Tag Archives: LTE

Security updates for Monday

Post Syndicated from jake original https://lwn.net/Articles/731567/rss

Security updates have been issued by Arch Linux (newsbeuter), Debian (augeas, curl, ioquake3, libxml2, newsbeuter, and strongswan), Fedora (bodhi, chicken, chromium, cryptlib, cups-filters, cyrus-imapd, glibc, mingw-openjpeg2, mingw-postgresql, qpdf, and torbrowser-launcher), Gentoo (bzip2, evilvte, ghostscript-gpl, Ked Password Manager, and rar), Mageia (curl, cvs, fossil, jetty, kernel, kernel-linus, kernel-tmb, libmspack, mariadb, mercurial, potrace, ruby, and taglib), Oracle (kernel), Red Hat (xmlsec1), and Ubuntu (graphite2 and strongswan).

Streaming Service iflix Buys Shows Based on Piracy Data

Post Syndicated from Ernesto original https://torrentfreak.com/streaming-service-iflix-buys-shows-based-on-piracy-data-170819/

When major movie and TV companies discuss piracy they often mention the massive losses incurred as a result of unauthorized downloads and streams.

However, this unofficial market also offers a valuable pool of often publicly available data on the media consumption habits of a relatively young generation.

Many believe that piracy is in part a market signal showing copyright holders what consumers want. This makes piracy statistics key business intelligence, which some companies have started to realize.

Netflix, for example, previously said that their offering is partly based on what shows do well on BitTorrent networks and other pirate sites. In addition, the streaming service also uses piracy to figure out how much they can charge in a country. They are not alone.

Other major entertainment companies also keep a close eye on piracy, using this data to their advantage. This includes the Asia-based streaming portal iFlix, which recently secured $133 million in funding and boasts to have over five million users.

Iflix co-founder Patrick Grove says that his company actively uses piracy numbers to determine what content they acquire. The data reveal what is popular locally, and help to give viewers the TV-shows and movies they’re most interested in.

“We looked at piracy data in every market,” Grove informed CNBC’s Managing Asia, which doesn’t stop at looking at a few torrent download numbers.

Representatives from the Asian company actually went out on the streets to buy pirated DVDs from street vendors. In addition, iflix also received help from local Internet providers which shared a variety of streaming data.

TorrentFreak reached out to the streaming service to get more details about their data gathering techniques. One of the main partners to measure online piracy is the German company TECXIPIO, which is known to actively monitor BitTorrent traffic.

The company also maintains a close relationship with Internet providers that offer further insight, including streaming data, to determine which titles work best in each market.

While analyzing the different sets of data, the streaming service was surprised to see the diversity in different regions as well as the ever-changing consumer demand.

“Through looking at the Top 20 pirated DVDs in every market we are live in, we were surprised to find the amount of pirated K-drama content. In Ghana for example, the number one pirated title is K-drama series called ‘Legend of the Blue Sea’,” an iflix spokesperson told us.

Iflix believes that piracy data is superior to other market intelligence. Before rolling out its service in Saudi Arabia the company made a list of the 1,000 most popular shows and used that to its advantage.

While there is a lot of piracy in emerging markets, iflix doesn’t think that people are not willing to pay for entertainment. It just has to be available for a decent price, and that’s where they come in.

“We believe that people in emerging markets do not actively want to steal content, they do so because there is no better alternative,” the company informs us.

“As consumers become more connected, gaining access to information and cultural influences on a global scale, they want to be entertained at a world-class standard. We set out with the aim of offering an alternative that is better than piracy; by providing unlimited access to high-quality, world-class entertainment, all at the price of pirated DVD.”

There is no doubt that iflix is ambitious, and that it’s willing to employ some unusual tactics to grow its userbase. The company is quite optimistic about the future as well, judging from its co-founder’s prediction that it will welcome its billionth viewer in a few years.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Court Orders Aussie ISPs to Block Dozens of Pirate Sites

Post Syndicated from Ernesto original https://torrentfreak.com/court-orders-aussie-isps-to-block-dozens-of-pirate-sites-170818/

Rather than taking site operators to court, copyright holders increasingly demand that Internet providers should block access to ‘pirate’ domains.

As a result, courts all around the world have ordered ISPs to block subscriber access to various pirate sites.

This is also happening in Australia where the first blockades were issued late last year. In December, the Federal Court ordered ISPs to block The Pirate Bay and several other sites, which happened soon after.

However, as is often the case with website blocking, one order is not enough as there are still plenty of pirate sites and proxies readily available. So, several rightsholders including movie studio Village Roadshow and local broadcaster Foxtel went back to court.

Today the Federal Court ruled on two applications that cover 59 pirate sites in total, including many popular torrent and streaming portals.

The first order was issued by Justice John Nicholas, who directed several Internet providers including IINet, Telstra, and TPG to block access to several pirate sites. The request came from Village Roadshow, which was backed by several major Hollywood studios.

The order directs the ISPs to stop passing on traffic to 41 torrent and streaming platforms including Demonoid, RARBG, EZTV, YTS, Gomovies, and Fmovies. The full list of blocked domains is even longer, as it also covers several proxies.

“The infringement or facilitation of infringement by the Online Locations is flagrant and reflect a blatant disregard for the rights of copyright owners,” the order reads.

“By way of illustration, one of the Online Locations is accessible via the domain name ‘istole.it’ and it and many others include notices encouraging users to implement technology to frustrate any legal action that might be taken by copyright owners.”

In a separate order handed down by Federal Court Judge Stephen Burley, another 17 sites are ordered blocked following a request from Foxtel. This includes popular pirate sites such as 1337x, Torlock, Putlocker, YesMovies, Vumoo, and LosMovies.

The second order also includes a wide variety of alternative locations, including proxies, which brings the total number of targeted domain names to more than 160.

As highlighted by SHM, the orders coincide with the launch of a new anti-piracy campaign dubbed “The Price of Piracy,” which is organized by Creative Content Australia. Lori Flekser, Executive director of the non-profit organization, believes that the blockades will help to significantly deter piracy.

“Not only is there decreasing traffic to pirate sites but there is a subsequent increase in traffic to legal sites,” she said.

At the same time, she warns people not to visit proxy and mirror sites, as these could be dangerous. This message is also repeated by her organization’s campaign, which warns that pirate sites can be filled with ransomware, spyware, trojans, viruses, bots, rootkits and worms.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Artists Protest RIAA for Trampling on Their Moral Rights

Post Syndicated from Ernesto original https://torrentfreak.com/artists-protest-riaa-for-trampling-on-their-moral-rights-170817/

Most people who create something like to be credited for their work. Whether you make a video, song, photo, or blog post, it feels ‘right’ to receive recognition.

The right to be credited is part of the so-called “moral rights,” which are baked into many copyright laws around the world, adopted at the international level through the Berne Convention.

However, in the United States, this is not the case. The US didn’t sign the Berne Convention right away and opted out from the “moral rights” provision when it eventually joined.

Now that the U.S. Copyright Office is looking into ways to improve current copyright law, the issue has been brought to the forefront again. The Government recently completed a consultation to hear the thoughts of various stakeholders, which resulted in several noteworthy contributions.

As it turns out, the RIAA doesn’t want artists, such as songwriters, to have moral rights. Crediting everyone who’s involved in making a song can be confusing and complicated the group notes, arguing against the addition of a new statutory attribution right.

The RIAA highlights that it would be costly for streaming services to credit everyone involved in the creative process. In addition, they stress that the likes of Spotify might not have the screen real estate to attribute all creators, without ruining the user experience with long lists of names.

“If a statutory attribution right suddenly required these services to provide attribution to others involved in the creative process, that would presumably require costly changes to their user interfaces and push them up against the size limitations of their display screens,” the RIAA writes.

These comments don’t sit well with songwriters and other creators around the world, who feel that the RIAA is putting trivial metadata issues above their rights. In a protest against the RIAA’s stance, several songwriter groups around the world are now joining hands to show their discontent.

The British Academy of Songwriters, Composers and Authors (BASCA), Songwriters Association of Canada (SAC), Songwriters Guild of America (SGA), Music Creators North America (MCNA), Council of Music Creators (CMC), and several others, have sent a strongly worded open letter to the RIAA accusing the record label group of betrayal.

“The RIAA’s argument prioritizes the inconvenience of dealing with accurate metadata over the principle of the protection of the rights of the people upon whose work the music business is built,” the letter reads.

“More fundamentally, RIAA’s comments are taken by many in the music creator community as a betrayal of our joint commitment to expand opportunities for creators. Unfortunately, this divergence of views gives our common adversaries an opportunity to divide our community.”

The groups warn that without proper attribution, songwriters and other contributors risk not receiving any compensation for the work they do. This puts the RIAA in the same camp as those who want to weaken copyright in general, the letter notes.

“Without accurate metadata, contributors to a work risk not getting paid. That’s a moral dilemma intrinsically linked to the issue of moral rights — and on this issue the RIAA has now aligned itself with those who seek to enfeeble IP rights.”

The RIAA’s stance goes even further than that of Creative Commons and the “copyleft,” according to the groups.

“Even anti-copyright groups like Creative Commons understand the importance of attribution. If the RIAA is seen as less artist-friendly than Creative Commons, the copyleft and all who seek to undervalue our work will benefit.”

While Creative Commons has more flexible views on copyright than the average entertainment industry company, describing it as “anti-copyright” goes a bit far. Still, the groups send a strong message to the RIAA, that the organization’s stance on moral rights is abhorrent.

The songwriter and artist groups stress that the RIAA might shoot itself in the foot, as it’s distancing the people it needs to further its interests around the globe. As for the metadata problems, they believe that the streaming platforms and other services will come up with a proper solution eventually.

“We believe there’s no doubt music platforms will come up with innovative and effective ways to give credit. Certainly there’s no need to set expectations at rock bottom as the RIAA did in their comments,” the groups write in their letter.

The groups urge the RIAA to revise its views and start collaborating with creators to address specific implementation problems. The record labels and creators should stand together as one, instead of going against each other.

It will be interesting to see if and how the RIAA responds to the critique.

While the US Government has yet to decide on the moral rights issue, in other countries the attribution right is taken very seriously. Just recently, a District Court in Isreal awarded a local music composer $223,000 in statutory damages because his name was removed from the credits of an online kids animation series.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

“Public Figure” Threatened With Exposure Over Gay Piracy ‘Fine’

Post Syndicated from Andy original https://torrentfreak.com/public-figure-threatened-with-exposure-over-gay-piracy-fine-170817/

Flava Works is an Illinois-based company specializing in adult material featuring black and Latino men. It operates an aggressive anti-piracy strategy which has resulted in some large damages claims in the past.

Now, however, the company has found itself targeted by a lawsuit filed by one of its alleged victims. Filed in a California district court by an unnamed individual, it accuses Flava Works of shocking behavior relating to a claim of alleged piracy.

According to the lawsuit, ‘John Doe’ received a letter in early June from Flava Works CEO Phillip Bleicher, accusing him of Internet piracy. Titled “Settlement Demand and Cease and Desist”, the letter got straight to the point.

“Flava Works is aware that you have been ‘pirating’ the content from its website(s) for your own personal financial benefit,” the letter read.

[Update: ‘John Doe’ has now been identified as Marc Juris, President & General Manager of AMC-owned WE tv. All references to John Doe below refer to Juris. See note at footer]

As is often the case with such claims, Flava Works offered to settle with John Doe for a cash fee. However, instead of the few hundred or thousand dollars usually seen in such cases, the initial settlement amount was an astronomical $97,000. But that wasn’t all.

According to John Doe, Bleicher warned that unless the money was paid in ten days, Flava Works “would initiate litigation against [John Doe], publically accusing him of being a consumer and pirate of copyrighted gay adult entertainment.”

Amping up the pressure, Bleicher then warned that after the ten-day deadline had passed, the settlement amount of $97,000 would be withdrawn and replaced with a new amount – $525,000.

The lawsuit alleges that Bleicher followed up with more emails in which he indicated that there was still time to settle the matter “one on one” since the case hadn’t been assigned to an attorney. However, he warned John Doe that time was running out and that public exposure via a lawsuit would be the next step.

While these kinds of tactics are nothing new in copyright infringement cases, the amounts of money involved are huge, indicating something special at play. Indeed, it transpires that John Doe is a public figure in the entertainment industry and the suggestion is that Flava Works’ assessment of his “wealth and profile” means he can pay these large sums.

According to the suit, on July 6, 2017, Bleicher sent another email to John Doe which “alluded to [his] high-profile status and to the potential publicity that a lawsuit would bring.” The email went as far as threatening an imminent Flava Works press release, announcing that a public figure, who would be named, was being sued for pirating gay adult content.

Flava Works alleges that John Doe uploaded its videos to various BitTorrent sites and forums, but John Doe vigorously denies the accusations, noting that the ‘evidence’ presented by Flava Works fails to back up its claims.

“The materials do not reveal or expose infringement of any sort. [Flava Works’] real purpose in sending this ‘proof’ was to demonstrate just how humiliating it would be to defend against Flava Works’ scurrilous charges,” John Doe’s lawsuit notes.

“[Flava Works’] materials consist largely of screen shots of extremely graphic images of pornography, which [Flava Works] implies that [John Doe] has viewed — but which are completely irrelevant given that they are not Flava Works content. Nevertheless, Bleicher assured [John Doe] that these materials would all be included in a publicly filed lawsuit if he refused to accede to [Flava Works’] payment demands.”

From his lawsuit (pdf) it’s clear that John Doe is in no mood to pay Flava Works large sums of cash and he’s aggressively on the attack, describing the company’s demands as “criminal extortion.”

He concludes with a request for a declaration that he has not infringed Flava Works’ copyrights, while demanding attorneys’ fees and further relief to be determined by the court.

The big question now is whether Flava Works will follow through with its threats to exposure the entertainer, or whether it will drift back into the shadows to fight another day. Definitely one to watch.

Update: Flava Works has now followed through on its threat to sue Juris. A complaint filed iat an Illinois court accuses the TV executive of uploading Flava Works titles to several gay-focused torrent sites in breach of copyright. It demands $1.2m in damages.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Security updates for Wednesday

Post Syndicated from ris original https://lwn.net/Articles/731167/rss

Security updates have been issued by CentOS (firefox, httpd, and java-1.7.0-openjdk), Fedora (cups-filters, potrace, and qpdf), Mageia (libsoup and mingw32-nsis), openSUSE (kernel), Oracle (httpd, kernel, spice, and subversion), Red Hat (httpd, java-1.7.1-ibm, and subversion), Scientific Linux (httpd), Slackware (xorg), SUSE (java-1_8_0-openjdk), and Ubuntu (firefox, linux, linux-aws, linux-gke, linux-raspi2, linux-snapdragon, linux-lts-xenial, postgresql-9.3, postgresql-9.5, postgresql-9.6, and ubufox).

Game of Thrones Episode “S07E06” Leaks Online Early

Post Syndicated from Ernesto original https://torrentfreak.com/game-of-thrones-episode-s07e06-leaks-online-early-170816/

Trouble continues for HBO as another episode of the popular Game of Thrones series has just leaked online, days ahead of the official premiere.

Copies of the sixth episode of the current season, titled ‘Death is the Enemy,’ are currently circulating on various streaming portals, direct download, and torrent sites.

The first copy only just appeared on the Pirate Bay, but others were shared elsewhere earlier. One of the leaked videos is 64 minutes long and of high quality, and there are also versions that consist of two separate parts.

Early on, the two parts were circulating on the video streaming site Dailymotion, but these were swiftly removed.

At the moment it’s still unclear how the leak came about but some suggest that it was leaked by HBO itself in Spain. TorrentFreak has not been able to confirm this, but there are no visible watermarks that point elsewhere.

Game of Thrones “S07E06” leak screenshot

This isn’t the first time that a Game of Thrones episode has leaked online early. Two years ago the same happened with the first four episodes of season 5. Nonetheless, that season still broke previous viewership records.

Two weeks ago the fourth episode of the current season was also pirated before its official release. This leak, which carried a prominent “Star India Pvt Ltd” watermark, triggered a lot of interest from impatient Game of Thrones fans as well.

Earlier this week, news broke that four men had been arrested in connection with the breach, which is still being investigated. The arrested men all worked for the local media processing company Prime Focus Technologies, where the leak reportedly originated.

The current leak is not in any way related to the hack on HBO’s system, which occurred earlier and revealed several preliminary Game of Thrones scripts.

This hack has also resulted in leaks of various high profile shows, including the upcoming ninth season of ‘Curb Your Enthusiasm.’ Initially, these were hard to find online, but they are now widely available on the usual pirate sites.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Spinrilla Refuses to Share Its Source Code With the RIAA

Post Syndicated from Ernesto original https://torrentfreak.com/spinrilla-refuses-to-share-its-source-code-with-the-riaa-170815/

Earlier this year, a group of well-known labels targeted Spinrilla, a popular hip-hop mixtape site and accompanying app with millions of users.

The coalition of record labels including Sony Music, Warner Bros. Records, and Universal Music Group, filed a lawsuit accusing the service of alleged copyright infringements.

Both sides have started the discovery process and recently asked the court to rule on several unresolved matters. The parties begin with their statements of facts, clearly from opposite angles.

The RIAA remains confident that the mixtape site is ripping off music creators and wants its operators to be held accountable.

“Since Spinrilla launched, Defendants have facilitated millions of unauthorized downloads and streams of thousands of Plaintiffs’ sound recordings without Plaintiffs’ permission,” RIAA writes, complaining about “rampant” infringement on the site.

However, Spinrilla itself believes that the claims are overblown. The company points out that the RIAA’s complaint only lists a tiny fraction of all the songs uploaded by its users. These somehow slipped through its Audible Magic anti-piracy filter.

Where the RIAA paints a picture of rampant copyright infringement, the mixtape site stresses that the record labels are complaining about less than 0.001% of all the tracks they ever published.

“From 2013 to the present, Spinrilla users have uploaded about 1 million songs to Spinrilla’s servers and Spinrilla published about 850,000 of those. Plaintiffs are complaining that 210 of those songs are owned by them and published on Spinrilla without permission,” Spinrilla’s lawyers write.

“That means that Plaintiffs make no claim to 99.9998% of the songs on Spinrilla. Plaintiffs’ shouting of ‘rampant infringement on Spinrilla’, an accusation that Spinrilla was designed to allow easy and open access to infringing material, and assertion that ‘Defendants have facilitated millions of unauthorized downloads’ of those 210 songs is untrue – it is nothing more than a wish and a dream.”

The company reiterates that it’s a platform for independent musicians and that it doesn’t want to feature the Eminem’s and Bieber’s of this world, especially not without permission.

As for the discovery process, there are still several outstanding issues they need the Court’s advice on. Spinrilla has thus far produced 12,000 pages of documents and answered all RIAA interrogatories, but refuses to hand over certain information, including its source code.

According to Spinrilla, there is no reason for the RIAA to have access to its “crown jewel.”

“The source code is the crown jewel of any software based business, including Spinrilla. Even worse, Plaintiffs want an ‘executable’ version of Spinrilla’s source code, which would literally enable them to replicate Spinrilla’s entire website. Any Plaintiff could, in hours, delete all references to ‘Spinrilla,’ add its own brand and launch Spinrilla’s exact website.

“If we sued YouTube for hosting 210 infringing videos, would I be entitled to the source code for YouTube? There is simply no justification for Spinrilla sharing its source code with Plaintiffs,” Spinrilla adds.

The RIAA, on the other hand, argues that the source code will provide insight into several critical issues, including Spinrilla’s knowledge about infringing activity and its ability to terminate repeat copyright infringers.

In addition to the source code, the RIAA has also requested detailed information about the site’s users, including their download and streaming history. This request is too broad, the mixtape site argues, and has offered to provide information on the uploaders of the 210 infringing tracks instead.

It’s clear that the RIAA and Spinrilla disagree on various fronts and it will be up to the court to decide what information must be handed over. So far, however, the language used clearly shows that both parties are far from reaching some kind of compromise.

—

The first joint discovery statement is available in full here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

OK Google, be aesthetically pleasing

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/aesthetically-pleasing-ok-google/

Maker Andrew Jones took a Raspberry Pi and the Google Assistant SDK and created a gorgeous-looking, and highly functional, alternative to store-bought smart speakers.

Raspberry Pi Google AI Assistant

In this video I get an “Ok Google” voice activated AI assistant running on a raspberry pi. I also hand make a nice wooden box for it to live in.

OK Google, what are you?

Google Assistant is software of the same ilk as Amazon’s Alexa, Apple’s Siri and Microsoft’s Cortana. It’s a virtual assistant that allows you to request information, play audio, and control smart home devices via voice commands.

Infinite Looping Siri, Alexa and Google Home

One can barely see the iPhone’s screen. That’s because I have a privacy protection screen. Sorry, did not check the camera angle. Learn how to create your own loop, why we put Cortana out of the loop, and how to train Siri to an artificial voice: https://www.danrl.com/2016/12/01/looping-ais-siri-alexa-google-home.html

You probably have a digital assistant on your mobile phone, and if you go to the home of someone even mildly tech-savvy, you may see a device awaiting commands via a wake word such the device’s name or, for the Google Assistant, the phrase “OK, Google”.

Homebrew versions

Understanding the maker need to ‘put tech into stuff’ and upgrade everyday objects into everyday objects 2.0, the creators of these virtual assistants have allowed access for developers to run their software on devices such as the Raspberry Pi. This means that your common-or-garden homemade robot can now be controlled via voice, and your shed-built home automation system can have easy-to-use internet connectivity via a reliable, multi-device platform.

Andrew’s Google Assistant build

Andrew gives a peerless explanation of how the Google Assistant works:

There’s Google’s Cloud. You log into Google’s Cloud and you do a bunch of cloud configuration cloud stuff. And then on the Raspberry Pi you install some Python software and you do a bunch of configuration. And then the cloud and the Pi talk the clouds kitten rainbow protocol and then you get a Google AI assistant.

It all makes perfect sense. Though for more extra detail, you could always head directly to Google.

Andrew Jones Raspberry Pi OK Google Assistant

I couldn’t have explained it better myself

Andrew decided to take his Google Assistant-enabled Raspberry Pi and create a new body for it. One that was more aesthetically pleasing than the standard Pi-inna-box. After wiring his build and cannibalising some speakers and a microphone, he created a sleek, wooden body that would sit quite comfortably in any Bang & Olufsen shop window.

Find the entire build tutorial on Instructables.

Make your own

It’s more straightforward than Andrew’s explanation suggests, we promise! And with an array of useful resources online, you should be able to incorporate your choice of virtual assistants into your build.

There’s The Raspberry Pi Guy’s tutorial on setting up Amazon Alexa on the Raspberry Pi. If you’re looking to use Siri on your Pi, YouTube has a plethora of tutorials waiting for you. And lastly, check out Microsoft’s site for using Cortana on the Pi!

If you’re looking for more information on Google Assistant, check out issue 57 of The MagPi Magazine, free to download as a PDF. The print edition of this issue came with a free AIY Projects Voice Kit, and you can sign up for The MagPi newsletter to be the first to know about the kit’s availability for purchase.

The post OK Google, be aesthetically pleasing appeared first on Raspberry Pi.

New Premier League Blocking Disrupts Pirate IPTV Providers

Post Syndicated from Andy original https://torrentfreak.com/new-premier-league-blocking-disrupts-pirate-iptv-providers-170814/

Top tier football in the UK is handled by the English Premier League (EPL) and broadcasting partners Sky and BT Sport. All face considerable problems with Internet piracy, through free web or Kodi-based streaming and premium IPTV feeds.

To mitigate the threat, earlier this year the Premier League obtained a unique High Court injunction which required ISPs such as Sky, BT, and Virgin to block ‘pirate’ football streams in real-time.

Although the success of the program was initially up for debate, the EPL reported it was able to block 5,000 server IP addresses that were streaming its content. When that temporary injunction ran out, the EPL went back to court for a new one, valid for the season that began this past weekend. There are signs the EPL may have upped its game.

As soon as the matches began on Saturday, issues were reported at several of the more prominent IPTV providers. Within minutes of the match streams going live, subscribers to affected services were met with black screens, causing anger and frustration. While some clearly knew that action was on the cards, relatively few had an effective plan in place.

One provider, which targets subscribers in the UK, scrambled to obtain new domain names, thinking that the existing domains had been placed on some kind of Premier League blacklist. While that may have indeed been the case, making a service more obscure in that sense was never going to outwit the systems deployed by the anti-piracy outfits involved.

Indeed, the provider in question was subjected to much chaos over both Saturday and Sunday, since it’s clear that large numbers of subscribers had absolutely no idea what was going on. Even if they understood that the EPL was blocking, the change of domain flat-footed the rest. The subsequent customer service chaos was not a pretty sight but would’ve been a pleasure for the EPL to behold.

An interesting side effect of this EPL action is that even if IPTV subscribers don’t care about football, many were affected this past weekend anyway.

TF is aware of at least three services (there are probably many more) that couldn’t service their UK customers with any other channels whatsoever while the Premier League games were being aired. This suggests that the IP addresses hit by the EPL and blocked by local ISPs belonged to the same servers carrying the rest of the content offered by the IPTV providers.

When the High Court handed down its original injunction it accepted that some non-Premier League content could be blocked at the same time but since that “consists almost exclusively of [infringing] commercial broadcast content such as other sports, films, and television programs,” there was little concern over collateral damage.

So the big question now is what can IPTV providers and/or subscribers do to tackle the threat?

The first interesting thing to note is not all of the big providers were affected this past weekend, so for many customers the matches passed by as normal. It isn’t clear whether EPL simply didn’t have all of the providers on the list or whether steps were taken to mitigate the threat, but that was certainly the case in a handful of cases.

Information passed to TF shows that at least a small number of providers were not only waiting for the EPL action but actually had a backup plan in place. This appears to have resulted in a minimum of disruption for their customers, something that will prove of interest to the many frustrated subscribers looking for a new service this morning.

While the past few days have been somewhat chaotic, other issues have been muddying the waters somewhat.

TF has learned that at least two, maybe three suppliers, were subjected to DDoS attacks around the time the matches were due to air. It seems unlikely that the EPL has been given permission to carry out such an attack but since the High Court injunction is secret in every way that describes its anti-piracy methods, that will remain a suspicion. In the meantime, rival IPTV services remain possible suspects.

Also, a major IPTV stream ‘wholesaler’ is reported to have had technical issues on Saturday, which affected its ability to serve lower-tier providers. Whether that was also linked to the Premier League action is unknown and TF couldn’t find any source willing to talk about the provider in any detail.

So, sports fans who rely on IPTV for their fix are wondering how things will pan out later this week. If this last weekend is anything to go by, disruption is guaranteed, but it will be less of a surprise given the problems of the last few days. While some don’t foresee huge problems, several providers are already advising customers that VPNs will be necessary.

An IPTV provider suggesting the use of VPNs

While a VPN will indeed solve the problem in most cases, for many subscribers that will amount to an additional expense, not to mention more time spent learning about VPNs, what they can do, and how they can be setup on the hardware they’re using for IPTV.

For users on Android devices running IPTV apps or Kodi-type setups, VPNs are both easy to install and use. However, Mag Box STB users cannot run a VPN directly on the device, meaning that they’ll need either a home router that can run a VPN or a smaller ‘travel’ type router with OpenVPN capabilities to use as a go-between.

Either way, costs are beginning to creep up, if IPTV providers can’t deal with the EPL’s blocking efforts. That makes the new cheaper football packages offered by various providers that little bit more attractive. But that was probably the plan all along.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Nazis, are bad

Post Syndicated from Eevee original https://eev.ee/blog/2017/08/13/nazis-are-bad/

Anonymous asks:

Could you talk about something related to the management/moderation and growth of online communities? IOW your thoughts on online community management, if any.

I think you’ve tweeted about this stuff in the past so I suspect you have thoughts on this, but if not, again, feel free to just blog about … anything 🙂

Oh, I think I have some stuff to say about community management, in light of recent events. None of it hasn’t already been said elsewhere, but I have to get this out.

Hopefully the content warning is implicit in the title.

I am frustrated.

I’ve gone on before about a particularly bothersome phenomenon that hurts a lot of small online communities: often, people are willing to tolerate the misery of others in a community, but then get up in arms when someone pushes back. Someone makes a lot of off-hand, off-color comments about women? Uses a lot of dog-whistle terms? Eh, they’re not bothering anyone, or at least not bothering me. Someone else gets tired of it and tells them to knock it off? Whoa there! Now we have the appearance of conflict, which is unacceptable, and people will turn on the person who’s pissed off — even though they’ve been at the butt end of an invisible conflict for who knows how long. The appearance of peace is paramount, even if it means a large chunk of the population is quietly miserable.

Okay, so now, imagine that on a vastly larger scale, and also those annoying people who know how to skirt the rules are Nazis.

The label “Nazi” gets thrown around a lot lately, probably far too easily. But when I see a group of people doing the Hitler salute, waving large Nazi flags, wearing Nazi armbands styled after the SS, well… if the shoe fits, right? I suppose they might have flown across the country to join a torch-bearing mob ironically, but if so, the joke is going way over my head. (Was the murder ironic, too?) Maybe they’re not Nazis in the sense that the original party doesn’t exist any more, but for ease of writing, let’s refer to “someone who espouses Nazi ideology and deliberately bears a number of Nazi symbols” as, well, “a Nazi”.

This isn’t a new thing, either; I’ve stumbled upon any number of Twitter accounts that are decorated in Nazi regalia. I suppose the trouble arises when perfectly innocent members of the alt-right get unfairly labelled as Nazis.

But hang on; this march was called “Unite the Right” and was intended to bring together various far right sub-groups. So what does their choice of aesthetic say about those sub-groups? I haven’t heard, say, alt-right coiner Richard Spencer denounce the use of Nazi symbology — extra notable since he was fucking there and apparently didn’t care to discourage it.

And so begins the rule-skirting. “Nazi” is definitely overused, but even using it to describe white supremacists who make not-so-subtle nods to Hitler is likely to earn you some sarcastic derailment. A Nazi? Oh, so is everyone you don’t like and who wants to establish a white ethno state a Nazi?

Calling someone a Nazi — or even a white supremacist — is an attack, you see. Merely expressing the desire that people of color not exist is perfectly peaceful, but identifying the sentiment for what it is causes visible discord, which is unacceptable.

These clowns even know this sort of thing and strategize around it. Or, try, at least. Maybe it wasn’t that successful this weekend — though flicking through Charlottesville headlines now, they seem to be relatively tame in how they refer to the ralliers.

I’m reminded of a group of furries — the alt-furries — who have been espousing white supremacy and wearing red armbands with a white circle containing a black… pawprint. Ah, yes, that’s completely different.

So, what to do about this?

“Ignore them” is a popular option, often espoused to bullied children by parents who have never been bullied, shortly before they resume complaining about passive-aggressive office politics. The trouble with ignoring them is that, just like in smaller communitiest, they have a tendency to fester. They take over large chunks of influential Internet surface area like 4chan and Reddit; they help get an inept buffoon elected; and then they start to have torch-bearing rallies and run people over with cars.

4chan illustrates a kind of corollary here. Anyone who’s steeped in Internet Culture™ is surely familiar with 4chan; I was never a regular visitor, but it had enough influence that I was still aware of it and some of its culture. It was always thick with irony, which grew into a sort of ironic detachment — perhaps one of the major sources of the recurring online trope that having feelings is bad — which proceeded into ironic racism.

And now the ironic racism is indistinguishable from actual racism, as tends to be the case. Do they “actually” “mean it”, or are they just trying to get a rise out of people? What the hell is unironic racism if not trying to get a rise out of people? What difference is there to onlookers, especially as they move to become increasingly involved with politics?

“It’s just a joke” and “it was just a thoughtless comment” are exceptionally common defenses made by people desperate to preserve the illusion of harmony, but the strain of overt white supremacy currently running rampant through the US was built on those excuses.

The other favored option is to debate them, to defeat their ideas with better ideas.

Well, hang on. What are their ideas, again? I hear they were chanting stuff like “go back to Africa” and “fuck you, faggots”. Given that this was an overtly political rally (and again, the Nazi fucking regalia), I don’t think it’s a far cry to describe their ideas as “let’s get rid of black people and queer folks”.

This is an underlying proposition: that white supremacy is inherently violent. After all, if the alt-right seized total political power, what would they do with it? If I asked the same question of Democrats or Republicans, I’d imagine answers like “universal health care” or “screw over poor people”. But people whose primary goal is to have a country full of only white folks? What are they going to do, politely ask everyone else to leave? They’re invoking the memory of people who committed genocide and also tried to take over the fucking world. They are outright saying, these are the people we look up to, this is who we think had a great idea.

How, precisely, does one defeat these ideas with rational debate?

Because the underlying core philosophy beneath all this is: “it would be good for me if everything were about me”. And that’s true! (Well, it probably wouldn’t work out how they imagine in practice, but it’s true enough.) Consider that slavery is probably fantastic if you’re the one with the slaves; the issue is that it’s reprehensible, not that the very notion contains some kind of 101-level logical fallacy. That’s probably why we had a fucking war over it instead of hashing it out over brunch.

…except we did hash it out over brunch once, and the result was that slavery was still allowed but slaves only counted as 60% of a person for the sake of counting how much political power states got. So that’s how rational debate worked out. I’m sure the slaves were thrilled with that progress.

That really only leaves pushing back, which raises the question of how to push back.

And, I don’t know. Pushing back is much harder in spaces you don’t control, spaces you’re already struggling to justify your own presence in. For most people, that’s most spaces. It’s made all the harder by that tendency to preserve illusory peace; even the tamest request that someone knock off some odious behavior can be met by pushback, even by third parties.

At the same time, I’m aware that white supremacists prey on disillusioned young white dudes who feel like they don’t fit in, who were promised the world and inherited kind of a mess. Does criticism drive them further away? The alt-right also opposes “political correctness”, i.e. “not being a fucking asshole”.

God knows we all suck at this kind of behavior correction, even within our own in-groups. Fandoms have become almost ridiculously vicious as platforms like Twitter and Tumblr amplify individual anger to deafening levels. It probably doesn’t help that we’re all just exhausted, that every new fuck-up feels like it bears the same weight as the last hundred combined.

This is the part where I admit I don’t know anything about people and don’t have any easy answers. Surprise!

The other alternative is, well, punching Nazis.

That meme kind of haunts me. It raises really fucking complicated questions about when violence is acceptable, in a culture that’s completely incapable of answering them.

America’s relationship to violence is so bizarre and two-faced as to be almost incomprehensible. We worship it. We have the biggest military in the world by an almost comical margin. It’s fairly mainstream to own deadly weapons for the express stated purpose of armed revolution against the government, should that become necessary, where “necessary” is left ominously undefined. Our movies are about explosions and beating up bad guys; our video games are about explosions and shooting bad guys. We fantasize about solving foreign policy problems by nuking someone — hell, our talking heads are currently in polite discussion about whether we should nuke North Korea and annihilate up to twenty-five million people, as punishment for daring to have the bomb that only we’re allowed to have.

But… violence is bad.

That’s about as far as the other side of the coin gets. It’s bad. We condemn it in the strongest possible terms. Also, guess who we bombed today?

I observe that the one time Nazis were a serious threat, America was happy to let them try to take over the world until their allies finally showed up on our back porch.

Maybe I don’t understand what “violence” means. In a quest to find out why people are talking about “leftist violence” lately, I found a National Review article from May that twice suggests blocking traffic is a form of violence. Anarchists have smashed some windows and set a couple fires at protests this year — and, hey, please knock that crap off? — which is called violence against, I guess, Starbucks. Black Lives Matter could be throwing a birthday party and Twitter would still be abuzz with people calling them thugs.

Meanwhile, there’s a trend of murderers with increasingly overt links to the alt-right, and everyone is still handling them with kid gloves. First it was murders by people repeating their talking points; now it’s the culmination of a torches-and-pitchforks mob. (Ah, sorry, not pitchforks; assault rifles.) And we still get this incredibly bizarre both-sides-ism, a White House that refers to the people who didn’t murder anyone as “just as violent if not more so“.

Should you punch Nazis? I don’t know. All I know is that I’m extremely dissatisfied with discourse that’s extremely alarmed by hypothetical punches — far more mundane than what you’d see after a sporting event — but treats a push for ethnic cleansing as a mere difference of opinion.

The equivalent to a punch in an online space is probably banning, which is almost laughable in comparison. It doesn’t cause physical harm, but it is a use of concrete force. Doesn’t pose quite the same moral quandary, though.

Somewhere in the middle is the currently popular pastime of doxxing (doxxxxxxing) people spotted at the rally in an attempt to get them fired or whatever. Frankly, that skeeves me out, though apparently not enough that I’m directly chastizing anyone for it.

We aren’t really equipped, as a society, to deal with memetic threats. We aren’t even equipped to determine what they are. We had a fucking world war over this, and now people are outright saying “hey I’m like those people we went and killed a lot in that world war” and we give them interviews and compliment their fashion sense.

A looming question is always, what if they then do it to you? What if people try to get you fired, to punch you for your beliefs?

I think about that a lot, and then I remember that it’s perfectly legal to fire someone for being gay in half the country. (Courts are currently wrangling whether Title VII forbids this, but with the current administration, I’m not optimistic.) I know people who’ve been fired for coming out as trans. I doubt I’d have to look very far to find someone who’s been punched for either reason.

And these aren’t even beliefs; they’re just properties of a person. You can stop being a white supremacist, one of those people yelling “fuck you, faggots”.

So I have to recuse myself from this asinine question, because I can’t fairly judge the risk of retaliation when it already happens to people I care about.

Meanwhile, if a white supremacist does get punched, I absolutely still want my tax dollars to pay for their universal healthcare.

The same wrinkle comes up with free speech, which is paramount.

The ACLU reminds us that the First Amendment “protects vile, hateful, and ignorant speech”. I think they’ve forgotten that that’s a side effect, not the goal. No one sat down and suggested that protecting vile speech was some kind of noble cause, yet that’s how we seem to be treating it.

The point was to avoid a situation where the government is arbitrarily deciding what qualifies as vile, hateful, and ignorant, and was using that power to eliminate ideas distasteful to politicians. You know, like, hypothetically, if they interrogated and jailed a bunch of people for supporting the wrong economic system. Or convicted someone under the Espionage Act for opposing the draft. (Hey, that’s where the “shouting fire in a crowded theater” line comes from.)

But these are ideas that are already in the government. Bannon, a man who was chair of a news organization he himself called “the platform for the alt-right”, has the President’s ear! How much more mainstream can you get?

So again I’m having a little trouble balancing “we need to defend the free speech of white supremacists or risk losing it for everyone” against “we fairly recently were ferreting out communists and the lingering public perception is that communists are scary, not that the government is”.

This isn’t to say that freedom of speech is bad, only that the way we talk about it has become fanatical to the point of absurdity. We love it so much that we turn around and try to apply it to corporations, to platforms, to communities, to interpersonal relationships.

Look at 4chan. It’s completely public and anonymous; you only get banned for putting the functioning of the site itself in jeopardy. Nothing is stopping a larger group of people from joining its politics board and tilting sentiment the other way — except that the current population is so odious that no one wants to be around them. Everyone else has evaporated away, as tends to happen.

Free speech is great for a government, to prevent quashing politics that threaten the status quo (except it’s a joke and they’ll do it anyway). People can’t very readily just bail when the government doesn’t like them, anyway. It’s also nice to keep in mind to some degree for ubiquitous platforms. But the smaller you go, the easier it is for people to evaporate away, and the faster pure free speech will turn the place to crap. You’ll be left only with people who care about nothing.

At the very least, it seems clear that the goal of white supremacists is some form of destabilization, of disruption to the fabric of a community for purely selfish purposes. And those are the kinds of people you want to get rid of as quickly as possible.

Usually this is hard, because they act just nicely enough to create some plausible deniability. But damn, if someone is outright telling you they love Hitler, maybe skip the principled hand-wringing and eject them.

Messaging Fanout Pattern for Serverless Architectures Using Amazon SNS

Post Syndicated from Christie Gifrin original https://aws.amazon.com/blogs/compute/messaging-fanout-pattern-for-serverless-architectures-using-amazon-sns/

Sam Dengler, Amazon Web Services Solutions Architect

Serverless architectures allow solution builders to focus on solving challenges particular to their business, without assuming the overhead of managing infrastructure in AWS. AWS Lambda is a service that lets you run code without provisioning or managing servers.

When using Lambda in a serverless architecture, the goal should be to design tightly focused functions that do one thing and do it well. When these functions are composed to accomplish larger goals in microservice architectures, the complexity shifts from the internal components to the external communication between components. It’s all too easy to accidentally back into an architecture that is rigid to change because components are too knowledgeable of each other via the communication paths between them.

Solution builders can address this architectural challenge by using messaging patterns, resulting in loosely coupled communication between highly cohesive components to manage complexity in serverless architectures. As introduced in the recent Building Scalable Applications and Microservices: Adding Messaging to Your Toolbox post, a common approach when one component wishes to deliver the same message to multiple receivers is to use the fanout publish/subscribe messaging pattern.

The fanout pattern for message communication can be implemented in code. However, depending on your requirements, alternative solutions exist to offload this undifferentiated responsibility from the application. Amazon SNS is a fully managed pub/sub messaging service that lets you fan out messages to large numbers of recipients.

In this post, I review a serverless architecture from PlayOn! Sports as a case study for migration of fanout functionality from application code to SNS.

PlayOn! Sports serverless video processing platform

PlayOn! Sports is one of the nation’s leading high school sports media companies. They operate a comprehensive technology platform, enabling high-quality, low-cost productions of live sports events for the NFHS High School Sports Network.

At the 2014 AWS re:Invent conference, Lambda was announced. The PlayOn! Sports technology team recognized the parallels between serverless demos featuring image processing using ImageMagick to video processing using ffmpeg.

At the time, PlayOn! Sports was broadcasting live video with adaptive bit rates, requiring a transcoding of the video stream to multiple quality levels for consumption on desktop, mobile, and connected devices. This is not unusual for an internet media company. However, with over 50,000 live broadcasts produced in 2014, the traditional media and entertainment technological approaches and pricing models would not work.

After some consultation with the Lambda team to validate support for custom binary execution, PlayOn! Sports moved forward with the development of a new serverless video processing platform according to the architecture diagram below.

In the architecture, a laptop in the field captures the video from a camera source and divides it into small fragments, according to the HLS protocol. The fragments are published to Amazon S3, through an Amazon CloudFront distribution for accelerated upload. When the file has been written to S3, it triggers a Lambda function to initiate the video segment processing.

Video transcoding fanout implementation in Lambda

Given Lambda’s integration growth across AWS, it’s easy to forget that it did not include managed integration with SNS when it was announced in November 2014.

PlayOn! Sports was actively experimenting with approaches to video processing to address quality control, audience growth, and cost constraints. Lambda was a great tool for rapid innovation. A goal of the architecture design was the ability to add and remove video processing alternatives to the workflow, using the fanout pattern to identify optimal solutions. Below is example code from the initial implementation:

import json
import logging
import boto3

logger = logging.getLogger('boto3')
logger.setLevel(logging.INFO)

client = boto3.client('lambda')
fanout_functions = ['media_info', 'transcode_audio']

def lambda_handler(event, context):
    logger.info(json.dumps(event))
    logger.info('fanout_functions: %s', fanout_functions)

    for fanout_function in fanout_functions:
        logger.info('invoke: %s', fanout_function)
        response = client.invoke(
            FunctionName=fanout_function,
            InvocationType='Event',
            Payload=json.dumps(event)
        )
        logger.info('response: %s', response)

    return 'done'

Each Lambda function is invoked asynchronously, injecting the same S3 event that triggered the original Lambda function. For example, the media_info Lambda function could be scaffolded similar to the following code snippet:

import json
import logging
import boto3

logger = logging.getLogger('boto3')
logger.setLevel(logging.INFO)

def lambda_handler(event, context):
    logger.info(json.dumps(event))

    # MediaInfo Processing
    # see: https://aws.amazon.com/blogs/compute/extracting-video-metadata-using-lambda-and-mediainfo/

    return 'done'

Refactoring fanout implementation using SNS

The PlayOn! Sports development team was familiar with SNS, but had not used it previously to support system-to-system messaging patterns. After the announcement of SNS triggering of Lambda functions, the PlayOn! Sports team planned to migrate to the new feature to offload the overhead of managing the fanout Lambda function.

When invoking a Lambda function, SNS wraps the original event with SNSEvent. The Lambda function can be refactored by adding a function to parse the S3 event from SNSEvent, as seen in the following code:

import json
import logging
import boto3

logger = logging.getLogger('boto3')
logger.setLevel(logging.INFO)

def lambda_handler(event, context):
    s3_event = parse_event(event)
    logger.info(json.dumps(s3_event))

    # MediaInfo Processing
    # see: https://aws.amazon.com/blogs/compute/extracting-video-metadata-using-lambda-and-mediainfo/

    return 'done'


def parse_event(event):
    record = event['Records'][0]
    if 'EventSource' in record and record['EventSource'] == 'aws:sns':
        return json.loads(record['Sns']['Message'])

    return event

This Lambda function modification can be authored, tested, and deployed before enabling the SNS integration to verify that the existing Lambda fanout execution path continues to operate as before. The Lambda function invocation can now be transferred from the fanout Lambda function to SNS without disruption to S3 processing.

As the diagram below shows, the resulting architecture is similar to the original. The exception is that objects written to S3 now trigger a message to be published to an SNS topic. This sends the S3 event to multiple Lambda functions to be processed independently.

Sample architecture deployment using AWS CloudFormation

AWS CloudFormation gives developers and system administrators an easy way to create and manage a collection of related AWS resources. CloudFormation provisions and updates resources in an orderly and predictable fashion. To launch the CloudFormation stack for the sample fanout architecture, choose the following button:

 

 

Follow these steps to complete the architecture deployment:

  1. If necessary, sign into the console for your account when prompted.
  2. On the Select Template page, choose Next.
  3. Under Parameters, for S3BucketName, enter a globally unique name.
  4. For SnsTopicName, enter a region-unique name.
  5. Choose Next, Next.
  6. Select the checkbox for I acknowledge that AWS CloudFormation might create IAM resources, and choose Create.

After the stack has completed creation, you can test both paths of execution by uploading files to the S3 bucket that you created. Uploading a file to the “/uploads/lambda/” directory in S3 triggers the Lambda fanout function. Uploading a file to the “/uploads/sns/” directory in S3 triggers the SNS fanout execution path. You can verify execution by monitoring the Lambda function outputs in CloudWatch Logs.

Conclusion

In this post, I reviewed the fanout messaging pattern and options for its inclusion in a serverless architectures using Lambda application code and SNS. Using the PlayOn! Sports serverless video processing pipeline use case, I demonstrated how easy it is to refactor an existing application to use the SNS fanout approach.

I also provided a sample architecture in CloudFormation that you can run in your own account. Try it out and expand the sample architecture by adding other Lambda functions to the SNS topic, to demonstrate the flexibility of the fanout messaging pattern!

You can get started with SNS using the AWS Management Console, or the SDK of your choice. For more information about how to use SNS fanout messaging, see the following resources:

If you have questions or suggestions, please comment below.

DMCA Used to Remove Ad Server URL From Easylist Ad Blocklist

Post Syndicated from Andy original https://torrentfreak.com/dmca-used-to-remove-ad-server-url-from-easylist-ad-blocklist-170811/

The default business model on the Internet is “free” for consumers. Users largely expect websites to load without paying a dime but of course, there’s no such thing as a free lunch. To this end, millions of websites are funded by advertising revenue.

Sensible sites ensure that any advertising displayed is unobtrusive to the visitor but lots seem to think that bombarding users with endless ads, popups, and other hindrances is the best way to do business. As a result, ad blockers are now deployed by millions of people online.

In order to function, ad-blocking tools – such as uBlock Origin or Adblock – utilize lists of advertising domains compiled by third parties. One of the most popular is Easylist, which is distributed by authors fanboy, MonztA, Famlam, and Khrinunder, under dual Creative Commons Attribution-ShareAlike and GNU General Public Licenses.

With the freedom afforded by those licenses, copyright tends not to figure high on the agenda for Easylist. However, a legal problem that has just raised its head is causing serious concern among those in the ad-blocking community.

Two days ago a somewhat unusual commit appeared in the Easylist repo on Github. As shown in the image below, a domain URL previously added to Easylist had been removed following a DMCA takedown notice filed with Github.

Domain text taken down by DMCA?

The DMCA notice in question has not yet been published but it’s clear that it targets the domain ‘functionalclam.com’. A user called ‘ameshkov’ helpfully points out a post by a new Github user called ‘DMCAHelper’ which coincided with the start of the takedown process more than three weeks ago.

A domain in a list circumvents copyright controls?

Aside from the curious claims of a URL “circumventing copyright access controls” (domains themselves cannot be copyrighted), the big questions are (i) who filed the complaint and (ii) who operates Functionalclam.com? The domain WHOIS is hidden but according to a helpful sleuth on Github, it’s operated by anti ad-blocking company Admiral.

Ad-blocking means money down the drain….

If that is indeed the case, we have the intriguing prospect of a startup attempting to protect its business model by using a novel interpretation of copyright law to have a domain name removed from a list. How this will pan out is unclear but a notice recently published on Functionalclam.com suggests the route the company wishes to take.

“This domain is used by digital publishers to control access to copyrighted content in accordance with the Digital Millenium Copyright Act and understand how visitors are accessing their copyrighted content,” the notice begins.

Combined with the comments by DMCAHelper on Github, this statement suggests that the complainants believe that interference with the ad display process (ads themselves could be the “copyrighted content” in question) represents a breach of section 1201 of the DMCA.

If it does, that could have huge consequences for online advertising but we will need to see the original DMCA notice to have a clearer idea of what this is all about. Thus far, Github hasn’t published it but already interest is growing. A representative from the EFF has already contacted the Easylist team, so this battle could heat up pretty quickly.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Confusing Self-Driving Cars by Altering Road Signs

Post Syndicated from Bruce Schneier original https://www.schneier.com/blog/archives/2017/08/confusing_self-.html

Researchers found that they could confuse the road sign detection algorithms of self-driving cars by adding stickers to the signs on the road. They could, for example, cause a car to think that a stop sign is a 45 mph speed limit sign. The changes are subtle, though — look at the photo from the article.

Research paper:

“Robust Physical-World Attacks on Machine Learning Models,” by Ivan Evtimov, Kevin Eykholt, Earlence Fernandes, Tadayoshi Kohno, Bo Li, Atul Prakash, Amir Rahmati, and Dawn Song:

Abstract: Deep neural network-based classifiers are known to be vulnerable to adversarial examples that can fool them into misclassifying their input through the addition of small-magnitude perturbations. However, recent studies have demonstrated that such adversarial examples are not very effective in the physical world–they either completely fail to cause misclassification or only work in restricted cases where a relatively complex image is perturbed and printed on paper. In this paper we propose a new attack algorithm–Robust Physical Perturbations (RP2)– that generates perturbations by taking images under different conditions into account. Our algorithm can create spatially-constrained perturbations that mimic vandalism or art to reduce the likelihood of detection by a casual observer. We show that adversarial examples generated by RP2 achieve high success rates under various conditions for real road sign recognition by using an evaluation methodology that captures physical world conditions. We physically realized and evaluated two attacks, one that causes a Stop sign to be misclassified as a Speed Limit sign in 100% of the testing conditions, and one that causes a Right Turn sign to be misclassified as either a Stop or Added Lane sign in 100% of the testing conditions.

Usenet Pirate Pays €4,800 ‘Fine’ After Being Exposed by Provider

Post Syndicated from Ernesto original https://torrentfreak.com/usenet-pirate-pays-e4800-fine-after-being-exposed-by-provider-170811/

Dutch anti-piracy outfit BREIN has been very active over the past several years, targeting uploaders on various sharing sites and services.

They cast their net wide and have gone after torrent users, Facebook groups, YouTube pirates and Usenet uploaders as well.

To pinpoint the latter group, BREIN contacts Usenet providers asking them to reveal the identity of a suspected user. This is also what happened in a case involving a former customer of Eweka.

The person in question, known under the alias ‘Badfan69,’ was accused of uploading 9,538 infringing works to Usenet, mostly older titles. After Eweka handed over his home address, BREIN reached out to him and negotiated a settlement.

The 44-year-old man has now agreed to pay a settlement of €4,800. If he continues to upload infringing content he will face an additional penalty of €2,000 per day, to a maximum of €50,000.

The case is an important victory for BREIN, not just because of the money.

When the anti-piracy group reached out to Usenet provider Eweka, the company initially refused to hand over any personal details. The Usenet provider argued that it’s a neutral intermediary that would rather not perform the role of piracy police. Instead, it wanted the court to decide whether the request was legitimate.

This resulted in a legal dispute where, earlier this year, a local court sided with BREIN. The Court stressed that in these type of copyright infringement cases, the Usenet provider is required to hand over the requested details.

Under Dutch law, ISPs can be obliged to hand over the personal details of their customers if the infringing activity is plausible and the damaged party has a legitimate interest. Importantly, the legal case clarified that this generally doesn’t require an intervention from the court.

“Providers must decide on a motivated request for the handover of a user’s address, based on their own consideration. A refusal to provide the information must be motivated, otherwise, it will be illegal and the provider will be charged for the costs,” BREIN notes.

While these Usenet cases are relatively rare, BREIN and other parties in the Netherlands, such as Dutch Filmworks, are also planning to go after large groups of torrent users. With the Usenet decision in hand, BREIN may want to argue that regular ISPs must also expose pirating users, without an intervention of the court.

This is not going to happen easily though. Several ISPs, most prominently Ziggo, announced that they would not voluntarily cooperate and are likely to fight out these requests in court to get a solid ‘torrent’ precedent.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

[$] An alternative device-tree source language

Post Syndicated from corbet original https://lwn.net/Articles/730217/rss

Device trees have become, in a relatively short time, the preferred way to
inform the kernel of the available hardware on systems where that hardware
is not discoverable — most ARM systems, among others. In short, a
device tree is a textual description of a system’s hardware that is
compiled to a simple binary format and passed to the kernel by the
bootloader. The source format for device trees has been established for a
long time — longer than Linux has been using it. Perhaps it’s time for a
change, but a proposal for a new
device-tree source format has generated a fair amount of controversy in the
small corner of the community that concerns itself with such things.

Growing up alongside tech

Post Syndicated from Eevee original https://eev.ee/blog/2017/08/09/growing-up-alongside-tech/

IndustrialRobot asks… or, uh, asked last month:

industrialrobot: How has your views on tech changed as you’ve got older?

This is so open-ended that it’s actually stumped me for a solid month. I’ve had a surprisingly hard time figuring out where to even start.

It’s not that my views of tech have changed too much — it’s that they’ve changed very gradually. Teasing out and explaining any one particular change is tricky when it happened invisibly over the course of 10+ years.

I think a better framework for this is to consider how my relationship to tech has changed. It’s gone through three pretty distinct phases, each of which has strongly colored how I feel and talk about technology.

Act I

In which I start from nothing.

Nothing is an interesting starting point. You only really get to start there once.

Learning something on my own as a kid was something of a magical experience, in a way that I don’t think I could replicate as an adult. I liked computers; I liked toying with computers; so I did that.

I don’t know how universal this is, but when I was a kid, I couldn’t even conceive of how incredible things were made. Buildings? Cars? Paintings? Operating systems? Where does any of that come from? Obviously someone made them, but it’s not the sort of philosophical point I lingered on when I was 10, so in the back of my head they basically just appeared fully-formed from the æther.

That meant that when I started trying out programming, I had no aspirations. I couldn’t imagine how far I would go, because all the examples of how far I would go were completely disconnected from any idea of human achievement. I started out with BASIC on a toy computer; how could I possibly envision a connection between that and something like a mainstream video game? Every new thing felt like a new form of magic, so I couldn’t conceive that I was even in the same ballpark as whatever process produced real software. (Even seeing the source code for GORILLAS.BAS, it didn’t quite click. I didn’t think to try reading any of it until years after I’d first encountered the game.)

This isn’t to say I didn’t have goals. I invented goals constantly, as I’ve always done; as soon as I learned about a new thing, I’d imagine some ways to use it, then try to build them. I produced a lot of little weird goofy toys, some of which entertained my tiny friend group for a couple days, some of which never saw the light of day. But none of it felt like steps along the way to some mountain peak of mastery, because I didn’t realize the mountain peak was even a place that could be gone to. It was pure, unadulterated (!) playing.

I contrast this to my art career, which started only a couple years ago. I was already in my late 20s, so I’d already spend decades seeing a very broad spectrum of art: everything from quick sketches up to painted masterpieces. And I’d seen the people who create that art, sometimes seen them create it in real-time. I’m even in a relationship with one of them! And of course I’d already had the experience of advancing through tech stuff and discovering first-hand that even the most amazing software is still just code someone wrote.

So from the very beginning, from the moment I touched pencil to paper, I knew the possibilities. I knew that the goddamn Sistine Chapel was something I could learn to do, if I were willing to put enough time in — and I knew that I’m not, so I’d have to settle somewhere a ways before that. I knew that I’d have to put an awful lot of work in before I’d be producing anything very impressive.

I did it anyway (though perhaps waited longer than necessary to start), but those aren’t things I can un-know, and so I can never truly explore art from a place of pure ignorance. On the other hand, I’ve probably learned to draw much more quickly and efficiently than if I’d done it as a kid, precisely because I know those things. Now I can decide I want to do something far beyond my current abilities, then go figure out how to do it. When I was just playing, that kind of ambition was impossible.

So, I played.

How did this affect my views on tech? Well, I didn’t… have any. Learning by playing tends to teach you things in an outward sprawl without many abrupt jumps to new areas, so you don’t tend to run up against conflicting information. The whole point of opinions is that they’re your own resolution to a conflict; without conflict, I can’t meaningfully say I had any opinions. I just accepted whatever I encountered at face value, because I didn’t even know enough to suspect there could be alternatives yet.

Act II

That started to seriously change around, I suppose, the end of high school and beginning of college. I was becoming aware of this whole “open source” concept. I took classes that used languages I wouldn’t otherwise have given a second thought. (One of them was Python!) I started to contribute to other people’s projects. Eventually I even got a job, where I had to work with other people. It probably also helped that I’d had to maintain my own old code a few times.

Now I was faced with conflicting subjective ideas, and I had to form opinions about them! And so I did. With gusto. Over time, I developed an idea of what was Right based on experience I’d accrued. And then I set out to always do things Right.

That’s served me decently well with some individual problems, but it also led me to inflict a lot of unnecessary pain on myself. Several endeavors languished for no other reason than my dissatisfaction with the architecture, long before the basic functionality was done. I started a number of “pure” projects around this time, generic tools like imaging libraries that I had no direct need for. I built them for the sake of them, I guess because I felt like I was improving some niche… but of course I never finished any. It was always in areas I didn’t know that well in the first place, which is a fine way to learn if you have a specific concrete goal in mind — but it turns out that building a generic library for editing images means you have to know everything about images. Perhaps that ambition went a little haywire.

I’ve said before that this sort of (self-inflicted!) work was unfulfilling, in part because the best outcome would be that a few distant programmers’ lives are slightly easier. I do still think that, but I think there’s a deeper point here too.

In forgetting how to play, I’d stopped putting any of myself in most of the work I was doing. Yes, building an imaging library is kind of a slog that someone has to do, but… I assume the people who work on software like PIL and ImageMagick are actually interested in it. The few domains I tried to enter and revolutionize weren’t passions of mine; I just happened to walk through the neighborhood one day and decided I could obviously do it better.

Not coincidentally, this was the same era of my life that led me to write stuff like that PHP post, which you may notice I am conspicuously not even linking to. I don’t think I would write anything like it nowadays. I could see myself approaching the same subject, but purely from the point of view of language design, with more contrasts and tradeoffs and less going for volume. I certainly wouldn’t lead off with inflammatory puffery like “PHP is a community of amateurs”.

Act III

I think I’ve mellowed out a good bit in the last few years.

It turns out that being Right is much less important than being Not Wrong — i.e., rather than trying to make something perfect that can be adapted to any future case, just avoid as many pitfalls as possible. Code that does something useful has much more practical value than unfinished code with some pristine architecture.

Nowhere is this more apparent than in game development, where all code is doomed to be crap and the best you can hope for is to stem the tide. But there’s also a fixed goal that’s completely unrelated to how the code looks: does the game work, and is it fun to play? Yes? Ship the damn thing and forget about it.

Games are also nice because it’s very easy to pour my own feelings into them and evoke feelings in the people who play them. They’re mine, something with my fingerprints on them — even the games I’ve built with glip have plenty of my own hallmarks, little touches I added on a whim or attention to specific details that I care about.

Maybe a better example is the Doom map parser I started writing. It sounds like a “pure” problem again, except that I actually know an awful lot about the subject already! I also cleverly (accidentally) released some useful results of the work I’ve done thusfar — like statistics about Doom II maps and a few screenshots of flipped stock maps — even though I don’t think the parser itself is far enough along to release yet. The tool has served a purpose, one with my fingerprints on it, even without being released publicly. That keeps it fresh in my mind as something interesting I’d like to keep working on, eventually. (When I run into an architecture question, I step back for a while, or I do other work in the hopes that the solution will reveal itself.)

I also made two simple Pokémon ROM hacks this year, despite knowing nothing about Game Boy internals or assembly when I started. I just decided I wanted to do an open-ended thing beyond my reach, and I went to do it, not worrying about cleanliness and willing to accept a bumpy ride to get there. I played, but in a more experienced way, invoking the stuff I know (and the people I’ve met!) to help me get a running start in completely unfamiliar territory.

This feels like a really fine distinction that I’m not sure I’m doing justice. I don’t know if I could’ve appreciated it three or four years ago. But I missed making toys, and I’m glad I’m doing it again.

In short, I forgot how to have fun with programming for a little while, and I’ve finally started to figure it out again. And that’s far more important than whether you use PHP or not.

Disney Ditching Netflix Keeps Piracy Relevant

Post Syndicated from Ernesto original https://torrentfreak.com/disney-ditching-netflix-keeps-piracy-relevant-170809/

There is little doubt that, in the United States, Netflix has become the standard for watching movies on the Internet.

The subscription service is responsible for a third of all Internet traffic during peak hours, dwarfing that of online piracy and other legal video platforms.

It’s safe to assume that Netflix-type streaming services are among the best and most convenient alternative to piracy at this point. There is a problem though. The whole appeal of the streaming model becomes diluted when there are too many ‘Netflixes.’

Yesterday, Disney announced that it will end its partnership with Netflix in 2019. The company is working on its own Disney-branded movie streaming platforms, where titles such as Frozen 2 and Toy Story 4 will end up in the future.

Disney titles are among the most-watched content on Netflix, and the company’s stock took a hit when the news came out. In a statement late yesterday, Disney CEO Bob noted that the company has a good relationship with Netflix but the companies will part ways at the end of next year.

At the moment no decision has been made on what happens to Lucasfilm and Marvel films, but these could find a new home as well. Marvel TV shows such as Jessica Jones and Luke Cage will reportedly stay at Netflix

Although Disney’s decision may be good for Disney, a lot of Netflix users are not going to be happy. It likely means that they need another streaming platform subscription to get what they want, which isn’t a very positive prospect.

In piracy discussions, Hollywood insiders often stress that people have no reason to pirate, as pretty much all titles are available online legally. What they don’t mention, however, is that users need access to a few dozen paid services, to access them all.

In a way, this fragmentation is keeping the pirate ecosystems intact. While legal streaming services work just fine, having dozens of subscriptions is expensive, and not very practical. Especially not compared to pirate streaming sites, where everything can be accessed on the same site.

The music business has a better model, or had initially. Services such as Spotify allowed fans to access most popular music in one place, although that’s starting to crumble as well, due to exclusive deals and more fragmentation.

Admittedly, for a no-name observer, it’s easy to criticize and point fingers. The TV and movie business is built on complicated licensing deals, where a single Netflix may not be able to generate enough revenue for an entire industry.

But there has to be a better way than simply adding more streaming platforms, one would think?

Instead of solely trying to stamp down on pirate sites, it might be a good idea to take a careful look at the supply side as well. At the moment, fragmentation is keeping pirate sites relevant.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Pirate Domain Blocking ‘Door’ Should Remain Open, RIAA Tells Court

Post Syndicated from Ernesto original https://torrentfreak.com/pirate-domain-blocking-door-should-remain-open-riaa-tells-court-170808/

As one of the leading CDN and DDoS protection services, Cloudflare is used by millions of websites across the globe.

This includes thousands of “pirate” sites which rely on the U.S.-based company to keep server loads down.

While Cloudflare is a neutral service provider, rightsholders are not happy with its role. The company has been involved in several legal disputes already, including the RIAA’s lawsuit against MP3Skull.

Last year the record labels won their case against the MP3 download portal but the site ignored the court order and continued to operate. This prompted the RIAA to go after third-party services including Cloudflare, to target associated domain names.

The RIAA demanded domain blockades, arguing that Cloudflare actively cooperated with the pirates. The CDN provider objected and argued that the DMCA shielded the company from the broad blocking requirements. In turn, the court ruled that the DMCA doesn’t apply in this case, opening the door to widespread anti-piracy filtering.

While it’s still to be determined whether Cloudflare is indeed “in active concert or participation” with MP3Skull, the company recently asked the court to vacate the order, arguing that the case is moot.

MP3Skull no longer has an active website, and previous domain names either never used Cloudflare or stopped using it long before the order was issued, the company argued.

The RIAA clearly disagrees. According to the music industry group, Cloudflare’s request relies on “misstatements.” The motion wasn’t moot when the court issued it in March, and it isn’t moot today, they argue.

Some MP3Skull domains were still actively using Cloudflare as recently as April, but Cloudflare failed to mention these.

“CloudFlare’s arguments to the contrary rely largely on misdirection, pointing to the status of domain names that expressly were not at issue in Plaintiffs’ motion,” the RIAA writes.

Even if all the domain names are no longer active on Cloudflare, the order should remain in place, the RIAA argues. The group points out that nothing is preventing the MP3Skull owners from relaunching the site and moving back to Cloudflare in the future.

“By its own admission, CloudFlare took no steps to prevent Defendants from using its services at any time. Given Defendants’ established practice of moving from domain to domain and from service to service throughout this case in contempt of this Court’s orders, Defendants could easily have resumed — and may tomorrow resume — their use of CloudFlare’s services.”

In addition, the RIAA stressed that the present ruling doesn’t harm Cloudflare at all. Since there are no active MP3Skull domains using the service presently, it need take no action.

“The March 23 Order does not require CloudFlare to do anything. All that Order did was to clarify that Rule 65, and not Section 512(j) of the DMCA, applied,” the RIAA stresses.

While it seems pointless to spend hours of legal counsel on a site that is no longer active, it shows the importance of the court’s ruling and the wider site blocking implications it has.

The RIAA wants to keep the door open for similar requests in the future, and Cloudflare wants to avoid any liability for pirate sites. These looming legal consequences are the main reason why the CDN provider asked the court to vacate the order, the RIAA notes.

“It is evident that the only reason why CloudFlare wants the Court to vacate its March 23 Order is that it does not like the Court’s ruling on the purely legal issue of Rule 65(d)’s scope,” the RIAA writes.

It is now up to the court to decide how to move forward. A decision on Cloudflare’s request is expected to be issued during the weeks to come.

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The RIAA’s full reply is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.