Tag Archives: BSI

ISP Questions Impartiality of Judges in Copyright Troll Cases

Post Syndicated from Andy original https://torrentfreak.com/isp-questions-impartiality-of-judges-in-copyright-troll-cases-180602/

Following in the footsteps of similar operations around the world, two years ago the copyright trolling movement landed on Swedish shores.

The pattern was a familiar one, with trolls harvesting IP addresses from BitTorrent swarms and tracing them back to Internet service providers. Then, after presenting evidence to a judge, the trolls obtained orders that compelled ISPs to hand over their customers’ details. From there, the trolls demanded cash payments to make supposed lawsuits disappear.

It’s a controversial business model that rarely receives outside praise. Many ISPs have tried to slow down the flood but most eventually grow tired of battling to protect their customers. The same cannot be said of Swedish ISP Bahnhof.

The ISP, which is also a strong defender of privacy, has become known for fighting back against copyright trolls. Indeed, to thwart them at the very first step, the company deletes IP address logs after just 24 hours, which prevents its customers from being targeted.

Bahnhof says that the copyright business appeared “dirty and corrupt” right from the get go, so it now operates Utpressningskollen.se, a web portal where the ISP publishes data on Swedish legal cases in which copyright owners demand customer data from ISPs through the Patent and Market Courts.

Over the past two years, Bahnhof says it has documented 76 cases of which six are still ongoing, 11 have been waived and a majority 59 have been decided in favor of mainly movie companies. Bahnhof says that when it discovered that 59 out of the 76 cases benefited one party, it felt a need to investigate.

In a detailed report compiled by Bahnhof Communicator Carolina Lindahl and sent to TF, the ISP reveals that it examined the individual decision-makers in the cases before the Courts and found five judges with “questionable impartiality.”

“One of the judges, we can call them Judge 1, has closed 12 of the cases, of which two have been waived and the other 10 have benefitted the copyright owner, mostly movie companies,” Lindahl notes.

“Judge 1 apparently has written several articles in the magazine NIR – Nordiskt Immateriellt Rättsskydd (Nordic Intellectual Property Protection) – which is mainly supported by Svenska Föreningen för Upphovsrätt, the Swedish Association for Copyright (SFU).

“SFU is a member-financed group centered around copyright that publishes articles, hands out scholarships, arranges symposiums, etc. On their website they have a public calendar where Judge 1 appears regularly.”

Bahnhof says that the financiers of the SFU are Sveriges Television AB (Sweden’s national public TV broadcaster), Filmproducenternas Rättsförening (a legally-oriented association for filmproducers), BMG Chrysalis Scandinavia (a media giant) and Fackförbundet för Film och Mediabranschen (a union for the movie and media industry).

“This means that Judge 1 is involved in a copyright association sponsored by the film and media industry, while also judging in copyright cases with the film industry as one of the parties,” the ISP says.

Bahnhof’s also has criticism for Judge 2, who participated as an event speaker for the Swedish Association for Copyright, and Judge 3 who has written for the SFU-supported magazine NIR. According to Lindahl, Judge 4 worked for a bureau that is partly owned by a board member of SFU, who also defended media companies in a “high-profile” Swedish piracy case.

That leaves Judge 5, who handled 10 of the copyright troll cases documented by Bahnhof, waiving one and deciding the remaining nine in favor of a movie company plaintiff.

“Judge 5 has been questioned before and even been accused of bias while judging a high-profile piracy case almost ten years ago. The accusations of bias were motivated by the judge’s membership of SFU and the Swedish Association for Intellectual Property Rights (SFIR), an association with several important individuals of the Swedish copyright community as members, who all defend, represent, or sympathize with the media industry,” Lindahl says.

Bahnhof hasn’t named any of the judges nor has it provided additional details on the “high-profile” case. However, anyone who remembers the infamous trial of ‘The Pirate Bay Four’ a decade ago might recall complaints from the defense (1,2,3) that several judges involved in the case were members of pro-copyright groups.

While there were plenty of calls to consider them biased, in May 2010 the Supreme Court ruled otherwise, a fact Bahnhof recognizes.

“Judge 5 was never sentenced for bias by the court, but regardless of the court’s decision this is still a judge who shares values and has personal connections with [the media industry], and as if that weren’t enough, the judge has induced an additional financial aspect by participating in events paid for by said party,” Lindahl writes.

“The judge has parties and interest holders in their personal network, a private engagement in the subject and a financial connection to one party – textbook characteristics of bias which would make anyone suspicious.”

The decision-makers of the Patent and Market Court and their relations.

The ISP notes that all five judges have connections to the media industry in the cases they judge, which isn’t a great starting point for returning “objective and impartial” results. In its summary, however, the ISP is scathing of the overall system, one in which court cases “almost looked rigged” and appear to be decided in favor of the movie company even before reaching court.

In general, however, Bahnhof says that the processes show a lack of individual attention, such as the court blindly accepting questionable IP address evidence supplied by infamous anti-piracy outfit MaverickEye.

“The court never bothers to control the media company’s only evidence (lists generated by MaverickMonitor, which has proven to be an unreliable software), the court documents contain several typos of varying severity, and the same standard texts are reused in several different cases,” the ISP says.

“The court documents show a lack of care and control, something that can easily be taken advantage of by individuals with shady motives. The findings and discoveries of this investigation are strengthened by the pure numbers mentioned in the beginning which clearly show how one party almost always wins.

“If this is caused by bias, cheating, partiality, bribes, political agenda, conspiracy or pure coincidence we can’t say for sure, but the fact that this process has mainly generated money for the film industry, while citizens have been robbed of their personal integrity and legal certainty, indicates what forces lie behind this machinery,” Bahnhof’s Lindahl concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

GoDaddy to Suspend ‘Pirate’ Domain Following Music Industry Complaints

Post Syndicated from Andy original https://torrentfreak.com/godaddy-to-suspend-pirate-domain-following-music-industry-complaints-180601/

Most piracy-focused sites online conduct their business with minimal interference from outside parties. In many cases, a heap of DMCA notices filed with Google represents the most visible irritant.

Others, particularly those with large audiences, can find themselves on the end of a web blockade. Mostly court-ordered, blocking measures restrict the ability of Internet users to visit a site due to ISPs restricting traffic.

In some regions, where copyright holders have the means to do so, they choose to tackle a site’s infrastructure instead, which could mean complaints to webhosts or other service providers. At times, this has included domain registries, who are asked to disable domains on copyright grounds.

This is exactly what has happened to Fox-MusicaGratis.com, a Spanish-language music piracy site that incurred the wrath of IFPI member UNIMPRO – the Peruvian Union of Phonographic Producers.

Pirate music, suspended domain

In a process that’s becoming more common in the region, UNIMPRO initially filed a complaint with the Copyright Commission (Comisión de Derecho de Autor (CDA)) which conducted an investigation into the platform’s activities.

“The CDA considered, among other things, the irreparable damage that would have been caused to the legitimate rights owners, taking into account the large number of users who could potentially have visited said website, which was making available endless musical recordings for commercial purposes, without authorization of the holders of rights,” a statement from CDA reads.

The administrative process was carried out locally with the involvement of the National Institute for the Defense of Competition and the Protection of Intellectual Property (Indecopi), an autonomous public body tasked with handling anti-competitive behavior, unfair competition, and intellectual property matters.

Indecopi HQ

The matter was decided in favor of the rightsholders and a subsequent ruling included an instruction for US-based domain name registry GoDaddy to suspend Fox-MusicaGratis.com. According to the copyright protection entity, GoDaddy agreed to comply, to prevent further infringement.

This latest action involving a music piracy site registered with GoDaddy follows on the heels of a similar enforcement process back in March.

Mp3Juices-Download-Free.com, Melodiavip.net, Foxmusica.site and Fulltono.me were all music sites offering MP3 content without copyright holders’ permission. They too were the subject of an UNIMPRO complaint which resulted in orders for GoDaddy to suspend their domains.

In the cases of all five websites, GoDaddy was given the chance to appeal but there is no indication that the company has done so. GoDaddy did not respond to a request for comment.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Majority of Canadians Consume Online Content Legally, Survey Finds

Post Syndicated from Andy original https://torrentfreak.com/majority-of-canadians-consume-online-content-legally-survey-finds-180531/

Back in January, a coalition of companies and organizations with ties to the entertainment industries called on local telecoms regulator CRTC to implement a national website blocking regime.

Under the banner of Fairplay Canada, members including Bell, Cineplex, Directors Guild of Canada, Maple Leaf Sports and Entertainment, Movie Theatre Association of Canada, and Rogers Media, spoke of an industry under threat from marauding pirates. But just how serious is this threat?

The results of a new survey commissioned by Innovation Science and Economic Development Canada (ISED) in collaboration with the Department of Canadian Heritage (PCH) aims to shine light on the problem by revealing the online content consumption habits of citizens in the Great White North.

While there are interesting findings for those on both sides of the site-blocking debate, the situation seems somewhat removed from the Armageddon scenario predicted by the entertainment industries.

Carried out among 3,301 Canadians aged 12 years and over, the Kantar TNS study aims to cover copyright infringement in six key content areas – music, movies, TV shows, video games, computer software, and eBooks. Attitudes and behaviors are also touched upon while measuring the effectiveness of Canada’s copyright measures.

General Digital Content Consumption

In its introduction, the report notes that 28 million Canadians used the Internet in the three-month study period to November 27, 2017. Of those, 22 million (80%) consumed digital content. Around 20 million (73%) streamed or accessed content, 16 million (59%) downloaded content, while 8 million (28%) shared content.

Music, TV shows and movies all battled for first place in the consumption ranks, with 48%, 48%, and 46% respectively.

Copyright Infringement

According to the study, the majority of Canadians do things completely by the book. An impressive 74% of media-consuming respondents said that they’d only accessed material from legal sources in the preceding three months.

The remaining 26% admitted to accessing at least one illegal file in the same period. Of those, just 5% said that all of their consumption was from illegal sources, with movies (36%), software (36%), TV shows (34%) and video games (33%) the most likely content to be consumed illegally.

Interestingly, the study found that few demographic factors – such as gender, region, rural and urban, income, employment status and language – play a role in illegal content consumption.

“We found that only age and income varied significantly between consumers who infringed by downloading or streaming/accessing content online illegally and consumers who did not consume infringing content online,” the report reads.

“More specifically, the profile of consumers who downloaded or streamed/accessed infringing content skewed slightly younger and towards individuals with household incomes of $100K+.”

Licensed services much more popular than pirate haunts

It will come as no surprise that Netflix was the most popular service with consumers, with 64% having used it in the past three months. Sites like YouTube and Facebook were a big hit too, visited by 36% and 28% of content consumers respectively.

Overall, 74% of online content consumers use licensed services for content while 42% use social networks. Under a third (31%) use a combination of peer-to-peer (BitTorrent), cyberlocker platforms, or linking sites. Stream-ripping services are used by 9% of content consumers.

“Consumers who reported downloading or streaming/accessing infringing content only are less likely to use licensed services and more likely to use peer-to-peer/cyberlocker/linking sites than other consumers of online content,” the report notes.

Attitudes towards legal consumption & infringing content

In common with similar surveys over the years, the Kantar research looked at the reasons why people consume content from various sources, both legal and otherwise.

Convenience (48%), speed (36%) and quality (34%) were the most-cited reasons for using legal sources. An interesting 33% of respondents said they use legal sites to avoid using illegal sources.

On the illicit front, 54% of those who obtained unauthorized content in the previous three months said they did so due to it being free, with 40% citing convenience and 34% mentioning speed.

Almost six out of ten (58%) said lower costs would encourage them to switch to official sources, with 47% saying they’d move if legal availability was improved.

Canada’s ‘Notice-and-Notice’ warning system

People in Canada who share content on peer-to-peer systems like BitTorrent without permission run the risk of receiving an infringement notice warning them to stop. These are sent by copyright holders via users’ ISPs and the hope is that the shock of receiving a warning will turn consumers back to the straight and narrow.

The study reveals that 10% of online content consumers over the age of 12 have received one of these notices but what kind of effect have they had?

“Respondents reported that receiving such a notice resulted in the following: increased awareness of copyright infringement (38%), taking steps to ensure password protected home networks (27%), a household discussion about copyright infringement (27%), and discontinuing illegal downloading or streaming (24%),” the report notes.

While these are all positives for the entertainment industries, Kantar reports that almost a quarter (24%) of people who receive a notice simply ignore them.

Stream-ripping

Once upon a time, people obtaining music via P2P networks was cited as the music industry’s greatest threat but, with the advent of sites like YouTube, so-called stream-ripping is the latest bogeyman.

According to the study, 11% of Internet users say they’ve used a stream-ripping service. They are most likely to be male (62%) and predominantly 18 to 34 (52%) years of age.

“Among Canadians who have used a service to stream-rip music or entertainment, nearly half (48%) have used stream-ripping sites, one-third have used downloader apps (38%), one-in-seven (14%) have used a stream-ripping plug-in, and one-in-ten (10%) have used stream-ripping software,” the report adds.

Set-Top Boxes and VPNs

Few general piracy studies would be complete in 2018 without touching on set-top devices and Virtual Private Networks and this report doesn’t disappoint.

More than one in five (21%) respondents aged 12+ reported using a VPN, with the main purpose of securing communications and Internet browsing (57%).

A relatively modest 36% said they use a VPN to access free content while 32% said the aim was to access geo-blocked content unavailable in Canada. Just over a quarter (27%) said that accessing content from overseas at a reasonable price was the main motivator.

One in ten (10%) of respondents reported using a set-top box, with 78% stating they use them to access paid-for content. Interestingly, only a small number say they use the devices to infringe.

“A minority use set-top boxes to access other content that is not legal or they are unsure if it is legal (16%), or to access live sports that are not legal or they are unsure if it is legal (11%),” the report notes.

“Individuals who consumed a mix of legal and illegal content online are more likely to use VPN services (42%) or TV set-top boxes (21%) than consumers who only downloaded or streamed/accessed legal content.”

Kantar says that the findings of the report will be used to help policymakers evaluate how Canada’s Copyright Act is coping with a changing market and technological developments.

“This research will provide the necessary information required to further develop copyright policy in Canada, as well as to provide a foundation to assess the effectiveness of the measures to address copyright infringement, should future analysis be undertaken,” it concludes.

The full report can be found here (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Hong Kong Customs Arrest Pirate Streaming Device Vendors

Post Syndicated from Andy original https://torrentfreak.com/hong-kong-customs-arrest-pirate-streaming-device-vendors-180529/

As Internet-capable set-top boxes pour into homes across all populated continents, authorities seem almost powerless to come up with a significant response to the growing threat.

In standard form these devices, which are often Android-based, are entirely legal. However, when configured with specialist software they become piracy powerhouses providing access to all content imaginable, often at copyright holders’ expense.

A large proportion of these devices come from Asia, China in particular, but it’s relatively rare to hear of enforcement action in that part of the world. That changed this week with an announcement from Hong Kong customs detailing a series of raids in the areas of Sham Shui Po and Wan Chai.

After conducting an in-depth investigation with the assistance of copyright holders, on May 25 and 26 Customs and Excise officers launched Operation Trojan Horse, carrying out a series of raids on four premises selling suspected piracy-configured set-top boxes.

During the operation, officers arrested seven men and one woman aged between 18 and 45. Four of them were shop owners and the other four were salespeople. Around 354 suspected ‘pirate’ boxes were seized with an estimated market value of HK$320,000 (US$40,700).

“In the past few months, the department has stepped up inspections of hotspots for TV set-top boxes,” a statement from authorities reads.

“We have discovered that some shops have sold suspected illegal set-top boxes that bypass the copyright protection measures imposed by copyright holders of pay television programs allowing people to watch pay television programs for free.”

Some of the devices seized by Hong Kong Customs

During a press conference yesterday, a representative from the Customs Copyright and Trademark Investigations (Action) Division said that in the run up to the World Cup in 2018, measures against copyright infringement will be strengthened both on and online.

The announcement was welcomed by the Cable and Satellite Broadcasting Association of Asia’s (CASBAA) Coalition Against Piracy, which is back by industry heavyweights including Disney, Fox, HBO Asia, NBCUniversal, Premier League, Turner Asia-Pacific, A&E Networks, Astro, BBC Worldwide, National Basketball Association, TV5MONDE, Viacom International, and others.

“We commend the great work of Hong Kong Customs in clamping down on syndicates who profit from the sale of Illicit Streaming Devices,” said General Manager Neil Gane.

“The prevalence of ISDs in Hong Kong and across South East Asia is staggering. The criminals who sell ISDs, as well as those who operate the ISD networks and pirate websites, are profiting from the hard work of talented creators, seriously damaging the legitimate content ecosystem as well as exposing consumers to dangerous malware.”

Malware warnings are very prevalent these days but it’s not something the majority of set-top box owners have a problem with. Indeed, a study carried by Sycamore Research found that pirates aren’t easily deterred by such warnings.

Nevertheless, there are definite risks for individuals selling devices when they’re configured for piracy.

Recent cases, particularly in the UK, have shown that hefty jail sentences can hit offenders while over in the United States (1,2,3), lawsuits filed by the Alliance for Creativity and Entertainment (ACE) have the potential to end in unfavorable rulings for multiple defendants.

Although rarely reported, offenders in Hong Kong also face stiff sentences for this kind of infringement including large fines and custodial sentences of up to four years.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Measuring the throughput for Amazon MQ using the JMS Benchmark

Post Syndicated from Rachel Richardson original https://aws.amazon.com/blogs/compute/measuring-the-throughput-for-amazon-mq-using-the-jms-benchmark/

This post is courtesy of Alan Protasio, Software Development Engineer, Amazon Web Services

Just like compute and storage, messaging is a fundamental building block of enterprise applications. Message brokers (aka “message-oriented middleware”) enable different software systems, often written in different languages, on different platforms, running in different locations, to communicate and exchange information. Mission-critical applications, such as CRM and ERP, rely on message brokers to work.

A common performance consideration for customers deploying a message broker in a production environment is the throughput of the system, measured as messages per second. This is important to know so that application environments (hosts, threads, memory, etc.) can be configured correctly.

In this post, we demonstrate how to measure the throughput for Amazon MQ, a new managed message broker service for ActiveMQ, using JMS Benchmark. It should take between 15–20 minutes to set up the environment and an hour to run the benchmark. We also provide some tips on how to configure Amazon MQ for optimal throughput.

Benchmarking throughput for Amazon MQ

ActiveMQ can be used for a number of use cases. These use cases can range from simple fire and forget tasks (that is, asynchronous processing), low-latency request-reply patterns, to buffering requests before they are persisted to a database.

The throughput of Amazon MQ is largely dependent on the use case. For example, if you have non-critical workloads such as gathering click events for a non-business-critical portal, you can use ActiveMQ in a non-persistent mode and get extremely high throughput with Amazon MQ.

On the flip side, if you have a critical workload where durability is extremely important (meaning that you can’t lose a message), then you are bound by the I/O capacity of your underlying persistence store. We recommend using mq.m4.large for the best results. The mq.t2.micro instance type is intended for product evaluation. Performance is limited, due to the lower memory and burstable CPU performance.

Tip: To improve your throughput with Amazon MQ, make sure that you have consumers processing messaging as fast as (or faster than) your producers are pushing messages.

Because it’s impossible to talk about how the broker (ActiveMQ) behaves for each and every use case, we walk through how to set up your own benchmark for Amazon MQ using our favorite open-source benchmarking tool: JMS Benchmark. We are fans of the JMS Benchmark suite because it’s easy to set up and deploy, and comes with a built-in visualizer of the results.

Non-Persistent Scenarios – Queue latency as you scale producer throughput

JMS Benchmark nonpersistent scenarios

Getting started

At the time of publication, you can create an mq.m4.large single-instance broker for testing for $0.30 per hour (US pricing).

This walkthrough covers the following tasks:

  1.  Create and configure the broker.
  2. Create an EC2 instance to run your benchmark
  3. Configure the security groups
  4.  Run the benchmark.

Step 1 – Create and configure the broker
Create and configure the broker using Tutorial: Creating and Configuring an Amazon MQ Broker.

Step 2 – Create an EC2 instance to run your benchmark
Launch the EC2 instance using Step 1: Launch an Instance. We recommend choosing the m5.large instance type.

Step 3 – Configure the security groups
Make sure that all the security groups are correctly configured to let the traffic flow between the EC2 instance and your broker.

  1. Sign in to the Amazon MQ console.
  2. From the broker list, choose the name of your broker (for example, MyBroker)
  3. In the Details section, under Security and network, choose the name of your security group or choose the expand icon ( ).
  4. From the security group list, choose your security group.
  5. At the bottom of the page, choose Inbound, Edit.
  6. In the Edit inbound rules dialog box, add a role to allow traffic between your instance and the broker:
    • Choose Add Rule.
    • For Type, choose Custom TCP.
    • For Port Range, type the ActiveMQ SSL port (61617).
    • For Source, leave Custom selected and then type the security group of your EC2 instance.
    • Choose Save.

Your broker can now accept the connection from your EC2 instance.

Step 4 – Run the benchmark
Connect to your EC2 instance using SSH and run the following commands:

$ cd ~
$ curl -L https://github.com/alanprot/jms-benchmark/archive/master.zip -o master.zip
$ unzip master.zip
$ cd jms-benchmark-master
$ chmod a+x bin/*
$ env \
  SERVER_SETUP=false \
  SERVER_ADDRESS={activemq-endpoint} \
  ACTIVEMQ_TRANSPORT=ssl\
  ACTIVEMQ_PORT=61617 \
  ACTIVEMQ_USERNAME={activemq-user} \
  ACTIVEMQ_PASSWORD={activemq-password} \
  ./bin/benchmark-activemq

After the benchmark finishes, you can find the results in the ~/reports directory. As you may notice, the performance of ActiveMQ varies based on the number of consumers, producers, destinations, and message size.

Amazon MQ architecture

The last bit that’s important to know so that you can better understand the results of the benchmark is how Amazon MQ is architected.

Amazon MQ is architected to be highly available (HA) and durable. For HA, we recommend using the multi-AZ option. After a message is sent to Amazon MQ in persistent mode, the message is written to the highly durable message store that replicates the data across multiple nodes in multiple Availability Zones. Because of this replication, for some use cases you may see a reduction in throughput as you migrate to Amazon MQ. Customers have told us they appreciate the benefits of message replication as it helps protect durability even in the face of the loss of an Availability Zone.

Conclusion

We hope this gives you an idea of how Amazon MQ performs. We encourage you to run tests to simulate your own use cases.

To learn more, see the Amazon MQ website. You can try Amazon MQ for free with the AWS Free Tier, which includes up to 750 hours of a single-instance mq.t2.micro broker and up to 1 GB of storage per month for one year.

Project Floofball and more: Pi pet stuff

Post Syndicated from Janina Ander original https://www.raspberrypi.org/blog/project-floofball-pi-pet-stuff/

It’s a public holiday here today (yes, again). So, while we indulge in the traditional pastime of barbecuing stuff (ourselves, mainly), here’s a little trove of Pi projects that cater for our various furry friends.

Project Floofball

Nicole Horward created Project Floofball for her hamster, Harold. It’s an IoT hamster wheel that uses a Raspberry Pi and a magnetic door sensor to log how far Harold runs.

Project Floofball: an IoT hamster wheel

An IoT Hamsterwheel using a Raspberry Pi and a magnetic door sensor, to see how far my hamster runs.

You can follow Harold’s runs in real time on his ThingSpeak channel, and you’ll find photos of the build on imgur. Nicole’s Python code, as well as her template for the laser-cut enclosure that houses the wiring and LCD display, are available on the hamster wheel’s GitHub repo.

A live-streaming pet feeder

JaganK3 used to work long hours that meant he couldn’t be there to feed his dog on time. He found that he couldn’t buy an automated feeder in India without paying a lot to import one, so he made one himself. It uses a Raspberry Pi to control a motor that turns a dispensing valve in a hopper full of dry food, giving his dog a portion of food at set times.

A transparent cylindrical hopper of dry dog food, with a motor that can turn a dispensing valve at the lower end. The motor is connected to a Raspberry Pi in a plastic case. Hopper, motor, Pi, and wiring are all mounted on a board on the wall.

He also added a web cam for live video streaming, because he could. Find out more in JaganK3’s Instructable for his pet feeder.

Shark laser cat toy

Sam Storino, meanwhile, is using a Raspberry Pi to control a laser-pointer cat toy with a goshdarned SHARK (which is kind of what I’d expect from the guy who made the steampunk-looking cat feeder a few weeks ago). The idea is to keep his cats interested and active within the confines of a compact city apartment.

Raspberry Pi Automatic Cat Laser Pointer Toy

Post with 52 votes and 7004 views. Tagged with cat, shark, lasers, austin powers, raspberry pi; Shared by JeorgeLeatherly. Raspberry Pi Automatic Cat Laser Pointer Toy

If I were a cat, I would definitely be entirely happy with this. Find out more on Sam’s website.

And there’s more

Michel Parreno has written a series of articles to help you monitor and feed your pet with Raspberry Pi.

All of these makers are generous in acknowledging the tutorials and build logs that helped them with their projects. It’s lovely to see the Raspberry Pi and maker community working like this, and I bet their projects will inspire others too.

Now, if you’ll excuse me. I’m late for a barbecue.

The post Project Floofball and more: Pi pet stuff appeared first on Raspberry Pi.

Pirate IPTV Sellers Sign Abstention Agreements Under Pressure From BREIN

Post Syndicated from Andy original https://torrentfreak.com/pirate-iptv-sellers-sign-abstention-agreement-under-pressure-from-brein-180528/

Earlier this month, Dutch anti-piracy outfit BREIN revealed details of its case against Netherlands-based company Leaper Beheer BV.

BREIN’s complaint, which was filed at the Limburg District Court in Maastricht, claimed that
Leaper sold access to unlicensed live TV streams and on-demand movies. Around 4,000 live channels and 1,000 movies were included in the package, which was distributed to customers in the form of an .M3U playlist.

BREIN said that distribution of the playlist amounted to a communication to the public in contravention of the EU Copyright Directive. In its defense, Leaper argued that it is not a distributor of content itself and did not make anything available that wasn’t already public.

In a detailed ruling the Court sided with BREIN, noting that Leaper communicated works to a new audience that wasn’t taken into account when the content’s owners initially gave permission for their work to be distributed to the public.

The Court ordered Leaper to stop providing access to the unlicensed streams or face penalties of 5,000 euros per IPTV subscription sold, link offered, or days exceeded, to a maximum of one million euros. Further financial penalties were threatened for non-compliance with other aspects of the ruling.

In a fresh announcement Friday, BREIN revealed that three companies and their directors (Leaper included) have signed agreements to cease-and-desist, in order to avert summary proceedings. According to BREIN, the companies are the biggest sellers of pirate IPTV subscriptions in the Netherlands.

In addition to Leaper Beheer BV, Growler BV, DITisTV and their respective directors are bound by a number of conditions in their agreements but primarily to cease-and-desist offering hyperlinks or other technical means to access protected works belonging to BREIN’s affiliates and their members.

Failure to comply with the terms of the agreement will see the companies face penalties of 10,000 euros per infringement or per day (or part thereof).

DITisTV’s former website now appears to sell shoes and a search for the company using Google doesn’t reveal many flattering results. Consumer website Consumentenbond.nl enjoys the top spot with an article reporting that it received 300 complaints about DITisTV.

“The complainants report that after they have paid, they have not received their order, or that they were not given a refund if they sent back a malfunctioning media player. Some consumers have been waiting for their money for several months,” the article reads.

According to the report, DiTisTV pulled the plug on its website last June, probably in response to the European Court of Justice ruling which found that selling piracy-configured media players is illegal.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Enchanting images with Inky Lines, a Pi‑powered polargraph

Post Syndicated from Helen Lynn original https://www.raspberrypi.org/blog/enchanting-images-inky-lines-pi-powered-polargraph/

A hanging plotter, also known as a polar plotter or polargraph, is a machine for drawing images on a vertical surface. It does so by using motors to control the length of two cords that form a V shape, supporting a pen where they meet. We’ve featured one on this blog before: Norbert “HomoFaciens” Heinz’s video is a wonderfully clear introduction to how a polargraph works and what you have to consider when you’re putting one together.

Today, we look at Inky Lines, by John Proudlock. With it, John is creating a series of captivating and beautiful pieces, and with his most recent work, each rendering of an image is unique.

The Inky Lines plotter draws a flock of seagulls in blue ink on white paper. The print head is suspended near the bottom left corner of the image, as the pen inks the wing of a gull

An evolving project

The project isn’t new – John has been working on it for at least a couple of years – but it is constantly evolving. When we first spotted it, John had just implemented code to allow the plotter to produce mesmeric, spiralling patterns.

A blue spiral pattern featuring overlapping "bubbles"
A dense pink spiral pattern, featuring concentric circles and reminiscent of a mandala
A blue spirograph-type pattern formed of large overlapping squares, each offset from its neighbour by a few degrees, producing a four-spiral-armed "galaxy" shape where lines overlap. The plotter's print head is visible in a corner of the image

But we’re skipping ahead. Let’s go back to the beginning.

From pixels to motor movements

John starts by providing an image, usually no more than 100 pixels wide, to a Raspberry Pi. Custom software that he wrote evaluates the darkness of each pixel and selects a pattern of a suitable density to represent it.

The two cords supporting the plotter’s pen are wound around the shafts of two stepper motors, such that the movement of the motors controls the length of the cords: the program next calculates how much each motor must move in order to produce the pattern. The Raspberry Pi passes corresponding instructions to two motor circuits, which transform the signals to a higher voltage and pass them to the stepper motors. These turn by very precise amounts, winding or unwinding the cords and, very slowly, dragging the pen across the paper.

A Raspberry Pi in a case, with a wide flex connected to a GPIO header
The Inky Lines plotter's print head, featuring cardboard and tape, draws an apparently random squiggle
A large area of apparently random pattern drawn by the plotter

John explains,

Suspended in-between the two motors is a print head, made out of a new 3-d modelling material I’ve been prototyping called cardboard. An old coat hanger and some velcro were also used.

(He’s our kind of maker.)

Unique images

The earlier drawings that John made used a repeatable method to render image files as lines on paper. That is, if the machine drew the same image a number of times, each copy would be identical. More recently, though, he has been using a method that yields random movements of the pen:

The pen point is guided around the image, but moves to each new point entirely at random. Up close this looks like a chaotic squiggle, but from a distance of a couple of meters, the human eye (and brain) make order from the chaos and view an infinite number of shades and a smoother, less mechanical image.

An apparently chaotic squiggle

This method means that no matter how many times the polargraph repeats the same image, each copy will be unique.

A gallery of work

Inky Lines’ website and its Instagram feed offer a collection of wonderful pieces John has drawn with his polargraph, and he discusses the different techniques and types of image that he is exploring.

A 3 x 3 grid of varied and colourful images from inkylinespolargraph's Instagram feed

They range from holiday photographs, processed to extract particular features and rendered in silhouette, to portraits, made with a single continuous line that can be several hundred metres long, to generative images spirograph images like those pictured above, created by an algorithm rather than rendered from a source image.

The post Enchanting images with Inky Lines, a Pi‑powered polargraph appeared first on Raspberry Pi.

Use Slack ChatOps to Deploy Your Code – How to Integrate Your Pipeline in AWS CodePipeline with Your Slack Channel

Post Syndicated from Rumi Olsen original https://aws.amazon.com/blogs/devops/use-slack-chatops-to-deploy-your-code-how-to-integrate-your-pipeline-in-aws-codepipeline-with-your-slack-channel/

Slack is widely used by DevOps and development teams to communicate status. Typically, when a build has been tested and is ready to be promoted to a staging environment, a QA engineer or DevOps engineer kicks off the deployment. Using Slack in a ChatOps collaboration model, the promotion can be done in a single click from a Slack channel. And because the promotion happens through a Slack channel, the whole development team knows what’s happening without checking email.

In this blog post, I will show you how to integrate AWS services with a Slack application. I use an interactive message button and incoming webhook to promote a stage with a single click.

To follow along with the steps in this post, you’ll need a pipeline in AWS CodePipeline. If you don’t have a pipeline, the fastest way to create one for this use case is to use AWS CodeStar. Go to the AWS CodeStar console and select the Static Website template (shown in the screenshot). AWS CodeStar will create a pipeline with an AWS CodeCommit repository and an AWS CodeDeploy deployment for you. After the pipeline is created, you will need to add a manual approval stage.

You’ll also need to build a Slack app with webhooks and interactive components, write two Lambda functions, and create an API Gateway API and a SNS topic.

As you’ll see in the following diagram, when I make a change and merge a new feature into the master branch in AWS CodeCommit, the check-in kicks off my CI/CD pipeline in AWS CodePipeline. When CodePipeline reaches the approval stage, it sends a notification to Amazon SNS, which triggers an AWS Lambda function (ApprovalRequester).

The Slack channel receives a prompt that looks like the following screenshot. When I click Yes to approve the build promotion, the approval result is sent to CodePipeline through API Gateway and Lambda (ApprovalHandler). The pipeline continues on to deploy the build to the next environment.

Create a Slack app

For App Name, type a name for your app. For Development Slack Workspace, choose the name of your workspace. You’ll see in the following screenshot that my workspace is AWS ChatOps.

After the Slack application has been created, you will see the Basic Information page, where you can create incoming webhooks and enable interactive components.

To add incoming webhooks:

  1. Under Add features and functionality, choose Incoming Webhooks. Turn the feature on by selecting Off, as shown in the following screenshot.
  2. Now that the feature is turned on, choose Add New Webhook to Workspace. In the process of creating the webhook, Slack lets you choose the channel where messages will be posted.
  3. After the webhook has been created, you’ll see its URL. You will use this URL when you create the Lambda function.

If you followed the steps in the post, the pipeline should look like the following.

Write the Lambda function for approval requests

This Lambda function is invoked by the SNS notification. It sends a request that consists of an interactive message button to the incoming webhook you created earlier.  The following sample code sends the request to the incoming webhook. WEBHOOK_URL and SLACK_CHANNEL are the environment variables that hold values of the webhook URL that you created and the Slack channel where you want the interactive message button to appear.

# This function is invoked via SNS when the CodePipeline manual approval action starts.
# It will take the details from this approval notification and sent an interactive message to Slack that allows users to approve or cancel the deployment.

import os
import json
import logging
import urllib.parse

from base64 import b64decode
from urllib.request import Request, urlopen
from urllib.error import URLError, HTTPError

# This is passed as a plain-text environment variable for ease of demonstration.
# Consider encrypting the value with KMS or use an encrypted parameter in Parameter Store for production deployments.
SLACK_WEBHOOK_URL = os.environ['SLACK_WEBHOOK_URL']
SLACK_CHANNEL = os.environ['SLACK_CHANNEL']

logger = logging.getLogger()
logger.setLevel(logging.INFO)

def lambda_handler(event, context):
    print("Received event: " + json.dumps(event, indent=2))
    message = event["Records"][0]["Sns"]["Message"]
    
    data = json.loads(message) 
    token = data["approval"]["token"]
    codepipeline_name = data["approval"]["pipelineName"]
    
    slack_message = {
        "channel": SLACK_CHANNEL,
        "text": "Would you like to promote the build to production?",
        "attachments": [
            {
                "text": "Yes to deploy your build to production",
                "fallback": "You are unable to promote a build",
                "callback_id": "wopr_game",
                "color": "#3AA3E3",
                "attachment_type": "default",
                "actions": [
                    {
                        "name": "deployment",
                        "text": "Yes",
                        "style": "danger",
                        "type": "button",
                        "value": json.dumps({"approve": True, "codePipelineToken": token, "codePipelineName": codepipeline_name}),
                        "confirm": {
                            "title": "Are you sure?",
                            "text": "This will deploy the build to production",
                            "ok_text": "Yes",
                            "dismiss_text": "No"
                        }
                    },
                    {
                        "name": "deployment",
                        "text": "No",
                        "type": "button",
                        "value": json.dumps({"approve": False, "codePipelineToken": token, "codePipelineName": codepipeline_name})
                    }  
                ]
            }
        ]
    }

    req = Request(SLACK_WEBHOOK_URL, json.dumps(slack_message).encode('utf-8'))

    response = urlopen(req)
    response.read()
    
    return None

 

Create a SNS topic

Create a topic and then create a subscription that invokes the ApprovalRequester Lambda function. You can configure the manual approval action in the pipeline to send a message to this SNS topic when an approval action is required. When the pipeline reaches the approval stage, it sends a notification to this SNS topic. SNS publishes a notification to all of the subscribed endpoints. In this case, the Lambda function is the endpoint. Therefore, it invokes and executes the Lambda function. For information about how to create a SNS topic, see Create a Topic in the Amazon SNS Developer Guide.

Write the Lambda function for handling the interactive message button

This Lambda function is invoked by API Gateway. It receives the result of the interactive message button whether or not the build promotion was approved. If approved, an API call is made to CodePipeline to promote the build to the next environment. If not approved, the pipeline stops and does not move to the next stage.

The Lambda function code might look like the following. SLACK_VERIFICATION_TOKEN is the environment variable that contains your Slack verification token. You can find your verification token under Basic Information on Slack manage app page. When you scroll down, you will see App Credential. Verification token is found under the section.

# This function is triggered via API Gateway when a user acts on the Slack interactive message sent by approval_requester.py.

from urllib.parse import parse_qs
import json
import os
import boto3

SLACK_VERIFICATION_TOKEN = os.environ['SLACK_VERIFICATION_TOKEN']

#Triggered by API Gateway
#It kicks off a particular CodePipeline project
def lambda_handler(event, context):
	#print("Received event: " + json.dumps(event, indent=2))
	body = parse_qs(event['body'])
	payload = json.loads(body['payload'][0])

	# Validate Slack token
	if SLACK_VERIFICATION_TOKEN == payload['token']:
		send_slack_message(json.loads(payload['actions'][0]['value']))
		
		# This will replace the interactive message with a simple text response.
		# You can implement a more complex message update if you would like.
		return  {
			"isBase64Encoded": "false",
			"statusCode": 200,
			"body": "{\"text\": \"The approval has been processed\"}"
		}
	else:
		return  {
			"isBase64Encoded": "false",
			"statusCode": 403,
			"body": "{\"error\": \"This request does not include a vailid verification token.\"}"
		}


def send_slack_message(action_details):
	codepipeline_status = "Approved" if action_details["approve"] else "Rejected"
	codepipeline_name = action_details["codePipelineName"]
	token = action_details["codePipelineToken"] 

	client = boto3.client('codepipeline')
	response_approval = client.put_approval_result(
							pipelineName=codepipeline_name,
							stageName='Approval',
							actionName='ApprovalOrDeny',
							result={'summary':'','status':codepipeline_status},
							token=token)
	print(response_approval)

 

Create the API Gateway API

  1. In the Amazon API Gateway console, create a resource called InteractiveMessageHandler.
  2. Create a POST method.
    • For Integration type, choose Lambda Function.
    • Select Use Lambda Proxy integration.
    • From Lambda Region, choose a region.
    • In Lambda Function, type a name for your function.
  3.  Deploy to a stage.

For more information, see Getting Started with Amazon API Gateway in the Amazon API Developer Guide.

Now go back to your Slack application and enable interactive components.

To enable interactive components for the interactive message (Yes) button:

  1. Under Features, choose Interactive Components.
  2. Choose Enable Interactive Components.
  3. Type a request URL in the text box. Use the invoke URL in Amazon API Gateway that will be called when the approval button is clicked.

Now that all the pieces have been created, run the solution by checking in a code change to your CodeCommit repo. That will release the change through CodePipeline. When the CodePipeline comes to the approval stage, it will prompt to your Slack channel to see if you want to promote the build to your staging or production environment. Choose Yes and then see if your change was deployed to the environment.

Conclusion

That is it! You have now created a Slack ChatOps solution using AWS CodeCommit, AWS CodePipeline, AWS Lambda, Amazon API Gateway, and Amazon Simple Notification Service.

Now that you know how to do this Slack and CodePipeline integration, you can use the same method to interact with other AWS services using API Gateway and Lambda. You can also use Slack’s slash command to initiate an action from a Slack channel, rather than responding in the way demonstrated in this post.

The devil wears Pravda

Post Syndicated from Robert Graham original https://blog.erratasec.com/2018/05/the-devil-wears-pravda.html

Classic Bond villain, Elon Musk, has a new plan to create a website dedicated to measuring the credibility and adherence to “core truth” of journalists. He is, without any sense of irony, going to call this “Pravda”. This is not simply wrong but evil.

Musk has a point. Journalists do suck, and many suck consistently. I see this in my own industry, cybersecurity, and I frequently criticize them for their suckage.

But what he’s doing here is not correcting them when they make mistakes (or what Musk sees as mistakes), but questioning their legitimacy. This legitimacy isn’t measured by whether they follow established journalism ethics, but whether their “core truths” agree with Musk’s “core truths”.

An example of the problem is how the press fixates on Tesla car crashes due to its “autopilot” feature. Pretty much every autopilot crash makes national headlines, while the press ignores the other 40,000 car crashes that happen in the United States each year. Musk spies on Tesla drivers (hello, classic Bond villain everyone) so he can see the dip in autopilot usage every time such a news story breaks. He’s got good reason to be concerned about this.

He argues that autopilot is safer than humans driving, and he’s got the statistics and government studies to back this up. Therefore, the press’s fixation on Tesla crashes is illegitimate “fake news”, titillating the audience with distorted truth.

But here’s the thing: that’s still only Musk’s version of the truth. Yes, on a mile-per-mile basis, autopilot is safer, but there’s nuance here. Autopilot is used primarily on freeways, which already have a low mile-per-mile accident rate. People choose autopilot only when conditions are incredibly safe and drivers are unlikely to have an accident anyway. Musk is therefore being intentionally deceptive comparing apples to oranges. Autopilot may still be safer, it’s just that the numbers Musk uses don’t demonstrate this.

And then there is the truth calling it “autopilot” to begin with, because it isn’t. The public is overrating the capabilities of the feature. It’s little different than “lane keeping” and “adaptive cruise control” you can now find in other cars. In many ways, the technology is behind — my Tesla doesn’t beep at me when a pedestrian walks behind my car while backing up, but virtually every new car on the market does.

Yes, the press unduly covers Tesla autopilot crashes, but Musk has only himself to blame by unduly exaggerating his car’s capabilities by calling it “autopilot”.

What’s “core truth” is thus rather difficult to obtain. What the press satisfies itself with instead is smaller truths, what they can document. The facts are in such cases that the accident happened, and they try to get Tesla or Musk to comment on it.

What you can criticize a journalist for is therefore not “core truth” but whether they did journalism correctly. When such stories criticize “autopilot”, but don’t do their diligence in getting Tesla’s side of the story, then that’s a violation of journalistic practice. When I criticize journalists for their poor handling of stories in my industry, I try to focus on which journalistic principles they get wrong. For example, the NYTimes reporters do a lot of stories quoting anonymous government sources in clear violation of journalistic principles.

If “credibility” is the concern, then it’s the classic Bond villain here that’s the problem: Musk himself. His track record on business statements is abysmal. For example, when he announced the Model 3 he claimed production targets that every Wall Street analyst claimed were absurd. He didn’t make those targets, he didn’t come close. Model 3 production is still lagging behind Musk’s twice adjusted targets.

https://www.bloomberg.com/graphics/2018-tesla-tracker/

So who has a credibility gap here, the press, or Musk himself?

Not only is Musk’s credibility problem ironic, so is the name he chose, “Pravada”, the Russian word for truth that was the name of the Soviet Union Communist Party’s official newspaper. This is so absurd this has to be a joke, yet Musk claims to be serious about all this.

Yes, the press has a lot of problems, and if Musk were some journalism professor concerned about journalists meeting the objective standards of their industry (e.g. abusing anonymous sources), then this would be a fine thing. But it’s not. It’s Musk who is upset the press’s version of “core truth” does not agree with his version — a version that he’s proven time and time again differs from “real truth”.

Just in case Musk is serious, I’ve already registered “www.antipravda.com” to start measuring the credibility of statements by billionaire playboy CEOs. Let’s see who blinks first.


I stole the title, with permission, from this tweet:

Join us at the Education Summit at PyCon UK 2018

Post Syndicated from Ben Nuttall original https://www.raspberrypi.org/blog/pycon-uk-2018/

PyCon UK 2018 will take place on Saturday 15 September to Wednesday 19 September in the splendid Cardiff City Hall, just a few miles from the Sony Technology Centre where the vast majority of Raspberry Pis is made. We’re pleased to announce that we’re curating this year’s Education Summit at the conference, where we’ll offer opportunities for young people to learn programming skills, and for educators to undertake professional development!

PyCon UK Education Summit logo

PyCon UK 2018 is your chance to be welcomed into the wonderful Python community. At the Education Summit, we’ll put on a young coders’ day on the Saturday, and an educators’ day on the Sunday.

Saturday — young coders’ day

On Saturday we’ll be running a CoderDojo full of workshops on Raspberry Pi and micro:bits for young people aged 7 to 17. If they wish, participants will get to make a project and present it to the conference on the main stage, and everyone will be given a free micro:bit to take home!

Kids’ tickets at just £6 will be available here soon.

Kids on a stage at PyCon UK

Kids presenting their projects to the conference

Sunday — educators’ day

PyCon UK has been bringing developers and educators together ever since it first started its education track in 2011. This year’s Sunday will be a day of professional development: we’ll give teachers, educators, parents, and coding club leaders the chance to learn from us and from each other to build their programming, computing, and digital making skills.

Educator workshop at PyCon UK

Professional development for educators

Educators get a special entrance rate for the conference, starting at £48 — get your tickets now. Financial assistance is also available.

Call for proposals

We invite you to send in your proposal for a talk and workshop at the Education Summit! We’re looking for:

  • 25-minute talks for the educators’ day
  • 50-minute workshops for either the young coders’ or the educators’ day

If you have something you’d like to share, such as a professional development session for educators, advice on best practice for teaching programming, a workshop for up-skilling in Python, or a fun physical computing activity for the CoderDojo, then we’d love to hear about it! Please submit your proposal by 15 June.




After the Education Summit, the conference will continue for two days of talks and a final day of development sprints. Feel free to submit your education-related talk to the main conference too if you want to share it with a wider audience! Check out the PyCon UK 2018 website for more information.

We’re looking forward to seeing you in September!

The post Join us at the Education Summit at PyCon UK 2018 appeared first on Raspberry Pi.

BPI Wants Piracy Dealt With Under New UK Internet ‘Clean-Up’ Laws

Post Syndicated from Andy original https://torrentfreak.com/bpi-wants-music-piracy-dealt-with-under-uk-internet-clean-up-laws-180523/

For the past several years, the UK Government has expressed a strong desire to “clean up” the Internet.

Strong emphasis has been placed on making the Internet safer for children but that’s just the tip of a much larger iceberg.

This week, the Government published its response to the Internet Safety Strategy green paper, stating unequivocally that more needs to be done to tackle “online harm”.

Noting that six out of ten people report seeing inappropriate or harmful content online, the Government said that work already underway with social media companies to protect users had borne fruit but overall industry response has been less satisfactory.

As a result, the Government will now carry through with its threat to introduce new legislation, albeit with the assistance of technology companies, children’s charities and other stakeholders.

“Digital technology is overwhelmingly a force for good across the world and we must always champion innovation and change for the better,” said Matt Hancock, Secretary of State for Digital, Culture, Media and Sport.

“At the same time I have been clear that we have to address the Wild West elements of the Internet through legislation, in a way that supports innovation. We strongly support technology companies to start up and grow, and we want to work with them to keep our citizens safe.”

While emphasis is being placed on hot-button topics such as cyberbullying and online child exploitation, the Government is clear that it wishes to tackle “the full range” of online harms. That has been greeted by UK music group BPI with a request that the Government introduces new measures to tackle Internet piracy.

In a statement issued this week, BPI chief executive Geoff Taylor welcomed the move towards legislative change and urged the Government to encompass the music industry and beyond.

“This is a vital opportunity to protect consumers and boost the UK’s music and creative industries. The BPI has long pressed for internet intermediaries and online platforms to take responsibility for the content that they promote to users,” Taylor said.

“Government should now take the power in legislation to require online giants to take effective, proactive measures to clean illegal content from their sites and services. This will keep fans away from dodgy sites full of harmful content and prevent criminals from undermining creative businesses that create UK jobs.”

The BPI has published four initial requests, each of which provides food for thought.

The demand to “establish a new fast-track process for blocking illegal sites” is not entirely unexpected, particularly given the expense of launching applications for blocking injunctions at the High Court.

“The BPI has taken a large number of actions against individual websites – 63 injunctions are in place against sites that are wholly or mainly infringing and whose business is simply to profit from criminal activity,” the BPI says.

Those injunctions can be expanded fairly easily to include new sites operating under similar banners or facilitating access to those already covered, but it’s clear the BPI would like something more streamlined. Voluntary schemes, such as the one in place in Portugal, could be an option but it’s unclear how troublesome that could be for ISPs. New legislation could solve that dilemma, however.

Another big thorn in the side for groups like the BPI are people and entities that post infringing content. The BPI is very good at taking these listings down from sites and search engines in particular (more than 600 million requests to date) but it’s a game of whac-a-mole the group would rather not engage in.

With that in mind, the BPI would like the Government to impose new rules that would compel online platforms to stop content from being re-posted after it’s been taken down while removing the accounts of repeat infringers.

Thirdly, the BPI would like the Government to introduce penalties for “online operators” who do not provide “transparent contact and ownership information.” The music group isn’t any more specific than that, but the suggestion is that operators of some sites have a tendency to hide in the shadows, something which frustrates enforcement activity.

Finally, and perhaps most interestingly, the BPI is calling on the Government to legislate for a new “duty of care” for online intermediaries and platforms. Specifically, the BPI wants “effective action” taken against businesses that use the Internet to “encourage” consumers to access content illegally.

While this could easily encompass pirate sites and services themselves, this proposal has the breadth to include a wide range of offenders, from people posting piracy-focused tutorials on monetized YouTube channels to those selling fully-loaded Kodi devices on eBay or social media.

Overall, the BPI clearly wants to place pressure on intermediaries to take action against piracy when they’re in a position to do so, and particularly those who may not have shown much enthusiasm towards industry collaboration in the past.

“Legislation in this Bill, to take powers to intervene with respect to operators that do not co-operate, would bring focus to the roundtable process and ensure that intermediaries take their responsibilities seriously,” the BPI says.

The Department for Digital, Culture, Media & Sport and the Home Office will now work on a White Paper, to be published later this year, to set out legislation to tackle “online harms”. The BPI and similar entities will hope that the Government takes their concerns on board.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Acunetix v12 – More Comprehensive More Accurate & 2x Faster

Post Syndicated from Darknet original https://www.darknet.org.uk/2018/05/acunetix-v12-more-comprehensive-more-accurate-2x-faster/?utm_source=rss&utm_medium=social&utm_campaign=darknetfeed

Acunetix v12 – More Comprehensive More Accurate & 2x Faster

Acunetix, the pioneer in automated web application security software, has announced the release of Acunetix v12. This new version provides support for JavaScript ES7 to better analyse sites which rely heavily on JavaScript such as SPAs. This coupled with a new AcuSensor for Java web applications, sets Acunetix ahead of the curve in its ability to comprehensively and accurately scan all types of websites.

With v12 also comes a brand new scanning engine, re-engineered and re-written from the ground up, making Acunetix the fastest scanning engine in the industry.

Read the rest of Acunetix v12 – More Comprehensive More Accurate & 2x Faster now! Only available at Darknet.

The Benefits of Side Projects

Post Syndicated from Bozho original https://techblog.bozho.net/the-benefits-of-side-projects/

Side projects are the things you do at home, after work, for your own “entertainment”, or to satisfy your desire to learn new stuff, in case your workplace doesn’t give you that opportunity (or at least not enough of it). Side projects are also a way to build stuff that you think is valuable but not necessarily “commercialisable”. Many side projects are open-sourced sooner or later and some of them contribute to the pool of tools at other people’s disposal.

I’ve outlined one recommendation about side projects before – do them with technologies that are new to you, so that you learn important things that will keep you better positioned in the software world.

But there are more benefits than that – serendipitous benefits, for example. And I’d like to tell some personal stories about that. I’ll focus on a few examples from my list of side projects to show how, through a sort-of butterfly effect, they helped shape my career.

The computoser project, no matter how cool algorithmic music composition, didn’t manage to have much of a long term impact. But it did teach me something apart from niche musical theory – how to read a bulk of scientific papers (mostly computer science) and understand them without being formally trained in the particular field. We’ll see how that was useful later.

Then there was the “State alerts” project – a website that scraped content from public institutions in my country (legislation, legislation proposals, decisions by regulators, new tenders, etc.), made them searchable, and “subscribable” – so that you get notified when a keyword of interest is mentioned in newly proposed legislation, for example. (I obviously subscribed for “information technologies” and “electronic”).

And that project turned out to have a significant impact on the following years. First, I chose a new technology to write it with – Scala. Which turned out to be of great use when I started working at TomTom, and on the 3rd day I was transferred to a Scala project, which was way cooler and much more complex than the original one I was hired for. It was a bit ironic, as my colleagues had just read that “I don’t like Scala” a few weeks earlier, but nevertheless, that was one of the most interesting projects I’ve worked on, and it went on for two years. Had I not known Scala, I’d probably be gone from TomTom much earlier (as the other project was restructured a few times), and I would not have learned many of the scalability, architecture and AWS lessons that I did learn there.

But the very same project had an even more important follow-up. Because if its “civic hacking” flavour, I was invited to join an informal group of developers (later officiated as an NGO) who create tools that are useful for society (something like MySociety.org). That group gathered regularly, discussed both tools and policies, and at some point we put up a list of policy priorities that we wanted to lobby policy makers. One of them was open source for the government, the other one was open data. As a result of our interaction with an interim government, we donated the official open data portal of my country, functioning to this day.

As a result of that, a few months later we got a proposal from the deputy prime minister’s office to “elect” one of the group for an advisor to the cabinet. And we decided that could be me. So I went for it and became advisor to the deputy prime minister. The job has nothing to do with anything one could imagine, and it was challenging and fascinating. We managed to pass legislation, including one that requires open source for custom projects, eID and open data. And all of that would not have been possible without my little side project.

As for my latest side project, LogSentinel – it became my current startup company. And not without help from the previous two mentioned above – the computer science paper reading was of great use when I was navigating the crypto papers landscape, and from the government job I not only gained invaluable legal knowledge, but I also “got” a co-founder.

Some other side projects died without much fanfare, and that’s fine. But the ones above shaped my “story” in a way that would not have been possible otherwise.

And I agree that such serendipitous chain of events could have happened without side projects – I could’ve gotten these opportunities by meeting someone at a bar (unlikely, but who knows). But we, as software engineers, are capable of tilting chance towards us by utilizing our skills. Side projects are our “extracurricular activities”, and they often lead to unpredictable, but rather positive chains of events. They would rarely be the only factor, but they are certainly great at unlocking potential.

The post The Benefits of Side Projects appeared first on Bozho's tech blog.

The Practical Effects of GDPR at Backblaze

Post Syndicated from Andy Klein original https://www.backblaze.com/blog/the-practical-effects-of-gdpr-at-backblaze/


GDPR day, May 25, 2018, is nearly here. On that day, will your inbox explode with update notices, opt-in agreements, and offers from lawyers searching for GDPR violators? Perhaps all the companies on earth that are not GDPR ready will just dissolve into dust. More likely, there will be some changes, but business as usual will continue and we’ll all be more aware of data privacy. Let’s go with the last one.

What’s Different With GDPR at Backblaze

The biggest difference you’ll notice is a completely updated Privacy Policy. Last week we sent out a service email announcing the new Privacy Policy. Some people asked what was different. Basically everything. About 95% of the agreement was rewritten. In the agreement, we added in the appropriate provisions required by GDPR, and hopefully did a better job specifying the data we collect from you, why we collect it, and what we are going to do with it.

As a reminder, at Backblaze your data falls into two catagories. The first type of data is the data you store with us — stored data. These are the files and objects you upload and store, and as needed, restore. We do not share this data. We do not process this data, except as requested by you to store and restore the data. We do not analyze this data looking for keywords, tags, images, etc. No one outside of Backblaze has access to this data unless you explicitly shared the data by providing that person access to one or more files.

The second type of data is your account data. Some of your account data is considered personal data. This is the information we collect from you to provide our Personal Backup, Business Backup and B2 Cloud Storage services. Examples include your email address to provide access to your account, or the name of your computer so we can organize your files like they are arranged on your computer to make restoration easier. We have written a number of Help Articles covering the different ways this information is collected and processed. In addition, these help articles outline the various “rights” granted via GDPR. We will continue to add help articles over the coming weeks to assist in making it easy to work with us to understand and exercise your rights.

What’s New With GDPR at Backblaze

The most obvious addition is the Data Processing Addendum (DPA). This covers how we protect the data you store with us, i.e. stored data. As noted above, we don’t do anything with your data, except store it and keep it safe until you need it. Now we have a separate document saying that.

It is important to note the new Data Processing Addendum is now incorporated by reference into our Terms of Service, which everyone agrees to when they sign up for any of our services. Now all of our customers have a shiny new Data Processing Agreement to go along with the updated Privacy Policy. We promise they are not long or complicated, and we encourage you to read them. If you have any questions, stop by our GDPR help section on our website.

Patience, Please

Every company we have dealt with over the last few months is working hard to comply with GDPR. It has been a tough road whether you tried to do it yourself or like Backblaze, hired an EU-based law firm for advice. Over the coming weeks and months as you reach out to discover and assert your rights, please have a little patience. We are all going through a steep learning curve as GDPR gets put into practice. Along the way there are certain to be some growing pains — give us a chance, we all want to get it right.

Regardless, at Backblaze we’ve been diligently protecting our customers’ data for over 11 years and nothing that will happen on May 25th will change that.

The post The Practical Effects of GDPR at Backblaze appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.

Singapore ISPs Block 53 Pirate Sites Following MPAA Legal Action

Post Syndicated from Andy original https://torrentfreak.com/singapore-isps-block-53-pirate-sites-following-mpaa-legal-action-180521/

Under increasing pressure from copyright holders, in 2014 Singapore passed amendments to copyright law that allow ISPs to block ‘pirate’ sites.

“The prevalence of online piracy in Singapore turns customers away from legitimate content and adversely affects Singapore’s creative sector,” said then Senior Minister of State for Law Indranee Rajah.

“It can also undermine our reputation as a society that respects the protection of intellectual property.”

After the amendments took effect in December 2014, there was a considerable pause before any websites were targeted. However, in September 2016, at the request of the MPA(A), Solarmovie.ph became the first website ordered to be blocked under Singapore’s amended Copyright Act. The High Court subsequently ordering several major ISPs to disable access to the site.

A new wave of blocks announced this morning are the country’s most significant so far, with dozens of ‘pirate’ sites targeted following a successful application by the MPAA earlier this year.

In total, 53 sites across 154 domains – including those operated by The Pirate Bay plus KickassTorrents and Solarmovie variants – have been rendered inaccessible by ISPs including Singtel, StarHub, M1, MyRepublic and ViewQwest.

“In Singapore, these sites are responsible for a major portion of copyright infringement of films and television shows,” an MPAA spokesman told The Straits Times (paywall).

“This action by rights owners is necessary to protect the creative industry, enabling creators to create and keep their jobs, protect their works, and ensure the continued provision of high-quality content to audiences.”

Before granting a blocking injunction, the High Court must satisfy itself that the proposed online locations meet the threshold of being “flagrantly infringing”. This means that a site like YouTube, which carries a lot of infringing content but is not dedicated to infringement, would not ordinarily get caught up in the dragnet.

Sites considered for blocking must have a primary purpose to infringe, a threshold that is tipped in copyright holders’ favor when the sites’ operators display a lack of respect for copyright law and have already had their domains blocked in other jurisdictions.

The Court also weighs a number of additional factors including whether blocking would place an unacceptable burden on the shoulders of ISPs, whether the blocking demand is technically possible, and whether it will be effective.

In common with other regions such as the UK and Australia, for example, sites targeted for blocking must be informed of the applications made against them, to ensure they’re given a chance to defend themselves in court. No fully-fledged ‘pirate’ site has ever defended a blocking application in Singapore or indeed any jurisdiction in the world.

Finally, should any measures be taken by ‘pirate’ sites to evade an ISP blockade, copyright holders can apply to the Singapore High Court to amend the blocking order. This is similar to the Australian model where each application must be heard on its merits, rather than the UK model where a more streamlined approach is taken.

According to a recent report by Motion Picture Association Canada, at least 42 countries are now obligated to block infringing sites. In Europe alone, 1,800 sites and 5,300 domains have been rendered inaccessible, with Portugal, Italy, the UK, and Denmark leading the way.

In Canada, where copyright holders are lobbying hard for a site-blocking regime of their own, there’s pressure to avoid the “uncertain, slow and expensive” route of going through the courts.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

All Systems Go! 2018 CfP Open

Post Syndicated from Lennart Poettering original http://0pointer.net/blog/all-systems-go-2018-cfp-open.html

The All Systems Go! 2018 Call for Participation is Now Open!

The Call for Participation (CFP) for All Systems Go!
2018
is now open. We’d like to invite you
to submit your proposals for consideration to the CFP submission
site
.

ASG image

The CFP will close on July 30th. Notification of acceptance and
non-acceptance will go out within 7 days of the closing of the CFP.

All topics relevant to foundational open-source Linux technologies are
welcome. In particular, however, we are looking for proposals
including, but not limited to, the following topics:

  • Low-level container executors and infrastructure
  • IoT and embedded OS infrastructure
  • BPF and eBPF filtering
  • OS, container, IoT image delivery and updating
  • Building Linux devices and applications
  • Low-level desktop technologies
  • Networking
  • System and service management
  • Tracing and performance measuring
  • IPC and RPC systems
  • Security and Sandboxing

While our focus is definitely more on the user-space side of things,
talks about kernel projects are welcome, as long as they have a clear
and direct relevance for user-space.

For more information please visit our conference
website
!

ISP Telenor Will Block The Pirate Bay in Sweden Without a Shot Fired

Post Syndicated from Andy original https://torrentfreak.com/isp-telenor-will-block-the-pirate-bay-in-sweden-without-a-shot-fired-180520/

Back in 2014, Universal Music, Sony Music, Warner Music, Nordisk Film and the Swedish Film Industry filed a lawsuit against Bredbandsbolaget, one of Sweden’s largest ISPs.

The copyright holders asked the Stockholm District Court to order the ISP to block The Pirate Bay and streaming site Swefilmer, claiming that the provider knowingly facilitated access to the pirate platforms and assisted their pirating users.

Soon after the ISP fought back, refusing to block the sites in a determined response to the Court.

“Bredbandsbolaget’s role is to provide its subscribers with access to the Internet, thereby contributing to the free flow of information and the ability for people to reach each other and communicate,” the company said in a statement.

“Bredbandsbolaget does not block content or services based on individual organizations’ requests. There is no legal obligation for operators to block either The Pirate Bay or Swefilmer.”

In February 2015 the parties met in court, with Bredbandsbolaget arguing in favor of the “important principle” that ISPs should not be held responsible for content exchanged over the Internet, in the same way the postal service isn’t responsible for the contents of an envelope.

But with TV companies SVT, TV4 Group, MTG TV, SBS Discovery and C More teaming up with the IFPI alongside Paramount, Disney, Warner and Sony in the case, Bredbandsbolaget would need to pull out all the stops to obtain victory. The company worked hard and initially the news was good.

In November 2015, the Stockholm District Court decided that the copyright holders could not force Bredbandsbolaget to block the pirate sites, ruling that the ISP’s operations did not amount to participation in the copyright infringement offenses carried out by some of its ‘pirate’ subscribers.

However, the case subsequently went to appeal, with the brand new Patent and Market Court of Appeal hearing arguments. In February 2017 it handed down its decision, which overruled the earlier ruling of the District Court and ordered Bredbandsbolaget to implement “technical measures” to prevent its customers accessing the ‘pirate’ sites through a number of domain names and URLs.

With nowhere left to go, Bredbandsbolaget and owner Telenor were left hanging onto their original statement which vehemently opposed site-blocking.

“It is a dangerous path to go down, which forces Internet providers to monitor and evaluate content on the Internet and block websites with illegal content in order to avoid becoming accomplices,” they said.

In March 2017, Bredbandsbolaget blocked The Pirate Bay but said it would not give up the fight.

“We are now forced to contest any future blocking demands. It is the only way for us and other Internet operators to ensure that private players should not have the last word regarding the content that should be accessible on the Internet,” Bredbandsbolaget said.

While it’s not clear whether any additional blocking demands have been filed with the ISP, this week an announcement by Bredbandsbolaget parent company Telenor revealed an unexpected knock-on effect. Seemingly without a single shot being fired, The Pirate Bay will now be blocked by Telenor too.

The background lies in Telenor’s acquisition of Bredbandsbolaget back in 2005. Until this week the companies operated under separate brands but will now merge into one entity.

“Telenor Sweden and Bredbandsbolaget today take the final step on their joint trip and become the same company with the same name. As a result, Telenor becomes a comprehensive provider of broadband, TV and mobile communications,” the company said in a statement this week.

“Telenor Sweden and Bredbandsbolaget have shared both logo and organization for the last 13 years. Today, we take the last step in the relationship and consolidate the companies under the same name.”

Up until this final merger, 600,000 Bredbandsbolaget broadband customers were denied access to The Pirate Bay. Now it appears that Telenor’s 700,000 fiber and broadband customers will be affected too. The new single-brand company says it has decided to block the notorious torrent site across its entire network.

“We have not discontinued Bredbandsbolaget, but we have merged Telenor and Bredbandsbolaget and become one,” the company said.

“When we share the same network, The Pirate Bay is blocked by both Telenor and Bredbandsbolaget and there is nothing we plan to change in the future.”

TorrentFreak contacted the PR departments of both Telenor and Bredbandsbolaget requesting information on why a court order aimed at only the latter’s customers would now affect those of the former too, more than doubling the blockade’s reach. Neither company responded which leaves only speculation as to its motives.

On the one hand, the decision to voluntarily implement an expanded blockade could perhaps be viewed as a little unusual given how much time, effort and money has been invested in fighting web-blockades in Sweden.

On the other, the merger of the companies may present legal difficulties as far as the court order goes and it could certainly cause friction among the customer base of Telenor if some customers could access TPB, and others could not.

In any event, the legal basis for web-blocking on copyright infringement grounds was firmly established last year at the EU level, which means that Telenor would lose any future legal battle, should it decide to dig in its heels. On that basis alone, the decision to block all customers probably makes perfect commercial sense.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

ExtraTorrent Replacement Displays Warning On Predecessor’s Shutdown Anniversary

Post Syndicated from Andy original https://torrentfreak.com/extratorrent-replacement-displays-warning-on-predecessors-shutdown-anniversary-180518/

Exactly one year ago, millions of users in the BitTorrent community went into mourning with the shock depature of one of its major players.

ExtraTorrent was founded in back in November 2006, at a time when classic platforms such as TorrentSpy and Mininova were dominating the torrent site landscape. But with dedication and determination, the site amassed millions of daily visitors, outperforming every other torrent site apart from the mighty Pirate Bay.

Then, on May 17, 2017, everything came crashing down.

“ExtraTorrent has shut down permanently,” a note in the site read. “ExtraTorrent with all mirrors goes offline. We permanently erase all data. Stay away from fake ExtraTorrent websites and clones. Thx to all ET supporters and torrent community. ET was a place to be….”

While ExtraTorrent staff couldn’t be more clear in advising people to stay away from clones, few people listened to their warnings. Within hours, new sites appeared claiming to be official replacements for the much-loved torrent site and people flocked to them in their millions.

One of those was ExtraTorrent.ag, a torrent site connected to the operators of EZTV.ag, which appeared as a replacement in the wake of the official EZTV’s demise. Graphically very similar to the original ExtraTorrent, the .ag ‘replacement’ had none of its namesake’s community or unique content. But that didn’t dent its popularity.

ExtraTorrent.ag

At the start of this week, ExtraTorrent.ag was one of the most popular torrent sites on the Internet. With an Alexa rank of around 2,200, it would’ve clinched ninth position in our Top 10 Torrent Sites report earlier this year. However, after registering the site’s domain a year ago, something seems to have gone wrong.

Yesterday, on the anniversary of ExtraTorrent’s shutdown and exactly a year after the ExtraTorrent.ag domain was registered, ExtraTorrent.ag disappeared only to be replaced by a generic landing page, as shown below.

ExtraTorrent.ag landing page

This morning, however, there appear to be additional complications. Accessing with Firefox produces the page above but attempting to do so with Chrome produces an ominous security warning.

Chrome warning

Indeed, those protected by MalwareBytes won’t be able to access the page at all, since ExtraTorrent.ag redirects to the domain FindBetterResults.com, which the anti-malware app flags as malicious.

The change was reported to TF by the operator of domain unblocking site Unblocked.lol, which offers torrent site proxies as well as access to live TV and sports.

“I noticed when I started receiving emails saying ExtraTorrent was redirecting to some parked domain. When I jumped on the PC and checked myself it was just redirecting to a blank page,” he informs us.

“First I thought they’d blocked our IP address so I used some different ones. But I soon discovered the domain was in fact parked.”

So what has happened to this previously-functioning domain?

Whois records show that ExtraTorrent.ag was created on May 17, 2017 and appears to have been registered for a year. Yesterday, on May 17, 2018, the domain was updated to list what could potentially be a new owner, with an expiry date of May 17, 2019.

Once domains have expired, they usually enter an ‘Auto-Renew Grace Period’ for up to 45 days. This is followed by a 30-day ‘Redemption Grace Period’. At the end of this second period, domains cannot be renewed and are released for third-parties to register. That doesn’t appear to have been the case here.

So, to find out more about the sudden changes we reached out to the email address listed in the WHOIS report but received no response. Should we hear more we’ll update this report but in the meantime the Internet has lost one of its largest torrent sites and gained a rather pointless landing page with potential security risks.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.