Tag Archives: PIR

CoderDojo Coolest Projects 2017

Post Syndicated from Ben Nuttall original https://www.raspberrypi.org/blog/coderdojo-coolest-projects-2017/

When I heard we were merging with CoderDojo, I was delighted. CoderDojo is a wonderful organisation with a spectacular community, and it’s going to be great to join forces with the team and work towards our common goal: making a difference to the lives of young people by making technology accessible to them.

You may remember that last year Philip and I went along to Coolest Projects, CoderDojo’s annual event at which their global community showcase their best makes. It was awesome! This year a whole bunch of us from the Raspberry Pi Foundation attended Coolest Projects with our new Irish colleagues, and as expected, the projects on show were as cool as can be.

Coolest Projects 2017 attendee

Crowd at Coolest Projects 2017

This year’s coolest projects!

Young maker Benjamin demoed his brilliant RGB LED table tennis ball display for us, and showed off his brilliant project tutorial website codemakerbuddy.com, which he built with Python and Flask. [Click on any of the images to enlarge them.]

Coolest Projects 2017 LED ping-pong ball display
Coolest Projects 2017 Benjamin and Oly

Next up, Aimee showed us a recipes app she’d made with the MIT App Inventor. It was a really impressive and well thought-out project.

Coolest Projects 2017 Aimee's cook book
Coolest Projects 2017 Aimee's setup

This very successful OpenCV face detection program with hardware installed in a teddy bear was great as well:

Coolest Projects 2017 face detection bear
Coolest Projects 2017 face detection interface
Coolest Projects 2017 face detection database

Helen’s and Oly’s favourite project involved…live bees!

Coolest Projects 2017 live bees

BEEEEEEEEEEES!

Its creator, 12-year-old Amy, said she wanted to do something to help the Earth. Her project uses various sensors to record data on the bee population in the hive. An adjacent monitor displays the data in a web interface:

Coolest Projects 2017 Aimee's bees

Coolest robots

I enjoyed seeing lots of GPIO Zero projects out in the wild, including this robotic lawnmower made by Kevin and Zach:

Raspberry Pi Lawnmower

Kevin and Zach’s Raspberry Pi lawnmower project with Python and GPIO Zero, showed at CoderDojo Coolest Projects 2017

Philip’s favourite make was a Pi-powered robot you can control with your mind! According to the maker, Laura, it worked really well with Philip because he has no hair.

Philip Colligan on Twitter

This is extraordinary. Laura from @CoderDojo Romania has programmed a mind controlled robot using @Raspberry_Pi @coolestprojects

And here are some pictures of even more cool robots we saw:

Coolest Projects 2017 coolest robot no.1
Coolest Projects 2017 coolest robot no.2
Coolest Projects 2017 coolest robot no.3

Games, toys, activities

Oly and I were massively impressed with the work of Mogamad, Daniel, and Basheerah, who programmed a (borrowed) Amazon Echo to make a voice-controlled text-adventure game using Java and the Alexa API. They’ve inspired me to try something similar using the AIY projects kit and adventurelib!

Coolest Projects 2017 Mogamad, Daniel, Basheerah, Oly
Coolest Projects 2017 Alexa text-based game

Christopher Hill did a brilliant job with his Home Alone LEGO house. He used sensors to trigger lights and sounds to make it look like someone’s at home, like in the film. I should have taken a video – seeing it in action was great!

Coolest Projects 2017 Lego home alone house
Coolest Projects 2017 Lego home alone innards
Coolest Projects 2017 Lego home alone innards closeup

Meanwhile, the Northern Ireland Raspberry Jam group ran a DOTS board activity, which turned their area into a conductive paint hazard zone.

Coolest Projects 2017 NI Jam DOTS activity 1
Coolest Projects 2017 NI Jam DOTS activity 2
Coolest Projects 2017 NI Jam DOTS activity 3
Coolest Projects 2017 NI Jam DOTS activity 4
Coolest Projects 2017 NI Jam DOTS activity 5
Coolest Projects 2017 NI Jam DOTS activity 6

Creativity and ingenuity

We really enjoyed seeing so many young people collaborating, experimenting, and taking full advantage of the opportunity to make real projects. And we loved how huge the range of technologies in use was: people employed all manner of hardware and software to bring their ideas to life.

Philip Colligan on Twitter

Wow! Look at that room full of awesome young people. @coolestprojects #coolestprojects @CoderDojo

Congratulations to the Coolest Projects 2017 prize winners, and to all participants. Here are some of the teams that won in the different categories:

Coolest Projects 2017 winning team 1
Coolest Projects 2017 winning team 2
Coolest Projects 2017 winning team 3

Take a look at the gallery of all winners over on Flickr.

The wow factor

Raspberry Pi co-founder and Foundation trustee Pete Lomas came along to the event as well. Here’s what he had to say:

It’s hard to describe the scale of the event, and photos just don’t do it justice. The first thing that hit me was the sheer excitement of the CoderDojo ninjas [the children attending Dojos]. Everyone was setting up for their time with the project judges, and their pure delight at being able to show off their creations was evident in both halls. Time and time again I saw the ninjas apply their creativity to help save the planet or make someone’s life better, and it’s truly exciting that we are going to help that continue and expand.

Even after 8 hours, enthusiasm wasn’t flagging – the awards ceremony was just brilliant, with ninjas high-fiving the winners on the way to the stage. This speaks volumes about the ethos and vision of the CoderDojo founders, where everyone is a winner just by being part of a community of worldwide friends. It was a brilliant introduction, and if this weekend was anything to go by, our merger certainly is a marriage made in Heaven.

Join this awesome community!

If all this inspires you as much as it did us, consider looking for a CoderDojo near you – and sign up as a volunteer! There’s plenty of time for young people to build up skills and start working on a project for next year’s event. Check out coolestprojects.com for more information.

The post CoderDojo Coolest Projects 2017 appeared first on Raspberry Pi.

NSA Insider Security Post-Snowden

Post Syndicated from Bruce Schneier original https://www.schneier.com/blog/archives/2017/06/nsa_insider_sec.html

According to a recently declassified report obtained under FOIA, the NSA’s attempts to protect itself against insider attacks aren’t going very well:

The N.S.A. failed to consistently lock racks of servers storing highly classified data and to secure data center machine rooms, according to the report, an investigation by the Defense Department’s inspector general completed in 2016.

[…]

The agency also failed to meaningfully reduce the number of officials and contractors who were empowered to download and transfer data classified as top secret, as well as the number of “privileged” users, who have greater power to access the N.S.A.’s most sensitive computer systems. And it did not fully implement software to monitor what those users were doing.

In all, the report concluded, while the post-Snowden initiative — called “Secure the Net” by the N.S.A. — had some successes, it “did not fully meet the intent of decreasing the risk of insider threats to N.S.A. operations and the ability of insiders to exfiltrate data.”

Marcy Wheeler comments:

The IG report examined seven of the most important out of 40 “Secure the Net” initiatives rolled out since Snowden began leaking classified information. Two of the initiatives aspired to reduce the number of people who had the kind of access Snowden did: those who have privileged access to maintain, configure, and operate the NSA’s computer systems (what the report calls PRIVACs), and those who are authorized to use removable media to transfer data to or from an NSA system (what the report calls DTAs).

But when DOD’s inspectors went to assess whether NSA had succeeded in doing this, they found something disturbing. In both cases, the NSA did not have solid documentation about how many such users existed at the time of the Snowden leak. With respect to PRIVACs, in June 2013 (the start of the Snowden leak), “NSA officials stated that they used a manually kept spreadsheet, which they no longer had, to identify the initial number of privileged users.” The report offered no explanation for how NSA came to no longer have that spreadsheet just as an investigation into the biggest breach thus far at NSA started. With respect to DTAs, “NSA did not know how many DTAs it had because the manually kept list was corrupted during the months leading up to the security breach.”

There seem to be two possible explanations for the fact that the NSA couldn’t track who had the same kind of access that Snowden exploited to steal so many documents. Either the dog ate their homework: Someone at NSA made the documents unavailable (or they never really existed). Or someone fed the dog their homework: Some adversary made these lists unusable. The former would suggest the NSA had something to hide as it prepared to explain why Snowden had been able to walk away with NSA’s crown jewels. The latter would suggest that someone deliberately obscured who else in the building might walk away with the crown jewels. Obscuring that list would be of particular value if you were a foreign adversary planning on walking away with a bunch of files, such as the set of hacking tools the Shadow Brokers have since released, which are believed to have originated at NSA.

Read the whole thing. Securing against insiders, especially those with technical access, is difficult, but I had assumed the NSA did more post-Snowden.

Three Men Sentenced Following £2.5m Internet Piracy Case

Post Syndicated from Andy original https://torrentfreak.com/three-men-sentenced-following-2-5m-internet-piracy-case-170622/

While legal action against low-level individual file-sharers is extremely rare in the UK, the country continues to pose a risk for those engaged in larger-scale infringement.

That is largely due to the activities of the Police Intellectual Property Crime Unit and private anti-piracy outfits such as the Federation Against Copyright Theft (FACT). Investigations are often a joint effort which can take many years to complete, but the outcomes can often involve criminal sentences.

That was the profile of another Internet piracy case that concluded in London this week. It involved three men from the UK, Eric Brooks, 43, from Bolton, Mark Valentine, 44, from Manchester, and Craig Lloyd, 33, from Wolverhampton.

The case began when FACT became aware of potentially infringing activity back in February 2011. The anti-piracy group then investigated for more than a year before handing the case to police in March 2012.

On July 4, 2012, officers from City of London Police arrested Eric Brooks’ at his home in Bolton following a joint raid with FACT. Computer equipment was seized containing evidence that Brooks had been running a Netherlands-based server hosting more than £100,000 worth of pirated films, music, games, software and ebooks.

According to police, a spreadsheet on Brooks’ computer revealed he had hundreds of paying customers, all recruited from online forums. Using PayPal or utilizing bank transfers, each paid money to access the server. Police mentioned no group or site names in information released this week.

“Enquiries with PayPal later revealed that [Brooks] had made in excess of £500,000 in the last eight years from his criminal business and had in turn defrauded the film and TV industry alone of more than £2.5 million,” police said.

“As his criminal enterprise affected not only the film and TV but the wider entertainment industry including music, games, books and software it is thought that he cost the wider industry an amount much higher than £2.5 million.”

On the same day police arrested Brooks, Mark Valentine’s home in Manchester had a similar unwelcome visit. A day later, Craig Lloyd’s home in Wolverhampton become the third target for police.

Computer equipment was seized from both addresses which revealed that the pair had been paying for access to Brooks’ servers in order to service their own customers.

“They too had used PayPal as a means of taking payment and had earned thousands of pounds from their criminal actions; Valentine gaining £34,000 and Lloyd making over £70,000,” police revealed.

But after raiding the trio in 2012, it took more than four years to charge the men. In a feature common to many FACT cases, all three were charged with Conspiracy to Defraud rather than copyright infringement offenses. All three men pleaded guilty before trial.

On Monday, the men were sentenced at Inner London Crown Court. Brooks was sentenced to 24 months in prison, suspended for 12 months and ordered to complete 140 hours of unpaid work.

Valentine and Lloyd were each given 18 months in prison, suspended for 12 months. Each was ordered to complete 80 hours unpaid work.

Detective Constable Chris Glover, who led the investigation for the City of London Police, welcomed the sentencing.

“The success of this investigation is a result of co-ordinated joint working between the City of London Police and FACT. Brooks, Valentine and Lloyd all thought that they were operating under the radar and doing something which they thought was beyond the controls of law enforcement,” Glover said.

“Brooks, Valentine and Lloyd will now have time in prison to reflect on their actions and the result should act as deterrent for anyone else who is enticed by abusing the internet to the detriment of the entertainment industry.”

While even suspended sentences are a serious matter, none of the men will see the inside of a cell if they meet the conditions of their sentence for the next 12 months. For a case lasting four years involving such large sums of money, that is probably a disappointing result for FACT and the police.

Nevertheless, the men won’t be allowed to enjoy the financial proceeds of their piracy, if indeed any money is left. City of London Police say the trio will be subject to a future confiscation hearing to seize any proceeds of crime.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

MPAA & RIAA Demand Tough Copyright Standards in NAFTA Negotiations

Post Syndicated from Andy original https://torrentfreak.com/mpaa-riaa-demand-tough-copyright-standards-in-nafta-negotiations-170621/

The North American Free Trade Agreement (NAFTA) between the United States, Canada, and Mexico was negotiated more than 25 years ago. With a quarter of a decade of developments to contend with, the United States wants to modernize.

“While our economy and U.S. businesses have changed considerably over that period, NAFTA has not,” the government says.

With this in mind, the US requested comments from interested parties seeking direction for negotiation points. With those comments now in, groups like the MPAA and RIAA have been making their positions known. It’s no surprise that intellectual property enforcement is high on the agenda.

“Copyright is the lifeblood of the U.S. motion picture and television industry. As such, MPAA places high priority on securing strong protection and enforcement disciplines in the intellectual property chapters of trade agreements,” the MPAA writes in its submission.

“Strong IPR protection and enforcement are critical trade priorities for the music industry. With IPR, we can create good jobs, make significant contributions to U.S. economic growth and security, invest in artists and their creativity, and drive technological innovation,” the RIAA notes.

While both groups have numerous demands, it’s clear that each seeks an environment where not only infringers can be held liable, but also Internet platforms and services.

For the RIAA, there is a big focus on the so-called ‘Value Gap’, a phenomenon found on user-uploaded content sites like YouTube that are able to offer infringing content while avoiding liability due to Section 512 of the DMCA.

“Today, user-uploaded content services, which have developed sophisticated on-demand music platforms, use this as a shield to avoid licensing music on fair terms like other digital services, claiming they are not legally responsible for the music they distribute on their site,” the RIAA writes.

“Services such as Apple Music, TIDAL, Amazon, and Spotify are forced to compete with services that claim they are not liable for the music they distribute.”

But if sites like YouTube are exercising their rights while acting legally under current US law, how can partners Canada and Mexico do any better? For the RIAA, that can be achieved by holding them to standards envisioned by the group when the DMCA was passed, not how things have panned out since.

Demanding that negotiators “protect the original intent” of safe harbor, the RIAA asks that a “high-level and high-standard service provider liability provision” is pursued. This, the music group says, should only be available to “passive intermediaries without requisite knowledge of the infringement on their platforms, and inapplicable to services actively engaged in communicating to the public.”

In other words, make sure that YouTube and similar sites won’t enjoy the same level of safe harbor protection as they do today.

The RIAA also requires any negotiated safe harbor provisions in NAFTA to be flexible in the event that the DMCA is tightened up in response to the ongoing safe harbor rules study.

In any event, NAFTA should not “support interpretations that no longer reflect today’s digital economy and threaten the future of legitimate and sustainable digital trade,” the RIAA states.

For the MPAA, Section 512 is also perceived as a problem. While noting that the original intent was to foster a system of shared responsibility between copyright owners and service providers, the MPAA says courts have subsequently let copyright holders down. Like the RIAA, the MPAA also suggests that Canada and Mexico can be held to higher standards.

“We recommend a new approach to this important trade policy provision by moving to high-level language that establishes intermediary liability and appropriate limitations on liability. This would be fully consistent with U.S. law and avoid the same misinterpretations by policymakers and courts overseas,” the MPAA writes.

“In so doing, a modernized NAFTA would be consistent with Trade Promotion Authority’s negotiating objective of ‘ensuring that standards of protection and enforcement keep pace with technological developments’.”

The MPAA also has some specific problems with Mexico, including unauthorized camcording. The Hollywood group says that 85 illicit audio and video recordings of films were linked to Mexican theaters in 2016. However, recording is not currently a criminal offense in Mexico.

Another issue for the MPAA is that criminal sanctions for commercial scale infringement are only available if the infringement is for profit.

“This has hampered enforcement against the above-discussed camcording problem but also against online infringement, such as peer-to-peer piracy, that may be on a scale that is immensely harmful to U.S. rightsholders but nonetheless occur without profit by the infringer,” the MPAA writes.

“The modernized NAFTA like other U.S. bilateral free trade agreements must provide for criminal sanctions against commercial scale infringements without proof of profit motive.”

Also of interest are the MPAA’s complaints against Mexico’s telecoms laws. Unlike in the US and many countries in Europe, Mexico’s ISPs are forbidden to hand out their customers’ personal details to rights holders looking to sue. This, the MPAA says, needs to change.

The submissions from the RIAA and MPAA can be found here and here (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Is your product “Powered by Raspberry Pi”?

Post Syndicated from Mike Buffham original https://www.raspberrypi.org/blog/powered-by-raspberry-pi/

One of the most exciting things for us about the growth of the Raspberry Pi community has been the number of companies that have grown up around the platform, and who have chosen to embed our products into their own. While many of these design-ins have been “silent”, a number of people have asked us for a standardised way to indicate that a product contains a Raspberry Pi or a Raspberry Pi Compute Module.

Powered by Raspberry Pi Logo

At the end of last year, we introduced a “Powered by Raspberry Pi” logo to meet this need. It is now included in our trademark rules and brand guidelines, which you can find on our website. Below we’re showing an early example of a “Powered by Raspberry Pi”-branded device, the KUNBUS Revolution Pi industrial PC. It has already made it onto the market, and we think it will inspire you to include our logo on the packaging of your own product.

KUNBUS RevPi
Powered by Raspberry Pi logo on RevPi

Using the “Powered by Raspberry Pi” brand

Adding the “Powered by Raspberry Pi” logo to your packaging design is a great way to remind your customers that a portion of the sale price of your product goes to the Raspberry Pi Foundation and supports our educational work.

As with all things Raspberry Pi, our rules for using this brand are fairly straightforward: the only thing you need to do is to fill out this simple application form. Once you have submitted it, we will review your details and get back to you as soon as possible.

When we approve your application, we will require that you use one of the official “Powered by Raspberry Pi” logos and that you ensure it is at least 30 mm wide. We are more than happy to help you if you have any design queries related to this – just contact us at info@raspberrypi.org

The post Is your product “Powered by Raspberry Pi”? appeared first on Raspberry Pi.

The casync filesystem image distribution tool

Post Syndicated from corbet original https://lwn.net/Articles/726005/rss

Lennart Poettering announces
casync
, a tool for distributing system images.
casync takes inspiration from the popular rsync file synchronization
tool as well as the probably even more popular git revision control
system. It combines the idea of the rsync algorithm with the idea of
git-style content-addressable file systems, and creates a new system for
efficiently storing and delivering file system images, optimized for
high-frequency update cycles over the Internet. Its current focus is on
delivering IoT, container, VM, application, portable service or OS images,
but I hope to extend it later in a generic fashion to become useful for
backups and home directory synchronization as well
.”

US Embassy Threatens to Close Domain Registry Over ‘Pirate Bay’ Domain

Post Syndicated from Andy original https://torrentfreak.com/us-embassy-threatens-to-close-domain-registry-over-pirate-bay-domain-170620/

Domains have become an integral part of the piracy wars and no one knows this better than The Pirate Bay.

The site has burned through numerous domains over the years, with copyright holders and authorities successfully pressurizing registries to destabilize the site.

The latest news on this front comes from the Central American country of Costa Rica, where the local domain registry is having problems with the United States government.

The drama is detailed in a letter to ICANN penned by Dr. Pedro León Azofeifa, President of the Costa Rican Academy of Science, which operates NIC Costa Rica, the registry in charge of local .CR domain names.

Azofeifa’s letter is addressed to ICANN board member Thomas Schneider and pulls no punches. It claims that for the past two years the United States Embassy in Costa Rica has been pressuring NIC Costa Rica to take action against a particular domain.

“Since 2015, the United Estates Embassy in Costa Rica, who represents the interests of the United States Department of Commerce, has frequently contacted our organization regarding the domain name thepiratebay.cr,” the letter to ICANN reads.

“These interactions with the United States Embassy have escalated with time and include great pressure since 2016 that is exemplified by several phone calls, emails, and meetings urging our ccTLD to take down the domain, even though this would go against our domain name policies.”

The letter states that following pressure from the US, the Costa Rican Ministry of Commerce carried out an investigation which concluded that not taking down the domain was in line with best practices that only require suspensions following a local court order. That didn’t satisfy the United States though, far from it.

“The representative of the United States Embassy, Mr. Kevin Ludeke, Economic Specialist, who claims to represent the interests of the US Department of
Commerce, has mentioned threats to close our registry, with repeated harassment
regarding our practices and operation policies,” the letter to ICANN reads.

Ludeke is indeed listed on the US Embassy site for Costa Rica. He’s also referenced in a 2008 diplomatic cable leaked previously by Wikileaks. Contacted via email, Ludeke did not immediately respond to TorrentFreak’s request for comment.

Extract from the letter to ICANN

Surprisingly, Azofeifa says the US representative then got personal, making negative comments towards his Executive Director, “based on no clear evidence or statistical data to support his claims, as a way to pressure our organization to take down the domain name without following our current policies.”

Citing the Tunis Agenda for the Information Society of 2005, Azofeifa asserts that “policy authority for Internet-related public policy issues is the sovereign right of the States,” which in Costa Rica’s case means that there must be “a final judgment from the Courts of Justice of the Republic of Costa Rica” before the registry will suspend a domain.

But it seems legal action was not the preferred route of the US Embassy. Demanding that NIC Costa Rica take unilateral action, Mr. Ludeke continued with “pressure and harassment to take down the domain name without its proper process and local court order.”

Azofeifa’s letter to ICANN, which is cc’d to Stafford Fitzgerald Haney, United States Ambassador to Costa Rica and various people in the Costa Rican Ministry of Commerce, concludes with a request for suggestions on how to deal with the matter.

While the response should prove very interesting, none of the parties involved appear to have noticed that ThePirateBay.cr isn’t officially connected to The Pirate Bay

The domain and associated site appeared in the wake of the December 2014 shut down of The Pirate Bay, claiming to be the real deal and even going as far as making fake accounts in the names of famous ‘pirate’ groups including ettv and YIFY.

Today it acts as an unofficial and unaffiliated reverse proxy to The Pirate Bay while presenting the site’s content as its own. It’s also affiliated with a fake KickassTorrents site, Kickass.cd, which to this day claims that it’s a reincarnation of the defunct torrent giant.

But perhaps the most glaring issue in this worrying case is the apparent willingness of the United States to call out Costa Rica for not doing anything about a .CR domain run by third parties, when the real Pirate Bay’s .org domain is under United States’ jurisdiction.

Registered by the Public Interest Registry in Reston, Virginia, ThePirateBay.org is the famous site’s main domain. TorrentFreak asked PIR if anyone from the US government had ever requested action against the domain but at the time of publication, we had received no response.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Internet Provider Refutes RIAA’s Piracy Allegations

Post Syndicated from Ernesto original https://torrentfreak.com/internet-provider-refutes-riaas-piracy-allegations-170620/

For more than a decade copyright holders have been sending ISPs takedown notices to alert them that their subscribers are sharing copyrighted material.

Under US law, providers have to terminate the accounts of repeat infringers “in appropriate circumstances” and increasingly they are being held to this standard.

Earlier this year several major record labels, represented by the RIAA, filed a lawsuit in a Texas District Court, accusing ISP Grande Communications of failing to take action against its pirating subscribers.

“Despite their knowledge of repeat infringements, Defendants have permitted repeat infringers to use the Grande service to continue to infringe Plaintiffs’ copyrights without consequence,” the RIAA’s complaint read.

Grande and its management consulting firm Patriot, which was also sued, both disagree and have filed a motion to dismiss at the court this week. Grande argues that it doesn’t encourage any of its customers to download copyrighted works, and that it has no control over the content subscribers access.

The Internet provider doesn’t deny that it has received millions of takedown notices through the piracy tracking company Rightscorp. However, it believes that these notices are flawed as Rightscorp is incapable of monitoring actual copyright infringements.

“These notices are so numerous and so lacking in specificity, that it is infeasible for Grande to devote the time and resources required to meaningfully investigate them. Moreover, the system that Rightscorp employs to generate its notices is incapable of detecting actual infringement and, therefore, is incapable of generating notices that reflect real infringement,” Grande writes.

Grande says that if they acted on these notices without additional proof, its subscribers could lose their Internet access even though they are using it for legal purposes.

“To merely treat these allegations as true without investigation would be a disservice to Grande’s subscribers, who would run the risk of having their Internet service permanently terminated despite using Grande’s services for completely legitimate purposes.”

Even if the notices were able to prove actual infringement, they would still fail to identify the infringer, according to the ISP. The notices identify IP-addresses which may have been used by complete strangers, who connected to the network without permission.

The Internet provider admits that online copyright infringement is a real problem. But, they see themselves as a victim of this problem, not a perpetrator, as the record labels suggest.

“Grande does not profit or receive any benefit from subscribers that may engage in such infringing activity using its network. To the contrary, Grande suffers demonstrable losses as a direct result of purported copyright infringement conducted on its network.

“To hold Grande liable for copyright infringement simply because ‘something must be done’ to address this growing problem is to hold the wrong party accountable,” Grande adds.

In common with the previous case against Cox Communications, Rightscorp’s copyright infringement notices are once again at the center of a prominent lawsuit. According to Grande, Rightscorp’s system can’t prove that infringing content was actually downloaded by third parties, only that it was made available.

The Internet provider sees the lacking infringement notices as a linchpin that, if pulled, will take the entire case down.

It’s expected that, if the case moves forward, both parties will do all they can to show that the evidence is sufficient, or not. In the Cox lawsuit, this was the case, but that verdict is currently being appealed.

Grande Communication’s full motion to dismiss is avalaible here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Roku Sales Banned in Mexico Over Piracy Concerns

Post Syndicated from Ernesto original https://torrentfreak.com/roku-sales-banned-in-mexico-over-piracy-concerns-170619/

Online streaming piracy is on the rise and many people use dedicated media players to watch it through their regular TV.

While a lot of attention has been on Kodi, there are other players on the market that allow people to do the same. Roku, for example, has been doing very well too.

Like Kodi, Roku media players don’t offer any pirated content out of the box. In fact, they can be hooked up to a wide variety of legal streaming options including HBO Go, Hulu, and Netflix. Still, there is also a market for third-party pirate channels, outside the Roku Channel Store, which turn the boxes into pirate tools.

This pirate angle has now resulted in a ban on Roku sales in Mexico, according to a report in Milenio.

The ban was issued by the Superior Court of Justice of the City of Mexico, following a complaint from Cablevision. The order in question prohibits stores such as Amazon, Liverpool, El Palacio de Hierro, and Sears from importing and selling the devices.

In addition, the court also instructs banks including Banorte and BBVA Bancomer to stop processing payments from a long list of accounts linked to pirated services on Roku.

The main reason for the order is the availability of pirated content through Roku, but banning the device itself is utterly comprehensive. It would be similar to banning all Android-based devices because certain apps allow users to stream copyrighted content without permission.

Roku

Roku has yet to release an official statement on the court order. TorrentFreak reached out to the company but hadn’t heard back at the time of publication.

It’s clear, however, that streaming players are among the top concerns for copyright holders. Motion Picture Association boss Stan McCoy recently characterized the use of streaming players to access infringing content as “Piracy 3.0.

“If you think of old-fashioned peer-to-peer piracy as 1.0, and then online illegal streaming websites as 2.0, in the audio-visual sector, in particular, we now face challenge number 3.0, which is what I’ll call the challenge of illegal streaming devices,” McCoy said earlier this month.

Unlike the court order in Mexico, however, McCoy stressed that the devices themselves, and software such as Kodi, are ‘probably’ not illegal. However, copyright-infringing pirate add-ons have the capability to turn them into an unprecedented piracy threat.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

BPI Breaks Record After Sending 310 Million Google Takedowns

Post Syndicated from Andy original https://torrentfreak.com/bpi-breaks-record-after-sending-310-million-google-takedowns-170619/

A little over a year ago during March 2016, music industry group BPI reached an important milestone. After years of sending takedown notices to Google, the group burst through the 200 million URL barrier.

The fact that it took BPI several years to reach its 200 million milestone made the surpassing of the quarter billion milestone a few months later even more remarkable. In October 2016, the group sent its 250 millionth takedown to Google, a figure that nearly doubled when accounting for notices sent to Microsoft’s Bing.

But despite the volumes, the battle hadn’t been won, let alone the war. The BPI’s takedown machine continued to run at a remarkable rate, churning out millions more notices per week.

As a result, yet another new milestone was reached this month when the BPI smashed through the 300 million URL barrier. Then, days later, a further 10 million were added, with the latter couple of million added during the time it took to put this piece together.

BPI takedown notices, as reported by Google

While demanding that Google places greater emphasis on its de-ranking of ‘pirate’ sites, the BPI has called again and again for a “notice and stay down” regime, to ensure that content taken down by the search engine doesn’t simply reappear under a new URL. It’s a position BPI maintains today.

“The battle would be a whole lot easier if intermediaries played fair,” a BPI spokesperson informs TF.

“They need to take more proactive responsibility to reduce infringing content that appears on their platform, and, where we expressly notify infringing content to them, to ensure that they do not only take it down, but also keep it down.”

The long-standing suggestion is that the volume of takedown notices sent would reduce if a “take down, stay down” regime was implemented. The BPI says it’s difficult to present a precise figure but infringing content has a tendency to reappear, both in search engines and on hosting sites.

“Google rejects repeat notices for the same URL. But illegal content reappears as it is re-indexed by Google. As to the sites that actually host the content, the vast majority of notices sent to them could be avoided if they implemented take-down & stay-down,” BPI says.

The fact that the BPI has added 60 million more takedowns since the quarter billion milestone a few months ago is quite remarkable, particularly since there appears to be little slowdown from month to month. However, the numbers have grown so huge that 310 billion now feels a lot like 250 million, with just a few added on top for good measure.

That an extra 60 million takedowns can almost be dismissed as a handful is an indication of just how massive the issue is online. While pirates always welcome an abundance of links to juicy content, it’s no surprise that groups like the BPI are seeking more comprehensive and sustainable solutions.

Previously, it was hoped that the Digital Economy Bill would provide some relief, hopefully via government intervention and the imposition of a search engine Code of Practice. In the event, however, all pressure on search engines was removed from the legislation after a separate voluntary agreement was reached.

All parties agreed that the voluntary code should come into effect two weeks ago on June 1 so it seems likely that some effects should be noticeable in the near future. But the BPI says it’s still early days and there’s more work to be done.

“BPI has been working productively with search engines since the voluntary code was agreed to understand how search engines approach the problem, but also what changes can and have been made and how results can be improved,” the group explains.

“The first stage is to benchmark where we are and to assess the impact of the changes search engines have made so far. This will hopefully be completed soon, then we will have better information of the current picture and from that we hope to work together to continue to improve search for rights owners and consumers.”

With more takedown notices in the pipeline not yet publicly reported by Google, the BPI informs TF that it has now notified the search giant of 315 million links to illegal content.

“That’s an astonishing number. More than 1 in 10 of the entire world’s notices to Google come from BPI. This year alone, one in every three notices sent to Google from BPI is for independent record label repertoire,” BPI concludes.

While it’s clear that groups like BPI have developed systems to cope with the huge numbers of takedown notices required in today’s environment, it’s clear that few rightsholders are happy with the status quo. With that in mind, the fight will continue, until search engines are forced into compromise. Considering the implications, that could only appear on a very distant horizon.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Top 10 Most Pirated Movies of The Week on BitTorrent – 06/19/17

Post Syndicated from Ernesto original https://torrentfreak.com/top-10-pirated-movies-week-bittorrent-061917/

This week we have three newcomers in our chart.

Wonder Woman is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the weekly movie download chart.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (2) Wonder Woman (TC) 8.2 / trailer
2 (…) Power Rangers 6.5 / trailer
3 (1) The Fate of the Furious 6.7 / trailer
4 (…) Chips 5.8 / trailer
5 (5) The Boss Baby 6.5 / trailer
6 (4) John Wick: Chapter 2 8.0 / trailer
7 (3) Life 6.8 / trailer
8 (…) The Mummy 2017 (HDTS) 5.8 / trailer
9 (7) Logan 8.6 / trailer
10 (6) Pirates of the Caribbean: Dead Men Tell No Tales (TS) 7.1 / trailer

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

The Pirate Bay Isn’t Affected By Adverse Court Rulings – Everyone Else Is

Post Syndicated from Andy original https://torrentfreak.com/the-pirate-bay-isnt-affected-by-adverse-court-rulings-everyone-else-is-170618/

For more than a decade The Pirate Bay has been the world’s most controversial site. Delivering huge quantities of copyrighted content to the masses, the platform is revered and reviled across the copyright spectrum.

Its reputation is one of a defiant Internet swashbuckler, but due to changes in how the site has been run in more recent times, its current philosophy is more difficult to gauge. What has never been in doubt, however, is the site’s original intent to be as provocative as possible.

Through endless publicity stunts, some real, some just for the ‘lulz’, The Pirate Bay managed to attract a massive audience, all while incurring the wrath of every major copyright holder in the world.

Make no mistake, they all queued up to strike back, but every subsequent rightsholder action was met by a Pirate Bay middle finger, two fingers, or chin flick, depending on the mood of the day. This only served to further delight the masses, who happily spread the word while keeping their torrents flowing.

This vicious circle of being targeted by the entertainment industries, mocking them, and then reaping the traffic benefits, developed into the cheapest long-term marketing campaign the Internet had ever seen. But nothing is ever truly for free and there have been consequences.

After taunting Hollywood and the music industry with its refusals to capitulate, endless legal action that the site would have ordinarily been forced to participate in largely took place without The Pirate Bay being present. It doesn’t take a law degree to work out what happened in each and every one of those cases, whatever complex route they took through the legal system. No defense, no win.

For example, the web-blocking phenomenon across the UK, Europe, Asia and Australia was driven by the site’s absolute resilience and although there would clearly have been other scapegoats had The Pirate Bay disappeared, the site was the ideal bogeyman the copyright lobby required to move forward.

Filing blocking lawsuits while bringing hosts, advertisers, and ISPs on board for anti-piracy initiatives were also made easier with the ‘evil’ Pirate Bay still online. Immune from every anti-piracy technique under the sun, the existence of the platform in the face of all onslaughts only strengthened the cases of those arguing for even more drastic measures.

Over a decade, this has meant a significant tightening of the sharing and streaming climate. Without any big legislative changes but plenty of case law against The Pirate Bay, web-blocking is now a walk in the park, ad hoc domain seizures are a fairly regular occurrence, and few companies want to host sharing sites. Advertisers and brands are also hesitant over where they place their ads. It’s a very different world to the one of 10 years ago.

While it would be wrong to attribute every tightening of the noose to the actions of The Pirate Bay, there’s little doubt that the site and its chaotic image played a huge role in where copyright enforcement is today. The platform set out to provoke and succeeded in every way possible, gaining supporters in their millions. It could also be argued it kicked a hole in a hornets’ nest, releasing the hell inside.

But perhaps the site’s most amazing achievement is the way it has managed to stay online, despite all the turmoil.

This week yet another ruling, this time from the powerful European Court of Justice, found that by offering links in the manner it does, The Pirate Bay and other sites are liable for communicating copyright works to the public. Of course, this prompted the usual swathe of articles claiming that this could be the final nail in the site’s coffin.

Wrong.

In common with every ruling, legal defeat, and legislative restriction put in place due to the site’s activities, this week’s decision from the ECJ will have zero effect on the Pirate Bay’s availability. For right or wrong, the site was breaking the law long before this ruling and will continue to do so until it decides otherwise.

What we have instead is a further tightened legal landscape that will have a lasting effect on everything BUT the site, including weaker torrent sites, Internet users, and user-uploaded content sites such as YouTube.

With The Pirate Bay carrying on regardless, that is nothing short of remarkable.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Disney Asks Google to Remove Its Own (Invisible) Takedown Notices

Post Syndicated from Ernesto original https://torrentfreak.com/disney-asks-google-to-remove-its-own-invisible-takedown-notices-170618/

Pretty much every major copyright holder regularly reports infringing links to Google, hoping to decrease the visibility of pirated files.

Over the past several years, the search engine has had to remove more than two billion links and most of these requests have been neatly archived in the Lumen database.

Walt Disney Company is no stranger to these takedown efforts. The company has sent over 20 million takedown requests to the search engine, covering a wide variety of content. All of these notices are listed in Google’s transparency report, and copies are available at Lumen.

While this is nothing new, we recently noticed that Disney doesn’t stop at reporting direct links to traditional “pirate” sites. In fact, they recently targeted one of their own takedown notices in the Lumen database, which was sent on behalf of its daughter company Lucasfilm.

In the notice below, the media giant wants Google to remove a links to a copy of its own takedown notice, claiming that it infringes the copyright of the blockbuster “Star Wars: The Force Awakens.”

Disney vs. Disney?

This is not the first time that a company has engaged in this type of meta-censorship, it appears.

However, it’s all the more relevant this week after a German court decided that Google can be ordered to stop linking to its own takedown notices. While that suggests that Disney was right to ask for its own link to be removed, the reality is a bit more complex.

When it was still known as ChillingEffects, the Lumen Database instructed Google not to index any takedown notices. And indeed, searching for copies of takedown notices yields no result. This means that Disney asked Google to remove a search result that doesn’t exist.

Perhaps things are different in a galaxy far, far away, but Disney’s takedown notice is not only self-censorship but also entirely pointless.

Disney might be better off focusing on content that Google has actually indexed, instead of going after imaginary threats. Or put in the words of Gold Five: “Stay on Target,” Disney..

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Comodo DNS Blocks TorrentFreak Over “Hacking and Warez “

Post Syndicated from Ernesto original https://torrentfreak.com/comodo-dns-blocks-torrentfreak-over-hacking-and-warez-170617/

Website blocking has become one of the go-to methods for reducing online copyright infringement.

In addition to court-ordered blockades, various commercial vendors also offer a broad range of blocking tools. This includes Comodo, which offers a free DNS service that keeps people away from dangerous sites.

The service labeled SecureDNS is part of the Comodo Internet Security bundle but can be used by the general public as well, without charge. Just change the DNS settings on your computer or any other device, and you’re ready to go.

“As a leading provider of computer security solutions, Comodo is keenly aware of the dangers that plague the Internet today. SecureDNS helps users keep safe online with its malware domain filtering feature,” the company explains.

Aside from malware and spyware, Comodo also blocks access to sites that offer access to pirated content. Or put differently, they try to do this. But it’s easier said than done.

This week we were alerted to the fact that Comodo blocks direct access to TorrentFreak. Those who try to access our news site get an ominous warning instead, suggesting that we might share pirated content.

“This website has been blocked temporarily because of the following reason(s): Hacking/Warez: Site may offer illegal sharing of copyrighted software or media,” the warning reads, adding that several users also reported the site to be unsafe.

TorrentFreak blocked

People can still access the site by clicking on a big red cross, although that’s something Comodo doesn’t recommend. However, it is quite clear that new readers will be pretty spooked by the alarming message.

We assume that TorrentFreak was added to Comodo’s blocklist by mistake. And while mistakes can happen everywhere, this once again show that overblocking is a serious concern.

We are lucky enough that readers alerted us to the problem, but in other cases, it could easily go unnoticed.

Interestingly, the ‘piracy’ blocklist is not as stringent as the above would suggest. While we replicated the issue, we also checked several other known ‘pirate’ sites including The Pirate Bay, RARBG, GoMovies, and Pubfilm. These could all be accessed through SecureDNS without any warning.

TorrentFreak contacted Comodo for a comment on their curious blocking efforts, but we have yet to hear back from the company. In the meantime, Comodo SecureDNS users may want to consider switching to a more open DNS provider.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

“Kodi Boxes Are a Fire Risk”: Awful Timing or Opportunism?

Post Syndicated from Andy original https://torrentfreak.com/kodi-boxes-are-a-fire-risk-awful-timing-or-opportunism-170618/

Anyone who saw the pictures this week couldn’t have failed to be moved by the plight of Londoners caught up in the Grenfell Tower inferno. The apocalyptic images are likely to stay with people for years to come and the scars for those involved may never heal.

As the building continued to smolder and the death toll increased, UK tabloids provided wall-to-wall coverage of the disaster. On Thursday, however, The Sun took a short break to put out yet another sensationalized story about Kodi. Given the week’s events, it was bound to raise eyebrows.

“HOT GOODS: Kodi boxes are a fire hazard because thousands of IPTV devices nabbed by customs ‘failed UK electrical standards’,” the headline reads.

Another sensational ‘Kodi’ headline

“It’s estimated that thousands of Brits have bought so-called Kodi boxes which can be connected to telly sets to stream pay-per-view sport and films for free,” the piece continued.

“But they could be a fire hazard, according to the Federation Against Copyright Theft (FACT), which has been nabbing huge deliveries of the devices as they arrive in the UK.”

As the image below shows, “Kodi box” fire hazard claims appeared next to images from other news articles about the huge London fire. While all separate stories, the pairing is not a great look.

A ‘Kodi Box’, as depicted in The Sun

FACT chief executive Kieron Sharp told The Sun that his group had uncovered two parcels of 2,000 ‘Kodi’ boxes and found that they “failed electrical safety standards”, making them potentially dangerous. While that may well be the case, the big question is all about timing.

It’s FACT’s job to reduce copyright infringement on behalf of clients such as The Premier League so it’s no surprise that they’re making a sustained effort to deter the public from buying these devices. That being said, it can’t have escaped FACT or The Sun that fire and death are extremely sensitive topics this week.

That leaves us with a few options including unfortunate opportunism or perhaps terrible timing, but let’s give the benefit of the doubt for a moment.

There’s a good argument that FACT and The Sun brought a valid issue to the public’s attention at a time when fire safety is on everyone’s lips. So, to give credit where it’s due, providing people with a heads-up about potentially dangerous devices is something that most people would welcome.

However, it’s difficult to offer congratulations on the PSA when the story as it appears in The Sun does nothing – absolutely nothing – to help people stay safe.

If some boxes are a risk (and that’s certainly likely given the level of Far East imports coming into the UK) which ones are dangerous? Where were they manufactured? Who sold them? What are the serial numbers? Which devices do people need to get out of their houses?

Sadly, none of these questions were answered or even addressed in the article, making it little more than scaremongering. Only making matters worse, the piece notes that it isn’t even clear how many of the seized devices are indeed a fire risk and that more tests need to be done. Is this how we should tackle such an important issue during an extremely sensitive week?

Timing and lack of useful information aside, one then has to question the terminology employed in the article.

As a piece of computer software, Kodi cannot catch fire. So, what we’re actually talking about here is small computers coming into the country without passing safety checks. The presence of Kodi on the devices – if indeed Kodi was even installed pre-import – is absolutely irrelevant.

Anti-piracy groups warning people of the dangers associated with their piracy habits is nothing new. For years, Internet users have been told that their computers will become malware infested if they share files or stream infringing content. While in some cases that may be true, there’s rarely any effort by those delivering the warnings to inform people on how to stay safe.

A classic example can be found in the numerous reports put out by the Digital Citizens Alliance in the United States. The DCA has produced several and no doubt expensive reports which claim to highlight the risks Internet users are exposed to on ‘pirate’ sites.

The DCA claims to do this in the interests of consumers but the group offers no practical advice on staying safe nor does it provide consumers with risk reduction strategies. Like many high-level ‘drug prevention’ documents shuffled around government, it could be argued that on a ‘street’ level their reports are next to useless.

Demonizing piracy is a well-worn and well-understood strategy but if warnings are to be interpreted as representing genuine concern for the welfare of people, they have to be a lot more substantial than mere scaremongering.

Anyone concerned about potentially dangerous devices can check out these useful guides from Electrical Safety First (pdf) and the Electrical Safety Council (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Digital painter rundown

Post Syndicated from Eevee original https://eev.ee/blog/2017/06/17/digital-painter-rundown/

Another patron post! IndustrialRobot asks:

You should totally write about drawing/image manipulation programs! (Inspired by https://eev.ee/blog/2015/05/31/text-editor-rundown/)

This is a little trickier than a text editor comparison — while most text editors are cross-platform, quite a few digital art programs are not. So I’m effectively unable to even try a decent chunk of the offerings. I’m also still a relatively new artist, and image editors are much harder to briefly compare than text editors…

Right, now that your expectations have been suitably lowered:

Krita

I do all of my digital art in Krita. It’s pretty alright.

Okay so Krita grew out of Calligra, which used to be KOffice, which was an office suite designed for KDE (a Linux desktop environment). I bring this up because KDE has a certain… reputation. With KDE, there are at least three completely different ways to do anything, each of those ways has ludicrous amounts of customization and settings, and somehow it still can’t do what you want.

Krita inherits this aesthetic by attempting to do literally everything. It has 17 different brush engines, more than 70 layer blending modes, seven color picker dockers, and an ungodly number of colorspaces. It’s clearly intended primarily for drawing, but it also supports animation and vector layers and a pretty decent spread of raster editing tools. I just right now discovered that it has Photoshop-like “layer styles” (e.g. drop shadow), after a year and a half of using it.

In fairness, Krita manages all of this stuff well enough, and (apparently!) it manages to stay out of your way if you’re not using it. In less fairness, they managed to break erasing with a Wacom tablet pen for three months?

I don’t want to rag on it too hard; it’s an impressive piece of work, and I enjoy using it! The emotion it evokes isn’t so much frustration as… mystified bewilderment.

I once filed a ticket suggesting the addition of a brush size palette — a panel showing a grid of fixed brush sizes that makes it easy to switch between known sizes with a tablet pen (and increases the chances that you’ll be able to get a brush back to the right size again). It’s a prominent feature of Paint Tool SAI and Clip Studio Paint, and while I’ve never used either of those myself, I’ve seen a good few artists swear by it.

The developer response was that I could emulate the behavior by creating brush presets. But that’s flat-out wrong: getting the same effect would require creating a ton of brush presets for every brush I have, plus giving them all distinct icons so the size is obvious at a glance. Even then, it would be much more tedious to use and fill my presets with junk.

And that sort of response is what’s so mysterious to me. I’ve never even been able to use this feature myself, but a year of amateur painting with Krita has convinced me that it would be pretty useful. But a developer didn’t see the use and suggested an incredibly tedious alternative that only half-solves the problem and creates new ones. Meanwhile, of the 28 existing dockable panels, a quarter of them are different ways to choose colors.

What is Krita trying to be, then? What does Krita think it is? Who precisely is the target audience? I have no idea.


Anyway, I enjoy drawing in Krita well enough. It ships with a respectable set of brushes, and there are plenty more floating around. It has canvas rotation, canvas mirroring, perspective guide tools, and other art goodies. It doesn’t colordrop on right click by default, which is arguably a grave sin (it shows a customizable radial menu instead), but that’s easy to rebind. It understands having a background color beneath a bottom transparent layer, which is very nice. You can also toggle any brush between painting and erasing with the press of a button, and that turns out to be very useful.

It doesn’t support infinite canvases, though it does offer a one-click button to extend the canvas in a given direction. I’ve never used it (and didn’t even know what it did until just now), but would totally use an infinite canvas.

I haven’t used the animation support too much, but it’s pretty nice to have. Granted, the only other animation software I’ve used is Aseprite, so I don’t have many points of reference here. It’s a relatively new addition, too, so I assume it’ll improve over time.

The one annoyance I remember with animation was really an interaction with a larger annoyance, which is: working with selections kind of sucks. You can’t drag a selection around with the selection tool; you have to switch to the move tool. That would be fine if you could at least drag the selection ring around with the selection tool, but you can’t do that either; dragging just creates a new selection.

If you want to copy a selection, you have to explicitly copy it to the clipboard and paste it, which creates a new layer. Ctrl-drag with the move tool doesn’t work. So then you have to merge that layer down, which I think is where the problem with animation comes in: a new layer is non-animated by default, meaning it effectively appears in any frame, so simply merging it down with merge it onto every single frame of the layer below. And you won’t even notice until you switch frames or play back the animation. Not ideal.

This is another thing that makes me wonder about Krita’s sense of identity. It has a lot of fancy general-purpose raster editing features that even GIMP is still struggling to implement, like high color depth support and non-destructive filters, yet something as basic as working with selections is clumsy. (In fairness, GIMP is a bit clumsy here too, but it has a consistent notion of “floating selection” that’s easy enough to work with.)

I don’t know how well Krita would work as a general-purpose raster editor; I’ve never tried to use it that way. I can’t think of anything obvious that’s missing. The only real gotcha is that some things you might expect to be tools, like smudge or clone, are just types of brush in Krita.

GIMP

Ah, GIMP — open source’s answer to Photoshop.

It’s very obviously intended for raster editing, and I’m pretty familiar with it after half a lifetime of only using Linux. I even wrote a little Scheme script for it ages ago to automate some simple edits to a couple hundred files, back before I was aware of ImageMagick. I don’t know what to say about it, specifically; it’s fairly powerful and does a wide variety of things.

In fact I’d say it’s almost frustratingly intended for raster editing. I used GIMP in my first attempts at digital painting, before I’d heard of Krita. It was okay, but so much of it felt clunky and awkward. Painting is split between a pencil tool, a paintbrush tool, and an airbrush tool; I don’t really know why. The default brushes are largely uninteresting. Instead of brush presets, there are tool presets that can be saved for any tool; it’s a neat idea, but doesn’t feel like a real substitute for brush presets.

Much of the same functionality as Krita is there, but it’s all somehow more clunky. I’m sure it’s possible to fiddle with the interface to get something friendlier for painting, but I never really figured out how.

And then there’s the surprising stuff that’s missing. There’s no canvas rotation, for example. There’s only one type of brush, and it just stamps the same pattern along a path. I don’t think it’s possible to smear or blend or pick up color while painting. The only way to change the brush size is via the very sensitive slider on the tool options panel, which I remember being a little annoying with a tablet pen. Also, you have to specifically enable tablet support? It’s not difficult or anything, but I have no idea why the default is to ignore tablet pressure and treat it like a regular mouse cursor.

As I mentioned above, there’s also no support for high color depth or non-destructive editing, which is honestly a little embarrassing. Those are the major things Serious Professionals™ have been asking for for ages, and GIMP has been trying to provide them, but it’s taking a very long time. The first signs of GEGL, a new library intended to provide these features, appeared in GIMP 2.6… in 2008. The last major release was in 2012. GIMP has been working on this new plumbing for almost as long as Krita’s entire development history. (To be fair, Krita has also raised almost €90,000 from three Kickstarters to fund its development; I don’t know that GIMP is funded at all.)

I don’t know what’s up with GIMP nowadays. It’s still under active development, but the exact status and roadmap are a little unclear. I still use it for some general-purpose editing, but I don’t see any reason to use it to draw.

I do know that canvas rotation will be in the next release, and there was some experimentation with embedding MyPaint’s brush engine (though when I tried it it was basically unusable), so maybe GIMP is interested in wooing artists? I guess we’ll see.

MyPaint

Ah, MyPaint. I gave it a try once. Once.

It’s a shame, really. It sounds pretty great: specifically built for drawing, has very powerful brushes, supports an infinite canvas, supports canvas rotation, has a simple UI that gets out of your way. Perfect.

Or so it seems. But in MyPaint’s eagerness to shed unnecessary raster editing tools, it forgot a few of the more useful ones. Like selections.

MyPaint has no notion of a selection, nor of copy/paste. If you want to move a head to align better to a body, for example, the sanctioned approach is to duplicate the layer, erase the head from the old layer, erase everything but the head from the new layer, then move the new layer.

I can’t find anything that resembles HSL adjustment, either. I guess the workaround for that is to create H/S/L layers and floodfill them with different colors until you get what you want.

I can’t work seriously without these basic editing tools. I could see myself doodling in MyPaint, but Krita works just as well for doodling as for serious painting, so I’ve never gone back to it.

Drawpile

Drawpile is the modern equivalent to OpenCanvas, I suppose? It lets multiple people draw on the same canvas simultaneously. (I would not recommend it as a general-purpose raster editor.)

It’s a little clunky in places — I sometimes have bugs where keyboard focus gets stuck in the chat, or my tablet cursor becomes invisible — but the collaborative part works surprisingly well. It’s not a brush powerhouse or anything, and I don’t think it allows textured brushes, but it supports tablet pressure and canvas rotation and locked alpha and selections and whatnot.

I’ve used it a couple times, and it’s worked well enough that… well, other people made pretty decent drawings with it? I’m not sure I’ve managed yet. And I wouldn’t use it single-player. Still, it’s fun.

Aseprite

Aseprite is for pixel art so it doesn’t really belong here at all. But it’s very good at that and I like it a lot.

That’s all

I can’t name any other serious contender that exists for Linux.

I’m dimly aware of a thing called “Photo Shop” that’s more intended for photos but functions as a passable painter. More artists seem to swear by Paint Tool SAI and Clip Studio Paint. Also there’s Paint.NET, but I have no idea how well it’s actually suited for painting.

And that’s it! That’s all I’ve got. Krita for drawing, GIMP for editing, Drawpile for collaborative doodling.

Mira, tiny robot of joyful delight

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/mira-robot-alonso-martinez/

The staff of Pi Towers are currently melting into puddles while making ‘Aaaawwwwwww’ noises as Mira, the adorable little Pi-controlled robot made by Pixar 3D artist Alonso Martinez, steals their hearts.

Mira the robot playing peek-a-boo

If you want to get updates on Mira’s progress, sign up for the mailing list! http://eepurl.com/bteigD Mira is a desk companion that makes your life better one smile at a time. This project explores human robot interactivity and emotional intelligence. Currently Mira uses face tracking to interact with the users and loves playing the game “peek-a-boo”.

Introducing Mira

Honestly, I can’t type words – I am but a puddle! If I could type at all, I would only produce a stream of affectionate fragments. Imagine walking into a room full of kittens. What you would sound like is what I’d type.

No! I can do this. I’m a professional. I write for a living! I can…

SHE BLINKS OHMYAAAARGH!!!

Mira Alonso Martinez Raspberry Pi

Weebl & Bob meets South Park’s Ike Broflovski in an adorable 3D-printed bundle of ‘Aaawwwww’

Introducing Mira (I promise I can do this)

Right. I’ve had a nap and a drink. I’ve composed myself. I am up for this challenge. As long as I don’t look directly at her, I’ll be fine!

Here I go.

As one of the many über-talented 3D artists at Pixar, Alonso Martinez knows a thing or two about bringing adorable-looking characters to life on screen. However, his work left him wondering:

In movies you see really amazing things happening but you actually can’t interact with them – what would it be like if you could interact with characters?

So with the help of his friends Aaron Nathan and Vijay Sundaram, Alonso set out to bring the concept of animation to the physical world by building a “character” that reacts to her environment. His experiments with robotics started with Gertie, a ball-like robot reminiscent of his time spent animating bouncing balls when he was learning his trade. From there, he moved on to Mira.

Mira Alonso Martinez

Many, many of the views of this Tested YouTube video have come from me. So many.

Mira swivels to follow a person’s face, plays games such as peekaboo, shows surprise when you finger-shoot her, and giggles when you give her a kiss.

Mira’s inner workings

To get Mira to turn her head in three dimensions, Alonso took inspiration from the Microsoft Sidewinder Pro joystick he had as a kid. He purchased one on eBay, took it apart to understand how it works, and replicated its mechanism for Mira’s Raspberry Pi-powered innards.

Mira Alonso Martinez

Alonso used the smallest components he could find so that they would fit inside Mira’s tiny body.

Mira’s axis of 3D-printed parts moves via tiny Power HD DSM44 servos, while a camera and OpenCV handle face-tracking, and a single NeoPixel provides a range of colours to indicate her emotions. As for the blinking eyes? Two OLED screens boasting acrylic domes fit within the few millimeters between all the other moving parts.

More on Mira, including her history and how she works, can be found in this wonderful video released by Tested this week.

Pixar Artist’s 3D-Printed Animated Robots!

We’re gushing with grins and delight at the sight of these adorable animated robots created by artist Alonso Martinez. Sean chats with Alonso to learn how he designed and engineered his family of robots, using processes like 3D printing, mold-making, and silicone casting. They’re amazing!

You can also sign up for Alonso’s newsletter here to stay up-to-date about this little robot. Hopefully one of these newsletters will explain how to buy or build your own Mira, as I for one am desperate to see her adorable little face on my desk every day for the rest of my life.

The post Mira, tiny robot of joyful delight appeared first on Raspberry Pi.

Pirates Cost Australia’s Ten Network “Hundreds of Millions of Dollars”

Post Syndicated from Andy original https://torrentfreak.com/pirates-cost-australias-ten-network-hundreds-of-millions-of-dollars-170616/

In 2016, Australia’s Ten Network posted losses of AUS$157 million. This April, the broadcaster showed signs of continuing distress when it posted a half-year loss of AUS$232 million.

In a statement to the stock exchange, Ten said it was trying to secure new terms for a AUS$200 million debt financing guarantee. According to ABC, the company had lost more than 60% of its value in the preceding 12 months and almost 98% over the previous five years.

More bad news arrived this week when Ten’s board decided to put the company into voluntary administration after failing to secure a guarantee for a AUS$250 million loan that could’ve kept the ship afloat into the new year. As moves get underway to secure the company’s future, fingers of blame are being raised.

According to Village Roadshow co-chief executive Graham Burke, Internet pirates cost Ten “hundreds of millions of dollars” in advertising revenue due to their tendency to obtain movies and TV shows from the web rather than via legitimate means.

Burke told The Australian (paywall) that movies supplied to Ten by 21st Century Fox (including The Revenant and The Peanuts Movie which were both leaked) had received lower broadcast ratings due to people viewing them online in advance.

“Piracy is a much bigger channel and an illicit economy than the three main commercial networks combined,” Burke told the publication.

“Movies from Fox arrive with several million people having seen them through piracy. If it wasn’t for piracy, the ratings would be stronger and the product would not be arriving clapped out.”

But leaked or not, content doesn’t come cheap. As part of efforts to remain afloat, Ten Network recently tried to re-negotiate content supply deals with Fox and CBS. Together they reportedly cost the broadcaster more than AUS$900 million over the previous six years.

Despite this massive price tag and numerous other problems engulfing the troubled company, Burke suggests it is pirates that are to blame for Ten’s demise.

“A large part of Ten’s expenditure is on movies and they are being seen by millions of people ­illegitimately on websites supported by rogue ­advertising for drugs, prostitution and even legitimate advertising. The cumulative effect of all the ­pirated product out there has brought down Ten,” Burke said.

While piracy has certainly been blamed for a lot of things over the years, it is extremely rare for a senior industry figure to link it so closely with the potential demise of a major broadcaster.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Pirate Bay Ruling is Bad News For Google & YouTube, Experts Says

Post Syndicated from Andy original https://torrentfreak.com/pirate-bay-ruling-is-bad-news-for-google-youtube-experts-says-170615/

After years of legal wrangling, yesterday the European Court of Justice handed down a decision in the case between Dutch anti-piracy outfit BREIN and ISPs Ziggo and XS4ALL.

BREIN had demanded that the ISPs block The Pirate Bay, but both providers dug in their heels, forcing the case through the Supreme Court and eventually the ECJ.

For BREIN, yesterday’s decision will have been worth the wait. Although The Pirate Bay does not provide the content that’s ultimately downloaded and shared by its users, the ECJ said that it plays an important role in how that content is presented.

“Whilst it accepts that the works in question are placed online by the users, the Court highlights the fact that the operators of the platform play an essential role in making those works available,” the Court said.

With that established the all-important matter is whether by providing such a platform, the operators of The Pirate Bay are effectively engaging in a “communication to the public” of copyrighted works. According to the ECJ, that’s indeed the case.

“The Court holds that the making available and management of an online sharing platform must be considered to be an act of communication for the purposes of the directive,” the ECJ said.

Add into the mix that The Pirate Bay generates profit from its activities and there’s a potent case for copyright liability.

While the case was about The Pirate Bay, ECJ rulings tend to have an effect far beyond individual cases. That’s certainly the opinion of Enzo Mazza, chief at Italian anti-piracy group FIMI.

“The ruling will have a major impact on the way that entities like Google operate, because it will expose them to a greater and more direct responsibility,” Mazza told La Repubblica.

“So far, Google has worked against piracy by eliminating illegal content after it gets reported. But that is not enough. It is a fairly ineffective intervention.”

Mazza says that platforms like Google, YouTube, and thousands of similar sites that help to organize and curate user-uploaded content are somewhat similar to The Pirate Bay. In any event, they are not neutral intermediaries, he insists.

The conclusion that the decision is bad for platforms like YouTube is shared by Fulvio Sarzana, a lawyer with Sarzana and Partners, a law firm specializing in Internet and copyright disputes.

“In the ruling, the Court has in fact attributed, for the first time, secondary liability to sharing platforms due to the violation of copyrights carried out by the users of a platform,” Sarzana informs TF.

“This will have consequences for video-sharing platforms and user-generated content sites like YouTube, but it excludes responsibility for platforms that play a purely passive role, without affecting users’ content. This the case with cyberlockers, for example.”

Sarzana says that “unfortunate judgments” like this should be expected, until the approval of a new European copyright law. Enzo Mazza, on the other hand, feels that the copyright reform debate should take account of this ruling when formulating legislation to stop platforms like YouTube exploiting copyright works without an appropriate license.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.