Tag Archives: spotify

IoT Inspector Tool from Princeton

Post Syndicated from Bruce Schneier original https://www.schneier.com/blog/archives/2018/05/iot_inspector_t.html

Researchers at Princeton University have released IoT Inspector, a tool that analyzes the security and privacy of IoT devices by examining the data they send across the Internet. They’ve already used the tool to study a bunch of different IoT devices. From their blog post:

Finding #3: Many IoT Devices Contact a Large and Diverse Set of Third Parties

In many cases, consumers expect that their devices contact manufacturers’ servers, but communication with other third-party destinations may not be a behavior that consumers expect.

We have found that many IoT devices communicate with third-party services, of which consumers are typically unaware. We have found many instances of third-party communications in our analyses of IoT device network traffic. Some examples include:

  • Samsung Smart TV. During the first minute after power-on, the TV talks to Google Play, Double Click, Netflix, FandangoNOW, Spotify, CBS, MSNBC, NFL, Deezer, and Facebook­even though we did not sign in or create accounts with any of them.
  • Amcrest WiFi Security Camera. The camera actively communicates with cellphonepush.quickddns.com using HTTPS. QuickDDNS is a Dynamic DNS service provider operated by Dahua. Dahua is also a security camera manufacturer, although Amcrest’s website makes no references to Dahua. Amcrest customer service informed us that Dahua was the original equipment manufacturer.

  • Halo Smoke Detector. The smart smoke detector communicates with broker.xively.com. Xively offers an MQTT service, which allows manufacturers to communicate with their devices.

  • Geeni Light Bulb. The Geeni smart bulb communicates with gw.tuyaus.com, which is operated by TuYa, a China-based company that also offers an MQTT service.

We also looked at a number of other devices, such as Samsung Smart Camera and TP-Link Smart Plug, and found communications with third parties ranging from NTP pools (time servers) to video storage services.

Their first two findings are that “Many IoT devices lack basic encryption and authentication” and that “User behavior can be inferred from encrypted IoT device traffic.” No surprises there.

Boingboing post.

Related: IoT Hall of Shame.

Danish Traffic to Pirate Sites Increases 67% in Just a Year

Post Syndicated from Andy original https://torrentfreak.com/danish-traffic-to-pirate-sites-increases-67-in-just-a-year-180501/

For close to 20 years, rightsholders have tried to stem the tide of mainstream Internet piracy. Yet despite increasingly powerful enforcement tools, infringement continues on a grand scale.

While the problem is global, rightsholder groups often zoom in on their home turf, to see how the fight is progressing locally. Covering Denmark, the Rights Alliance Data Report 2017 paints a fairly pessimistic picture.

Published this week, the industry study – which uses SimilarWeb and MarkMonitor data – finds that Danes visited 2,000 leading pirate sites 596 million times in 2017. That represents a 67% increase over the 356 million visits to unlicensed platforms made by citizens during 2016.

The report notes that, at least in part, this explosive growth can be attributed to mobile-compatible sites and services, which make it easier than ever to consume illicit content on the move, as well as at home.

In a sea of unauthorized streaming sites, Rights Alliance highlights one platform above all the others as a particularly bad influence in 2017 – 123movies (also known as GoMovies and GoStream, among others).

“The popularity of this service rose sharply in 2017 from 40 million visits in 2016 to 175 million visits in 2017 – an increase of 337 percent, of which most of the traffic originates from mobile devices,” the report notes.

123movies recently announced its closure but before that the platform was subjected to web-blocking in several jurisdictions.

Rights Alliance says that Denmark has one of the most effective blocking systems in the world but that still doesn’t stop huge numbers of people from consuming pirate content from sites that aren’t yet blocked.

“Traffic to infringing sites is overwhelming, and therefore blocking a few sites merely takes the top of the illegal activities,” Rights Alliance chief Maria Fredenslund informs TorrentFreak.

“Blocking is effective by stopping 75% of traffic to blocked sites but certainly, an upscaled effort is necessary.”

Rights Alliance also views the promotion of legal services as crucial to its anti-piracy strategy so when people visit a blocked site, they’re also directed towards legitimate platforms.

“That is why we are working at the moment with Denmark’s Ministry of Culture and ISPs on a campaign ‘Share With Care 2′ which promotes legal services e.g. by offering a search function for legal services which will be placed in combination with the signs that are put on blocked websites,” the anti-piracy group notes.

But even with such measures in place, the thirst for unlicensed content is great. In 2017 alone, 500 of the most popular films and TV shows were downloaded from P2P networks like BitTorrent more than 15 million times from Danish IP addresses, that’s up from 11.9 million in 2016.

Given the dramatic rise in visits to pirate sites overall, the suggestion is that plenty of consumers are still getting through. Rights Alliance says that the number of people being restricted is also hampered by people who don’t use their ISP’s DNS service, which is the method used to block sites in Denmark.

Additionally, interest in VPNs and similar anonymization and bypass-capable technologies is on the increase. Between 3.5% and 5% of Danish Internet users currently use a VPN, a number that’s expected to go up. Furthermore, Rights Alliance reports greater interest in “closed” pirate communities.

“The data is based on closed [BitTorrent] networks. We also address the challenges with private communities on Facebook and other [social media] platforms,” Fredenslund explains.

“Due to the closed doors of these platforms it is not possible for us to say anything precisely about the amount of infringing activities there. However, we receive an increasing number of notices from our members who discover that their products are distributed illegally and also we do an increased monitoring of these platforms.”

But while more established technologies such as torrents and regular web-streaming continue in considerable volumes, newer IPTV-style services accessible via apps and dedicated platforms are also gaining traction.

“The volume of visitors to these services’ websites has been sharply rising in 2017 – an increase of 84 percent from January to December,” Rights Alliance notes.

“Even though the number of visitors does not say anything about actual consumption, as users usually only visit pages one time to download the program, the number gives an indication that the interest in IPTV is increasing.”

To combat this growth market, Rights Alliance says it wants to establish web-blockades against sites hosting the software applications.

Also on the up are visits to platforms offering live sports illegally. In 2017, Danish IP addresses made 2.96 million visits to these services, corresponding to almost 250,000 visits per month and representing an annual increase of 28%.

Rights Alliance informs TF that in future a ‘live’ blocking mechanism similar to the one used by the Premier League in the UK could be deployed in Denmark.

“We already have a dynamic blocking system, and we see an increasing demand for illegal TV products, so this could be a natural next step,” Fredenslund explains.

Another small but perhaps significant detail is how users are accessing pirate sites. According to the report, large volumes of people are now visiting platforms directly, with more than 50% doing so in preference to referrals from search engines such as Google.

In terms of deterrence, the Rights Alliance report sticks to the tried-and-tested approaches seen so often in the anti-piracy arena.

Firstly, the group notes that it’s increasingly encountering people who are paying for legal services such as Netflix and Spotify so believe that allows them to grab something extra from a pirate site. However, in common with similar organizations globally, the group counters that pirate sites can serve malware or have other nefarious business interests behind the scenes, so people should stay away.

Whether significant volumes will heed this advice will remain to be seen but if a 67% increase last year is any predictor of the future, piracy is here to stay – and then some. Rights Alliance says it is ready for the challenge but will need some assistance to achieve its goals.

“As it is evident from the traffic data, criminal activities are not something that we, private companies (right holders in cooperation with ISPs), can handle alone,” Fredenslund says.

“Therefore, we are very pleased that DK Government recently announced that the IP taskforce which was set down as a trial period has now been made permanent. In that regard it is important and necessary that the police will also obtain the authority to handle blocking of massively infringing websites. Police do not have the authority to carry out blocking as it is today.”

The full report is available here (Danish, pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Piracy Falls 6%, in Spain, But It’s Still a Multi-Billion Euro Problem

Post Syndicated from Andy original https://torrentfreak.com/piracy-falls-6-in-spain-but-its-still-a-multi-billion-euro-problem-180409/

The Coalition of Creators and Content Industries, which represents Spain’s leading entertainment industry companies, is keeping a close eye on the local piracy landscape.

The outfit has just published its latest Piracy Observatory and Digital Content Consumption Habits report, carried out by the independent consultant GFK, and there is good news to report on headline piracy figures.

