Tag Archives: Internet piracy

Pirate Site-Blocking? Music Biz Wants App Blocking Too

Post Syndicated from Andy original https://torrentfreak.com/pirate-site-blocking-music-biz-wants-app-blocking-too-180415/

In some way, shape or form, Internet piracy has always been carried out through some kind of application. Whether that’s a peer-to-peer client utilizing BitTorrent or eD2K, or a Usenet or FTP tool taking things back to their roots, software has always played a crucial role.

Of course, the nature of the Internet beast means that software usage is unavoidable but in recent years piracy has swung more towards the regular web browser, meaning that sites and services offering pirated content are largely easy to locate, identify and block, if authorities so choose.

As revealed this week by the MPA, thousands of platforms around the world are now targeted for blocking, with 1,800 sites and 5,300 domains blocked in Europe alone.

However, as the Kodi phenomenon has shown, web-based content doesn’t always have to be accessed via a standard web browser. Clever but potentially illegal addons and third-party apps are able to scrape web-based resources and present links to content on a wide range of devices, from mobile phones and tablets to set-top boxes.

While it’s still possible to block the resources upon which these addons rely, the scattered nature of the content makes the process much more difficult. One can’t simply block a whole platform because a few movies are illegally hosted there and even Google has found itself hosting thousands of infringing titles, a situation that’s ruthlessly exploited by addon and app developers alike.

Needless to say, the situation hasn’t gone unnoticed. The Alliance for Creativity and Entertainment has spent the last year (1,2,3) targeting many people involved in the addon and app scene, hoping they’ll take their tools and run, rather than further develop a rapidly evolving piracy ecosystem.

Over in Russia, a country that will happily block hundreds or millions of IP addresses if it suits them, the topic of infringing apps was raised this week. It happened during the International Strategic Forum on Intellectual Property, a gathering of 500 experts from more than 30 countries. There were strong calls for yet more tools and measures to deal with films and music being made available via ‘pirate’ apps.

The forum heard that in response to widespread website blocking, people behind pirate sites have begun creating applications for mobile devices to achieve the same ends – the provision of illegal content. This, key players in the music industry say, means that the law needs to be further tightened to tackle the rising threat.

“Consumption of content is now going into the mobile sector and due to this we plan to prevent mass migration of ‘pirates’ to the mobile sector,” said Leonid Agronov, general director of the National Federation of the Music Industry.

The same concerns were echoed by Alexander Blinov, CEO of Warner Music Russia. According to TASS, the powerful industry player said that while recent revenues had been positively affected by site-blocking, it’s now time to start taking more action against apps.

“I agree with all speakers that we can not stop at what has been achieved so far. The music industry has a fight against illegal content in mobile applications on the agenda,” Blinov said.

And if Blinov is to be believed, music in Russia is doing particularly well at the moment. Attributing successes to efforts by parliament, the Ministry of Communications, and copyright holders, Blinov said the local music market has doubled in the past two years.

“We are now in the top three fastest growing markets in the world, behind only China and South Korea,” Blinov said.

While some apps can work in the same manner as a basic web interface, others rely on more complex mechanisms, ‘scraping’ content from diverse sources that can be easily and readily changed if mitigation measures kick in. It will be very interesting to see how Russia deals with this threat and whether it will opt for highly technical solutions or the nuclear options demonstrated recently.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

MPA Reveals Scale of Worldwide Pirate Site Blocking

Post Syndicated from Andy original https://torrentfreak.com/mpa-reveals-scale-of-worldwide-pirate-site-blocking-180410/

Few people following the controversial topic of Internet piracy will be unaware of the site-blocking phenomenon. It’s now one of the main weapons in the entertainment industries’ arsenal and it’s affecting dozens of countries.

While general figures can be culled from the hundreds of news reports covering the issue, the manner in which blocking is handled in several regions means that updates aren’t always provided. New sites are regularly added to blocklists without fanfare, meaning that the public is kept largely in the dark.

Now, however, a submission to the Canadian Radio-television and Telecommunications Commission (CRTC) by Motion Picture Association Canada provides a more detailed overview. It was presented in support of the proposed blocking regime in Canada, so while the key figures are no doubt accurate, some of the supporting rhetoric should be viewed in context.

“Over the last decade, at least 42 countries have either adopted and implemented, or are legally obligated to adopt and implement, measures to ensure that ISPs take steps to disable access to copyright infringing websites, including throughout the European Union, the United Kingdom, Australia, and South Korea,” the submission reads.

The 42 blocking-capable countries referenced by the Hollywood group include the members of the European Union plus the following: Argentina, Australia, Iceland, India, Israel, Liechtenstein, Malaysia, Mexico, Norway, Russia, Singapore, South Korea, and Thailand.

While all countries have their own unique sets of legislation, countries within the EU are covered by the requirements of Article 8.3 of the INFOSEC Directive which provides that; “Member States shall ensure that rightholders are in a position to apply for an injunction against intermediaries whose services are used by a third party to infringe a copyright or related right.”

That doesn’t mean that all countries are actively blocking, however. While Bulgaria, Croatia, Cyprus, Czech Republic, Estonia, Hungary, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Poland, Romania, Slovakia, and Slovenia have the legal basis to block infringing sites, none have yet done so.

In a significant number of other EU countries, however, blocking activity is prolific.

“To date, in at least 17 European countries, over 1,800 infringing sites and over 5,300 domains utilized by such sites have been blocked, including in the following four countries where the positive impact of site-blocking over time has been demonstrated,” MPA Canada notes.

Major blocking nations in the EU

At this point, it’s worth pointing out that authority to block sites is currently being obtained in two key ways, either through the courts or via an administrative process.

In the examples above, the UK and Denmark are dealt with via the former, with Italy and Portugal handled via the latter. At least as far as the volume of sites is concerned, court processes – which can be expensive – tend to yield lower site blocking levels than those carried out through an administrative process. Indeed, the MPAA has praised Portugal’s super-streamlined efforts as something to aspire to.

Outside Europe, the same two processes are also in use. For example, Australia, Argentina, and Singapore utilize the judicial route while South Korea, Mexico, Malaysia and Indonesia have opted for administrative remedies.

“Across 10 of these countries, over 1,100 infringing sites and over 1,500 domains utilized by such sites have been blocked,” MPA Canada reveals.

To date, South Korea has blocked 460 sites and 547 domains, while Australia has blocked 91 sites and 355 domains. In the case of the latter, “research has confirmed the increasingly positive impact that site-blocking has, as a greater number of sites are blocked over time,” the Hollywood group notes.

Although by no means comprehensive, MPA Canada lists the following “Notorious Sites” as subject to blocking in multiple countries via both judicial and administrative means. Most will be familiar, with the truly notorious The Pirate Bay heading the pile. Several no longer exist in their original form but in many cases, clones are blocked as if they still represent the original target.


The methods used to block the sites vary from country to country, dependent on what courts deem fit and in consideration of ISPs’ technical capabilities. Three main tools are in use including DNS blocking, IP address blocking, and URL blocking, which can also include Deep Packet Inspection.

The MPA submission (pdf) is strongly in favor of adding Canada to the list of site-blocking countries detailed above. The Hollywood group believes that the measures are both effective and proportionate, citing reduced usage of blocked sites, reduced traffic to pirate sites in general, and increased visits to legitimate platforms.

“There is every reason to believe that the website blocking measures [presented to the CRTC] will lead to the same beneficial results in Canada,” MPA Canada states.

While plenty of content creators and distributors are in favor of proposals, all signs suggest they will have a battle on their hands, with even some ISPs coming out in opposition.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Piracy & Money Are Virtually Inseparable & People Probably Don’t Care Anymore

Post Syndicated from Andy original https://torrentfreak.com/piracy-money-are-virtually-inseparable-people-probably-dont-care-anymore-180408/

Long before peer-to-peer file-sharing networks were a twinkle in developers’ eyes, piracy of software and games flourished under the radar. Cassettes, floppy discs and CDs were the physical media of choice, while the BBS became the haunt of the need-it-now generation.

Sharing was the name of the game. When someone had game ‘X’ on tape, it was freely shared with friends and associates because when they got game ‘Y’, the favor had to be returned. The content itself became the currency and for most, the thought of asking for money didn’t figure into the equation.

Even when P2P networks first took off, money wasn’t really a major part of the equation. Sure, the people running Kazaa and the like were generating money from advertising but for millions of users, sharing content between friends and associates was still the name of the game.

Even when the torrent site scene began to gain traction, money wasn’t the driving force. Everything was so new that developers were much more concerned with getting half written/half broken tracker scripts to work than anything else. Having people care enough to simply visit the sites and share something with others was the real payoff. Ironically, it was a reward that money couldn’t buy.

But as the scene began to develop, so did the influx of minor and even major businessmen. The ratio economy of the private tracker scene meant that bandwidth could essentially be converted to cash, something which gave site operators revenue streams that had never previously existed. That was both good and bad for the scene.

The fact is that running a torrent site costs money and if time is factored in too, that becomes lots of money. If site admins have to fund everything themselves, a tipping point is eventually reached. If the site becomes unaffordable, it closes, meaning that everyone loses. So, by taking in some donations or offering users other perks in exchange for financial assistance, the whole thing remains viable.

Counter-intuitively, the success of such a venture then becomes the problem, at least as far as maintaining the old “sharing is caring” philosophy goes. A well-run private site, with enthusiastic donors, has the potential to bring in quite a bit of cash. Initially, the excess can be saved away for that rainy day when things aren’t so good. Having a few thousand in the bank when chaos rains down is rarely a bad thing.

But what happens when a site does really well and is making money hand over fist? What happens when advertisers on public sites begin to queue up, offering lots of cash to get involved? Is a site operator really expected to turn down the donations and tell the advertisers to go away? Amazingly, some do. Less amazingly, most don’t.

Although there are some notable exceptions, particularly in the niche private tracker scene, these days most ‘pirate’ sites are in it for the money.

In the current legal climate, some probably consider this their well-earned ‘danger money’ yet others are so far away from the sharing ethos it hurts. Quite often, these sites are incapable of taking in a new member due to alleged capacity issues yet a sizeable ‘donation’ miraculously solves the problem and gets the user in. It’s like magic.

As it happens, two threads on Reddit this week sparked this little rant. Both discuss whether someone should consider paying $20 and 37 euros respectively to get invitations to a pair of torrent sites.

Ask a purist and the answer is always ‘NO’, whether that’s buying an invitation from the operator of a torrent site or from someone selling invites for profit.

Aside from the fact that no one on these sites has paid content owners a dime, sites that demand cash for entry are doing so for one reason and one reason only – profit. Ridiculous when it’s the users of those sites that are paying to distribute the content.

On the other hand, others see no wrong in it.

They argue that paying a relatively small amount to access huge libraries of content is preferable to spending hundreds of dollars on a legitimate service that doesn’t carry all the content they need. Others don’t bother making any excuses at all, spending sizable sums with pirate IPTV/VOD services that dispose of sharing morals by engaging in a different business model altogether.

But the bottom line, whether we like it or not, is that money and Internet piracy have become so intertwined, so enmeshed in each other’s existence, that it’s become virtually impossible to separate them.

Even those running the handful of non-profit sites still around today would be forced to reconsider if they had to start all over again in today’s climate. The risk model is entirely different and quite often, only money tips those scales.

The same holds true for the people putting together the next big streaming portals. These days it’s about getting as many eyeballs on content as possible, making the money, and getting out the other end unscathed.

This is not what most early pirates envisioned. This is certainly not what the early sharing masses wanted. Yet arguably, through the influx of business people and the desire to generate profit among the general population, the pirating masses have never had it so good.

As revealed in a recent study, volumes of piracy are on the up and it is now possible – still possible – to access almost any item of content on pirate sites, despite the so-called “follow the money” approach championed by the authorities.

While ‘Sharing is Caring’ still lives today, it’s slowly being drowned out and at this point, there’s probably no way back. The big question is whether anyone cares anymore and the answer to that is “probably not”.

So, if the driving force isn’t sharing or love, it’ll probably have to be money. And that works everywhere else, doesn’t it?

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

EU Content Rules to Improve Access & Reduce Piracy Start April 1

Post Syndicated from Andy original https://torrentfreak.com/eu-content-rules-to-improve-access-reduce-piracy-start-april-1-180328/

Any subscriber of a service like Netflix will tell you that where you live can have a big impact on the content made available. Customers in the US enjoy large libraries while less populous countries are treated less well.

For many years and before Netflix largely closed the loophole, customers would bypass these restrictions, using VPNs to trick Netflix into thinking they were elsewhere. Some wouldn’t bother with the complication, choosing to pirate content instead.

But for citizens of the EU, things were even more complex. While the EU mandates free movement of people, the same can’t be said about licensing deals. While a viewer in the Netherlands could begin watching a movie at home, he could travel to France for a weekend break only to find that the content he paid for is not available, or only in French.

Last May, this problem was addressed by the European Parliament with an agreement to introduce new ‘Cross-border portability’ rules that will give citizens the freedom to enjoy their media wherever they are in the EU, without having to resort to piracy or VPNs – if they can find one that still works for any length of time with the service.

Now, almost 11 months on, the rules are about to come into force. From Sunday, content portability in the EU will become a reality.

“Citizens are at the core of all our digital initiatives. As of 1 April, wherever you are traveling to in the EU, you will no longer miss out on your favorite films, TV series, sports broadcasts, games or e-books, that you have digitally subscribed to at home,” European Commission Vice-President Andrus Ansip said in a statement.

“Removing the boundaries that prevented Europeans from traveling with digital media and content subscriptions is yet another success of the Digital Single Market for our citizens, following the effective abolition of roaming charges that consumers all over Europe have enjoyed since June 2017.”

This is how it will work. Consumers in the EU who buy or subscribe to films, sports broadcasts, music, e-books or games in their home Member States will now be able to access this content when they reside temporarily in another EU country.

So, if a person in the UK purchases Netflix to gain access to a TV show to watch in their home country, Netflix will have to add this content to the customer’s library so they can still access it wherever they travel in the EU, regardless of its general availability elsewhere.

“[P]roviders of paid-for online content services (such as online movie, TV or music streaming services) have to provide their subscribers with the same service wherever the subscriber is in the EU,” the Commission explains.

“The service needs to be provided in the same way in other Member States, as in the Member State of residence. So for Netflix for example, you will have access to the same selection (or catalog) anywhere in the EU, if you are temporarily abroad, just as if you were at home.”

The same should hold true for all other digital content. If it’s available at home, it must be made available elsewhere in Europe in order to comply with the regulations. In doing so, providers are allowed some freedom, provided it’s in the customer’s favor. If they want to give customers additional access to full home and overseas catalogs when they’re traveling, for example, that is fine.

There’s also a plus in there for content providers. While a company like Netflix will sometimes acquire rights on a per country basis, when a citizen travels abroad within the EU they will not be required to obtain licenses for those other territories where their subscribers stay temporarily.

There is, however, a question of what “temporarily” means since it’s not tightly defined in the regulations. The term will cover business trips and holidays, for example, but providers will be required to clearly inform their customers of their precise terms and conditions.

Providers will also need to determine a customer’s home country, something that will be established when a customer signs up or renews his contract. This can be achieved in a number of ways, including via payment details, a contract for an Internet or telephone connection, verifying a home address, or using a simple IP address check.

For providers of free online services, which are allowed to choose whether they want to be included in the new rules or not, there are special conditions in place.

“Once they opt-in and allow portability under the Regulation, all rules will apply to them in the same manner as for the paid services. This means that the subscribers will have to log-in to be able to access and use content when temporarily abroad, and service providers will have to verify the Member State of residence of the subscriber,” the Commission explains.

“If providers of free of charge online content services decide to make use of the new portability rules, they are required to inform their subscribers about this decision prior to providing the service. Such information could, for example, be announced on the providers’ websites.”

The good news for consumers is that providers will not be able to charge for offering content portability and if they don’t provide it as required, they’ll be in breach of EU rules. The EU believes that all providers are ready to meet the standard – the public will find out on Sunday.

The new rules can be found here (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Tamilrockers Arrests: Police Parade Alleged Movie Pirates on TV

Post Syndicated from Andy original https://torrentfreak.com/tamilrockers-arrests-police-parade-alleged-movie-pirates-on-tv-180315/

Just two years ago around 277 million people used the Internet in India. Today there are estimates as high as 355 million and with a population of more than 1.3 billion, India has plenty of growth yet to come.

Also evident is that in addition to a thirst for hard work, many Internet-enabled Indians have developed a taste for Internet piracy. While the US and Europe were the most likely bases for pirate site operators between 2000 and 2015, India now appears in a growing number of cases, from torrent and streaming platforms to movie release groups.

One site that is clearly Indian-focused is the ever-popular Tamilrockers. The movie has laughed in the face of the authorities for a number of years, skipping from domain to domain as efforts to block the site descend into a chaotic game of whack-a-mole. Like The Pirate Bay, Tamilrockers has burned through plenty of domains including tamilrockers.in, tamilrockers.ac, tamilrockers.me, tamilrockers.co, tamilrockers.is, tamilrockers.us and tamilrockers.ro.

Now, however, the authorities are claiming a significant victory against the so-far elusive operators of the site. The anti-piracy cell of the Kerala police announced last evening that they’ve arrested five men said to be behind both Tamilrockers and alleged sister site, DVDRockers.

They’re named as alleged Tamilrockers owner ‘Prabhu’, plus ‘Karthi’ and ‘Suresh’ (all aged 24), plus alleged DVD Rockers owner ‘Johnson’ and ‘Jagan’ (elsewhere reported as ‘Maria John’). The men were said to be generating between US$1,500 and US$3,000 each per month. The average salary in India is around $600 per annum.

While details of how the suspects were caught tend to come later in US and European cases, the Indian authorities are more forthright. According to Anti-Piracy Cell Superintendent B.K. Prasanthan, who headed the team that apprehended the men, it was a trail of advertising revenue crumbs that led them to the suspects.

Prasanthan revealed that it was an email, sent by a Haryana-based ad company to an individual who was arrested in 2016 in a similar case, that helped in tracking the members of Tamilrockers.

“This ad company had sent a mail to [the individual], offering to publish ads on the website he was running. In that email, the company happened to mention that they have ties with Tamilrockers. We got the information about Tamilrockers through this ad company,” Prasanthan said.

That information included the bank account details of the suspects.

Given the technical nature of the sites, it’s perhaps no surprise that the suspects are qualified in the IT field. Prasanthan revealed that all had done well.

“All the gang members were technically qualified. It even included MSc and BSc holders in computer science. They used to record movies in pieces from various parts of the world and join [them together]. We are trying to trace more members of the gang including Karthi’s brothers,” Prasanathan said.

All five men were remanded in custody but not before they were paraded in front of the media, footage which later appeared on TV.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Switzerland Hopes New Law Will Keep it Off U.S. ‘Pirate Watchlist’

Post Syndicated from Ernesto original https://torrentfreak.com/switzerland-hopes-new-law-will-keep-it-off-us-pirate-watchlist-180228/

In a few weeks, the Office of the United States Trade Representative (USTR) will publish its yearly Special 301 Report, highlighting countries that fail to live up to U.S copyright protection standards.

In recent years Switzerland was among countries that were placed on the ‘Watch List.’ In 2017, the US reported that the Swiss had made some progress, but not enough. Its policies towards online piracy were not up to par, according to U.S. standards.

“Switzerland remains on the Watch List this year due to U.S. concerns regarding specific difficulties in Switzerland’s system of online copyright protection and enforcement,” USTR wrote in its Special 301 Report.

One of the key issues the United States identified is the lack of enforcement against hosting companies that do business with pirate sites. Branding these as a “safe haven” for pirates, the US called for suitable countermeasures.

A second problem that was highlighted is the so-called ‘Logistep Decision.‘ In 2010 the Swiss Federal Supreme Court barred anti-piracy outfit Logistep from harvesting the IP addresses of file-sharers. The Court ruled that IP addresses amount to private data, and outlawed the tracking of file-sharers in Switzerland.

According to the USTR, this ruling prevents copyright holders from enforcing their rights, and they called on the Swiss Government to address this concern as well.

Today nearly a year has passed and it looks like the recommendations were not ignored. In a letter to the USTR, the Swiss Government writes that the two main complaints are dealt with in their new copyright law, which was introduced late last year.

“The draft bill, adopted by the Federal Council at its meeting on November 22, 2017, addresses both of those concerns. It aims at further modernizing Swiss copyright law for the purposes of the digital environment and steps up the fight against Internet piracy,” the Swiss write.

The new copyright law addresses the hosting problem by introducing a “take-down-and-stay-down” policy. Internet services will be required to remove infringing content from their platforms and prevent that same content from reappearing. Failure to comply will result in prosecution.

“The ‘stay down’ will prevent rogue websites from being hosted in Switzerland and will make the fight against Internet piracy more effective and sustainable. That should put an end to criticism directed against Switzerland as a host country for infringing sites,” Switzerland informs the U.S.

Similarly, the Logistep ruling will no longer be an issue either if the country’s new copyright law is implemented.

“[T]he draft bill clarifies that the processing of data for the purposes of prosecuting copyright infringement is permissible. With that, it puts an end to the debate that followed the Logistep decision about the extent to which the recording of IP addresses for prosecution purposes is admissible.”

Many copyright holder groups have also asked for ISP blocking of pirate sites, but Switzerland notes that this idea is off the table for now. There is not enough support in Parliament for an Internet blocking provision which may jeopardize acceptance of the entire draft bill, their letter explains.

While not mentioned in the letter, downloading and streaming copyright infringing content for personal use also remains unpunished, video games and software excepted. Uploading and other types of distribution of infringing content are not permitted, however.

Still, the Swiss hope that the newly proposed changes to its copyright law will be enough to have it removed from the Special 301 Watch List.

“Switzerland is confident that the revision of the Swiss Copyright Act will more effectively address the challenges posed by the Internet,” the Swiss Government writes, adding that it “looks forward to continuing to work with the U.S. to further clarify any issue relating to online piracy.”

Switzerland’s letter to the United States Trade Representative is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Major US Sports Leagues Report Top Piracy Nations to Government

Post Syndicated from Ernesto original https://torrentfreak.com/major-us-sports-leagues-report-top-piracy-nations-to-government-180216/

While pirated Hollywood blockbusters often score the big headlines, there are several other industries that have been battling with piracy over the years. This includes sports organizations.

Many of the major US leagues including the NBA, NFL, NHL, MLB and the Tennis Association, are bundling their powers in the Sports Coalition, to try and curb the availability of pirated streams and videos.

A few days ago the Sports Coalition put the piracy problem on the agenda of the United States Trade Representative (USTR).

“Sports organizations, including Sports Coalition members, are heavily affected by live sports telecast piracy, including the unauthorized live retransmission of sports telecasts over the Internet,” the Sports Coalition wrote.

“The Internet piracy of live sports telecasts is not only a persistent problem, but also a global one, often involving bad actors in more than one nation.”

The USTR asked the public for comments on which countries play a central role in copyright infringement issues. In its response, the Sports Coalition stresses that piracy is a global issue but singles out several nations as particularly problematic.

The coalition recommends that the USTR should put the Netherlands and Switzerland on the “Priority Watch List” of its 2018 Special 301 Report, followed by Russia, Saudi Arabia, Seychelles and Sweden, which get a regular “Watch List” recommendation.

The main problem with these countries is that hosting providers and content distribution networks don’t do enough to curb piracy.

In the Netherlands, sawlive.tv, strikezoneme, wizlnet, AltusHost, Host Palace, Quasi Networks and SNEL pirated or provided services contributing to sports piracy, the coalition writes. In Switzerland, mlbstreamme, robinwidgetorg, strikeoutmobi, BlackHOST, Private Layer and Solar Communications are doing the same.

According to the major sports leagues, the US Government should encourage these countries to step up their anti-piracy game. This is not only important for US copyright holders, but also for licensees in other countries.

“Clearly, there is common ground – both in terms of shared economic interests and legal obligations to protect and enforce intellectual property and related rights – for the United States and the nations with which it engages in international trade to work cooperatively to stop Internet piracy of sports programming.”

Whether any of these countries will make it into the USTR’s final list has yet to be seen. For Switzerland it wouldn’t be the first time but for the Netherlands it would be new, although it has been considered before.

A document we received through a FOIA request earlier this year revealed that the US Embassy reached out to the Dutch Government in the past, to discuss similar complaints from the Sports Coalition.

The same document also revealed that local anti-piracy group BREIN consistently urged the entertainment industries it represents not to advocate placing the Netherlands on the 301 Watch List but to solve the problems behind the scenes instead.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

The Early Days of Mass Internet Piracy Were Awesome Yet Awful

Post Syndicated from Andy original https://torrentfreak.com/the-early-days-of-mass-internet-piracy-were-awesome-yet-awful-180211/

While Napster certainly put the digital cats among the pigeons in 1999, the organized chaos of mass Internet file-sharing couldn’t be truly appreciated until the advent of decentralized P2P networks a year or so later.

In the blink of an eye, everyone with a “shared folder” client became both a consumer and publisher, sucking in files from strangers and sharing them with like-minded individuals all around the planet. While today’s piracy narrative is all about theft and danger, in the early 2000s the sharing community felt more like distant friends who hadn’t met, quietly trading cards together.

Satisfying to millions, those who really engaged found shared folder sharing a real adrenaline buzz, as English comedian Seann Walsh noted on Conan this week.

“Click. 20th Century Fox comes up. No pixels. No shaky cam. No silhouettes of heads at the bottom of the screen, people coming in five minutes late. None of that,” Walsh said, recalling his experience of downloading X-Men 2 (X2) from LimeWire.

“We thought: ‘We’ve done it!!’ This was incredible! We were going to have to go to the cinema. We weren’t going to have to wait for the film to come out on video. We weren’t going to have to WALK to blockbuster!”

But while the nostalgia has an air of magic about it, Walsh’s take on the piracy experience is bittersweet. While obtaining X2 without having to trudge to a video store was a revelation, there were plenty of drawbacks too.

Downloading the pirate copy took a week, which pre-BitTorrent wasn’t a completely bad result but still a considerable commitment. There were also serious problems with quality control.

“20th Century fades, X Men 2 comes up. We’ve done it! We’re not taking it for granted – we’re actually hugging. Yes! Yes! We’ve done it! This is the future! We look at the screen, Wolverine turns round…,” …..and Walsh launches into a broadside of pseudo-German babble, mimicking the unexpectedly-dubbed superhero.

After a week of downloading and getting a quality picture on launch, that is a punch in the gut, to say the least. Arguably no less than a pirate deserves, some will argue, but a fat lip nonetheless, and one many a pirate has suffered over the years. Nevertheless, as Walsh notes, it’s a pain that kids in 2018 simply cannot comprehend.

“Children today are living the childhood I dreamed of. If they want to hear a song – touch – they stream it. They’ve got it now. Bang. Instantly. They don’t know the pain of LimeWire.

“Start downloading a song, go to school, come back. HOPE that it’d finished! That download bar messing with you. Four minutes left…..nine HOURS and 28 minutes left? Thirty seconds left…..52 hours and 38 minutes left? JUST TELL ME THE TRUTH!!!!!” Walsh pleaded.

While this might sound comical now, this was the reality of people downloading from clients such as LimeWire and Kazaa. While X2 in German would’ve been torture for a non-German speaker, the misery of watching an English language copy of 28 Days Later somehow crammed into a 30Mb file is right up there too.

Mislabeled music with microscopic bitrates? That was pretty much standard.

But against the odds, these frankly second-rate experiences still managed to capture the hearts and minds of the digitally minded. People were prepared to put up with nonsense and regular disappointment in order to consume content in a way fit for the 21st century. Yet somehow the combined might of the entertainment industries couldn’t come up with anything substantially better for a number of years.

Of course, broadband availability and penetration played its part but looking back, something could have been done. Not only didn’t the Internet’s popularity come as a surprise, people’s expectations were dramatically lower than they are today too. In any event, beating the pirates should have been child’s play. After all, it was just regular people sharing files in a Windows folder.

Any fool could do it – and millions did. Surprisingly, they have proven unstoppable.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Pirate Bay Founder: Netflix and Spotify Are a Threat, No Solution

Post Syndicated from Ernesto original https://torrentfreak.com/pirate-bay-founder-netflix-and-spotify-are-a-threat-no-solution-180107/

Ten years ago the Internet was an entirely different place. Piracy was rampant, as it is today, but the people behind the largest torrent sites were more vocal then.

There was a battle going on for the right to freely share content online. This was very much a necessity at the time, as legal options were scarce, but for many it was also an idealistic battle.

As the spokesperson of The Pirate Bay, Peter Sunde was one of the leading voices at the time. He believed, and still does, that people should be able to share anything without restrictions. Period.

For Peter and three others associated with The Pirate Bay, this eventually resulted in jail sentences. They were not the only ones to feel the consequences. Over the past decade, dozens of torrent sites were shut down under legal pressure, forcing those operators that remain to go into hiding.

Today, ten years after we spoke to Peter about the future of torrent sites and file-sharing, we reach out to him again. A lot has changed, but how does The Pirate Bay’s co-founder look at things now?

“On the personal side, all is great, and I’m working on a TV-series about activism that will air next year. On top of that of course working on Njalla, Ipredator and other known projects,” Peter says.

“In general, I think that projects for me are still about the same thing as a decade ago, but just trying different approaches!”

While Peter stays true to his activist roots, fighting for privacy and freedom on the Internet, his outlook is not as positive as it once was.

He is proud that The Pirate Bay never caved and that they fought their cases to the end. The moral struggle was won, but he also realizes that the greater battle was lost.

“I’m proud and happy to be able to look myself in the mirror every morning with a feeling of doing right. A lot of corrupt people involved in our cases probably feel quite shitty. Well, if they have feelings,” Peter says.

The Pirate Bay’s former spokesperson doesn’t have any regrets really. The one thing that comes to mind, when we ask about things that he would have done differently, is to tell fellow Pirate Bay founder Anakata to encrypt his hard drive.

Brokep (Peter) and Anakata (Gottfrid)

Looking at the current media climate, Peter doesn’t think we are better off. On the contrary. While it might be easier in some counties to access content legally online, this also means that control is now firmly in the hands of a few major companies.

The Pirate Bay and others always encouraged free sharing for creators and consumers. This certainly hasn’t improved. Instead, media today is contained in large centralized silos.

“I’m surprised that people are so short-sighted. The ‘solution’ to file sharing was never centralizing content control back to a few entities – that was the struggle we were fighting for.

“Netflix, Spotify etc are not a solution but a loss. And it surprises me that the pirate movement is not trying to talk more about that,” he adds.

The Netflixes and Spotifies of this world are often portrayed as a solution to piracy. However, Peter sees things differently. He believes that these services put more control in the hands of powerful companies.

“The same companies we fought own these platforms. Either they own the shares in the companies, or they have deals with them which makes it impossible for these companies to not follow their rules.

“Artists can’t choose to be or not to be on Spotify in reality, because there’s nothing else in the end. If Spotify doesn’t follow the rules from these companies, they are fucked as well. The dependence is higher than ever.”

The first wave of mass Internet piracy well over a decade ago was a wake-up call to the entertainment industry. The immense popularity of torrent sites showed that people demanded something they weren’t offering.

In a way, these early pirate sites are the reason why Netflix and Spotify were able to do what they do. Literally, in the case of Spotify, which used pirated music to get the service going.

Peter doesn’t see them as the answer though. The only solution in his book is to redefine and legalize piracy.

“The solution to piracy is to re-define piracy. Make things available to everyone, without that being a crime,” Peter says.

In this regard, not much has changed in ten years. However, having witnessed this battle closer than anyone else, he also realizes that the winners are likely on the other end.

Piracy will decrease over time, but not the way Peter hopes it will.

“I think we’ll have less piracy because of the problems we see today. With net neutrality being infringed upon and more laws against individual liberties and access to culture, instead of actually benefiting people.

“The media industry will be happy to know that their lobbying efforts and bribes are paying off,” he concludes.

This is the second and final post in our torrent pioneers series. The first interview with isoHunt founder Gary Fung is available here.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Massive Site-Blocking Measures Countered By 100K Browser Addon Users

Post Syndicated from Andy original https://torrentfreak.com/massive-site-blocking-measures-countered-by-100k-browser-addon-users-171231/

FCT tyIn July 2015, Portugal’s Ministry of Culture announced the signing of a memorandum between its own General Inspection of Cultural Activities (IGAC), the Portuguese Association of Telecommunication Operators (APRITEL), various rightsholder groups, the body responsible for administering Portugal’s .PT domain, and representatives from the advertising industry.

The memorandum laid out a new mechanism for blocking so-called ‘pirate’ sites. In common with similar frameworks elsewhere, the process can be triggered by a complaint from a rightsholder association. Local anti-piracy group MAPINET then collates evidence that a site is engaged in the unlawful distribution of copyright works and has failed to cease its activities.

The system was quickly utilized by rightsholders seeking to block access to their content. Within six months, 330 sites had been blocked by ISPs, but that was only the beginning. In the months and years that followed, hundreds more sites were rendered inaccessible but in common with similar programs elsewhere, no official list of blocked sites was made available. People are keeping watch, however.

SitesBloqueados (Blocked Sites) is a web portal run by Revolução dos Bytes (Bytes’ Revolution), a group of like-minded anti-censorship activists in Portugal. Created a few months after blocking began in the region, their comprehensive database now contains almost 1,400 domains, the majority of which have been blocked on copyright grounds.

“SitesBloqueados was mainly created because, although the Memorandum of Understanding contained certain requirements to make a site eligible to be blocked – such as 500 items [or links] to copyright content or one third of the site containing copyrighted material – there was no official way to validate that data and make sure that these ‘rules’ are being respected,” team member Henrique Mouta informs TF.

The manner in which the list is maintained is quite unique. As mentioned earlier, there are no official sources listing blocked domains so the people behind SitesBloqueados had to get creative. Alongside this project they also run Ahoy!, a Chrome and Firefox extension that allows users to circumvent censorship in Portugal and it’s through that tool they gather information.

“Ahoy! basically bypasses any traffic to a blocked site through our own proxies, allowing the users to navigate in a free, uncensored internet,” Henrique explains.

As this extension works on a whitelist basis, we had to create a mechanism to automatically detect and whitelist sites that have been blocked, so if a user accesses a blocked site that is not on our list yet, we get a notification so we can review the site and add it to the list. That is the list that is also powering SitesBloqueados.pt.”

When the voluntary agreement was first announced, local ISPs came under intense criticism for agreeing to work with copyright holders without need for a court process. However, Henrique says they are actually in a precarious position.

“We usually see the ISPs as the bad guys, blocking sites, throttling our internet and, more recently, going against the Internet Neutrality. But, in this particular case, all the major ISPs are forced to block any sites that have been requested in 15 days, or they might pay fines for every single day after the deadline.

“MAPiNET (MOVIMENTO CÍVICOANTI PIRATARIA NA INTERNET) is the organization, alongside with IGAC (Inspecção Geral Das Actividades Culturais), that compiles the lists of sites and sends them to the ISP. It’s usually two lists per month. Of course, I’m not excusing the ISPs, as they should stand up against censorship. But we all know that’s asking too much of them,” Henrique adds.

Interestingly, the first site blockade in Portugal wasn’t actioned on copyright grounds. It was, in fact, targeted at Uber.com.

“This happened in June 2015, after a court order to suspend all Uber activity in Portugal. This opened a huge precedent, with all these anti-piracy organizations seeing how easy is to block a site, technically speaking.

“So, at the end of August of that same year, the [anti-piracy] Memorandum was signed by all the parties and, since then, both MAPiNET and IGAC have the power to request any site block, without any court order, without any legal order,” Henrique notes.

This lit a fire under the team and two and half years later, Ahoy! is now being used by 100k people to unblock almost 1,400 sites, while feeding back information on newly blocked domains. These are then added to the blocklist database and considered for unblocking methods via the addon.

Currently, around 50 new domains are blocked every month in Portugal and Henrique and the team are determined to document every one of them. They believe that by keeping an eye on things publicly, it lets the anti-piracy groups know they are being watched and cannot act with impunity. Around 90% of all blocked domains are restricted on copyright grounds but some also fall foul of new gambling laws that forbid unlicensed sites.

From the beginning, the big question has surrounded potential abuse. So, given the lack of a court process, have any players attempted to game the system?

“So far, we haven’t seen any signs of intentional abuse. There have been a few problems with sites being wrongly blocked. The most popular case is Carbon Games site that was blocked nearly two years ago, and it was mistaken for a different site, a Gambling site, named Carbon Gaming,” Henrique says.

“A few months later, we detected another case. A Spanish journalist had a website where he was posting videoclips of the latest releases. All of these releases were originally on YouTube, uploaded by the respective owners, however that was not enough to keep the site alive.”

Under pressure from Revolução dos Bytes this block was reversed but it’s not the only instance of errors. Non-existent sites have been blocked as have sites publishing headlines and linking to the respective online newspapers.

With blocking continuing at a steady pace, dozens of new domains are restricted every month. But Henrique and the team believe it won’t achieve anything positive and only serves to harm the Internet and democracy.

“Blocking sites to prevent piracy is the same as being on a sinking submarine, trying to patch every leaking hull hole with duct tape. If they want to fight piracy, they should try to understand, in the first place, why it happens and what they can do to change it.

“It’s well known that having cheap and quality services like Netflix and Spotify helped Internet piracy levels drop to record lows, DRM issues aside, of course. And the worst of it is the timing: these organizations see the decreasing levels of piracy as a signal that their stupid censorship is actually working. I’m really afraid that this is now an unstoppable snowball. The Internet in Portugal has seen much better days,” Henrique concludes.

But while he’s pessimistic over current developments, it appears that the Ahoy! movement is only set to grow. The team say they want to bring the browser-based system to other countries that are suffering from similar blockades and that suggestions from the public are welcome.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

ISPs and Movie Industry Prepare Canadian Pirate Site Blocking Deal

Post Syndicated from Ernesto original https://torrentfreak.com/isps-and-movie-industry-prepare-canadian-pirate-site-blocking-deal-171205/

ISP blocking has become a prime measure for the entertainment industry to target pirate sites on the Internet.

In recent years sites have been blocked throughout Europe, in Asia, and even Down Under.

In most countries, these blockades are ordered by local courts, which compel Internet providers to restrict access to certain websites. In Canada, however, there’s a plan in the works to allow for website blockades without judicial oversight.

A coalition of movie industry companies and ISPs, including Bell, Rogers, and Cineplex are discussing a proposal to implement such measures. The Canadian blocklist would be maintained by a new non-profit organization called “Internet Piracy Review Agency” (IPRA) and enforced through the CTRC, Canadaland reports.

The plan doesn’t come as a total surprise as Bell alluded to a nationwide blocking mechanism during a recent Government hearing. What becomes clear from the new plans, however, is that the telco is not alone.

The new proposal is being discussed by various stakeholders including ISPs and local movie companies. As in other countries, major American movie companies are also in the loop, but they will not be listed as official applicants when the plan is submitted to the CRTC.

Canadian law professor Micheal Geist is very critical of the plans. Although the proposal would only cover sites that “blatantly, overwhelmingly or structurally” engage in or facilitate copyright infringement, this can be a blurry line.

“Recent history suggests that the list will quickly grow to cover tougher judgment calls. For example, Bell has targeted TVAddons, a site that contains considerable non-infringing content,” Geist notes.

“It can be expected that many other sites disliked by rights holders or broadcasters would find their way onto the block list,” he adds.

While the full list of applicants is not ready yet, it is expected that the coalition will file its proposal to the CRTC before the end of the month.

Thus far, the Government appears to be reluctant in its response. In comments to Canadaland spokesperson Karl Sasseville stressed that Canada maintains committed to an open Internet.

“Our government supports an open internet where Canadians have the ability to access the content of their choice in accordance to Canadian laws,” Sasseville says. “While other parts of the world are focused on building walls, we’re focused on opening doors‎.”

As we’ve seen in the past, “net neutrality” and website blocking are not mutually exclusive. Courts around the world, also in Canada, have ordered content to be blocked, open Internet or not. However, bypassing the judicial system may prove to be a problem.

Professor Geist is happy with the Government’s comments and notes that legal basis for the proposal is thin.

He stresses that the ISPs involved in these plans should seriously consider if they want to continue down this path, which isn’t necessarily in the best interest of their customers.

“The government rightly seems dismissive of the proposal in the Canadaland report but as leading Internet providers, Bell and Rogers should be ashamed for leading the charge on such a dangerous, anti-speech and anti-consumer proposal,” Geist concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Despite Massive Site-Blocking, Russian Pirate Video Market Doubles

Post Syndicated from Andy original https://torrentfreak.com/despite-massive-site-blocking-russian-pirate-video-market-doubles-171029/

On many occasions, outgoing MPAA chief Chris Dodd has praised countries that have implemented legislation that allows for widespread site-blocking.

In 2014, when the UK had blocked just a few dozen sites, Dodd described the practice as both “balanced and proportionate” while noting that it had made “tremendous progress in tackling infringing websites.” This, the former senator said, made it “one of the most effective anti-piracy measures in the world.”

With many thousands of ‘pirate’ sites blocked across the country, perhaps Dodd should ask the Russians how they’re getting on. Spoiler: Not that great.

According to new research published by Group-IB and reported by Izvestia, Internet pirates have been adapting to their new reality, finding new and stable ways of doing business while growing their turnover.

In fact, according to the ‘Economics of Pirate Sites Report 2016’, they’ve been so successful that the market for Internet pirate video more than doubled in value during 2016, reaching a peak of 3.3 billion rubles ($57.2m) versus just 1.5 billion rubles ($26m) in 2015. Overall Internet piracy in 2016 was valued at a billion rubles more ($74.5m), Group-IB notes.

According to the report, Russian pirates operated with impunity until 2012, at which point the government – under pressure from rightsholders – began introducing tough anti-piracy legislation, which included the blocking of pirate domains. Since then there have been a number of amendments which further tightened the law but pirates have adapted each time, protecting their revenue with new business plans.

Group-IB says that the most successful pirate site in 2016 was Seasonvar.ru, which pulled in a million visitors every day generating just over $3.3m in revenue. Second place was taken by My-hit.org, with almost 400,000 daily visitors generating an annual income of $1.2m. HDrezka.me served more than 315,000 people daily and made roughly the same to take third. Fourth and fifth spots were taken by Kinokrad.co and Baskino.Club.

Overall, it’s estimated that the average pirate video site makes around $156,000 per year via advertising, subscriptions, or via voluntary donations. They’re creative with their money channels too.

According to Maxim Ryabyko, Director General of Association for the Protection of Copyright on the Internet (AZAPO), sites use middle-men for dealing with both advertisers and payment processors, which enables operators to remain anonymous.

Like in the United States, UK and elsewhere in Europe, lists of pirate sites have been drawn up to give advertisers and networks guidance on where not to place their ads. However, plenty of companies aren’t involved in the initiative. When challenged over their ads appearing on pirate sites, some protest that it hasn’t been proven that the sites are acting illegally, so the business will continue.

“There is no negative attitude towards piracy by intermediaries. Their money is not objectionable. Sometimes they say: ‘Go and sue. There will be a court hearing, there will be a decision, and we will draw conclusions then’,” Ryabyko told Izvestia.

Dealing with pirates in the criminal arena isn’t easy either, with key players admitting that the police have other things to concentrate on.

“Law enforcers do not know how to search for pirates, they have other priorities,” says Sergei Semenov of the Film and TV Producers Association.

“Criminal prosecutions in this area are a great strain – single cases require a lot of time for investigation and going to court does not achieve the desired effect. We therefore need to diversify the grounds for bringing people to justice. We need to see how this can be applied.”

One idea is to prosecute pirates for non-payment of taxes. Well, it worked for Al Capone….

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Peru Authorities Shut Down First ‘Pirate’ Websites, Three Arrested

Post Syndicated from Andy original https://torrentfreak.com/peru-authorities-shut-down-first-pirate-websites-three-arrested-170925/

For a country with a soaring crime rate, where violent car-jackings and other violent crime are reportedly commonplace, Internet piracy isn’t something that’s been high on the agenda in Peru.

Nevertheless, under pressure from rightsholders, local authorities have now taken decisive action against the country’s most popular ‘pirate’ sites.

On the orders of prosecutor Miguel Ángel Puicón, a specialized police unit carried out searches earlier this month looking for the people behind Pelis24 (Movies24) and Series24, sites that are extremely popular across all of South America, not just Peru.

Local media reports that an initial search took place in the Los Olivos district of the Lima Province where two people were arrested in connection with the sites. On the same day, a second search was executed in the town of Rimac where a third person was detained.

The case was launched following a rightsholder complaint to the Special Prosecutor’s Office for Customs Crimes and Intellectual Property in Lima. It stated that three domains – pelis24.com, pelis24.tv and series24.tv were offering unlicensed movies and TV shows to the public.

“In view of the abundant evidence, the office requested measures indicative of the right to the criminal judge. A search was carried out in search of the property and the preliminary 48-hour detention of the people investigated was requested,” authorities said in a statement.

The warrant not only covered seizure of physical items but also the domain names associated with the platforms. As shown in the image below, they now display the following seizure banner (translated from Spanish).

Pelis24/Series24 Seizure Banner

Authorities say that a detailed preliminary investigation took place in order to corroborate the information provided by the complainant. Once the measures were approved by a judge, the Prosecutor’s Office acted in coordination with the Investigations Division of the High Technology Crimes unit to carry out the operation.

According to Puicón, this is the first action against the operators of a pirate site in Peru.

“The purpose was to have the detainees close the sites voluntarily after providing us with the login codes,” he said. “We do not have a technology department, so the specialized high-tech police and complainants were present to preserve evidence.”

Local sources indicate that sentences for piracy can be as long as six years in serious cases. However, Peru has been exclusively tackling counterfeiting of physical discs, with online piracy being allowed to run rampant.

“The Office of the Prosecutor has the competency to deal with crimes against intellectual property but has been working exclusively in cases of physical piracy,” Puicón says.

“Online piracy has another connotation, we must use other procedures, another form of investigation and another strategy. Therefore, the authorities that are aware of these crimes must be trained on technological issues.”

It’s believed that at least a million Peruvians download infringing content from the Internet each week, a problem that will need to be tackled moving forward, when the authorities can gather the expertise to do so.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

A Million ‘Pirate’ Boxes Sold in the UK During The Last Two Years

Post Syndicated from Andy original https://torrentfreak.com/a-million-pirate-boxes-sold-in-the-uk-during-the-last-two-years-170919/

With the devices hitting the headlines on an almost weekly basis, it probably comes as no surprise that ‘pirate’ set-top boxes are quickly becoming public enemy number one with video rightsholders.

Typically loaded with the legal Kodi software but augmented with third-party addons, these often Android-based pieces of hardware drag piracy out of the realm of the computer savvy and into the living rooms of millions.

One of the countries reportedly most affected by this boom is the UK. The consumption of these devices among the general public is said to have reached epidemic proportions, and anecdotal evidence suggests that terms like Kodi and Showbox are now household terms.

Today we have another report to digest, this time from the Federation Against Copyright Theft, or FACT as they’re often known. Titled ‘Cracking Down on Digital Piracy,’ the report provides a general overview of the piracy scene, tackling well-worn topics such as how release groups and site operators work, among others.

The report is produced by FACT after consultation with the Police Intellectual Property Crime Unit, Intellectual Property Office, Police Scotland, and anti-piracy outfit Entura International. It begins by noting that the vast majority of the British public aren’t involved in the consumption of infringing content.

“The most recent stats show that 75% of Brits who look at content online abide by the law and don’t download or stream it illegally – up from 70% in 2013. However, that still leaves 25% who do access material illegally,” the report reads.

The report quickly heads to the topic of ‘pirate’ set-top boxes which is unsurprising, not least due to FACT’s current focus as a business entity.

While it often positions itself alongside government bodies (which no doubt boosts its status with the general public), FACT is a private limited company serving The Premier League, another company desperate to stamp out the use of infringing devices.

Nevertheless, it’s difficult to argue with some of the figures cited in the report.

“At a conservative estimate, we believe a million set-top boxes with software added
to them to facilitate illegal downloads have been sold in the UK in the last couple
of years,” the Intellectual Property Office reveals.

Interestingly, given a growing tech-savvy public, FACT’s report notes that ready-configured boxes are increasingly coming into the country.

“Historically, individuals and organized gangs have added illegal apps and add-ons onto the boxes once they have been imported, to allow illegal access to premium channels. However more recently, more boxes are coming into the UK complete with illegal access to copyrighted content via apps and add-ons already installed,” FACT notes.

“Boxes are often stored in ‘fulfillment houses’ along with other illegal electrical items and sold on social media. The boxes are either sold as one-off purchases, or with a monthly subscription to access paid-for channels.”

While FACT press releases regularly blur the lines when people are prosecuted for supplying set-top boxes in general, it’s important to note that there are essentially two kinds of products on offer to the public.

The first relies on Kodi-type devices which provide on-going free access to infringing content. The second involves premium IPTV subscriptions which are a whole different level of criminality. Separating the two when reading news reports can be extremely difficult, but it’s a hugely important to recognize the difference when assessing the kinds of sentences set-top box suppliers are receiving in the UK.

Nevertheless, FACT correctly highlights that the supply of both kinds of product are on the increase, with various parties recognizing the commercial opportunities.

“A significant number of home-grown British criminals are now involved in this type of crime. Some of them import the boxes wholesale through entirely legal channels, and modify them with illegal software at home. Others work with sophisticated criminal networks across Europe to bring the boxes into the UK.

“They then sell these boxes online, for example through eBay or Facebook, sometimes managing to sell hundreds or thousands of boxes before being caught,” the company adds.

The report notes that in some cases the sale of infringing set-top boxes occurs through cottage industry, with suppliers often working on their own or with small groups of friends and family. Invetiably, perhaps, larger scale operations are reported to be part of networks with connections to other kinds of crime, such as dealing in drugs.

“In contrast to drugs, streaming devices provide a relatively steady and predictable revenue stream for these criminals – while still being lucrative, often generating hundreds of thousands of pounds a year, they are seen as a lower risk activity with less likelihood of leading to arrest or imprisonment,” FACT reports.

While there’s certainly the potential to earn large sums from ‘pirate’ boxes and premium IPTV services, operating on the “hundreds of thousands of pounds a year” scale in the UK would attract a lot of unwanted attention. That’s not saying that it isn’t already, however.

Noting that digital piracy has evolved hugely over the past three or four years, the report says that the cases investigated so far are just the “tip of the iceberg” and that many other cases are in the early stages and will only become known to the public in the months and years ahead.

Indeed, the Intellectual Property Office hints that some kind of large-scale enforcement action may be on the horizon.

“We have identified a significant criminal business model which we have discussed and shared with key law enforcement partners. I can’t go into detail on this, but as investigations take their course, you will see the scale,” an IPO spokesperson reveals.

While details are necessarily scarce, a source familiar with this area told TF that he would be very surprised if the targets aren’t the growing handful of commercial UK-based IPTV re-sellers who offer full subscription TV services for a few pounds per month.

“They’re brazen. Watch this space,” he said.

FACT’s full report, Cracking Down on Digital Piracy, can be downloaded here (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Ukraine Faces Call for US Trade Sanctions over Online Piracy

Post Syndicated from Ernesto original https://torrentfreak.com/ukraine-faces-call-us-trade-sanctions-over-online-piracy-170918/

The International Intellectual Property Alliance (IIPA) is recommending that the U.S. Government should suspend Ukraine’s GSP trade benefits, claiming that the country doesn’t do enough to protect the interests of copyright holders.

Last year Ukraine enjoyed $53.7 million in unilateral duty-free benefits in the US, while US companies suffering millions of dollars in losses in Ukraine due to online piracy, they argue.

The IIPA, which includes a wide range of copyright groups including the MPAA, RIAA, BSA and ESA, characterizes the country as a safe harbor for pirate sites. While physical piracy was properly addressed ten years ago after a previous sanction, digital piracy remains rampant.

One of the main problems is that local hosting companies are offering their services to a wide variety of copyright-infringing websites. Without proper enforcement, more and more websites have moved their services there.

“By allowing these problems to fester for years, weak digital enforcement has resulted in an exponential increase in the number of illegal peer-to-peer (‘P2P’) hosting and website-based Internet piracy sites, including some of the world’s largest BitTorrent sites located in Ukraine,” IIPA writes.

“Some Internet pirates have purposefully moved their servers and operations to Ukraine in the past few years to take advantage of the current lawless situation. Many of these illegal services and sites target audiences throughout Europe and the United States.”

The copyright holders highlight the defunct ExtraTorrent site as an example but note that there are also many other torrent sites, pirate streaming sites, cyberlockers, and linking sites in Ukraine.

While pirate sites are hosted all over the world, the problem is particularly persistent in Ukraine because many local hosting companies fail to process takedown requests. This, despite repeated calls from copyright holders to work with them.

“Many of the websites offering pirated copyright materials are thriving in part because of the support of local ISPs,” IIPA writes.

“The copyright industries have, for years, sought private agreements with ISPs to establish effective mechanisms to take down illegal websites and slow illegal P2P traffic. In the absence of legislation, however, these voluntary efforts have generally not succeeded, although, some ISPs will delete links upon request.”

In order to make real progress, the copyright holders call for new legislation to hold Internet services accountable and to make it easier to come after pirate sites that are hosted in Ukraine.

“Legislation is needed to institute proper notice and takedown provisions, including a requirement that service providers terminate access to individuals (or entities) that have repeatedly engaged in infringement, and the retention of information for law enforcement, as well as to provide clear third party liability regarding ISPs.”

In addition to addressing online piracy, IIPA further points out that the collecting societies in Ukraine are not functioning properly. At the moment there are 18 active and competing organizations, creating a chaotic situation where rightsholders are not properly rewarded, they suggest.

IIPA recommends that the U.S. Government accepts its petition and suspends or withdraws Ukraine’s benefits until the country takes proper action.

Ukraine’s Government, for its part, informs the US Government that progress is being made. There are already several new laws in the works to improve intellectual property protection. The issue is one of the Government’s “key priorities,” they state, hoping to avert any sanctions.

IIPA’s full submission to the US Trade Representative is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

UK Copyright Trolls Cite Hopeless Case to Make People Pay Up

Post Syndicated from Andy original https://torrentfreak.com/uk-copyright-trolls-cite-hopeless-case-to-make-people-pay-up-170916/

Our coverage of Golden Eye International dates back more than five years. Much like similar companies in the copyright troll niche, the outfit monitors BitTorrent swarms, collects IP addresses, and then heads off to court to obtain alleged pirates’ identities.

From there it sends letters threatening legal action, unless recipients pay a ‘fine’ of hundreds of pounds to settle an alleged porn piracy case. While some people pay up, others refuse to do so on the basis they are innocent, the ISP bill payer, or simply to have their day in court. Needless to say, a full-on court battle on the merits is never on the agenda.

Having gone quiet for an extended period of time, it was assumed that Golden Eye had outrun its usefulness as a ‘fine’ collection outfit. Just lately, however, there are signs that the company is having another go at reviving old cases against people who previously refused to pay.

A post on Slyck forums, which runs a support thread for people targeted by trolls, reveals the strategy.

“I dealt with these Monkeys last year. I spent 5 weeks practically arguing with them. They claim they have to prove it based on the balance of probability’s [sic]. I argue that they actually have to prove it was me,” ‘Matt’ wrote in August.

“It wasn’t me, and despite giving them reasonable doubt it wasn’t me. (I’m Gay… why would I be downloading straight porn?) They still persuaded it, trying to dismiss anything that cast any doubt on their claim. The emails finished how I figured they would…. They were going to send court documentation. It never arrived.”

After months of silence, at the end of August this year ‘Matt’ says GoldenEye got in touch again, suggesting that a conclusion to another copyright case might encourage him to cough up. He says that Golden Eye contacted him saying that someone settled out of court with TCYK, another copyright troll, for £1,000.

“My thoughts…Idiots and doubt it,” ‘Matt’ said. “Honestly, I almost cried I thought I had got rid of these trolls and they are back for round two.”

This wasn’t an isolated case. Another recipient of a Golden Eye threat also revealed getting contacted by the company, also with fresh pressure to pay.

“You may be interested to know that a solicitor, acting on behalf of Robert Kemble in a claim similar to ours but brought by TCYK LLC, entered into an agreement to settle the court case by paying £1,000,” Golden Eye told the individual.

“In view of the agreement reached in the Kemble case, we would invite you to reconsider your position as to whether you would like to reach settlement with us. We would point out, that, despite the terms of settlement in the Kemble case, we remain prepared to stand by our original offer of settlement with you, that is payment of £500.00.”

After last corresponding with the Golden Eye in January after repeated denials, new contact from the company would be worrying for anyone. It certainly affected this person negatively.

“I am now at a loss and don’t know what more I can do. I do not want to settle this, but also I cannot afford a solicitor. Any further advice would be gratefully appreciated as [i’m] now having panic attacks,” the person wrote.

After citing the Robert Kemble case, one might think that Golden Eye would be good enough to explain the full situation. They didn’t – so let’s help them a little bit in that respect, to help their targets make an informed decision.

Robert Kemble was a customer of Sky Broadband. TCYK, in conjunction with UK-based Hatton and Berkeley, sent a letter to Kemble in July 2015 asking him to pay a ‘fine’ for alleged Internet piracy of the Robert Redford movie The Company You Keep, way back in April 2013.

So far, so ordinary – but here’s the big deal.

Unlike the people being re-targeted by Golden Eye this time around, Kemble admitted in writing that infringement had been going on via his account.

In a response, Kemble told TCYK that he was shocked to receive their letter but after speaking to people in his household, had discovered that a child had been downloading films. He didn’t say that the Redford film was among them but he apologized to the companies all the same. Clearly, that wasn’t going to be enough.

In August 2015, TCYK wrote back to Kemble, effectively holding him responsible for other people’s actions while demanding a settlement of £600 to be paid to third-party company, Ranger Bay Limited.

“The child who is responsible for the infringement should sign the undertakings in our letter to you. Please when replying specify clearly on the undertakings the child’s full name and age,” the company later wrote. Nice.

What took place next was a round of letter tennis between Kemble’s solicitor and those acting for TCYK, with the latter insisting that Kemble had already admitted infringement (or authorizing the same) and demanding around £2000 to settle the case at this later stage.

With no settlement forthcoming, TCYK demanded £5,000 in the small claims court.

“The Defendant has admitted that his internet address has been used to infringe the Claimant’s copyright whereby, through the Defendant’s licencees’ use of the Defendant’s internet address, he acquired the Work and then communicated the Work in a digital form via the internet to the public without the license or consent of the Claimant,” the TCYK claim form reads.

TorrentFreak understands that the court process that followed didn’t center on the merits of the infringement case, but procedural matters over how the case was handled. On this front, Kemble failed in his efforts to have the case – which was heard almost a year ago – decided in his favor.

Now, according to Golden Eye at least, Kemble has settled with TCYK for £1000, which is just £300 more than their final pre-court offer. Hardly sounds like good value for money.

The main point, though, is that this case wouldn’t have gotten anywhere near a court if Kemble hadn’t admitted liability of sorts in the early stages. This is a freak case in all respects and has no bearing on anyone’s individual case, especially those who haven’t admitted liability.

So, for people getting re-hounded by Golden Eye now, remember the Golden Rule. If you’re innocent, by all means tell them, and stick to your guns. But, at your peril tell them anything else on top, or risk having it used against you.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Indian Movie Actor Mobbed By Press After Arrest of Torrent Site Admin

Post Syndicated from Andy original https://torrentfreak.com/indian-movie-actor-mobbed-by-press-after-airport-torrent-site-arrest-170913/

While most of the headlines relating to Internet piracy are focused on North America and Europe, there are dozens of countries where piracy is a way of life for millions of citizens. India, with its booming economy and growth in technology, is certainly one of them.

According to a recently published report, India now has 355 million Internet users out of a population of more than 1.3 billion. Not only is there massive room for growth, that figure is up from 277 million just two years ago. The rate of growth is astonishing.

Needless to say, Indians love their Internet and increasing numbers of citizens are also getting involved in the piracy game. There are many large sites and prominent release groups operating out of the country, some of them targeting the international market. Carry out a search for DVDSCR (DVD screener) on most search indexes globally and one is just as likely to find Indian movie releases as those emanating from the West.

If people didn’t know it already, India is nurturing a pirate force to be reckoned with, with local torrent and streaming sites pumping out the latest movies at an alarming rate. This has caused an outcry from many in the movie industry who are determined to do something to stem the tide.

One of these is actor Vishal Krishna, who not only stars in movies but is also a producer working in the Tamil film industry. Often referred to simply by his first name, Vishal has spoken out regularly against piracy in his role at the Tamil Film Producers Council.

In May, he referred to the operators of the hugely popular torrent site TamilRockers as ‘Internet Mafias’ while demanding their arrest for leaking the blockbuster Baahubali 2, a movie that pulled in US$120 million in six days. Now, it appears, he may have gotten his way. Well, partially, at least.

Last evening, reports began to surface of an arrest at Chennai airport in north east India. According to local media, Gauri Shankar, an alleged administrator of Tamilrockers.co, was detained by Triplicane police.

This would’ve been a huge coup for Vishal, who has been warning Tamilrockers to close down for the past three years. He even claimed to know the identity of the main perpetrator behind the site, noting that it was only a matter of time before he was brought to justice.

Soon after the initial reports, however, other media outlets claimed that Gauri Shankar is actually an operator at Tamilgun, another popular pirate portal currently blocked by ISPs on the orders of the Indian government.

So was it rockers or gun? According to Indiaglitz.com, Vishal rushed to the scene in Chennai to find out.

Outside the police station

What followed were quite extraordinary scenes outside the Triplicane police station. Emerging from the building flanked by close to 20 men, some in uniform, Vishal addressed an excited crowd of reporters. A swathe of microphones from various news outlets greeted him as he held up his hands urging the crowd to calm down.

“Just give us some time, I will give you the details,” Vishal said in two languages.

“Just give us some time. It is too early. I’ll just give it to you in a bit. It’s something connected to website piracy. Just give me some time. I have to give you all the details, proper details.”

So, even after all the excitement, it’s unclear who the police have in custody. Nevertheless, the attention this event is getting from the press is on a level rarely seen in a piracy case, so more news is bound to follow soon.

In the meantime, both TamilRockers and TamilGun remain online, operating as normal. Clearly, there is much more work to be done.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Russia Blocks 4,000 Pirate Sites Plus 41,000 Innocent as Collateral Damage

Post Syndicated from Andy original https://torrentfreak.com/russia-blocks-4000-pirate-sites-plus-41000-innocent-as-collateral-damage-170905/

After years of criticism from both international and local rightsholders, in 2013 the Russian government decided to get tough on Internet piracy.

Under new legislation, sites engaged in Internet piracy could find themselves blocked by ISPs, rendering them inaccessible to local citizens and solving the piracy problem. Well, that was the theory, at least.

More than four years on, Russia is still grappling with a huge piracy problem that refuses to go away. It has been blocking thousands of sites at a steady rate, including RuTracker, the country’s largest torrent platform, but still the problem persists.

Now, a new report produced by Roskomsvoboda, the Center for the Protection of Digital Rights, and the Pirate Party of Russia, reveals a system that has not only failed to reach its stated aims but is also having a negative effect on the broader Internet.

“It’s already been four years since the creation of this ‘anti-piracy machine’ in Russia. The first amendments related to the fight against ‘piracy’ in the network came into force on August 1, 2013, and since then this mechanism has been twice revised,” Roskomsvoboda said in a statement.

“[These include] the emergence of additional responsibilities to restrict access to network resources and increase the number of subjects who are responsible for removing and blocking content. Since that time, several ‘purely Russian’ trends in ‘anti-piracy’ and trade in rights have also emerged.”

These revisions, which include the permanent blocking of persistently infringing sites and the planned blocking of mirror sites and anonymizers, have been widely documented. However, the researchers say that they want to shine a light on the effects of blocking procedures and subsequent actions that are causing significant issues for third-parties.

As part of the study, the authors collected data on the cases presented to the Moscow City Court by the most active plaintiffs in anti-piracy actions (mainly TV show distributors and music outfits including Sony Music Entertainment and Universal Music). They describe the court process and system overall as lacking.

“The court does not conduct a ‘triple test’ and ignores the position, rights and interests of respondents and third parties. It does not check the availability of illegal information on sites and appeals against decisions of the Moscow City Court do not bring any results,” the researchers write.

“Furthermore, the cancellation of the unlimited blocking of a site is simply impossible and in respect of hosting providers and security services, those web services are charged with all the legal costs of the case.”

The main reason behind this situation is that ‘pirate’ site operators rarely (if ever) turn up to defend themselves. If at some point they are found liable for infringement under the Criminal Code, they can be liable for up to six years in prison, hardly an incentive to enter into a copyright process voluntarily. As a result, hosts and other providers act as respondents.

This means that these third-party companies appear as defendants in the majority of cases, a position they find both “unfair and illogical.” They’re also said to be confused about how they are supposed to fulfill the blocking demands placed upon them by the Court.

“About 90% of court cases take place without the involvement of the site owner, since the requirements are imposed on the hosting provider, who is not responsible for the content of the site,” the report says.

Nevertheless, hosts and other providers have been ordered to block huge numbers of pirate sites.

According to the researchers, the total has now gone beyond 4,000 domains, but the knock on effect is much more expansive. Due to the legal requirement to block sites by both IP address and other means, third-party sites with shared IP addresses get caught up as collateral damage. The report states that more than 41,000 innocent sites have been blocked as the result of supposedly targeted court orders.

But with collateral damage mounting, the main issue as far as copyright holders are concerned is whether piracy is decreasing as a result. The report draws few conclusions on that front but notes that blocks are a blunt instrument. While they may succeed in stopping some people from accessing ‘pirate’ domains, the underlying infringement carries on regardless.

“Blocks create restrictions only for Internet users who are denied access to sites, but do not lead to the removal of illegal information or prevent intellectual property violations,” the researchers add.

With no sign of the system being overhauled to tackle the issues raised in the study (pdf, Russian), Russia is now set to introduce yet new anti-piracy measures.

As recently reported, new laws requiring search engines to remove listings for ‘pirate’ mirror sites comes into effect October 1. Exactly a month later on November 1, VPNs and anonymization tools will have to be removed too, if they fail to meet the standards required under state regulation.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Rightscorp Bleeds Another Million, Borrows $200K From Customer BMG

Post Syndicated from Andy original https://torrentfreak.com/rightscorp-bleeds-another-million-borrows-200k-from-customer-bmg-170819/

Anti-piracy outfit Rightscorp is one of the many companies trying to turn Internet piracy into profit. The company has a somewhat novel approach but has difficulty balancing the books.

Essentially, Rightscorp operates like other so-called copyright-trolling operations, in that it monitors alleged offenders on BitTorrent networks, tracks them to their ISPs, then attempts to extract a cash settlement. Rightscorp does this by sending DMCA notices with settlement agreements attached, in the hope that at-this-point-anonymous Internet users break cover in panic. This can lead to a $20 or $30 ‘fine’ or in some cases dozens of multiples of that.

But despite settling hundreds of thousands of these cases, profit has thus far proven elusive, with the company hemorrhaging millions in losses. The company has just filed its results for the first half of 2017 and they contain more bad news.

In the six months ended June 2017, revenues obtained from copyright settlements reached just $138,514, that’s 35% down on the $214,326 generated in the same period last year. However, the company did manage to book $148,332 in “consulting revenue” in the first half of this year, a business area that generated no revenue in 2016.

Overall then, total revenue for the six month period was $286,846 – up from $214,326 last year. While that’s a better picture in its own right, Rightscorp has a lot of costs attached to its business.

After paying out $69,257 to copyright holders and absorbing $1,190,696 in general and administrative costs, among other things, the company’s total operating expenses topped out at $1,296,127 for the first six months of the year.

To make a long story short, the company made a net loss of $1,068,422, which was more than the $995,265 loss it made last year and despite improved revenues. The company ended June with just $1,725 in cash.

“These factors raise substantial doubt about the Company’s ability to continue as a going concern within one year after the date that the financial statements are issued,” the company’s latest statement reads.

This hanging-by-a-thread narrative has followed Rightscorp for the past few years but there’s information in the latest accounts which indicates how bad things were at the start of the year.

In January 2016, Rightscorp and several copyright holders, including Hollywood studio Warner Bros, agreed to settle a class-action lawsuit over intimidating robo-calls that were made to alleged infringers. The defendants agreed to set aside $450,000 to cover the costs, and it appears that Rightscorp was liable for at least $200,000 of that.

Rightscorp hasn’t exactly been flush with cash, so it was interesting to read that its main consumer piracy settlement client, music publisher BMG, actually stepped in to pay off the class-action settlement.

“At December 31, 2016, the Company had accrued $200,000 related to the settlement of a class action complaint. On January 7, 2017, BMG Rights Management (US) LLC (“BMG”) advanced the Company $200,000, which was used to pay off the settlement. The advance from BMG is to be applied to future billings from the Company to BMG for consulting services,” Rightscorp’s filing reads.

With Rightscorp’s future BMG revenue now being gobbled up by what appears to be loan repayments, it becomes difficult to see how the anti-piracy outfit can make enough money to pay off the $200,000 debt. However, its filing notes that on July 21, 2017, the company issued “an aggregate of 10,000,000 shares of common stock to an investor for a purchase price of $200,000.” While that amount matches the BMG debt, the filing doesn’t reveal who the investor is.

The filing also reveals that on July 31, Rightscorp entered into two agreements to provide services “to a holder of multiple copyrights.” The copyright holder isn’t named, but the deal reveals that it’s in Rightscorp’s best interests to get immediate payment from people to whom it sends cash settlement demands.

“[Rightscorp] will receive 50% of all gross proceeds of any settlement revenue received by the Client from pre-lawsuit ‘advisory notices,’ and 37.5% of all gross proceeds received by the Client from ‘final warning’ notices sent immediately prior to a lawsuit,” the filing notes.

Also of interest is that Rightscorp has offered not to work with any of the copyright holders’ direct competitors, providing certain thresholds are met – $10,000 revenue in the first month to $100,000 after 12 months. But there’s more to the deal.

Rightscorp will also provide a number of services to this client including detecting and verifying copyright works on P2P networks, providing information about infringers, plus reporting, litigation support, and copyright protection advisory services.

For this, Rightscorp will earn $10,000 for the first three months, rising to $85,000 per month after 16 months, valuable revenue for a company fighting for its life.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

“Public Figure” Threatened With Exposure Over Gay Piracy ‘Fine’

Post Syndicated from Andy original https://torrentfreak.com/public-figure-threatened-with-exposure-over-gay-piracy-fine-170817/

Flava Works is an Illinois-based company specializing in adult material featuring black and Latino men. It operates an aggressive anti-piracy strategy which has resulted in some large damages claims in the past.

Now, however, the company has found itself targeted by a lawsuit filed by one of its alleged victims. Filed in a California district court by an unnamed individual, it accuses Flava Works of shocking behavior relating to a claim of alleged piracy.

According to the lawsuit, ‘John Doe’ received a letter in early June from Flava Works CEO Phillip Bleicher, accusing him of Internet piracy. Titled “Settlement Demand and Cease and Desist”, the letter got straight to the point.

“Flava Works is aware that you have been ‘pirating’ the content from its website(s) for your own personal financial benefit,” the letter read.

[Update: ‘John Doe’ has now been identified as Marc Juris, President & General Manager of AMC-owned WE tv. All references to John Doe below refer to Juris. See note at footer]

As is often the case with such claims, Flava Works offered to settle with John Doe for a cash fee. However, instead of the few hundred or thousand dollars usually seen in such cases, the initial settlement amount was an astronomical $97,000. But that wasn’t all.

According to John Doe, Bleicher warned that unless the money was paid in ten days, Flava Works “would initiate litigation against [John Doe], publically accusing him of being a consumer and pirate of copyrighted gay adult entertainment.”

Amping up the pressure, Bleicher then warned that after the ten-day deadline had passed, the settlement amount of $97,000 would be withdrawn and replaced with a new amount – $525,000.

The lawsuit alleges that Bleicher followed up with more emails in which he indicated that there was still time to settle the matter “one on one” since the case hadn’t been assigned to an attorney. However, he warned John Doe that time was running out and that public exposure via a lawsuit would be the next step.

While these kinds of tactics are nothing new in copyright infringement cases, the amounts of money involved are huge, indicating something special at play. Indeed, it transpires that John Doe is a public figure in the entertainment industry and the suggestion is that Flava Works’ assessment of his “wealth and profile” means he can pay these large sums.

According to the suit, on July 6, 2017, Bleicher sent another email to John Doe which “alluded to [his] high-profile status and to the potential publicity that a lawsuit would bring.” The email went as far as threatening an imminent Flava Works press release, announcing that a public figure, who would be named, was being sued for pirating gay adult content.

Flava Works alleges that John Doe uploaded its videos to various BitTorrent sites and forums, but John Doe vigorously denies the accusations, noting that the ‘evidence’ presented by Flava Works fails to back up its claims.

“The materials do not reveal or expose infringement of any sort. [Flava Works’] real purpose in sending this ‘proof’ was to demonstrate just how humiliating it would be to defend against Flava Works’ scurrilous charges,” John Doe’s lawsuit notes.

“[Flava Works’] materials consist largely of screen shots of extremely graphic images of pornography, which [Flava Works] implies that [John Doe] has viewed — but which are completely irrelevant given that they are not Flava Works content. Nevertheless, Bleicher assured [John Doe] that these materials would all be included in a publicly filed lawsuit if he refused to accede to [Flava Works’] payment demands.”

From his lawsuit (pdf) it’s clear that John Doe is in no mood to pay Flava Works large sums of cash and he’s aggressively on the attack, describing the company’s demands as “criminal extortion.”

He concludes with a request for a declaration that he has not infringed Flava Works’ copyrights, while demanding attorneys’ fees and further relief to be determined by the court.

The big question now is whether Flava Works will follow through with its threats to exposure the entertainer, or whether it will drift back into the shadows to fight another day. Definitely one to watch.

Update: Flava Works has now followed through on its threat to sue Juris. A complaint filed iat an Illinois court accuses the TV executive of uploading Flava Works titles to several gay-focused torrent sites in breach of copyright. It demands $1.2m in damages.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.