Tag Archives: mp3

Greater Transparency into Actions AWS Services Perform on Your Behalf by Using AWS CloudTrail

Post Syndicated from Ujjwal Pugalia original https://aws.amazon.com/blogs/security/get-greater-transparency-into-actions-aws-services-perform-on-your-behalf-by-using-aws-cloudtrail/

To make managing your AWS account easier, some AWS services perform actions on your behalf, including the creation and management of AWS resources. For example, AWS Elastic Beanstalk automatically handles the deployment details of capacity provisioning, load balancing, auto-scaling, and application health monitoring. To make these AWS actions more transparent, AWS adds an AWS Identity and Access Management (IAM) service-linked roles to your account for each linked service you use. Service-linked roles let you view all actions an AWS service performs on your behalf by using AWS CloudTrail logs. This helps you monitor and audit the actions AWS services perform on your behalf. No additional actions are required from you and you can continue using AWS services the way you do today.

To learn more about which AWS services use service-linked roles and log actions on your behalf to CloudTrail, see AWS Services That Work with IAM. Over time, more AWS services will support service-linked roles. For more information about service-linked roles, see Role Terms and Concepts.

In this blog post, I demonstrate how to view CloudTrail logs so that you can more easily monitor and audit AWS services performing actions on your behalf. First, I show how AWS creates a service-linked role in your account automatically when you configure an AWS service that supports service-linked roles. Next, I show how you can view the policies of a service-linked role that grants an AWS service permission to perform actions on your behalf. Finally, I  use the configured AWS service to perform an action and show you how the action appears in your CloudTrail logs.

How AWS creates a service-linked role in your account automatically

I will use Amazon Lex as the AWS service that performs actions on your behalf for this post. You can use Amazon Lex to create chatbots that allow for highly engaging conversational experiences through voice and text. You also can use chatbots on mobile devices, web browsers, and popular chat platform channels such as Slack. Amazon Lex uses Amazon Polly on your behalf to synthesize speech that sounds like a human voice.

Amazon Lex uses two IAM service-linked roles:

  • AWSServiceRoleForLexBots — Amazon Lex uses this service-linked role to invoke Amazon Polly to synthesize speech responses for your chatbot.
  • AWSServiceRoleForLexChannels — Amazon Lex uses this service-linked role to post text to your chatbot when managing channels such as Slack.

You don’t need to create either of these roles manually. When you create your first chatbot using the Amazon Lex console, Amazon Lex creates the AWSServiceRoleForLexBots role for you. When you first associate a chatbot with a messaging channel, Amazon Lex creates the AWSServiceRoleForLexChannels role in your account.

1. Start configuring the AWS service that supports service-linked roles

Navigate to the Amazon Lex console, and choose Get Started to navigate to the Create your Lex bot page. For this example, I choose a sample chatbot called OrderFlowers. To learn how to create a custom chatbot, see Create a Custom Amazon Lex Bot.

Screenshot of making the choice to create an OrderFlowers chatbot

2. Complete the configuration for the AWS service

When you scroll down, you will see the settings for the OrderFlowers chatbot. Notice the field for the IAM role with the value, AWSServiceRoleForLexBots. This service-linked role is “Automatically created on your behalf.” After you have entered all details, choose Create to build your sample chatbot.

Screenshot of the automatically created service-linked role

AWS has created the AWSServiceRoleForLexBots service-linked role in your account. I will return to using the chatbot later in this post when I discuss how Amazon Lex performs actions on your behalf and how CloudTrail logs these actions. First, I will show how you can view the permissions for the AWSServiceRoleForLexBots service-linked role by using the IAM console.

How to view actions in the IAM console that AWS services perform on your behalf

When you configure an AWS service that supports service-linked roles, AWS creates a service-linked role in your account automatically. You can view the service-linked role by using the IAM console.

1. View the AWSServiceRoleForLexBots service-linked role on the IAM console

Go to the IAM console, and choose AWSServiceRoleForLexBots on the Roles page. You can confirm that this role is a service-linked role by viewing the Trusted entities column.

Screenshot of the service-linked role

2.View the trusted entities that can assume the AWSServiceRoleForLexBots service-linked role

Choose the Trust relationships tab on the AWSServiceRoleForLexBots role page. You can view the trusted entities that can assume the AWSServiceRoleForLexBots service-linked role to perform actions on your behalf. In this example, the trusted entity is lex.amazonaws.com.

Screenshot of the trusted entities that can assume the service-linked role

3. View the policy attached to the AWSServiceRoleForLexBots service-linked role

Choose AmazonLexBotPolicy on the Permissions tab to view the policy attached to the AWSServiceRoleForLexBots service-linked role. You can view the policy summary to see that AmazonLexBotPolicy grants permission to Amazon Lex to use Amazon Polly.

Screenshot showing that AmazonLexBotPolicy grants permission to Amazon Lex to use Amazon Polly

4. View the actions that the service-linked role grants permissions to use

Choose Polly to view the action, SynthesizeSpeech, that the AmazonLexBotPolicy grants permission to Amazon Lex to perform on your behalf. Amazon Lex uses this permission to synthesize speech responses for your chatbot. I show later in this post how you can monitor this SynthesizeSpeech action in your CloudTrail logs.

Screenshot showing the the action, SynthesizeSpeech, that the AmazonLexBotPolicy grants permission to Amazon Lex to perform on your behalf

Now that I know the trusted entity and the policy attached to the service-linked role, let’s go back to the chatbot I created earlier and see how CloudTrail logs the actions that Amazon Lex performs on my behalf.

How to use CloudTrail to view actions that AWS services perform on your behalf

As discussed already, I created an OrderFlowers chatbot on the Amazon Lex console. I will use the chatbot and display how the AWSServiceRoleForLexBots service-linked role helps me track actions in CloudTrail. First, though, I must have an active CloudTrail trail created that stores the logs in an Amazon S3 bucket. I will use a trail called TestTrail and an S3 bucket called account-ids-slr.

1. Use the Amazon Lex chatbot via the Amazon Lex console

In Step 2 in the first section of this post, when I chose Create, Amazon Lex built the OrderFlowers chatbot. After the chatbot was built, the right pane showed that a Test Bot was created. Now, I choose the microphone symbol in the right pane and provide voice input to test the OrderFlowers chatbot. In this example, I tell the chatbot, “I would like to order some flowers.” The bot replies to me by asking, “What type of flowers would you like to order?”

Screenshot of voice input to test the OrderFlowers chatbot

When the chatbot replies using voice, Amazon Lex uses Amazon Polly to synthesize speech from text to voice. Amazon Lex assumes the AWSServiceRoleForLexBots service-linked role to perform the SynthesizeSpeech action.

2. Check CloudTrail to view actions performed on your behalf

Now that I have created the chatbot, let’s see which actions were logged in CloudTrail. Choose CloudTrail from the Services drop-down menu to reach the CloudTrail console. Choose Trails and choose the S3 bucket in which you are storing your CloudTrail logs.

Screenshot of the TestTrail trail

In the S3 bucket, you will find log entries for the SynthesizeSpeech event. This means that CloudTrail logged the action when Amazon Lex assumed the AWSServiceRoleForLexBots service-linked role to invoke Amazon Polly to synthesize speech responses for your chatbot. You can monitor and audit this invocation, and it provides you with transparency into Amazon Polly’s SynthesizeSpeech action that Amazon Lex invoked on your behalf. The applicable CloudTrail log section follows and I have emphasized the key lines.

{  
         "eventVersion":"1.05",
         "userIdentity":{  
           "type":"AssumedRole",
            "principalId":"{principal-id}:OrderFlowers",
            "arn":"arn:aws:sts::{account-id}:assumed-role/AWSServiceRoleForLexBots/OrderFlowers",
            "accountId":"{account-id}",
            "accessKeyId":"{access-key-id}",
            "sessionContext":{  
               "attributes":{  
                  "mfaAuthenticated":"false",
                  "creationDate":"2017-09-17T17:30:05Z"
               },
               "sessionIssuer":{  
                  "type":"Role",
                  "principalId":"{principal-id}",
                  "arn":"arn:aws:iam:: {account-id}:role/aws-service-role/lex.amazonaws.com/AWSServiceRoleForLexBots",
                  "accountId":"{account-id",
                  "userName":"AWSServiceRoleForLexBots"
               }
            },
            "invokedBy":"lex.amazonaws.com"
         },
         "eventTime":"2017-09-17T17:30:05Z",
         "eventSource":"polly.amazonaws.com",
         "eventName":"SynthesizeSpeech",
         "awsRegion":"us-east-1",
         "sourceIPAddress":"lex.amazonaws.com",
         "userAgent":"lex.amazonaws.com",
         "requestParameters":{  
            "outputFormat":"mp3",
            "textType":"text",
            "voiceId":"Salli",
            "text":"**********"
         },
         "responseElements":{  
            "requestCharacters":45,
            "contentType":"audio/mpeg"
         },
         "requestID":"{request-id}",
         "eventID":"{event-id}",
         "eventType":"AwsApiCall",
         "recipientAccountId":"{account-id}"
      }

Conclusion

Service-linked roles make it easier for you to track and view actions that linked AWS services perform on your behalf by using CloudTrail. When an AWS service supports service-linked roles to enable this additional logging, you will see a service-linked role added to your account.

If you have comments about this post, submit a comment in the “Comments” section below. If you have questions about working with service-linked roles, start a new thread on the IAM forum or contact AWS Support.

– Ujjwal

Stream Ripping Piracy Goes From Bad to Worse, Music Industry Reports

Post Syndicated from Ernesto original https://torrentfreak.com/stream-ripping-piracy-goes-from-bad-to-worse-music-industry-reports-170919/

Free music is easy to find nowadays. Just head over to YouTube and you can find millions of tracks including many of the most recent releases.

While the music industry profits from the advertisements on many of these videos, it’s not happy with the current state of affairs. Record labels complain about a “value gap” and go as far as accusing the video streaming platform of operating a DMCA protection racket.

YouTube doesn’t agree with this stance and points to the billions of dollars it pays copyright holders. Still, the music industry is far from impressed.

Today, IFPI has released a new music consumer insight report that highlights this issue once again, while pointing out that YouTube accounts for more than half of all music video streaming.

“User upload services, such as YouTube, are heavily used by music consumers and yet do not return fair value to those who are investing in and creating the music. The Value Gap remains the single biggest threat facing the music world today and we are campaigning for a legislative solution,” IFPI CEO Frances Moore writes.

The report also zooms in on piracy and “stream ripping” in particular, which is another YouTube and Google related issue. While this phenomenon is over a decade old, it’s now the main source of music piracy, the report states.

A survey conducted in the world’s leading music industry markets reveals that 35% of all Internet users are stream rippers, up from 30% last year. In total, 40% of all respondents admitted to obtaining unlicensed music.

35% stream ripping (source IFPI)

This means that the vast majority of all music pirates use stream ripping tools. This practice is particularly popular among those in the youngest age group, where more than half of all Internet users admit to ripping music, and it goes down as age increases.

Adding another stab at Google, the report further notes that more than half of all pirates use the popular search engine to find unlicensed music.

Stream rippers are young (source IFPI)

TorrentFreak spoke to former RIAA executive Neil Turkewitz, who has been very vocal about the stream ripping problem. He now heads his own consulting group that focuses on expanding economic cultural prosperity, particularly online.

Stream ripping is a “double whammy,” Turkewitz says, as it’s undermining both streaming and distribution markets. This affects the bottom line of labels and artists, so YouTube should do more to block stream rippers and converters from exploiting the service.

“YouTube and Alphabet talk of their commitment to expanding opportunities for creators. This is an opportunity to prove it,” Turkewitz informs TF.

“Surely the company that, as Eric Schmidt likes to say, ‘knows what people want before they know it’ has the capacity to develop tools to address problems that inhibit the development of a robust online market that sustains creators.”

While stream ripping remains rampant, there is a positive development the music industry can cling to.

Two weeks ago the major record labels managed to take down YouTube-MP3, the largest ripping site of all. While this is a notable success, there are many sites and tools like it that continue business as usual.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Astro Pi upgrades on the International Space Station

Post Syndicated from David Honess original https://www.raspberrypi.org/blog/astro-pi-upgrades/

In 2015, The Raspberry Pi Foundation built two space-hardened Raspberry Pi units, or Astro Pis, to run student code on board the International Space Station (ISS).

Astro Pi

A space-hardened Raspberry Pi

Astro Pi upgrades

Each school year we run an Astro Pi challenge to find the next generation of space scientists to program them. After the students have their code run in space, any output files are downloaded to ground and returned to them for analysis.

That download process was originally accomplished by an astronaut shutting down the Astro Pi, moving its micro SD card to a crew laptop and copying over the files manually. This used about 20 minutes of precious crew time.

space pi – Create, Discover and Share Awesome GIFs on Gfycat

Watch space pi GIF by sooperdave on Gfycat. Discover more GIFS online on Gfycat

Last year, we passed the qualification to allow the Astro Pi computers to be connected to the Local Area Network (LAN) on board the ISS. This allows us to remotely access them from the ground, upload student code and download the results without having to involve the crew.

This year, we have been preparing a new payload to upgrade the operational capabilities of the Astro Pi units.

The payload consists of the following items:

  • 2 × USB WiFi dongles
  • 5 × optical filters
  • 4 × 32GB micro SD cards

Before anyone asks – no, we’re not going outside into the vacuum of space!

USB WiFi dongle

Currently both Astro Pi units are located in the European Columbus module. They’re even visible on Google Street View (pan down and right)! You can see that we’ve created a bit of a bird’s nest of wires behind them.

Astro Pi

The D-Link DWA-171

The decision to add WiFi capability is partly to clean up the cabling situation, but mainly so that the Astro Pi units can be deployed in ISS locations other than the Columbus module, where we won’t have access to an Ethernet switch.

The Raspberry Pi used in the Astro Pi flight units is the B+ (released in 2014), which does not have any built in wireless connectivity, so we need to use a USB dongle. This particular D-Link dongle was recommended by the European Space Agency (ESA) because a number of other payloads are already using it.

Astro Pi

An Astro Pi unit with WiFi dongle installed

Plans have been made for one of the Astro Pi units to be deployed on an Earth-facing window, to allow Earth-observation student experiments. This is where WiFi connectivity will be required to maintain LAN access for ground control.

Optical filters

With Earth-observation experiments in mind, we are also sending some flexible film optical filters. These are made from the same material as the blue square which is shipped with the Pi NoIR camera module, as noted in this post from when the product was launched. You can find the data sheet here.

Astro Pi

Rosco Roscalux #2007 Storaro Blue

To permit the filter to be easily attached to the Astro Pi unit, the film is laser-cut to friction-fit onto the 12 inner heatsink pins on the base, so that the camera aperture is covered.

Astro Pi

Laser cutting at Makespace

The laser-cutting work was done right here in Cambridge at Makespace by our own Alex Bate, and local artist Diana Probst.

Astro Pi

An Astro Pi with the optical filter installed

32GB micro SD cards

A consequence of running Earth observation experiments is a dramatic increase in the amount of disk space needed. To avoid a high frequency of commanding windows to download imagery to ground, we’re also flying some larger 32GB micro SD cards to replace the current 8GB cards.

Astro Pi

The Samsung Evo MB-MP32DA/EU

This particular type of micro SD card is X-ray proof, waterproof, and resistant to magnetism and heat. Operationally speaking there is no difference, other than the additional available disk space.

Astro Pi

An Astro Pi unit with the new micro SD card installed

The micro SD cards will be flown with a security-hardened version of Raspbian pre-installed.

Crew activities

We have several crew activities planned for when this payload arrives on the ISS. These include the installation of the upgrade items on both Astro Pi units; moving one of the units from Columbus to an earth-facing window (possibly in Node 2); and then moving it back a few weeks later.

Currently it is expected that these activities will be carried out by German ESA astronaut Alexander Gerst who launches to the ISS in November (and will also be the ISS commander for Expedition 57).

Payload launch

We are targeting a January 2018 launch date for the payload. The exact launch vehicle is yet to be determined, but it could be SpaceX CRS 14. We will update you closer to the time.

Questions?

If you have any questions about this payload, how an item works, or why that specific model was chosen, please post them in the comments below, and we’ll try to answer them.

The post Astro Pi upgrades on the International Space Station appeared first on Raspberry Pi.

Music Industry Urges YouTube to Block Stream Rippers

Post Syndicated from Ernesto original https://torrentfreak.com/music-industry-urges-youtube-to-block-stream-rippers-170911/

With over a billion users, YouTube is the largest video portal on the Internet.

The site is a blessing to thousands of content creators, but there are also concerns among rightsholders. The music industry, in particular, is not happy with the fact that music can easily be ripped from the site through external services.

Last week the major record labels managed to take out YouTube-MP3, the largest ripping site of all. Still, there are many like it that continue business as usual. For many music industry insiders, who see streamripping as one of the largest piracy threats, this is a constant source of frustration.

In the UK, music industry group BPI worked hard to tackle the issue proactively. Last year the organization already signed an agreement with YouTube-MP3 to block UK traffic. This limited the availability of the site locally, but the group believes that YouTube itself should take responsibility as well.

Geoff Taylor, BPI’s Chief Executive, tells TorrentFreak that they, and several other industry groups, have asked YouTube to step up to help solve this problem.

“BPI and other music industry bodies have been urging YouTube for several years to take effective action to block access to its servers for stream ripping sites, which infringe copyright on a huge scale and also breach YouTube’s terms of service.

“There are more steps YouTube could take to prevent stream ripping but so far the music community has been forced to pursue the stream ripping sites directly,” Taylor adds.

BPI is not alone in its criticism. After we broke the story last Monday, many reports followed, including an opinion piece on the industry outlet Hypebot asking why YouTube didn’t take more responsibility. In the comment section, long-time RIAA executive Neil Turkewitz, who left the organization a few weeks ago, came in with a strong opinion.

“This is something that Google/YouTube should have handled on its own. They were well aware of it, and didn’t need RIAA to step up to identify it as problematic,” Turkewitz notes.

The former RIAA exec speaks freely on the issue in his new role. He is now the head of his own Turkewitz Consulting Group, which fittingly focuses on expanding accountability in the Internet ecosystem.

“I should add, sadly, that Google is still steering people to stream rippers through auto-complete. If you search ‘YouTube,’ one of the first auto-complete recommendations you get is “YouTube to MP3!” Turkewitz states.

“C’mon Google, what’s with that? Not only have they not disabled access to available stream rippers, but they are driving traffic to them. That is inexcusable,” he adds.

Google’s “suggestions”

In YouTube’s defense, the company isn’t completely apathetic when it comes to the stream-ripping problem. They have threatened legal action against YouTube-MP3 and similar sites in the past and implemented some restrictive measures. Still, they never went to court and, restrictions or not, the problem didn’t go away.

TorrentFreak contacted YouTube to hear their stance on the issue, but at the time of publication we haven’t heard back.

While many of the frustrations are not played out in public, it is clear that the stream-ripping problems further complicate the relationship between the labels and YouTube’s parent company Google.

In recent years, rightsholders have called out Google on many occasions over copyright-infringing content on YouTube, in their search engine results, and on their cloud hosting services. While the company has made several changes to accommodate the concerns, the critique hasn’t gone away.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

YouTube-MP3 Settles With RIAA, Site Will Shut Down

Post Syndicated from Ernesto original https://torrentfreak.com/youtube-mp3-settles-with-riaa-site-will-shut-down-170904/

With millions of visitors per day, YouTube-MP3.org is one of the most visited websites on the Internet.

The site allows its visitors to convert YouTube videos to MP3 files, which they can then listen to where and whenever they want. The music industry sees such “stream ripping” sites as a serious threat to its revenues, worse than traditional pirate sites.

In an attempt to do something about it, a coalition of record labels, represented by the RIAA, took YouTube-MP3 to court last year.

A complaint filed in a California federal court accused the site’s operator of various types of copyright infringement. In addition, the labels accused the site of circumventing YouTube’s copying protection mechanism, violating the DMCA.

“Through the promise of illicit delivery of free music, Defendants have attracted millions of users to the [YouTube-MP3] website, which in turn generates advertising revenues for Defendants,” the labels complained.

Today, a year later, both parties have settled their differences. While there haven’t been many updates in the court docket, a recent filing states that both parties have agreed to a settlement.

The details of the deal are not public, but YouTube-MP3 is willing to take all the blame. In a proposed final judgment, both parties ask the court to rule in favor of the labels on all counts of the complaint. In addition, the site’s owner Philip Matesanz agreed to pay a settlement amount.

On all counts

In addition to the order, a proposed injunction will prohibit the site’s operator from “knowingly designing, developing, offering, or operating any technology or service that allows or facilitates the practice commonly known as “streamripping,” or any other type of copyright infringement for that matter.

This injunction, which RIAA and YouTube-MP3 both agreed on, also states that the site’s domain name will be handed over to one of the record labels.

“Defendants are ordered to transfer the domain name www.youtube-mp3.org to the Plaintiff identified in, and in accordance with the terms of, the confidential Settlement Agreement among the parties,” it reads.

If the owner refuses to comply, the registrar will be ordered to sign over the domain name, which means that there’s no escaping.

While the court has yet to sign the proposed judgment and injunction (pdf), it is clear that YouTube-MP3 has thrown in the towel and will shut down. At the time of writing the site remains online, but this likely won’t be for long.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Pirate Domain Blocking ‘Door’ Should Remain Open, RIAA Tells Court

Post Syndicated from Ernesto original https://torrentfreak.com/pirate-domain-blocking-door-should-remain-open-riaa-tells-court-170808/

As one of the leading CDN and DDoS protection services, Cloudflare is used by millions of websites across the globe.

This includes thousands of “pirate” sites which rely on the U.S.-based company to keep server loads down.

While Cloudflare is a neutral service provider, rightsholders are not happy with its role. The company has been involved in several legal disputes already, including the RIAA’s lawsuit against MP3Skull.

Last year the record labels won their case against the MP3 download portal but the site ignored the court order and continued to operate. This prompted the RIAA to go after third-party services including Cloudflare, to target associated domain names.

The RIAA demanded domain blockades, arguing that Cloudflare actively cooperated with the pirates. The CDN provider objected and argued that the DMCA shielded the company from the broad blocking requirements. In turn, the court ruled that the DMCA doesn’t apply in this case, opening the door to widespread anti-piracy filtering.

While it’s still to be determined whether Cloudflare is indeed “in active concert or participation” with MP3Skull, the company recently asked the court to vacate the order, arguing that the case is moot.

MP3Skull no longer has an active website, and previous domain names either never used Cloudflare or stopped using it long before the order was issued, the company argued.

The RIAA clearly disagrees. According to the music industry group, Cloudflare’s request relies on “misstatements.” The motion wasn’t moot when the court issued it in March, and it isn’t moot today, they argue.

Some MP3Skull domains were still actively using Cloudflare as recently as April, but Cloudflare failed to mention these.

“CloudFlare’s arguments to the contrary rely largely on misdirection, pointing to the status of domain names that expressly were not at issue in Plaintiffs’ motion,” the RIAA writes.

Even if all the domain names are no longer active on Cloudflare, the order should remain in place, the RIAA argues. The group points out that nothing is preventing the MP3Skull owners from relaunching the site and moving back to Cloudflare in the future.

“By its own admission, CloudFlare took no steps to prevent Defendants from using its services at any time. Given Defendants’ established practice of moving from domain to domain and from service to service throughout this case in contempt of this Court’s orders, Defendants could easily have resumed — and may tomorrow resume — their use of CloudFlare’s services.”

In addition, the RIAA stressed that the present ruling doesn’t harm Cloudflare at all. Since there are no active MP3Skull domains using the service presently, it need take no action.

“The March 23 Order does not require CloudFlare to do anything. All that Order did was to clarify that Rule 65, and not Section 512(j) of the DMCA, applied,” the RIAA stresses.

While it seems pointless to spend hours of legal counsel on a site that is no longer active, it shows the importance of the court’s ruling and the wider site blocking implications it has.

The RIAA wants to keep the door open for similar requests in the future, and Cloudflare wants to avoid any liability for pirate sites. These looming legal consequences are the main reason why the CDN provider asked the court to vacate the order, the RIAA notes.

“It is evident that the only reason why CloudFlare wants the Court to vacate its March 23 Order is that it does not like the Court’s ruling on the purely legal issue of Rule 65(d)’s scope,” the RIAA writes.

It is now up to the court to decide how to move forward. A decision on Cloudflare’s request is expected to be issued during the weeks to come.

The RIAA’s full reply is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Darth Beats: Star Wars LEGO gets a musical upgrade

Post Syndicated from Janina Ander original https://www.raspberrypi.org/blog/darth-beats/

Dan Aldred, Raspberry Pi Certified Educator and creator of the website TeCoEd, has built Darth Beats by managing to fit a Pi Zero W and a Pimoroni Speaker pHAT into a LEGO Darth Vader alarm clock! The Pi force is strong with this one.

Darth Beats MP3 Player

Pimoroni Speaker pHAT and Raspberry Pi Zero W embedded into a Lego Darth Vader Alarm clock to create – “Darth Beats MP3 Player”. Video demonstrating all the features and functions of the project. Alarm Clock – https://goo.gl/VSMhG4 Speaker pHAT – https://shop.pimoroni.com/products/speaker-phat

Darth Beats inspiration: I have a very good feeling about this!

As we all know, anything you love gets better when you add something else you love: chocolate ice cream + caramel sauce, apple tart + caramel sauce, pizza + caramel sau— okay, maybe not anything, but you get what I’m saying.

The formula, in the form of “LEGO + Star Wars”, applies to Dan’s LEGO Darth Vader alarm clock. His Darth Vader, however, was sitting around on a shelf, just waiting to be hacked into something even cooler. Then one day, inspiration struck: Dan decided to aim for exponential awesomeness by integrating Raspberry Pi and Pimoroni technology to turn Vader into an MP3 player.

Darth Beats assembly: always tell me the mods!

The space inside the LEGO device measures a puny 6×3×3 cm, so cramming in the Zero W and the pHAT was going to be a struggle. But Dan grabbed his dremel and set to work, telling himself to “do or do not. There is no try.”

Darth Beats dremel

I find your lack of space disturbing.

He removed the battery compartment, and added two additional buttons in its place. Including the head, his Darth Beats has seven buttons, which means it is fully autonomous as a music player.

Darth Beats back buttons

Almost ready to play a silly remix of Yoda quotes

Darth Beats can draw its power from a wall socket, or from a portable battery pack, as shown in Dan’s video. Dan used the GPIO Zero Python library to set up ‘on’ and ‘off’ switches, and buttons for skipping tracks and controlling volume.

For more details on the build process, read his blog, and check out his video log:

Making Darth Beats

Short video showing you how I created the “Darth Beats MP3 Player”.

Accessing Darth Beats: these are the songs you’re looking for

When you press the ‘on’ switch, the Imperial March sounds before Darth Beats asks “What is thy bidding, my master?”. Then the device is ready to play music. Dan accomplished this by using Cron to run his scripts as soon as the Zero W boots up. MP3 files are played with the help of the Pygame library.

Of course, over time it would become boring to only be able to listen to songs that are stored on the Zero W. However, Dan got around this issue by accessing the Zero W remotely. He set up an online file upload system to add and remove MP3 files from the player. To do this, he used Droopy, an file sharing server software package written by Pierre Duquesne.

IT’S A TRAP!

There’s no reason to use this quote, but since it’s the Star Wars line I use most frequently, I’m adding it here anyway. It’s my post, and I can do what I want!

As you can imagine, there’s little that gets us more excited at Pi Towers than a Pi-powered Star Wars build. Except maybe a Harry Potter-themed project? What are your favourite geeky builds? Are you maybe even working on one yourself? Be sure to send us nerdy joy by sharing your links in the comments!

The post Darth Beats: Star Wars LEGO gets a musical upgrade appeared first on Raspberry Pi.

Tijuana Rick’s 1969 Wurlitzer Jukebox revitalisation

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/1969-wurlitzer-jukebox/

After Tijuana Rick’s father-in-law came by a working 1969 Wurlitzer 3100 jukebox earlier this year, he and Tijuana Rick quickly realised they lacked the original 45s to play on it. When they introduced a Raspberry Pi 3 into the mix, this was no longer an issue.

1969 Wurlitzer 3100

Restored and retrofitted Jukebox with Arduino and Raspberry Pi

Tijuana Rick

Yes, I shall be referring to Rick as Tijuana Rick throughout this blog post. Be honest, wouldn’t you if you were writing about someone whose moniker is Tijuana Rick?

Wurlitzer

The Wurlitzer jukebox has to be one of the classic icons of Americana. It evokes images of leather-booth-lined diners filled with rock ‘n’ roll music and teddy-haired bad boys eyeing Cherry Cola-sipping Nancys and Sandys across the checkered tile floor.

Raspberry Pi Wurlitzer

image courtesy of Ariadna Bach

With its brightly lit exterior and visible record-changing mechanism, the Wurlitzer is more than just your average pub jukebox. I should know: I have an average pub jukebox in my house, and although there’s some wonderfully nostalgic joy in pressing its buttons to play my favourite track, it’s not a Wurlitzer.

Raspberry Pi Wurlitzer

Americana – exactly what it says on the tin jukebox

The Wurlitzer company was founded in 1853 by a German immigrant called – you guessed it – Rudolf Wurlitzer, and at first it imported stringed instruments for the U.S. military. When the company moved from Ohio to New York, it expanded its production range to electric pianos, organs, and jukeboxes.

And thus ends today’s history lesson.

Tijuana Rick and the Wurlitzer

Since he had prior experience in repurposing physical switches for digital ends, Tijuana Rick felt confident that he could modify the newly acquired jukebox to play MP3s while still using the standard, iconic track selection process.

Raspberry Pi Wurlitzer

In order to do this, however, he had to venture into brand-new territory: mould making. Since many of the Wurlitzer’s original buttons were in disrepair, Tijuana Rick decided to try his hand at making moulds to create a set of replacements. Using an original button, he made silicone moulds, and then produced perfect button clones in exactly the right shade of red.

Raspberry Pi Wurlitzer

Then he turned to the computing side of the project. While he set up an Arduino Mega to control the buttons, Tijuana Rick decided to use a Raspberry Pi to handle the audio playback. After an extensive online search for code inspiration, he finally found this script by Thomas Sprinkmeier and used it as the foundation for the project’s software.

More images and video of the build can be found on Tijuana Rick’s website.

Fixer-uppers

We see a lot of tech upgrades and restorations using Raspberry Pis, from old cameras such as this Mansfield Holiday Zoom, and toys like this beloved Teddy Ruxpin, to… well… dinosaurs. If a piece of retro tech has any room at all for a Pi or a Pi Zero, someone in the maker community is bound to give it a 21st century overhaul.

What have been your favourite Pi retrofit projects so far? Have you seen a build that’s inspired you to restore or recreate something from your past? Got any planned projects or successful hacks? Make sure to share them in the comments below!

The post Tijuana Rick’s 1969 Wurlitzer Jukebox revitalisation appeared first on Raspberry Pi.

Cloudflare Wants to Eliminate ‘Moot’ Pirate Site Blocking Threat

Post Syndicated from Ernesto original https://torrentfreak.com/cloudflare-asks-court-to-vacate-moot-pirate-site-blocking-order-170724/

Representing various major record labels, the RIAA filed a lawsuit against MP3Skull in 2015.

With millions of visitors per month the MP3 download site had been one of the prime sources of pirated music for a long time.

Last year a Florida federal court sided with the RIAA, awarding the labels more than $22 million in damages. In addition, it issued a permanent injunction which allowed the RIAA to take over the site’s domain names.

Despite the multi-million dollar verdict, MP3Skull continued to operate using a variety of new domain names, which were subsequently targeted by the RIAA’s legal team. As the site refused to shut down, the RIAA eventually moved up the chain targeting CDN provider Cloudflare with the permanent injunction.

The RIAA argued that Cloudflare was operating “in active concert or participation” with the pirates. Cloudflare objected and argued that the DMCA shielded the company from the broad blocking requirements. However, the court ruled that the DMCA doesn’t apply in this case, opening the door to widespread anti-piracy filtering.

The court stressed that, before issuing an injunction against Cloudflare, it still had to be determined whether the CDN provider is “in active concert or participation” with the pirate site. However, this has yet to happen. Since MP3Skull has ceased its operations the RIAA has shown little interest in pursuing the matter any further.

Cloudflare now wants the dangerous anti-piracy filtering order to be thrown out. The company submitted a motion to vacate the order late last week, arguing that the issue is moot. In fact, it has been for a while for some of the contended domain names.

The CDN provider says it researched the domain names listed in the injunction and found that only three of the twenty domains used Cloudflare’s services at the time the RIAA asked the court to clarify its order. Some had never used CloudFlare’s services at all, they say.

“Indeed, six domains – including five of the so-called ‘Active MP3Skull Domains’ in the amended injunction – had never used Cloudflare services at all. And the remaining eleven had stopped using Cloudflare before Plaintiffs brought their motion, in some cases long before Plaintiffs filed suit,” Cloudflare writes.

“Every domain Plaintiffs identified had stopped using Cloudflare by December 2016, without any independent or affirmative action by Cloudflare. Yet Plaintiffs made no effort to inform the Court of the mootness of their ’emergency’ motion in the three months before the Court issued its Order.”

Cloudflare’s research

Making the matter even worse, several of the domain names listed in the injunction were owned by the record labels, when the RIAA tried to have Cloudflare block them.

“Moreover, Cloudflare’s investigation revealed that that Plaintiff Sony Music Entertainment itself owned seven of the twenty domains months as of the time Plaintiffs brought their motion, and Sony acquired one more domain shortly after.”

The latter is due to the seizure order, which was also granted by the court. However, according to Cloudflare, the RIAA failed to inform the court about these and several other changes.

“Plaintiffs did not inform the Court of the mootness of their motion against Cloudflare,” the company writes.

Since the RIAA was not entirely upfront, and the issue is no longer relevant, Cloudflare is now asking the court to vacate the order. This will push the looming piracy blocking obligations aside, which could otherwise come back to haunt the company in the future.

The RIAA has yet to reply to CloudFlare’s request, but they would likely want to keep the order in place. There’s always a tiny chance that MP3Skull might arise from the ashes, and they would want to be prepared should that be the case.

Cloudflare’s full motion is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Just How Risky is Internet Piracy in 2017?

Post Syndicated from Andy original https://torrentfreak.com/just-how-risky-is-internet-piracy-in-2017-170715/

The world’s largest entertainment companies in the spheres of music, movies, and gaming would jump for joy if the Internet piracy phenomenon came to a crashing halt tomorrow. (Spoiler: it won’t)

As a result, large sums of money are expended every day in an effort to keep unlawful distribution under control. Over the years there have been many strategies and several of these have involved targeting end users.

The world is a very big place and the tackling of piracy differs from region to region, but what most consumers of unauthorized media want to know is whether they’re putting themselves at risk.

The short answer is that no matter where people are, there is always some level of risk attached to obtaining and using pirate content. The long answer is more nuanced.

BitTorrent and other P2P protocols

By its very nature, using BitTorrent to access copyrighted content comes with a risk. Since downloaders are also distributors and their IP addresses are necessarily public, torrent users are extremely easy to track. In fact, with a minimum of equipment, any determined rightsholder is able spot and potentially uncover the identity of a file-sharer.

But while basic BitTorrent sharing gets a 0/10 for privacy, that’s a bit like saying that a speeding car gets 0/10 for stealth. Like the speeding car, anyone can see the pirating torrent user, but the big question is whether there’s anyone around who intends to do anything about it.

The big surprise in 2017 is that users are still statistically unlikely to face any consequences.

In the United States, for example, where copyright trolling can be a serious issue for those who get caught up in the net, the problem still only affects a tiny, tiny proportion of pirates. A one percent risk of getting snared would be overstating the risk but these are still odds that any gambler would be happy to take.

Surprisingly, pirates are also less likely to encounter a simple friendly warning than they were last year too. The “Six Strikes” Copyright Alerts System operated by the MPAA and RIAA, that set out to advise large volumes of pirates using notices sent via their ISPs, was discontinued in January. Those behind it gave in, for reasons unknown.

This means that millions of torrent users – despite exposing their IP addresses in public while sharing copyrighted content – are doing so without significant problems. Nevertheless, large numbers are also taking precautions, by using anonymization technologies including VPNs.

That’s not to say that their actions are legal – they’re not – but outside the few thousand people caught up in trolls’ nets each year, the vast and overwhelming majority of torrent users (which number well over 100 million) are pirating with impunity.

In the UK, not even trolling is a problem anymore. After a few flurries that seemed to drag on longer than they should, copyright trolls appear to have left the country for more lucrative shores. No cases have gone through the courts in recent times which means that UK users are torrenting pretty much whatever they like, with no legal problems whatsoever.

It’s important to note though, that their actions aren’t going unnoticed. Unlike the United States, the UK has a warning system in place. This means that a few thousand customers of a handful of ISPs are receiving notices each month informing them that their piratey behavior has been monitored by an entertainment company.

Currently, however, there are no punishments for those who are ‘caught’, even when they’re accused of pirating on a number of occasions. At least so far, it seems that the plan is to worry pirates into submission and in some cases that will probably work. Nevertheless, things can easily change when records are being kept on this scale.

Germany aside (which is overrun with copyright trolling activity), a handful of other European countries have also endured relatively small troll problems (Finland, Sweden, Denmark) but overall, file-sharers go about their business as usual across the continent. There are no big projects in any country aiming to punish large numbers of BitTorrent users and only France has an active warning notice program.

Canada and Australia have also had relatively small problems with copyright trolls (the former also has a fairly toothless ISP warning system) but neither country is considered a particularly ‘dangerous’ place to share files using BitTorrent. Like the United States, UK, and Europe, the chances of getting prosecuted for infringement are very small indeed.

Why such little enforcement?

There are a number of reasons for the apparent lack of interest in BitTorrent users but a few bubble up to the top. Firstly, there’s the question of resources required to tackle millions of users. Obviously, some scare tactics could be deployed by hitting a few people hard, but it feels like most companies have moved beyond that thinking.

That’s partly due to the more recent tendency of entertainment groups and governments to take a broader view of infringement, hitting it at its source by strangling funds to pirate sites, hitting their advertisers, blocking their websites, and attempting to forge voluntary anti-piracy schemes with search engines.

It’s also worth noting that huge numbers of people are routinely protecting themselves with VPN-like technology, which allows them to move around the Internet with much improved levels of privacy. Just recently, anti-piracy outfit Rightscorp partly blamed this for falling revenues.

Importantly, however, the nature of infringement has been changing for some time too.

A few years ago, most people were getting their movies and music from torrent sites but now they’re more likely to be obtaining their fix from a streaming source. Accessing the top blockbusters via a streaming site (perhaps via Kodi) is for the most part untraceable, as is grabbing music from one of the hundreds of MP3 portals around today.

But as recent news revealed, why bother with ‘pirate’ sites when people can simply rip music from sites like YouTube?

So-called stream-ripping is now blamed for huge swathes of piracy and as a result, torrent sites get far fewer mentions from anti-piracy groups than they did before.

While still a thorn in their side, it wouldn’t be a stretch to presume that torrent sites are no longer considered the primary problem they once were, at least in respect of music. Now, the ‘Value Gap‘ is more of a headache.

So, in a nutshell, the millions of people obtaining and sharing copyrighted content using BitTorrent are still taking some risks in every major country, and those need to be carefully weighed.

The activity is illegal almost everywhere, punishable in both civil and criminal courts, and has the potential to land people with big fines and even a jail sentence, if the scale of sharing is big enough.

In truth, however, the chances of the man in the street getting caught are so slim that many people don’t give the risks a second thought. That said, even people who drive 10mph over the limit get caught once in a while, so those that want to keep a clean sheet online often get a VPN and reduce the risks to almost 0%.

For people who stream, life is much less complicated. Streaming movies, TV shows or music from an illicit source is untraceable by any regular means, which up to now has made it almost 100% safe. Notably, there hasn’t been a single prosecution of a user who streamed infringing content anywhere in the world. In the EU it is illegal though, so something might happen in future, potentially…..possibly…..at some point….maybe.

And here’s the thing. While this is the general position today, the ‘market’ is volatile and has the ability to change quickly. A case could get filed in the US or UK next week, each targeting 50,000 BitTorrent users for downloading something that came out months ago. Nobody knows for sure so perhaps the best analogy is the one drummed into kids during high-school sex education classes.

People shouldn’t put themselves at risk at all but if they really must, they should take precautions. If they don’t, they could easily be the unlucky one and that is nearly always miserable.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Google Removed 2.5 Billion ‘Pirate’ Search Results

Post Syndicated from Ernesto original https://torrentfreak.com/google-removed-2-5-billion-pirate-search-results-170706/

Google is coping with a continuous increase in takedown requests from copyright holders, which target pirate sites in search results.

Just a few years ago the search engine removed ‘only’ a few thousand URLs per day, but this has since grown to millions. When added up, the numbers are truly staggering.

In its transparency report, Google now states that it has removed 2.5 billion reported links for alleged copyright infringement. This is roughly 90 percent of all requests the company received.

The chart below breaks down the takedown requests into several categories. In addition to the URLs that were removed, the search engine also received 154 million duplicate URLs and 25 million invalid URLs.

Another 80 million links remain in search results because they can’t be classified as copyright infringing, according to Google.

Google’s takedown overview

The 2.5 billion removed links are spread out over 1.1 million websites. File-storage service 4shared takes the crown with 64 million targeted URLs, followed at a distance by mp3toys.xyz, rapidgator.net, uploaded.net, and chomikuj.pl.

While rightsholders have increased their takedown efforts over the years, the major entertainment industry groups are still not happy with the current state of Google’s takedown process.

One of the main complaints has been that content which Google de-lists often reappears under new URLs.

“They need to take more proactive responsibility to reduce infringing content that appears on their platform, and, where we expressly notify infringing content to them, to ensure that they do not only take it down, but also keep it down,” a BPI spokesperson told us last month.

Ideally, rightsholders would like Google to ensure that content “stays down” while blocking the most notorious pirate sites from search results entirely. Known ‘pirate’ sites such as The Pirate Bay have no place in search results, they argue.

Google, however, believes such broad measures will lead to all sorts of problems, including over-blocking, and maintains that the current system is working as the DMCA was intended.

The search engine did implement various other initiatives to counter piracy, including the downranking of pirate sites and promoting legal options in search results, which it details in its regularly updated “How Google Fights Piracy” report.

In addition, Google and various rightsholders have signed a voluntary agreement to address “domain hopping” by pirate sites and share data to better understand how users are searching for content. For now, however, this effort is limited to the UK.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

2017-05-19

Post Syndicated from Vasil Kolev original https://vasil.ludost.net/blog/?p=3355

Кратък status report.

Ба’ал^W^WИгнатчо е добре. Ние успяваме да поспим. Разни интересни факти:

– Бюрокрацията изглежда сравнително малко, поне за момента, или аз съм привикнал. Взех му вече акта за раждане (т.е. има си и ЕГН), официално си има личен лекар и можах да си подам молбата за отпуска по бащинство.
– Сравнително лесно се прави генератор за бял шум от преносима колонка, mp3 player и 5 часово mp3 с белия шум, взето от youtube. Някой ми спомена, че можело с някаква електроника, но аз поялнишките неща не ги разбирам. Bonus на mp3-то – мястото за повиване на малкия е точно до едната от колонките, вързани в desktop-а ми, съответно лесно се създава успокояващ фон 🙂
– Когато contraption-а не работи, може белия шум да се пуска и от таблета.
– Контролируема от таблет лампа помага да се пуска слаба светлина нощем за разни цели и изобщо за вършене на дейности без да се става от леглото.
– По подобен начин с едно приложение следим потребление на пелени, количество сън и такива неща. В началото се опитвах да ги записвам, ама определено не ми се получаваше.
– Видео-бебефонът също много помага – най-вече на мен, да знам кога да ходя да помагам в смяна на памперс.
– Много е сладък, като не реве.
– Има и други забавни моменти, например докато пълни звучно памперса да му викаш “Давай, сине!”
– Има и невероятно приспивно действие. Миналия ден, въпреки че се бяхме наспали, следобеда му ударихме и тримата една дрямка.

Като цяло преживяването до тук прилича на поддръжка на high-risk система със сравнително ясни проблеми и без инструментариум за автоматизация (иначе къпането, смяната на памперси и още няколко неща щяха да са скриптирани). От друга страна сме двама и успяваме да си поделим добре отговорностите, ако вкараме и някакво прилично количество социален живот да не полудеем изцяло (и да си работя един ден от седмицата вкъщи, за да помагам, след като ми свърши бащинството), засега нещата изглеждат нормално страшни.
(до тук най-страшният ми ден беше тоя с махмурлука, след като поляхме Игнатчо)

p.s. утре в initLab има BGP workshop, за който се интересува (аз нямам как да ида)

Spotify’s Beta Used ‘Pirate’ MP3 Files, Some From Pirate Bay

Post Syndicated from Andy original https://torrentfreak.com/spotifys-beta-used-pirate-mp3-files-some-from-pirate-bay-170509/

While some pirates will probably never be tempted away from the digital high seas, over the past decade millions have ditched or tapered down their habit with the help of Spotify.

It’s no coincidence that from the very beginning more than a decade ago, the streaming service had more than a few things in common with the piracy scene.

Spotify CEO Daniel Ek originally worked with uTorrent creator Ludvig ‘Ludde’ Strigeus before the pair sold to BitTorrent Inc. and began work on Spotify. Later, the company told TF that pirates were their target.

“Spotify is a new way of enjoying music. We believe Spotify provides a viable alternative to music piracy,” the company said.

“We think the way forward is to create a service better than piracy, thereby converting users into a legal, sustainable alternative which also enriches the total music experience.”

The technology deployed by Spotify was also familiar. Like the majority of ‘pirate’ platforms at the time, Spotify operated a peer-to-peer (P2P) system which grew to become one of the largest on the Internet. It was shut down in 2011.

But in the clearest nod to pirates, Spotify was available for free, supported by ads if the user desired. This was the platform’s greatest asset as it sought to win over a generation that had grown accustomed to gorging on free MP3s. Interestingly, however, an early Pirate Bay figure has now revealed that Spotify also had a use for the free content floating around the Internet.

As one of the early members of Sweden’s infamous Piratbyrån (piracy bureau), Rasmus Fleischer was also one of key figures at The Pirate Bay. Over the years he’s been a writer, researcher, debater and musician, and in 2012 he finished his PhD thesis on “music’s political economy.”

As part of a five-person team, Fleischer is now writing a book about Spotify. Titled ‘Spotify Teardown – Inside the Black Box of Streaming Music’, the book aims to shine light on the history of the famous music service and also spills the beans on a few secrets.

In an interview with Sweden’s DI.se, Fleischer reveals that when Spotify was in early beta, the company used unlicensed music to kick-start the platform.

“Spotify’s beta version was originally a pirate service. It was distributing MP3 files that the employees happened to have on their hard drives,” he reveals.

Rumors that early versions of Spotify used ‘pirate’ MP3s have been floating around the Internet for years. People who had access to the service in the beginning later reported downloading tracks that contained ‘Scene’ labeling, tags, and formats, which are the tell-tale signs that content hadn’t been obtained officially.

Solid proof has been more difficult to come by but Fleischer says he knows for certain that Spotify was using music obtained not only from pirate sites, but the most famous pirate site of all.

According to the writer, a few years ago he was involved with a band that decided to distribute their music on The Pirate Bay instead of the usual outlets. Soon after, the album appeared on Spotify’s beta service.

“I thought that was funny. So I emailed Spotify and asked how they obtained it. They said that ‘now, during the test period, we will use music that we find’,” Fleischer recalls.

For a company that has attracting pirates built into its DNA, it’s perhaps fitting that it tempted them with the same bait found on pirate sites. Certainly, the company’s history of a pragmatic attitude towards piracy means that few will be shouting ‘hypocrites’ at the streaming platform now.

Indeed, according to Fleischer the successes and growth of Spotify are directly linked to the temporary downfall of The Pirate Bay following the raid on the site in 2006, and the lawsuits that followed.

“The entire Spotify beta period and its early launch history is in perfect sync with the Pirate Bay process,” Fleischer explains.

“They would not have had as much attention if they had not been able to surf that wave. The company’s early history coincides with the Pirate Party becoming a hot topic, and the trial of the Pirate Bay in the Stockholm District Court.”

In 2013, Fleischer told TF that The Pirate Bay had “helped catalyze so-called ‘new business models’,” and it now appears that Spotify is reaping the benefits and looks set to keep doing so into the future.

An in-depth interview with Rasmus Fleischer will be published here soon, including an interesting revelation detailing how TorrentFreak readers positively affected the launch of Spotify in the United States.

Spotify Teardown – Inside the Black Box of Streaming Music will be published early 2018.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Spammers Populate Google Maps With Pirate Links

Post Syndicated from Ernesto original https://torrentfreak.com/spammers-populate-google-maps-with-pirate-links-170422/

Google Maps is an extremely useful service that’s made it easier for people to navigate in the real world, pointing the way to a local movie theater, for example.

However, for a few months, the service has also been leading people to places where pirated content is available, online. Spammers are using the “My Maps” feature to bookmark custom locations with links to a wide variety of pirated media.

The goal of this strategy is to have these links show up high in search results. This appears to be effective, especially since Google has started to push results from known pirate sites down.

These “treasure maps” have captured quite a few eyeballs, as some of the custom maps have already been viewed hundreds of thousands of times.

You’re here?

In some cases, the links point to actual torrent sites or download portals, but they are also used to lure people into downloading malware or other scammy content. For example, one of the links we tried triggered an automatic download of “gone_girl_torrent.exe,” which doesn’t promise anything good.

And the problem appears to be widespread, with links appearing for all sorts of content. A search for “Mymaps” URLs with the keyword “MP3” returns 44,900 results at the time of writing, and a search for the keywords “torrent download” shows 23,300 results, with a lot of popular video titles.

Pirate maps

Spammers’ use of Google’s My Maps hasn’t gone unnoticed to copyright holders either. Many of the links have been reported to Google, but thus far the problem remains.

Since Google has started to downrank pirate sites in search results, spammers are increasingly using legitimate services to promote their content. Just last week we pointed out a similar problem at Discogs and Change.org has been targeted as well.

One solution would be for Google to start flagging its own Maps service as a pirate site and downrank its results, but that may just be a bit too drastic.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Tableau: a generative music album based on the Sense HAT

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/tableau-generative-music-album/

Multi-talented maker Giorgio Sancristoforo has used a Raspberry Pi and Sense HAT to create Tableau, a generative music album. It’s an innovative idea: the music constantly evolves as it reacts to environmental stimuli like atmospheric pressure, humidity, and temperature.

Tableau Generative Album

“There is no doubt that, as music is removed by the phonographrecord from the realm of live production and from the imperative of artistic activity and becomes petrified, it absorbs into itself, in this process of petrification, the very life that would otherwise vanish.”

Creating generative music

“I’ve been dreaming about using portable microcomputers to create a generative music album,” explains Giorgio. “Now my dream is finally a reality: this is my first portable generative LP (PGLP)”. Tableau uses both a Raspberry Pi 2 and a Sense HAT: the HAT provides the data for the album’s musical evolution via its range of onboard sensors.

Image of Tableau generative music device with Sense HAT illuminated

Photo credit: Giorgio Sancristoforo

The Sense HAT was originally designed for use aboard the International Space Station (ISS) as part of the ongoing Astro Pi challenge. It has, however, become a staple within the Raspberry Pi maker community. This is partly thanks to the myriad of possibilities offered by its five onboard sensors, five-button joystick, and 8 × 8 LED matrix.

Image of Tableau generative music device with Sense HAT illuminated

Photo credit: Giorgio Sancristoforo

Limited edition

The final release of Tableau consists of a limited edition of fifty PGLPs: each is set up to begin playing immediately power is connected, and the music will continue to evolve indefinitely. “Instead of being reproduced as on a CD or in an MP3 file, the music is spontaneously generated and arranged while you are listening to it,” Giorgio explains on his website. “It never sounds the same. Tableau creates an almost endless number of mixes of the LP (4 × 12 factorial). Each time you will listen, the music will be different, and it will keep on evolving until you switch the power off.”

Image of Tableau generative music device with Sense HAT illuminated

Photo credit: Giorgio Sancristoforo

Experiment with the Sense HAT

What really interests us is how the sound of Tableau might alter in different locations. Would it sound different in Cambridge as opposed to the deserts of Mexico? What about Antarctica versus the ISS?

If Giorgio’s project has piqued your interest, why not try using our free data logging resource for the Sense HAT? You can use it to collect information from the HAT’s onboard sensors and create your own projects. How about collecting data over a year, and transforming this into your own works of art?

Even if you don’t have access to the Sense HAT, you can experience it via the Sense HAT desktop emulator. This is a great solution if you want to work on Sense HAT-based projects in the classroom, as it reduces the amount of hardware you need.

If you’ve already built a project using the Sense HAT, make sure to share it in the comments below. We would love to see what you have been making!

 

The post Tableau: a generative music album based on the Sense HAT appeared first on Raspberry Pi.

DMCA Doesn’t Shield Cloudflare From Anti-Piracy Injunctions, Court Rules

Post Syndicated from Ernesto original https://torrentfreak.com/dmca-doesnt-shield-cloudflare-from-anti-piracy-injunctions-court-rules-170328/

Representing various major record labels, the RIAA filed a lawsuit against MP3Skull in 2015.

With millions of visitors per month the MP3 download site had been one of the prime sources of pirated music for a long time. This frustrated many music industry insiders who claimed millions in losses.

Last year a Florida federal court sided with the RIAA, awarding the labels more than $22 million in damages. In addition, it issued a permanent injunction which allowed the RIAA to take over the site’s domain names.

Despite the million dollar verdict, MP3Skull continued to operate for several months using a variety of new domain names, which were subsequently targeted by the RIAA’s legal team.

As the site refused to shut down, the RIAA moved up the chain targeting CDN provider Cloudflare with the permanent injunction. According to the RIAA, Cloudflare should stop offering its services to all MP3Skull websites, arguing that the CDN provider was “in active concert or participation” with the pirates.

Cloudflare disagreed and countered that the DMCA protects it from liability for the copyright infringements of its customers, limiting the scope of anti-piracy injunctions. In an effort to resolve this difference of opinion, the RIAA has asked the Florida federal court for a “clarification” of the existing injunction.

After hearing the arguments from both sides, the court has now ruled against Cloudflare’s DMCA defense, opening the door for an injunction against the CDN provider itself.

In her order, District Court Judge Marcia Cooke notes that Section 512 of the DMCA protects service providers from copyright infringement liability for the actions of others of which they are not aware.

However, this is different from the current case where Cloudflare is not being held liable by the RIAA but is well aware of the copyright infringements, the Judge clarifies.

“Here, Plaintiffs do not allege Cloudflare is directly liable for copyright infringement. Further, CloudFlare has been aware of Defendants’ infringing behavior since at least May 2015 when it first assisted Plaintiffs in identifying relevant online information involving Defendants.

“Simply put, Section 512’s limits to online service provider liability are inapplicable here,” Judge Cooke adds (pdf).

In the present case, the scope of the permanent injunction is guided by Rule 65 of the Federal Rules of Civil Procedure which may apply to any third-party that’s “in active concert or participation” with the offender.

With the ruling, the court has opened the door to broad injunctions which could force Cloudflare to implement a variety of anti-piracy measures. These aren’t limited to terminating existing accounts, as the RIAA also wanted Cloudflare to monitor new clients that use the keyword “MP3Skull” in their domain name.

However, before issuing an injunction against Cloudflare, it still has to be determined whether the CDN provider is “in active concert or participation” with the pirate site.

“Though I have determined Section 512 does not effect the scope of Rule 65 and the Permanent Injunction here, I do not believe I can make a formal ruling on whether Cloudflare was in ‘in active concert or participation’ with Defendants until CloudFlare has had a reasonable opportunity to be heard,” Judge Cooke notes.

The order is a victory for the RIAA and other rightsholders who have repeatedly called out Cloudflare for the services it provides to pirate sites. As such, it is likely to be referenced in similar cases in the future.

While the legal precedent may be important, the case itself will have very little effect. MP3Skull appears to have given up a few months ago. It was last active on the MP3Skull.vg domain but disappeared last October, forwarding the leftover traffic to an unrelated site.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

SXSW 2017 on BitTorrent: 7.86 GB of Free Music

Post Syndicated from Ernesto original https://torrentfreak.com/sxsw-2017-on-bittorrent-7-86-gb-of-free-music-170318/

Starting in 2005, the SXSW music festival has published thousands of free tracks from participating artists.

The festival was, in fact, one of the first mainstream outlets to embrace torrents.

During the early years the festival organizers created the torrents for the artist showcases themselves, but since 2008 this task has been taken over by the public.

While torrents are no longer the standard, SXSW’s showcase MP3s are still freely available on the festival’s site for sampling purposes.

For the past several years Ben Stolt has taken the time and effort to put all of the MP3s on BitTorrent. Last week he published the latest 2017 torrent, which consists of 1,201 tracks totaling 7.86 gigabytes of free music.

All the tracks released for the previous editions are also still available and most of these torrents remain well-seeded. The 2005 – 2017 archives now total more than 77 gigabytes.

Stolt previously told TorrentFreak that he spends several hours preparing the releases each year, in part for his personal pleasure.

“My motivation is in part selfish, because, like many others, my friends and I all use the contents of the torrent to prepare for our week at SXSW Music. But without fail the emails start coming in January and February asking if there will be a torrent,” Stolt said.

“Many people come back every year, so I can’t leave them hanging,” he adds.

The effort pays off, though. Many people love the SXSW torrents, which attract tens of thousands of downloaders each year. The SXSW torrents site also gets quite a bit of traffic, over a million visits thus far.

For some, the showcase torrent is a good consolation for not being able to attend the festival in person. Others see it as a yearly tradition that allows them to fill up their hard drive and check out recent music from new and established artists for free.

This year’s SXSW music festival is currently underway in Austin, Texas and ends on Sunday. The torrent, however, is expected to live on for many years, as long as people are sharing.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Make a PIR speaker system

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/make-a-pir-speaker-system/

I enjoy projects that can be made using items from around the home. Add a Raspberry Pi and a few lines of code, and great joy can be had from producing something smart, connected and/or just plain silly.

The concept of the IoT Smart Lobby Welcoming Music System fits into this category. Take a speaker, add a Raspberry Pi and a PIR sensor (both staples of any maker household, and worthwhile investments for the budding builder), and you can create a motion-sensor welcome system for your home or office.

[DIY] Make a smart lobby music system for your office or home

With this project, you will be able to automate a welcoming music for either your smart home or your smart office. As long as someone is around, the music will keep playing your favorite playlist at home or a welcome music to greet your customers or business partners while they wait in the lobby of your office.

The Naran Build

IoT makers Naran have published their Smart Lobby build on Instructables, where you’ll find all the code and information you need to get making. You’ll also find their original walkthrough of how to use their free Prota OS for Raspberry Pi, which allows you to turn your Pi into a Smart Home hub.

Naran Prota IoT Sensor Speaker System

Their build allows you to use Telegram Bot to control the music played through their speaker. The music begins when movement is sensed, and you can control what happens next.

Telegram Bot for a Sensor Speaker System

It’s a great build for playing information for visitors or alerting you to an intrusion.

Tim Peake Welcoming Committee

A few months back, I made something similar in the lobby at Pi Towers:  I hid a sensor under our cardboard cutout of ESA astronaut Tim Peake. Visitors walking into the lobby triggered the sensor, and were treated to the opening music from 2001: A Space Odyssey.

Sadly, with the meeting rooms across the lobby in constant use, the prank didn’t last long.

Alex J’rassic on Twitter

In honour of the #Principia anniversary, I pimped out cardboard @astro_timpeake at @Raspberry_Pi Towers. Listen. https://t.co/MBUOjrARtI

If you’re curious, the Christmas tree should be a clue as to why Tim is dressed like a nativity angel.

The Homebrew Edition

If you’re like me, you learn best by doing. Our free resources allow you to develop new skills as you build. You can then blend the skills you have learned to create your own interesting projects. I was very new to digital making when I put together the music sensor in the lobby. The skills I had developed by following step-by-step project tutorials provided the foundations for something new and original.

Why not make your own welcoming system? The process could teach you new skills, and develop your understanding of the Raspberry Pi. If you’d like to have a go, I’d suggest trying out the Parent Detector. This will show you how to use a PIR sensor with your Raspberry Pi. Once you understand that process, try the Burping Jelly Baby project. This will teach you how to tell your Raspberry Pi when to play an MP3 based on a trigger, such as the poke of a finger or the detection of movement.

From there, you should have all the tools you need to make a speaker system that plays an MP3 when someone or something approaches. Why not have a go this weekend? If you do, tell us about your final build in the comments below.

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