During 2017, the report estimates that people accessed unlicensed digital content just over four billion times, which equates to almost 21.9 billion euros in lost revenues. While this is a significant number, it’s a decrease of 6% compared to 2016 and an accumulated decrease of 9% compared to 2015, the coalition reports.

Overall, movies are most popular with pirates, with 34% helping themselves to content without paying.

“The volume of films accessed illegally during 2017 was 726 million, with a market value of 5.7 billion euros, compared to 6.9 billion in 2016. 35% of accesses happened while the film was still on screens in cinema theaters, while this percentage was 33% in 2016,” the report notes.

TV shows are in a close second position with 30% of users gobbling up 945 million episodes illegally during 2017. A surprisingly high 24% of users went for eBooks, with music relegated to fourth place with ‘just’ 22%, followed by videogames (11%) and football (10%).

The reasons given by pirates for their habits are both varied and familiar. 51% said that original content is too expensive while 43% said that taking the illegal route “is fast and easy”. Half of the pirates said that simply paying for an internet connection was justification for getting content for free.

A quarter of all pirates believe that they aren’t doing anyone any harm, with the same number saying they get content without paying because there are no consequences for doing so. But it isn’t just pirates themselves in the firing line.

Perhaps unsurprisingly given the current climate, the report heavily criticizes search engines for facilitating access to infringing content.

“With 75%, search engines are the main method of accessing illegal content and Google is used for nine out of ten accesses to pirate content,” the report reads.

“Regarding social networks, Facebook is the most used method of access (83%), followed by Twitter (42%) and Instagram (34%). Therefore it is most valuable that Facebook has reached agreements with different industries to become a legal source and to regulate access to content.”

Once on pirate sites, some consumers reported difficulties in determining whether they’re legal or not. Around 15% said that they had “big difficulties” telling whether a site is authorized with 44% saying they had problems “sometimes”.

That being said, given the amount of advertising on pirate sites, it’s no surprise that most knew a pirate site when they visited one and, according to the report, advertising placement is only on the up.

Just over a quarter of advertising appearing on pirate sites features well-known brands, although this is a reduction from more than 37% in 2016. This needs to be further improved, the coalition says, via collaboration between all parties involved in the industry.

A curious claim from the report is that 81% of pirate site users said they were required to register in order to use a platform. This resulted in “transferring personal data” to pirate site operators who gather it in databases that are used for profitable “e-marketing campaigns”.

“Pirate sites also get much more valuable data than one could imagine which allow them to get important economic benefits, as for example, Internet surfing habits, other websites visited by consumers, preferences, likes, and purchase habits,” the report states.

So what can be done to reduce consumer reliance on pirate sites? The report finds that consumers are largely in line with how the entertainment industries believe piracy should or could be tackled.

“The most efficient measures against piracy would be, according to the internet users’ own view, blocking access to the website offering content (78%) and penalizing internet providers (73%),” the report reads.

“Following these two, the best measure to reduce infringements would be, according to consumers, to promote social awareness campaigns against piracy (61%). This suggests that increased collaboration between the content sector and the ISPs (Internet Service Providers) could count on consumers’ support and positive assessment.”

Finally, consumers in Spain are familiar with the legal options, should they wish to take that route in future. Netflix awareness in the country is at 91%, Spotify at 81%, with Movistar+ and HBO at 80% and 68% respectively.

“This invalidates the reasons given by pirate users who said they did so because of the lack of an accessible legal offer at affordable prices,” the report adds.

However, those who take the plunge into the legal world don’t always kick the pirate habit, with the paper stating that users of pirates sites tend to carry on pirating, although they do pirate less in some sectors, notably music. The study also departs from findings in other regions that pirates can also be avid consumers of legitimate content.

Several reports, from the UK, Sweden, Australia, and even from Hollywood, have clearly indicated that pirates are the entertainment industries’ best customers.

In Spain, however, the situation appears to be much more pessimistic, with only 8% of people who access illegal digital content paying for legal content too. That seems low given that Netflix alone had more than a million Spanish subscribers at the end of 2017 and six million Spanish households currently subscribe to other pay TV services.

The report is available here (Spanish, pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Spotify’s Two Million Unauthorized Users Hammered Google For Alternatives

Post Syndicated from Andy original https://torrentfreak.com/spotifys-two-million-unauthorized-users-hammered-google-for-alternatives-180326/

It is now common knowledge that Spotify launched its service more than a decade ago with the aim of attracting pirates.

With the disruption of The Pirate Bay ringing in the music industry’s ears, Spotify set out to capture the hearts and minds of music fans, particularly those with an aversion to paying.

Although it is yet to turn a profit, there can be little doubt that Spotify is a rampant success, at least as far as user numbers go. With premium and ad-supported free tiers available, the service is superbly accessible, no matter the depth of one’s pockets.

Naturally, those who pay get a better and smoother service so it’s no surprise that many free tier users aspire to that level of access. But while some pay the extra, others prefer to hack their way to music utopia.

How many people were accessing Spotify’s service using mainly hacked Android APK files has remained a mystery, but late last week, as part of the company’s IPO, Spotify dropped the bombshell.

“On March 21, 2018, we detected instances of approximately two million users as of December 31, 2017, who have been suppressing advertisements without payment,” Spotify wrote.

“We previously included such users in calculations for certain of our key performance indicators, including MAUs [Monthly Active Users], Ad-Supported Users, Content Hours, and Content Hours per MAU.”

Two million users is hardly an insignificant number and it appears Spotify felt the need to disclose them since up to January 1, 2017, the company had been including these users in its accounting. A couple of million users on the free tier is great, but not if they’re riding ad-free and therefore less likely to upgrade to premium, the suggestion goes.

Earlier this month, with its IPO process underway, Spotify clearly had these freeloading users on its mind. As previously reported, the company started to send out emails to people using hacked installation files, largely on Android, putting them on notice that their activities were not going unnoticed.

“We detected abnormal activity on the app you are using so we have disabled it. Don’t worry – your Spotify account is safe,” the email from Spotify said.

“To access your Spotify account, simply uninstall any unauthorized or modified version of Spotify and download and install the Spotify app from the official Google Play Store. If you need more help, please see our support article on Reinstalling Spotify.”

At the time it became apparent that this email had gone out to a large number of people, with significant volumes of users reporting problems with their accounts. It also seemed to target users fairly methodically, in that some countries’ users retained access while others suffered, only to be hit later on as more and more waves were sent out.

As the chart below from Google Trends shows, it appears that Spotify began taking action on March 1, which drove people to start searching for Spotify APK files that were still working.

By March 3, search volumes had doubled on the index and on March 7, Google searches for ‘Spotify APK’ reached a dramatic peak never before witnessed in the history of the search term. That’s quite an achievement given how many people use these pieces of software.

No prizes for guessing when Spotify got tough….

But after a flurry of activity, on March 22 search volumes were back down to March 3 levels, which is quite interesting in itself.

Although various modified APKs are still managing to evade Spotify’s ban, there doesn’t seem to be a dominant modified client proving popular enough to stop hundreds of thousands of people from continuing to search for an APK solution. So, presuming these ‘banned’ people still want the music offered by Spotify, where have they gone?

Aside from those using the APKs that have slipped through the net, reports suggest others have migrated to Deezer downloading solutions, which are also being targeted by Deezer. Others are using tools to convert their Spotify playlists to use with other pirate services or even YouTube.

The big question then is whether hitting the ban button to potentially eject up to two million users has resulted in a net positive for Spotify?

There’s no doubt it lowered the bandwidth bill for the growing company but how many former freeloaders traded the pirate high seas for an ad-supported account or even the premium service? Only Spotify has the numbers, and it won’t be sharing those yet – if ever.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Online Piracy Is More Popular Than Ever, Research Suggests

Post Syndicated from Ernesto original https://torrentfreak.com/online-piracy-is-more-popular-than-ever-research-suggests-180321/

Despite the growing availability of legal options, online piracy remains rampant. Every day pirate sites are visited hundreds of millions of times.

Piracy tracking outfit MUSO has documented the piracy landscape with data from tens of thousands of the largest global piracy sites.

In its latest report, the company recorded more than 300 billion visits to pirate sites last year alone. This is an increase of 1.6 percent compared to 2016.

More than half of all these visits (53%) are going to streaming sites, making that the most popular piracy tool. Torrent sites and direct download portals still have a significant user base, but follow at a respectable distance.

