Tag Archives: news

Subtitle Heroes: Fansubbing Movie Criticized For Piracy Promotion

Post Syndicated from Andy original https://torrentfreak.com/subtitle-heroes-fansubbing-movie-criticized-for-piracy-promotion-180217/

With many thousands of movies and TV shows being made available illegally online every year, a significant number will be enjoyed by speakers of languages other than that presented in the original production.

When Hollywood blockbusters appear online, small armies of individuals around the world spring into action, translating the dialog into Chinese and Czech, Dutch and Danish, French and Farsi, Russian and Romanian, plus a dozen languages in between. TV shows, particularly those produced in the US, get the same immediate treatment.

For many years, subtitling (‘fansubbing’) communities have provided an incredible service to citizens around the globe, from those seeking to experience new culture and languages to the hard of hearing and profoundly deaf. Now, following in the footsteps of movies like TPB:AFK and Kim Dotcom: Caught in the Web, a new movie has premiered in Italy which celebrates this extraordinary movement.

Subs Heroes from writer and director Franco Dipietro hit cinemas at the end of January. It documents the contribution fansubbing has made to Italian culture in a country that under fascism in 1934 banned the use of foreign languages in films, books, newspapers and everyday speech.

The movie centers on the large subtitle site ItalianSubs.net. Founded by a group of teenagers in 2006, it is now run by a team of men and women who maintain their identities as regular citizens during the day but transform into “superheroes of fansubbing” at night.

Needless to say, not everyone is pleased with this depiction of the people behind the now-infamous 500,000 member site.

For many years, fansubbing attracted very little heat but over time anti-piracy groups have been turning up the pressure, accusing subtitling teams of fueling piracy. This notion is shared by local anti-piracy outfit FAPAV (Federation for the Protection of Audiovisual and Multimedia Content), which has accused Dipietro’s movie of glamorizing criminal activity.

In a statement following the release of Subs Heroes, FAPAV made its position crystal clear: sites like ItalianSubs do not contribute to the development of the audiovisual market in Italy.

“It is necessary to clarify: when a protected work is subtitled and there is no right to do so, a crime is committed,” the anti-piracy group says.

“[Italiansubs] translates and makes available subtitles of audiovisual works (films and television series) in many cases not yet distributed on the Italian market. All this without having requested the consent of the rights holders. Ergo the Italiansubs community is illegal.”

Italiansubs (note ad for movie, top right)

FAPAV General Secretary Federico Bagnoli Rossi says that the impact that fansubbers have on the market is significant, causing damage not only to companies distributing the content but also to those who invest in official translations.

The fact that fansubbers often translate content that is not yet available in the region only compounds matters, Rossi says, noting that unofficial translations can also have “direct consequences” on those who have language dubbing as an occupation.

“The audiovisual market today needs to be supported and the protection and fight against illicit behaviors are as fundamental as investments and creative ideas,” Rossi notes.

“Everyone must do their part, respecting the rules and with a competitive and global cultural vision. There are no ‘superheroes’ or noble goals behind piracy, but only great damage to the audiovisual sector and all its workers.”

Also piling on the criticism is the chief of the National Cinema Exhibitors’ Association, who wrote to all of the companies involved to remind them that unauthorized subtitling is a crime. According to local reports, there seems to be an underlying tone that people should avoid becoming associated with the movie.

This did not please director Franco Dipietro who is defending his right to document the fansubbing movement, whether the industry likes it or not.

“We invite those who perhaps think differently to deepen the discussion and maybe organize an event to talk about it together. The film is made to confront and talk about a phenomenon that, whether we like it or not, exists and we can not pretend that it is not there,” Dipietro concludes.



Subs Heroes Trailer 1 from Duel: on Vimeo.



Subs Heroes Trailer 2 from Duel: on Vimeo.

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Major US Sports Leagues Report Top Piracy Nations to Government

Post Syndicated from Ernesto original https://torrentfreak.com/major-us-sports-leagues-report-top-piracy-nations-to-government-180216/

While pirated Hollywood blockbusters often score the big headlines, there are several other industries that have been battling with piracy over the years. This includes sports organizations.

Many of the major US leagues including the NBA, NFL, NHL, MLB and the Tennis Association, are bundling their powers in the Sports Coalition, to try and curb the availability of pirated streams and videos.

A few days ago the Sports Coalition put the piracy problem on the agenda of the United States Trade Representative (USTR).

“Sports organizations, including Sports Coalition members, are heavily affected by live sports telecast piracy, including the unauthorized live retransmission of sports telecasts over the Internet,” the Sports Coalition wrote.

“The Internet piracy of live sports telecasts is not only a persistent problem, but also a global one, often involving bad actors in more than one nation.”

The USTR asked the public for comments on which countries play a central role in copyright infringement issues. In its response, the Sports Coalition stresses that piracy is a global issue but singles out several nations as particularly problematic.

The coalition recommends that the USTR should put the Netherlands and Switzerland on the “Priority Watch List” of its 2018 Special 301 Report, followed by Russia, Saudi Arabia, Seychelles and Sweden, which get a regular “Watch List” recommendation.

The main problem with these countries is that hosting providers and content distribution networks don’t do enough to curb piracy.

In the Netherlands, sawlive.tv, strikezoneme, wizlnet, AltusHost, Host Palace, Quasi Networks and SNEL pirated or provided services contributing to sports piracy, the coalition writes. In Switzerland, mlbstreamme, robinwidgetorg, strikeoutmobi, BlackHOST, Private Layer and Solar Communications are doing the same.

According to the major sports leagues, the US Government should encourage these countries to step up their anti-piracy game. This is not only important for US copyright holders, but also for licensees in other countries.

“Clearly, there is common ground – both in terms of shared economic interests and legal obligations to protect and enforce intellectual property and related rights – for the United States and the nations with which it engages in international trade to work cooperatively to stop Internet piracy of sports programming.”

Whether any of these countries will make it into the USTR’s final list has yet to be seen. For Switzerland it wouldn’t be the first time but for the Netherlands it would be new, although it has been considered before.

A document we received through a FOIA request earlier this year revealed that the US Embassy reached out to the Dutch Government in the past, to discuss similar complaints from the Sports Coalition.

The same document also revealed that local anti-piracy group BREIN consistently urged the entertainment industries it represents not to advocate placing the Netherlands on the 301 Watch List but to solve the problems behind the scenes instead.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

New National Academies Report on Crypto Policy

Post Syndicated from Bruce Schneier original https://www.schneier.com/blog/archives/2018/02/new_national_ac.html

The National Academies has just published “Decrypting the Encryption Debate: A Framework for Decision Makers.” It looks really good, although I have not read it yet.

Not much news or analysis yet. Please post any links you find in the comments, and I will summarize them here.

Embedding a Tweet Can be Copyright Infringement, Court Rules

Post Syndicated from Ernesto original https://torrentfreak.com/embedding-a-tweet-can-be-copyright-infringement-court-rules-180216/

Nowadays it’s fairly common for blogs and news sites to embed content posted by third parties, ranging from YouTube videos to tweets.

Although these publications don’t host the content themselves, they can be held liable for copyright infringement, a New York federal court has ruled.

The case in question was filed by Justin Goldman whose photo of Tom Brady went viral after he posted it on Snapchat. After being reposted on Reddit, it also made its way onto Twitter from where various news organizations picked it up.

Several of these news sites reported on the photo by embedding tweets from others. However, since Goldman never gave permission to display his photo, he went on to sue the likes of Breitbart, Time, Vox and Yahoo, for copyright infringement.

In their defense, the news organizations argued that they did nothing wrong as no content was hosted on their servers. They referred to the so-called “server test” that was applied in several related cases in the past, which determined that liability rests on the party that hosts the infringing content.

In an order that was just issued, US District Court Judge Katherine Forrest disagrees. She rejects the “server test” argument and rules that the news organizations are liable.

“[W]hen defendants caused the embedded Tweets to appear on their websites, their actions violated plaintiff’s exclusive display right; the fact that the image was hosted on a server owned and operated by an unrelated third party (Twitter) does not shield them from this result,” Judge Forrest writes.

Judge Forrest argues that the server test was established in the ‘Perfect 10 v. Amazon’ case, which dealt with the ‘distribution’ of content. This case is about ‘displaying’ an infringing work instead, an area where the jurisprudence is not as clear.

“The Court agrees with plaintiff. The plain language of the Copyright Act, the legislative history undergirding its enactment, and subsequent Supreme Court jurisprudence provide no basis for a rule that allows the physical location or possession of an image to determine who may or may not have “displayed” a work within the meaning of the Copyright Act.”

As a result, summary judgment was granted in favor of Goldman.

Rightsholders, including Getty Images which supported Goldman, are happy with the result. However, not everyone is pleased. The Electronic Frontier Foundation (EFF) says that if the current verdict stands it will put millions of regular Internet users at risk.

“Rejecting years of settled precedent, a federal court in New York has ruled that you could infringe copyright simply by embedding a tweet in a web page,” EFF comments.

“Even worse, the logic of the ruling applies to all in-line linking, not just embedding tweets. If adopted by other courts, this legally and technically misguided decision would threaten millions of ordinary Internet users with infringement liability.”

Given what’s at stake, it’s likely that the news organization will appeal this week’s order.

Interestingly, earlier this week a California district court dismissed Playboy’s copyright infringement complaint against Boing Boing, which embedded a YouTube video that contained infringing content.

A copy of Judge Forrest’s opinion can be found here (pdf).

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Court Orders Spanish ISPs to Block Pirate Sites For Hollywood

Post Syndicated from Andy original https://torrentfreak.com/court-orders-spanish-isps-to-block-pirate-sites-for-hollywood-180216/

Determined to reduce levels of piracy globally, Hollywood has become one of the main proponents of site-blocking on the planet. To date there have been multiple lawsuits in far-flung jurisdictions, with Europe one of the primary targets.

Following complaints from Disney, 20th Century Fox, Paramount, Sony, Universal and Warner, Spain has become one of the latest targets. According to the studios a pair of sites – HDFull.tv and Repelis.tv – infringe their copyrights on a grand scale and need to be slowed down by preventing users from accessing them.

HDFull is a platform that provides movies and TV shows in both Spanish and English. Almost 60% its traffic comes from Spain and after a huge surge in visitors last July, it’s now the 337th most popular site in the country according to Alexa. Visitors from Mexico, Argentina, United States and Chile make up the rest of its audience.

Repelis.tv is a similar streaming portal specializing in movies, mainly in Spanish. A third of the site’s visitors hail from Mexico with the remainder coming from Argentina, Columbia, Spain and Chile. In common with HDFull, Repelis has been building its visitor numbers quickly since 2017.

The studios demanding more blocks

With a ruling in hand from the European Court of Justice which determined that sites can be blocked on copyright infringement grounds, the studios asked the courts to issue an injunction against several local ISPs including Telefónica, Vodafone, Orange and Xfera. In an order handed down this week, Barcelona Commercial Court No. 6 sided with the studios and ordered the ISPs to begin blocking the sites.

“They damage the legitimate rights of those who own the films and series, which these pages illegally display and with which they profit illegally through the advertising revenues they generate,” a statement from the Spanish Federation of Cinematographic Distributors (FEDECINE) reads.

FEDECINE General director Estela Artacho said that changes in local law have helped to provide the studios with a new way to protect audiovisual content released in Spain.

“Thanks to the latest reform of the Civil Procedure Law, we have in this jurisdiction a new way to exercise different possibilities to protect our commercial film offering,” Artacho said.

“Those of us who are part of this industry work to make culture accessible and offer the best cinematographic experience in the best possible conditions, guaranteeing the continuity of the sector.”

The development was also welcomed by Stan McCoy, president of the Motion Picture Association’s EMEA division, which represents the plaintiffs in the case.

“We have just taken a welcome step which we consider crucial to face the problem of piracy in Spain,” McCoy said.

“These actions are necessary to maintain the sustainability of the creative community both in Spain and throughout Europe. We want to ensure that consumers enjoy the entertainment offer in a safe and secure environment.”

After gaining experience from blockades and subsequent circumvention in other regions, the studios seem better prepared to tackle fallout in Spain. In addition to blocking primary domains, the ruling handed down by the court this week also obliges ISPs to block any other domain, subdomain or IP address whose purpose is to facilitate access to the blocked platforms.

News of Spain’s ‘pirate’ blocks come on the heels of fresh developments in Germany, where this week a court ordered ISP Vodafone to block KinoX, one of the country’s most popular streaming portals.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

timeShift(GrafanaBuzz, 1w) Issue 34

Post Syndicated from Blogs on Grafana Labs Blog original https://grafana.com/blog/2018/02/16/timeshiftgrafanabuzz-1w-issue-34/

Welcome to TimeShift The big news this week is that we’ve sold out of General Admission tickets for GrafanaCon EU! We would like to thank the Grafana community for all your support and enthusiasm around GrafanaCon and are looking forward to delivering a highly valuable, interesting and most of all, fun conference. There are a small amount of Angel Tickets available – don’t miss your last chance to join us in Amsterdam!

Court Dismisses Playboy’s Copyright Claims Against Boing Boing

Post Syndicated from Ernesto original https://torrentfreak.com/court-dismisses-playboys-copyright-claims-against-boing-boing-180215/

Early 2016, Boing Boing co-editor Xeni Jardin published an article in which she linked to an archive of every Playboy centerfold image till then.

“Kind of amazing to see how our standards of hotness, and the art of commercial erotic photography, have changed over time,” Jardin commented.

While the linked material undoubtedly appealed to many readers, Playboy itself took offense to the fact that infringing copies of their work were being shared in public. While Boing Boing didn’t upload or store the images in question, the publisher filed a lawsuit late last year.

The blog’s parent company Happy Mutants was accused of various counts of copyright infringement, with Playboy claiming that it exploited their playmates’ images for commercial purposes.

Boing Boing saw things differently. With help from the Electronic Frontier Foundation (EFF) it filed a motion to dismiss, arguing that hyperlinking is not copyright infringement. If Playboy would’ve had their way, millions of other Internet users could be sued for linking too.

“This case merely has to survive a motion to dismiss to launch a thousand more expensive lawsuits, chilling a broad variety of lawful expression and reporting that merely adopts the common practice of linking to the material that is the subject of the report,” they wrote.

The article in question

Yesterday US District Court Judge Fernando Olguin ruled on the matter. In a brief order, he concluded that an oral argument is not needed and that based on the arguments from both sides, the case should be dismissed with leave.

This effectively means that Playboy’s complaint has been thrown out. However, the company is offered a lifeline and is allowed to submit a new one if they can properly back up their copyright infringement allegations.

“The court will grant defendant’s Motion and dismiss plaintiff’s First Amended Complaint with leave to amend. In preparing the Second Amended Complaint, plaintiff shall carefully evaluate the contentions set forth in defendant’s Motion.

“For example, the court is skeptical that plaintiff has sufficiently alleged facts to support either its inducement or material contribution theories of copyright infringement,” Judge Olguin adds.

According to the order, it is not sufficient to argue that Boing Boing merely ‘provided the means’ to carry out copyright infringing activity. There also has to be a personal action that ‘assists’ the infringing activity.

Playboy has until the end of the month to submit a new complaint and if it chooses not to do so, the case will be thrown out.

The order is clearly a win for Boing Boing, which vehemently opposed Playboy’s claims. While the order is clear, it must come as a surprise to the magazine publisher, which won a similar ‘hyperlinking’ lawsuit in the European Court of Justice last year.

EFF, who defend Boing Boing, is happy with the order and hopes that Playboy will leave it at this.

“From the outset of this lawsuit, we have been puzzled as to why Playboy, once a staunch defender of the First Amendment, would attack a small news and commentary website,” EFF comments

“Today’s decision leaves Playboy with a choice: it can try again with a new complaint or it can leave this lawsuit behind. We don’t believe there’s anything Playboy could add to its complaint that would meet the legal standard. We hope that it will choose not to continue with its misguided suit.”

A copy of US District Court Judge Fernando Olguin’s order is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Tickbox Must Remove Pirate Streaming Addons From Sold Devices

Post Syndicated from Ernesto original https://torrentfreak.com/tickbox-remove-pirate-streaming-addons-180214/

Online streaming piracy is on the rise and many people now use dedicated media players to watch content through their regular TVs.

This is a thorn in the side of various movie companies, who have launched a broad range of initiatives to curb this trend.

One of these initiatives is the Alliance for Creativity and Entertainment (ACE), an anti-piracy partnership between Hollywood studios, Netflix, Amazon, and more than two dozen other companies.

Last year, ACE filed a lawsuit against the Georgia-based company Tickbox TV, which sells Kodi-powered set-top boxes that stream a variety of popular media.

ACE sees these devices as nothing more than pirate tools so the coalition asked the court for an injunction to prevent Tickbox from facilitating copyright infringement, demanding that it removes all pirate add-ons from previously sold devices.

Last month, a California federal court issued an initial injunction, ordering Tickbox to keep pirate addons out of its box and halt all piracy-inducing advertisements going forward. In addition, the court directed both parties to come up with a proper solution for devices that were already sold.

The movie companies wanted Tickbox to remove infringing addons from previously sold devices, but the device seller refused this initially, equating it to hacking.

This week, both parties were able to reach an ‘agreement’ on the issue. They drafted an updated preliminary injunction which replaces the previous order and will be in effect for the remainder of the lawsuit.

The new injunction prevents Tickbox from linking to any “build,” “theme,” “app,” or “addon” that can be indirectly used to transmit copyright-infringing material. Web browsers such as Internet Explorer, Google Chrome, Safari, and Firefox are specifically excluded.

In addition, Tickbox must also release a new software updater that will remove any infringing software from previously sold devices.

“TickBox shall issue an update to the TickBox launcher software to be automatically downloaded and installed onto any previously distributed TickBox TV device and to be launched when such device connects to the internet,” the injunction reads.

“Upon being launched, the update will delete the Subject [infringing] Software downloaded onto the device prior to the update, or otherwise cause the TickBox TV device to be unable to access any Subject Software downloaded onto or accessed via that device prior to the update.”

All tiles that link to copyright-infringing software from the box’s home screen also have to be stripped. Going forward, only tiles to the Google Play Store or to Kodi within the Google Play Store are allowed.

In addition, the agreement also allows ACE to report newly discovered infringing apps or addons to Tickbox, which the company will then have to remove within 24-hours, weekends excluded.

“This ruling sets an important precedent and reduces the threat from piracy devices to the legal market for creative content and a vibrant creative economy that supports millions of workers around the world,” ACE spokesperson Zoe Thorogood says, commenting on the news.

The new injunction is good news for the movie companies, but many Tickbox customers will not appreciate the forced changes. That said, the legal battle is far from over. The main question, whether Tickbox contributed to the alleged copyright infringements, has yet to be answered.

Ultimately, this case is likely to result in a landmark decision, determining what sellers of streaming boxes can and cannot do in the United States.

A copy of the new Tickbox injunction is available here (pdf).

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N-O-D-E’s always-on networked Pi Plug

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/node-pi-plug/

N-O-D-E’s Pi Plug is a simple approach to using a Raspberry Pi Zero W as an always-on networked device without a tangle of wires.

Pi Plug 2: Turn The Pi Zero Into A Mini Server

Today I’m back with an update on the Pi Plug I made a while back. This prototype is still in the works, and is much more modular than the previous version. https://N-O-D-E.net/piplug2.html https://github.com/N-O-D-E/piplug —————- Shop: http://N-O-D-E.net/shop/ Patreon: http://patreon.com/N_O_D_E_ BTC: 17HqC7ZzmpE7E8Liuyb5WRbpwswBUgKRGZ Newsletter: http://eepurl.com/ceA-nL Music: https://archive.org/details/Fwawn-FromManToGod

The Pi Zero Power Case

In a video early last year, YouTuber N-O-D-E revealed his Pi Zero Power Case, an all-in-one always-on networked computer that fits snugly against a wall power socket.

NODE Plug Raspberry Pi Plug

The project uses an official Raspberry Pi power supply, a Zero4U USB hub, and a Raspberry Pi Zero W, and it allows completely wireless connection to a network. N-O-D-E cut the power cord and soldered its wires directly to the power input of the USB hub. The hub powers the Zero via pogo pins that connect directly to the test pads beneath.

The Power Case is a neat project, but it may be a little daunting for anyone not keen on cutting and soldering the power supply wires.

Pi Plug 2

In his overhaul of the design, N-O-D-E has created a modular reimagining of the previous always-on networked computer that fits more streamlined to the wall socket and requires absolutely no soldering or hacking of physical hardware.

Pi Plug

The Pi Plug 2 uses a USB power supply alongside two custom PCBs and a Zero W. While one PCB houses a USB connector that slots directly into the power supply, two blobs of solder on the second PCB press against the test pads beneath the Zero W. When connected, the PCBs run power directly from the wall socket to the Raspberry Pi Zero W. Neat!

NODE Plug Raspberry Pi
NODE Plug Raspberry Pi
NODE Plug Raspberry Pi
NODE Plug Raspberry Pi

While N-O-D-E isn’t currently selling these PCBs in his online store, all files are available on GitHub, so have a look if you want to recreate the Pi Plug.

Uses

In another video — and seriously, if you haven’t checked out N-O-D-E’s YouTube channel yet, you really should — he demonstrates a few changes that can turn your Zero into a USB dongle computer. This is a great hack if you don’t want to carry a power supply around in your pocket. As N-O-D-E explains:

Besides simply SSH’ing into the Pi, you could also easily install a remote desktop client and use the GUI. You can share your computer’s internet connection with the Pi and use it just like you would normally, but now without the need for a monitor, chargers, adapters, cables, or peripherals.

We’re keen to see how our community is hacking their Zeros and Zero Ws in order to take full advantage of the small footprint of the computer, so be sure to share your projects and ideas with us, either in the comments below or via social media.

The post N-O-D-E’s always-on networked Pi Plug appeared first on Raspberry Pi.

Australian Government Launches Pirate Site-Blocking Review

Post Syndicated from Andy original https://torrentfreak.com/australian-government-launches-pirate-site-blocking-review-180214/

Following intense pressure from entertainment industry groups, in 2014 Australia began developing legislation which would allow ‘pirate’ sites to be blocked at the ISP level.

In March 2015 the Copyright Amendment (Online Infringement) Bill 2015 (pdf) was introduced to parliament and after just three months of consideration, the Australian Senate passed the legislation into law.

Soon after, copyright holders began preparing their first cases and in December 2016, the Australian Federal Court ordered dozens of local Internet service providers to block The Pirate Bay, Torrentz, TorrentHound, IsoHunt, SolarMovie, plus many proxy and mirror services.

Since then, more processes have been launched establishing site-blocking as a permanent fixture on the Aussie anti-piracy agenda. But with yet more applications for injunction looming on the horizon, how is the mechanism performing and does anything else need to be done to improve or amend it?

Those are the questions now being asked by the responsible department of the Australian Government via a consultation titled Review of Copyright Online Infringement Amendment. The review should’ve been carried out 18 months after the law’s introduction in 2015 but the department says that it delayed the consultation to let more evidence emerge.

“The Department of Communications and the Arts is seeking views from stakeholders on the questions put forward in this paper. The Department welcomes single, consolidated submissions from organizations or parties, capturing all views on the Copyright Amendment (Online Infringement) Act 2015 (Online Infringement Amendment),” the consultation paper begins.

The three key questions for response are as follows:

– How effective and efficient is the mechanism introduced by the Online Infringement Amendment?

– Is the application process working well for parties and are injunctions operating well, once granted?

– Are any amendments required to improve the operation of the Online Infringement Amendment?

Given the tendency for copyright holders to continuously demand more bang for their buck, it will perhaps come as a surprise that at least for now there is a level of consensus that the system is working as planned.

“Case law and survey data suggests the Online Infringement Amendment has enabled copyright owners to work with [Internet service providers] to reduce large-scale online copyright infringement. So far, it appears that copyright owners and [ISPs] find the current arrangement acceptable, clear and effective,” the paper reads.

Thus far under the legislation there have been four applications for injunctions through the Federal Court, notably against leading torrent indexes and browser-based streaming sites, which were both granted.

The other two processes, which began separately but will be heard together, at least in part, involve the recent trend of set-top box based streaming.

Village Roadshow, Disney, Universal, Warner Bros, Twentieth Century Fox, and Paramount are currently presenting their case to the Federal Court. Along with Hong Kong-based broadcaster Television Broadcasts Limited (TVB), which has a separate application, the companies have been told to put together quality evidence for an April 2018 hearing.

With these applications already in the pipeline, yet more are on the horizon. The paper notes that more applications are expected to reach the Federal Court shortly, with the Department of Communications monitoring to assess whether current arrangements are refined as additional applications are filed.

Thus far, however, steady progress appears to have been made. The paper cites various precedents established as a result of the blocking process including the use of landing pages to inform Internet users why sites are blocked and who is paying.

“Either a copyright owner or [ISP] can establish a landing page. If an [ISP] wishes to avoid the cost of its own landing page, it can redirect customers to one that the copyright owner would provide. Another precedent allocates responsibility for compliance costs. Cases to date have required copyright owners to pay all or a significant proportion of compliance costs,” the paper notes.

But perhaps the issue of most importance is whether site-blocking as a whole has had any effect on the levels of copyright infringement in Australia.

The Government says that research carried out by Kantar shows that downloading “fell slightly from 2015 to 2017” with a 5-10% decrease in individuals consuming unlicensed content across movies, music and television. It’s worth noting, however, that Netflix didn’t arrive on Australian shores until May 2015, just a month before the new legislation was passed.

Research commissioned by the Department of Communications and published a year later in 2016 (pdf) found that improved availability of legal streaming alternatives was the main contributor to falling infringement rates. In a juicy twist, the report also revealed that Aussie pirates were the entertainment industries’ best customers.

“The Department is aware that other factors — such as the increasing availability of television, music and film streaming services and of subscription gaming services — may also contribute to falling levels of copyright infringement,” the paper notes.

Submissions to the consultation (pdf) are invited by 5.00 pm AEST on Friday 16 March 2018 via the government’s website.

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EFF Urges US Copyright Office To Reject Proactive ‘Piracy’ Filters

Post Syndicated from Andy original https://torrentfreak.com/eff-urges-us-copyright-office-to-reject-proactive-piracy-filters-180213/

Faced with millions of individuals consuming unlicensed audiovisual content from a variety of sources, entertainment industry groups have been seeking solutions closer to the roots of the problem.

As widespread site-blocking attempts to tackle ‘pirate’ sites in the background, greater attention has turned to legal platforms that host both licensed and unlicensed content.

Under current legislation, these sites and services can do business relatively comfortably due to the so-called safe harbor provisions of the US Digital Millennium Copyright Act (DMCA) and the European Union Copyright Directive (EUCD).

Both sets of legislation ensure that Internet platforms can avoid being held liable for the actions of others provided they themselves address infringement when they are made aware of specific problems. If a video hosting site has a copy of an unlicensed movie uploaded by a user, for example, it must be removed within a reasonable timeframe upon request from the copyright holder.

However, in both the US and EU there is mounting pressure to make it more difficult for online services to achieve ‘safe harbor’ protections.

Entertainment industry groups believe that platforms use the law to turn a blind eye to infringing content uploaded by users, content that is often monetized before being taken down. With this in mind, copyright holders on both sides of the Atlantic are pressing for more proactive regimes, ones that will see Internet platforms install filtering mechanisms to spot and discard infringing content before it can reach the public.

While such a system would be welcomed by rightsholders, Internet companies are fearful of a future in which they could be held more liable for the infringements of others. They’re supported by the EFF, who yesterday presented a petition to the US Copyright Office urging caution over potential changes to the DMCA.

“As Internet users, website owners, and online entrepreneurs, we urge you to preserve and strengthen the Digital Millennium Copyright Act safe harbors for Internet service providers,” the EFF writes.

“The DMCA safe harbors are key to keeping the Internet open to all. They allow anyone to launch a website, app, or other service without fear of crippling liability for copyright infringement by users.”

It is clear that pressure to introduce mandatory filtering is a concern to the EFF. Filters are blunt instruments that cannot fathom the intricacies of fair use and are liable to stifle free speech and stymie innovation, they argue.

“Major media and entertainment companies and their surrogates want Congress to replace today’s DMCA with a new law that would require websites and Internet services to use automated filtering to enforce copyrights.

“Systems like these, no matter how sophisticated, cannot accurately determine the copyright status of a work, nor whether a use is licensed, a fair use, or otherwise non-infringing. Simply put, automated filters censor lawful and important speech,” the EFF warns.

While its introduction was voluntary and doesn’t affect the company’s safe harbor protections, YouTube already has its own content filtering system in place.

ContentID is able to detect the nature of some content uploaded by users and give copyright holders a chance to remove or monetize it. The company says that the majority of copyright disputes are now handled by ContentID but the system is not perfect and mistakes are regularly flagged by users and mentioned in the media.

However, ContentID was also very expensive to implement so expecting smaller companies to deploy something similar on much more limited budgets could be a burden too far, the EFF warns.

“What’s more, even deeply flawed filters are prohibitively expensive for all but the largest Internet services. Requiring all websites to implement filtering would reinforce the market power wielded by today’s large Internet services and allow them to stifle competition. We urge you to preserve effective, usable DMCA safe harbors, and encourage Congress to do the same,” the EFF notes.

The same arguments, for and against, are currently raging in Europe where the EU Commission proposed mandatory upload filtering in 2016. Since then, opposition to the proposals has been fierce, with warnings of potential human rights breaches and conflicts with existing copyright law.

Back in the US, there are additional requirements for a provider to qualify for safe harbor, including having a named designated agent tasked with receiving copyright infringement notifications. This person’s name must be listed on a platform’s website and submitted to the US Copyright Office, which maintains a centralized online directory of designated agents’ contact information.

Under new rules, agents must be re-registered with the Copyright Office every three years, despite that not being a requirement under the DMCA. The EFF is concerned that by simply failing to re-register an agent, an otherwise responsible website could lose its safe harbor protections, even if the agent’s details have remained the same.

“We’re concerned that the new requirement will particularly disadvantage small and nonprofit websites. We ask you to reconsider this rule,” the EFF concludes.

The EFF’s letter to the Copyright Office can be found here.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Early Challenges: Making Critical Hires

Post Syndicated from Gleb Budman original https://www.backblaze.com/blog/early-challenges-making-critical-hires/

row of potential employee hires sitting waiting for an interview

In 2009, Google disclosed that they had 400 recruiters on staff working to hire nearly 10,000 people. Someday, that might be your challenge, but most companies in their early days are looking to hire a handful of people — the right people — each year. Assuming you are closer to startup stage than Google stage, let’s look at who you need to hire, when to hire them, where to find them (and how to help them find you), and how to get them to join your company.

Who Should Be Your First Hires

In later stage companies, the roles in the company have been well fleshed out, don’t change often, and each role can be segmented to focus on a specific area. A large company may have an entire department focused on just cubicle layout; at a smaller company you may not have a single person whose actual job encompasses all of facilities. At Backblaze, our CTO has a passion and knack for facilities and mostly led that charge. Also, the needs of a smaller company are quick to change. One of our first hires was a QA person, Sean, who ended up being 100% focused on data center infrastructure. In the early stage, things can shift quite a bit and you need people that are broadly capable, flexible, and most of all willing to pitch in where needed.

That said, there are times you may need an expert. At a previous company we hired Jon, a PhD in Bayesian statistics, because we needed algorithmic analysis for spam fighting. However, even that person was not only able and willing to do the math, but also code, and to not only focus on Bayesian statistics but explore a plethora of spam fighting options.

When To Hire

If you’ve raised a lot of cash and are willing to burn it with mistakes, you can guess at all the roles you might need and start hiring for them. No judgement: that’s a reasonable strategy if you’re cash-rich and time-poor.

If your cash is limited, try to see what you and your team are already doing and then hire people to take those jobs. It may sound counterintuitive, but if you’re already doing it presumably it needs to be done, you have a good sense of the type of skills required to do it, and you can bring someone on-board and get them up to speed quickly. That then frees you up to focus on tasks that can’t be done by someone else. At Backblaze, I ran marketing internally for years before hiring a VP of Marketing, making it easier for me to know what we needed. Once I was hiring, my primary goal was to find someone I could trust to take that role completely off of me so I could focus solely on my CEO duties

Where To Find the Right People

Finding great people is always difficult, particularly when the skillsets you’re looking for are highly in-demand by larger companies with lots of cash and cachet. You, however, have one massive advantage: you need to hire 5 people, not 5,000.

People You Worked With

The absolutely best people to hire are ones you’ve worked with before that you already know are good in a work situation. Consider your last job, the one before, and the one before that. A significant number of the people we recruited at Backblaze came from our previous startup MailFrontier. We knew what they could do and how they would fit into the culture, and they knew us and thus could quickly meld into the environment. If you didn’t have a previous job, consider people you went to school with or perhaps individuals with whom you’ve done projects previously.

People You Know

Hiring friends, family, and others can be risky, but should be considered. Sometimes a friend can be a “great buddy,” but is not able to do the job or isn’t a good fit for the organization. Having to let go of someone who is a friend or family member can be rough. Have the conversation up front with them about that possibility, so you have the ability to stay friends if the position doesn’t work out. Having said that, if you get along with someone as a friend, that’s one critical component of succeeding together at work. At Backblaze we’ve hired a number of people successfully that were friends of someone in the organization.

Friends Of People You Know

Your network is likely larger than you imagine. Your employees, investors, advisors, spouses, friends, and other folks all know people who might be a great fit for you. Make sure they know the roles you’re hiring for and ask them if they know anyone that would fit. Search LinkedIn for the titles you’re looking for and see who comes up; if they’re a 2nd degree connection, ask your connection for an introduction.

People You Know About

Sometimes the person you want isn’t someone anyone knows, but you may have read something they wrote, used a product they’ve built, or seen a video of a presentation they gave. Reach out. You may get a great hire: worst case, you’ll let them know they were appreciated, and make them aware of your organization.

Other Places to Find People

There are a million other places to find people, including job sites, community groups, Facebook/Twitter, GitHub, and more. Consider where the people you’re looking for are likely to congregate online and in person.

A Comment on Diversity

Hiring “People You Know” can often result in “Hiring People Like You” with the same workplace experiences, culture, background, and perceptions. Some studies have shown [1, 2, 3, 4] that homogeneous groups deliver faster, while heterogeneous groups are more creative. Also, “Hiring People Like You” often propagates the lack of women and minorities in tech and leadership positions in general. When looking for people you know, keep an eye to not discount people you know who don’t have the same cultural background as you.

Helping People To Find You

Reaching out proactively to people is the most direct way to find someone, but you want potential hires coming to you as well. To do this, they have to a) be aware of you, b) know you have a role they’re interested in, and c) think they would want to work there. Let’s tackle a) and b) first below.

Your Blog

I started writing our blog before we launched the product and talked about anything I found interesting related to our space. For several years now our team has owned the content on the blog and in 2017 over 1.5 million people read it. Each time we have a position open it’s published to the blog. If someone finds reading about backup and storage interesting, perhaps they’d want to dig in deeper from the inside. Many of the people we’ve recruited have mentioned reading the blog as either how they found us or as a factor in why they wanted to work here.
[BTW, this is Gleb’s 200th post on Backblaze’s blog. The first was in 2008. — Editor]

Your Email List

In addition to the emails our blog subscribers receive, we send regular emails to our customers, partners, and prospects. These are largely focused on content we think is directly useful or interesting for them. However, once every few months we include a small mention that we’re hiring, and the positions we’re looking for. Often a small blurb is all you need to capture people’s imaginations whether they might find the jobs interesting or can think of someone that might fit the bill.

Your Social Involvement

Whether it’s Twitter or Facebook, Hacker News or Slashdot, your potential hires are engaging in various communities. Being socially involved helps make people aware of you, reminds them of you when they’re considering a job, and paints a picture of what working with you and your company would be like. Adam was in a Reddit thread where we were discussing our Storage Pods, and that interaction was ultimately part of the reason he left Apple to come to Backblaze.

Convincing People To Join

Once you’ve found someone or they’ve found you, how do you convince them to join? They may be currently employed, have other offers, or have to relocate. Again, while the biggest companies have a number of advantages, you might have more unique advantages than you realize.

Why Should They Join You

Here are a set of items that you may be able to offer which larger organizations might not:

Role: Consider the strengths of the role. Perhaps it will have broader scope? More visibility at the executive level? No micromanagement? Ability to take risks? Option to create their own role?

Compensation: In addition to salary, will their options potentially be worth more since they’re getting in early? Can they trade-off salary for more options? Do they get option refreshes?

Benefits: In addition to healthcare, food, and 401(k) plans, are there unique benefits of your company? One company I knew took the entire team for a one-month working retreat abroad each year.

Location: Most people prefer to work close to home. If you’re located outside of the San Francisco Bay Area, you might be at a disadvantage for not being in the heart of tech. But if you find employees close to you you’ve got a huge advantage. Sometimes it’s micro; even in the Bay Area the difference of 5 miles can save 20 minutes each way every day. We located the Backblaze headquarters in San Mateo, a middle-ground that made it accessible to those coming from San Jose and San Francisco. We also chose a downtown location near a train, restaurants, and cafes: all to make it easier and more pleasant. Also, are you flexible in letting your employees work remotely? Our systems administrator Elliott is about to embark on a long-term cross-country journey working from an RV.

Environment: Open office, cubicle, cafe, work-from-home? Loud/quiet? Social or focused? 24×7 or work-life balance? Different environments appeal to different people.

Team: Who will they be working with? A company with 100,000 people might have 100 brilliant ones you’d want to work with, but ultimately we work with our core team. Who will your prospective hires be working with?

Market: Some people are passionate about gaming, others biotech, still others food. The market you’re targeting will get different people excited.

Product: Have an amazing product people love? Highlight that. If you’re lucky, your potential hire is already a fan.

Mission: Curing cancer, making people happy, and other company missions inspire people to strive to be part of the journey. Our mission is to make storing data astonishingly easy and low-cost. If you care about data, information, knowledge, and progress, our mission helps drive all of them.

Culture: I left this for last, but believe it’s the most important. What is the culture of your company? Finding people who want to work in the culture of your organization is critical. If they like the culture, they’ll fit and continue it. We’ve worked hard to build a culture that’s collaborative, friendly, supportive, and open; one in which people like coming to work. For example, the five founders started with (and still have) the same compensation and equity. That started a culture of “we’re all in this together.” Build a culture that will attract the people you want, and convey what the culture is.

Writing The Job Description

Most job descriptions focus on the all the requirements the candidate must meet. While important to communicate, the job description should first sell the job. Why would the appropriate candidate want the job? Then share some of the requirements you think are critical. Remember that people read not just what you say but how you say it. Try to write in a way that conveys what it is like to actually be at the company. Ahin, our VP of Marketing, said the job description itself was one of the things that attracted him to the company.

Orchestrating Interviews

Much can be said about interviewing well. I’m just going to say this: make sure that everyone who is interviewing knows that their job is not only to evaluate the candidate, but give them a sense of the culture, and sell them on the company. At Backblaze, we often have one person interview core prospects solely for company/culture fit.

Onboarding

Hiring success shouldn’t be defined by finding and hiring the right person, but instead by the right person being successful and happy within the organization. Ensure someone (usually their manager) provides them guidance on what they should be concentrating on doing during their first day, first week, and thereafter. Giving new employees opportunities and guidance so that they can achieve early wins and feel socially integrated into the company does wonders for bringing people on board smoothly

In Closing

Our Director of Production Systems, Chris, said to me the other day that he looks for companies where he can work on “interesting problems with nice people.” I’m hoping you’ll find your own version of that and find this post useful in looking for your early and critical hires.

Of course, I’d be remiss if I didn’t say, if you know of anyone looking for a place with “interesting problems with nice people,” Backblaze is hiring. 😉

The post Early Challenges: Making Critical Hires appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.

Amazon Relational Database Service – Looking Back at 2017

Post Syndicated from Jeff Barr original https://aws.amazon.com/blogs/aws/amazon-relational-database-service-looking-back-at-2017/

The Amazon RDS team launched nearly 80 features in 2017. Some of them were covered in this blog, others on the AWS Database Blog, and the rest in What’s New or Forum posts. To wrap up my week, I thought it would be worthwhile to give you an organized recap. So here we go!

Certification & Security

Features

Engine Versions & Features

Regional Support

Instance Support

Price Reductions

And That’s a Wrap
I’m pretty sure that’s everything. As you can see, 2017 was quite the year! I can’t wait to see what the team delivers in 2018.

Jeff;

 

Hosting Provider Steadfast Maintains DMCA Safe Harbor Defense For Trial

Post Syndicated from Ernesto original https://torrentfreak.com/hosting-provider-steadfast-maintains-dmca-safe-harbor-defense-for-trial-180212/

Two years ago, adult entertainment publisher ALS Scan dragged several third-party Internet services to court.

The company targeted several companies including CDN provider CloudFlare and the Chicago-based hosting company Steadfast, accusing them of copyright infringement because they offered services to pirate sites.

The case against Steadfast is getting close to trial and to start with an advantage, ALS Scan recently asked the court for partial summary judgment, determining that the hosting company contributed to copyright infringement and that it has no safe harbor protection.

ALS argued that Steadfast refused to shut down the servers of the image sharing platform Imagebam.com, which was operated by its client Flixya. ALS Scan described the site as a repeat offender, as it had been targeted with dozens of DMCA notices, and accused Steadfast of turning a blind eye to the situation.

Steadfast, for its part, fiercely denied the allegations. The hosting provider admitted that it leased servers to Flixya for ten years but said that it forwarded all notices to its client. The hosting company could not address individual infringements, other than shutting down the entire site, which would have been disproportionate in their view.

A few days ago California District Court Judge George Wu ruled on the matter, denying ALS’s motion for summary judgment.

Both sides made sensible arguments on the contributory infringement issue, but it is by no means undisputed that the hosting provider ‘contributed’ to the infringing activities. The court, therefore, left this question open for the jury to determine at trial.

“Ultimately, both sides have raised triable issues of fact with respect to material contribution. As a result, the Court would deny Plaintiff’s Motion,” Judge Wu writes.

ALS also sought summary judgment on the DMCA safe harbor protection issue, but the court denied this request as well. While it’s clear that the hosting company never terminated a customer for repeat infringements, it’s not clear whether it was ever in a situation where it needed to.

The DMCA requires Internet services to implement a meaningful repeat infringer policy, but in this case, Steadfast’s client Imagebam reportedly had a takedown policy of its own, which complicates the issue.

“While the fact Steadfast has never terminated one of its own customers for infringement is potentially damaging to its ability to fit the safe harbor, Plaintiff has not established that Steadfast faced a situation requiring it to terminate one of its users,” Judge Wu writes.

“Even in the present case it is unclear that Steadfast needed to terminate Flixya’s account given Flixya itself had a policy that was arguably successful at removing infringing images from imagebam.com.”

Judge Wu adds that safe harbor defenses are generally left to the jury, and this is what he decided as well.

As a result, ALS’s entire motion for summary judgment is denied. This is good news for Steadfast, who will have their safe harbor defense available at the upcoming trial. However, they will likely celebrate this win with caution, as the jury makes its ultimate decision.

A copy of the court’s order is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Preining: In memoriam Staszek Wawrykiewicz

Post Syndicated from ris original https://lwn.net/Articles/747123/rss

Norbert Preining reports
the sad news
that Staszek Wawrykiewicz has died. “Staszek was an
active member of the Polish TeX community, and an incredibly valuable TeX
Live Team member. His insistence and perseverance have saved TeX Live from
many disasters and bugs. Although I have been in contact with Staszek over
the TeX Live mailing lists since some years, I met him in person for the
first time on my first ever BachoTeX, the EuroBachoTeX 2007. His
friendliness, openness to all new things, his inquisitiveness, all took a
great place in my heart.
” (Thanks to Paul Wise)

US Online Piracy Lawsuits Skyrocket in the New Year

Post Syndicated from Ernesto original https://torrentfreak.com/u-s-online-piracy-lawsuits-skyrocket-in-the-new-year-180211/

Since the turn of the last decade, numerous people have been sued for illegal file-sharing in US courts.

Initially, these lawsuits targeted hundreds or thousands of BitTorrent users per case, but this practice has been rooted out since. Now, most file-sharing cases target a single person, up to a dozen or two at most.

While there may be fewer defendants, there are still plenty of lawsuits filed every month. These generally come from a small group of companies, regularly referred to as “copyright trolls,” who are looking to settle with the alleged pirates.

According to Lex Machina, there were 1,019 file-sharing cases filed in the United States last year, which is an average of 85 per month. More than half of these came from adult entertainment outfit Malibu Media (X-Art), which alone was good for 550 lawsuits.

While those are decent numbers, they could easily be shattered this year. Data collected by TorrentFreak shows that during the first month of 2018, three copyright holders filed a total of 286 lawsuits against alleged pirates. That’s three times more than the monthly average for 2017.

As expected, Malibu Media takes the crown with 138 lawsuits, but not by a large margin. Strike 3 Holdings, which distributes its adult videos via the Blacked, Tushy, and Vixen websites, comes in second place with 133 cases.

Some Malibu Media cases

While Strike 3 Holdings is a relative newcomer, their cases follow a similar pattern. There are also clear links to Malibu Media, as one of the company’s former lawyers, Emilie Kennedy, now works as in-house counsel at Strike 3.

The only non-adult copyright holder that filed cases against alleged BitTorrent pirates was Bodyguard Productions. The company filed 15 cases against downloaders of The Hitman’s Bodyguard, totaling a few dozen defendants.

While these numbers are significant, it’s hard to predict whether the increase will persist. Lawsuits targeted at BitTorrent users often come in waves, and the same companies that flooded the courts with cases last month could easily take a break the next.

While copyright holders have every right to go after people who share their work without permission, these type of cases are not without controversy.

Several judges have referred used strong terms including “harassment,” to describe some of the tactics that are used, and the IP-address evidence is not always trusted either.

That said, there’s no evidence that Malibu Media and others are done yet.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Comcast Explains How It Deals With Persistent Pirates

Post Syndicated from Ernesto original https://torrentfreak.com/comcast-explains-how-it-deals-with-persistent-pirates-180210/

Dating back to the turn of the last century, copyright holders have alerted Internet providers about alleged copyright infringers on their network.

While many ISPs forwarded these notices to their subscribers, most were not very forthcoming about what would happen after multiple accusations.

This vagueness was in part shaped by law. While it’s clear that the DMCA requires Internet providers to implement a meaningful “repeat infringer” policy, the DMCA doesn’t set any clear boundaries on what constitutes a repeat infringer and when one should be punished.

With the recent Fourth Circuit Court of Appeals ruling against Cox, it is now clear that “infringers” doesn’t imply people who are adjudicated, valid accusations from copyright holders are enough. However, an ISP still has some flexibility when it comes to the rest of its “repeat infringer” policy.

In this light, it’s interesting to see that Comcast recently published details of its repeat infringer policy online. While the ISP has previously confirmed that persistent pirates could be terminated, it has never publicly spelled out its policy in such detail.

First up, Comcast clarifies that subscribers to its Xfinity service can be flagged based on reports from rightsholders alone, which is in line with the Fourth Circuit ruling.

“Any infringement of third party copyright rights violates the law. We reserve the right to treat any customer account for whom we receive multiple DMCA notifications from content owners as a repeat infringer,” the company notes.

If Comcast receives multiple notices in a calendar month, the associated subscriber moves from one policy step to the next one. This means that the ISP will issue warnings with increased visibility.

These alerts can come in the form of emails, letters to a home address, text messages, phone calls, and also alerts sent to the subscriber’s web browser. The alerts then have to be acknowledged by the user, so it clear that he or she understands what’s at stake.

From Comcast’s repeat infringer policy

Comcast doesn’t state specifically how many alerts will trigger tougher action, but it stresses that repeat infringers risk having their accounts suspended. As a result, all devices that rely on Internet access will be interrupted or stop working.

“If your XFINITY Internet account is suspended, you will have no Internet access or service during suspension. This means any services and devices that use the Internet will not properly work or will not work at all,” Comcast states.

The suspension is applied as a last warning before the lights go out completely. Subscribers who reach this stage can still reinstate their Internet connectivity by calling Comcast. It’s unclear whether they have to take any additional action, but it could be that these subscribers have to ‘promise’ to behave.

After this last warning, the subscriber risks the most severe penalty, account termination. This is not limited to regular access to the web, but also affects XFINITY TV, XFINITY Voice, and XFINITY Home, including smart thermostats and home security equipment.

“If you reach the point of service termination, we will terminate your XFINITY Internet service and related add-ons. Unreturned equipment charges will still apply. If you also have XFINITY TV and/or XFINITY Voice services, they will also be terminated,” Comcast warns.

Comcast doesn’t specify how long the Internet termination lasts but the company states that it’s typically no less than 180 days. This means that terminated subscribers will need to find an Internet subscription elsewhere if one’s available.

The good news is that other XFINITY services can be restored after termination, without Internet access. Subscribers will have to contact Comcast to request a quote for an Internet-less package.

While this policy may sound harsh to some, Comcast has few other options if it wants to avoid liability. The good news is that the company requires users to acknowledge the warnings, which means that any measures shouldn’t come as a surprise.

There is no mention of any option to contest any copyright holder notices, which may become an issue in the future. After all, when copyright holders have the power to have people’s Internet connections terminated, their accusations have to be spot on.



Comcast’s repeat infringer policy is available here and was, according to the information we have available, quietly published around December last year.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Calling Squid "Calamari" Makes It More Appetizing

Post Syndicated from Bruce Schneier original https://www.schneier.com/blog/archives/2018/02/calling_squid_c.html

Research shows that what a food is called affects how we think about it.

Research paper.

As usual, you can also use this squid post to talk about the security stories in the news that I haven’t covered.

Read my blog posting guidelines here.

MPA Met With Russian Site-Blocking Body to Discuss Piracy

Post Syndicated from Andy original https://torrentfreak.com/mpa-met-with-russian-site-blocking-body-to-discuss-piracy-180209/

Given Russia’s historical reputation for having a weak approach to online piracy, the last few years stand in stark contrast to those that went before.

Overseen by telecoms watchdog Rozcomnadzor, Russia now has one of the toughest site-blocking regimes in the whole world. It’s possible to have entire sites blocked in a matter of days, potentially over a single piece of infringing content. For persistent offenders, permanent blocking is now a reality.

While that process requires the involvement of the courts, the subsequent blocking of mirror sites does not, with Russia blocking more than 500 since a new law was passed in October 2017.

With anti-piracy measures now a force to be reckoned with in Russia, it’s emerged that last week Stan McCoy, president of the Motion Picture Association’s EMEA division, met with telecoms watchdog Roskomnadzor in Moscow.

McCoy met with Rozcomnadzor chief Alexander Zharov last Friday, in a meeting that was also attended by Ekaterina Mironova, head of the anti-piracy committee of the Media Communication Union (ISS).

According to Rozcomnadzor, issues discussed included copyright-related legislation and regulation. Also on the agenda was the strengthening of international cooperation, including between public organizations representing the interests of rightholders.

“In particular, an agreement was reached to expand contacts between the MPAA and the ISS,” Rozcomnadzor notes.

The ISS (known locally as Media-Communication Union MKC) was founded by the largest Russian media companies and telecom operators in February 2014. It differentiates itself from other organizations with the claim that its the first group of its type to represent the interests of communications companies, rights holders, broadcasters and large distributors.

During the meeting, McCoy was given an update on Russia’s implementation of the various anti-piracy laws introduced and developed since May 2015.

“Since the introduction of the anti-piracy laws, Roskomnadzor has received more than 2,800 rulings from the Moscow City Court on the adoption of preliminary provisional [blocking] measures to protect copyright on the Internet, including 1,630 for movies,” the watchdog reveals.

“In connection with the deletion of pirated content, access to the territory of Russia was restricted for 1,547 Internet resources. Based on the decisions of the Moscow City Court, 752 pirated sites are now permanently blocked, and according to the decisions of the Ministry of Communications, more than 600 ‘mirrors’ of these resources are blocked too.”

While it’s normally the position of the US to criticize Russia for not doing enough to tackle piracy, it must’ve been interesting to participate in a meeting where for once the Russians had the upper hand. Even though the MPAA previously campaigned for one, there is no site-blocking mechanism in the United States.

“The fight against piracy stimulates the growth of the legal online video market in Russia. Attendance of legal online sites is constantly growing. Users are attracted to high-quality content for an affordable fee,” Rozcomnadzor concludes.

The meeting’s participants will join up again during the St. Petersburg International Economic Forum scheduled to take place May 24-26.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons