Tag Archives: viral

Ares Kodi Project Calls it Quits After Hollywood Cease & Desist

Post Syndicated from Andy original https://torrentfreak.com/ares-kodi-project-calls-it-quits-after-hollywood-cease-desist-171117/

This week has been particularly bad for those involved in the Kodi addon scene. Following cease-and-desist notices from the MPA-led anti-piracy coalition Alliance for Creativity and Entertainment, several addon developers and repositories shut down.

With Columbia, Disney, Paramount, Twentieth Century Fox, Universal, Warner, Netflix, Amazon and Sky TV all lined up for war, the third-party developers had little choice but to quit. One of those affected was the leader of the hugely popular Ares Project, which quietly disappeared mid-week.

The Ares Wizard was an extremely popular and important piece of software which allowed people to switch Kodi builds, install third-party addons, install popular repositories, change system settings, and carry out backups. It’s installed on huge numbers of machines worldwide but it will soon fall into disrepair.

The mighty Ares Wizard in action

“[This week] I was subject to a hand-delivered notice to cease-and-desist from MPA & ACE,” Ares Project leader Tekto informs TorrentFreak.

“Given the notice, we obviously shut down the repo and wizard as requested.”

The news that Ares Project is done and never coming back will be a huge blow to the community. The project just celebrated its second birthday and has grown exponentially since it first arrived on the scene.

“Ares Project started in Oct 2015. Originally it was to be a tool to setup up the video cache on Kodi correctly. However, many ideas were thrown into the pot and it became a wee bit more; such as a wizard to install community provided builds, common addons and few other tweaks and options,” Tekto says.

“For my own part I started blogging earlier that year as part of a longer-term goal to be self-funding. I always disliked seeing begging bowls out to support ‘server’ costs, many of which were cheap £5-10 per month servers that were used to gain £100s in donations.

“The blog, via affiliate links and ads, could and would provide the funds to cover our hosting costs without resorting to begging for money every weekend.”

Intrigued by this first wave of actions by ACE in Europe, TorrentFreak asked for a copy of the MPA/ACE cease-and-desist notice but unfortunately, Tekto flat-out refused. All he would tell us is that he’d agreed not to give out any copies or screenshots and that he was adhering to that 100%.

That only leaves speculation as to what grounds the MPA/ACE cited for closing the project but to be fair, it doesn’t take much thought to find a direct comparison. Earlier this year, in the BREIN v Filmspeler case, the European Court of Justice (ECJ) ruled that selling “fully-loaded” Kodi boxes amounted to illegally communicating copyrighted content to the public.

With that in mind, it doesn’t take much of a leap to see how this ruling could also apply to someone distributing “fully-loaded” Kodi software builds or addons via a website. It had previously been considered a legal gray area, of course, and it was in that space that the Ares team believed it operated. After all, it took ECJ clarification for local courts in the Netherlands to be satisfied with the legal position.

“There was never any question that what we were doing was illegal. We didn’t and never have hosted any content, we always prevented discussions about illegal paid services, and never sold any devices, pre-loaded or otherwise. That used to be enough to occupy the ‘gray’ area which meant we were safe to develop our applications. That changed in 2017 as we were to discover,” Tekto notes.

Up until this week and apparently oblivious to how the earlier ECJ ruling might affect their operation, things had been going extremely well for Ares. In mid-2016, the group moved to its own support forum that attracted 100,000 signed-up members and 300,000 visitors every month.

“This was quite an achievement in terms of viral marketing but ultimately this would become part of our downfall,” Tekto says.

“The recent innovation of the ‘basket driven’ Ares Portal system seems to have triggered the legal move to shut the project down completely. This simple system gave access to hundreds of add-ons. The system removed the need for builds, blogs and YouTubers – you just shopped on the site for addons and then installed them to your device with a simple 6 digit code.”

While Ares and Tekto still didn’t believe they were doing anything illegal (addons were linked, not hosted) it is now pretty clear to them that the previous gray area has been well and truly closed, at least as far as the MPA/ACE alliance is concerned. And with that in mind, the show is over. Done. Finished.

“We are not criminals or malicious hackers, we weren’t even careful about hiding our identities. You couldn’t meet a more ordinary bunch of folks in truth,” he says.

“There was never any question we would close our doors if what we were doing crossed any boundaries of legality. So with the notice served on us, we are closing our doors and removing all our websites and applications. It’s a sad day in many ways, but nobody wants to be facing court or a potential custodial sentence, for what is essentially a hobby.”

Finally, Tekto says that others like him might want to consider their positions carefully, before they too get a knock at the door. In the meantime, he gives thanks to the project’s supporters, who have remained loyal over the past two years.

“It just leaves me to thank our users for their support and step away from the Kodi scene,” he concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

US Court Orders Dozens of “Pirate” Site Domain Seizures

Post Syndicated from Ernesto original https://torrentfreak.com/us-court-orders-dozens-of-pirate-site-domain-seizures-170927/

ABS-CBN, the largest media and entertainment company in the Philippines, has delivered another strike to pirate sites in the United States.

Last week a federal court in Florida signed a default judgment against 43 websites that offered copyright-infringing streams of ABS-CBN owned movies, including Star Cinema titles.

The order was signed exactly one day after the complaint was filed, in what appears to be a streamlined process.

The media company accused the websites of trademark and copyright infringement by making free streams of its content available without permission. It then asked the court for assistance to shut these sites down as soon as possible.

“Defendants’ websites operating under the Subject Domain Names are classic examples of pirate operations, having no regard whatsoever for the rights of ABS-CBN and willfully infringing ABS-CBN’s intellectual property.

“As a result, ABS-CBN requires this Court’s intervention if any meaningful stop is to be put to Defendants’ piracy,” ABS-CBN wrote.

Instead of a lengthy legal process that can take years to complete, ABS-CBN went for an “ex-parte” request for domain seizures, which means that the websites in question are not notified or involved in the process before the order is issued.

After reviewing the proposed injunction, US District Judge Beth Bloom signed off on it. This means that all the associated registrars must hand over the domain names in question.

“The domain name registrars for the Subject Domain Names shall immediately assist in changing the registrar of record for the Subject Domain Names, to a holding account with a registrar of Plaintiffs’ choosing..,” the order (pdf) reads.

In the days that followed, several streaming-site domains were indeed taken over. Movieonline.io, 1movies.tv, 123movieshd.us, 4k-movie.us, icefilms.ws and others are now linking to a notice page with information about the lawsuit instead.

The notice

Gomovies.es, which is also included, has not been transferred yet, but the operator appears to be aware of the lawsuit as the site now redirects to Gomovies.vg. Other domains, such as Onlinefullmovie.me, Putlockerm.live and Newasiantv.io remain online as well.

While the targeted sites together are good for thousands of daily visitors, they’re certainly not the biggest fish.

That said, the most significant thing about the case is not that these domain names have been taken offline. What stands out is the ability of an ex-parte request from a copyright holder to easily take out dozens of sites in one swoop.

Given ABS-CBN’s legal track record, this is likely not the last effort of this kind. The question now is if others will follow suit.

The full list of targeted domain is as follows.

1 movieonline.io
2 1movies.tv
3 gomovies.es
4 123movieshd.us
5 4k-movie.us
6 desitvflix.net
7 globalpinoymovies.com
8 icefilms.ws
9 jhonagemini.com
10 lambinganph.info
11 mrkdrama.com
12 newasiantv.me
13 onlinefullmovie.me
14 pariwiki.net
15 pinoychannel.live
16 pinoychannel.mobi
17 pinoyfullmovies.net
18 pinoyhdtorrent.com
19 pinoylibangandito.pw
20 pinoymoviepedia.ch
21 pinoysharetv.com
22 pinoytambayanhd.com
23 pinoyteleseryerewind.info
24 philnewsnetwork.com
25 pinoytvrewind.info
26 pinoytzater.com
27 subenglike.com
28 tambayantv.org
29 teleseryi.com
30 thepinoy1tv.com
31 thepinoychannel.com
32 tvbwiki.com
33 tvnaa.com
34 urpinoytv.com
35 vikiteleserye.com
36 viralsocialnetwork.com
37 watchpinoymoviesonline.com
38 pinoysteleserye.xyz
39 pinoytambayan.world
40 lambingan.lol
41 123movies.film
42 putlockerm.live
43 yonip.zone
43 yonipzone.rocks

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Thomas and Ed become a RealLifeDoodle on the ISS

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/astro-pi-reallifedoodle/

Thanks to the very talented sooperdavid, creator of some of the wonderful animations known as RealLifeDoodles, Thomas Pesquet and Astro Pi Ed have been turned into one of the cutest videos on the internet.

space pi – Create, Discover and Share Awesome GIFs on Gfycat

Watch space pi GIF by sooperdave on Gfycat. Discover more GIFS online on Gfycat

And RealLifeDoodles aaaaare?

Thanks to the power of viral video, many will be aware of the ongoing Real Life Doodle phenomenon. Wait, you’re not aware?

Oh. Well, let me explain it to you.

Taking often comical video clips, those with a know-how and skill level that outweighs my own in spades add faces and emotions to inanimate objects, creating what the social media world refers to as a Real Life Doodle. From disappointed exercise balls to cannibalistic piles of leaves, these video clips are both cute and sometimes, though thankfully not always, a little heartbreaking.

letmegofree – Create, Discover and Share Awesome GIFs on Gfycat

Watch letmegofree GIF by sooperdave on Gfycat. Discover more reallifedoodles GIFs on Gfycat

Our own RealLifeDoodle

A few months back, when Programme Manager Dave Honess, better known to many as SpaceDave, sent me these Astro Pi videos for me to upload to YouTube, a small plan hatched in my brain. For in the midst of the video, and pointed out to me by SpaceDave – “I kind of love the way he just lets the unit drop out of shot” – was the most adorable sight as poor Ed drifted off into the great unknown of the ISS. Finding that I have this odd ability to consider many inanimate objects as ‘cute’, I wanted to see whether we could turn poor Ed into a RealLifeDoodle.

Heading to the Reddit RealLifeDoodle subreddit, I sent moderator sooperdavid a private message, asking if he’d be so kind as to bring our beloved Ed to life.

Yesterday, our dream came true!

Astro Pi

Unless you’re new to the world of the Raspberry Pi blog (in which case, welcome!), you’ll probably know about the Astro Pi Challenge. But for those who are unaware, let me break it down for you.

Raspberry Pi RealLifeDoodle

In 2015, two weeks before British ESA Astronaut Tim Peake journeyed to the International Space Station, two Raspberry Pis were sent up to await his arrival. Clad in 6063-grade aluminium flight cases and fitted with their own Sense HATs and camera modules, the Astro Pis Ed and Izzy were ready to receive the winning codes from school children in the UK. The following year, this time maintained by French ESA Astronaut Thomas Pesquet, children from every ESA member country got involved to send even more code to the ISS.

Get involved

Will there be another Astro Pi Challenge? Well, I just asked SpaceDave and he didn’t say no! So why not get yourself into training now and try out some of our space-themed free resources, including our 3D-print your own Astro Pi case tutorial? You can also follow the adventures of Ed and Izzy in our brilliant Story of Astro Pi cartoons.

Raspberry Pi RealLifeDoodle

And if you’re quick, there’s still time to take part in tomorrow’s Moonhack! Check out their website for more information and help the team at Code Club Australia beat their own world record!

The post Thomas and Ed become a RealLifeDoodle on the ISS appeared first on Raspberry Pi.

How To Get Your First 1,000 Customers

Post Syndicated from Gleb Budman original https://www.backblaze.com/blog/how-to-get-your-first-1000-customers/

PR for getting your first 1000 customers

If you launch your startup and no one knows, did you actually launch? As mentioned in my last post, our initial launch target was to get a 1,000 people to use our service. But how do you get even 1,000 people to sign up for your service when no one knows who you are?

There are a variety of methods to attract your first 1,000 customers, but launching with the press is my favorite. I’ll explain why and how to do it below.

Paths to Attract Your First 1,000 Customers

Social following: If you have a massive social following, those people are a reasonable target for what you’re offering. In particular if your relationship with them is one where they would buy something you recommend, this can be one of the easiest ways to get your initial customers. However, building this type of following is non-trivial and often is done over several years.

Press not only provides awareness and customers, but credibility and SEO benefits as well

Paid advertising: The advantage of paid ads is you have control over when they are presented and what they say. The primary disadvantage is they tend to be expensive, especially before you have your positioning, messaging, and funnel nailed.

Viral: There are certainly examples of companies that launched with a hugely viral video, blog post, or promotion. While fantastic if it happens, even if you do everything right, the likelihood of massive virality is miniscule and the conversion rate is often low.

Press: As I said, this is my favorite. You don’t need to pay a PR agency and can go from nothing to launched in a couple weeks. Press not only provides awareness and customers, but credibility and SEO benefits as well.

How to Pitch the Press

It’s easy: Have a compelling story, find the right journalists, make their life easy, pitch and follow-up. Of course, each one of those has some nuance, so let’s dig in.

Have a compelling story

How to Get Attention When you’ve been working for months on your startup, it’s easy to get lost in the minutiae when talking to others. Stories that a journalist will write about need to be something their readers will care about. Knowing what story to tell and how to tell it is part science and part art. Here’s how you can get there:

The basics of your story

Ask yourself the following questions, and write down the answers:

  • What are we doing? What product service are we offering?
  • Why? What problem are we solving?
  • What is interesting or unique? Either about what we’re doing, how we’re doing it, or for who we’re doing it.

“But my story isn’t that exciting”

Neither was announcing a data backup company, believe me. Look for angles that make it compelling. Here are some:

  • Did someone on your team do something major before? (build a successful company/product, create some innovation, market something we all know, etc.)
  • Do you have an interesting investor or board member?
  • Is there a personal story that drove you to start this company?
  • Are you starting it in a unique place?
  • Did you come upon the idea in a unique way?
  • Can you share something people want to know that’s not usually shared?
  • Are you partnered with a well-known company?
  • …is there something interesting/entertaining/odd/shocking/touching/etc.?

It doesn’t get much less exciting than, “We’re launching a company that will backup your data.” But there were still a lot of compelling stories:

  • Founded by serial entrepreneurs, bootstrapped a capital-intensive company, committed to each other for a year without salary.
  • Challenging the way that every backup company before was set up by not asking customers to pick and choose files to backup.
  • Designing our own storage system.
  • Etc. etc.

For the initial launch, we focused on “unlimited for $5/month” and statistics from a survey we ran with Harris Interactive that said that 94% of people did not regularly backup their data.

It’s an old adage that “Everyone has a story.” Regardless of what you’re doing, there is always something interesting to share. Dig for that.

The headline

Once you’ve captured what you think the interesting story is, you’ve got to boil it down. Yes, you need the elevator pitch, but this is shorter…it’s the headline pitch. Write the headline that you would love to see a journalist write.

Regardless of what you’re doing, there is always something interesting to share. Dig for that.

Now comes the part where you have to be really honest with yourself: if you weren’t involved, would you care?

The “Techmeme Test”

One way I try to ground myself is what I call the “Techmeme Test”. Techmeme lists the top tech articles. Read the headlines. Imagine the headline you wrote in the middle of the page. If you weren’t involved, would you click on it? Is it more or less compelling than the others. Much of tech news is dominated by the largest companies. If you want to get written about, your story should be more compelling. If not, go back above and explore your story some more.

Embargoes, exclusives and calls-to-action

Journalists write about news. Thus, if you’ve already announced something and are then pitching a journalist to cover it, unless you’re giving her something significant that hasn’t been said, it’s no longer news. As a result, there are ‘embargoes’ and ‘exclusives’.

Embargoes

    • : An embargo simply means that you are sharing news with a journalist that they need to keep private until a certain date and time.

If you’re Apple, this may be a formal and legal document. In our case, it’s as simple as saying, “Please keep embargoed until 4/13/17 at 8am California time.” in the pitch. Some sites explicitly will not keep embargoes; for example The Information will only break news. If you want to launch something later, do not share information with journalists at these sites. If you are only working with a single journalist for a story, and your announcement time is flexible, you can jointly work out a date and time to announce. However, if you have a fixed launch time or are working with a few journalists, embargoes are key.

Exclusives: An exclusive means you’re giving something specifically to that journalist. Most journalists love an exclusive as it means readers have to come to them for the story. One option is to give a journalist an exclusive on the entire story. If it is your dream journalist, this may make sense. Another option, however, is to give exclusivity on certain pieces. For example, for your launch you could give an exclusive on funding detail & a VC interview to a more finance-focused journalist and insight into the tech & a CTO interview to a more tech-focused journalist.

Call-to-Action: With our launch we gave TechCrunch, Ars Technica, and SimplyHelp URLs that gave the first few hundred of their readers access to the private beta. Once those first few hundred users from each site downloaded, the beta would be turned off.

Thus, we used a combination of embargoes, exclusives, and a call-to-action during our initial launch to be able to brief journalists on the news before it went live, give them something they could announce as exclusive, and provide a time-sensitive call-to-action to the readers so that they would actually sign up and not just read and go away.

How to Find the Most Authoritative Sites / Authors

“If a press release is published and no one sees it, was it published?” Perhaps the time existed when sending a press release out over the wire meant journalists would read it and write about it. That time has long been forgotten. Over 1,000 unread press releases are published every day. If you want your compelling story to be covered, you need to find the handful of journalists that will care.

Determine the publications

Find the publications that cover the type of story you want to share. If you’re in tech, Techmeme has a leaderboard of publications ranked by leadership and presence. This list will tell you which publications are likely to have influence. Visit the sites and see if your type of story appears on their site. But, once you’ve determined the publication do NOT send a pitch their “[email protected]” or “[email protected]” email addresses. In all the times I’ve done that, I have never had a single response. Those email addresses are likely on every PR, press release, and spam list and unlikely to get read. Instead…

Determine the journalists

Once you’ve determined which publications cover your area, check which journalists are doing the writing. Skim the articles and search for keywords and competitor names.

Over 1,000 unread press releases are published every day.

Identify one primary journalist at the publication that you would love to have cover you, and secondary ones if there are a few good options. If you’re not sure which one should be the primary, consider a few tests:

  • Do they truly seem to care about the space?
  • Do they write interesting/compelling stories that ‘get it’?
  • Do they appear on the Techmeme leaderboard?
  • Do their articles get liked/tweeted/shared and commented on?
  • Do they have a significant social presence?

Leveraging Google

Google author search by date

In addition to Techmeme or if you aren’t in the tech space Google will become a must have tool for finding the right journalists to pitch. Below the search box you will find a number of tabs. Click on Tools and change the Any time setting to Custom range. I like to use the past six months to ensure I find authors that are actively writing about my market. I start with the All results. This will return a combination of product sites and articles depending upon your search term.

Scan for articles and click on the link to see if the article is on topic. If it is find the author’s name. Often if you click on the author name it will take you to a bio page that includes their Twitter, LinkedIn, and/or Facebook profile. Many times you will find their email address in the bio. You should collect all the information and add it to your outreach spreadsheet. Click here to get a copy. It’s always a good idea to comment on the article to start building awareness of your name. Another good idea is to Tweet or Like the article.

Next click on the News tab and set the same search parameters. You will get a different set of results. Repeat the same steps. Between the two searches you will have a list of authors that actively write for the websites that Google considers the most authoritative on your market.

How to find the most socially shared authors

Buzzsumo search for most shared by date

Your next step is to find the writers whose articles get shared the most socially. Go to Buzzsumo and click on the Most Shared tab. Enter search terms for your market as well as competitor names. Again I like to use the past 6 months as the time range. You will get a list of articles that have been shared the most across Facebook, LinkedIn, Twitter, Pinterest, and Google+. In addition to finding the most shared articles and their authors you can also see some of the Twitter users that shared the article. Many of those Twitter users are big influencers in your market so it’s smart to start following and interacting with them as well as the authors.

How to Find Author Email Addresses

Some journalists publish their contact info right on the stories. For those that don’t, a bit of googling will often get you the email. For example, TechCrunch wrote a story a few years ago where they published all of their email addresses, which was in response to this new service that charges a small fee to provide journalist email addresses. Sometimes visiting their twitter pages will link to a personal site, upon which they will share an email address.

Of course all is not lost if you don’t find an email in the bio. There are two good services for finding emails, https://app.voilanorbert.com/ and https://hunter.io/. For Voila Norbert enter the author name and the website you found their article on. The majority of the time you search for an author on a major publication Norbert will return an accurate email address. If it doesn’t try Hunter.io.

On Hunter.io enter the domain name and click on Personal Only. Then scroll through the results to find the author’s email. I’ve found Norbert to be more accurate overall but between the two you will find most major author’s email addresses.

Email, by the way, is not necessarily the best way to engage a journalist. Many are avid Twitter users. Follow them and engage – that means read/retweet/favorite their tweets; reply to their questions, and generally be helpful BEFORE you pitch them. Later when you email them, you won’t be just a random email address.

Don’t spam

Now that you have all these email addresses (possibly thousands if you purchased a list) – do NOT spam. It is incredibly tempting to think “I could try to figure out which of these folks would be interested, but if I just email all of them, I’ll save myself time and be more likely to get some of them to respond.” Don’t do it.

Follow them and engage – that means read/retweet/favorite their tweets; reply to their questions, and generally be helpful BEFORE you pitch them.

First, you’ll want to tailor your pitch to the individual. Second, it’s a small world and you’ll be known as someone who spams – reputation is golden. Also, don’t call journalists. Unless you know them or they’ve said they’re open to calls, you’re most likely to just annoy them.

Build a relationship

Build Trust with reporters Play the long game. You may be focusing just on the launch and hoping to get this one story covered, but if you don’t quickly flame-out, you will have many more opportunities to tell interesting stories that you’ll want the press to cover. Be honest and don’t exaggerate.
When you have 500 users it’s tempting to say, “We’ve got thousands!” Don’t. The good journalists will see through it and it’ll likely come back to bite you later. If you don’t know something, say “I don’t know but let me find out for you.” Most journalists want to write interesting stories that their readers will appreciate. Help them do that. Build deeper relationships with 5 – 10 journalists, rather than spamming thousands.

Stay organized

It doesn’t need to be complicated, but keep a spreadsheet that includes the name, publication, and contact info of the journalists you care about. Then, use it to keep track of who you’ve pitched, who’s responded, whether you’ve sent them the materials they need, and whether they intend to write/have written.

Make their life easy

Journalists have a million PR people emailing them, are actively engaging with readers on Twitter and in the comments, are tracking their metrics, are working their sources…and all the while needing to publish new articles. They’re busy. Make their life easy and they’re more likely to engage with yours.

Get to know them

Before sending them a pitch, know what they’ve written in the space. If you tell them how your story relates to ones they’ve written, it’ll help them put the story in context, and enable them to possibly link back to a story they wrote before.

Prepare your materials

Journalists will need somewhere to get more info (prepare a fact sheet), a URL to link to, and at least one image (ideally a few to choose from.) A fact sheet gives bite-sized snippets of information they may need about your startup or product: what it is, how big the market is, what’s the pricing, who’s on the team, etc. The URL is where their reader will get the product or more information from you. It doesn’t have to be live when you’re pitching, but you should be able to tell what the URL will be. The images are ones that they could embed in the article: a product screenshot, a CEO or team photo, an infographic. Scan the types of images included in their articles. Don’t send any of these in your pitch, but have them ready. Studies, stats, customer/partner/investor quotes are also good to have.

Pitch

A pitch has to be short and compelling.

Subject Line

Think back to the headline you want. Is it really compelling? Can you shorten it to a subject line? Include what’s happening and when. For Mike Arrington at Techcrunch, our first subject line was “Startup doing an ‘online time machine’”. Later I would include, “launching June 6th”.

For John Timmer at ArsTechnica, it was “Demographics data re: your 4/17 article”. Why? Because he wrote an article titled “WiFi popular with the young people; backups, not so much”. Since we had run a demographics survey on backups, I figured as a science editor he’d be interested in this additional data.

Body

A few key things about the body of the email. It should be short and to the point, no more than a few sentences. Here was my actual, original pitch email to John:

Hey John,

We’re launching Backblaze next week which provides a Time Machine-online type of service. As part of doing some research I read your article about backups not being popular with young people and that you had wished Accenture would have given you demographics. In prep for our invite-only launch I sponsored Harris Interactive to get demographic data on who’s doing backups and if all goes well, I should have that data on Friday.

Next week starts Backup Awareness Month (and yes, probably Clean Your House Month and Brush Your Teeth Month)…but nonetheless…good time to remind readers to backup with a bit of data?

Would you be interested in seeing/talking about the data when I get it?

Would you be interested in getting a sneak peak at Backblaze? (I could give you some invite codes for your readers as well.)

Gleb Budman        

CEO and Co-Founder

Backblaze, Inc.

Automatic, Secure, High-Performance Online Backup

Cell: XXX-XXX-XXXX

The Good: It said what we’re doing, why this relates to him and his readers, provides him information he had asked for in an article, ties to something timely, is clearly tailored for him, is pitched by the CEO and Co-Founder, and provides my cell.

The Bad: It’s too long.

I got better later. Here’s an example:

Subject: Does temperature affect hard drive life?

Hi Peter, there has been much debate about whether temperature affects how long a hard drive lasts. Following up on the Backblaze analyses of how long do drives last & which drives last the longest (that you wrote about) we’ve now analyzed the impact of heat on the nearly 40,000 hard drives we have and found that…

We’re going to publish the results this Monday, 5/12 at 5am California-time. Want a sneak peak of the analysis?

Timing

A common question is “When should I launch?” What day, what time? I prefer to launch on Tuesday at 8am California-time. Launching earlier in the week gives breathing room for the news to live longer. While your launch may be a single article posted and that’s that, if it ends up a larger success, earlier in the week allows other journalists (including ones who are in other countries) to build on the story. Monday announcements can be tough because the journalists generally need to have their stories finished by Friday, and while ideally everything is buttoned up beforehand, startups sometimes use the weekend as overflow before a launch.

The 8am California-time is because it allows articles to be published at the beginning of the day West Coast and around lunch-time East Coast. Later and you risk it being past publishing time for the day. We used to launch at 5am in order to be morning for the East Coast, but it did not seem to have a significant benefit in coverage or impact, but did mean that the entire internal team needed to be up at 3am or 4am. Sometimes that’s critical, but I prefer to not burn the team out when it’s not.

Finally, try to stay clear of holidays, major announcements and large conferences. If Apple is coming out with their next iPhone, many of the tech journalists will be busy at least a couple days prior and possibly a week after. Not always obvious, but if you can, find times that are otherwise going to be slow for news.

Follow-up

There is a fine line between persistence and annoyance. I once had a journalist write me after we had an announcement that was covered by the press, “Why didn’t you let me know?! I would have written about that!” I had sent him three emails about the upcoming announcement to which he never responded.

My general rule is 3 emails.

Ugh. However, my takeaway from this isn’t that I should send 10 emails to every journalist. It’s that sometimes these things happen.

My general rule is 3 emails. If I’ve identified a specific journalist that I think would be interested and have a pitch crafted for her, I’ll send her the email ideally 2 weeks prior to the announcement. I’ll follow-up a week later, and one more time 2 days prior. If she ever says, “I’m not interested in this topic,” I note it and don’t email her on that topic again.

If a journalist wrote, I read the article and engage in the comments (or someone on our team, such as our social guy, @YevP does). We’ll often promote the story through our social channels and email our employees who may choose to share the story as well. This helps us, but also helps the journalist get their story broader reach. Again, the goal is to build a relationship with the journalists your space. If there’s something relevant to your customers that the journalist wrote, you’re providing a service to your customers AND helping the journalist get the word out about the article.

At times the stories also end up shared on sites such as Hacker News, Reddit, Slashdot, or become active conversations on Twitter. Again, we try to engage there and respond to questions (when we do, we are always clear that we’re from Backblaze.)

And finally, I’ll often send a short thank you to the journalist.

Getting Your First 1,000 Customers With Press

As I mentioned at the beginning, there is more than one way to get your first 1,000 customers. My favorite is working with the press to share your story. If you figure out your compelling story, find the right journalists, make their life easy, pitch and follow-up, you stand a high likelyhood of getting coverage and customers. Better yet, that coverage will provide credibility for your company, and if done right, will establish you as a resource for the press for the future.

Like any muscle, this process takes working out. The first time may feel a bit daunting, but just take the steps one at a time. As you do this a few times, the process will be easier and you’ll know who to reach out and quickly determine what stories will be compelling.

The post How To Get Your First 1,000 Customers appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.

Book Review: Twitter and Tear Gas, by Zeynep Tufekci

Post Syndicated from Bruce Schneier original https://www.schneier.com/blog/archives/2017/07/book_review_twi.html

There are two opposing models of how the Internet has changed protest movements. The first is that the Internet has made protesters mightier than ever. This comes from the successful revolutions in Tunisia (2010-11), Egypt (2011), and Ukraine (2013). The second is that it has made them more ineffectual. Derided as “slacktivism” or “clicktivism,” the ease of action without commitment can result in movements like Occupy petering out in the US without any obvious effects. Of course, the reality is more nuanced, and Zeynep Tufekci teases that out in her new book Twitter and Tear Gas.

Tufekci is a rare interdisciplinary figure. As a sociologist, programmer, and ethnographer, she studies how technology shapes society and drives social change. She has a dual appointment in both the School of Information Science and the Department of Sociology at University of North Carolina at Chapel Hill, and is a Faculty Associate at the Berkman Klein Center for Internet and Society at Harvard University. Her regular New York Times column on the social impacts of technology is a must-read.

Modern Internet-fueled protest movements are the subjects of Twitter and Tear Gas. As an observer, writer, and participant, Tufekci examines how modern protest movements have been changed by the Internet­ — and what that means for protests going forward. Her book combines her own ethnographic research and her usual deft analysis, with the research of others and some big data analysis from social media outlets. The result is a book that is both insightful and entertaining, and whose lessons are much broader than the book’s central topic.

“The Power and Fragility of Networked Protest” is the book’s subtitle. The power of the Internet as a tool for protest is obvious: it gives people newfound abilities to quickly organize and scale. But, according to Tufekci, it’s a mistake to judge modern protests using the same criteria we used to judge pre-Internet protests. The 1963 March on Washington might have culminated in hundreds of thousands of people listening to Martin Luther King Jr. deliver his “I Have a Dream” speech, but it was the culmination of a multi-year protest effort and the result of six months of careful planning made possible by that sustained effort. The 2011 protests in Cairo came together in mere days because they could be loosely coordinated on Facebook and Twitter.

That’s the power. Tufekci describes the fragility by analogy. Nepalese Sherpas assist Mt. Everest climbers by carrying supplies, laying out ropes and ladders, and so on. This means that people with limited training and experience can make the ascent, which is no less dangerous — to sometimes disastrous results. Says Tufekci: “The Internet similarly allows networked movements to grow dramatically and rapidly, but without prior building of formal or informal organizational and other collective capacities that could prepare them for the inevitable challenges they will face and give them the ability to respond to what comes next.” That makes them less able to respond to government counters, change their tactics­ — a phenomenon Tufekci calls “tactical freeze” — make movement-wide decisions, and survive over the long haul.

Tufekci isn’t arguing that modern protests are necessarily less effective, but that they’re different. Effective movements need to understand these differences, and leverage these new advantages while minimizing the disadvantages.

To that end, she develops a taxonomy for talking about social movements. Protests are an example of a “signal” that corresponds to one of several underlying “capacities.” There’s narrative capacity: the ability to change the conversation, as Black Lives Matter did with police violence and Occupy did with wealth inequality. There’s disruptive capacity: the ability to stop business as usual. An early Internet example is the 1999 WTO protests in Seattle. And finally, there’s electoral or institutional capacity: the ability to vote, lobby, fund raise, and so on. Because of various “affordances” of modern Internet technologies, particularly social media, the same signal — a protest of a given size — reflects different underlying capacities.

This taxonomy also informs government reactions to protest movements. Smart responses target attention as a resource. The Chinese government responded to 2015 protesters in Hong Kong by not engaging with them at all, denying them camera-phone videos that would go viral and attract the world’s attention. Instead, they pulled their police back and waited for the movement to die from lack of attention.

If this all sounds dry and academic, it’s not. Twitter and Tear Gasis infused with a richness of detail stemming from her personal participation in the 2013 Gezi Park protests in Turkey, as well as personal on-the-ground interviews with protesters throughout the Middle East — particularly Egypt and her native Turkey — Zapatistas in Mexico, WTO protesters in Seattle, Occupy participants worldwide, and others. Tufekci writes with a warmth and respect for the humans that are part of these powerful social movements, gently intertwining her own story with the stories of others, big data, and theory. She is adept at writing for a general audience, and­despite being published by the intimidating Yale University Press — her book is more mass-market than academic. What rigor is there is presented in a way that carries readers along rather than distracting.

The synthesist in me wishes Tufekci would take some additional steps, taking the trends she describes outside of the narrow world of political protest and applying them more broadly to social change. Her taxonomy is an important contribution to the more-general discussion of how the Internet affects society. Furthermore, her insights on the networked public sphere has applications for understanding technology-driven social change in general. These are hard conversations for society to have. We largely prefer to allow technology to blindly steer society or — in some ways worse — leave it to unfettered for-profit corporations. When you’re reading Twitter and Tear Gas, keep current and near-term future technological issues such as ubiquitous surveillance, algorithmic discrimination, and automation and employment in mind. You’ll come away with new insights.

Tufekci twice quotes historian Melvin Kranzberg from 1985: “Technology is neither good nor bad; nor is it neutral.” This foreshadows her central message. For better or worse, the technologies that power the networked public sphere have changed the nature of political protest as well as government reactions to and suppressions of such protest.

I have long characterized our technological future as a battle between the quick and the strong. The quick — dissidents, hackers, criminals, marginalized groups — are the first to make use of a new technology to magnify their power. The strong are slower, but have more raw power to magnify. So while protesters are the first to use Facebook to organize, the governments eventually figure out how to use Facebook to track protesters. It’s still an open question who will gain the upper hand in the long term, but Tufekci’s book helps us understand the dynamics at work.

This essay originally appeared on Vice Motherboard.

The book on Amazon.com.

Daily Mail Sued For ‘Pirating’ Dozens of Viral Videos

Post Syndicated from Ernesto original https://torrentfreak.com/daily-mail-sued-for-pirating-dozens-of-viral-videos-170711/

A cat playing a game of whack-a-mole, a goat hitching a ride on the back of donkey, and a flying squirrel that’s eaten too much.

Besides being animals, they have something else in common. They’re all stars in viral videos.

With millions of views these lucky clips draw a lot of eyeballs. This is good news for the creators, who can monetize the views. And mainstream news sites and tabloids like them as well, since ithey can add some amusement to their online publications.

The problem, however, is that quite a few websites don’t pay for the viral content they put up. In some cases, they assume that videos can be shared freely, while others ignore the copyright issue on purpose.

According to a complaint submitted to a US District Court late last week,
popular British tabloid Daily Mail is guilty of the latter. The lawsuit was filed by Rumble, a company that manages the rights of hundreds of thousands of viral videos.

Rumble informs the court that it’s representing small creators who often don’t have the means to put up a fight against companies that ‘steal’ their content.

“By themselves, these individual content creators cannot effectively police and enforce their copyrights against those infringers who use their videos without approval, authorization or paying anything,” Rumble writes.

“These serial infringers can and do make very large sums of money using these copyright-protected videos without ever paying one penny to the content-creator,” the company adds.

Initially, Rumble and the Daily Mail had a license agreement to use the videos on their website. However, according to the complaint, the British tabloid continued to publish them after the license expired.

When the infringing usage continued, Rumble retained legal counsel to solve the matter, but that didn’t help either. This eventually culminated in legal action.

“Rumble asserts that the infringement here is of the most bold and bald-faced kind, exhibiting an utter disrespect for the copyrights of others,” the complaint reads.

“That [the infringment] is ‘willful’ in the factual and legal sense of the word is beyond dispute, such that the ultimate damages to be awarded will be reasonably and justifiably enhanced, including an award of Rumble’s attorneys fees as well.”

Rumble expects that Daily Mail will claim that they were not aware of the infringing activities so cautions the court not to fall for these type of excuses. The video platform stresses that turning a blind eye to the copyrights of others is part of the tabloid’s playbook, and plans to prove this at trial.

With dozens of videos listed in the legal paperwork, the potential piracy damages requested by the company are around $10,000,000. In addition, Rumble asks for an injunction to stop the infringing activity as soon as possible.

While Rumble prides itself for sticking up for the small guy, as the main rightsholder it has a direct financial interest in the case, of course. We asked the company whether the creators will also get a share of any potential damages, but at the time of publication, we have yet to hear back.

A copy of the complaint is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.