Most of the pirate visits came from the United States, followed by India and Brazil. Despite the various pirate site blockades, the UK also secured a spot in the top ten, ranked at the bottom with nine billion visits.

The top ten list favors large countries and with this in mind, there is a large player missing. China, which is often portrayed as a country where piracy is rampant, ended up in 18th place with ‘only’ 4.6 billion visits.

Visits per country

# Country Billion visits
Data from Muso
1 United States 27.9
2 Russia 20.6
3 India 17.0
4 Brazil 12.7
5 Turkey 11.1
6 Japan 10.6
7 France 10.5
8 Indonesia 10.4
9 Germany 10.2
10 United kingdom 9.0

Muso tracks piracy trends across various media categories and has spotted some interesting trends. TV-shows remain the most popular among pirates with 106.9 billion visits last year, followed by music (73.9 billion) and film (53.2 billion).

Mobile piracy is on the rise as well. For the first time, more people were accessing pirated TV content via mobile devices (52%) where desktops used to be the favorite device. In the music category, this difference is even more pronounced, with 87% using mobile devices.

Last year desktops were still preferred among movie pirates, but MUSO expects this will change in 2018.

According to MUSO co-founder and CEO Andy Chatterley, these data show that piracy remains a sizable threat, something we also hinted at in the recent past.

“There is a belief that the rise in popularity of on-demand services – such as Netflix and Spotify – have solved piracy, but that theory simply doesn’t stack up. Our data suggest that piracy is more popular than ever,” Chatterley says.

While it’s hard to make historical comparisons without good data, it’s clear that piracy is still rampant. And with more people coming online year after year, the potential audience keeps growing.

Also, it is worth noting that the total piracy landscape is even larger than MUSO shows. In recent years many people have switched to pirate streaming boxes. These are not included in MUSO’s dataset, which relies on data provided by SimilarWeb, among other sources.

That said, the overall conclusion that the piracy audience is massive, and not to be ignored, remains the same.

“The piracy audience is huge and yet for the most part, it’s an opportunity that’s completely ignored,” Chatterley says.

“It’s important that the content industries embrace the trends emerging from this data, not only in strategic content protection, but also in understanding the profile of the piracy ‘consumer’ for better business insight and monetizing these audiences,“ MUSO’s CEO adds.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

KeepVid Site No Longer Allows Users to ‘Keep’ Videos

Post Syndicated from Ernesto original https://torrentfreak.com/keepvid-site-no-longer-allows-users-to-keep-videos-180320/

For many years, KeepVid has been a prime destination for people who wanted to download videos from YouTube, Dailymotion, Facebook, Vimeo, and dozens of other sites.

The web application was free and worked without any hassle. This was still the case earlier this month when the site advertised itself as follows:

“KeepVid Video Downloader is a free web application that allows you to download videos from sites like YouTube, Facebook, Twitch.Tv, Vimeo, Dailymotion and many more.”

However, a few days ago the site radically changed its course. While the motivation is unknown at the time, KeepVid took its popular video download service offline without prior notice.

The old KeepVid

Today, people can no longer use the KeepVid site to download videos. On the contrary, the site warns that using video download and conversion tools might get people in trouble.

“Video downloading from the Internet will become more and more difficult, and KeepVid encourages people to download videos via the correct and legal ways,” the new KeepVid reads.

While the site already made some changes over the years, such as restricting YouTube downloads to only “shared” videos, turning the download service into a cautioning educational page is rather unexpected.

The new KeepVid

The site now lists several alternative options to enjoy videos and music, including Netflix, Hulu, Spotify, and Pandora.

The KeepVid team isn’t commenting on the overhaul. When we asked the site about the reason for the turnaround, it confirmed that the downloading feature won’t return, but that’s about it.

“KeepVid won’t provide video/audio downloading feature from now on,” a KeepVid representative informed TorrentFreak, adding that they will focus on developing other audio and video tools going forward.

Our follow-up question asking whether the move was motivated by legal pressure remains unanswered.

As a tiny glimmer of hope, the site mentions downloading videos could become possible again if video download tools and video sharing platforms “reach an agreement” in the future.

For now, however, it’s clear that, as a download service, the site is done.

Interestingly, the paid KeepVid pro software is still available. The same is true for the video conversion software and several other tools KeepVid offers elsewhere. The KeepVid pro ‘buy’ link is no longer working though, and the team informs us that this application will also “come to its destination.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

How The Pirate Bay Helped Spotify Become a Success

Post Syndicated from Ernesto original https://torrentfreak.com/how-the-pirate-bay-helped-spotify-become-a-success-180319/

When Spotify launched its first beta in the fall of 2008, many people were blown away by its ease of use.

With the option to stream millions of tracks supported by an occasional ad, or free of ads for a small subscription fee, Spotify offered something that was more convenient than piracy.

In the years that followed, Spotify rolled out its music service in more than 60 countries, amassing over 160 million users. While the service is often billed as a piracy killer, ironically, it also owes its success to piracy.

As a teenager, Spotify founder and CEO Daniel Ek was fascinated by Napster, which triggered a piracy revolution in the late nineties. Napster made all the music in the world accessible in a few clicks, something Spotify also set out to do a few years later, legally.

“I want to replicate my first experience with piracy,” Ek told Businessweek years ago. “What eventually killed it was that it didn’t work for the people participating with the content. The challenge here is about solving both of those things.”

While the technical capabilities were certainly there, the main stumbling block was getting the required licenses. The music industry hadn’t had a lot of good experiences with the Internet a decade ago so there was plenty of hesitation.

The same was true of Sweden, where The Pirate Bay had just gained a lot of traction. There was a pro-sharing culture being cultivated by Piratbyrån, Swedish for the Piracy Bureau, which was the driving force behind the torrent site in the early days.

After the first Pirate Bay raid in 2006, thousands of people gathered in the streets of Stockholm to declare their support for the site and their right to share.

Pro-piracy protest in Stockholm (Jon Åslund, CC BY 2.5)

Interestingly, however, this pro-piracy climate turned out to be in Spotify’s favor. In a detailed feature in the Swedish newspaper Breakit Per Sundin, CEO of Sony BMG at the time, suggests that The Pirate Bay helped Spotify.

“If Pirate Bay had not existed or made such a mess in the market, I don’t think Spotify would have seen the light of the day. You wouldn’t get the licenses you wanted,” Sundin said.

With music industry revenues dropping, record labels had to fire hundreds of people. They were becoming desperate and were looking for change, something Spotify was promising.

At the time, the idea of having millions of songs readily and legally available was totally new. Many immediately saw it as an “alternative to music piracy” and even Pirate Bay founder Peter Sunde was impressed.

“It was great. It was always what was missing in the pirate services, that intuitive interface,” Sunde told Breakit.

Sunde also believed that The Pirate Bay and all the buzz around piracy in Sweden was a great boon to Spotify. But while the latter turned into a billion-dollar business that’s about to go public, Sunde and the other TPB founders still owe the labels millions in damages.

“Without file-sharing, The Pirate Bay and the political work done by Piratbyrån, it was not possible to get the licensing agreements Spotify received,” Sunde said. “Sometimes I think I should have received 10, 20 or 30 percent of Spotify, as a thank you for the help.”

In addition to creating the right climate for the major record labels to get on board, The Pirate Bay also appears to have been of more practical assistance.

When Spotify first launched several people noticed that some tracks still had tags from pirate groups such as FairLight in the title. Those are not the files you expect the labels to offer, but files that were on The Pirate Bay.

Also, Spotify mysteriously offered music from a band that decided to share their music on The Pirate Bay, instead of the usual outlets. There’s only one place that could have originated from.

The Pirate Bay.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

SXSW 2018 on BitTorrent: 8.24 GB of ‘Free’ Music?

Post Syndicated from Ernesto original https://torrentfreak.com/sxsw-2018-on-bittorrent-8-24-gb-of-free-music-180317/

The SXSW music festival was one of the first major events to embrace BitTorrent.

In 2005, it used the then relatively new technology to share hundreds of DRM-free tracks from participating artists. It was a practical, fast, and cheap solution that worked well.

The official torrent releases continued for three years but since 2008 this task has been unofficially taken over by the public. SXSW still showcases music on their site, for sampling purposes, but no longer via torrents.

However, once it’s out on the Internet it only takes one person to make a torrent archive. For many years, the operator of SXSW Torrent has taken on this task and 2018 is no exception.

