page:

    screenshot of Flickr's download options

    Third-party apps

    Some third-party app makers have tapped into Flickr’s API to create various import and export services and apps.

    Bulkr is one such app. The app, free to download, lets you download images from your Flickr library with the touch of a button. It’s dependent on Adobe Flash and requires Adobe AIR. Some features are unavailable unless you pay for the “Pro” version ($29).

    Bulkr screenshot

    Flickr downloadr is another free app that lets you download your Flickr library. It also works on Mac, Windows and Linux systems. No license encumbrances to download extra content — it’s released as open source.

    Flickr Downloadr screenshot

    I’ve tried them both on my library of over 8,000 images. In either case, I just set up the apps and let them run — they took a while, a couple of hours to grab everything. So if you’re working with a large archive of Flickr images, I’d recommend setting aside some time when you can leave your computer running.

    What To Do With Your Flickr Images

    You’ve downloaded the images to your local hard drive. What next? Catalog what you have. Both Macs and PCs include such software. The apps for each platform are both called “Photos.” They have the benefit of being free, built-in, and well-supported using existing tools and workflows.

    If the Photos apps included with your computer don’t suit you, there are other commercial app options. Adobe Photoshop Lightroom is one of the more popular options that work with both Macs and Windows PCs. It’s included with Adobe’s $9.99 per month Creative Cloud Photography subscription (bundled with Photoshop), or you can buy it separately for $149.

    Archive Your Backup

    Now that you’ve downloaded all of your Flickr images, make sure they’re safe by backing them up. Back them up locally using Time Machine (on the Mac), Windows Backup or whatever means you prefer.

    Even though you’ve gotten the images from the cloud by downloading them from Flickr, it’d be a good idea to store a backup copy offsite just in case. That’s keeping with the guidelines of the 3-2-1 Backup Strategy — a solid way to make sure that nothing bad can happen to your data.

    Backblaze Backup and Backblaze B2 Cloud Storage are both great options, of course, for backing up and archiving your media, but the main thing is to make sure your photos are safe and sound. If anything happens to your computer or your local backup, you’ll still have a copy of those precious memories stored securely.

    Need more tips on how to back up your computer? Check out our Computer Backup Guide for more details.

    The post How To Back Up Your Flickr Library appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.