Tag Archives: warner

Treasure Trove of AACS 2.0 UHD Blu-Ray Keys Leak Online

Post Syndicated from Ernesto original https://torrentfreak.com/treasure-trove-of-aacs-2-0-uhd-blu-ray-keys-leak-online-171211/

Nowadays, movie buffs and videophiles find it hard to imagine a good viewing experience without UHD content, but disc rippers and pirates have remained on the sidelines for a long time.

Protected with strong AACS 2.0 encryption, UHD Blu-ray discs have long been one of the last bastions movie pirates had yet to breach.

This year there have been some major developments on this front, as full copies of UHD discs started to leak online. While it remained unclear how these were ripped, it was a definite milestone.

Just a few months ago another breakthrough came when a Russian company released a Windows tool called DeUHD that could rip UHD Blu-ray discs. Again, the method for obtaining the keys was not revealed.

Now there’s another setback for AACS LA, the licensing outfit founded by Warner Bros, Disney, Microsoft, Intel, and others. On various platforms around the Internet, copies of 72 AACS 2.0 keys are being shared.

The first mention we can find was posted a few days ago in a ten-year-old forum thread in the Doom9 forums. Since then it has been replicated a few times, without much fanfare.

The keys

The keys in question are confirmed to work and allow people to rip UHD Blu-ray discs of movies with freely available software such as MakeMKV. They are also different from the DeUHD list, so there are more people who know how to get them.

The full list of leaked keys includes movies such as Deadpool, Hancock, Passengers, Star Trek: Into Darkness, and The Martian. Some movies have multiple keys, likely as a result of different disc releases.

The leaked keys are also relevant for another reason. Ten years ago, a hacker leaked the AACS cryptographic key “09 F9” online which prompted the MPAA and AACS LA to issue DMCA takedown requests to sites where it surfaced.

This escalated into a censorship debate when Digg started removing articles that referenced the leak, triggering a massive backlash.

Thus fas the response to the AACS 2.0 leaks has been pretty tame, but it’s still early days. A user who posted the leaked keys on MyCe has already removed them due to possible copyright problems, so it’s definitely still a touchy subject.

The question that remains now is how the hacker managed to secure the keys, and if AACS 2.0 has been permanently breached.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Movie & TV Companies Tackle Pirate IPTV in Australia Federal Court

Post Syndicated from Andy original https://torrentfreak.com/movie-tv-companies-tackle-pirate-iptv-in-australia-federal-court-171207/

As movie and TV show piracy has migrated from the desktop towards mobile and living room-based devices, copyright holders have found the need to adapt to a new enemy.

Dealing with streaming services is now high on the agenda, with third-party Kodi addons and various Android apps posing the biggest challenge. Alongside is the much less prevalent but rapidly growing pay IPTV market, in which thousands of premium channels are delivered to homes for a relatively small fee.

In Australia, copyright holders are treating these services in much the same way as torrent sites. They feel that if they can force ISPs to block them, the problem can be mitigated. Most recently, movie and TV show giants Village Roadshow, Disney, Universal, Warner Bros, Twentieth Century Fox, and Paramount filed an application targeting HDSubs+, a pirate IPTV operation servicing thousands of Australians.

Filed in October, the application for the injunction targets Australia’s largest ISPs including Telstra, Optus, TPG, and Vocus, plus their subsidiaries. The movie and TV show companies want them to quickly block HDSubs+, to prevent it from reaching its audience.

HDSubs+ IPTV package
However, blocking isn’t particularly straightforward. Due to the way IPTV services are setup a number of domains need to be blocked, including their sales platforms, EPG (electronic program guide), software (such as an Android app), updates, and sundry other services. In HDSubs+ case around ten domains need to be restricted but in court today, Village Roadshow revealed that probably won’t deal with the problem.

HDSubs+ appears to be undergoing some kind of transformation, possibly to mitigate efforts to block it in Australia. ComputerWorld reports that it is now directing subscribers to update to a new version that works in a more evasive manner.

If they agree, HDSubs+ customers are being migrated over to a service called PressPlayPlus. It works in the same way as the old system but no longer uses the domain names cited in Village Roadshow’s injunction application. This means that DNS blocks, the usual weapon of choice for local ISPs, will prove futile.

Village Roadshow says that with this in mind it may be forced to seek enhanced IP address blocking, unless it is granted a speedy hearing for its application. This, in turn, may result in the normally cooperative ISPs returning to court to argue their case.

“If that’s what you want to do, then you’ll have to amend the orders and let the parties know,” Judge John Nicholas said.

“It’s only the former [DNS blocking] that carriage service providers have agreed to in the past.”

As things stand, Village Roadshow will return to court on December 15 for a case management hearing but in the meantime, the Federal Court must deal with another IPTV-related blocking request.

In common with its Australian and US-based counterparts, Hong Kong-based broadcaster Television Broadcasts Limited (TVB) has launched a similar case asking local ISPs to block another IPTV service.

“Television Broadcasts Limited can confirm that we have commenced legal action in Australia to protect our copyright,” a TVB spokesperson told Computerworld.

TVB wants ISPs including Telstra, Optus, Vocus, and TPG plus their subsidiaries to block access to seven Android-based services named as A1, BlueTV, EVPAD, FunTV, MoonBox, Unblock, and hTV5.

Court documents list 21 URLs maintaining the services. They will all need to be blocked by DNS or other means, if the former proves futile. Online reports suggest that there are similarities among the IPTV products listed above. A demo for the FunTV IPTV service is shown below.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Kodi Addon Dev Says “Show of Force” Will Be Met With Defiance

Post Syndicated from Andy original https://torrentfreak.com/kodi-addon-dev-says-show-force-will-met-defiance-171119/

For many years, the members of the MPAA have flexed their muscles all around the globe, working to prevent people from engaging in online piracy. If the last 17 years ‘progress’ is anything to go by, it’s a war that will go on indefinitely.

With Columbia, Disney, Paramount, Twentieth Century Fox, Universal, and Warner on board, the MPAA has historically relied on sheer power to intimidate opponents. That has certainly worked in many large piracy cases but for many peripheral smaller-scale pirates, their presence is largely ignored.

This week, however, several players in the Kodi scene discovered that these giants – and more besides – have the ability to literally turn up at their front door. As reported Thursday, UK-based Kodi addon developer The_Alpha received a hand-delivered cease-and-desist letter from all of the above, accompanied by new faces Netflix, Amazon and Sky TV.

These companies are part of the Alliance for Creativity and Entertainment (ACE), a massive and recently-formed anti-piracy coalition comprised of 30 global entertainment brands. TorrentFreak reached out to The_Alpha for his thoughts on coming under such a dazzling spotlight but perhaps understandably he didn’t want to comment.

The leader of the Ares Project was willing to go on the record, however, after he too received a hand-delivered threat during the week. His decision was to immediately comply and shutdown but TF is informed that others might not be so willing to follow suit.

A Kodi addon developer living in the UK who spoke to us on condition of anonymity told us that most people operating in the scene expected some kind of trouble – just not on this scale.

“Did you see the [company logos] across the top of Alpha’s letter? That’s some serious shit right there. The film companies are no surprise but Amazon delivers my groceries so I don’t expect this shit from them,” he said.

When the ACE partnership was formed earlier this year, it seemed pretty clear that the main drive was towards the pooling of anti-piracy resources to be more effective and efficient. However, it can’t have escaped ACE that such a broad and powerful alliance could also have a profound psychological effect on its adversaries.

“There’s no doubt in my mind that they’re turning up mob-handed to put the shits up people like Alpha and the rest of us,” the developer said. “It’s hardly a fair dust-up is it? What have we got to fight back with, a giro [state benefits]? It’s a show of force, ‘look how important we are’!”

Interestingly, however, the dev told us that it isn’t necessarily the size of the coalition that has him most concerned. What caught his eye was the inclusion of two influential UK-based companies in the alliance.

“Having Sly [a local derogatory nickname for Sky TV] and the Premier League on the letter makes it much more serious to me than seeing Warner or whatever,” he commented.

“I don’t get involved in footie but Sly is everywhere round here and I think it’s something the Brit dev scene might take notice of, even if most say ‘fuck it’ and carry on anyway.”

When questioned whether that’s likely, our source said that while ACE might be able to tackle some of the bigger targets like Ares Project or Colossus, they fundamentally misunderstand how the Kodi scene works.

“If you want a good example of a scattered pirate scene, I give you Kodi. They can bomb the base or whatever but nobody lives there,” he explained.

“There’s some older blokes like me who can do without the stress but a lot of younger coders, builders and YouTubers who thrive on it. They’re used to running around council estates with real-life problems. A faffy letter from some toff in a suit means literally nothing. Like I said, all they have to lose is a giro.”

Whether this is just bravado will remain to be seen, but our earlier discussions with others in the scene indicate a particular weakness in the UK, with many players vulnerable to being found after failing to hide their identities in the past. To a point, our source agrees that this is a problem.

“People are saying that Alpha was found after trying to raise some charity money related to his disabled son but I don’t know for sure and nor does anybody else. What strikes me is that none of us really thought things would get this on top here because all you ever hear about is America this, Canada that, whatever. Does this means that more of us are getting done in England? You tell me,” he said.

Only time will tell but stamping out the pirate Kodi scene is going to be hard work.

Within hours of several projects disappearing Wednesday and Thursday, YouTube and myriad blogs were being flooded with guides detailing immediate replacements. This ad-hoc network of enthusiasts makes the exchange of information happen at an alarming rate and it’s hard to see how any company – no matter how powerful – will ever be able to keep up.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Terabytes Of US Military Social Media Spying S3 Data Exposed

Post Syndicated from Darknet original https://www.darknet.org.uk/2017/11/terabytes-us-military-social-media-spying-s3-data-exposed/?utm_source=rss&utm_medium=social&utm_campaign=darknetfeed

Terabytes Of US Military Social Media Spying S3 Data Exposed

Once again the old, default Amazon AWS S3 settings are catching people out, this time the US Military has left terabytes of social media spying S3 data exposed to everyone for years.

It’s not long ago since a Time Warner vendor and their sloppy AWS S3 config leaked over 4 million customer records and left S3 data exposed, and that’s not the only case – there’s plenty more.

Three misconfigured AWS S3 buckets have been discovered wide open on the public internet containing “dozens of terabytes” of social media posts and similar pages – all scraped from around the world by the US military to identify and profile persons of interest.

Read the rest of Terabytes Of US Military Social Media Spying S3 Data Exposed now! Only available at Darknet.

Ares Kodi Project Calls it Quits After Hollywood Cease & Desist

Post Syndicated from Andy original https://torrentfreak.com/ares-kodi-project-calls-it-quits-after-hollywood-cease-desist-171117/

This week has been particularly bad for those involved in the Kodi addon scene. Following cease-and-desist notices from the MPA-led anti-piracy coalition Alliance for Creativity and Entertainment, several addon developers and repositories shut down.

With Columbia, Disney, Paramount, Twentieth Century Fox, Universal, Warner, Netflix, Amazon and Sky TV all lined up for war, the third-party developers had little choice but to quit. One of those affected was the leader of the hugely popular Ares Project, which quietly disappeared mid-week.

The Ares Wizard was an extremely popular and important piece of software which allowed people to switch Kodi builds, install third-party addons, install popular repositories, change system settings, and carry out backups. It’s installed on huge numbers of machines worldwide but it will soon fall into disrepair.

The mighty Ares Wizard in action

“[This week] I was subject to a hand-delivered notice to cease-and-desist from MPA & ACE,” Ares Project leader Tekto informs TorrentFreak.

“Given the notice, we obviously shut down the repo and wizard as requested.”

The news that Ares Project is done and never coming back will be a huge blow to the community. The project just celebrated its second birthday and has grown exponentially since it first arrived on the scene.

“Ares Project started in Oct 2015. Originally it was to be a tool to setup up the video cache on Kodi correctly. However, many ideas were thrown into the pot and it became a wee bit more; such as a wizard to install community provided builds, common addons and few other tweaks and options,” Tekto says.

“For my own part I started blogging earlier that year as part of a longer-term goal to be self-funding. I always disliked seeing begging bowls out to support ‘server’ costs, many of which were cheap £5-10 per month servers that were used to gain £100s in donations.

“The blog, via affiliate links and ads, could and would provide the funds to cover our hosting costs without resorting to begging for money every weekend.”

Intrigued by this first wave of actions by ACE in Europe, TorrentFreak asked for a copy of the MPA/ACE cease-and-desist notice but unfortunately, Tekto flat-out refused. All he would tell us is that he’d agreed not to give out any copies or screenshots and that he was adhering to that 100%.

That only leaves speculation as to what grounds the MPA/ACE cited for closing the project but to be fair, it doesn’t take much thought to find a direct comparison. Earlier this year, in the BREIN v Filmspeler case, the European Court of Justice (ECJ) ruled that selling “fully-loaded” Kodi boxes amounted to illegally communicating copyrighted content to the public.

With that in mind, it doesn’t take much of a leap to see how this ruling could also apply to someone distributing “fully-loaded” Kodi software builds or addons via a website. It had previously been considered a legal gray area, of course, and it was in that space that the Ares team believed it operated. After all, it took ECJ clarification for local courts in the Netherlands to be satisfied with the legal position.

“There was never any question that what we were doing was illegal. We didn’t and never have hosted any content, we always prevented discussions about illegal paid services, and never sold any devices, pre-loaded or otherwise. That used to be enough to occupy the ‘gray’ area which meant we were safe to develop our applications. That changed in 2017 as we were to discover,” Tekto notes.

Up until this week and apparently oblivious to how the earlier ECJ ruling might affect their operation, things had been going extremely well for Ares. In mid-2016, the group moved to its own support forum that attracted 100,000 signed-up members and 300,000 visitors every month.

“This was quite an achievement in terms of viral marketing but ultimately this would become part of our downfall,” Tekto says.

“The recent innovation of the ‘basket driven’ Ares Portal system seems to have triggered the legal move to shut the project down completely. This simple system gave access to hundreds of add-ons. The system removed the need for builds, blogs and YouTubers – you just shopped on the site for addons and then installed them to your device with a simple 6 digit code.”

While Ares and Tekto still didn’t believe they were doing anything illegal (addons were linked, not hosted) it is now pretty clear to them that the previous gray area has been well and truly closed, at least as far as the MPA/ACE alliance is concerned. And with that in mind, the show is over. Done. Finished.

“We are not criminals or malicious hackers, we weren’t even careful about hiding our identities. You couldn’t meet a more ordinary bunch of folks in truth,” he says.

“There was never any question we would close our doors if what we were doing crossed any boundaries of legality. So with the notice served on us, we are closing our doors and removing all our websites and applications. It’s a sad day in many ways, but nobody wants to be facing court or a potential custodial sentence, for what is essentially a hobby.”

Finally, Tekto says that others like him might want to consider their positions carefully, before they too get a knock at the door. In the meantime, he gives thanks to the project’s supporters, who have remained loyal over the past two years.

“It just leaves me to thank our users for their support and step away from the Kodi scene,” he concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Hollywood Studios Force ISPs to Block Popcorn Time & Subtitle Sites

Post Syndicated from Andy original https://torrentfreak.com/court-orders-isps-to-block-popcorn-time-subtitle-websites-171113/

Early 2014, a new craze was sweeping the piracy world. Instead of relatively cumbersome text-heavy torrent sites, people were turning to a brand new application called Popcorn Time.

Dubbed the Netflix for Pirates due to its beautiful interface, Popcorn Time was soon a smash hit all over the planet. But with that fame came trouble, with anti-piracy outfits all over the world seeking to shut it down or at least pour cold water on its popularity.

In the meantime, however, the popularity of Kodi skyrocketed, something which pushed Popcorn Time out of the spotlight for a while. Nevertheless, the application in several different forms never went away and it still enjoys an impressive following today. This means that despite earlier action in several jurisdictions, Hollywood still has it on the radar.

The latest development comes out of Norway, where Disney Entertainment, Paramount Pictures Corporation, Columbia Pictures, Twentieth Century Fox Film Corporation, Universal City Studios and Warner Bros. have just taken 14 local Internet service providers to court.

The studios claimed that the ISPs (including Telenor, Nextgentel, Get, Altibox, Telia, Homenet, Ice Norge, Eidsiva Bredbånd and Lynet Internet) should undertake broad blocking action to ensure that three of the most popular Popcorn Time forks (located at popcorn-time.to, popcorntime.sh and popcorn-time.is) can no longer function in the region.

Since site-blocking necessarily covers the blocking of websites, there appears to have been much discussion over whether a software application can be considered a website. However, the court ultimately found that wasn’t really an issue, since each application requires websites to operate.

“Each of the three [Popcorn Time variants] must be considered a ‘site’, even though users access Popcorn Time in a way that is technically different from the way other pirate sites provide users with access to content, and although different components of the Popcorn Time service are retrieved from different domains,” the Oslo District Court’s ruling reads.

In respect of all three releases of Popcorn Time, the Court weighed the pros and cons of blocking, including whether blocking was needed at all. However, it ultimately decided that alternative methods for dealing with the sites do not exist since the rightsholders tried and ultimately failed to get cooperation from the sites’ operators.

“All sites have as their main purpose the purpose of facilitating infringement of protected works by giving the public unauthorized access to movies and TV shows. This happens without regard to the rights of others and imposes major losses on the licensees and the cultural industry in general,” the Court writes.

The Court also supported compelling ISPs to introduce the blocks, noting that they are “an appropriate and proportionate measure” that does not interfere with the Internet service providers’ freedom to operate nor anyone’s else’s right to freedom of expression.

But while the websites in question are located in three places (popcorn-time.to, popcorntime.sh and popcorn-time.is) the Court’s blocking order goes much further. Not only does it cover these key domains but also other third-party sites that Popcorn Time utilizes, such as platforms offering subtitles.

Popcorn-time.to related domains to be blocked: popcorn-time.to, popcorn-time.xyz, popcorn-time.se, iosinstaller.com, video4time.info, thepopcorntime.net, timepopcorn.info, time-popcorn.com, the-pop-corn-time.net, timepopcorn.net, time4videostream.com, ukfrnlge.xyz, opensubtitles.org, onlinesubtitles.com, popcorntime-update.xyz, plus subdomains.

Popcorntime.sh related domains to be blocked: Popcorntime.sh, api-fetch.website, yts.ag, opensubtitles.org, plus subdomains.

Popcorn-time.is related domains to be blocked: popcorn-time.is, yts.ag, yify.is, yts.ph, api-fetch.website, eztvapi.ml and opensubtitles.org, plus subdomains.

Separately, the Court ordered the ISPs to block torrent site YTS.ag and onlinesubtitles.com, opensubtitles.org, plus their subdomains.

Since no one appeared to represent the sites and the ISPs can’t be held responsible if they cooperate, the Court found that the studios had succeeding in their action and are entitled to compensation.

“The Court’s conclusions mean that the plaintiffs have won the case and, in principle, are entitled to compensation for their legal costs from the operators of the sites,” the Court notes. “This means that the operators of sites are ordered to pay the plaintiffs’ costs.”

Those costs amount to 570,000 kr (around US$70,000), an amount which the Court chose to split equally between the three Popcorn Time forks ($23,359 each). It seems unlikely the amounts will ever be recovered although there is still an opportunity for the parties to appeal.

In the meantime the ISPs have just days left to block the sites listed above. Once they’ve been put in place, the blocks will remain in place for five years.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Sony & Warner Sue TuneIn For Copyright Infringement in UK High Court

Post Syndicated from Andy original https://torrentfreak.com/sony-warner-sue-tunein-for-copyright-infringement-in-uk-high-court-171109/

When it comes to providing digital online audio content, TuneIn is one of the world’s giants.

Whether music, news, sport or just chat, TuneIn provides more than 120,000 radio stations and five million podcasts to 75,000,000 global users, both for free and via a premium tier service.

Accessible from devices including cellphones, tablets, smart TVs, digital receivers, games consoles and even cars, TuneIn reaches more than 230 countries and territories worldwide. One, however, is about to cause the company a headache.

According to a report from Music Business Worldwide (MBW), Sony Music Entertainment and Warner Music Group are suing TuneIn over unlicensed streams.

MBW sources say that the record labels filed proceedings in the UK High Court last week, claiming that TuneIn committed copyright infringement on at least 800 music streams accessible in the UK.

While TuneIn does offer premium streams to customers, the service primarily acts as an index for radio streams hosted by their respective third-party creators. It describes itself as “an audio guide service” which indicates it does not directly provide the content listened to by its users.

However, previous EU rulings (such as one related to The Pirate Bay) have determined that providing an index to content is tantamount to a communication to the public, which for unlicensed content would amount to infringement in the UK.

While it would be difficult to avoid responsibility, TuneIn states on its website that it makes no claim that its service is legal in any other country than the United States.

“Those who choose to access or use the Service from locations outside the United States of America do so on their own initiative and are responsible for compliance with local laws, if and to the extent local laws are applicable,” the company writes.

“Access to the Service from jurisdictions where the contents or practices of the Service are illegal, unauthorized or penalized is strictly prohibited.”

All that being said, the specific details of the Sony/Warner complaint are not yet publicly available so the precise nature of the High Court action is yet to be determined.

TorrentFreak contacted the BPI, the industry body that represents both Sony and Warner in the UK, for comment on the lawsuit. A spokesperson informed us that they are not directly involved in the action.

We also contacted both the IFPI and San Francisco-based TuneIn for further comment but at the time of publication, we were yet to hear back from either.

TuneIn reportedly has until the end of November to file a defense.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

CBS Sues Man for Posting Image of a 59-Year TV-Show on Social Media

Post Syndicated from Ernesto original https://torrentfreak.com/cbs-sues-man-for-posting-image-of-a-59-year-tv-show-on-social-media-171030/

Just a few days ago we posted an article about the dozens of cases independent photographers file against mainstream media outlets.

These lawsuits accuse companies such as CBS, NBC, and Warner Bros of using copyrighted photos without the owners’ permission and have resulted in hundreds of settlements this year alone.

While the evidence in these cases is often strong, going up against such powerful companies is not without risk. They have the money and resources to fight back, by any means necessary. This is what New York photographer Jon Tannen has witnessed as well.

In February, Tannen sued CBS Interactive because it used one of his copyrighted photos on the website 247sports.com without being paid. While he hoped this would result in a decent settlement, CBS found a smoking gun and decided to fire back.

A few days ago the photographer was hit with a rather unusual lawsuit. In a four-page complaint, CBS Broadcasting accuses him of posting a copyright-infringing image of the classic TV-show Gunsmoke on social media.

Gunsmoke is one of the longest-running drama TV-shows in US history and aired on CBS from 1955 through 1975. In the complaint, the media giant brands Tannen a hypocrite for posting the infringing CBS screenshots online.

“This copyright infringement action arises out of Defendant’s unauthorized use of Plaintiff’s valuable intellectual property. Tannen hypocritically engaged in this act of infringement while simultaneously bringing suit against Plaintiff’s sister company, CBS Interactive Inc., claiming it had violated his own copyright.”

The complaint

The screenshot(s), which we were unable to locate at the time of writing, is taken from the “Dooley Surrenders” episode first aired in 1958. While many would classify a screenshot from a full episode as fair use, CBS is having none of it.

“Without any license or authorization from Plaintiff, Defendant has copied and published via social media platforms images copied from the ‘Dooley Surrenders’ episode of GUNSMOKE,” CBS writes, adding that the “infringement of Plaintiff’s copyright is willful within the meaning of the Copyright Act.”

CBS says that it’s been harmed by the infringing action but it can’t determine any actual damages. Instead, it requests statutory damages for willful copyright infringement which can reach $150,000 per work.

Of course, it’s unlikely that Tannen will have to pay that. CBS’s lawsuit is a clear retaliatory move through which the company hopes to lessen the potential damages for their own alleged infringement.

Posting a screenshot of a TV-episode is on a completely different level than using a full photo in a publication, of course. Still, CBS has shown that it’s willing to put up a fight, and with a powerful team of lawyers they are a tricky adversary.

—-

The full CBS complaint is available here (pdf). A copy of Tannen’s original suit against CBS Interactive can be found here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

‘Pirating’ Mainstream Media Outlets Haunted by Photographers in Court

Post Syndicated from Ernesto original https://torrentfreak.com/pirating-mainstream-media-outlets-haunted-by-photographers-in-court-171028/

When piracy hits the mainstream news, it’s often in relation to books, games, music, TV-shows and movies.

These industries grab headlines because of the major players that are involved, but they are not the only ones dealing with piracy.

In fact, photos are arguably the most commonly infringed works online. Not just by random users on Facebook, Twitter, and blogs, but also by major mainstream media outlets.

While most photographers spend little time battling piracy, more and more are willing to take the matter to federal court. This trend started two years ago by the Liebowitz Law Firm is paying off.

The lawsuits in question, filed on behalf of several independent photographers, are fairly straightforward.

A news site or other media outlet uses a photo to spice up an article but fails to pay the photographer. This is fairly common, even for major publications. The photographer then files a lawsuit demanding compensation.

However, before the case goes to trial both parties usually resolve their issues in a private settlement. Just this year alone, the Liebowitz Law Firm closed over 200 cases for its clients.

ABC, AOL, CBS Broadcasting, NBCUniversal, NPR, Time, Viacom, Warner Bros, Yahoo and Ziff Davis are just a few of the companies that have signed settlements recently.

One of the many settlements

While the court records don’t point out any winners, it’s safe to assume that many of these cases end favorably for the firm’s clients. Otherwise, they wouldn’t continue to file new ones.

TorrentFreak reached out to Richard Liebowitz, lead counsel in many of these cases. Unfortunately, he can’t share exact details as the settlements themselves are confidential.

The photographers don’t make millions through this scheme, but it appears to be an effective way to get paid a few thousand dollars. If one repeats that often enough, it should provide a decent income. And indeed, several have already filed over a dozen cases.

The practice is reminiscent of copyright trolling cases, with the exception that the accused are major companies instead of random citizens. And unlike the lawsuits movie companies file against BitTorrent users in the US, the evidence the photographers have is rock solid.

The evidence..

When a random copyright troll sues BitTorrent users, hoping to extract a settlement, they rely on indirect IP-addresses and geo-location evidence. The photographers, however, can show an actual screenshot of the infringing work in the mainstream news outlet.

That’s hard to ignore, to say the least, and based on the number of settlements it’s safe to argue that the media outlets prefer to settle instead of litigating the issue. It’s probably cheaper and avoids bad PR.

For the record, all photos used for this article are properly licensed or part of court documents, which are public domain.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Spinrilla Wants RIAA Case Thrown Out Over ‘Lies’ About ‘Hidden’ Piracy Data

Post Syndicated from Ernesto original https://torrentfreak.com/spinrilla-wants-riaa-case-thrown-out-over-lies-about-hidden-piracy-data-171016/

Earlier this year, a group of well-known labels targeted Spinrilla, a popular hip-hop mixtape site and app which serves millions of users.

The coalition of record labels, including Sony Music, Warner Bros. Records, and Universal Music Group, filed a lawsuit against the service over alleged copyright infringements.

While the discovery process is still ongoing, Spinrilla recently informed the court that the record labels have “just about derailed” the entire case. The company has submitted a motion for sanctions, which is currently sealed, but additional information submitted to the court this week reveals what’s going on.

When the labels filed their original complaint they listed 210 tracks, without providing the allegedly infringing URLs. These weren’t shared during the early stages of the discovery process either, forcing the site to manually search for potentially infringing links.

Then, early October, Spinrilla received a massive spreadsheet with over 2,000 tracks, including the infringing URLs. This data came from the RIAA and supported the long list of infringements in the amended complaint submitted around the same time.

The spreadsheet would have made the discovery process much easier for Spinrilla. In a supplemental brief supporting a motion for sanctions, Spinrilla accuses the labels of hiding the piracy data from them and lying about it, “derailing” the case in the process.

“Significantly, Plaintiffs used that lie to convince the Court they should be allowed to add about 1,900 allegedly infringed sound recordings to their original list of 210. Later, Plaintiffs repeated that lie to convince the Court to give them time to add even more sound recordings to their list.”

vbcn

Spinrilla says they were forced to go down an expensive and unnecessary rabbit hole to find the infringing files, even though the RIAA data was available all along.

“By hiding and lying about the RIAA data, Plaintiffs forced Defendants to spend precious time and money fumbling through discovery. Not knowing that Plaintiffs had the RIAA data,” the company writes.

The hip-hop mixtape site argues that the alleged wrongdoing is severe enough to have the entire complaint dismissed, as the ultimate sanction.

“It is without exaggeration to say that by hiding the RIAA spreadsheets and that underlying data, Defendants have been severely prejudiced. The Complaint should be dismissed with prejudice and, if it is, Plaintiffs can only blame themselves,” Spinrilla concludes.

The stakes are certainly high in this case. With well over 2,000 infringing tracks listed in the amended complaint, the hip-hop mixtape site faces statutory damages as high as $300 million, at least in theory.

Spinrilla’s supplement brief in further support of the motion for sanctions is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Hollywood Giants Sue Kodi-powered ‘TickBox TV’ Over Piracy

Post Syndicated from Ernesto original https://torrentfreak.com/hollywood-giants-sue-kodi-powered-tickbox-tv-over-piracy-171014/

Online streaming piracy is booming and many people use dedicated media players to bring this content to their regular TVs.

The bare hardware is not illegal and neither is media player software such as Kodi. When these devices are loaded with copyright-infringing addons, however, they turn into an unprecedented piracy threat.

It becomes even more problematic when the sellers of these devices market their products as pirate tools. This is exactly what TickBox TV does, according to Hollywood’s major movie studios, Netflix, and Amazon.

TickBox is a Georgia-based provider of set-top boxes that allow users to stream a variety of popular media. The company’s devices use the Kodi media player and come with instructions on how to add various add-ons.

In a complaint filed in a California federal court yesterday, Universal, Columbia Pictures, Disney, 20th Century Fox, Paramount Pictures, Warner Bros, Amazon, and Netflix accuse Tickbox of inducing and contributing to copyright infringement.

“TickBox sells ‘TickBox TV,’ a computer hardware device that TickBox urges its customers to use as a tool for the mass infringement of Plaintiffs’ copyrighted motion pictures and television shows,” the complaint, picked up by THR, reads.

While the device itself does not host any infringing content, users are informed where they can find it.

The movie and TV studios stress that Tickbox’s marketing highlights its infringing uses with statements such as “if you’re tired of wasting money with online streaming services like Netflix, Hulu or Amazon Prime.”

Sick of paying high monthly fees?

“TickBox promotes the use of TickBox TV for overwhelmingly, if not exclusively, infringing purposes, and that is how its customers use TickBox TV. TickBox advertises TickBox TV as a substitute for authorized and legitimate distribution channels such as cable television or video-on-demand services like Amazon Prime and Netflix,” the studios’ lawyers write.

The complaint explains in detail how TickBox works. When users first boot up their device they are prompted to download the “TickBox TV Player” software. This comes with an instruction video guiding people to infringing streams.

“The TickBox TV instructional video urges the customer to use the ‘Select Your Theme’ button on the start-up menu for downloading addons. The ‘Themes’ are curated collections of popular addons that link to unauthorized streams of motion pictures and television shows.”

“Some of the most popular addons currently distributed — which are available through TickBox TV — are titled ‘Elysium,’ ‘Bob,’ and ‘Covenant’,” the complaint adds, showing screenshots of the interface.

Covenant

The movie and TV studios, which are the founding members of the recently launched ACE anti-piracy initiative, want TickBox to stop selling their devices. In addition, they demand compensation for the damages they’ve suffered. Requesting the maximum statutory damages of $150,000 per copyright infringement, this can run into the millions.

The involvement of Amazon, albeit the content division, is notable since the online store itself sells dozens of similar streaming devices, some of which even list “infringing” addons.

The TickBox lawsuit is the first case in the United States where a group of major Hollywood players is targeting a streaming device. Earlier this year various Hollywood insiders voiced concerns about the piracy streaming epidemic and if this case goes their way, it probably won’t be the last.

A copy of the full complaint is available here (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Popular Zer0day Torrent Tracker Taken Offline By Mass Copyright Complaint

Post Syndicated from Andy original https://torrentfreak.com/popular-zer0day-torrent-tracker-taken-offline-by-mass-copyright-complaint-171014/

In January 2016, a BitTorrent enthusiast decided to launch a stand-alone tracker, purely for fun.

The Zer0day platform, which hosts no torrents, is a tracker in the purest sense, directing traffic between peers, no matter what content is involved and no matter where people are in the world.

With this type of tracker in short supply, it was soon utilized by The Pirate Bay and the now-defunct ExtraTorrent. By August 2016, it was tracking almost four million peers and a million torrents, a considerable contribution to the BitTorrent ecosystem.

After handling many ups and downs associated with a service of this type, the tracker eventually made it to the end of 2016 intact. This year it grew further still and by the end of September was tracking an impressive 5.5 million peers spread over 1.2 million torrents. Soon after, however, the tracker disappeared from the Internet without warning.

In an effort to find out what had happened, TorrentFreak contacted Zer0day’s operator who told us a familiar story. Without any warning at all, the site’s host pulled the plug on the service, despite having been paid 180 euros for hosting just a week earlier.

“We’re hereby informing you of the termination of your dedicated server due to a breach of our terms of service,” the host informed Zer0day.

“Hosting trackers on our servers that distribute infringing and copyrighted content is prohibited. This server was found to distribute such content. Should we identify additional similar activity in your services, we will be forced to close your account.”

While hosts tend not to worry too much about what their customers are doing, this one had just received a particularly lengthy complaint. Sent by the head of anti-piracy at French collecting society SCPP, it laid out the group’s problems with the Zer0day tracker.

“SCPP has been responsible for the collective management and protection of sound recordings and music videos producers’ rights since 1985. SCPP counts more than 2,600 members including the majority of independent French producers, in addition to independent European producers, and the major international companies: Sony, Universal and Warner,” the complaints reads.

“SCPP administers a catalog of 7,200,000 sound tracks and 77,000 music videos. SCPP is empowered by its members to take legal action in order to put an end to any infringements of the producers’ rights set out in Article L335-4 of the French Intellectual Property Code…..punishable by a three-year prison sentence or a fine of €300,000.”

Noting that it works on behalf of a number of labels and distributors including BMG, Sony Music, Universal Music, Warner Music and others, SCPP listed countless dozens of albums under its protection, each allegedly tracked by the Zer0day platform.

“It has come to our attention that these music albums are illegally being communicated to the public (made available for download) by various users of the BitTorrent-Network,” the complaint reads.

Noting that Zer0day is involved in the process, the anti-piracy outfit presented dozens of hash codes relating to protected works, demanding that the site stop facilitation of infringement on each and every one of them.

“We have proof that your tracker udp://tracker.zer0day.to:1337/announce provided peers of the BitTorrent-Network with information regarding these torrents, to be specific IP Addresses of peers that were offering without authorization the full albums for download, and that this information enabled peers to download files that contain the sound recordings to which our members producers have the exclusive rights.

“These sound recordings are thus being illegally communicated to the public, and your tracker is enabling the seeders to do so.”

Rather than take the hashes down from the tracker, SCPP actually demanded that Zer0day create a permanent blacklist within 24 hours, to ensure the corresponding torrents wouldn’t be tracked again.

“You should understand that this letter constitutes a notice to you that you may be liable for the infringing activity occurring on your service. In addition, if you ignore this notice, you may also be liable for any resulting infringement,” the complaint added.

But despite all the threats, SCPP didn’t receive the response they’d demanded since the operator of the site refused to take any action.

“Obviously, ‘info hashes’ are not copyrightable nor point to specific copyrighted content, or even have any meaning. Further, I cannot verify that request strings parameters (‘info hashes’) you sent me contain copyrighted material,” he told SCPP.

“Like the website says; for content removal kindly ask the indexing site to remove the listing and the .torrent file. Also, tracker software does not have an option to block request strings parameters (‘info hashes’).”

The net effect of non-compliance with SCPP was fairly dramatic and swift. Zer0day’s host took down the whole tracker instead and currently it remains offline. Whether it reappears depends on the site’s operator finding a suitable web host, but at the moment he says he has no idea where one will appear from.

“Currently I’m searching for some virtual private server as a temporary home for the tracker,” he concludes.

As mentioned in an earlier article detailing the problems sites like Zer0day.to face, trackers aren’t absolutely essential for the functioning of BitTorrent transfers. Nevertheless, their existence certainly improves matters for file-sharers so when they go down, millions can be affected.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Six Strikes Piracy Scheme May Be Dead But Those Warnings Keep on Coming

Post Syndicated from Andy original https://torrentfreak.com/six-strikes-piracy-scheme-may-be-dead-but-those-warnings-keep-on-coming-171001/

After at least 15 years of Internet pirates being monitored by copyright holders, one might think that the message would’ve sunk in by now. For many, it definitely hasn’t.

Bottom line: when people use P2P networks and protocols (such as BitTorrent) to share files including movies and music, copyright holders are often right there, taking notes about what is going on, perhaps in preparation for further action.

That can take a couple of forms, including suing users or, more probably, firing off a warning notice to their Internet service providers. Those notices are a little like a speeding ticket, telling the subscriber off for sharing copyrighted material but letting them off the hook if they promise to be good in future.

In 2013, the warning notice process in the US was formalized into what was known as the Copyright Alert System, a program through which most Internet users could receive at least six piracy warning notices without having any serious action taken against them. In January 2017, without having made much visible progress, it was shut down.

In some corners of the web there are still users under the impression that since the “six strikes” scheme has been shut down, all of a sudden US Internet users can forget about receiving a warning notice. In reality, the complete opposite is true.

While it’s impossible to put figures on how many notices get sent out (ISPs are reluctant to share the data), monitoring of various piracy-focused sites and forums indicates that plenty of notices are still being sent to ISPs, who are cheerfully sending them on to subscribers.

Also, over the past couple of months, there appears to have been an uptick in subscribers seeking advice after receiving warnings. Many report basic notices but there seems to be a bit of a trend of Internet connections being suspended or otherwise interrupted, apparently as a result of an infringement notice being received.

“So, over the weekend my internet got interrupted by my ISP (internet service provider) stating that someone on my network has violated some copyright laws. I had to complete a survey and they brought back the internet to me,” one subscriber wrote a few weeks ago. He added that his (unnamed) ISP advised him that seven warnings would get his account disconnected.

Another user, who named his ISP as Comcast, reported receiving a notice after downloading a game using BitTorrent. He was warned that the alleged infringement “may result in the suspension or termination of your Service account” but what remains unclear is how many warnings people can receive before this happens.

For example, a separate report from another Comcast user stated that one night of careless torrenting led to his mother receiving 40 copyright infringement notices the next day. He didn’t state which company the notices came from but 40 is clearly a lot in such a short space of time. That being said and as far as the report went, it didn’t lead to a suspension.

Of course, it’s possible that Comcast doesn’t take action if a single company sends many notices relating to the same content in a small time frame (Rightscorp is known to do this) but the risk is still there. Verizon, it seems, can suspend accounts quite easily.

“So lately I’ve been getting more and more annoyed with pirating because I get blasted with a webpage telling me my internet is disconnected and that I need to delete the file to reconnect, with the latest one having me actually call Verizon to reconnect,” a subscriber to the service reported earlier this month.

A few days ago, a Time Warner Cable customer reported having to take action after receiving his third warning notice from the ISP.

“So I’ve gotten three notices and after the third one I just went online to my computer and TWC had this page up that told me to stop downloading illegally and I had to click an ‘acknowledge’ button at the bottom of the page to be able to continue to use my internet,” he said.

Also posting this week, another subscriber of an unnamed ISP revealed he’d been disconnected twice in the past year. His comments raise a few questions that keep on coming up in these conversations.

“The first time [I was disconnected] was about a year ago and the next was a few weeks ago. When it happened I was downloading some fairly new movies so I was wondering if they monitor these new movie releases since they are more popular. Also are they monitoring what I am doing since I have been caught?” he asked.

While there is plenty of evidence to suggest that old content is also monitored, there’s little doubt that the fresher the content, the more likely it is to be monitored by copyright holders. If people are downloading a brand new movie, they should expect it to be monitored by someone, somewhere.

The second point, about whether risk increases after being caught already, is an interesting one, for a number of reasons.

Following the BMG v Cox Communication case, there is now a big emphasis on ISPs’ responsibility towards dealing with subscribers who are alleged to be repeat infringers. Anti-piracy outfit Rightscorp was deeply involved in that case and the company has a patent for detecting repeat infringers.

It’s becoming clear that the company actively targets such people in order to assist copyright holders (which now includes the RIAA) in strategic litigation against ISPs, such as Grande Communications, who are claimed to be going soft on repeat infringers.

Overall, however, there’s no evidence that “getting caught” once increases the chances of being caught again, but subscribers should be aware that the Cox case changed the position on the ground. If anecdotal evidence is anything to go by, it now seems that ISPs are tightening the leash on suspected pirates and are more likely to suspend or disconnect them in the face of repeated complaints.

The final question asked by the subscriber who was disconnected twice is a common one among people receiving notices.

“What can I do to continue what we all love doing?” he asked.

Time and time again, on sites like Reddit and other platforms attracting sharers, the response is the same.

“Get a paid VPN. I’m amazed you kept torrenting without protection after having your internet shut off, especially when downloading recent movies,” one such response reads.

Nevertheless, this still fails to help some people fully understand the notices they receive, leaving them worried about what might happen after receiving one. However, the answer is nearly always straightforward.

If the notice says “stop sharing content X”, then recipients should do so, period. And, if the notice doesn’t mention specific legal action, then it’s almost certain that no action is underway. They are called warning notices for a reason.

Also, notice recipients should consider the part where their ISP assures them that their details haven’t been shared with third parties. That is the truth and will remain that way unless subscribers keep ignoring notices. Then there’s a slim chance that a rightsholder will step in to make a noise via a lawyer. At that point, people shouldn’t say they haven’t been warned.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Inside the MPAA, Netflix & Amazon Global Anti-Piracy Alliance

Post Syndicated from Andy original https://torrentfreak.com/inside-the-mpaa-netflix-amazon-global-anti-piracy-alliance-170918/

The idea of collaboration in the anti-piracy arena isn’t new but an announcement this summer heralded what is destined to become the largest project the entertainment industry has ever seen.

The Alliance for Creativity and Entertainment (ACE) is a coalition of 30 companies that reads like a who’s who of the global entertainment market. In alphabetical order its members are:

Amazon, AMC Networks, BBC Worldwide, Bell Canada and Bell Media, Canal+ Group, CBS Corporation, Constantin Film, Foxtel, Grupo Globo, HBO, Hulu, Lionsgate, Metro-Goldwyn-Mayer (MGM), Millennium Media, NBCUniversal, Netflix, Paramount Pictures, SF Studios, Sky, Sony Pictures Entertainment, Star India, Studio Babelsberg, STX Entertainment, Telemundo, Televisa, Twentieth Century Fox, Univision Communications Inc., Village Roadshow, The Walt Disney Company, and Warner Bros. Entertainment Inc.

The aim of the project is clear. Instead of each company considering its anti-piracy operations as a distinct island, ACE will bring them all together while presenting a united front to decision and lawmakers. At the core of the Alliance will be the MPAA.

“ACE, with its broad coalition of creators from around the world, is designed, specifically, to leverage the best possible resources to reduce piracy,”
outgoing MPAA chief Chris Dodd said in June.

“For decades, the MPAA has been the gold standard for antipiracy enforcement. We are proud to provide the MPAA’s worldwide antipiracy resources and the deep expertise of our antipiracy unit to support ACE and all its initiatives.”

Since then, ACE and its members have been silent on the project. Today, however, TorrentFreak can pull back the curtain, revealing how the agreement between the companies will play out, who will be in control, and how much the scheme will cost.

Power structure: Founding Members & Executive Committee Members

Netflix, Inc., Amazon Studios LLC, Paramount Pictures Corporation, Sony Pictures Entertainment, Inc., Twentieth Century Fox Film Corporation, Universal City Studios LLC, Warner Bros. Entertainment Inc., and Walt Disney Studios Motion Pictures, are the ‘Founding Members’ (Governing Board) of ACE.

These companies are granted full voting rights on ACE business, including the approval of initiatives and public policy, anti-piracy strategy, budget-related matters, plus approval of legal action. Not least, they’ll have the power to admit or expel ACE members.

All actions taken by the Governing Board (never to exceed nine members) need to be approved by consensus, with each Founding Member able to vote for or against decisions. Members are also allowed to abstain but one persistent objection will be enough to stop any matter being approved.

The second tier – ‘Executive Committee Members’ – is comprised of all the other companies in the ACE project (as listed above, minus the Governing Board). These companies will not be allowed to vote on ACE initiatives but can present ideas and strategies. They’ll also be allowed to suggest targets for law enforcement action while utilizing the MPAA’s anti-piracy resources.

Rights of all members

While all members of ACE can utilize the alliance’s resources, none are barred from simultaneously ‘going it alone’ on separate anti-piracy initiatives. None of these strategies and actions need approval from the Founding Members, provided they’re carried out in a company’s own name and at its own expense.

Information obtained by TorrentFreak indicates that the MPAA also reserves the right to carry out anti-piracy actions in its own name or on behalf of its member studios. The pattern here is different, since the MPAA’s global anti-piracy resources are the same resources being made available to the ACE alliance and for which members have paid to share.

Expansion of ACE

While ACE membership is already broad, the alliance is prepared to take on additional members, providing certain criteria are met. Crucially, any prospective additions must be owners or producers of movies and/or TV shows. The Governing Board will then vet applicants to ensure that they meet the criteria for acceptance as a new Executive Committee Members.

ACE Operations

The nine Governing Board members will meet at least four times a year, with each nominating a senior executive to serve as its representative. The MPAA’s General Counsel will take up the position of non-voting member of the Governing Board and will chair its meetings.

Matters to be discussed include formulating and developing the alliance’s ‘Global Anti-Piracy Action Plan’ and approving and developing the budget. ACE will also form an Anti-Piracy Working Group, which is scheduled to meet at least once a month.

On a daily basis, the MPAA and its staff will attend to the business of the ACE alliance. The MPAA will carry out its own work too but when presenting to outside third parties, it will clearly state which “hat” it is currently wearing.

Much deliberation has taken place over who should be the official spokesperson for ACE. Documents obtained by TF suggest that the MPAA planned to hire a consulting firm to find a person for the role, seeking a professional with international experience who had never been previously been connected with the MPAA.

They appear to have settled on Zoe Thorogood, who previously worked for British Prime Minister David Cameron.

Money, money, money

Of course, the ACE program isn’t going to fund itself, so all members are required to contribute to the operation. The MPAA has opened a dedicated bank account under its control specifically for the purpose, with members contributing depending on status.

Founding/Governing Board Members will be required to commit $5m each annually. However, none of the studios that are MPAA members will have to hand over any cash, since they already fund the MPAA, whose anti-piracy resources ACE is built.

“Each Governing Board Member will contribute annual dues in an amount equal to $5 million USD. Payment of dues shall be made bi-annually in equal shares, payable at
the beginning of each six (6) month period,” the ACE agreement reads.

“The contribution of MPAA personnel, assets and resources…will constitute and be considered as full payment of each MPAA Member Studio’s Governing Board dues.”

That leaves just Netflix and Amazon paying the full amount of $5m in cash each.

From each company’s contribution, $1m will be paid into legal trust accounts allocated to each Governing Board member. If ACE-agreed litigation and legal expenses exceed that amount for the year, members will be required to top up their accounts to cover their share of the costs.

For the remaining 21 companies on the Executive Committee, annual dues are $200,000 each, to be paid in one installment at the start of the financial year – $4.2m all in. Of all dues paid by all members from both tiers, half will be used to boost anti-piracy resources, over and above what the MPAA will spend on the same during 2017.

“Fifty percent (50%) of all dues received from Global Alliance Members other than
the MPAA Member Studios…shall, as agreed by the Governing Board, be used (a) to increase the resources spent on online antipiracy over and above….the amount of MPAA’s 2017 Content Protection Department budget for online antipiracy initiatives/operations,” an internal ACE document reads.

Intellectual property

As the project moves forward, the Alliance expects to gain certain knowledge and experience. On the back of that, the MPAA hopes to grow its intellectual property portfolio.

“Absent written agreement providing otherwise, any and all data, intellectual property, copyrights, trademarks, or know-how owned and/or contributed to the Global Alliance by MPAA, or developed or created by the MPAA or the Global Alliance during the Term of this Charter, shall remain and/or become the exclusive property of the MPAA,” the ACE agreement reads.

That being said, all Governing Board Members will also be granted “perpetual, irrevocable, non-exclusive licenses” to use the same under certain rules, even in the event they leave the ACE initiative.

Terms and extensions

Any member may withdraw from the Alliance at any point, but there will be no refunds. Additionally, any financial commitment previously made to litigation will have to be honored by the member.

The ACE agreement has an initial term of two years but Governing Board Members will meet not less than three months before it is due to expire to vote on any extension.

To be continued……

With the internal structure of ACE now revealed, all that remains is to discover the contents of the initiative’s ‘Global Anti-Piracy Action Plan’. To date, that document has proven elusive but with an operation of such magnitude, future leaks are a distinct possibility.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Time Warner Hacked – AWS Config Exposes 4M Subscribers

Post Syndicated from Darknet original https://www.darknet.org.uk/2017/09/time-warner-hacked-aws-config-exposes-4m-subscribers/?utm_source=rss&utm_medium=social&utm_campaign=darknetfeed

Time Warner Hacked – AWS Config Exposes 4M Subscribers

What’s the latest on the web, Time Warner Hacked is what it’s about now as a bad AWS S3 config (once again) exposes the details of approximately 4 Million subscribers.

This follows not long after the Instagram API leaking user contact information and a few other recent leaks involving poorly secured Amazon AWS S3 buckets and I’d hazard a guess that it won’t be the last.

Records of roughly four million Time Warner Cable customers in the US were exposed to the public internet after a contractor failed to properly secure an Amazon cloud database.

Read the rest of Time Warner Hacked – AWS Config Exposes 4M Subscribers now! Only available at Darknet.

Pirate Bay Founders Ordered to Pay Music Labels $477,000

Post Syndicated from Andy original https://torrentfreak.com/pirate-bay-founders-ordered-to-pay-music-labels-477000-170823/

In November 2011, the International Federation of the Phonographic Industry (IFPI), with support from Finnish anti-piracy group Copyright Information and Anti-Piracy Center (CIAPC), filed a lawsuit in the Helsinki District Court against The Pirate Bay.

IFPI, which represents the world’s major labels, demanded that the site’s operators stop facilitating the unauthorized distribution of music and pay compensation to IFPI and CIAPC-affiliated rightsholders for the damages caused through their website.

Progress in the case has been somewhat glacial but this morning, almost six years after the complaint was first filed, a decision was handed down.

Fredrik Neij and Gottfrid Svartholm, two founder members of the site, were ordered by the District Court to cease-and-desist the illegal operations of The Pirate Bay. They were also ordered to jointly and severally pay compensation to IFPI record labels to the tune of 405,000 euros ($477,000).

The Court was reportedly unable to contact Neij (aka TiAMO) or Svartholm (aka Anakata) in connection with the case. With no response received from the defendants by the deadline, the Court heard the case in their absence, handing a default judgment to the plaintiffs.

Last year a similar verdict was handed down by the Helsinki District Court to Pirate Bay co-founder Peter Sunde.

Sony Music Entertainment Finland, Universal Music, Warner Music, and EMI Finland sued Sunde claiming that the music of 60 of their artists has been shared illegally through The Pirate Bay.

Sunde was also found liable in his absence and ordered to pay the major labels around 350,000 euros ($412,000) in damages and 55,000 euros ($65,000) in costs. He later announced plans to sue the labels for defamation.

“I’m a public person in Finland and they’re calling me a criminal when they KNOW I’m not involved in what they’re suing me for,” Sunde told TorrentFreak at the time. “It’s defamation.”

Fredrik Neij, Gottfrid Svartholm, and Peter Sunde all owe large sums of money to copyright holders following decisions relating to The Pirate Bay dating back at least eight years. In all cases, the plaintiffs have recovered nothing so the latest judgment only seems likely to add to the growing list of unpaid bills.

Meanwhile, The Pirate Bay sails on, seemingly oblivious to the news.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

MPAA Wins Movie Piracy Case in China After Failed Anti-Piracy Deal

Post Syndicated from Andy original https://torrentfreak.com/mpaa-wins-movie-piracy-case-in-china-after-failed-anti-piracy-deal-170822/

As one of China’s top 10 Internet companies, Xunlei is a massive operation with hundreds of millions of monthly users.

Among other file-sharing ventures, Xunlei operates ‘Thunder’, the world’s most popular torrent client. This and other almost inevitable copyright-related issues put the company on the radar of the MPAA.

With Xunlei pursuing an IPO in the United States in 2014, relationships with the MPAA began to thaw, resulting in the breakthrough signing of a Content Protection Agreement (CPA) requiring Xunlei to protect MPAA studio content including movies and TV shows.

But in October 2014, with things clearly not going to plan, the MPAA reported Xunlei to the U.S. government, complaining of rampant piracy on the service. In January 2015, the MPAA stepped up a gear and sued Xunlei for copyright infringement.

“For too long we have witnessed valuable creative content being taken and monetized without the permission of the copyright owner. That has to stop and stop now,” said MPAA Asia-Pacific chief Mike Ellis.

Now, more than two-and-a-half years later, the case has come to a close. Yesterday, the Shenzhen Nanshan District People’s Court found Xunlei Networking Technologies Co. guilty of copyright infringement.

The Court found that Xunlei made 28 movie titles (belonging to companies including Paramount Pictures, Sony Pictures, 20th Century Fox, Universal Pictures, Disney and Warner Bros.) available to the public via its platforms without proper authorization, “in serious violation” of the movie group’s rights.

Xunlei was ordered to cease-and-desist and told to pay compensation of 1.4 million yuan ($210,368) plus the MPA’s litigation costs of $24,400. In its original complaint, the MPA demanded a public apology from Xunlei but it’s unclear whether that forms part of the ruling. The outcome was welcomed by the MPA.

“We are heartened that the court in Shenzhen has found in favor of strong copyright,” said MPAA Asia-Pacific chief Mike Ellis.

“The legitimate Chinese film and television industry has worked hard to provide audiences with a wide range of legal options for their audio-visual entertainment — a marketplace that has flourished because of the rights afforded to copyright owners under the law.”

How the MPAA and Xunlei move ahead from here is unclear. This case has taken more than two-and-a-half years to come to a conclusion so further litigation seems somewhat unlikely, if not unwieldy. Then there’s the question of the anti-piracy agreement signed in 2014 and whether that is still on the table.

As previously revealed, the agreement not only compelled Xunlei to use pre-emptive content filtering technology but also required the platform to terminate the accounts of people who attempt to infringe copyright in any way.

“[The] filter will identify each and every instance of a user attempting to infringe a studio work, by uploading or downloading,” an internal MPAA document revealed.

All that being said, the document also contained advice for the MPAA not to sue Xunlei, so at this point anything could happen.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Rightscorp Bleeds Another Million, Borrows $200K From Customer BMG

Post Syndicated from Andy original https://torrentfreak.com/rightscorp-bleeds-another-million-borrows-200k-from-customer-bmg-170819/

Anti-piracy outfit Rightscorp is one of the many companies trying to turn Internet piracy into profit. The company has a somewhat novel approach but has difficulty balancing the books.

Essentially, Rightscorp operates like other so-called copyright-trolling operations, in that it monitors alleged offenders on BitTorrent networks, tracks them to their ISPs, then attempts to extract a cash settlement. Rightscorp does this by sending DMCA notices with settlement agreements attached, in the hope that at-this-point-anonymous Internet users break cover in panic. This can lead to a $20 or $30 ‘fine’ or in some cases dozens of multiples of that.

But despite settling hundreds of thousands of these cases, profit has thus far proven elusive, with the company hemorrhaging millions in losses. The company has just filed its results for the first half of 2017 and they contain more bad news.

In the six months ended June 2017, revenues obtained from copyright settlements reached just $138,514, that’s 35% down on the $214,326 generated in the same period last year. However, the company did manage to book $148,332 in “consulting revenue” in the first half of this year, a business area that generated no revenue in 2016.

Overall then, total revenue for the six month period was $286,846 – up from $214,326 last year. While that’s a better picture in its own right, Rightscorp has a lot of costs attached to its business.

After paying out $69,257 to copyright holders and absorbing $1,190,696 in general and administrative costs, among other things, the company’s total operating expenses topped out at $1,296,127 for the first six months of the year.

To make a long story short, the company made a net loss of $1,068,422, which was more than the $995,265 loss it made last year and despite improved revenues. The company ended June with just $1,725 in cash.

“These factors raise substantial doubt about the Company’s ability to continue as a going concern within one year after the date that the financial statements are issued,” the company’s latest statement reads.

This hanging-by-a-thread narrative has followed Rightscorp for the past few years but there’s information in the latest accounts which indicates how bad things were at the start of the year.

In January 2016, Rightscorp and several copyright holders, including Hollywood studio Warner Bros, agreed to settle a class-action lawsuit over intimidating robo-calls that were made to alleged infringers. The defendants agreed to set aside $450,000 to cover the costs, and it appears that Rightscorp was liable for at least $200,000 of that.

Rightscorp hasn’t exactly been flush with cash, so it was interesting to read that its main consumer piracy settlement client, music publisher BMG, actually stepped in to pay off the class-action settlement.

“At December 31, 2016, the Company had accrued $200,000 related to the settlement of a class action complaint. On January 7, 2017, BMG Rights Management (US) LLC (“BMG”) advanced the Company $200,000, which was used to pay off the settlement. The advance from BMG is to be applied to future billings from the Company to BMG for consulting services,” Rightscorp’s filing reads.

With Rightscorp’s future BMG revenue now being gobbled up by what appears to be loan repayments, it becomes difficult to see how the anti-piracy outfit can make enough money to pay off the $200,000 debt. However, its filing notes that on July 21, 2017, the company issued “an aggregate of 10,000,000 shares of common stock to an investor for a purchase price of $200,000.” While that amount matches the BMG debt, the filing doesn’t reveal who the investor is.

The filing also reveals that on July 31, Rightscorp entered into two agreements to provide services “to a holder of multiple copyrights.” The copyright holder isn’t named, but the deal reveals that it’s in Rightscorp’s best interests to get immediate payment from people to whom it sends cash settlement demands.

“[Rightscorp] will receive 50% of all gross proceeds of any settlement revenue received by the Client from pre-lawsuit ‘advisory notices,’ and 37.5% of all gross proceeds received by the Client from ‘final warning’ notices sent immediately prior to a lawsuit,” the filing notes.

Also of interest is that Rightscorp has offered not to work with any of the copyright holders’ direct competitors, providing certain thresholds are met – $10,000 revenue in the first month to $100,000 after 12 months. But there’s more to the deal.

Rightscorp will also provide a number of services to this client including detecting and verifying copyright works on P2P networks, providing information about infringers, plus reporting, litigation support, and copyright protection advisory services.

For this, Rightscorp will earn $10,000 for the first three months, rising to $85,000 per month after 16 months, valuable revenue for a company fighting for its life.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Spinrilla Refuses to Share Its Source Code With the RIAA

Post Syndicated from Ernesto original https://torrentfreak.com/spinrilla-refuses-to-share-its-source-code-with-the-riaa-170815/

Earlier this year, a group of well-known labels targeted Spinrilla, a popular hip-hop mixtape site and accompanying app with millions of users.

The coalition of record labels including Sony Music, Warner Bros. Records, and Universal Music Group, filed a lawsuit accusing the service of alleged copyright infringements.

Both sides have started the discovery process and recently asked the court to rule on several unresolved matters. The parties begin with their statements of facts, clearly from opposite angles.

The RIAA remains confident that the mixtape site is ripping off music creators and wants its operators to be held accountable.

“Since Spinrilla launched, Defendants have facilitated millions of unauthorized downloads and streams of thousands of Plaintiffs’ sound recordings without Plaintiffs’ permission,” RIAA writes, complaining about “rampant” infringement on the site.

However, Spinrilla itself believes that the claims are overblown. The company points out that the RIAA’s complaint only lists a tiny fraction of all the songs uploaded by its users. These somehow slipped through its Audible Magic anti-piracy filter.

Where the RIAA paints a picture of rampant copyright infringement, the mixtape site stresses that the record labels are complaining about less than 0.001% of all the tracks they ever published.

“From 2013 to the present, Spinrilla users have uploaded about 1 million songs to Spinrilla’s servers and Spinrilla published about 850,000 of those. Plaintiffs are complaining that 210 of those songs are owned by them and published on Spinrilla without permission,” Spinrilla’s lawyers write.

“That means that Plaintiffs make no claim to 99.9998% of the songs on Spinrilla. Plaintiffs’ shouting of ‘rampant infringement on Spinrilla’, an accusation that Spinrilla was designed to allow easy and open access to infringing material, and assertion that ‘Defendants have facilitated millions of unauthorized downloads’ of those 210 songs is untrue – it is nothing more than a wish and a dream.”

The company reiterates that it’s a platform for independent musicians and that it doesn’t want to feature the Eminem’s and Bieber’s of this world, especially not without permission.

As for the discovery process, there are still several outstanding issues they need the Court’s advice on. Spinrilla has thus far produced 12,000 pages of documents and answered all RIAA interrogatories, but refuses to hand over certain information, including its source code.

According to Spinrilla, there is no reason for the RIAA to have access to its “crown jewel.”

“The source code is the crown jewel of any software based business, including Spinrilla. Even worse, Plaintiffs want an ‘executable’ version of Spinrilla’s source code, which would literally enable them to replicate Spinrilla’s entire website. Any Plaintiff could, in hours, delete all references to ‘Spinrilla,’ add its own brand and launch Spinrilla’s exact website.

“If we sued YouTube for hosting 210 infringing videos, would I be entitled to the source code for YouTube? There is simply no justification for Spinrilla sharing its source code with Plaintiffs,” Spinrilla adds.

The RIAA, on the other hand, argues that the source code will provide insight into several critical issues, including Spinrilla’s knowledge about infringing activity and its ability to terminate repeat copyright infringers.

In addition to the source code, the RIAA has also requested detailed information about the site’s users, including their download and streaming history. This request is too broad, the mixtape site argues, and has offered to provide information on the uploaders of the 210 infringing tracks instead.

It’s clear that the RIAA and Spinrilla disagree on various fronts and it will be up to the court to decide what information must be handed over. So far, however, the language used clearly shows that both parties are far from reaching some kind of compromise.

The first joint discovery statement is available in full here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.