This year’s archive is released in two torrents, which consists of 1,276 tracks totaling 8.24 gigabytes of free music.

All the tracks released for the previous editions are also still available and most of these torrents remain well-seeded. The 2005 – 2018 archives now total more than 15,000 tracks and 85 gigabytes of data.

TorrentFreak spoke to the operator of SXSW Torrent who told us that it’s the tenth year in a row that the site has compiled the archive. His motivation is partly selfish, serving as preparation for his yearly SXSW Music trip, but also because many others are relying on it.

“Many people come back every year, so I can’t leave them hanging,” the SXSW Torrent operator previously told us.

Apparently, these people prefer to download everything in one go, as opposed to browsing through the SXSW site to sample the music.

It’s clear that these efforts are appreciated by the public. With tens of thousands of downloaders each year, the SXSW torrents attract quite a bit of traffic. For some, it almost makes up for not being able to attend the festival in person.

However, the term ‘free’ music has changed over time. While SXSW Torrent was never asked to take any files down, the torrents are not officially authorized. This means that some artists or rightsholders, may not like the idea of their music being shared this way

When SXSW released the torrent we happily encouraged people to download the tracks, but now that’s no longer the case.

The good news is that there are plenty other options out there. Aside from the showcases on the official website, SXSW has published official Spotify and YouTube playlists where people can enjoy the the music, without any concerns.

This year’s SXSW music festival is currently underway in Austin, Texas and ends on Sunday. The torrents, however, are expected to live on for as long as there are people sharing.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Deezer Piles Pressure on Pirates, Deezloader Reborn Throws in the Towel

Post Syndicated from Andy original https://torrentfreak.com/deezer-piles-pressure-on-pirates-deezloader-reborn-throws-in-the-towel-180315/

Spotify might grab most of the headlines in the world of music streaming but French firm Deezer is also growing in popularity.

Focused more on non-English speaking regions, the music service still has a massive selection of tens of millions of tracks. More importantly for pirates, it also has a loophole or two that allows users to permanently download songs from the service, a huge ‘selling’ point for the compulsive archiver.

One of the most popular third-party tools for achieving this was Deezloader but last year Deezer put pressure on its operators to cease-and-desist.

“On April 27, 2017 we received takedowns and threatened legal action from Deezer if we don’t shut down by April 29. So we decided to shut down Deezloader permanently,” the team announced.

Rather than kill the scene, the attack on Deezloader only seemed to spur things on. Many other apps underwent development in the months that followed but last December it became evident that Deezer (and probably the record labels supplying its content) were growing increasingly tired of these kinds of applications.

The company sent a wave of DMCA notices to developer platform GitHub, targeting several tools, claiming that they are “in total violation of our rights and of the rights of our music licensors.”

GitHub responded quickly by removing access to repositories referencing Deezloader, DeezerDownload, Deeze, Deezerio, Deezit, Deedown, and their associated forks. Deezer also reportedly modified its API, in order to stop or hinder apps already in existence.

However, pirates are a determined bunch and behind the scenes many sought to breathe new life into their projects, to maintain the flow of free music from Deezer. One of those that gained traction was the obviously-titled ‘Deezloader Reborn’ which enjoyed a new lease of life on both Github and Reddit after taking over from DeezLoader V2.3.1.

But in January 2018, Deezer turned up the pressure again, hitting Github with a wave (1,2) of takedown notices targeting various projects. On January 23, Deezer hit Deezloader Reborn itself with the notice detailed below.

The following project, identified in the paragraph below, makes available a hacked version of our Deezer application by describing methods to bypass Deezer’s security measures to unlawfully download its music catalogue, in total violation of our rights and of the rights of our music licensors (phonographic producers, performing artists, songwriters and composers):

https://github.com/ExtendLord/DeezLoader-Reborn

I therefore ask that you immediately take down the project corresponding to the URL above and all of the related forks by others members who have had access or even contributed to such projects.

Not only did Github comply with Deezer’s request, Reddit did too. According to a thread still listed on the site, Reddit removed a post about Deezloader Reborn following a copyright complaint from Deezer.

Two days later Deezer targeted similar projects on Github but by this time, Deezloader Reborn already had new plans. Speaking with TF, project developer ExtendLord said that he wouldn’t be shutting down but would continue on code repository Gitlab instead. Now, however, those plans have also come to an abrupt end after Gitlab took the page down.

Deezloader Reborn – gone from Gitlab

A copy of the page available on Archive.org shows Deezloader Reborn at version 3.0.5 with the ability to download music ready-tagged and in FLAC quality. Links to newer versions are being shared on Reddit but it appears there is no longer a central trusted source for the application.

There’s no official confirmation yet but it seems likely that Deezer was behind the Gitlab takedown. TorrentFreak has contacted ExtendLord who linked us to this page which states that “DeezLoader Reborn is no longer maintained due to DMCA. [Version] 3.1.0 is the last update, no more updates will be made.”

So, at least for now, it appears that Deezloader Reborn will go the way of various other Deezer-reliant applications. That won’t be the end of the story though, that’s a certainty.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

“Large Scale” Music Pirate Settles With BREIN For 10,000 Euros

Post Syndicated from Andy original https://torrentfreak.com/large-scale-music-pirate-settles-brein-10000-euros-180309/

In 2018, music piracy is a very different beast than it was back in the early P2P days of Kazaa and LimeWire.

Where once it ran rampant, vastly improved official offerings have ensured that millions of former pirates are now enjoying music legally via convenient streaming services such as Spotify. However, there is no shortage of people who prefer to have personal archives of illicit MP3s stored safely on their own machines.

This content can be easily obtained from web-based pirate sites, torrent platforms, and the aging Usenet system. The latter is often (and incorrectly) considered to be a safer option for distribution but for one uploader, things haven’t played out that way.

According to news from Dutch anti-piracy group BREIN, a “large-scale” Usenet uploader has recently agreed to pay the not inconsiderable sum of 10,000 euros ($12,374) to make a potential lawsuit disappear.

BREIN says the person was responsible for uploading unlicensed music releases to Usenet in breach of copyright, including recent albums by Ed Sheeran and Justin Timberlake. However, BREIN also criticizes the Usenet providers who facilitate this kind of sharing.

“Although such uploaders usually do this free of charge for the status they receive from illegal downloaders, it is the Usenet providers that make money by selling subscriptions for access to their servers,” says BREIN director Tim Kuik.

“Such providers like to close their eyes and claim that they do not know what is happening on their servers and only take action when they receive a notification.”

Alongside BREIN’s suggestion of willful blindness to infringement, there’s also the issue of compliance when Usenet operators are presented with an official complaint. Dutch case law requires that when a “reasonable” case of infringement is presented, they must give up the identity of the alleged infringer. In this case, that’s exactly what happened.

“BREIN has, in order to obtain the details the uploader, requested the Usenet provider of this uploader to provide the data. This request was answered,” the anti-piracy outfit reveals.

Unlike other jurisdictions where a specific court order is needed for disclosure, in the Netherlands no such process is required. BREIN has taken advantage of this position in many previous cases, insisting that providers who don’t disclose when there are reasonable grounds are acting unlawfully.

Following BREIN’s approach and the 10,000 euro settlement, the anti-piracy outfit says that the uploader took to Spotnet, a piece of software that allows downloading from newsgroups, to announce his demise.

“As you may have noticed, I have not been actively uploading for a while, because BREIN finally found my details and I have been asked to stop acting as an uploader of copyrighted music content to Usenet,” the uploader wrote.

“I have made a settlement with BREIN. A part of this settlement consists of the payment of a considerable sum of 10,000 euros, so I stop with uploading and advise other uploaders to think carefully about whether they want to continue. BREIN doesn’t stand idly by either. They are willing to take the necessary steps to get your details.”

BREIN says that the circumstances of the uploader were taken into consideration when reaching the 10,000 euro figure but whether the full amount will ever get paid will never be publicly known. That being said, the publicity attached to the settlement agreement will be worth more to BREIN than the cash alone.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Spotify Owned uTorrent Before BitTorrent Inc. Acquired It

Post Syndicated from Ernesto original https://torrentfreak.com/spotify-owned-utorrent-before-bittorrent-acquired-it-180305/

When Spotify launched its first beta in the fall of 2008, we described it as “an alternative to music piracy.

