Tag Archives: mpaa

Despite US Criticism, Ukraine Cybercrime Chief Receives Few Piracy Complaints

Post Syndicated from Andy original https://torrentfreak.com/despite-us-criticism-ukraine-cybercrime-chief-receives-few-piracy-complaints-180522/

On a large number of occasions over the past decade, Ukraine has played host to some of the world’s largest pirate sites.

At various points over the years, The Pirate Bay, KickassTorrents, ExtraTorrent, Demonoid and raft of streaming portals could be found housed in the country’s data centers, reportedly taking advantage of laws more favorable than those in the US and EU.

As a result, Ukraine has been regularly criticized for not doing enough to combat piracy but when placed under pressure, it does take action. In 2010, for example, the local government expressed concerns about the hosting of KickassTorrents in the country and in August the same year, the site was kicked out by its host.

“Kickasstorrents.com main web server was shut down by the hosting provider after it was contacted by local authorities. One way or another I’m afraid we must say goodbye to Ukraine and move the servers to other countries,” the site’s founder told TF at the time.

In the years since, Ukraine has launched sporadic action against pirate sites and has taken steps to tighten up copyright law. The Law on State Support of Cinematography came into force during April 2017 and gave copyright owners new tools to combat infringement by forcing (in theory, at least) site operators and web hosts to respond to takedown requests.

But according to the United States and Europe, not enough is being done. After the EU Commission warned that Ukraine risked damaging relations with the EU, last September US companies followed up with another scathing attack.

In a recommendation to the U.S. Government, the IIPA, which counts the MPAA, RIAA, and ESA among its members, asked U.S. authorities to suspend or withdraw Ukraine’s trade benefits until the online piracy situation improves.

“Legislation is needed to institute proper notice and takedown provisions, including a requirement that service providers terminate access to individuals (or entities) that have repeatedly engaged in infringement, and the retention of information for law enforcement, as well as to provide clear third party liability regarding ISPs,” the IIPA wrote.

But amid all the criticism, Ukraine cyber police chief Sergey Demedyuk says that while his department is committed to tackling piracy, it can only do so when complaints are filed with him.

“Yes, we are engaged in piracy very closely. The problem is that piracy is a crime of private accusation. So here we deal with them only in cases where we are contacted,” Demedyuk said in an Interfax interview published yesterday.

Surprisingly, given the number of dissenting voices, it appears that complaints about these matters aren’t exactly prevalent. So are there many at all?

“Unfortunately, no. In the media, many companies claim that their rights are being violated by pirates. But if you count the applications that come to us, they are one,” Demedyuk reveals.

“In general, we are handling Ukrainian media companies, who produce their own product and are worried about its fate. Also on foreign films, the ‘Anti-Piracy Agency’ refers to us, but not as intensively as before.”

Why complaints are going down, Demedyuk does not know, but when his unit is asked to take action it does so, he claims. Indeed, Demedyuk cites two particularly significant historical operations against a pair of large ‘pirate’ sites.

In 2012, Ukraine shut down EX.ua, a massive cyberlocker site following a six-month investigation initiated by international tech companies including Microsoft, Graphisoft and Adobe. Around 200 servers were seized, together hosting around 6,000 terabytes of data.

Then in November 2016, following a complaint from the MPAA, police raided FS.to, one of Ukraine’s most popular pirate sites. Initial reports indicated that 60 servers were seized and 19 people were arrested.

“To see the effect of combating piracy, this should not be done at the level of cyberpolicy, but at the state level,” Demedyuk advises.

“This requires constant close interaction between law enforcement agencies and rights holders. Only by using all these tools will we be able to effectively counteract copyright infringements.”

Meanwhile, the Office of the United States Trade Representative has maintained Ukraine’s position on the Priority Watchlist of its latest Special 301 Report and there a no signs it will be leaving anytime soon.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Singapore ISPs Block 53 Pirate Sites Following MPAA Legal Action

Post Syndicated from Andy original https://torrentfreak.com/singapore-isps-block-53-pirate-sites-following-mpaa-legal-action-180521/

Under increasing pressure from copyright holders, in 2014 Singapore passed amendments to copyright law that allow ISPs to block ‘pirate’ sites.

“The prevalence of online piracy in Singapore turns customers away from legitimate content and adversely affects Singapore’s creative sector,” said then Senior Minister of State for Law Indranee Rajah.

“It can also undermine our reputation as a society that respects the protection of intellectual property.”

After the amendments took effect in December 2014, there was a considerable pause before any websites were targeted. However, in September 2016, at the request of the MPA(A), Solarmovie.ph became the first website ordered to be blocked under Singapore’s amended Copyright Act. The High Court subsequently ordering several major ISPs to disable access to the site.

A new wave of blocks announced this morning are the country’s most significant so far, with dozens of ‘pirate’ sites targeted following a successful application by the MPAA earlier this year.

In total, 53 sites across 154 domains – including those operated by The Pirate Bay plus KickassTorrents and Solarmovie variants – have been rendered inaccessible by ISPs including Singtel, StarHub, M1, MyRepublic and ViewQwest.

“In Singapore, these sites are responsible for a major portion of copyright infringement of films and television shows,” an MPAA spokesman told The Straits Times (paywall).

“This action by rights owners is necessary to protect the creative industry, enabling creators to create and keep their jobs, protect their works, and ensure the continued provision of high-quality content to audiences.”

Before granting a blocking injunction, the High Court must satisfy itself that the proposed online locations meet the threshold of being “flagrantly infringing”. This means that a site like YouTube, which carries a lot of infringing content but is not dedicated to infringement, would not ordinarily get caught up in the dragnet.

Sites considered for blocking must have a primary purpose to infringe, a threshold that is tipped in copyright holders’ favor when the sites’ operators display a lack of respect for copyright law and have already had their domains blocked in other jurisdictions.

The Court also weighs a number of additional factors including whether blocking would place an unacceptable burden on the shoulders of ISPs, whether the blocking demand is technically possible, and whether it will be effective.

In common with other regions such as the UK and Australia, for example, sites targeted for blocking must be informed of the applications made against them, to ensure they’re given a chance to defend themselves in court. No fully-fledged ‘pirate’ site has ever defended a blocking application in Singapore or indeed any jurisdiction in the world.

Finally, should any measures be taken by ‘pirate’ sites to evade an ISP blockade, copyright holders can apply to the Singapore High Court to amend the blocking order. This is similar to the Australian model where each application must be heard on its merits, rather than the UK model where a more streamlined approach is taken.

According to a recent report by Motion Picture Association Canada, at least 42 countries are now obligated to block infringing sites. In Europe alone, 1,800 sites and 5,300 domains have been rendered inaccessible, with Portugal, Italy, the UK, and Denmark leading the way.

In Canada, where copyright holders are lobbying hard for a site-blocking regime of their own, there’s pressure to avoid the “uncertain, slow and expensive” route of going through the courts.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

MPAA Chief Says Fighting Piracy Remains “Top Priority”

Post Syndicated from Andy original https://torrentfreak.com/mpaa-chief-says-fighting-piracy-remains-top-priority-180425/

After several high-profile years at the helm of the movie industry’s most powerful lobbying group, last year saw the departure of Chris Dodd from the role of Chairman and CEO at the MPAA.

The former Senator, who earned more than $3.5m a year championing the causes of the major Hollywood studios since 2011, was immediately replaced by another political heavyweight.

Charles Rivkin, who took up his new role September 5, 2017, previously served as Assistant Secretary of State for Economic and Business Affairs in the Obama administration. With an underperforming domestic box office year behind him fortunately overshadowed by massive successes globally, this week he spoke before US movie exhibitors for the first time at CinemaCon in Las Vegas.

“Globally, we hit a record high of $40.6 billion at the box office. Domestically, our $11.1 billion box office was slightly down from the 2016 record. But it exactly matched the previous high from 2015. And it was the second highest total in the past decade,” Rivkin said.

“But it exactly matched the previous high from 2015. And it was the second highest total in the past decade.”

Rivkin, who spent time as President and CEO of The Jim Henson Company, told those in attendance that he shares a deep passion for the movie industry and looks forward optimistically to the future, a future in which content is secured from those who intend on sharing it for free.

“Making sure our creative works are valued and protected is one of the most important things we can do to keep that industry heartbeat strong. At the Henson Company, and WildBrain, I learned just how much intellectual property affects everyone. Our entire business model depended on our ability to license Kermit the Frog, Miss Piggy, and the Muppets and distribute them across the globe,” Rivkin said.

“I understand, on a visceral level, how important copyright is to any creative business and in particular our country’s small and medium enterprises – which are the backbone of the American economy. As Chairman and CEO of the MPAA, I guarantee you that fighting piracy in all forms remains our top priority.”

That tackling piracy is high on the MPAA’s agenda won’t comes as a surprise but at least in terms of the numbers of headlines plastered over the media, high-profile anti-piracy action has been somewhat lacking in recent years.

With lawsuits against torrent sites seemingly a thing of the past and a faltering Megaupload case that will conclude who-knows-when, the MPAA has taken a broader view, seeking partnerships with sometimes rival content creators and distributors, each with a shared desire to curtail illicit media.

“One of the ways that we’re already doing that is through the Alliance for Creativity and Entertainment – or ACE as we call it,” Rivkin said.

“This is a coalition of 30 leading global content creators, including the MPAA’s six member studios as well as Netflix, and Amazon. We work together as a powerful team to ensure our stories are seen as they were intended to be, and that their creators are rewarded for their hard work.”

Announced in June 2017, ACE has become a united anti-piracy powerhouse for a huge range of entertainment industry groups, encompassing the likes of CBS, HBO, BBC, Sky, Bell Canada, CBS, Hulu, Lionsgate, Foxtel and Village Roadshow, to name a few.

The coalition was announced by former MPAA Chief Chris Dodd and now, with serious financial input from all companies involved, appears to be picking its fights carefully, focusing on the growing problem of streaming piracy centered around misuse of Kodi and similar platforms.

From threatening relatively small-time producers and distributors of third-party addons and builds (1,2,3), ACE is also attempting to make its mark among the profiteers.

The group now has several lawsuits underway in the United States against people selling piracy-enabled IPTV boxes including Tickbox, Dragon Box, and during the last week, Set TV.

With these important cases pending, Rivkin offered assurances that his organization remains committed to anti-piracy enforcement and he thanked exhibitors for their efforts to prevent people quickly running away with copies of the latest releases.

“I am grateful to all of you for recognizing what is at stake, and for working with us to protect creativity, such as fighting the use of illegal camcorders in theaters,” he said.

“Protecting our creativity isn’t only a fundamental right. It’s an economic necessity, for us and all creative economies. Film and television are among the most valuable – and most impactful – exports we have.

Thus far at least, Rivkin has a noticeably less aggressive tone on piracy than his predecessor Chris Dodd but it’s unlikely that will be mistaken for weakness among pirates, nor should it. The MPAA isn’t known for going soft on pirates and it certainly won’t be changing course anytime soon.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Registrars Suspend 11 Pirate Site Domains, 89 More in the Crosshairs

Post Syndicated from Andy original https://torrentfreak.com/registrars-suspend-11-pirate-site-domains-89-more-in-the-crosshairs-180423/

In addition to website blocking which is running rampant across dozens of countries right now, targeting the domains of pirate sites is considered to be a somewhat effective anti-piracy tool.

The vast majority of websites are found using a recognizable name so when they become inaccessible, site operators have to work quickly to get the message out to fans. That can mean losing visitors, at least in the short term, and also contributes to the rise of copy-cat sites that may not have users’ best interests at heart.

Nevertheless, crime-fighting has always been about disrupting the ability of the enemy to do business so with this in mind, authorities in India began taking advice from the UK’s Police Intellectual Property Crime Unit (PIPCU) a couple of years ago.

After studying the model developed by PIPCU, India formed its Digital Crime Unit (DCU), which follows a multi-stage plan.

Initially, pirate sites and their partners are told to cease-and-desist. Next, complaints are filed with advertisers, who are asked to stop funding site activities. Service providers and domain registrars also receive a written complaint from the DCU, asking them to suspend services to the sites in question.

Last July, the DCU earmarked around 9,000 sites where pirated content was being made available. From there, 1,300 were placed on a shortlist for targeted action. Precisely how many have been contacted thus far is unclear but authorities are now reporting success.

According to local reports, the Maharashtra government’s Digital Crime Unit has managed to have 11 pirate site domains suspended following complaints from players in the entertainment industry.

As is often the case (and to avoid them receiving even more attention) the sites in question aren’t being named but according to Brijesh Singh, special Inspector General of Police in Maharashtra, the sites had a significant number of visitors.

Their domain registrars were sent a notice under Section 149 of the Code Of Criminal Procedure, which grants police the power to take preventative action when a crime is suspected. It’s yet to be confirmed officially but it seems likely that pirate sites utilizing local registrars were targeted by the authorities.

“Responding to our notice, the domain names of all these websites, that had a collective viewership of over 80 million, were suspended,” Singh said.

Laxman Kamble, a police inspector attached to the state government’s Cyber Cell, said the pilot project was launched after the government received complaints from Viacom and Star but back in January there were reports that the MPAA had also become involved.

Using the model pioneered by London’s PIPCU, 19 parameters were applied to list of pirate sites in order to place them on the shortlist. They are reported to include the type of content being uploaded, downloaded, and the number of downloads overall.

Kamble reports that a further 89 websites, that have domains registered abroad but are very popular in India, are now being targeted. Whether overseas registrars will prove as compliant will remain to be seen. After booking initial success, even PIPCU itself experienced problems keeping up the momentum with registrars.

In 2014, information obtained by TorrentFreak following a Freedom of Information request revealed that only five out of 70 domain registrars had complied with police requests to suspend domains.

A year later, PIPCU confirmed that suspending pirate domain names was no longer a priority for them after ICANN ruled that registrars don’t have to suspend domain names without a valid court order.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

WHOIS Limits Under GDPR Will Make Pirates Harder to Catch, Groups Fear

Post Syndicated from Andy original https://torrentfreak.com/whois-limits-under-gdpr-will-make-pirates-harder-to-catch-groups-fear-180413/

The General Data Protection Regulation (GDPR) is a regulation in EU law covering data protection and privacy for all individuals within the European Union.

As more and more personal data is gathered, stored and (ab)used online, the aim of the GDPR is to protect EU citizens from breaches of privacy. The regulation applies to all companies processing the personal data of subjects residing in the Union, no matter where in the world the company is located.

Penalties for non-compliance can be severe. While there is a tiered approach according to severity, organizations can be fined up to 4% of annual global turnover or €20 million, whichever is greater. Needless to say, the regulations will need to be taken seriously.

Among those affected are domain name registries and registrars who publish the personal details of domain name owners in the public WHOIS database. In a full entry, a person or organization’s name, address, telephone numbers and email addresses can often be found.

This raises a serious issue. While registries and registrars are instructed and contractually obliged to publish data in the WHOIS database by global domain name authority ICANN, in millions of cases this conflicts with the requirements of the GDPR, which prevents the details of private individuals being made freely available on the Internet.

As explained in detail by the EFF, ICANN has been trying to resolve this clash. Its proposed interim model for GDPR compliance (pdf) envisions registrars continuing to collect full WHOIS data but not necessarily publishing it, to “allow the existing data
to be preserved while the community discussions continue on the next generation of WHOIS.”

But the proposed changes that will inevitably restrict free access to WHOIS information has plenty of people spooked, including thousands of companies belonging to entertainment industry groups such as the MPAA, IFPI, RIAA and the Copyright Alliance.

In a letter sent to Vice President Andrus Ansip of the European Commission, these groups and dozens of others warn that restricted access to WHOIS will have a serious effect on their ability to protect their intellectual property rights from “cybercriminals” which pose a threat to their businesses.

Signed by 50 organizations involved in IP protection and other areas of online security, the letter expresses concern that in attempting to comply with the GDPR, ICANN is on a course to “over-correct” while disregarding proportionality, accountability and transparency.

A small sample of the groups calling on ICANN

“We strongly assert that this model does not properly account for the critical public and legitimate interests served by maintaining a sufficient amount of data publicly available while respecting privacy interests of registrants by instituting a tiered or layered access system for the vast majority of personal data as defined by the GDPR,” the groups write.

The letter focuses on two aspects of “over-correction”, the first being ICANN’s proposal that no personal data whatsoever of a domain name registrant will be made available “without appropriate consideration or balancing of the countervailing interests in public disclosure of a limited amount of such data.”

In response to ICANN’s proposal that only the province/state and country of a domain name registrant be made publicly available, the groups advise the organization that publishing “a natural person registrant’s e-mail address” in a publicly accessible WHOIS directory will not constitute a breach of the GDPR.

“[W]e strongly believe that the continued public availability of the registrant’s e-mail address – specifically the e-mail address that the registrant supplies to the registrar at the time the domain name is purchased and which e-mail address the registrar is required to validate – is critical for several reasons,” the groups write.

“First, it is the data element that is typically the most important to have readily available for law enforcement, consumer protection, particularly child protection, intellectual property enforcement and cybersecurity/anti-malware purposes.

“Second, the public accessibility of the registrant’s e-mail address permits a broad array of threats and illegal activities to be addressed quickly and the damage from such threats mitigated and contained in a timely manner, particularly where the abusive/illegal activity may be spawned from a variety of different domain names on different generic Top Level Domains,” they add.

The groups also argue that since making email addresses is effectively required in light of Article 5.1(c) ECD, “there is no legitimate justification to discontinue public availability of the registrant’s e-mail address in the WHOIS directory and especially not in light of other legitimate purposes.”

The EFF, on the other hand, says that being able to contact a domain owner wouldn’t necessarily require an email address to be made public.

“There are other cases in which it makes sense to allow members of the public to contact the owner of a domain, without having to obtain a court order,” EFF writes.

“But this could be achieved very simply if ICANN were simply to provide something like a CAPTCHA-protected contact form, which would deliver email to the appropriate contact point with no need to reveal the registrant’s actual email address.”

The groups’ second main concern is that ICANN reportedly makes no distinction between name registrants that are “natural persons versus those that are legal entities” and intends to treat them all as if they are subject to the GDPR, despite the fact that the regulation only applies to data associated with an “identified or identifiable natural person”.

They say it is imperative that EU Data Protection Authorities are made to understand that when registrants obtain a domain for illegal purposes, they often only register it as a “natural person” when registering as a legal person (legal entity) would be more appropriate, despite that granting them less privacy.

“Consequently, the test for differentiating between a legal and natural person should not merely be the legal status of the registrant, but also whether the registrant is, in fact, acting as a legal or natural person vis a vis the use of the domain name,” the groups note.

“We therefore urge that ICANN be given appropriate guidance as to the importance of maintaining a distinction between natural person and legal person registrants and keeping as much data about legal person domain name registrants as publicly accessible as possible,” they conclude.

What will happen with WHOIS on May 25 still isn’t clear. It wasn’t until October 2017 that ICANN finally determined that it would be affected by the GDPR, meaning that it’s been scrambling ever since to meet the compliance date. And it still is, according to the latest available documentation (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

MPA Reveals Scale of Worldwide Pirate Site Blocking

Post Syndicated from Andy original https://torrentfreak.com/mpa-reveals-scale-of-worldwide-pirate-site-blocking-180410/

Few people following the controversial topic of Internet piracy will be unaware of the site-blocking phenomenon. It’s now one of the main weapons in the entertainment industries’ arsenal and it’s affecting dozens of countries.

While general figures can be culled from the hundreds of news reports covering the issue, the manner in which blocking is handled in several regions means that updates aren’t always provided. New sites are regularly added to blocklists without fanfare, meaning that the public is kept largely in the dark.

Now, however, a submission to the Canadian Radio-television and Telecommunications Commission (CRTC) by Motion Picture Association Canada provides a more detailed overview. It was presented in support of the proposed blocking regime in Canada, so while the key figures are no doubt accurate, some of the supporting rhetoric should be viewed in context.

“Over the last decade, at least 42 countries have either adopted and implemented, or are legally obligated to adopt and implement, measures to ensure that ISPs take steps to disable access to copyright infringing websites, including throughout the European Union, the United Kingdom, Australia, and South Korea,” the submission reads.

The 42 blocking-capable countries referenced by the Hollywood group include the members of the European Union plus the following: Argentina, Australia, Iceland, India, Israel, Liechtenstein, Malaysia, Mexico, Norway, Russia, Singapore, South Korea, and Thailand.

While all countries have their own unique sets of legislation, countries within the EU are covered by the requirements of Article 8.3 of the INFOSEC Directive which provides that; “Member States shall ensure that rightholders are in a position to apply for an injunction against intermediaries whose services are used by a third party to infringe a copyright or related right.”

That doesn’t mean that all countries are actively blocking, however. While Bulgaria, Croatia, Cyprus, Czech Republic, Estonia, Hungary, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Poland, Romania, Slovakia, and Slovenia have the legal basis to block infringing sites, none have yet done so.

In a significant number of other EU countries, however, blocking activity is prolific.

“To date, in at least 17 European countries, over 1,800 infringing sites and over 5,300 domains utilized by such sites have been blocked, including in the following four countries where the positive impact of site-blocking over time has been demonstrated,” MPA Canada notes.

Major blocking nations in the EU

At this point, it’s worth pointing out that authority to block sites is currently being obtained in two key ways, either through the courts or via an administrative process.

In the examples above, the UK and Denmark are dealt with via the former, with Italy and Portugal handled via the latter. At least as far as the volume of sites is concerned, court processes – which can be expensive – tend to yield lower site blocking levels than those carried out through an administrative process. Indeed, the MPAA has praised Portugal’s super-streamlined efforts as something to aspire to.

Outside Europe, the same two processes are also in use. For example, Australia, Argentina, and Singapore utilize the judicial route while South Korea, Mexico, Malaysia and Indonesia have opted for administrative remedies.

“Across 10 of these countries, over 1,100 infringing sites and over 1,500 domains utilized by such sites have been blocked,” MPA Canada reveals.

To date, South Korea has blocked 460 sites and 547 domains, while Australia has blocked 91 sites and 355 domains. In the case of the latter, “research has confirmed the increasingly positive impact that site-blocking has, as a greater number of sites are blocked over time,” the Hollywood group notes.

Although by no means comprehensive, MPA Canada lists the following “Notorious Sites” as subject to blocking in multiple countries via both judicial and administrative means. Most will be familiar, with the truly notorious The Pirate Bay heading the pile. Several no longer exist in their original form but in many cases, clones are blocked as if they still represent the original target.


The methods used to block the sites vary from country to country, dependent on what courts deem fit and in consideration of ISPs’ technical capabilities. Three main tools are in use including DNS blocking, IP address blocking, and URL blocking, which can also include Deep Packet Inspection.

The MPA submission (pdf) is strongly in favor of adding Canada to the list of site-blocking countries detailed above. The Hollywood group believes that the measures are both effective and proportionate, citing reduced usage of blocked sites, reduced traffic to pirate sites in general, and increased visits to legitimate platforms.

“There is every reason to believe that the website blocking measures [presented to the CRTC] will lead to the same beneficial results in Canada,” MPA Canada states.

While plenty of content creators and distributors are in favor of proposals, all signs suggest they will have a battle on their hands, with even some ISPs coming out in opposition.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Police Assisted By MPAA Shut Down Pirate TV Box Sellers

Post Syndicated from Andy original https://torrentfreak.com/police-assisted-by-mpaa-shut-down-pirate-tv-box-sellers-180404/

Piracy configured set-top boxes are the next big thing, today. Millions have been sold around the world and anti-piracy groups are scrambling to rein them in.

Many strategies are being tested, from pressurizing developers of allegedly infringing addons to filing aggressive lawsuits against sites such as TVAddons, a Kodi addon repository now facing civil action in both the United States and Canada.

Also under fire are companies that sell set-top boxes that come ready configured for piracy. Both Tickbox TV and Dragon Media Inc are being sued by the Alliance for Creativity and Entertainment (ACE) in the US. At this stage, neither case looks promising for the defendants.

However, civil action isn’t the only way to deal with defendants in the United States, as a man and woman team from Tampa, Florida, have just discovered after being arrested by local police.

Mickael Cantrell and Nancy Major were allegedly the brains behind NBEETV, a company promising to supply set-top boxes that deliver “every movie, every tv show that’s ever been made, plus live sports with no blackouts” with “no monthly fees ever.”

As similar cases have shown, this kind of marketing spiel rarely ends well for defendants but the people behind NBEE TV (also known as FreeTVForLife Inc.) were either oblivious or simply didn’t care about the consequences.

A company press release dated April 2017 advertising the company’s NBPro 3+ box and tracked down by TF this week reveals the extent of the boasts.

“NBPRO 3+ is a TV box that offers instant access to watch every episode of any TV show without paying any monthly bill. One just must attach the loaded box to his TV and stream whatever they want, with no commercials,” the company wrote.

But while “Free TV for Life” was the slogan, that wasn’t the reality at the outset.

NBEETV’s Kodi-powered Android boxes were hellishly expensive with the NBPRO 1, NBPRO 3, NBPRO 5 costing $199.00, $279.00 and $359.00 respectively. This, however, was presented as a bargain alongside a claim that the “average [monthly] cable bill across the country is approximately $198.00” per month.

On top of the base product, NBEETV offered an 800 number for customer support and from their physical premises, they ran “training classes every Tuesday and Thursdays at 11:00” for people to better understand their products.

The location of that building isn’t mentioned in local media but a WHOIS on the company’s FreeTVForLife domain yields a confirmed address. It’s one that’s also been complained about in the past by an unhappy customer.

“Free TV for LIFE [redacted]..(next to K-Mart) Hudson, Fl.. 34667. We bought the Little black box costing $277.00. The pictures were not clear,” Rita S. wrote.

“The screen froze up on us all the time, even after hooking straight into the router. When we took the unit back they kept $80 of our money….were very rude, using the ************* word and we will not get the remainder of our money for 14-28 days according to the employee at the store. Buyers beware and I am telling everyone!!!”

While this customer was clearly unhappy, NBEETV claimed to be a “movement which is spreading across the country.” Unfortunately, that movement reached the eyes of the police, who didn’t think that the content being offered on the devices should have been presented for free.

“We saw [the boxes] had Black Panther, The Shape Of Water, Jumanji was on there as well,” said Detective Darren Hill.

“This is someone blatantly on the side of the road just selling them, with signage, a store front; advertising on the internet with a website.”

Detective Hill worked on the case with the MPAA but even from TorrentFreak’s limited investigations this week, the couple were incredibly easy to identify.

Aside from providing accurate and non-hidden address data in WHOIS records, Mickael Cantrell (also known as Michael Cantrell) put in his real name too. The listed email address is also easily traced back to a company called Nanny Bees Corporation which was operated by Cantrell and partner Nancy Major, who was also arrested in the NBEETV case.

Unfortunately for the couple, the blundering didn’t stop there. Their company YouTube channel, which is packed with tutorials, is also in Cantrell’s real name. Indeed, the photograph supplied to YouTube even matches the mugshot published by ABC Action News.

The publication reports that the Sheriff’s Office found the couple with around 50 ‘pirate’ boxes. The store operated by the couple has also been shutdown.

Finally, another curious aspect of NBEETV’s self-promotion comes via a blog post/press release dated August 2017 in which Cantrell suddenly ups the ante by becoming Michael W. Cantrell, Ph. D alongside some bold and unusual claims.

“Dr. Cantrell unleashes his latest innovation, a Smart TV Box that literally updates every ten minutes. Not only does the content (what you can view) but the whole platform updates automatically. If the Company changes an icon you receive the change in real time,” the release reads.

“Thanks to the Overlay Processor that Dr. Cantrell created, this processor named B-D.A.D (Binary Data Acceleration Dump) which enhances an Android unit’s operating power 5 times than the original bench test, has set a new industry standard around the world.”

Sounds epic….perhaps it powered the following video clip.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

MPAA Aims to Prevent Piracy Leaks With New Security Program

Post Syndicated from Andy original https://torrentfreak.com/mpaa-aims-to-prevent-piracy-leaks-with-new-security-program-180403/

When movies and TV shows leak onto the Internet in advance of their intended release dates, it’s generally a time of celebration for pirates.

Grabbing a workprint or DVD screener of an Oscar nominee or a yet to be aired on TV show makes the Internet bubble with excitement. But for the studios and companies behind the products, it presents their worst nightmare.

Despite all the takedown efforts known to man, once content appears, there’s no putting the genie back into the bottle.

With this in mind, the solution doesn’t lie with reactionary efforts such as Internet disconnections, site-blocking and similar measures, but better hygiene while content is still in production or being prepared for distribution. It’s something the MPAA hopes to address with a brand new program designed to bring the security of third-party vendors up to scratch.

The Trusted Partner Network (TPN) is the brainchild of the MPAA and the Content Delivery & Security Association (CDSA), a worldwide forum advocating the innovative and responsible delivery and storage of entertainment content.

TPN is being touted as a global industry-wide film and television content protection initiative which will help companies prevent leaks, breaches, and hacks of their customers’ movies and television shows prior to their intended release.

“Content is now created by a growing ecosystem of third-party vendors, who collaborate with varying degrees of security,” TPN explains.

“This has escalated the security threat to the entertainment industry’s most prized asset, its content. The TPN program seeks to raise security awareness, preparedness, and capabilities within our industry.”

The TPN will establish a “single benchmark of minimum security preparedness” for vendors whose details will be available via centralized and global “trusted partner” database. The TPN will replace security assessments programs already in place at the MPAA and CDSA.

While content owners and vendors are still able to conduct their own security assessments on an “as-needed” basis, the aim is for the TPN to reduce the number of assessments carried out while assisting in identifying vulnerabilities. The pool of “trusted partners” is designed to help all involved understand and meet the challenges of leaks, whether that’s movie, TV show, or associated content.

While joining the TPN program is voluntary, there’s a strong suggestion that becoming involved in the program is in vendors’ best interests. Being able to carry the TPN logo will be an asset to doing business with others involved in the scheme, it’s suggested.

Once in, vendors will need to hire a TPN-approved assessor to carry out an initial audit of their supply chain and best practices, which in turn will need to be guided by the MPAA’s existing content security guidelines.

“Vendors will hire a Qualified Assessor from the TPN database and will schedule their assessment and manage the process via the secure online platform,” TPN says, noting that vendors will cover their own costs unless an assessment is carried out at the request of a content owner.

The TPN explains that members of the scheme aren’t passed or failed in respect of their security preparedness. However, there’s an expectation they will be expected to come up to scratch and prove that with a subsequent positive report from a TPN approved assessor. Assessors themselves will also be assessed via the TPN Qualified Assessor Program.

By imposing MPAA best practices upon partner companies, it’s hoped that some if not all of the major leaks that have plagued the industry over the past several years will be prevented in future. Whether that’s the usual DVD screener leaks, workprints, scripts or other content, it’s believed the TPN should be able to help in some way, although the former might be a more difficult nut to crack.

There’s no doubting that the problem TPN aims to address is serious. In 2017 alone, hackers and other individuals obtained and then leaked episodes of Orange is the New Black, unreleased ABC content, an episode of Game of Thrones sourced from India and scripts from the same show. Even blundering efforts managed to make their mark.

“Creating the films and television shows enjoyed by audiences around the world increasingly requires a network of specialized vendors and technicians,” says MPAA chairman and CEO Charles Rivkin.

“That’s why maintaining high security standards for all third-party operations — from script to screen — is such an important part of preventing the theft of creative works and ultimately protects jobs and the health of our vibrant creative economy.”

According to TPN, the first class of TPN Assessors was recruited and tested last month while beta-testing of key vendors will begin in April. The full program will roll out in June 2018.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Why Did The World’s Largest Streaming Site Suddenly Shut Down?

Post Syndicated from Andy original https://torrentfreak.com/why-did-the-worlds-largest-streaming-site-suddenly-shut-down-180401/

With sites like The Pirate Bay still going great guns in the background, streaming sites are now all the rage. With their Netflix style interfaces and almost instant streaming, these platforms provide the kind of instant fix impatient pirates long for.

One of the most successful was 123Movies, which over the past 18 months and several rebrandings (123movieshub, GoMovies) later managed to build a steady base of millions of users.

Had such a site made its base in the US or Europe, it’s likely that authorities would’ve been breathing down its neck somewhat sooner. However, the skyrocketing platform was allegedly based in Vietnam, a country not exactly known for its staunch support of intellectual property rights. Nevertheless, the tentacles of Hollywood and its friends in government are never far away.

In March 2017, US Ambassador to Vietnam Ted Osius called on the local Government to criminally prosecute the people behind movie streaming site 123movies, Kisscartoon, and a Putlocker variant.

Osius had a meeting with Truong Minh Tuan, Vietnam’s Minister of Information and Communications, after which the Minister assured the Ambassador that Vietnam wanted to protect copyrights. He reportedly told Osius that a decision would soon be made on how to deal with the pirate streaming sites. Perhaps coincidentally, perhaps not, during the discussions 123Movies suffered a significant period of downtime.

Almost exactly a year later, the MPAA piled on the pressure again when it branded 123Movies as the “most popular illegal site in the world”, noting that its 98 million monthly visitors were being serviced from Vietnam.

Then, around March 19, 2018, 123Movies announced that it would be shutting down for good. A notice on the site was accompanied by a countdown timer, predicting the end of the site in five days. When the timer ran out, so did the site and it remains down to this day. But was its closure entirely down to the MPAA?

For the past couple of years, Vietnam has been seeking to overhaul its intellectual property laws, not least due to pressure from countries like the United States. Then, last October, Vietnamese Ambassador Duong Chi Dung was voted in as chairman of the World Intellectual Property Organization (WIPO) General Assembly for the 2018-19 tenure.

It was the first time in 12 years that the Asia-Pacific region had had one of its representatives serving as chairperson of the WIPO General Assembly. Quite an honor considering the diplomat enjoyed the backing of 191 member nations during the Assembly’s 49th session in Geneva, Switzerland.

Then in February, local media began publishing stories detailing how Vietnam was improving its stance towards intellectual property. Citing the sixth annual International IP Index released that month by the US Chamber of Commerce Global Innovation Policy Center (GIPC), it was noted that Vietnam’s score was on the increase.

“Vietnam has taken some positive steps forward towards strengthening its IP framework to compete more closely with its Southeast Asian peers, increasing its score,” said Patrick Kilbride, vice president of GIPC.

“With continued investment in strong IP rights, Vietnam can harness this positive momentum to become a leader in the region, stimulate its domestic capacity for innovation, and enhance its global competitiveness.”

The Vietnam government was also credited with passing legislation to “strengthen the criminal standards for IP infringement”, a move set to “strengthen the enforcement environment” in the country.

Amid the positive developments, it was noted that Vietnam has a way to go. Early March a report in Vietnam News cited a deputy chief inspector of the Ministry of Science and Technology as saying that while an intellectual property court is “in sight”, it isn’t yet clear when one will appear.

“There needs be an intellectual property court in Vietnam, but we don’t know when it will be established,” Nguyễn Như Quỳnh said. That, it appears, is happily being exploited, both intentionally and by those who don’t know any better.

“Several young people are making tonnes of money out of their online businesses without having to have capital, just a few tricks to increase the number of ‘fans’ on their Facebook pages,” she said. “But a lot of them sell fake stuff, which is considered an infringement.”

Come April 10, 2018, there will be new IP regulations in place in Vietnam concerning local and cross-border copyright protection. Additionally, amendments made last year to the Penal Code, which took effect this year, mean that IP infringements carried out by businesses will now be subject to criminal prosecution.

“Article 225 of the Penal Code stipulates that violations of IPR and related rights by private individuals carries a non-custodial sentence of three years or a jail term of up to three years,” Vietnamnet.vn reports.

“Businesses found guilty will be fined VND300 million to VND1 billion (US$13,000-43,800) for the first offense. If the offense is repeated, the penalty will be a fine of VND3 billion ($130,000) or suspension of operations for up to two years.”

The threshold for criminality appears to be quite low. Previously, infringements had to be carried out “on a commercial scale” to qualify but now all that is required is an illicit profit of around US$500.

How this soup of intellectual property commitments, legislative change, hopes, dreams and promises will affect the apparent rise and fall of streaming platforms in Vietnam is unclear. All that being said, it seems likely that all of these factors are playing their part to ratchet up the pressure.

And, with the US currently playing hardball with China over a lack of respect for IP rights, Vietnam will be keen to be viewed as a cooperative nation.

As for 123Movies, it’s unknown whether it will reappear anytime soon, if at all, given the apparent shifting enthusiasm towards protecting IP in Vietnam. Perhaps against the odds its sister site, Animehub, which was launched in December 2017, is still online. But that could be gone in the blink of an eye too, if recent history is anything to go by.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Dotcom’s Bid to Compel Obama to Give Evidence Rejected By High Court

Post Syndicated from Andy original https://torrentfreak.com/dotcoms-bid-to-compel-obama-to-give-evidence-rejected-by-high-court-180321/

With former US president Barack Obama in New Zealand until Friday, the visit provided a golden opportunity for Kim Dotcom to pile on yet more pressure over the strained prosecution of both him and his defunct cloud storage site, Megaupload.

In a statement issued yesterday, Dotcom reiterated his claims that attempts to have him extradited to the United States have no basis in law, chiefly due to the fact that the online dissemination of copyright-protected works by Megaupload’s users is not an extradition offense in New Zealand.

Mainly, however, Dotcom shone yet more light on what he perceives to be the dark politics behind the case, arguing that the Obama administration was under pressure from Hollywood to do something about copyright enforcement or risk losing funding. He says they pulled out all the stops and trampled his rights to prevent that from happening.

In a lengthy affidavit, filed this week to coincide with Obama’s visit, Dotcom called on the High Court to compel the former president to give evidence in the entrepreneur’s retaliatory multi-billion dollar damages claim against the Kiwi government.

This morning, however, Chief High Court Judge, Justice Geoffrey Venning, quickly shut that effort down.

With Obama enjoying a round of golf alongside former Prime Minister and Dotcom nemesis John Key, Justice Venning declined the request to compel Obama to give evidence, whether in New Zealand during the current visit or via letter of request to judicial authorities in the United States.

In his decision, Justice Venning notes that Dotcom’s applications were filed late on March 19 and the matter was only handed to him yesterday. As a result, he convened a telephone conference this morning to “deal with the application as a matter of urgency.”

Dotcom’s legal team argued that in the absence of a Court order it’s unlikely that Obama would give evidence. Equally, given that no date has yet been set for Dotcom’s damages hearing, it will “not be practicable” to serve Obama at a later point in the United States.

Furthermore, absent an order compelling his attendance, Obama would be unlikely to be called as a witness, despite him being the most competent potential witness currently present in New Zealand.

Dotcom counsel Ron Mansfield accepted that there would be practical limitations on what could be achieved between March 21 and March 23 while Obama is in New Zealand. However, he asked that an order be granted so that it could be served while Obama is in the country, even if the examination took place at a later date.

The Judge wasn’t convinced.

“Despite Mr Mansfield’s concession, I consider the application is still premature. The current civil proceedings were only filed on 22 December 2017. The defendants have applied for an order deferring the filing of a statement of defense pending the determination of the hearing of two appeals currently before the Court of Appeal. That application is yet to be determined,” Justice Venning’s decision reads.

The Judge also questions whether evidence Obama could give would be relevant.

He notes that Dotcom’s evidence is based on the fact that Hollywood was a major benefactor of the Democratic Party in the United States and that, in his opinion, the action against Megaupload and him “met the United States’ need to appease the Hollywood lobby” and “that the United States and New Zealand’s interests were perfectly aligned.”

However, Dotcom’s transcripts of his conversations with a lobbyist, which appeared to indicate Obama’s dissatisfaction with the Megaupload prosecution, are dismissed as “hearsay evidence”. Documentation of a private lunch with Obama and the head of the MPAA is also played down.

“Mr Dotcom’s opinion that Mr Obama’s evidence will be relevant to the present claims appears at best speculative,” the Judge notes.

But even if the evidence had been stronger, Justice Venning says that Obama would need to be given time to prepare for an examination, given that it would relate to matters that occurred several years ago.

“He would need to review relevant documents and materials from the time in preparation for any examination. That confirms the current application is premature,” the Judge writes.

In support, it is noted that Dotcom knew as early as February 21 that Obama’s visit would be taking place this week, yet his application was filed just days ago.

With that, the Judge dismissed the application, allowing Obama to play golf in peace. Well, relative peace at least. Dotcom isn’t done yet.

“I am disappointed of course because I believe my affidavit contains compelling evidence of the link between the Obama administration, Hollywood, and my extradition proceeding. However, after seven years of this, I am used to fighting to get to the truth and will keep fighting. Next round!” Dotcom said in response.

“The judgment is no surprise and we’ll get the opportunity to question Obama sooner or later,” he added.

As a further indication of the international nature of Dotcom’s case, the Megaupload founder also reminded people of his former connections to Hong Kong, noting that people in power there are keeping an eye on his case.

“The Chinese Government is watching my case with interest. Expect some bold action in the Hong Kong Courts soon. Never again shall an accusation from the US DOJ be enough to destroy a Hong Kong business. That lesson will soon be learned,” he said.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Dotcom Affidavit Calls For Obama to Give Evidence in Megaupload Case

Post Syndicated from Andy original https://torrentfreak.com/dotcom-affidavit-calls-for-obama-to-give-evidence-in-megaupload-case-180320/

For more than six years since the raid on Megaupload, founder Kim Dotcom has insisted that the case against him, his co-defendants, and his company, was politically motivated.

The serial entrepreneur states unequivocally that former president Barack Obama’s close ties to Hollywood were the driving force.

Later today, Obama will touch down for a visit to New Zealand. In what appears to be a tightly managed affair, with heavy restrictions placed on the media and publicity, it seems clear that Obama wants to maintain control over his social and business engagements in the country.

But of course, New Zealand is home to Kim Dotcom and as someone who feels wronged by the actions of the former administration, he is determined to use this opportunity to shine more light on Obama’s role in the downfall of his company.

In a statement this morning, Dotcom reiterated his claims that attempts to have him extradited to the United States have no basis in law, chiefly due to the fact that the online dissemination of copyright-protected works by Megaupload’s users is not an extradition offense in New Zealand.

But Dotcom also attacks the politics behind his case, arguing that the Obama administration was under pressure from Hollywood to do something about copyright enforcement or risk losing financial support.

In connection with his case, Dotcom is currently suing the New Zealand government for billions of dollars so while Obama is in town, Dotcom is demanding that the former president gives evidence.

Dotcom’s case is laid out in a highly-detailed sworn affidavit dated March 19, 2018. The Megaupload founder explains that Hollywood has historically been a major benefactor of the Democrats so when seeking re-election for a further term, the Democrats were under pressure from the movie companies to make an example of Megaupload and Dotcom.

Dotcom notes that while he was based in Hong Kong, extradition to the US would be challenging. So, with Dotcom seeking residence in New Zealand, a plot was hatched to allow him into the country, despite the New Zealand government knowing that a criminal prosecution lay in wait for him. Dotcom says that by doing a favor for Hollywood, it could mean that New Zealand became a favored destination for US filmmakers.

“The interests of the United States and New Zealand were therefore perfectly aligned. I provided the perfect opportunity for New Zealand to facilitate the United States’ show of force on copyright enforcement,” Dotcom writes.

Citing documents obtained from Open Secrets, Dotcom shows how the Democrats took an 81% share of more than $46m donated to political parties in the US during the 2008 election cycle. In the 2010 cycle, 76% of more than $24m went to the Democrats and in 2012, they scooped up 78% of more than $56m.

Dotcom then recalls the attempts at passing the Stop Online Piracy Act (SOPA), which would have shifted the enforcement of copyright onto ISPs, assisting Hollywood greatly. Ultimately, Congressional support for the proposed legislation was withdrawn and Dotcom recalls this was followed by a public threat from the MPAA to withdraw campaign contributions on which the Democrats were especially reliant.

“The message to the White House was plain: do not expect funding if you do not advance the MPAA’s legislative agenda. On 20 January 2012, the day after this statement, I was arrested,” Dotcom notes.

Describing Megaupload as a highly profitable and innovative platform that highlighted copyright owners’ failure to keep up with the way in which content is now consumed, Dotcom says it made the perfect target for the Democrats.

Convinced the party was at the root of his prosecution, he utilized his connections in Hong Kong to contact Thomas Hart, a lawyer and lobbyist in Washington, D.C. with strong connections to the Democrats and the White House.

Dotcom said a telephone call between him and Mr Hart revealed that then Vice President Joe Biden was at the center of Dotcom’s prosecution but that Obama was dissatisfied with the way things had been handled.

“Biden did admit to have… you know, kind of started it, you know, along with support from others but it was Biden’s decision…,” Hart allegedly said.

“What he [President Obama] expressed to me was a growing concern about the matter. He indicated an awareness of that it had not gone well, that it was more complicated than he thought, that he will turn his attention to it more prominently after November.”

Dotcom says that Obama was “questioning the whole thing,” a suggestion that he may not have been fully committed to the continuing prosecution.

The affidavit then lists a whole series of meetings in 2011, documented in the White House visitor logs. They include meetings with then United States Attorney Neil McBride, various representatives from Hollywood, MPAA chief Chris Dodd, Mike Ellis of the MPA (who was based in Hong Kong and had met with New Zealand’s then Minister of Justice, Simon Power) and the Obama administration.

In summary, Dotcom suggests there was a highly organized scheme against him, hatched between Hollywood and the Obama administration, that had the provision of funds to win re-election at its heart.

From there, an intertwined agreement was reached at the highest levels of both the US and New Zealand governments where the former would benefit through tax concessions to Hollywood (and a sweetening of relations between the countries) and the latter would benefit financially through investment.

All New Zealand had to do was let Dotcom in for a while and then hand him over to the United States for prosecution. And New Zealand definitely knew that Dotcom was wanted by the US. Emails obtained by Dotcom concerning his residency application show that clearly.

“Kim DOTCOM is not of security concern but is likely to soon become the subject of a joint FBI / NZ Police criminal investigation. We have passed this over to NZ Police,” one of the emails reads. Another, well over a year before the raid, also shows the level of knowledge.

Bad but wealthy, so we have plans for him…

With “political pressure” to grant Dotcom’s application in place, Immigration New Zealand finally gave the Megaupload founder the thumbs-up on November 1, 2010. Dotcom believes that New Zealand was concerned he may have walked away from his application.

“This would have been of grave concern to the Government, which, at that time, was in negotiations with Hollywood lobby,” his affidavit reads.

“The last thing they would have needed at that delicate stage of the negotiations was for me to walk away from New Zealand and return to Hong Kong, where extradition would be more difficult. I believe that this concern is what prompted the ‘political pressure’ that led to my application finally being granted despite the presence of factors that would have caused anyone else’s application to have been rejected.”

Dotcom says that after being granted residency, there were signs things weren’t going to plan for him. The entrepreneur applied to buy his now-famous former mansion for NZ$37m, an application that was initially approved. However, after being passed to Simon Power, the application was denied.

“It would appear that, although my character was apparently good enough for me to be granted residence in November 2010, in July 2011 it was not considered good enough for me to buy property in New Zealand,” Dotcom notes.

“The Honourable Mr Power clearly did not want me purchasing $37 million of real estate, presumably because he knew that the United States was going to seek forfeiture of my assets and he did not want what was then the most expensive property in New Zealand being forfeited to the United States government.”

Of course, Dotcom concludes by highlighting the unlawful spying by New Zealand’s GCSB spy agency and the disproportionate use of force displayed by the police when they raided him in 2010 using dozens of armed officers. This, combined with all of the above, means that questions about his case must now be answered at the highest levels. With Obama in town, there’s no time like the present.

“As the evidence above demonstrates, this improper purpose which was then embraced by the New Zealand authorities, originated in the White House under the Obama administration. It is therefore necessary to examine Mr Obama in this proceeding,” Dotcom concludes.

Press blackouts aside, it appears that Obama has rather a lot of golf lined up for the coming days. Whether he’ll have any time to answer Dotcom’s questions is one thing but whether he’ll even be asked to is perhaps the most important point of all.

The full affidavit and masses of supporting evidence can be found here.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

McAfee Security Experts Weigh-in Weirdly With “Fresh Kodi Warning”

Post Syndicated from Andy original https://torrentfreak.com/mcafee-security-experts-weigh-in-weirdly-with-fresh-kodi-warning-180311/

Over the past several years, the last couple in particular, piracy has stormed millions of homes around the world.

From being a widespread but still fairly geeky occupation among torrenters, movie and TV show piracy can now be achieved by anyone with the ability to click a mouse or push a button on a remote control. Much of this mainstream interest can be placed at the feet of the Kodi media player.

An entirely legal platform in its own right, Kodi can be augmented with third-party add-ons that enable users to access an endless supply of streaming media. As such, piracy-configured Kodi installations are operated by an estimated 26 million people, according to the MPAA.

This popularity has led to much interest from tabloid newspapers in the UK which, for reasons best known to them, choose to both promote and demonize Kodi almost every week. While writing about news events is clearly par for the course, when one considers some of the reports, their content, and what inspired them, something doesn’t seem right.

This week The Express, which has published many overly sensational stories about Kodi in recent times, published another. The title – as always – promised something special.

Sounds like big news….

Reading the text, however, reveals nothing new whatsoever. The piece simply rehashes some of the historic claims that have been leveled at Kodi that can easily apply to any Internet-enabled software or system. But beyond that, some of its content is pretty weird.

The piece is centered on comments from two McAfee security experts – Chief Scientist Raj Samani and Chief Consumer Security Evangelist Gary Davis. It’s unclear whether The Express approached them for comment (if they did, there is no actual story for McAfee to comment on) or whether McAfee offered the comments and The Express built a story around them. Either way, here’s a taster.

“Kodi has been pretty open about the fact that it’s a streaming site but my view has always been if I use Netflix I know that I’m not going to get any issues, if I use Amazon I’m not going to get any issues,” Samani told the publication.

Ok, stop right there. Kodi admits that it’s a streaming site? Really? Kodi is a piece of software. It’s a media player. It can do many things but Kodi is not a streaming site and no one at Kodi has ever labeled it otherwise. To think that neither McAfee nor the publication caught that one is a bit embarrassing.

The argument that Samani was trying to make is that services like Netflix and Amazon are generally more reliable than third-party sources and there are few people out there who would argue with that.

“Look, ultimately you’ve got to do the research and you’ve got to decide if it’s right for you but personally I don’t use [Kodi] and I know full well that by not using [Kodi] I’m not going to get any issues. If I pay for the service I know exactly what I’m going to get,” he said.

But unlike his colleague who doesn’t use Kodi, Gary Davis has more experience.

McAfee’s Chief Consumer Security Evangelist admits to having used Kodi in the past but more recently decided not to use it when the security issues apparently got too much for him.

“I did use [Kodi] but turned it off as I started getting worried about some of the risks,” he told The Express.

“You may search for something and you may get what you are looking for but you may get something that you are not looking for and that’s where the problem lies with Kodi.”

This idea, that people search for a movie or TV show yet get something else, is bewildering to most experienced Kodi users. If this was indeed the case, on any large scale, people wouldn’t want to use it anymore. That’s clearly not the case.

Also, incorrect content appearing is not the kind of security threat that the likes of McAfee tend to be worried about. However, Davis suggests things can get worse.

“I’m not saying they’ve done anything wrong but if somebody is able to embed code to turn on a microphone or other things or start sending data to a place it shouldn’t go,” he said.

The sentence appears to have some words missing and struggles to make sense but the suggestion is that someone’s Kodi installation could be corrupted to the point that someone people could hijack the user’s microphone.

We are not aware of anything like that happening, ever, via Kodi. There are instances where that has happened completely without it in a completely different context, but that seems here nor there. By the same count, everyone should stop using Windows perhaps?

The big question is why these ‘scary’ Kodi non-stories keep getting published and why experts are prepared to weigh-in on them?

It would be too easy to quickly put it down to some anti-piracy agenda, even though there are plenty of signs that anti-piracy groups have been habitually feeding UK tabloids with information on that front. Indeed, a source at a UK news outlet (that no longer publishes such stories) told TF that they were often prompted to write stories about Kodi and streaming in general, none with a positive spin.

But if it was as simple as that, how does that explain another story run in The Express this week heralding the launch of Kodi’s ‘Leia’ alpha release?

If Kodi is so bad as to warrant an article telling people to avoid it FOREVER on one day, why is it good enough to be promoted on another? It can only come down to the number of clicks – but the clickbait headline should’ve given that away at the start.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

UK Govt. Met With Copyright Holders Dozens of Times in Just Three Months

Post Syndicated from Andy original https://torrentfreak.com/uk-govt-met-with-copyright-holders-dozens-of-times-in-just-three-months-180310/

While doing business with clients and suppliers is the usual day-to-day routine for most businesses, companies in the entertainment sector seem keener than most to spend time with those in power.

Whether there’s pressure to be applied in respect of upcoming changes in policy or long-term plans for modifying legislation, at least a few times a year news breaks of rightsholders having private meetings with officials. Most of the time, however, the head-to-heads fly under the radar.

This week, however, the UK government published a response to a Freedom of Information Request which asked for details of meetings between the government and copyright owner organizations, enforcement organizations, and collection societies (think BPI, MPA, FACT, Publishers Association, PRS, etc) including times, dates and topics discussed.

The request asked for details of meetings held between May 2016 and April 2017 but the government declined to provide all of this information since the effort required to extract the information “would exceed the cost limit.”

Given the amount of data published, this isn’t a surprise. Even though the government chose to limit the response to events held between January 16, 2017 and April 17, 2017, the meetings between the government and the above groups number in their dozens.

January 2017 got off to a pretty slow start but week three and beyond saw a flurry of meetings with groups and companies such as ITV, BBC, PRS for Music, Copyright Licensing Agency and several other organizations to discuss the EU’s Digital Single Market proposals.

On January 18, 2017 Time Warner had a meeting to discuss content protection and analytics, followed a day later by the Premier League who were booked in to discuss “illicit streaming devices” (a topic mirrored in March during a meeting with the Audiovisual Anti-Piracy Alliance).

Just a few days later the Police Intellectual Property Crime Unit held a “Partnership Working Group Meeting involving industry” and two days after that the police, Trading Standards, and the EU Police Agency convened to discuss enforcement activity.

January 26, 2017 saw an IP Outreach Workshop involving members of the IP Crime Group. This was potentially a big meeting. The IPCG consists of several regional police forces, PIPCU, National Crime Agency, Crown Prosecution Service, Department of Culture, Media and Sport, Trading Standards, HMRC, IFPI, BPI, FACT, Sky TV, PRS, FAST and the Publishers Association, to name just a few.

As the first month of the year was drawing to a close, Amazon met with the government to discuss “current procedures for removing copyright, design and trademark infringing material from their platform.” A similar meeting was held with eBay on February 1 and on February 20, Facebook had its turn on the same topic.

All three companies had come in for criticism from copyright holders for not doing enough to stem the tide of infringing content available on their platforms, particularly so-called Kodi boxes that provide access to movies, shows, and live TV.

However, in the months that followed they each responded positively, with eBay, Amazon and Facebook announcing restrictions on devices sold. While all three platforms still have a problem with infringing device sales, the situation appears to have improved since last year.

On the final day of January 2017, the MPAA attended a meeting to discuss the looming Digital Economy Bill and digital TV piracy. A couple of days later they were back again for a “business awareness seminar” with other big shots including the Alliance for IP, the Anti-Counterfeiting Group, Trading Standards and the Premier League.

However, given the dozens that took place, perhaps one of the more interesting meetings in terms of the mix of those in attendance took place February 7.

Titled “Organized Crime Task Force Meeting – Belfast” it was attended by the Police Service of Northern Ireland, the National Crime Agency, Trading Standards, HM Revenue and Customs, the Border Force, and (spot the odd one out) the Federation Against Copyright Theft.

This seems to suggest that FACT (a private company) is effectively embedded at the highest level of law enforcement, something that has made people very uncomfortable in the past.

Later in February, there was a roundtable meeting with the Alliance for IP, MPAA, Publishers’ Association, BPI, Premier League and Federation Against Copyright Theft (again) to discuss Brexit, the Digital Single Market, IP enforcement and industrial strategy. A similar meeting was held in March which was attended by UK Music, BPI, PRS, Featured Artists Coalition, and many more.

The full list of meetings, which number in their dozens for just a three-month period, can be found here pdf. Whether the volume is representative of other three-month periods isn’t clear but it seems reasonable to conclude that copyright organizations have the ears of government officials in the UK on an almost continual basis.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Trump Promises Copyright Crackdown as DoJ Takes Aim at Streaming Pirates

Post Syndicated from Andy original https://torrentfreak.com/trump-promises-copyright-crackdown-as-doj-takes-aim-at-streaming-pirates-180308/

For the past several years most of the world has been waking up to the streaming piracy phenomenon, with pre-configured set-top boxes making inroads into millions of homes.

While other countries, notably the UK, arrested many individuals while warning of a grave and looming danger, complaints from the United States remained relatively low-key. It was almost as if the stampede towards convenient yet illegal streaming had caught the MPAA and friends by surprise.

In October 2017, things quickly began to change. The Alliance for Creativity and Entertainment sued Georgia-based Tickbox TV, a company selling “fully-loaded” Kodi boxes. In January 2018, the same anti-piracy group targeted Dragon Media, a company in the same line of business.

With this growing type of piracy now firmly on the radar, momentum seems to be building. Yesterday, a panel discussion on the challenges associated with piracy from streaming media boxes took place on Capitol Hill.

Hosted by the Information Technology and Innovation Foundation (ITIF), ‘Unboxing the Piracy Threat of Streaming Media Boxes’ went ahead with some big name speakers in attendance, not least Neil Fried, Senior Vice President, Federal Advocacy and Regulatory Affairs at the MPAA.

ITIF and various industry groups tweeted many interesting comments throughout the event. Kevin Madigan from Center for the Protection of Intellectual Property told the panel that torrent-based content “is becoming obsolete” in an on-demand digital environment that’s switching to streaming-based piracy.

While there’s certainly a transition taking place, 150 million worldwide torrent users would probably argue against the term “obsolete”. Nevertheless, the same terms used to describe torrent sites are now being used to describe players in the streaming field.

“There’s a criminal enterprise going on here that’s stealing content and making a profit,” Fried told those in attendance.

“The piracy activity out there is bad, it’s hurting a lot of economic activity & creators aren’t being compensated for their work,” he added.

Tom Galvin, Executive Director at the Digital Citizens Alliance, was also on the panel. Unsurprisingly, given the organization’s focus on the supposed dangers of piracy, Galvin took the opportunity to underline that position.

“If you go down the piracy road, those boxes aren’t following proper security protocols, there are many malware risks,” he said. It’s a position shared by Fried, who told the panel that “video piracy is the leading source of malware.”

Similar claims were made recently on Safer Internet Day but the facts don’t seem to back up the scare stories. Still, with the “Piracy is Dangerous” strategy already out in the open, the claims aren’t really unexpected.

What might also not come as a surprise is that ACE’s lawsuits against Tickbox and Dragon Media could be just a warm-up for bigger things to come. In the tweet embedded below, Fried can be seen holding a hexagonal-shaped streaming box, warning that the Department of Justice is now looking for candidates for criminal action.

What form this action will take when it arrives isn’t clear but when the DoJ hits targets on home soil, it tends to cherry-pick the most blatant of infringers in order to set an example with reasonably cut-and-dried cases.

Of course, every case can be argued but with hundreds of so-called “Kodi box” sellers active all over the United States, many of them clearly breaking the law as they, in turn, invite their customers to break the law, picking a sitting duck shouldn’t be too difficult.

And then, of course, we come to President Trump. Not usually that vocal on matters of intellectual property and piracy, yesterday – perhaps coincidentally, perhaps not – he suddenly delivered one of his “something is coming” tweets.

Given Trump’s tendency to focus on problems overseas causing issues for companies back home, a comment by Kevin Madigan during the panel yesterday immediately comes to mind.

“To combat piracy abroad, USTR needs to work with the creative industries to improve enforcement and target the source of pirated material,” Madigan said.

Interesting times and much turmoil in the streaming world ahead, it seems.

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‘Pirate’ Kodi Addon Devs & Distributors Told to Cease-and-Desist

Post Syndicated from Andy original https://torrentfreak.com/pirate-kodi-addon-devs-distributors-told-to-cease-and-desist-180214/

Last November, following a year of upheaval for third-party addon creators and distributors, yet more turmoil hit the community in the form of threats from the world’s most powerful anti-piracy coalition – the Alliance for Creativity and Entertainment (ACE).

Comprised of 30 companies including the studios of the MPAA, Amazon, Netflix, CBS, HBO, BBC, Sky, Bell Canada, CBS, Hulu, Lionsgate, Foxtel, Village Roadshow, and many more, ACE warned several developers to shut down – or else.

The letter: shut down – or else

Now it appears that ACE is on the warpath again, this time targeting a broader range of individuals involved in the Kodi addon scene, from developers and distributors to those involved in the production of how-to videos on YouTube.

The first report of action came from TVAddons, who noted that the lead developer at the Noobs and Nerds repository had been targeted with a cease-and-desist notice, adding that people from the site had been “visited at their homes.”

As seen in the image below, the Noobs and Nerds website is currently down. The site’s Twitter account has also been disabled.

Noobs and Nerds – gone

While TVAddons couldn’t precisely confirm the source of the threat, information gathered from individuals involved in the addon scene all point to the involvement of ACE.

In particular, a man known online as Teverz, who develops his own builds, runs a repo, and creates Kodi-themed YouTube videos, confirmed that ACE had been in touch.

An apparently unconcerned Teverz….

“I am not a dev so they really don’t scare me lmao,” he added.

Teverz claims to be from Canada and it appears that others in the country are also facing cease and desist notices. An individual known as Doggmatic, who also identifies as Canadian and has Kodi builds under his belt, says he too was targeted.

Another target in Canada

Doggmatic, who appears to be part of the Illuminati repo, says he had someone call the people who sent the cease-and-desist but like Teverz, he doesn’t seem overly concerned, at least for now.

“I have a legal representative calling them. The letters they sent aren’t legal documents. No lawyer signed them and no law firm mentioned,” Doggmatic said.

But the threats don’t stop there. Blamo, the developer of the Neptune Rising addon accessible from the Blamo repo, also claims to have been threatened.

SpinzTV, who offers unofficial Kodi builds and an associated repository, is also under the spotlight. Unlike his Canadian counterparts, he has already thrown in the towel, according to a short announcement on Twitter.

For SpinzTV it’s all over…

TorrentFreak contacted the Alliance for Creativity and Entertainment, asking them if they could confirm the actions and provide any additional details. At the time of publication they had no information for us but we’ll update if and when that comes in.

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MPA Met With Russian Site-Blocking Body to Discuss Piracy

Post Syndicated from Andy original https://torrentfreak.com/mpa-met-with-russian-site-blocking-body-to-discuss-piracy-180209/

Given Russia’s historical reputation for having a weak approach to online piracy, the last few years stand in stark contrast to those that went before.

Overseen by telecoms watchdog Rozcomnadzor, Russia now has one of the toughest site-blocking regimes in the whole world. It’s possible to have entire sites blocked in a matter of days, potentially over a single piece of infringing content. For persistent offenders, permanent blocking is now a reality.

While that process requires the involvement of the courts, the subsequent blocking of mirror sites does not, with Russia blocking more than 500 since a new law was passed in October 2017.

With anti-piracy measures now a force to be reckoned with in Russia, it’s emerged that last week Stan McCoy, president of the Motion Picture Association’s EMEA division, met with telecoms watchdog Roskomnadzor in Moscow.

McCoy met with Rozcomnadzor chief Alexander Zharov last Friday, in a meeting that was also attended by Ekaterina Mironova, head of the anti-piracy committee of the Media Communication Union (ISS).

According to Rozcomnadzor, issues discussed included copyright-related legislation and regulation. Also on the agenda was the strengthening of international cooperation, including between public organizations representing the interests of rightholders.

“In particular, an agreement was reached to expand contacts between the MPAA and the ISS,” Rozcomnadzor notes.

The ISS (known locally as Media-Communication Union MKC) was founded by the largest Russian media companies and telecom operators in February 2014. It differentiates itself from other organizations with the claim that its the first group of its type to represent the interests of communications companies, rights holders, broadcasters and large distributors.

During the meeting, McCoy was given an update on Russia’s implementation of the various anti-piracy laws introduced and developed since May 2015.

“Since the introduction of the anti-piracy laws, Roskomnadzor has received more than 2,800 rulings from the Moscow City Court on the adoption of preliminary provisional [blocking] measures to protect copyright on the Internet, including 1,630 for movies,” the watchdog reveals.

“In connection with the deletion of pirated content, access to the territory of Russia was restricted for 1,547 Internet resources. Based on the decisions of the Moscow City Court, 752 pirated sites are now permanently blocked, and according to the decisions of the Ministry of Communications, more than 600 ‘mirrors’ of these resources are blocked too.”

While it’s normally the position of the US to criticize Russia for not doing enough to tackle piracy, it must’ve been interesting to participate in a meeting where for once the Russians had the upper hand. Even though the MPAA previously campaigned for one, there is no site-blocking mechanism in the United States.

“The fight against piracy stimulates the growth of the legal online video market in Russia. Attendance of legal online sites is constantly growing. Users are attracted to high-quality content for an affordable fee,” Rozcomnadzor concludes.

The meeting’s participants will join up again during the St. Petersburg International Economic Forum scheduled to take place May 24-26.

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Hollywood Says Only Site-Blocking Left to Beat Piracy in New Zealand

Post Syndicated from Andy original https://torrentfreak.com/hollywood-says-only-site-blocking-left-to-beat-piracy-in-new-zealand-180123/

The Motion Picture Distributors’ Association (MPDA) is a non-profit organisation which represents major international film studios in New Zealand.

With companies including Fox, Sony, Paramount, Roadshow, Disney, and Universal on the books, the MPDA sings from the same sheet as the MPAA and MPA. It also hopes to achieve in New Zealand what its counterparts have achieved in Europe and Australia but cannot on home soil – mass pirate site blocking.

In a release heralding the New Zealand screen industry’s annual contribution of around NZ$1.05 billion to GDP and NZ$706 million to exports, MPDA Managing Director Matthew Cheetham says that despite the successes, serious challenges lie ahead.

“When we have the illegal file sharing site the Pirate Bay as New Zealand’s 19th most popular site in New Zealand, it is clear that legitimate movie and TV distribution channels face challenges,” Cheetham says.

MPDA members in New Zealand

In common with movie bosses in many regions, Cheetham is hoping that the legal system will rise to the challenge and assist distributors to tackle the piracy problem. In New Zealand, that might yet require a change in the law but given recent changes in Australia, that doesn’t seem like a distant proposition.

Last December, the New Zealand government announced an overhaul of the country’s copyright laws. A review of the Copyright Act 1994 was announced by the previous government and is now scheduled to go ahead this year. The government has already indicated a willingness to consider amendments to the Act in order to meet the objectives of New Zealand’s copyright regime.

“In New Zealand, piracy is almost an accepted thing, because no one’s really doing anything about it, because no one actually can do anything about it,” Cheetham said last month.

It’s quite unusual for Hollywood’s representatives to say nothing can be done about piracy. However, there was a small ray of hope this morning when Cheetham said that there is actually one option left.

“There’s nothing we can do in New Zealand apart from site blocking,” Cheetham said.

So, as the MPDA appears to pin its hopes on legislative change, other players in the entertainment industry are testing the legal system as it stands today.

Last September, Sky TV began a pioneering ‘pirate’ site-blocking challenge in the New Zealand High Court, applying for an injunction against several local ISPs to prevent their subscribers from accessing several pirate sites.

The boss of Vocus, one of the ISP groups targeted, responded angrily, describing Sky’s efforts as “dinosaur behavior” and something one would expect in North Korea, not in New Zealand.

“It isn’t our job to police the Internet and it sure as hell isn’t SKY’s either, all sites should be equal and open,” General Manager Taryn Hamilton said.

The response from ISPs suggests that even when the matter of site-blocking is discussed as part of the Copyright Act review, introducing specific legislation may not be smooth sailing. In that respect, all eyes will turn to the Sky process, to see if some precedent can be set there.

Finally, another familiar problem continues to raise its head down under. So-called “Kodi boxes” – the now generic phrase often used to describe set-top devices configured for piracy – are also on the content industries’ radar.

There are a couple of cases still pending against sellers, including one in which a budding entrepreneur sent out marketing letters claiming that his service was better than Sky’s offering. For seller Krish Reddy, this didn’t turn out well as the company responded with a NZ$1m lawsuit.

Generally, however, both content industries and consumers are having a good time in New Zealand but the MPDA’s Cheetham says that taking on pirates is never easy.

“It’s been called the golden age of television and a lot of premium movies have been released in the last 12 or 18 months. Content providers and distributors have really upped their game in the last five or 10 years to meet what people want but it’s very difficult to compete with free,” Cheetham concludes.

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Hollywood Asks New UK Culture Secretary To Fight Online Piracy

Post Syndicated from Andy original https://torrentfreak.com/hollywood-asks-new-uk-culture-secretary-to-fight-online-piracy-180119/

Following Prime Minister Theresa May’s cabinet reshuffle earlier this month, Matt Hancock replaced Karen Bradley as Secretary of State for Digital, Culture, Media and Sport.

Hancock, the 39-year-old MP for West Suffolk, was promoted from his role as Minister for Digital and Culture, a position he’d held since July 2016.

“Thrilled to become DCMS Secretary. Such an exciting agenda, so much to do, and great people. Can’t wait to get stuck in,” he tweeted.

Of course, the influence held by the Culture Secretary means that the entertainment industries will soon come calling, seeking help and support in a number of vital areas. No surprise then that Stan McCoy, president and managing director at the ‎Motion Picture Association’s EMEA division, has just jumped in with some advice for Hancock.

In an open letter published on Screen Daily, McCoy begins by reminding Hancock that the movie industry contributes considerable sums to the UK economy.

“We are one of the country’s most valuable economic and cultural assets – worth almost £92bn, growing at twice the rate of the economy, and making a positive contribution to the UK’s balance of payments,” McCoy writes.

“Britain’s status as a center of excellence for the audiovisual sector in particular is no accident: It results from the hard work and genius of our creative workforce, complemented by the support of governments that have guided their policies toward enabling continued excellence and growth.”

McCoy goes on to put anti-piracy initiatives at the very top of his wishlist – and Hancock’s to-do list.

“A joined-up strategy to curb proliferation of illegal, often age-inappropriate and malware-laden content online must include addressing the websites, environments and apps that host and facilitate piracy,” McCoy says.

“In addition to hurting one of Britain’s most important industries, they are overwhelmingly likely to harm children and adult consumers through nasty ads, links to adult content with no age verification, scams, fraud and other unpleasantness.”

That McCoy begins with the “piracy is dangerous” approach is definitely not a surprise. This Hollywood and wider video industry strategy is now an open secret. However, it feels a little off that the UK is being asked to further tackle pirate sites.

Through earlier actions, facilitated by the UK legal system and largely sympathetic judges, many thousands of URLs and domains linking to pirate sites, mirrors and proxies, are impossible to access directly through the UK’s major ISPs. Although a few slip through the net, directly accessing the majority of pirate sites in the UK is now impossible.

That’s already a considerable overseas anti-piracy position for the MPA who, as the “international voice” of the Motion Picture Association of America (MPAA), represents American corporations including Disney, Paramount, Sony Pictures, 20th Century Fox, Universal, and Warner Bros.

There’s no comparable blocking system for these companies to use in the United States and rightsholders in the UK can even have extra sites blocked without going back to court for permission. In summary, these US companies arguably get a better anti-piracy deal in the UK than they do at home in the United States.

In his next point, McCoy references last year’s deal – which was reached following considerable pressure from the UK government – between rightsholders and search engines including Google and Bing to demote ‘pirate’ results.

“Building on last year’s voluntary deal with search engines, the Government should stay at the cutting edge of ensuring that everyone in the ecosystem – including search engines, platforms and social media companies – takes a fair share of responsibility,” McCoy says.

While this progress is clearly appreciated by the MPA/MPAA, it’s difficult to ignore that the voluntary arrangement to demote infringing content is somewhat special if not entirely unique. There is definitely nothing comparable in the United States so keeping up the pressure on the UK Government feels a little like getting the good kid in class to behave, while his rowdy peers nearer the chalkboard get ignored.

The same is true for McCoy’s call for the UK to “banish dodgy streaming devices”.

“Illegal streaming devices loaded with piracy apps and malware – not to mention the occasional electrical failure – are proliferating across the UK, to the detriment of consumers and industry,” he writes.

“The sector is still waiting for the Intellectual Property Office to publish the report on its Call for Views on this subject. This will be one of several opportunities, along with the promised Digital Charter, to make clear that these devices and the apps and content they supply are unacceptable, dangerous to consumers, and harmful to the creative industry.”

Again, prompting the UK to stay on top of this game doesn’t feel entirely warranted.

With dozens of actions over the past few years, the Police Intellectual Property Crime Unit and the Federation Against Copyright Theft (which Hollywood ironically dumped in 2016) have done more to tackle the pirate set-top box problem than any group on the other side of the Atlantic.

Admittedly the MPAA is now trying to catch up, with recent prosecutions of two ‘pirate’ box vendors (1,2), but largely the work by the studios on their home turf has been outpaced by that of their counterparts in the UK.

Maybe Hancock will mention that to Hollywood at some point in the future.

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US Govt Brands Torrent, Streaming & Cyberlocker Sites As Notorious Markets

Post Syndicated from Andy original https://torrentfreak.com/us-govt-brands-torrent-streaming-cyberlocker-sites-as-notorious-markets-180115/

In its annual “Out-of-Cycle Review of Notorious Markets” the office of the United States Trade Representative (USTR) has listed a long list of websites said to be involved in online piracy.

The list is compiled with high-level input from various trade groups, including the MPAA and RIAA who both submitted their recommendations (1,2) during early October last year.

With the word “allegedly” used more than two dozen times in the report, the US government notes that its report does not constitute cast-iron proof of illegal activity. However, it urges the countries from where the so-called “notorious markets” operate to take action where they can, while putting owners and facilitators on notice that their activities are under the spotlight.

“A goal of the List is to motivate appropriate action by owners, operators, and service providers in the private sector of these and similar markets, as well as governments, to reduce piracy and counterfeiting,” the report reads.

“USTR highlights the following marketplaces because they exemplify global counterfeiting and piracy concerns and because the scale of infringing activity in these marketplaces can cause significant harm to U.S. intellectual property (IP) owners, consumers, legitimate online platforms, and the economy.”

The report begins with a page titled “Issue Focus: Illicit Streaming Devices”. Unsurprisingly, particularly given their place in dozens of headlines last year, the segment focus on the set-top box phenomenon. The piece doesn’t list any apps or software tools as such but highlights the general position, claiming a cost to the US entertainment industry of $4-5 billion a year.

Torrent Sites

In common with previous years, the USTR goes on to list several of the world’s top torrent sites but due to changes in circumstances, others have been delisted. ExtraTorrent, which shut down May 2017, is one such example.

As the world’s most famous torrent site, The Pirate Bay gets a prominent mention, with the USTR noting that the site is of “symbolic importance as one of the longest-running and most vocal torrent sites. The USTR underlines the site’s resilience by noting its hydra-like form while revealing an apparent secret concerning its hosting arrangements.

“The Pirate Bay has allegedly had more than a dozen domains hosted in various countries around the world, applies a reverse proxy service, and uses a hosting provider in Vietnam to evade further enforcement action,” the USTR notes.

Other torrent sites singled out for criticism include RARBG, which was nominated for the listing by the movie industry. According to the USTR, the site is hosted in Bosnia and Herzegovina and has changed hosting services to prevent shutdowns in recent years.

1337x.to and the meta-search engine Torrentz2 are also given a prime mention, with the USTR noting that they are “two of the most popular torrent sites that allegedly infringe U.S. content industry’s copyrights.” Russia’s RuTracker is also targeted for criticism, with the government noting that it’s now one of the most popular torrent sites in the world.

Streaming & Cyberlockers

While torrent sites are still important, the USTR reserves considerable space in its report for streaming portals and cyberlocker-type services.

4Shared.com, a file-hosting site that has been targeted by dozens of millions of copyright notices, is reportedly no longer able to use major US payment providers. Nevertheless, the British Virgin Islands company still collects significant sums from premium accounts, advertising, and offshore payment processors, USTR notes.

Cyberlocker Rapidgator gets another prominent mention in 2017, with the USTR noting that the Russian-hosted platform generates millions of dollars every year through premium memberships while employing rewards and affiliate schemes.

Due to its increasing popularity as a hosting and streaming operation, Openload.co (Romania) is now a big target for the USTR. “The site is used frequently in combination with add-ons in illicit streaming devices. In November 2017, users visited Openload.co a staggering 270 million times,” the USTR writes.

Owned by a Swiss company and hosted in the Netherlands, the popular site Uploaded is also criticized by the US alongside France’s 1Fichier.com, which allegedly hosts pirate games while being largely unresponsive to takedown notices. Dopefile.pk, a Pakistan-based storage outfit, is also highlighted.

On the video streaming front, it’s perhaps no surprise that the USTR focuses on sites like FMovies (Sweden), GoStream (Vietnam), Movie4K.tv (Russia) and PrimeWire. An organization collectively known as the MovShare group which encompasses Nowvideo.sx, WholeCloud.net, NowDownload.cd, MeWatchSeries.to and WatchSeries.ac, among others, is also listed.

Unauthorized music / research papers

While most of the above are either focused on video or feature it as part of their repertoire, other sites are listed for their attention to music. Convert2MP3.net is named as one of the most popular stream-ripping sites in the world and is highlighted due to the prevalence of YouTube-downloader sites and the 2017 demise of YouTube-MP3.

“Convert2MP3.net does not appear to have permission from YouTube or other sites and does not have permission from right holders for a wide variety of music represented by major U.S. labels,” the USTR notes.

Given the amount of attention the site has received in 2017 as ‘The Pirate Bay of Research’, Libgen.io and Sci-Hub.io (not to mention the endless proxy and mirror sites that facilitate access) are given a detailed mention in this year’s report.

“Together these sites make it possible to download — all without permission and without remunerating authors, publishers or researchers — millions of copyrighted books by commercial publishers and university presses; scientific, technical and medical journal articles; and publications of technological standards,” the USTR writes.

Service providers

But it’s not only sites that are being put under pressure. Following a growing list of nominations in previous years, Swiss service provider Private Layer is again singled out as a rogue player in the market for hosting 1337x.to and Torrentz2.eu, among others.

“While the exact configuration of websites changes from year to year, this is the fourth consecutive year that the List has stressed the significant international trade impact of Private Layer’s hosting services and the allegedly infringing sites it hosts,” the USTR notes.

“Other listed and nominated sites may also be hosted by Private Layer but are using
reverse proxy services to obfuscate the true host from the public and from law enforcement.”

The USTR notes Switzerland’s efforts to close a legal loophole that restricts enforcement and looks forward to a positive outcome when the draft amendment is considered by parliament.

Perhaps a little surprisingly given its recent anti-piracy efforts and overtures to the US, Russia’s leading social network VK.com again gets a place on the new list. The USTR recognizes VK’s efforts but insists that more needs to be done.

Social networking and e-commerce

“In 2016, VK reached licensing agreements with major record companies, took steps to limit third-party applications dedicated to downloading infringing content from the site, and experimented with content recognition technologies,” the USTR writes.

“Despite these positive signals, VK reportedly continues to be a hub of infringing activity and the U.S. motion picture industry reports that they find thousands of infringing files on the site each month.”

Finally, in addition to traditional pirate sites, the US also lists online marketplaces that allegedly fail to meet appropriate standards. Re-added to the list in 2016 after a brief hiatus in 2015, China’s Alibaba is listed again in 2017. The development provoked an angry response from the company.

Describing his company as a “scapegoat”, Alibaba Group President Michael Evans said that his platform had achieved a 25% drop in takedown requests and has even been removing infringing listings before they make it online.

“In light of all this, it’s clear that no matter how much action we take and progress we make, the USTR is not actually interested in seeing tangible results,” Evans said in a statement.

The full list of sites in the Notorious Markets Report 2017 (pdf) can be found below.

– 1fichier.com – (cyberlocker)
– 4shared.com – (cyberlocker)
– convert2mp3.net – (stream-ripper)
– Dhgate.com (e-commerce)
– Dopefile.pl – (cyberlocker)
– Firestorm-servers.com (pirate gaming service)
– Fmovies.is, Fmovies.se, Fmovies.to – (streaming)
– Gostream.is, Gomovies.to, 123movieshd.to (streaming)
– Indiamart.com (e-commerce)
– Kinogo.club, kinogo.co (streaming host, platform)
– Libgen.io, sci-hub.io, libgen.pw, sci-hub.cc, sci-hub.bz, libgen.info, lib.rus.ec, bookfi.org, bookzz.org, booker.org, booksc.org, book4you.org, bookos-z1.org, booksee.org, b-ok.org (research downloads)
– Movshare Group – Nowvideo.sx, wholecloud.net, auroravid.to, bitvid.sx, nowdownload.ch, cloudtime.to, mewatchseries.to, watchseries.ac (streaming)
– Movie4k.tv (streaming)
– MP3VA.com (music)
– Openload.co (cyberlocker / streaming)
– 1337x.to (torrent site)
– Primewire.ag (streaming)
– Torrentz2, Torrentz2.me, Torrentz2.is (torrent site)
– Rarbg.to (torrent site)
– Rebel (domain company)
– Repelis.tv (movie and TV linking)
– RuTracker.org (torrent site)
– Rapidgator.net (cyberlocker)
– Taobao.com (e-commerce)
– The Pirate Bay (torrent site)
– TVPlus, TVBrowser, Kuaikan (streaming apps and addons, China)
– Uploaded.net (cyberlocker)
– VK.com (social networking)

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Is Your Kodi Setup Being Spied On?

Post Syndicated from Andy original https://torrentfreak.com/is-your-kodi-setup-being-spied-on-180101/

As quite possibly the most people media player on earth, Kodi is installed on millions of machines – around 38 million according to the MPAA. The software has a seriously impressive range of features but one, if not configured properly, raises security issues for Kodi users.

For many years, Kodi has had a remote control feature, whereby the software can be remotely managed via a web interface.

This means that you’re able to control your Kodi setup installed on a computer or set-top box using a convenient browser-based interface on another device, from the same room or indeed anywhere in the world. Earlier versions of the web interface look like the one in the image below.

The old Kodi web-interface – functional but basic

But while this is a great feature, people don’t always password-protect the web-interface, meaning that outsiders can access their Kodi setups, if they have that person’s IP address and a web-browser. In fact, the image shown above is from a UK Kodi user’s setup that was found in seconds using a specialist search engine.

While the old web-interface for Kodi was basically a remote control, things got more interesting in late 2016 when the much more functional Chorus2 interface was included in Kodi by default. It’s shown in the image below.

Chorus 2 Kodi Web-Interface

Again, the screenshot above was taken from the setup of a Kodi user whose setup was directly open to the Internet. In every way the web-interface of Kodi acts as a web page, allowing anyone with the user’s IP address (with :8080 appended to the end) to access the user’s setup. It’s no different than accessing Google with an IP address (216.58.216.142), instead of Google.com.

However, Chorus 2 is much more comprehensive that its predecessors which means that it’s possible for outsiders to browse potentially sensitive items, including their addons if a password hasn’t been enabled in the appropriate section in Kodi.

Kodi users probably don’t want this seen in public

While browsing someone’s addons isn’t the most engaging thing in the world, things get decidedly spicier when one learns that the Chorus 2 interface allows both authorized and unauthorized users to go much further.

For example, it’s possible to change Kodi’s system settings from the interface, including mischievous things such as disabling keyboards and mice. As seen (or not seen) in the redacted section in the image below, it can also give away system usernames, for example.

Access to Kodi settings – and more

But aside from screwing with people’s settings (which is both pointless and malicious), the Chorus 2 interface has a trick up its sleeve. If people’s Kodi setups contain video or music files (which is what Kodi was originally designed for), in many cases it’s possible to play these over the web interface.

In basic terms, someone with your IP address can view the contents of your video library on the other side of the world, with just a couple of clicks.

The image below shows that a Kodi setup has been granted access to some kind of storage (network or local disk, for example) and it can be browsed, revealing movies. (To protect the user, redactions have been made to remove home video titles, network, and drive names)

Network storage accessed via Chorus 2

The big question is, however, whether someone accessing a Kodi setup remotely can view these videos via a web browser. Answer: Absolutely.

Clicking through on each piece of media reveals a button to the right of its title. Clicking that reveals two options – ‘Queue in Kodi’ (to play on the installation itself) or ‘Download’, which plays/stores the content via a remote browser located anywhere in the world. Chrome works like a charm.

Queue to Kodi or watch remotely in a browser

While this is ‘fun’ and potentially useful for outsiders looking for content, it’s not great if it’s your system that’s open to the world. The good news is that something can be done about it.

In their description for Chorus 2, the Kodi team explain all of its benefits of the interface but it appears many people don’t take their advice to introduce a new password. The default password and username are both ‘kodi’ which is terrible for security if people leave things the way they are.

If you run Kodi, now is probably the time to fix the settings, disable the web interface if you don’t use it, or enable stronger password protection if you do.

Change that password – now

Just recently, Kodi addon repository TVAddons issued a warning to people using jailbroken Apple TV 2 devices. That too was a default password issue and one that can be solved relatively easily.

“People need to realize that their Kodi boxes are actually mini computers and need to be treated as such,” a TVAddons spokesperson told TF.

“When you install a build, or follow a guide from an unreputable source, you’re opening yourself up to potential risk. Since Kodi boxes aren’t normally used to handle sensitive data, people seem to disregard the potential risks that are posed to their network.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons