Tag Archives: problem

Banning VPNs and Proxies is Dangerous, IT Experts Warn

Post Syndicated from Andy original https://torrentfreak.com/banning-vpns-and-proxies-is-dangerous-it-experts-warn-170623/

In April, draft legislation was developed to crack down on systems and software that allow Russian Internet users to bypass website blockades approved by telecoms watchdog Roskomnadzor.

Earlier this month the draft bill was submitted to the State Duma, the lower house of the Russian parliament. If passed, the law will make it illegal for services to circumvent web blockades by “routing traffic of Russian Internet users through foreign servers, anonymous proxy servers, virtual private networks and other means.”

As the plans currently stand, anonymization services that fail to restrict access to sites listed by telecoms watchdog Rozcomnadzor face being blocked themselves. Sites offering circumvention software for download also face potential blacklisting.

This week the State Duma discussed the proposals with experts from the local Internet industry. In addition to the head of Rozcomnadzor, representatives from service providers, search engines and even anonymization services were in attendance. Novaya Gazeta has published comments (Russian) from some of the key people at the meeting and it’s fair to say there’s not a lot of support.

VimpelCom, the sixth largest mobile network operator in the world with more than 240 million subscribers, sent along Director for Relations with Government, Sergey Malyanov. He wondered where all this blocking will end up.

“First we banned certain information. Then this information was blocked with the responsibility placed on both owners of resources and services. Now there are blocks on top of blocks – so we already have a triple effort,” he said.

“It is now possible that there will be a fourth iteration: the block on the block to block those that were not blocked. And with that, we have significantly complicated the law and the activities of all the people affected by it.”

Malyanov said that these kinds of actions have the potential to close down the entire Internet by ruining what was once an open network running standard protocols. But amid all of this, will it even be effective?

“The question is not even about the losses that will be incurred by network operators, the owners of the resources and the search engines. The question is whether this bill addresses the goal its creators have set for themselves. In my opinion, it will not.”

Group-IB, one of the world’s leading cyber-security and threat intelligence providers, was represented CEO Ilya Sachkov. He told parliament that “ordinary respectable people” who use the Internet should always use a VPN for security. Nevertheless, he also believes that such services should be forced to filter sites deemed illegal by the state.

But in a warning about blocks in general, he warned that people who want to circumvent them will always be one step ahead.

“We have to understand that by the time the law is adopted the perpetrators will already find it very easy to circumvent,” he said.

Mobile operator giant MTS, which turns over billions of dollars and employs 50,000+ people, had their Vice-President of Corporate and Legal Affairs in attendance. Ruslan Ibragimov said that in dealing with a problem, the government should be cautious of not causing more problems, including disruption of a growing VPN market.

“We have an understanding that evil must be fought, but it’s not necessary to create a new evil, even more so – for those who are involved in this struggle,” he said.

“Broad wording of this law may pose a threat to our network, which could be affected by the new restrictive measures, as well as the VPN market, which we are currently developing, and whose potential market is estimated at 50 billion rubles a year.”

In its goal to maintain control of the Internet, it’s clear that Russia is determined to press ahead with legislative change. Unfortunately, it’s far from clear that there’s a technical solution to the problem, but if one is pursued regardless, there could be serious fallout.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Court Suspends Ban on Roku Sales in Mexico

Post Syndicated from Ernesto original https://torrentfreak.com/court-suspends-ban-on-roku-sales-in-mexico-170623/

Last week, news broke that the Superior Court of Justice of the City of Mexico had issued a ban on Roku sales.

The order prohibited stores such as Amazon, Liverpool, El Palacio de Hierro, and Sears from importing and selling the devices. In addition, several banks were told stop processing payments from accounts that are linked to pirated services on Roku.

While Roku itself is not offering any pirated content, there is a market for third-party pirate channels outside the Roku Channel Store, which turn the boxes into pirate tools. Cablevision filed a complaint about this unauthorized use which eventually resulted in the ban.

The news generated headlines all over the world and was opposed immediately by several of the parties involved. Yesterday, a federal judge decided to suspend the import and sales ban, at least temporarily.

As a result, local vendors can resume their sales of the popular media player.

“Roku is pleased with today’s court decision, which paves the way for sales of Roku devices to resume in Mexico,” Roku’s General Counsel Steve Kay informed TorrentFreak after he heard the news.

Roku

TorrentFreak has not been able to get a copy of the suspension order, but it’s likely that the court wants to review the case in more detail before a final decision is made.

While streaming player piracy is seen as one of the greatest threats the entertainment industry faces today, the Roku ban went quite far. In a way, it would be similar to banning the Chrome browser because certain add-ons and sites allow users to stream pirated movies.

Roku, meanwhile, says it will continue to work with rightholders and other stakeholders to prevent piracy on its platform, to the best of their ability.

“Piracy is a problem the industry at large is facing,” Key tells TorrentFreak.

“We prohibit copyright infringement of any kind on the Roku platform. We actively work to prevent third-parties from using our platform to distribute copyright infringing content. Moreover, we have been actively working with other industry stakeholders on a wide range of anti-piracy initiatives.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

A Raspbian desktop update with some new programming tools

Post Syndicated from Simon Long original https://www.raspberrypi.org/blog/a-raspbian-desktop-update-with-some-new-programming-tools/

Today we’ve released another update to the Raspbian desktop. In addition to the usual small tweaks and bug fixes, the big new changes are the inclusion of an offline version of Scratch 2.0, and of Thonny (a user-friendly IDE for Python which is excellent for beginners). We’ll look at all the changes in this post, but let’s start with the biggest…

Scratch 2.0 for Raspbian

Scratch is one of the most popular pieces of software on Raspberry Pi. This is largely due to the way it makes programming accessible – while it is simple to learn, it covers many of the concepts that are used in more advanced languages. Scratch really does provide a great introduction to programming for all ages.

Raspbian ships with the original version of Scratch, which is now at version 1.4. A few years ago, though, the Scratch team at the MIT Media Lab introduced the new and improved Scratch version 2.0, and ever since we’ve had numerous requests to offer it on the Pi.

There was, however, a problem with this. The original version of Scratch was written in a language called Squeak, which could run on the Pi in a Squeak interpreter. Scratch 2.0, however, was written in Flash, and was designed to run from a remote site in a web browser. While this made Scratch 2.0 a cross-platform application, which you could run without installing any Scratch software, it also meant that you had to be able to run Flash on your computer, and that you needed to be connected to the internet to program in Scratch.

We worked with Adobe to include the Pepper Flash plugin in Raspbian, which enables Flash sites to run in the Chromium browser. This addressed the first of these problems, so the Scratch 2.0 website has been available on Pi for a while. However, it still needed an internet connection to run, which wasn’t ideal in many circumstances. We’ve been working with the Scratch team to get an offline version of Scratch 2.0 running on Pi.

Screenshot of Scratch on Raspbian

The Scratch team had created a website to enable developers to create hardware and software extensions for Scratch 2.0; this provided a version of the Flash code for the Scratch editor which could be modified to run locally rather than over the internet. We combined this with a program called Electron, which effectively wraps up a local web page into a standalone application. We ended up with the Scratch 2.0 application that you can find in the Programming section of the main menu.

Physical computing with Scratch 2.0

We didn’t stop there though. We know that people want to use Scratch for physical computing, and it has always been a bit awkward to access GPIO pins from Scratch. In our Scratch 2.0 application, therefore, there is a custom extension which allows the user to control the Pi’s GPIO pins without difficulty. Simply click on ‘More Blocks’, choose ‘Add an Extension’, and select ‘Pi GPIO’. This loads two new blocks, one to read and one to write the state of a GPIO pin.

Screenshot of new Raspbian iteration of Scratch 2, featuring GPIO pin control blocks.

The Scratch team kindly allowed us to include all the sprites, backdrops, and sounds from the online version of Scratch 2.0. You can also use the Raspberry Pi Camera Module to create new sprites and backgrounds.

This first release works well, although it can be slow for some operations; this is largely unavoidable for Flash code running under Electron. Bear in mind that you will need to have the Pepper Flash plugin installed (which it is by default on standard Raspbian images). As Pepper Flash is only compatible with the processor in the Pi 2.0 and Pi 3, it is unfortunately not possible to run Scratch 2.0 on the Pi Zero or the original models of the Pi.

We hope that this makes Scratch 2.0 a more practical proposition for many users than it has been to date. Do let us know if you hit any problems, though!

Thonny: a more user-friendly IDE for Python

One of the paths from Scratch to ‘real’ programming is through Python. We know that the transition can be awkward, and this isn’t helped by the tools available for learning Python. It’s fair to say that IDLE, the Python IDE, isn’t the most popular piece of software ever written…

Earlier this year, we reviewed every Python IDE that we could find that would run on a Raspberry Pi, in an attempt to see if there was something better out there than IDLE. We wanted to find something that was easier for beginners to use but still useful for experienced Python programmers. We found one program, Thonny, which stood head and shoulders above all the rest. It’s a really user-friendly IDE, which still offers useful professional features like single-stepping of code and inspection of variables.

Screenshot of Thonny IDE in Raspbian

Thonny was created at the University of Tartu in Estonia; we’ve been working with Aivar Annamaa, the lead developer, on getting it into Raspbian. The original version of Thonny works well on the Pi, but because the GUI is written using Python’s default GUI toolkit, Tkinter, the appearance clashes with the rest of the Raspbian desktop, most of which is written using the GTK toolkit. We made some changes to bring things like fonts and graphics into line with the appearance of our other apps, and Aivar very kindly took that work and converted it into a theme package that could be applied to Thonny.

Due to the limitations of working within Tkinter, the result isn’t exactly like a native GTK application, but it’s pretty close. It’s probably good enough for anyone who isn’t a picky UI obsessive like me, anyway! Have a look at the Thonny webpage to see some more details of all the cool features it offers. We hope that having a more usable environment will help to ease the transition from graphical languages like Scratch into ‘proper’ languages like Python.

New icons

Other than these two new packages, this release is mostly bug fixes and small version bumps. One thing you might notice, though, is that we’ve made some tweaks to our custom icon set. We wondered if the icons might look better with slightly thinner outlines. We tried it, and they did: we hope you prefer them too.

Downloading the new image

You can either download a new image from the Downloads page, or you can use apt to update:

sudo apt-get update
sudo apt-get dist-upgrade

To install Scratch 2.0:

sudo apt-get install scratch2

To install Thonny:

sudo apt-get install python3-thonny

One more thing…

Before Christmas, we released an experimental version of the desktop running on Debian for x86-based computers. We were slightly taken aback by how popular it turned out to be! This made us realise that this was something we were going to need to support going forward. We’ve decided we’re going to try to make all new desktop releases for both Pi and x86 from now on.

The version of this we released last year was a live image that could run from a USB stick. Many people asked if we could make it permanently installable, so this version includes an installer. This uses the standard Debian install process, so it ought to work on most machines. I should stress, though, that we haven’t been able to test on every type of hardware, so there may be issues on some computers. Please be sure to back up your hard drive before installing it. Unlike the live image, this will erase and reformat your hard drive, and you will lose anything that is already on it!

You can still boot the image as a live image if you don’t want to install it, and it will create a persistence partition on the USB stick so you can save data. Just select ‘Run with persistence’ from the boot menu. To install, choose either ‘Install’ or ‘Graphical install’ from the same menu. The Debian installer will then walk you through the install process.

You can download the latest x86 image (which includes both Scratch 2.0 and Thonny) from here or here for a torrent file.

One final thing

This version of the desktop is based on Debian Jessie. Some of you will be aware that a new stable version of Debian (called Stretch) was released last week. Rest assured – we have been working on porting everything across to Stretch for some time now, and we will have a Stretch release ready some time over the summer.

The post A Raspbian desktop update with some new programming tools appeared first on Raspberry Pi.

Sci-Hub Ordered to Pay $15 Million in Piracy Damages

Post Syndicated from Ernesto original https://torrentfreak.com/sci-hub-ordered-to-pay-15-million-in-piracy-damages-170623/

Two years ago, academic publisher Elsevier filed a complaint against Sci-Hub and several related “pirate” sites.

It accused the websites of making academic papers widely available to the public, without permission.

While Sci-Hub is nothing like the average pirate site, it is just as illegal according to Elsevier’s legal team, who obtained a preliminary injunction from a New York District Court last fall.

The injunction ordered Sci-Hub’s founder Alexandra Elbakyan to quit offering access to any Elsevier content. However, this didn’t happen.

Instead of taking Sci-Hub down, the lawsuit achieved the opposite. Sci-Hub grew bigger and bigger up to a point where its users were downloading hundreds of thousands of papers per day.

Although Elbakyan sent a letter to the court earlier, she opted not engage in the US lawsuit any further. The same is true for her fellow defendants, associated with Libgen. As a result, Elsevier asked the court for a default judgment and a permanent injunction which were issued this week.

Following a hearing on Wednesday, the Court awarded Elsevier $15,000,000 in damages, the maximum statutory amount for the 100 copyrighted works that were listed in the complaint. In addition, the injunction, through which Sci-Hub and LibGen lost several domain names, was made permanent.

Sci-Hub founder Alexandra Elbakyan says that even if she wanted to pay the millions of dollars in revenue, she doesn’t have the money to do so.

“The money project received and spent in about six years of its operation do not add up to 15 million,” Elbakyan tells torrentFreak.

“More interesting, Elsevier says: the Sci-Hub activity ’causes irreparable injury to Elsevier, its customers and the public’ and US court agreed. That feels like a perfect crime. If you want to cause an irreparable injury to American public, what do you have to do? Now we know the answer: establish a website where they can read research articles for free,” she adds.

Previously, Elbakyan already confirmed to us that, lawsuit or not, the site is not going anywhere.

“The Sci-Hub will continue as usual. In case of problems with the domain names, users can rely on TOR scihub22266oqcxt.onion,” Elbakyan added.

Sci-Hub is regularly referred to as the “Pirate Bay for science,” and based on the site’s resilience and its response to legal threats, it can certainly live up to this claim.

The Association of American Publishers (AAP) is happy with the outcome of the case.

“As the final judgment shows, the Court has not mistaken illegal activity for a public good,” AAP President and CEO Maria A. Pallante says.

“On the contrary, it has recognized the defendants’ operation for the flagrant and sweeping infringement that it really is and affirmed the critical role of copyright law in furthering scientific research and the public interest.”

Matt McKay, a spokesperson for the International Association of Scientific, Technical and Medical Publishers (STM) in Oxford went even further, telling Nature that the site doesn’t offer any value to the scientific comunity.

“Sci-Hub does not add any value to the scholarly community. It neither fosters scientific advancement nor does it value researchers’ achievements. It is simply a place for someone to go to download stolen content and then leave.”

Hundreds of thousands of academics, who regularly use the site to download papers, might contest this though.

With no real prospect of recouping the damages and an ever-resilient Elbakyan, Elsevier’s legal battle could just be a win on paper. Sci-Hub and Libgen are not going anywhere, it seems, and the lawsuit has made them more popular than ever before.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

From Idea to Launch: Getting Your First Customers

Post Syndicated from Gleb Budman original https://www.backblaze.com/blog/how-to-get-your-first-customers/

line outside of Apple

After deciding to build an unlimited backup service and developing our own storage platform, the next step was to get customers and feedback. Not all customers are created equal. Let’s talk about the types, and when and how to attract them.

How to Get Your First Customers

First Step – Don’t Launch Publicly
Launch when you’re ready for the judgments of people who don’t know you at all. Until then, don’t launch. Sign up users and customers either that you know, those you can trust to cut you some slack (while providing you feedback), or at minimum those for whom you can set expectations. For months the Backblaze website was a single page with no ability to get the product and minimal info on what it would be. This is not to counter the Lean Startup ‘iterate quickly with customer feedback’ advice. Rather, this is an acknowledgement that there are different types of feedback required based on your development stage.

Sign Up Your Friends
We knew all of our first customers; they were friends, family, and previous co-workers. Many knew what we were up to and were excited to help us. No magic marketing or tech savviness was required to reach them – we just asked that they try the service. We asked them to provide us feedback on their experience and collected it through email and conversations. While the feedback wasn’t unbiased, it was nonetheless wide-ranging, real, and often insightful. These people were willing to spend time carefully thinking about their feedback and delving deeper into the conversations.

Broaden to Beta
Unless you’re famous or your service costs $1 million per customer, you’ll probably need to expand quickly beyond your friends to build a business – and to get broader feedback. Our next step was to broaden the customer base to beta users.

Opening up the service in beta provides three benefits:

  1. Air cover for the early warts. There are going to be issues, bugs, unnecessarily complicated user flows, and poorly worded text. Beta tells people, “We don’t consider the product ‘done’ and you should expect some of these issues. Please be patient with us.”
  2. A request for feedback. Some people always provide feedback, but beta communicates that you want it.
  3. An awareness opportunity. Opening up in beta provides an early (but not only) opportunity to have an announcement and build awareness.

Pitching Beta to Press
Not all press cares about, or is even willing to cover, beta products. Much of the mainstream press wants to write about services that are fully live, have scale, and are important in the marketplace. However, there are a number of sites that like to cover the leading edge – and that means covering betas. Techcrunch, Ars Technica, and SimpleHelp covered our initial private beta launch. I’ll go into the details of how to work with the press to cover your announcements in a post next month.

Private vs. Public Beta
Both private and public beta provide all three of the benefits above. The difference between the two is that private betas are much more controlled, whereas public ones bring in more users. But this isn’t an either/or – I recommend doing both.

Private Beta
For our original beta in 2008, we decided that we were comfortable with about 1,000 users subscribing to our service. That would provide us with a healthy amount of feedback and get some early adoption, while not overwhelming us or our server capacity, and equally important not causing cash flow issues from having to buy more equipment. So we decided to limit the sign-up to only the first 1,000 people who signed up; then we would shut off sign-ups for a while.

But how do you even get 1,000 people to sign up for your service? In our case, get some major publications to write about our beta. (Note: In a future post I’ll explain exactly how to find and reach out to writers. Sign up to receive all of the entrepreneurial posts in this series.)

Public Beta
For our original service (computer backup), we did not have a public beta; but when we launched Backblaze B2, we had a private and then a public beta. The private beta allowed us to work out early kinks, while the public beta brought us a more varied set of use cases. In public beta, there is no cap on the number of users that may try the service.

While this is a first-class problem to have, if your service is flooded and stops working, it’s still a problem. Think through what you will do if that happens. In our early days, when our system could get overwhelmed by volume, we had a static web page hosted with a different registrar that wouldn’t let customers sign up but would tell them when our service would be open again. When we reached a critical volume level we would redirect to it in order to at least provide status for when we could accept more customers.

Collect Feedback
Since one of the goals of betas is to get feedback, we made sure that we had our email addresses clearly presented on the site so users could send us thoughts. We were most interested in broad qualitative feedback on users’ experience, so all emails went to an internal mailing list that would be read by everyone at Backblaze.

For our B2 public and private betas, we also added an optional short survey to the sign-up process. In order to be considered for the private beta you had to fill the survey out, though we found that 80% of users continued to fill out the survey even when it was not required. This survey had both closed-end questions (“how much data do you have”) and open-ended ones (“what do you want to use cloud storage for?”).

BTW, despite us getting a lot of feedback now via our support team, Twitter, and marketing surveys, we are always open to more – you can email me directly at gleb.budman {at} backblaze.com.

Don’t Throw Away Users
Initially our backup service was available only on Windows, but we had an email sign-up list for people who wanted it for their Mac. This provided us with a sense of market demand and a ready list of folks who could be beta users and early adopters when we had a Mac version. Have a service targeted at doctors but lawyers are expressing interest? Capture that.

Product Launch

When
The first question is “when” to launch. Presuming your service is in ‘public beta’, what is the advantage of moving out of beta and into a “version 1.0”, “gold”, or “public availability”? That depends on your service and customer base. Some services fly through public beta. Gmail, on the other hand, was (in)famous for being in beta for 5 years, despite having over 100 million users.

The term beta says to users, “give us some leeway, but feel free to use the service”. That’s fine for many consumer apps and will have near zero impact on them. However, services aimed at businesses and government will often not be adopted with a beta label as the enterprise customers want to know the company feels the service is ‘ready’. While Backblaze started out as a purely consumer service, because it was a data backup service, it was important for customers to trust that the service was ready.

No product is bug-free. But from a product readiness perspective, the nomenclature should also be a reflection of the quality of the product. You can launch a product with one feature that works well out of beta. But a product with fifty features on which half the users will bump into problems should likely stay in beta. The customer feedback, surveys, and your own internal testing should guide you in determining this quality during the beta. Be careful about “we’ve only seen that one time” or “I haven’t been able to reproduce that on my machine”; those issues are likely to scale with customers when you launch.

How
Launching out of beta can be as simple as removing the beta label from the website/product. However, this can be a great time to reach out to press, write a blog post, and send an email announcement to your customers.

Consider thanking your beta testers somehow; can they get some feature turned out for free, an extension of their trial, or premium support? If nothing else, remember to thank them for their feedback. Users that signed up during your beta are likely the ones who will propel your service. They had the need and interest to both be early adopters and deal with bugs. They are likely the key to getting 1,000 true fans.

The Beginning
The title of this post was “Getting your first customers”, because getting to launch may feel like the peak of your journey when you’re pre-launch, but it really is just the beginning. It’s a step along the journey of building your business. If your launch is wildly successful, enjoy it, work to build on the momentum, but don’t lose track of building your business. If your launch is a dud, go out for a coffee with your team, say “well that sucks”, and then get back to building your business. You can learn a tremendous amount from your early customers, and they can become your biggest fans, but the success of your business will depend on what you continue to do the months and years after your launch.

The post From Idea to Launch: Getting Your First Customers appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.

Is Continuing to Patch Windows XP a Mistake?

Post Syndicated from Bruce Schneier original https://www.schneier.com/blog/archives/2017/06/is_continuing_t.html

Last week, Microsoft issued a security patch for Windows XP, a 16-year-old operating system that Microsoft officially no longer supports. Last month, Microsoft issued a Windows XP patch for the vulnerability used in WannaCry.

Is this a good idea? This 2014 essay argues that it’s not:

The zero-day flaw and its exploitation is unfortunate, and Microsoft is likely smarting from government calls for people to stop using Internet Explorer. The company had three ways it could respond. It could have done nothing­ — stuck to its guns, maintained that the end of support means the end of support, and encouraged people to move to a different platform. It could also have relented entirely, extended Windows XP’s support life cycle for another few years and waited for attrition to shrink Windows XP’s userbase to irrelevant levels. Or it could have claimed that this case is somehow “special,” releasing a patch while still claiming that Windows XP isn’t supported.

None of these options is perfect. A hard-line approach to the end-of-life means that there are people being exploited that Microsoft refuses to help. A complete about-turn means that Windows XP will take even longer to flush out of the market, making it a continued headache for developers and administrators alike.

But the option Microsoft took is the worst of all worlds. It undermines efforts by IT staff to ditch the ancient operating system and undermines Microsoft’s assertion that Windows XP isn’t supported, while doing nothing to meaningfully improve the security of Windows XP users. The upside? It buys those users at best a few extra days of improved security. It’s hard to say how that was possibly worth it.

This is a hard trade-off, and it’s going to get much worse with the Internet of Things. Here’s me:

The security of our computers and phones also comes from the fact that we replace them regularly. We buy new laptops every few years. We get new phones even more frequently. This isn’t true for all of the embedded IoT systems. They last for years, even decades. We might buy a new DVR every five or ten years. We replace our refrigerator every 25 years. We replace our thermostat approximately never. Already the banking industry is dealing with the security problems of Windows 95 embedded in ATMs. This same problem is going to occur all over the Internet of Things.

At least Microsoft has security engineers on staff that can write a patch for Windows XP. There will be no one able to write patches for your 16-year-old thermostat and refrigerator, even assuming those devices can accept security patches.

MPAA & RIAA Demand Tough Copyright Standards in NAFTA Negotiations

Post Syndicated from Andy original https://torrentfreak.com/mpaa-riaa-demand-tough-copyright-standards-in-nafta-negotiations-170621/

The North American Free Trade Agreement (NAFTA) between the United States, Canada, and Mexico was negotiated more than 25 years ago. With a quarter of a decade of developments to contend with, the United States wants to modernize.

“While our economy and U.S. businesses have changed considerably over that period, NAFTA has not,” the government says.

With this in mind, the US requested comments from interested parties seeking direction for negotiation points. With those comments now in, groups like the MPAA and RIAA have been making their positions known. It’s no surprise that intellectual property enforcement is high on the agenda.

“Copyright is the lifeblood of the U.S. motion picture and television industry. As such, MPAA places high priority on securing strong protection and enforcement disciplines in the intellectual property chapters of trade agreements,” the MPAA writes in its submission.

“Strong IPR protection and enforcement are critical trade priorities for the music industry. With IPR, we can create good jobs, make significant contributions to U.S. economic growth and security, invest in artists and their creativity, and drive technological innovation,” the RIAA notes.

While both groups have numerous demands, it’s clear that each seeks an environment where not only infringers can be held liable, but also Internet platforms and services.

For the RIAA, there is a big focus on the so-called ‘Value Gap’, a phenomenon found on user-uploaded content sites like YouTube that are able to offer infringing content while avoiding liability due to Section 512 of the DMCA.

“Today, user-uploaded content services, which have developed sophisticated on-demand music platforms, use this as a shield to avoid licensing music on fair terms like other digital services, claiming they are not legally responsible for the music they distribute on their site,” the RIAA writes.

“Services such as Apple Music, TIDAL, Amazon, and Spotify are forced to compete with services that claim they are not liable for the music they distribute.”

But if sites like YouTube are exercising their rights while acting legally under current US law, how can partners Canada and Mexico do any better? For the RIAA, that can be achieved by holding them to standards envisioned by the group when the DMCA was passed, not how things have panned out since.

Demanding that negotiators “protect the original intent” of safe harbor, the RIAA asks that a “high-level and high-standard service provider liability provision” is pursued. This, the music group says, should only be available to “passive intermediaries without requisite knowledge of the infringement on their platforms, and inapplicable to services actively engaged in communicating to the public.”

In other words, make sure that YouTube and similar sites won’t enjoy the same level of safe harbor protection as they do today.

The RIAA also requires any negotiated safe harbor provisions in NAFTA to be flexible in the event that the DMCA is tightened up in response to the ongoing safe harbor rules study.

In any event, NAFTA should not “support interpretations that no longer reflect today’s digital economy and threaten the future of legitimate and sustainable digital trade,” the RIAA states.

For the MPAA, Section 512 is also perceived as a problem. While noting that the original intent was to foster a system of shared responsibility between copyright owners and service providers, the MPAA says courts have subsequently let copyright holders down. Like the RIAA, the MPAA also suggests that Canada and Mexico can be held to higher standards.

“We recommend a new approach to this important trade policy provision by moving to high-level language that establishes intermediary liability and appropriate limitations on liability. This would be fully consistent with U.S. law and avoid the same misinterpretations by policymakers and courts overseas,” the MPAA writes.

“In so doing, a modernized NAFTA would be consistent with Trade Promotion Authority’s negotiating objective of ‘ensuring that standards of protection and enforcement keep pace with technological developments’.”

The MPAA also has some specific problems with Mexico, including unauthorized camcording. The Hollywood group says that 85 illicit audio and video recordings of films were linked to Mexican theaters in 2016. However, recording is not currently a criminal offense in Mexico.

Another issue for the MPAA is that criminal sanctions for commercial scale infringement are only available if the infringement is for profit.

“This has hampered enforcement against the above-discussed camcording problem but also against online infringement, such as peer-to-peer piracy, that may be on a scale that is immensely harmful to U.S. rightsholders but nonetheless occur without profit by the infringer,” the MPAA writes.

“The modernized NAFTA like other U.S. bilateral free trade agreements must provide for criminal sanctions against commercial scale infringements without proof of profit motive.”

Also of interest are the MPAA’s complaints against Mexico’s telecoms laws. Unlike in the US and many countries in Europe, Mexico’s ISPs are forbidden to hand out their customers’ personal details to rights holders looking to sue. This, the MPAA says, needs to change.

The submissions from the RIAA and MPAA can be found here and here (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

US Embassy Threatens to Close Domain Registry Over ‘Pirate Bay’ Domain

Post Syndicated from Andy original https://torrentfreak.com/us-embassy-threatens-to-close-domain-registry-over-pirate-bay-domain-170620/

Domains have become an integral part of the piracy wars and no one knows this better than The Pirate Bay.

The site has burned through numerous domains over the years, with copyright holders and authorities successfully pressurizing registries to destabilize the site.

The latest news on this front comes from the Central American country of Costa Rica, where the local domain registry is having problems with the United States government.

The drama is detailed in a letter to ICANN penned by Dr. Pedro León Azofeifa, President of the Costa Rican Academy of Science, which operates NIC Costa Rica, the registry in charge of local .CR domain names.

Azofeifa’s letter is addressed to ICANN board member Thomas Schneider and pulls no punches. It claims that for the past two years the United States Embassy in Costa Rica has been pressuring NIC Costa Rica to take action against a particular domain.

“Since 2015, the United Estates Embassy in Costa Rica, who represents the interests of the United States Department of Commerce, has frequently contacted our organization regarding the domain name thepiratebay.cr,” the letter to ICANN reads.

“These interactions with the United States Embassy have escalated with time and include great pressure since 2016 that is exemplified by several phone calls, emails, and meetings urging our ccTLD to take down the domain, even though this would go against our domain name policies.”

The letter states that following pressure from the US, the Costa Rican Ministry of Commerce carried out an investigation which concluded that not taking down the domain was in line with best practices that only require suspensions following a local court order. That didn’t satisfy the United States though, far from it.

“The representative of the United States Embassy, Mr. Kevin Ludeke, Economic Specialist, who claims to represent the interests of the US Department of
Commerce, has mentioned threats to close our registry, with repeated harassment
regarding our practices and operation policies,” the letter to ICANN reads.

Ludeke is indeed listed on the US Embassy site for Costa Rica. He’s also referenced in a 2008 diplomatic cable leaked previously by Wikileaks. Contacted via email, Ludeke did not immediately respond to TorrentFreak’s request for comment.

Extract from the letter to ICANN

Surprisingly, Azofeifa says the US representative then got personal, making negative comments towards his Executive Director, “based on no clear evidence or statistical data to support his claims, as a way to pressure our organization to take down the domain name without following our current policies.”

Citing the Tunis Agenda for the Information Society of 2005, Azofeifa asserts that “policy authority for Internet-related public policy issues is the sovereign right of the States,” which in Costa Rica’s case means that there must be “a final judgment from the Courts of Justice of the Republic of Costa Rica” before the registry will suspend a domain.

But it seems legal action was not the preferred route of the US Embassy. Demanding that NIC Costa Rica take unilateral action, Mr. Ludeke continued with “pressure and harassment to take down the domain name without its proper process and local court order.”

Azofeifa’s letter to ICANN, which is cc’d to Stafford Fitzgerald Haney, United States Ambassador to Costa Rica and various people in the Costa Rican Ministry of Commerce, concludes with a request for suggestions on how to deal with the matter.

While the response should prove very interesting, none of the parties involved appear to have noticed that ThePirateBay.cr isn’t officially connected to The Pirate Bay

The domain and associated site appeared in the wake of the December 2014 shut down of The Pirate Bay, claiming to be the real deal and even going as far as making fake accounts in the names of famous ‘pirate’ groups including ettv and YIFY.

Today it acts as an unofficial and unaffiliated reverse proxy to The Pirate Bay while presenting the site’s content as its own. It’s also affiliated with a fake KickassTorrents site, Kickass.cd, which to this day claims that it’s a reincarnation of the defunct torrent giant.

But perhaps the most glaring issue in this worrying case is the apparent willingness of the United States to call out Costa Rica for not doing anything about a .CR domain run by third parties, when the real Pirate Bay’s .org domain is under United States’ jurisdiction.

Registered by the Public Interest Registry in Reston, Virginia, ThePirateBay.org is the famous site’s main domain. TorrentFreak asked PIR if anyone from the US government had ever requested action against the domain but at the time of publication, we had received no response.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Internet Provider Refutes RIAA’s Piracy Allegations

Post Syndicated from Ernesto original https://torrentfreak.com/internet-provider-refutes-riaas-piracy-allegations-170620/

For more than a decade copyright holders have been sending ISPs takedown notices to alert them that their subscribers are sharing copyrighted material.

Under US law, providers have to terminate the accounts of repeat infringers “in appropriate circumstances” and increasingly they are being held to this standard.

Earlier this year several major record labels, represented by the RIAA, filed a lawsuit in a Texas District Court, accusing ISP Grande Communications of failing to take action against its pirating subscribers.

“Despite their knowledge of repeat infringements, Defendants have permitted repeat infringers to use the Grande service to continue to infringe Plaintiffs’ copyrights without consequence,” the RIAA’s complaint read.

Grande and its management consulting firm Patriot, which was also sued, both disagree and have filed a motion to dismiss at the court this week. Grande argues that it doesn’t encourage any of its customers to download copyrighted works, and that it has no control over the content subscribers access.

The Internet provider doesn’t deny that it has received millions of takedown notices through the piracy tracking company Rightscorp. However, it believes that these notices are flawed as Rightscorp is incapable of monitoring actual copyright infringements.

“These notices are so numerous and so lacking in specificity, that it is infeasible for Grande to devote the time and resources required to meaningfully investigate them. Moreover, the system that Rightscorp employs to generate its notices is incapable of detecting actual infringement and, therefore, is incapable of generating notices that reflect real infringement,” Grande writes.

Grande says that if they acted on these notices without additional proof, its subscribers could lose their Internet access even though they are using it for legal purposes.

“To merely treat these allegations as true without investigation would be a disservice to Grande’s subscribers, who would run the risk of having their Internet service permanently terminated despite using Grande’s services for completely legitimate purposes.”

Even if the notices were able to prove actual infringement, they would still fail to identify the infringer, according to the ISP. The notices identify IP-addresses which may have been used by complete strangers, who connected to the network without permission.

The Internet provider admits that online copyright infringement is a real problem. But, they see themselves as a victim of this problem, not a perpetrator, as the record labels suggest.

“Grande does not profit or receive any benefit from subscribers that may engage in such infringing activity using its network. To the contrary, Grande suffers demonstrable losses as a direct result of purported copyright infringement conducted on its network.

“To hold Grande liable for copyright infringement simply because ‘something must be done’ to address this growing problem is to hold the wrong party accountable,” Grande adds.

In common with the previous case against Cox Communications, Rightscorp’s copyright infringement notices are once again at the center of a prominent lawsuit. According to Grande, Rightscorp’s system can’t prove that infringing content was actually downloaded by third parties, only that it was made available.

The Internet provider sees the lacking infringement notices as a linchpin that, if pulled, will take the entire case down.

It’s expected that, if the case moves forward, both parties will do all they can to show that the evidence is sufficient, or not. In the Cox lawsuit, this was the case, but that verdict is currently being appealed.

Grande Communication’s full motion to dismiss is avalaible here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

BPI Breaks Record After Sending 310 Million Google Takedowns

Post Syndicated from Andy original https://torrentfreak.com/bpi-breaks-record-after-sending-310-million-google-takedowns-170619/

A little over a year ago during March 2016, music industry group BPI reached an important milestone. After years of sending takedown notices to Google, the group burst through the 200 million URL barrier.

The fact that it took BPI several years to reach its 200 million milestone made the surpassing of the quarter billion milestone a few months later even more remarkable. In October 2016, the group sent its 250 millionth takedown to Google, a figure that nearly doubled when accounting for notices sent to Microsoft’s Bing.

But despite the volumes, the battle hadn’t been won, let alone the war. The BPI’s takedown machine continued to run at a remarkable rate, churning out millions more notices per week.

As a result, yet another new milestone was reached this month when the BPI smashed through the 300 million URL barrier. Then, days later, a further 10 million were added, with the latter couple of million added during the time it took to put this piece together.

BPI takedown notices, as reported by Google

While demanding that Google places greater emphasis on its de-ranking of ‘pirate’ sites, the BPI has called again and again for a “notice and stay down” regime, to ensure that content taken down by the search engine doesn’t simply reappear under a new URL. It’s a position BPI maintains today.

“The battle would be a whole lot easier if intermediaries played fair,” a BPI spokesperson informs TF.

“They need to take more proactive responsibility to reduce infringing content that appears on their platform, and, where we expressly notify infringing content to them, to ensure that they do not only take it down, but also keep it down.”

The long-standing suggestion is that the volume of takedown notices sent would reduce if a “take down, stay down” regime was implemented. The BPI says it’s difficult to present a precise figure but infringing content has a tendency to reappear, both in search engines and on hosting sites.

“Google rejects repeat notices for the same URL. But illegal content reappears as it is re-indexed by Google. As to the sites that actually host the content, the vast majority of notices sent to them could be avoided if they implemented take-down & stay-down,” BPI says.

The fact that the BPI has added 60 million more takedowns since the quarter billion milestone a few months ago is quite remarkable, particularly since there appears to be little slowdown from month to month. However, the numbers have grown so huge that 310 billion now feels a lot like 250 million, with just a few added on top for good measure.

That an extra 60 million takedowns can almost be dismissed as a handful is an indication of just how massive the issue is online. While pirates always welcome an abundance of links to juicy content, it’s no surprise that groups like the BPI are seeking more comprehensive and sustainable solutions.

Previously, it was hoped that the Digital Economy Bill would provide some relief, hopefully via government intervention and the imposition of a search engine Code of Practice. In the event, however, all pressure on search engines was removed from the legislation after a separate voluntary agreement was reached.

All parties agreed that the voluntary code should come into effect two weeks ago on June 1 so it seems likely that some effects should be noticeable in the near future. But the BPI says it’s still early days and there’s more work to be done.

“BPI has been working productively with search engines since the voluntary code was agreed to understand how search engines approach the problem, but also what changes can and have been made and how results can be improved,” the group explains.

“The first stage is to benchmark where we are and to assess the impact of the changes search engines have made so far. This will hopefully be completed soon, then we will have better information of the current picture and from that we hope to work together to continue to improve search for rights owners and consumers.”

With more takedown notices in the pipeline not yet publicly reported by Google, the BPI informs TF that it has now notified the search giant of 315 million links to illegal content.

“That’s an astonishing number. More than 1 in 10 of the entire world’s notices to Google come from BPI. This year alone, one in every three notices sent to Google from BPI is for independent record label repertoire,” BPI concludes.

While it’s clear that groups like BPI have developed systems to cope with the huge numbers of takedown notices required in today’s environment, it’s clear that few rightsholders are happy with the status quo. With that in mind, the fight will continue, until search engines are forced into compromise. Considering the implications, that could only appear on a very distant horizon.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Comodo DNS Blocks TorrentFreak Over “Hacking and Warez “

Post Syndicated from Ernesto original https://torrentfreak.com/comodo-dns-blocks-torrentfreak-over-hacking-and-warez-170617/

Website blocking has become one of the go-to methods for reducing online copyright infringement.

In addition to court-ordered blockades, various commercial vendors also offer a broad range of blocking tools. This includes Comodo, which offers a free DNS service that keeps people away from dangerous sites.

The service labeled SecureDNS is part of the Comodo Internet Security bundle but can be used by the general public as well, without charge. Just change the DNS settings on your computer or any other device, and you’re ready to go.

“As a leading provider of computer security solutions, Comodo is keenly aware of the dangers that plague the Internet today. SecureDNS helps users keep safe online with its malware domain filtering feature,” the company explains.

Aside from malware and spyware, Comodo also blocks access to sites that offer access to pirated content. Or put differently, they try to do this. But it’s easier said than done.

This week we were alerted to the fact that Comodo blocks direct access to TorrentFreak. Those who try to access our news site get an ominous warning instead, suggesting that we might share pirated content.

“This website has been blocked temporarily because of the following reason(s): Hacking/Warez: Site may offer illegal sharing of copyrighted software or media,” the warning reads, adding that several users also reported the site to be unsafe.

TorrentFreak blocked

People can still access the site by clicking on a big red cross, although that’s something Comodo doesn’t recommend. However, it is quite clear that new readers will be pretty spooked by the alarming message.

We assume that TorrentFreak was added to Comodo’s blocklist by mistake. And while mistakes can happen everywhere, this once again show that overblocking is a serious concern.

We are lucky enough that readers alerted us to the problem, but in other cases, it could easily go unnoticed.

Interestingly, the ‘piracy’ blocklist is not as stringent as the above would suggest. While we replicated the issue, we also checked several other known ‘pirate’ sites including The Pirate Bay, RARBG, GoMovies, and Pubfilm. These could all be accessed through SecureDNS without any warning.

TorrentFreak contacted Comodo for a comment on their curious blocking efforts, but we have yet to hear back from the company. In the meantime, Comodo SecureDNS users may want to consider switching to a more open DNS provider.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Digital painter rundown

Post Syndicated from Eevee original https://eev.ee/blog/2017/06/17/digital-painter-rundown/

Another patron post! IndustrialRobot asks:

You should totally write about drawing/image manipulation programs! (Inspired by https://eev.ee/blog/2015/05/31/text-editor-rundown/)

This is a little trickier than a text editor comparison — while most text editors are cross-platform, quite a few digital art programs are not. So I’m effectively unable to even try a decent chunk of the offerings. I’m also still a relatively new artist, and image editors are much harder to briefly compare than text editors…

Right, now that your expectations have been suitably lowered:

Krita

I do all of my digital art in Krita. It’s pretty alright.

Okay so Krita grew out of Calligra, which used to be KOffice, which was an office suite designed for KDE (a Linux desktop environment). I bring this up because KDE has a certain… reputation. With KDE, there are at least three completely different ways to do anything, each of those ways has ludicrous amounts of customization and settings, and somehow it still can’t do what you want.

Krita inherits this aesthetic by attempting to do literally everything. It has 17 different brush engines, more than 70 layer blending modes, seven color picker dockers, and an ungodly number of colorspaces. It’s clearly intended primarily for drawing, but it also supports animation and vector layers and a pretty decent spread of raster editing tools. I just right now discovered that it has Photoshop-like “layer styles” (e.g. drop shadow), after a year and a half of using it.

In fairness, Krita manages all of this stuff well enough, and (apparently!) it manages to stay out of your way if you’re not using it. In less fairness, they managed to break erasing with a Wacom tablet pen for three months?

I don’t want to rag on it too hard; it’s an impressive piece of work, and I enjoy using it! The emotion it evokes isn’t so much frustration as… mystified bewilderment.

I once filed a ticket suggesting the addition of a brush size palette — a panel showing a grid of fixed brush sizes that makes it easy to switch between known sizes with a tablet pen (and increases the chances that you’ll be able to get a brush back to the right size again). It’s a prominent feature of Paint Tool SAI and Clip Studio Paint, and while I’ve never used either of those myself, I’ve seen a good few artists swear by it.

The developer response was that I could emulate the behavior by creating brush presets. But that’s flat-out wrong: getting the same effect would require creating a ton of brush presets for every brush I have, plus giving them all distinct icons so the size is obvious at a glance. Even then, it would be much more tedious to use and fill my presets with junk.

And that sort of response is what’s so mysterious to me. I’ve never even been able to use this feature myself, but a year of amateur painting with Krita has convinced me that it would be pretty useful. But a developer didn’t see the use and suggested an incredibly tedious alternative that only half-solves the problem and creates new ones. Meanwhile, of the 28 existing dockable panels, a quarter of them are different ways to choose colors.

What is Krita trying to be, then? What does Krita think it is? Who precisely is the target audience? I have no idea.


Anyway, I enjoy drawing in Krita well enough. It ships with a respectable set of brushes, and there are plenty more floating around. It has canvas rotation, canvas mirroring, perspective guide tools, and other art goodies. It doesn’t colordrop on right click by default, which is arguably a grave sin (it shows a customizable radial menu instead), but that’s easy to rebind. It understands having a background color beneath a bottom transparent layer, which is very nice. You can also toggle any brush between painting and erasing with the press of a button, and that turns out to be very useful.

It doesn’t support infinite canvases, though it does offer a one-click button to extend the canvas in a given direction. I’ve never used it (and didn’t even know what it did until just now), but would totally use an infinite canvas.

I haven’t used the animation support too much, but it’s pretty nice to have. Granted, the only other animation software I’ve used is Aseprite, so I don’t have many points of reference here. It’s a relatively new addition, too, so I assume it’ll improve over time.

The one annoyance I remember with animation was really an interaction with a larger annoyance, which is: working with selections kind of sucks. You can’t drag a selection around with the selection tool; you have to switch to the move tool. That would be fine if you could at least drag the selection ring around with the selection tool, but you can’t do that either; dragging just creates a new selection.

If you want to copy a selection, you have to explicitly copy it to the clipboard and paste it, which creates a new layer. Ctrl-drag with the move tool doesn’t work. So then you have to merge that layer down, which I think is where the problem with animation comes in: a new layer is non-animated by default, meaning it effectively appears in any frame, so simply merging it down with merge it onto every single frame of the layer below. And you won’t even notice until you switch frames or play back the animation. Not ideal.

This is another thing that makes me wonder about Krita’s sense of identity. It has a lot of fancy general-purpose raster editing features that even GIMP is still struggling to implement, like high color depth support and non-destructive filters, yet something as basic as working with selections is clumsy. (In fairness, GIMP is a bit clumsy here too, but it has a consistent notion of “floating selection” that’s easy enough to work with.)

I don’t know how well Krita would work as a general-purpose raster editor; I’ve never tried to use it that way. I can’t think of anything obvious that’s missing. The only real gotcha is that some things you might expect to be tools, like smudge or clone, are just types of brush in Krita.

GIMP

Ah, GIMP — open source’s answer to Photoshop.

It’s very obviously intended for raster editing, and I’m pretty familiar with it after half a lifetime of only using Linux. I even wrote a little Scheme script for it ages ago to automate some simple edits to a couple hundred files, back before I was aware of ImageMagick. I don’t know what to say about it, specifically; it’s fairly powerful and does a wide variety of things.

In fact I’d say it’s almost frustratingly intended for raster editing. I used GIMP in my first attempts at digital painting, before I’d heard of Krita. It was okay, but so much of it felt clunky and awkward. Painting is split between a pencil tool, a paintbrush tool, and an airbrush tool; I don’t really know why. The default brushes are largely uninteresting. Instead of brush presets, there are tool presets that can be saved for any tool; it’s a neat idea, but doesn’t feel like a real substitute for brush presets.

Much of the same functionality as Krita is there, but it’s all somehow more clunky. I’m sure it’s possible to fiddle with the interface to get something friendlier for painting, but I never really figured out how.

And then there’s the surprising stuff that’s missing. There’s no canvas rotation, for example. There’s only one type of brush, and it just stamps the same pattern along a path. I don’t think it’s possible to smear or blend or pick up color while painting. The only way to change the brush size is via the very sensitive slider on the tool options panel, which I remember being a little annoying with a tablet pen. Also, you have to specifically enable tablet support? It’s not difficult or anything, but I have no idea why the default is to ignore tablet pressure and treat it like a regular mouse cursor.

As I mentioned above, there’s also no support for high color depth or non-destructive editing, which is honestly a little embarrassing. Those are the major things Serious Professionals™ have been asking for for ages, and GIMP has been trying to provide them, but it’s taking a very long time. The first signs of GEGL, a new library intended to provide these features, appeared in GIMP 2.6… in 2008. The last major release was in 2012. GIMP has been working on this new plumbing for almost as long as Krita’s entire development history. (To be fair, Krita has also raised almost €90,000 from three Kickstarters to fund its development; I don’t know that GIMP is funded at all.)

I don’t know what’s up with GIMP nowadays. It’s still under active development, but the exact status and roadmap are a little unclear. I still use it for some general-purpose editing, but I don’t see any reason to use it to draw.

I do know that canvas rotation will be in the next release, and there was some experimentation with embedding MyPaint’s brush engine (though when I tried it it was basically unusable), so maybe GIMP is interested in wooing artists? I guess we’ll see.

MyPaint

Ah, MyPaint. I gave it a try once. Once.

It’s a shame, really. It sounds pretty great: specifically built for drawing, has very powerful brushes, supports an infinite canvas, supports canvas rotation, has a simple UI that gets out of your way. Perfect.

Or so it seems. But in MyPaint’s eagerness to shed unnecessary raster editing tools, it forgot a few of the more useful ones. Like selections.

MyPaint has no notion of a selection, nor of copy/paste. If you want to move a head to align better to a body, for example, the sanctioned approach is to duplicate the layer, erase the head from the old layer, erase everything but the head from the new layer, then move the new layer.

I can’t find anything that resembles HSL adjustment, either. I guess the workaround for that is to create H/S/L layers and floodfill them with different colors until you get what you want.

I can’t work seriously without these basic editing tools. I could see myself doodling in MyPaint, but Krita works just as well for doodling as for serious painting, so I’ve never gone back to it.

Drawpile

Drawpile is the modern equivalent to OpenCanvas, I suppose? It lets multiple people draw on the same canvas simultaneously. (I would not recommend it as a general-purpose raster editor.)

It’s a little clunky in places — I sometimes have bugs where keyboard focus gets stuck in the chat, or my tablet cursor becomes invisible — but the collaborative part works surprisingly well. It’s not a brush powerhouse or anything, and I don’t think it allows textured brushes, but it supports tablet pressure and canvas rotation and locked alpha and selections and whatnot.

I’ve used it a couple times, and it’s worked well enough that… well, other people made pretty decent drawings with it? I’m not sure I’ve managed yet. And I wouldn’t use it single-player. Still, it’s fun.

Aseprite

Aseprite is for pixel art so it doesn’t really belong here at all. But it’s very good at that and I like it a lot.

That’s all

I can’t name any other serious contender that exists for Linux.

I’m dimly aware of a thing called “Photo Shop” that’s more intended for photos but functions as a passable painter. More artists seem to swear by Paint Tool SAI and Clip Studio Paint. Also there’s Paint.NET, but I have no idea how well it’s actually suited for painting.

And that’s it! That’s all I’ve got. Krita for drawing, GIMP for editing, Drawpile for collaborative doodling.

Konecny: Anaconda modularisation

Post Syndicated from jake original https://lwn.net/Articles/725623/rss

On his blog, Jiri Konecny writes about plans for modularizing Anaconda, which is the installer for Fedora and other Linux distributions. Anaconda is written in Python 3, but is all contained in one monolithic program.
The current Anaconda has one significant problem: all of the code is in one place–the monolith. It is more difficult to trace bugs and to a have a stable API. Implementing new features or modifying existing code in Anaconda is also more challenging. Modularisation should help with these things mainly because of isolation between the modules. It will be much easier to create tests for modules or to add new functionality.

Modularisation also opens up new possibilities to developers. They should be able to create a new user interface easily. Since developers can rely on the existing API documentation, it should not be necessary to browse the source code tree very often. Another benefit is that an addon is like another module, communicating with other modules, so it has the same capabilities. Developers can use the public API to write their addons in their favourite programming language which supports DBus.”

Pirates Cost Australia’s Ten Network “Hundreds of Millions of Dollars”

Post Syndicated from Andy original https://torrentfreak.com/pirates-cost-australias-ten-network-hundreds-of-millions-of-dollars-170616/

In 2016, Australia’s Ten Network posted losses of AUS$157 million. This April, the broadcaster showed signs of continuing distress when it posted a half-year loss of AUS$232 million.

In a statement to the stock exchange, Ten said it was trying to secure new terms for a AUS$200 million debt financing guarantee. According to ABC, the company had lost more than 60% of its value in the preceding 12 months and almost 98% over the previous five years.

More bad news arrived this week when Ten’s board decided to put the company into voluntary administration after failing to secure a guarantee for a AUS$250 million loan that could’ve kept the ship afloat into the new year. As moves get underway to secure the company’s future, fingers of blame are being raised.

According to Village Roadshow co-chief executive Graham Burke, Internet pirates cost Ten “hundreds of millions of dollars” in advertising revenue due to their tendency to obtain movies and TV shows from the web rather than via legitimate means.

Burke told The Australian (paywall) that movies supplied to Ten by 21st Century Fox (including The Revenant and The Peanuts Movie which were both leaked) had received lower broadcast ratings due to people viewing them online in advance.

“Piracy is a much bigger channel and an illicit economy than the three main commercial networks combined,” Burke told the publication.

“Movies from Fox arrive with several million people having seen them through piracy. If it wasn’t for piracy, the ratings would be stronger and the product would not be arriving clapped out.”

But leaked or not, content doesn’t come cheap. As part of efforts to remain afloat, Ten Network recently tried to re-negotiate content supply deals with Fox and CBS. Together they reportedly cost the broadcaster more than AUS$900 million over the previous six years.

Despite this massive price tag and numerous other problems engulfing the troubled company, Burke suggests it is pirates that are to blame for Ten’s demise.

“A large part of Ten’s expenditure is on movies and they are being seen by millions of people ­illegitimately on websites supported by rogue ­advertising for drugs, prostitution and even legitimate advertising. The cumulative effect of all the ­pirated product out there has brought down Ten,” Burke said.

While piracy has certainly been blamed for a lot of things over the years, it is extremely rare for a senior industry figure to link it so closely with the potential demise of a major broadcaster.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

“Top ISPs” Are Discussing Fines & Browsing Hijacking For Pirates

Post Syndicated from Andy original https://torrentfreak.com/top-isps-are-discussing-fines-browsing-hijacking-for-pirates-170614/

For the past several years, anti-piracy outfit Rightscorp has been moderately successful in forcing smaller fringe ISPs in the United States to collaborate in a low-tier copyright trolling operation.

The way it works is relatively simple. Rightscorp monitors BitTorrent networks, captures the IP addresses of alleged infringers, and sends DMCA notices to their ISPs. Rightscorp expects ISPs to forward these to their customers along with an attached cash settlement demand.

These demands are usually for small amounts ($20 or $30) but most of the larger ISPs don’t forward them to their customers. This deprives Rightscorp (and clients such as BMG) of the opportunity to generate revenue, a situation that the anti-piracy outfit is desperate to remedy.

One of the problems is that when people who receive Rightscorp ‘fines’ refuse to pay them, the company does nothing, leading to a lack of respect for the company. With this in mind, Rightscorp has been trying to get ISPs involved in forcing people to pay up.

In 2014, Rightscorp said that its goal was to have ISPs place a redirect page in front of ‘pirate’ subscribers until they pay a cash fine.

“[What] we really want to do is move away from termination and move to what’s called a hard redirect, like, when you go into a hotel and you have to put your room number in order to get past the browser and get on to browsing the web,” the company said.

In the three years since that statement, the company has raised the issue again but nothing concrete has come to fruition. However, there are now signs of fresh movement which could be significant, if Rightscorp is to be believed.

“An ISP Good Corporate Citizenship Program is what we feel will drive revenue associated with our primary revenue model. This program is an attempt to garner the attention and ultimately inspire a behavior shift in any ISP that elects to embrace our suggestions to be DMCA-compliant,” the company told shareholders yesterday.

“In this program, we ask for the ISPs to forward our notices referencing the infringement and the settlement offer. We ask that ISPs take action against repeat infringers through suspensions or a redirect screen. A redirect screen will guide the infringer to our payment screen while limiting all but essential internet access.”

At first view, this sounds like a straightforward replay of Rightscorp’s wishlist of three years ago, but it’s worth noting that the legal landscape has shifted fairly significantly since then.

Perhaps the most important development is the BMG v Cox Communications case, in which the ISP was sued for not doing enough to tackle repeat infringers. In that case (for which Rightscorp provided the evidence), Cox was held liable for third-party infringement and ordered to pay damages of $25 million alongside $8 million in legal fees.

All along, the suggestion has been that if Cox had taken action against infringing subscribers (primarily by passing on Rightscorp ‘fines’ and/or disconnecting repeat infringers) the ISP wouldn’t have ended up in court. Instead, it chose to sweat it out to a highly unfavorable decision.

The BMG decision is a potentially powerful ruling for Rightscorp, particularly when it comes to seeking ‘cooperation’ from other ISPs who might not want a similar legal battle on their hands. But are other ISPs interested in getting involved?

According to the Rightscorp, preliminary negotiations are already underway with some big players.

“We are now beginning to have some initial and very thorough discussions with a handful of the top ISPs to create and implement such a program that others can follow. We have every reason to believe that the litigations referred to above are directly responsible for the beginning of a change in thinking of ISPs,” the company says.

Rightscorp didn’t identify these “top ISPs” but by implication, these could include companies such as Comcast, AT&T, Time Warner Cable, CenturyLink, Charter, Verizon, and/or even Cox Communications.

With cooperation from these companies, Rightscorp predicts that a “cultural shift” could be brought about which would significantly increase the numbers of subscribers paying cash demands. It’s also clear that while it may be seeking cooperation from ISPs, a gun is being held under the table too, in case any feel hesitant about putting up a redirect screen.

“This is the preferred approach that we advocate for any willing ISP as an alternative to becoming a defendant in a litigation and facing potential liability and significantly larger statutory damages,” Rightscorp says.

A recent development suggests the company may not be bluffing. Back in April the RIAA sued ISP Grande Communcations for failing to disconnect persistent pirates. Yet again, Rightscorp is deeply involved in the case, having provided the infringement data to the labels for a considerable sum.

Whether the “top ISPs” in the United States will cave into the pressure and implied threats remains to be seen but there’s no doubting the rising confidence at Rightscorp.

“We have demonstrated the tenacity to support two major litigation efforts initiated by two of our clients, which we feel will set a precedent for the entire anti-piracy industry led by Rightscorp. If you can predict the law, you can set the competition,” the company concludes.

Meanwhile, Rightscorp appears to continue its use of disingenuous tactics to extract money from alleged file-sharers.

In the wake of several similar reports, this week a Reddit user reported that Rightscorp asked him to pay a single $20 fine for pirating a song. After paying up, the next day the company allegedly called the user back and demanded payment for a further 200 notices.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Latency Distribution Graph in AWS X-Ray

Post Syndicated from Randall Hunt original https://aws.amazon.com/blogs/aws/latency-distribution-graph-in-aws-x-ray/

We’re continuing to iterate on the AWS X-Ray service based on customer feedback and today we’re excited to release a set of tools to help you quickly dive deep on latencies in your applications. Visual Node and Edge latency distribution graphs are shown in a handy new “Service Details” side bar in your X-Ray Service Map.

The X-Ray service graph gives you a visual representation of services and their interactions over a period of time that you select. The nodes represent services and the edges between the nodes represent calls between the services. The nodes and edges each have a set of statistics associated with them. While the visualizations provided in the service map are useful for estimating the average latency in an application they don’t help you to dive deep on specific issues. Most of the time issues occur at statistical outliers. To alleviate this X-Ray computes histograms like the one above help you solve those 99th percentile bugs.

To see a Response Distribution for a Node just click on it in the service graph. You can also click on the edges between the nodes to see the Response Distribution from the viewpoint of the calling service.

The team had a few interesting problems to solve while building out this feature and I wanted to share a bit of that with you now! Given the large number of traces an app can produce it’s not a great idea (for your browser) to plot every single trace client side. Instead most plotting libraries, when dealing with many points, use approximations and bucketing to get a network and performance friendly histogram. If you’ve used monitoring software in the past you’ve probably seen as you zoom in on the data you get higher fidelity. The interesting thing about the latencies coming in from X-Ray is that they vary by several orders of magnitude.

If the latencies were distributed between strictly 0s and 1s you could easily just create 10 buckets of 100 milliseconds. If your apps are anything like mine there’s a lot of interesting stuff happening in the outliers, so it’s beneficial to have more fidelity at 1% and 99% than it is at 50%. The problem with fixed bucket sizes is that they’re not necessarily giving you an accurate summary of data. So X-Ray, for now, uses dynamic bucket sizing based on the t-digests algorithm by Ted Dunning and Otmar Ertl. One of the distinct advantages of this algorithm over other approximation algorithms is its accuracy and precision at extremes (where most errors typically are).

An additional advantage of X-Ray over other monitoring software is the ability to measure two perspectives of latency simultaneously. Developers almost always have some view into the server side latency from their application logs but with X-Ray you can examine latency from the view of each of the clients, services, and microservices that you’re interacting with. You can even dive deeper by adding additional restrictions and queries on your selection. You can identify the specific users and clients that are having issues at that 99th percentile.

This info has already been available in API calls to GetServiceGraph as ResponseTimeHistogram but now we’re exposing it in the console as well to make it easier for customers to consume. For more information check out the documentation here.

Randall

UK Police Claim Success in Keeping Gambling Ads off Pirate Sites

Post Syndicated from Andy original https://torrentfreak.com/uk-police-claim-success-in-keeping-gambling-ads-off-pirate-sites-170614/

Over the past several years, there has been a major effort by entertainment industry groups to cut off revenue streams to ‘pirate’ sites. The theory is that if sites cannot generate funds, their operators will eventually lose interest.

Since advertising is a key money earner for any website, significant resources have been expended trying to keep ads off sites that directly or indirectly profit from infringement. It’s been a multi-pronged affair, with agencies being encouraged to do the right thing and brands warned that their ads appearing on pirate sites does nothing for their image.

One sector that has trailed behind most is the gambling industry. Up until fairly recently, ads for some of the UK’s largest bookmakers have been a regular feature on many large pirate sites, either embedded in pages or more often than not, appearing via popup or pop-under spreads. Now, however, a significant change is being reported.

According to the City of London Police’s Intellectual Property Crime Unit (PIPCU), over the past 12 months there has been an 87% drop in adverts for licensed gambling operators being displayed on infringing websites.

The research was carried out by whiteBULLET, a brand safety and advertising solutions company which helps advertisers to assess whether placing an advert on a particular URL will cause it to appear on a pirate site.

PIPCU says that licensed gambling operators have an obligation to “keep crime out of gambling” due to their commitments under the Gambling Act 2005. However, the Gambling Commission, the UK’s gambling regulatory body, has recently been taking additional steps to tackle the problem.

In September 2015, the Commission consulted on amendments (pdf) to licensing conditions that would compel licensees to ensure that advertisements “placed by themselves and others” do not appear on websites providing unauthorized access to copyrighted content.

After the consultation was published in May 2016 (pdf), all respondents agreed in principle that gambling operators should not advertise on pirate sites. A month later, the Commission said it would ban the placement of gambling ads on such platforms.

When the new rules came into play last October, 40 gambling companies (including Bet365, Coral and Sky Bet, who had previously been called out for displaying ads on pirate sites) were making use of PIPCU’s ‘Infringing Website List‘, a database of sites that police claim are actively involved in piracy.

Speaking yesterday, acting Detective Superintendent Peter Ratcliffe, Head of the Police Intellectual Property Crime Unit (PIPCU), welcomed the ensuing reduction in ad placement on ‘pirate’ domains.

“The success of a strong relationship built between PIPCU and The Gambling Commission can be seen by these figures. This is a fantastic example of a joint working initiative between police and an industry regulator,” Ratcliffe said.

“We commend the 40 gambling companies who are already using the Infringing Website List and encourage others to sign up. We will continue to encourage all UK advertisers to become a member of the Infringing Website List to ensure they’re not inadvertently funding criminal websites.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Balancing Convenience and Privacy

Post Syndicated from Ahin Thomas original https://www.backblaze.com/blog/privacy-vs-convenience/

balancing convenience and privacy

In early January of this year, in a conference room with a few other colleagues, we were at a point where we needed to decide how to balance convenience and privacy for our customers. The context being our team earnestly finalizing and prioritizing the launch features of our revamped Business Backup product. In the process, we introduced a piece of functionality that we call “Groups.” A Group is a mechanism that centralizes payment and simplifies management for multiple Backblaze users in a given organization or business. As with many services there were tradeoffs, but this one proved thornier than most.

The Trade-off Between Convenience and Privacy

The problem started as we considered the possibility of having a “Managed” Group. The concept is simple enough: Centralized billing is good, but there are clear use cases where a user would like to have someone act on their behalf. For instance, a business may want a System Administrator to create/manage restores on behalf of a group of employees. We have had many instances of someone from the home office ordering a hard drive restore for an employee in the field. Similarly, a Managed Service Provider (MSP) might provide, and potentially charge for, the service of creating/managing restores for their customers. In short, the idea of having an Administrator manage a defined collection of users (i.e. a Group) was compelling and added a level of convenience.

Great. It’s decided then, we need to introduce the concept of a Managed Group. And we’ll also have Unmanaged Groups. You can have infinite Groups of either kind, we’ll let the user decide!

Here’s the problem: The Managed Group feature could have easily been used for evil. For example, an overeager Administrator could restore an employee’s files, at anytime, for any reason – legitimate or nefarious. This felt wrong as we’re a backup company, not spyware company.

This is when the discussion got more interesting. By adding a convenience feature, we realized that there was potential for user privacy to be violated. As we worked through the use cases, we faced potential conflict between two of our guiding principles:

  • Make backup astonishingly easy. Whether you are a individual, family, or business (or some combination), we want to make your life easier.
  • Don’t be evil. With great data storage comes great responsibility. We are the custodians of sensitive data and take that seriously.

So how best to balance a feature that customers clearly want while enabling sane protections for all users? It was an interesting question internally – one where a fair amount of meetings, hallway conversations, and email exchanges were conducted in order to get it right.

Enabling Administration While Safeguarding Team Privacy

Management can be turned on for any Group at the time of Group Creation. As mentioned above, one Administrator can have as many Groups as desired and those Groups can be a mix of Managed and Unmanaged.

But there’s an interesting wrinkle – if Management is enabled, potential members of that Group are told that the feature is enabled before they join the Group.

Backblze for Business Group Invite

We’ve, in plain terms, disclosed what is happening before the person starts backing up. If you read that and choose to start backing up, then you have been armed with full information.

Unfortunately, life isn’t that cut and dry. What if your company selected Backblaze and insists that everyone join the Group? Sure, you were told there are Administrators. Fine, my Administrator is supposed to act in the constructive interest of the Group. But what if the Admin is, as the saying goes, “for badness”?

Our solution, while seemingly innocuous, felt like it introduced a level of transparency and auditability that made us comfortable moving forward. Before an Administrator can do a restore on a Group Member’s behalf, the Admin is presented with a pop up that looks like this:

Backblaze for Business Restore Notification

If the Admin is going to create a restore on a user’s behalf, then that user will be notified of the activity. A less than well intentioned Admin will have some reluctance if he knows the user will receive an email. Since permission for this type of activity was granted when the individual joined the Group, we do allow the Admin to proceed with the restore operation without further approval (convenience).

However, the user will get notified and can raise any questions or concerns as desired. There are no false positives, if the user gets an email, that means an Admin was going to restore data from the user’s account. In addition, because the mechanism is email, it creates an audit trail for the company. If there are users that don’t want the alerts, we recommend simply creating an email filter rule and putting them into a folder (in case some day you did want them).

Customer Adoption

The struggle for us was to strike the right balance between privacy and convenience. Specifically, we wanted to empower our users to set the mix where it is appropriate for them. In the case of Groups, it’s been interesting to see that 93% of Groups are of the “Managed” variety.

More importantly to us, we get consistently good feedback about the notification mechanisms in place. Even for organizations where one Admin may be taking a number of legitimate actions, we’re told that the notifications are appreciated in the spirit that they are intended. We’ll continue to solicit feedback and analyze usage to find ways to improve all of our features. But hearing and seeing customer satisfaction is a positive indicator that we’ve struck the appropriate balance between convenience and privacy.

The late 20th century philosopher, Judge Smails, once posited “the most important decision you can make right now is what do you stand for…? Goodness… or badness?”

We choose goodness. How do you think we did?

The post Balancing Convenience and Privacy appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.

Global Entertainment Giants Form Massive Anti-Piracy Coalition

Post Syndicated from Andy original https://torrentfreak.com/global-entertainment-giants-form-massive-anti-piracy-coalition-170613/

It’s not unusual for companies within the same area of business to collaborate in order to combat piracy. The studios and labels that form the MPAA and RIAA, for example, have doing just that for decades.

Today, however, an unprecedented number of global content creators and distribution platforms have announced the formation of a brand new coalition to collaboratively fight Internet piracy on a global scale.

The Alliance for Creativity and Entertainment (ACE) is a coalition of 30 companies that reads like a who’s who of the global entertainment market. In alphabetical order the members are:

Amazon, AMC Networks, BBC Worldwide, Bell Canada and Bell Media, Canal+ Group, CBS Corporation, Constantin Film, Foxtel, Grupo Globo, HBO, Hulu, Lionsgate, Metro-Goldwyn-Mayer (MGM), Millennium Media, NBCUniversal, Netflix, Paramount Pictures, SF Studios, Sky, Sony Pictures Entertainment, Star India, Studio Babelsberg, STX Entertainment, Telemundo, Televisa, Twentieth Century Fox, Univision Communications Inc., Village Roadshow, The Walt Disney Company, and Warner Bros. Entertainment Inc.

In a joint announcement today, ACE notes that there are now more than 480 services available for consumers to watch films and TV programs online. However, despite that abundance of content, piracy continues to pose a threat to creators and the economy.

“Films and television shows can often be found on pirate sites within days – and in many cases hours – of release,” ACE said in a statement.

“Last year, there were an estimated 5.4 billion downloads of pirated wide release films and primetime television and VOD shows using peer-to-peer protocols worldwide. There were also an estimated 21.4 billion total visits to streaming piracy sites worldwide across both desktops and mobile devices in 2016.”

Rather than the somewhat fragmented anti-piracy approach currently employed by ACE members separately, the coalition will present a united front of all major content creators and distributors, with a mission to cooperate and expand in order to minimize the threat.

At the center of the alliance appears to be the MPAA. ACE reports that the anti-piracy resources of the Hollywood group will be used “in concert” with the existing anti-piracy departments of the member companies.

Unprecedented scale aside, ACE’s modus operandi will be a familiar one.

The coalition says it will work closely with law enforcement to shut down pirate sites and services, file civil litigation, and forge new relationships with other content protection groups. It will also strive to reach voluntary anti-piracy agreements with other interested parties across the Internet.

MPAA chief Chris Dodd, whose group will play a major role in ACE, welcomed the birth of the alliance.

“ACE, with its broad coalition of creators from around the world, is designed, specifically, to leverage the best possible resources to reduce piracy,” Dodd said.

“For decades, the MPAA has been the gold standard for antipiracy enforcement. We are proud to provide the MPAA’s worldwide antipiracy resources and the deep expertise of our antipiracy unit to support ACE and all its initiatives.”

The traditionally non-aggressive BBC described ACE as “hugely important” in the fight against “theft and illegal distribution”, with Netflix noting that even its creative strategies for dealing with piracy are in need of assistance.

“While we’re focused on providing a great consumer experience that ultimately discourages piracy, there are still bad players around the world trying to profit off the hard work of others,” said Netflix General Counsel, David Hyman.

“By joining ACE, we will work together, share knowledge, and leverage the group’s combined anti-piracy resources to address the global online piracy problem.”

It’s likely that the creation of ACE will go down as a landmark moment in the fight against piracy. Never before has such a broad coalition promised to pool resources on such a grand and global scale. That being said, with great diversity comes the potential for greatly diverging opinions, so only time will tell if this coalition can really hold together.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.