From the start, the Swedish company set out to compete with pirate services by offering a better user experience. Now, a decade later, it has come a long way.

The company successfully transformed into a billion-dollar enterprise and is planning to go public with a listing on the New York Stock Exchange. While it hasn’t completely evaporated music piracy, it has converted dozens of millions of people into paying customers.

While Spotify sees itself as a piracy remedy, backed by the major labels, its piracy roots are undeniable.

In a detailed feature, Swedish newspaper Breakit put a spotlight on one of Spotify’s earliest employees, developer Ludvig Strigeus.

With a significant stake in the company, he is about to become a multi-millionaire, one with a noteworthy file-sharing past. It’s unclear what is current stake in Spotify is, but according to Swedish media it’s worth more than a billion Kroner, which is over $100 million.

Strigeus was the one who launched uTorrent in September 2005, when the BitTorrent protocol was still fairly new. Where most BitTorrent clients at the time were bloatware, uTorrent chose a minimalist approach, but with all essential features.

This didn’t go unnoticed. In just a few months, millions of torrent users downloaded the application which quickly became the dominant file-sharing tool.

Little more than a year after its launch the application was acquired by BitTorrent Inc., which still owns it today. While that part of history is commonly known, there’s a step missing.

Strigeus’ coding talent also piqued the interest of Spotify, which reportedly beat BitTorrent Inc. by a few months. Multiple sources confirm that the streaming startup, which had yet to release its service at the time, bought uTorrent in 2006.

While some thought that Spotify was mainly interested in the technology, others see Strigeus as the target.

“Spotify bought μTorrent, but what we really wanted was Ludvig Strigeus,” former Spotify CEO Andreas Ehn told Breakit.

This indeed sounds plausible as Spotify sold uTorrent to BitTorrent Inc. after a few months, keeping the developer on board. Not a bad decision for the latter, as his Spotify stake makes him a billionaire. At the same time, it was an important move for Spotify too.

Ludvig (Ludde) is still credited in recent uTorrent releases

In addition to having a very talented developer on board, who helped to implement the much needed P2P technology into Spotify, the deal with BitTorrent Inc. brought in cash that funded the development of the tiny, but ambitious, streaming service.

It might be too much to argue that Spotify wouldn’t be where it is without uTorrent and its creator, but their impact on the young company was significant.

The file-sharing angle was also very prominent in the early releases of Spotify. At the time, of all the tracks that were streamed over the Internet by Spotify users, the majority were streamed via P2P connections.

And we haven’t even mentioned that Spotify reportedly used pirate MP3s for its Beta release, including some tracks that were only available on The Pirate Bay.

Spotify’s brief ownership of uTorrent isn’t commonly known, to make an understatement. When BitTorrent Inc. announced that it acquired “uTorrent AB” there was no mention of Spotify, which was still an unknown company at the time.

Times change.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Spotify Emails Warning to ‘Pirates’ Using Hacked Apps

Post Syndicated from Andy original https://torrentfreak.com/spotify-emails-warning-to-pirates-using-hacked-apps-180305/

Spotify is a fantastic music streaming service used by more than 159 million users around the world. Around 71m of those are premium subscibers according to figures released by the company last December.

Given the above, 88 million Spotify members are using the free tier, meaning that they’re subjected to advertising and other limitations such as shuffle-only play and track skip restrictions.

The idea is that the free user gets a decent level of service but is held back just enough with small irritations to make the jump to a premium subscription a logical step at some point.

What millions of free users don’t know, however, is that there are modified Spotify apps out there that can remove many of these restrictions. All the user has to do is sign up to free Spotify account, download one of the many ‘hacked’ Spotify installation files out there, put in their username and password, and enjoy.

How many people use these hacked versions of Spotify isn’t clear and up to now, it’s been somewhat of a mystery as to why Spotify itself hasn’t done something about them. During the past few days, however, there have been signs that a crackdown could be on the way.

In an email sent to an unknown but significant number of people, Spotify informs users of modified apps that they’re on the company’s radar and there could be consequences for trying to subvert the system.

“We detected abnormal activity on the app you are using so we have disabled it. Don’t worry – your Spotify account is safe,” the email from Spotify reads.

“To access your Spotify account, simply uninstall any unauthorized or modified version of Spotify and download and install the Spotify app from the official Google Play Store. If you need more help, please see our support article on Reinstalling Spotify.”

Users have been popping up on Spotify’s forums asking why they’ve received this email. Some seem to think they’ve done nothing wrong but most signs point to people using modified software.

The warning email from Spotify

While the email signs off with a note thanking the recipient for being a Spotify user, there is also a warning.

“If we detect repeated use of unauthorized apps in violation of our terms, we reserve all rights, including suspending or terminating your account,” Spotify writes.

For people who used their real accounts along with modified apps this could be a problem but many people using hacked versions go in prepared with a secondary or temporary email address and false details.

Quite how far Spotify will go to rid its service of this kind of a user remains unknown but at least for now, the actual effects of this early crackdown seemed mixed.

TorrentFreak has spoken with users who have modified versions and have received the email, yet their installation still works just fine. Others report that they can no longer log in with their modified version.

What is clear, however, is that Spotify has both modified apps and their creators on its radar. On March 1, 2018 the company wrote to Github demanding that a popular Spotify mod known as ‘Dogfood’ be taken down from the repository.

Dogfood is done on Github

The full takedown notice can be found here. It lists Dogfood itself plus a whole bunch of ‘forks’ which have also been taken down by Github.

There were signs in January that the developer of Dogfood might have been under pressure to limit the effectiveness of his app. On January 18 he announced on XDA that some functionality would be removed moving forward.

“In order to comply with XDA’s Rules and CoC, Spotify Dogfood has taken a new direction, and now offers *exclusively* Ad-free music playback,” he wrote.

“Any other features won’t be included anymore in this mod. But, that doesn’t mean anything if you’re a true, a core user of this app, because there will still be regular updates to it, as there has been up until now.”

Where that development will take place now isn’t clear but it clearly won’t be on Github. Indeed, even XDA has been targeted by Spotify, with the site receiving a DMCA notice from the company which required the removal of links and an apparent closure of the whole discussion.

XDA DMCA takedown

For now it seems that Spotify is playing nice, at least with users of modified apps. Whether it will continue with the same relaxed attitude is unclear but it’s hard not to connect the move with its intention to go public and its $23bn valuation.

Still, the company should be more in tune with pirates than most given its history, so may yet have a decent plan up its sleeve.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Dutch Continue to Curb Illegal Downloading But What About Streaming?

Post Syndicated from Andy original https://torrentfreak.com/dutch-continue-to-curb-illegal-downloading-but-what-about-streaming-180222/

After many years of downloading content with impunity, 2014 brought a culture shock to the Dutch.

Citizens were previously allowed to obtain content for their own use due to a levy on blank media that compensated rightsholders. However, the European Court of Justice found that system to be illegal and the government quickly moved to ban downloading from unauthorized sources.

In the four years that have passed since the ban, the downloading landscape has undergone change. That’s according to a study published by the Consumer Insights panel at Telecompaper which found that while 41% of respondents downloaded movies, TV shows, music and games from unauthorized sources in 2013, the figure had plunged to 27% at the end of 2016. There was a further drop to 24% by the end of 2017.

Of the people who continue to download illegally, men are overrepresented, the study found. While 27% of men obtained media for free during the last year to October 2017, only 21% of women did likewise.

While as many as 150 million people still use P2P technologies such as BitTorrent worldwide, there is a general decline in usage and this is reflected in the report.

In 2013, 18% of Dutch respondents used torrent-like systems to download, a figure that had fallen to 8% in 2016 and 6% last year. Again, male participants were overrepresented, outnumbering women by two to one. However, people appear to be visiting P2P networks less.

“The study showed that people who reported using P2P to download content, have done so on average 37 times a year [to October 2017]. In January of 2017 it was significantly higher, 61 times,” the study notes. P2P usage in November 2015 was rated at 98 instances per year.

Perhaps surprisingly, one of the oldest methods of downloading content has maintained its userbase in more recent years. Usenet, otherwise known as the newsgroups, accounted for 9% of downloaders in 2013 but after falling to around 6% of downloaders in 2016, that figure remained unchanged in 2017. Almost five times more men used newsgroups than women.

At the same time as showing a steady trend in terms of users, instances of newsgroup downloading are reportedly up in the latest count. In November 2015, people used the system an average of 98 times per year but in January 2017 that had fallen to 66 times. The latest figures find an average use of 68 times per year.

Drilling down into more obscure systems, 2% of respondents told Telecompaper that they’d used an FTP server during the past year, a method that was entirely dominated by men.

While the Dutch downloading ban in 2013 may have played some part in changing perceptions, the increased availability of legal offers cannot be ignored. Films and TV shows are now widely available on services such as Netflix and Amazon, while music is strongly represented via Spotify, Apple, Deezer and similar platforms.

Indeed, 12% of respondents said they are now downloading less illegally because it’s easier to obtain paid content, that’s versus 11% at the start of 2017 and just 3% in 2013. Interestingly, 14% of respondents this time around said their illegal downloads are down because they have more restrictions on their time.

Another interesting reason given for downloading less is that pirate content is becoming harder to find. In 2013, just 4% cited this as a cause for reduction yet in 2017, this had jumped to 8% of respondents, with blocked sites proving a stumbling block for some users.

On the other hand, 3% of respondents said that since content had become easier to find, they are now downloading more. However, that figure is down from 13% in November 2013 and 6% in January 2017.

But with legal streaming certainly making its mark in the Netherlands, the illegal streaming phenomenon isn’t directly addressed in the report. It is likely that a considerable number of citizens are now using this method to obtain their content fix in a way that’s not as easily trackable as torrent-like systems.

Furthermore, given the plans of local film distribution Dutch FilmWorks to chase and demand cash settlements from BitTorrent users, it’s likely that traffic to streaming sites will only increase in the months to come, at least for those looking to consume TV shows and movies.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

qrocodile: the kid-friendly Sonos system

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/qrocodile-kid-friendly-sonos-system/

Chris Campbell’s qrocodile uses a Raspberry Pi, a camera, and QR codes to allow Chris’s children to take full control of the Sonos home sound system. And we love it!

qrocodile

Introducing qrocodile, a kid-friendly system for controlling your Sonos with QR codes. Source code is available at: https://github.com/chrispcampbell/qrocodile Learn more at: http://labonnesoupe.org https://twitter.com/chrscmpbll

Sonos

SONOS is SONOS backwards. It’s also SONOS upside down, and SONOS upside down and backwards. I just learnt that this means SONOS is an ambigram. Hurray for learning!

Sonos (the product, not the ambigram) is a multi-room speaker system controlled by an app. Speakers in different rooms can play different tracks or join forces to play one track for a smooth musical atmosphere throughout your home.

sonos raspberry pi

If you have a Sonos system in your home, I would highly recommend accessing to it from outside your home and set it to play the Imperial March as you walk through the front door. Why wouldn’t you?

qrocodile

One day, Chris’s young children wanted to play an album while eating dinner. By this one request, he was inspired to create qrocodile, a musical jukebox enabling his children to control the songs Sonos plays, and where it plays them, via QR codes.

It all started one night at the dinner table over winter break. The kids wanted to put an album on the turntable (hooked up to the line-in on a Sonos PLAY:5 in the dining room). They’re perfectly capable of putting vinyl on the turntable all by themselves, but using the Sonos app to switch over to play from the line-in is a different story.

The QR codes represent commands (such as Play in the living room, Use the turntable, or Build a song list) and artists (such as my current musical crush Courtney Barnett or the Ramones).

qrocodile raspberry Pi

A camera attached to a Raspberry Pi 3 feeds the Pi the QR code that’s presented, and the Pi runs a script that recognises the code and sends instructions to Sonos accordingly.


Chris used a costum version of the Sonos HTTP API created by Jimmy Shimizu to gain access to Sonos from his Raspberry Pi. To build the QR codes, he wrote a script that utilises the Spotify API via the Spotipy library.

His children are now able to present recognisable album art to the camera in order to play their desired track.

It’s been interesting seeing the kids putting the thing through its paces during their frequent “dance parties”, queuing up their favorite songs and uncovering new ones. I really like that they can use tangible objects to discover music in much the same way I did when I was their age, looking through my parents records, seeing which ones had interesting artwork or reading the song titles on the back, listening and exploring.

Chris has provided all the scripts for the project, along with a tutorial of how to set it up, on his GitHub — have a look if you want to recreate it or learn more about his code. Also check out Chris’ website for more on qrocodile and to see some of his other creations.

The post qrocodile: the kid-friendly Sonos system appeared first on Raspberry Pi.

Piracy Can Help Music Sales of Many Artists, Research Shows

Post Syndicated from Ernesto original https://torrentfreak.com/piracy-can-help-music-sales-of-many-artists-research-shows-180128/

The debate over whether online piracy helps or hurts music sales has been dragging on for several decades now.

The issue has been researched extensively with both positive and negative effects being reported, often varying based on the type of artist, music genre and media, among other variables.

One of the more extensive studies was published this month in the peer-reviewed Information Economics and Policy journal, by Queen’s University economics researcher Jonathan Lee.

In a paper titled ‘Purchase, pirate, publicize: Private-network music sharing and market album sales’ he examined the effect of BitTorrent-based piracy on both digital and physical music sales.

We covered an earlier version of the study two years ago when it was still a work in progress. With updates to the research methods and a data sample, the results are now more clear.

The file-sharing data was obtained from an unnamed private BitTorrent tracker and covers a data set of 250,000 albums and more than five million downloads. These were matched to US sales data for thousands of albums provided by Nielsen SoundScan.

By refining the estimation approach and updating the matching technique, the final version of the paper shows some interesting results.

Based on the torrent tracker data, Lee finds that piracy can boost sales of mid-tier artists, both for physical CDs and digital downloads. For the most popular artists, this effect is reversed. In both cases, the impact is the largest for digital sales.

“I now find that top artists are harmed and mid-tier artists may be helped in both markets, but that these effects are larger for digital sales,” Lee tells TorrentFreak. “This is consistent with the idea that people are more willing to switch between digital piracy and digital sales than between digital piracy and physical CDs.”

The findings lead to the conclusion that there is no ideal ‘one-size-fits-all’ response to piracy. In fact, some unauthorized sharing may be a good thing.

This is in line with observations from musicians themselves over the past years. Several top artists have admitted the positive effects of piracy, including Ed Sheeran, who recently said that he owes his career to it.

“I know that’s a bad thing to say, because I’m part of a music industry that doesn’t like illegal file sharing,” Sheeran said in an interview with CBS. “Illegal file sharing was what made me. It was students in England going to university, sharing my songs with each other.”

Sheeran sharing on TPB

Today, Sheeran is in a totally different position of course. As one of the top artists, he would now be hurt by piracy. However, the new stars of tomorrow may still reap the benefits.

According to the researcher, the music industry should realize that shutting down pirate sites may not always be the best option. On the contrary, file-sharing sites may be useful as promotional platforms in some cases.

“Following above, a policy of total shutdown of private file sharing networks seems excessively costly (compared with their relatively small impact on sales) and unwise (as a one-size-fits-all policy). It would be better to make legal consumption more convenient, reducing the demand for piracy as an alternative to purchasing,” Lee tells us.

“It would also be smart to experiment with releasing music onto piracy networks themselves, especially for up-and-coming artists, similar to the free promotion afforded by commercial radio.”

The researcher makes another interesting extrapolation from the findings. In recent years, some labels and artists have signed exclusive deals with some streaming platforms. This means that content is not available everywhere, and this fragmentation may make piracy look more appealing.

“Here you can view piracy as a non-fragmented alternative platform to Spotify et al. Thus consumers will have a strong incentive to use a single non-fragmented platform (piracy) over having multiple subscriptions to fragmented platforms,” Lee says.

It would be better for the labels to publish their music on all platforms, and to make these more appealing and convenient than the pirate alternative.

The data used for the research was collected several years ago before the big streaming boom, so it might be that the results are different today. However, it is clear that the effect of piracy on sales is not as uniform as the music industry often portrays it.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

MagPi 66: Raspberry Pi media projects for your home

Post Syndicated from Rob Zwetsloot original https://www.raspberrypi.org/blog/magpi-66-media-pi/

Hey folks, Rob from The MagPi here! Issue 66 of The MagPi is out right now, with the ultimate guide to powering your home media with Raspberry Pi. We think the Pi is the perfect replacement or upgrade for many media devices, so in this issue we show you how to build a range of Raspberry Pi media projects.

MagPi 66

Yes, it does say Pac-Man robotics on the cover. They’re very cool.

The article covers file servers for sharing media across your network, music streaming boxes that connect to Spotify, a home theatre PC to make your TV-watching more relaxing, a futuristic Pi-powered moving photoframe, and even an Alexa voice assistant to control all these devices!

More to see

That’s not all though — The MagPi 66 also shows you how to build a Raspberry Pi cluster computer, how to control LEGO robots using the GPIO, and why your Raspberry Pi isn’t affected by Spectre and Meltdown.




In addition, you’ll also find our usual selection of product reviews and excellent project showcases.

Get The MagPi 66

Issue 66 is available today from WHSmith, Tesco, Sainsbury’s, and Asda. If you live in the US, head over to your local Barnes & Noble or Micro Center in the next few days. You can also get the new issue online from our store, or digitally via our Android and iOS apps. And don’t forget, there’s always the free PDF as well.

Subscribe for free goodies

Want to support the Raspberry Pi Foundation and the magazine, and get some cool free stuff? If you take out a twelve-month print subscription to The MagPi, you’ll get a Pi Zero W, Pi Zero case, and adapter cables absolutely free! This offer does not currently have an end date.

I hope you enjoy this issue! See you next month.

The post MagPi 66: Raspberry Pi media projects for your home appeared first on Raspberry Pi.

Pirate Bay Founder: Netflix and Spotify Are a Threat, No Solution

Post Syndicated from Ernesto original https://torrentfreak.com/pirate-bay-founder-netflix-and-spotify-are-a-threat-no-solution-180107/

Ten years ago the Internet was an entirely different place. Piracy was rampant, as it is today, but the people behind the largest torrent sites were more vocal then.

There was a battle going on for the right to freely share content online. This was very much a necessity at the time, as legal options were scarce, but for many it was also an idealistic battle.

As the spokesperson of The Pirate Bay, Peter Sunde was one of the leading voices at the time. He believed, and still does, that people should be able to share anything without restrictions. Period.

For Peter and three others associated with The Pirate Bay, this eventually resulted in jail sentences. They were not the only ones to feel the consequences. Over the past decade, dozens of torrent sites were shut down under legal pressure, forcing those operators that remain to go into hiding.

Today, ten years after we spoke to Peter about the future of torrent sites and file-sharing, we reach out to him again. A lot has changed, but how does The Pirate Bay’s co-founder look at things now?

“On the personal side, all is great, and I’m working on a TV-series about activism that will air next year. On top of that of course working on Njalla, Ipredator and other known projects,” Peter says.

“In general, I think that projects for me are still about the same thing as a decade ago, but just trying different approaches!”

While Peter stays true to his activist roots, fighting for privacy and freedom on the Internet, his outlook is not as positive as it once was.

He is proud that The Pirate Bay never caved and that they fought their cases to the end. The moral struggle was won, but he also realizes that the greater battle was lost.

“I’m proud and happy to be able to look myself in the mirror every morning with a feeling of doing right. A lot of corrupt people involved in our cases probably feel quite shitty. Well, if they have feelings,” Peter says.

The Pirate Bay’s former spokesperson doesn’t have any regrets really. The one thing that comes to mind, when we ask about things that he would have done differently, is to tell fellow Pirate Bay founder Anakata to encrypt his hard drive.

Brokep (Peter) and Anakata (Gottfrid)

Looking at the current media climate, Peter doesn’t think we are better off. On the contrary. While it might be easier in some counties to access content legally online, this also means that control is now firmly in the hands of a few major companies.

The Pirate Bay and others always encouraged free sharing for creators and consumers. This certainly hasn’t improved. Instead, media today is contained in large centralized silos.

“I’m surprised that people are so short-sighted. The ‘solution’ to file sharing was never centralizing content control back to a few entities – that was the struggle we were fighting for.

“Netflix, Spotify etc are not a solution but a loss. And it surprises me that the pirate movement is not trying to talk more about that,” he adds.

The Netflixes and Spotifies of this world are often portrayed as a solution to piracy. However, Peter sees things differently. He believes that these services put more control in the hands of powerful companies.

“The same companies we fought own these platforms. Either they own the shares in the companies, or they have deals with them which makes it impossible for these companies to not follow their rules.

“Artists can’t choose to be or not to be on Spotify in reality, because there’s nothing else in the end. If Spotify doesn’t follow the rules from these companies, they are fucked as well. The dependence is higher than ever.”

The first wave of mass Internet piracy well over a decade ago was a wake-up call to the entertainment industry. The immense popularity of torrent sites showed that people demanded something they weren’t offering.

In a way, these early pirate sites are the reason why Netflix and Spotify were able to do what they do. Literally, in the case of Spotify, which used pirated music to get the service going.

Peter doesn’t see them as the answer though. The only solution in his book is to redefine and legalize piracy.

“The solution to piracy is to re-define piracy. Make things available to everyone, without that being a crime,” Peter says.

In this regard, not much has changed in ten years. However, having witnessed this battle closer than anyone else, he also realizes that the winners are likely on the other end.

Piracy will decrease over time, but not the way Peter hopes it will.

“I think we’ll have less piracy because of the problems we see today. With net neutrality being infringed upon and more laws against individual liberties and access to culture, instead of actually benefiting people.

“The media industry will be happy to know that their lobbying efforts and bribes are paying off,” he concludes.

This is the second and final post in our torrent pioneers series. The first interview with isoHunt founder Gary Fung is available here.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

No Level of Copyright Enforcement Will Ever Be Enough For Big Media

Post Syndicated from Andy original https://torrentfreak.com/no-level-of-copyright-enforcement-will-ever-be-enough-for-big-media-180107/

For more than ten years TorrentFreak has documented a continuous stream of piracy battles so it’s natural that, every now and then, we pause to consider when this war might stop. The answer is always “no time soon” and certainly not in 2018.

When swapping files over the Internet first began it wasn’t a particularly widespread activity. A reasonable amount of content was available, but it was relatively inaccessible. Then peer-to-peer came along and it sparked a revolution.

From the beginning, copyright holders felt that the law would answer their problems, whether that was by suing Napster, Kazaa, or even end users. Some industry players genuinely believed this strategy was just a few steps away from achieving its goals. Just a little bit more pressure and all would be under control.

Then, when the landmark MGM Studios v. Grokster decision was handed down in the studios’ favor during 2005, the excitement online was palpable. As copyright holders rejoiced in this body blow for the pirating masses, file-sharing communities literally shook under the weight of the ruling. For a day, maybe two.

For the majority of file-sharers, the ruling meant absolutely nothing. So what if some company could be held responsible for other people’s infringements? Another will come along, outside of the US if need be, people said. They were right not to be concerned – that’s exactly what happened.

Ever since, this cycle has continued. Eager to stem the tide of content being shared without their permission, rightsholders have advocated stronger anti-piracy enforcement and lobbied for more restrictive interpretations of copyright law. Thus far, however, literally nothing has provided a solution.

One would have thought that given the military-style raid on Kim Dotcom’s Megaupload, a huge void would’ve appeared in the sharing landscape. Instead, the file-locker business took itself apart and reinvented itself in jurisdictions outside the United States. Meanwhile, the BitTorrent scene continued in the background, somewhat obliviously.

With the SOPA debacle still fresh in relatively recent memory, copyright holders are still doggedly pursuing their aims. Site-blocking is rampant, advertisers are being pressured into compliance, and ISPs like Cox Communications now find themselves responsible for the infringements of their users. But has any of this caused any fatal damage to the sharing landscape? Not really.

Instead, we’re seeing a rise in the use of streaming sites, each far more accessible to the newcomer than their predecessors and vastly more difficult for copyright holders to police.

Systems built into Kodi are transforming these platforms into a plug-and-play piracy playground, one in which sites skirt US law and users can consume both at will and in complete privacy. Meanwhile, commercial and unauthorized IPTV offerings are gathering momentum, even as rightsholders try to pull them back.

Faced with problems like these we are now seeing calls for even tougher legislation. While groups like the RIAA dream of filtering the Internet, over in the UK a 2017 consultation had copyright holders excited that end users could be criminalized for simply consuming infringing content, let alone distributing it.

While the introduction of both or either of these measures would cause uproar (and rightly so), history tells us that each would fail in its stated aim of stopping piracy. With that eventuality all but guaranteed, calls for even tougher legislation are being readied for later down the line.

In short, there is no law that can stop piracy and therefore no law that will stop the entertainment industries coming back for harsher measures, pursuing the dream. This much we’ve established from close to two decades of litigation and little to no progress.

But really, is anyone genuinely surprised that they’re still taking this route? Draconian efforts to maintain control over the distribution of content predate the file-sharing wars by a couple of hundred years, at the very least. Why would rightsholders stop now, when the prize is even more valuable?

No one wants a minefield of copyright law. No one wants a restricted Internet. No one wants extended liability for innovators, service providers, or the public. But this is what we’ll get if this problem isn’t solved soon. Something drastic needs to happen, but who will be brave enough to admit it, let alone do something about it?

During a discussion about piracy last year on the BBC, the interviewer challenged a caller who freely admitted to pirating sports content online. The caller’s response was clear:

For far too long, broadcasters and rightsholders have abused their monopoly position, charging ever-increasing amounts for popular content, even while making billions. Piracy is a natural response to that, and effectively a chance for the little guy to get back some control, he argued.

Exactly the same happened in the music market during the late 1990s and 2000s. In response to artificial restriction of the market and the unrealistic hiking of prices, people turned to peer-to-peer networks for their fix. Thanks to this pressure but after years of turmoil, services like Spotify emerged, converting millions of former pirates in the process. Netflix, it appears, is attempting to do the same thing with video.

When people feel that they aren’t getting ripped off and that they have no further use for sub-standard piracy services in the face of stunning legal alternatives, things will change. But be under no illusion, people won’t be bullied there.

If we end up with an Internet stifled in favor of rightsholders, one in which service providers are too scared to innovate, the next generation of consumers will never forget. This will be a major problem for two key reasons. Not only will consumers become enemies but piracy will still exist. We will have come full circle, fueled only by division and hatred.

It’s a natural response to reject monopolistic behavior and it’s a natural response, for most, to be fair when treated with fairness. Destroying freedom is far from fair and will not create a better future – for anyone.

Laws have their place, no sane person will argue against that, but when the entertainment industries are making billions yet still want more, they’ll have to decide whether this will go on forever with building resentment, or if making a bit less profit now makes more sense longer term.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Massive Site-Blocking Measures Countered By 100K Browser Addon Users

Post Syndicated from Andy original https://torrentfreak.com/massive-site-blocking-measures-countered-by-100k-browser-addon-users-171231/

FCT tyIn July 2015, Portugal’s Ministry of Culture announced the signing of a memorandum between its own General Inspection of Cultural Activities (IGAC), the Portuguese Association of Telecommunication Operators (APRITEL), various rightsholder groups, the body responsible for administering Portugal’s .PT domain, and representatives from the advertising industry.

The memorandum laid out a new mechanism for blocking so-called ‘pirate’ sites. In common with similar frameworks elsewhere, the process can be triggered by a complaint from a rightsholder association. Local anti-piracy group MAPINET then collates evidence that a site is engaged in the unlawful distribution of copyright works and has failed to cease its activities.

The system was quickly utilized by rightsholders seeking to block access to their content. Within six months, 330 sites had been blocked by ISPs, but that was only the beginning. In the months and years that followed, hundreds more sites were rendered inaccessible but in common with similar programs elsewhere, no official list of blocked sites was made available. People are keeping watch, however.

SitesBloqueados (Blocked Sites) is a web portal run by Revolução dos Bytes (Bytes’ Revolution), a group of like-minded anti-censorship activists in Portugal. Created a few months after blocking began in the region, their comprehensive database now contains almost 1,400 domains, the majority of which have been blocked on copyright grounds.

“SitesBloqueados was mainly created because, although the Memorandum of Understanding contained certain requirements to make a site eligible to be blocked – such as 500 items [or links] to copyright content or one third of the site containing copyrighted material – there was no official way to validate that data and make sure that these ‘rules’ are being respected,” team member Henrique Mouta informs TF.

The manner in which the list is maintained is quite unique. As mentioned earlier, there are no official sources listing blocked domains so the people behind SitesBloqueados had to get creative. Alongside this project they also run Ahoy!, a Chrome and Firefox extension that allows users to circumvent censorship in Portugal and it’s through that tool they gather information.

“Ahoy! basically bypasses any traffic to a blocked site through our own proxies, allowing the users to navigate in a free, uncensored internet,” Henrique explains.

As this extension works on a whitelist basis, we had to create a mechanism to automatically detect and whitelist sites that have been blocked, so if a user accesses a blocked site that is not on our list yet, we get a notification so we can review the site and add it to the list. That is the list that is also powering SitesBloqueados.pt.”

When the voluntary agreement was first announced, local ISPs came under intense criticism for agreeing to work with copyright holders without need for a court process. However, Henrique says they are actually in a precarious position.

“We usually see the ISPs as the bad guys, blocking sites, throttling our internet and, more recently, going against the Internet Neutrality. But, in this particular case, all the major ISPs are forced to block any sites that have been requested in 15 days, or they might pay fines for every single day after the deadline.

“MAPiNET (MOVIMENTO CÍVICOANTI PIRATARIA NA INTERNET) is the organization, alongside with IGAC (Inspecção Geral Das Actividades Culturais), that compiles the lists of sites and sends them to the ISP. It’s usually two lists per month. Of course, I’m not excusing the ISPs, as they should stand up against censorship. But we all know that’s asking too much of them,” Henrique adds.

Interestingly, the first site blockade in Portugal wasn’t actioned on copyright grounds. It was, in fact, targeted at Uber.com.

“This happened in June 2015, after a court order to suspend all Uber activity in Portugal. This opened a huge precedent, with all these anti-piracy organizations seeing how easy is to block a site, technically speaking.

“So, at the end of August of that same year, the [anti-piracy] Memorandum was signed by all the parties and, since then, both MAPiNET and IGAC have the power to request any site block, without any court order, without any legal order,” Henrique notes.

This lit a fire under the team and two and half years later, Ahoy! is now being used by 100k people to unblock almost 1,400 sites, while feeding back information on newly blocked domains. These are then added to the blocklist database and considered for unblocking methods via the addon.

Currently, around 50 new domains are blocked every month in Portugal and Henrique and the team are determined to document every one of them. They believe that by keeping an eye on things publicly, it lets the anti-piracy groups know they are being watched and cannot act with impunity. Around 90% of all blocked domains are restricted on copyright grounds but some also fall foul of new gambling laws that forbid unlicensed sites.

From the beginning, the big question has surrounded potential abuse. So, given the lack of a court process, have any players attempted to game the system?

“So far, we haven’t seen any signs of intentional abuse. There have been a few problems with sites being wrongly blocked. The most popular case is Carbon Games site that was blocked nearly two years ago, and it was mistaken for a different site, a Gambling site, named Carbon Gaming,” Henrique says.

“A few months later, we detected another case. A Spanish journalist had a website where he was posting videoclips of the latest releases. All of these releases were originally on YouTube, uploaded by the respective owners, however that was not enough to keep the site alive.”

Under pressure from Revolução dos Bytes this block was reversed but it’s not the only instance of errors. Non-existent sites have been blocked as have sites publishing headlines and linking to the respective online newspapers.

With blocking continuing at a steady pace, dozens of new domains are restricted every month. But Henrique and the team believe it won’t achieve anything positive and only serves to harm the Internet and democracy.

“Blocking sites to prevent piracy is the same as being on a sinking submarine, trying to patch every leaking hull hole with duct tape. If they want to fight piracy, they should try to understand, in the first place, why it happens and what they can do to change it.

“It’s well known that having cheap and quality services like Netflix and Spotify helped Internet piracy levels drop to record lows, DRM issues aside, of course. And the worst of it is the timing: these organizations see the decreasing levels of piracy as a signal that their stupid censorship is actually working. I’m really afraid that this is now an unstoppable snowball. The Internet in Portugal has seen much better days,” Henrique concludes.

But while he’s pessimistic over current developments, it appears that the Ahoy! movement is only set to grow. The team say they want to bring the browser-based system to other countries that are suffering from similar blockades and that suggestions from the public are welcome.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons