Tag Archives: movie

Millions in Crypto & Cash Seized in Movie Piracy Investigation

Post Syndicated from Andy original https://torrentfreak.com/millions-in-crypto-cash-seized-in-movie-piracy-investigation-191124/

When New Zealand, alleged movie piracy, cash seizures, and a US-based investigation feature in the same sentence, what follows is usually information pertaining to Megaupload founder Kim Dotcom.

It transpires, however, that there are other pretty big players on the radars of authorities in both countries.

Back in June, software programmer Jaron David McIvor received an unwelcome visit from police in New Zealand who were investigating a movie piracy case in the United States. It took at least two visits but Ivor ultimately ended up handing over $1.1 million in cash and the keys to his cryptocurrency accounts containing almost $6.7 million.

The case, which has just been made public by NZHerald, centers around alleged money laundering. According to Detective Senior Sergeant Keith Kay, the head of the Asset Recovery Unit in Waikato, McIvor helped to create a movie piracy site in the United States from which he received an estimated $2m.

It’s reported that the money was deposited into various bank accounts from wire transfers, Stripe, and PayPal. It was the latter who identified “suspicious activity” on an account linked to McIvor and subsequently reported the matter to the Internal Revenue Service (IRS) in the United States.

Since the funds were allegedly generated from crimes that took place in the United States, moving the funds into New Zealand was sufficient to trigger a money-laundering investigation and the seizure of the funds earlier this year.

The name of the pirate platform allegedly co-founded by McIvor has not been named. However, police have confirmed that other individuals are under investigation in the United States, Canada, and Vietnam.

The seizures that began in June in New Zealand came just a month after news broke in the United States that authorities had seized around $4 million worth of cash and cryptocurrency there as part of an investigation into alleged movie piracy.

The two cases are not currently being linked by authorities but they share some similarities. Both involve an alleged pirate movie site in the US, both received a PayPal referral for suspicious activity, and both resulted in the seizure of large volumes of cash and cryptocurrency.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Build Demolition Man’s verbal morality ticketing machine

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/build-demolition-mans-verbal-morality-ticketing-machine/

In the 1993 action movie Demolition Man, Sylvester Stallone stars as a 1990s cop transported to the near-future. Technology plays a central role in the film, often bemusing the lead character. In a memorable scene, he is repeatedly punished by a ticketing machine for using bad language (a violation of the verbal morality statute).

In the future of Demolition Man, an always-listening government machine detects every banned word and issues a fine in the form of a receipt from a wall-mounted printer. This tutorial shows you how to build your own version using Raspberry Pi, the Google Voice API, and a thermal printer. Not only can it replicate detecting banned words, but it also doubles as a handy voice-to-paper stenographer (if you want a more serious use).

Prepare the hardware

We built a full ‘boxed’ project, but you can keep it simple if you wish. Your Raspberry Pi needs a method for listening, speaking, and printing. The easiest solution is to use USB for all three.

After prototyping using Raspberry Pi 4 and various USB devices, we settled on Raspberry Pi Zero W with a small USB mic and Pimoroni Speaker pHAT to save space. A Pico HAT Hacker allowed the connection of both the printer and Speaker pHAT, as they don’t share GPIO pins. This bit of space-saving means we could install the full assembly inside the 3D-printed case along with the printer.

Connect the printer

To issue our receipts we used a thermal printer, the kind found in supermarket tills. This particular model is surprisingly versatile, handling text and graphics.

It takes standard 2.25-inch (57mm) receipt paper, available in rolls of 15 metres. When printing, it does draw a lot of current, so we advise using a separate power supply. Do not attempt to power it from your Raspberry Pi. You may need to fit a barrel connector and source a 5V/1.5A power supply. The printer uses a UART/TTL serial connection, which neatly fits on to the GPIO. Although the printer’s connection is listed as being 5V, it is in fact 3.3V, so it can be directly connected to the ground, TX, and RX pins (physical pins 6, 8, 10) on the GPIO.

Install and configure Raspbian

Get yourself a copy of Raspbian Buster Lite and burn it to a microSD card using a tool like Etcher. You can use the full version of Buster if you wish. Perform the usual steps of getting a wireless connection and then updating to the latest version using sudo apt update && sudo apt -y upgrade. From a command prompt, run sudo raspi-config and go to ‘Interfacing options’, then ‘Enable serial’. When asked if you would like the login shell to be accessible, respond ‘No’. To the next question, ‘Would you like the serial port hardware to be enabled?’, reply ‘Yes’. Now reboot your Raspberry Pi.

Test the printer

Make sure the printer is up and running. Double-check you’ve connected the header to the GPIO correctly and power up the printer. The LED on the printer should flash every few seconds. Load in the paper and make sure it’s feeding correctly. We can talk to the printer directly, but the Python ‘thermalprinter‘ library makes coding for it so much easier. To install the library:

sudo apt install python3-pip
pip3 install thermalprinter

Create a file called printer.py and enter in the code in the relevant listing. Run the code using:

python3 printer.py

If you got a nice welcoming message, your printer is all set to go.

Test the microphone

Once your microphone is connected to Raspberry Pi, check the settings by running:

alsamixer

This utility configures your various sound devices. Press F4 to enter ‘capture’ mode (microphones), then press F6 and select your device from the list. Make sure the microphone is not muted (M key) and the levels are high, but not in the red zone.

Back at the command line, run this command:

arecord -l

This shows a list of available recording devices, one of which will be your microphone. Make a note of the card number and subdevice number.

To make a test recording, enter:

arecord --device=hw:1,0 --format S16_LE --rate 44100 -c1 test.wav

If your card and subdevice numbers were not ‘0,1’, you’ll need to change the device parameter in the above command.

Say a few words, then use CTRL+C to stop recording. Check the playback with:

aplay test.wav

Choose your STT provider

STT means speech to text and refers to the code that can take an audio recording and return recognised speech as plain text. Many solutions are available and can be used in this project. For the greatest accuracy, we’re going to use Google Voice API. Rather than doing the complex processing locally, a compressed version of the sound file is uploaded to Google Cloud and the text returned. However, this does mean Google gets a copy of everything ‘heard’ by the project. If this isn’t for you, take a look at Jasper, an open-source alternative that supports local processing.

Create your Google project

To use the Google Cloud API, you’ll need a Google account. Log in to the API Console at console.developers.google.com. We need to create a project here. Next to ‘Google APIs’, click the drop-down menu, then ‘New Project’. Give it a name. You’ll be prompted to enable APIs for the project. Click the link, then search for ‘speech’. Click on ‘Cloud Speech-to-Text API’, then ‘Enable’. At this point you may be prompted for billing information. Don’t worry, you can have up to 60 minutes of audio transcribed for free each month.

Get your credentials

Once the Speech API is enabled, the screen will refresh and you’ll be prompted to create credentials. This is the info our code needs to be granted access to the speech-to-text API. Click on ‘Create Credentials’ and on the next screen select ‘Cloud Speech-to-text API’. You’re asked if you’re planning to use the Compute Engine; select ‘no’. Now create a ‘service account’. Give it a different name from the one used earlier, change the role to ‘Project Owner’, leave the type of file as ‘JSON’, and click ‘Continue’. A file will be downloaded to your computer; transfer this to your Raspberry Pi.

Test Google recognition

When you’re happy with the recording levels, record a short piece of speech and save it as test.wav. We’ll send this to Google and check our access to the API is working. Install the Google Speech-To-Text Python library:

sudo apt install python3-pyaudio
pip3 install google-cloud-speech

Now set an environment variable that the libraries will use to locate your credentials JSON:

export GOOGLE_APPLICATION_CREDENTIALS="/home/pi/[FILE_NAME].json"

(Don’t forget to replace [FILE_NAME] with the actual name of the JSON file).

Using a text editor, create a file called speech_to_text.py and enter the code from the relevant listing. Then run it:

python3 speech_to_text.py

If everything is working correctly, you’ll get a text transcript back within a few seconds.

Live transcription

Amazingly, Google’s speech-to-text service can also support streaming recognition, so rather than capture-then-process, the audio can be sent as a stream, and a HTTP stream of the recognised text comes back. When there is a pause in the speech, the results are finalised, so then we can send the results to the printer. If all the code you’ve entered so far is running correctly, all you need to do is download the stenographer.py script and start it using:

python3 stenographer.py

You are limited on how long you can record for, but this could be coupled with a ‘push to talk’ button so you can make notes using only your voice!

Banned word game

Back to Demolition Man. We need to make an alarm sound, so install a speaker (a passive one that connects to the 3.5mm jack is ideal; we used a Pimoroni Speaker pHAT). Download the banned.py code and edit it in your favourite text editor. At the top is a list of words. You can change this to anything you like (but don’t offend anyone!). In our list, the system is listening for a few mild naughty words. In the event anyone mentions one, a buzzer will sound and a fine will be printed.

Make up your list and start the game by running:

python3 banned.py

Now try one of your banned words.

Package it up

Whatever you decide to use this project for, why not finish it up with a 3D-printed case so you package up the printer and Raspberry Pi with the recording and playback devices and create a portable unit? Ideal for pranking friends or taking notes on the move!

See if you can invent any other games using voice recognition, or investigate the graphics capability of the printer. Add a Raspberry Pi Camera Module for retro black and white photos. Combine it with facial recognition to print out an ID badge just using someone’s face. Over to you.

The MagPi magazine issue 84

This project was created by PJ Evans for The MagPi magazine issue 84, available now online, from your local newsagents, or as a free download from The MagPi magazine website.

The post Build Demolition Man’s verbal morality ticketing machine appeared first on Raspberry Pi.

ISP Questions Impartiality of Judges in Copyright Troll Cases

Post Syndicated from Andy original https://torrentfreak.com/isp-questions-impartiality-of-judges-in-copyright-troll-cases-180602/

Following in the footsteps of similar operations around the world, two years ago the copyright trolling movement landed on Swedish shores.

The pattern was a familiar one, with trolls harvesting IP addresses from BitTorrent swarms and tracing them back to Internet service providers. Then, after presenting evidence to a judge, the trolls obtained orders that compelled ISPs to hand over their customers’ details. From there, the trolls demanded cash payments to make supposed lawsuits disappear.

It’s a controversial business model that rarely receives outside praise. Many ISPs have tried to slow down the flood but most eventually grow tired of battling to protect their customers. The same cannot be said of Swedish ISP Bahnhof.

The ISP, which is also a strong defender of privacy, has become known for fighting back against copyright trolls. Indeed, to thwart them at the very first step, the company deletes IP address logs after just 24 hours, which prevents its customers from being targeted.

Bahnhof says that the copyright business appeared “dirty and corrupt” right from the get go, so it now operates Utpressningskollen.se, a web portal where the ISP publishes data on Swedish legal cases in which copyright owners demand customer data from ISPs through the Patent and Market Courts.

Over the past two years, Bahnhof says it has documented 76 cases of which six are still ongoing, 11 have been waived and a majority 59 have been decided in favor of mainly movie companies. Bahnhof says that when it discovered that 59 out of the 76 cases benefited one party, it felt a need to investigate.

In a detailed report compiled by Bahnhof Communicator Carolina Lindahl and sent to TF, the ISP reveals that it examined the individual decision-makers in the cases before the Courts and found five judges with “questionable impartiality.”

“One of the judges, we can call them Judge 1, has closed 12 of the cases, of which two have been waived and the other 10 have benefitted the copyright owner, mostly movie companies,” Lindahl notes.

“Judge 1 apparently has written several articles in the magazine NIR – Nordiskt Immateriellt Rättsskydd (Nordic Intellectual Property Protection) – which is mainly supported by Svenska Föreningen för Upphovsrätt, the Swedish Association for Copyright (SFU).

“SFU is a member-financed group centered around copyright that publishes articles, hands out scholarships, arranges symposiums, etc. On their website they have a public calendar where Judge 1 appears regularly.”

Bahnhof says that the financiers of the SFU are Sveriges Television AB (Sweden’s national public TV broadcaster), Filmproducenternas Rättsförening (a legally-oriented association for filmproducers), BMG Chrysalis Scandinavia (a media giant) and Fackförbundet för Film och Mediabranschen (a union for the movie and media industry).

“This means that Judge 1 is involved in a copyright association sponsored by the film and media industry, while also judging in copyright cases with the film industry as one of the parties,” the ISP says.

Bahnhof’s also has criticism for Judge 2, who participated as an event speaker for the Swedish Association for Copyright, and Judge 3 who has written for the SFU-supported magazine NIR. According to Lindahl, Judge 4 worked for a bureau that is partly owned by a board member of SFU, who also defended media companies in a “high-profile” Swedish piracy case.

That leaves Judge 5, who handled 10 of the copyright troll cases documented by Bahnhof, waiving one and deciding the remaining nine in favor of a movie company plaintiff.

“Judge 5 has been questioned before and even been accused of bias while judging a high-profile piracy case almost ten years ago. The accusations of bias were motivated by the judge’s membership of SFU and the Swedish Association for Intellectual Property Rights (SFIR), an association with several important individuals of the Swedish copyright community as members, who all defend, represent, or sympathize with the media industry,” Lindahl says.

Bahnhof hasn’t named any of the judges nor has it provided additional details on the “high-profile” case. However, anyone who remembers the infamous trial of ‘The Pirate Bay Four’ a decade ago might recall complaints from the defense (1,2,3) that several judges involved in the case were members of pro-copyright groups.

While there were plenty of calls to consider them biased, in May 2010 the Supreme Court ruled otherwise, a fact Bahnhof recognizes.

“Judge 5 was never sentenced for bias by the court, but regardless of the court’s decision this is still a judge who shares values and has personal connections with [the media industry], and as if that weren’t enough, the judge has induced an additional financial aspect by participating in events paid for by said party,” Lindahl writes.

“The judge has parties and interest holders in their personal network, a private engagement in the subject and a financial connection to one party – textbook characteristics of bias which would make anyone suspicious.”

The decision-makers of the Patent and Market Court and their relations.

The ISP notes that all five judges have connections to the media industry in the cases they judge, which isn’t a great starting point for returning “objective and impartial” results. In its summary, however, the ISP is scathing of the overall system, one in which court cases “almost looked rigged” and appear to be decided in favor of the movie company even before reaching court.

In general, however, Bahnhof says that the processes show a lack of individual attention, such as the court blindly accepting questionable IP address evidence supplied by infamous anti-piracy outfit MaverickEye.

“The court never bothers to control the media company’s only evidence (lists generated by MaverickMonitor, which has proven to be an unreliable software), the court documents contain several typos of varying severity, and the same standard texts are reused in several different cases,” the ISP says.

“The court documents show a lack of care and control, something that can easily be taken advantage of by individuals with shady motives. The findings and discoveries of this investigation are strengthened by the pure numbers mentioned in the beginning which clearly show how one party almost always wins.

“If this is caused by bias, cheating, partiality, bribes, political agenda, conspiracy or pure coincidence we can’t say for sure, but the fact that this process has mainly generated money for the film industry, while citizens have been robbed of their personal integrity and legal certainty, indicates what forces lie behind this machinery,” Bahnhof’s Lindahl concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Majority of Canadians Consume Online Content Legally, Survey Finds

Post Syndicated from Andy original https://torrentfreak.com/majority-of-canadians-consume-online-content-legally-survey-finds-180531/

Back in January, a coalition of companies and organizations with ties to the entertainment industries called on local telecoms regulator CRTC to implement a national website blocking regime.

Under the banner of Fairplay Canada, members including Bell, Cineplex, Directors Guild of Canada, Maple Leaf Sports and Entertainment, Movie Theatre Association of Canada, and Rogers Media, spoke of an industry under threat from marauding pirates. But just how serious is this threat?

The results of a new survey commissioned by Innovation Science and Economic Development Canada (ISED) in collaboration with the Department of Canadian Heritage (PCH) aims to shine light on the problem by revealing the online content consumption habits of citizens in the Great White North.

While there are interesting findings for those on both sides of the site-blocking debate, the situation seems somewhat removed from the Armageddon scenario predicted by the entertainment industries.

Carried out among 3,301 Canadians aged 12 years and over, the Kantar TNS study aims to cover copyright infringement in six key content areas – music, movies, TV shows, video games, computer software, and eBooks. Attitudes and behaviors are also touched upon while measuring the effectiveness of Canada’s copyright measures.

General Digital Content Consumption

In its introduction, the report notes that 28 million Canadians used the Internet in the three-month study period to November 27, 2017. Of those, 22 million (80%) consumed digital content. Around 20 million (73%) streamed or accessed content, 16 million (59%) downloaded content, while 8 million (28%) shared content.

Music, TV shows and movies all battled for first place in the consumption ranks, with 48%, 48%, and 46% respectively.

Copyright Infringement

According to the study, the majority of Canadians do things completely by the book. An impressive 74% of media-consuming respondents said that they’d only accessed material from legal sources in the preceding three months.

The remaining 26% admitted to accessing at least one illegal file in the same period. Of those, just 5% said that all of their consumption was from illegal sources, with movies (36%), software (36%), TV shows (34%) and video games (33%) the most likely content to be consumed illegally.

Interestingly, the study found that few demographic factors – such as gender, region, rural and urban, income, employment status and language – play a role in illegal content consumption.

“We found that only age and income varied significantly between consumers who infringed by downloading or streaming/accessing content online illegally and consumers who did not consume infringing content online,” the report reads.

“More specifically, the profile of consumers who downloaded or streamed/accessed infringing content skewed slightly younger and towards individuals with household incomes of $100K+.”

Licensed services much more popular than pirate haunts

It will come as no surprise that Netflix was the most popular service with consumers, with 64% having used it in the past three months. Sites like YouTube and Facebook were a big hit too, visited by 36% and 28% of content consumers respectively.

Overall, 74% of online content consumers use licensed services for content while 42% use social networks. Under a third (31%) use a combination of peer-to-peer (BitTorrent), cyberlocker platforms, or linking sites. Stream-ripping services are used by 9% of content consumers.

“Consumers who reported downloading or streaming/accessing infringing content only are less likely to use licensed services and more likely to use peer-to-peer/cyberlocker/linking sites than other consumers of online content,” the report notes.

Attitudes towards legal consumption & infringing content

In common with similar surveys over the years, the Kantar research looked at the reasons why people consume content from various sources, both legal and otherwise.

Convenience (48%), speed (36%) and quality (34%) were the most-cited reasons for using legal sources. An interesting 33% of respondents said they use legal sites to avoid using illegal sources.

On the illicit front, 54% of those who obtained unauthorized content in the previous three months said they did so due to it being free, with 40% citing convenience and 34% mentioning speed.

Almost six out of ten (58%) said lower costs would encourage them to switch to official sources, with 47% saying they’d move if legal availability was improved.

Canada’s ‘Notice-and-Notice’ warning system

People in Canada who share content on peer-to-peer systems like BitTorrent without permission run the risk of receiving an infringement notice warning them to stop. These are sent by copyright holders via users’ ISPs and the hope is that the shock of receiving a warning will turn consumers back to the straight and narrow.

The study reveals that 10% of online content consumers over the age of 12 have received one of these notices but what kind of effect have they had?

“Respondents reported that receiving such a notice resulted in the following: increased awareness of copyright infringement (38%), taking steps to ensure password protected home networks (27%), a household discussion about copyright infringement (27%), and discontinuing illegal downloading or streaming (24%),” the report notes.

While these are all positives for the entertainment industries, Kantar reports that almost a quarter (24%) of people who receive a notice simply ignore them.

Stream-ripping

Once upon a time, people obtaining music via P2P networks was cited as the music industry’s greatest threat but, with the advent of sites like YouTube, so-called stream-ripping is the latest bogeyman.

According to the study, 11% of Internet users say they’ve used a stream-ripping service. They are most likely to be male (62%) and predominantly 18 to 34 (52%) years of age.

“Among Canadians who have used a service to stream-rip music or entertainment, nearly half (48%) have used stream-ripping sites, one-third have used downloader apps (38%), one-in-seven (14%) have used a stream-ripping plug-in, and one-in-ten (10%) have used stream-ripping software,” the report adds.

Set-Top Boxes and VPNs

Few general piracy studies would be complete in 2018 without touching on set-top devices and Virtual Private Networks and this report doesn’t disappoint.

More than one in five (21%) respondents aged 12+ reported using a VPN, with the main purpose of securing communications and Internet browsing (57%).

A relatively modest 36% said they use a VPN to access free content while 32% said the aim was to access geo-blocked content unavailable in Canada. Just over a quarter (27%) said that accessing content from overseas at a reasonable price was the main motivator.

One in ten (10%) of respondents reported using a set-top box, with 78% stating they use them to access paid-for content. Interestingly, only a small number say they use the devices to infringe.

“A minority use set-top boxes to access other content that is not legal or they are unsure if it is legal (16%), or to access live sports that are not legal or they are unsure if it is legal (11%),” the report notes.

“Individuals who consumed a mix of legal and illegal content online are more likely to use VPN services (42%) or TV set-top boxes (21%) than consumers who only downloaded or streamed/accessed legal content.”

Kantar says that the findings of the report will be used to help policymakers evaluate how Canada’s Copyright Act is coping with a changing market and technological developments.

“This research will provide the necessary information required to further develop copyright policy in Canada, as well as to provide a foundation to assess the effectiveness of the measures to address copyright infringement, should future analysis be undertaken,” it concludes.

The full report can be found here (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Hong Kong Customs Arrest Pirate Streaming Device Vendors

Post Syndicated from Andy original https://torrentfreak.com/hong-kong-customs-arrest-pirate-streaming-device-vendors-180529/

As Internet-capable set-top boxes pour into homes across all populated continents, authorities seem almost powerless to come up with a significant response to the growing threat.

In standard form these devices, which are often Android-based, are entirely legal. However, when configured with specialist software they become piracy powerhouses providing access to all content imaginable, often at copyright holders’ expense.

A large proportion of these devices come from Asia, China in particular, but it’s relatively rare to hear of enforcement action in that part of the world. That changed this week with an announcement from Hong Kong customs detailing a series of raids in the areas of Sham Shui Po and Wan Chai.

After conducting an in-depth investigation with the assistance of copyright holders, on May 25 and 26 Customs and Excise officers launched Operation Trojan Horse, carrying out a series of raids on four premises selling suspected piracy-configured set-top boxes.

During the operation, officers arrested seven men and one woman aged between 18 and 45. Four of them were shop owners and the other four were salespeople. Around 354 suspected ‘pirate’ boxes were seized with an estimated market value of HK$320,000 (US$40,700).

“In the past few months, the department has stepped up inspections of hotspots for TV set-top boxes,” a statement from authorities reads.

“We have discovered that some shops have sold suspected illegal set-top boxes that bypass the copyright protection measures imposed by copyright holders of pay television programs allowing people to watch pay television programs for free.”

Some of the devices seized by Hong Kong Customs

During a press conference yesterday, a representative from the Customs Copyright and Trademark Investigations (Action) Division said that in the run up to the World Cup in 2018, measures against copyright infringement will be strengthened both on and online.

The announcement was welcomed by the Cable and Satellite Broadcasting Association of Asia’s (CASBAA) Coalition Against Piracy, which is back by industry heavyweights including Disney, Fox, HBO Asia, NBCUniversal, Premier League, Turner Asia-Pacific, A&E Networks, Astro, BBC Worldwide, National Basketball Association, TV5MONDE, Viacom International, and others.

“We commend the great work of Hong Kong Customs in clamping down on syndicates who profit from the sale of Illicit Streaming Devices,” said General Manager Neil Gane.

“The prevalence of ISDs in Hong Kong and across South East Asia is staggering. The criminals who sell ISDs, as well as those who operate the ISD networks and pirate websites, are profiting from the hard work of talented creators, seriously damaging the legitimate content ecosystem as well as exposing consumers to dangerous malware.”

Malware warnings are very prevalent these days but it’s not something the majority of set-top box owners have a problem with. Indeed, a study carried by Sycamore Research found that pirates aren’t easily deterred by such warnings.

Nevertheless, there are definite risks for individuals selling devices when they’re configured for piracy.

Recent cases, particularly in the UK, have shown that hefty jail sentences can hit offenders while over in the United States (1,2,3), lawsuits filed by the Alliance for Creativity and Entertainment (ACE) have the potential to end in unfavorable rulings for multiple defendants.

Although rarely reported, offenders in Hong Kong also face stiff sentences for this kind of infringement including large fines and custodial sentences of up to four years.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Pirate IPTV Sellers Sign Abstention Agreements Under Pressure From BREIN

Post Syndicated from Andy original https://torrentfreak.com/pirate-iptv-sellers-sign-abstention-agreement-under-pressure-from-brein-180528/

Earlier this month, Dutch anti-piracy outfit BREIN revealed details of its case against Netherlands-based company Leaper Beheer BV.

BREIN’s complaint, which was filed at the Limburg District Court in Maastricht, claimed that
Leaper sold access to unlicensed live TV streams and on-demand movies. Around 4,000 live channels and 1,000 movies were included in the package, which was distributed to customers in the form of an .M3U playlist.

BREIN said that distribution of the playlist amounted to a communication to the public in contravention of the EU Copyright Directive. In its defense, Leaper argued that it is not a distributor of content itself and did not make anything available that wasn’t already public.

In a detailed ruling the Court sided with BREIN, noting that Leaper communicated works to a new audience that wasn’t taken into account when the content’s owners initially gave permission for their work to be distributed to the public.

The Court ordered Leaper to stop providing access to the unlicensed streams or face penalties of 5,000 euros per IPTV subscription sold, link offered, or days exceeded, to a maximum of one million euros. Further financial penalties were threatened for non-compliance with other aspects of the ruling.

In a fresh announcement Friday, BREIN revealed that three companies and their directors (Leaper included) have signed agreements to cease-and-desist, in order to avert summary proceedings. According to BREIN, the companies are the biggest sellers of pirate IPTV subscriptions in the Netherlands.

In addition to Leaper Beheer BV, Growler BV, DITisTV and their respective directors are bound by a number of conditions in their agreements but primarily to cease-and-desist offering hyperlinks or other technical means to access protected works belonging to BREIN’s affiliates and their members.

Failure to comply with the terms of the agreement will see the companies face penalties of 10,000 euros per infringement or per day (or part thereof).

DITisTV’s former website now appears to sell shoes and a search for the company using Google doesn’t reveal many flattering results. Consumer website Consumentenbond.nl enjoys the top spot with an article reporting that it received 300 complaints about DITisTV.

“The complainants report that after they have paid, they have not received their order, or that they were not given a refund if they sent back a malfunctioning media player. Some consumers have been waiting for their money for several months,” the article reads.

According to the report, DiTisTV pulled the plug on its website last June, probably in response to the European Court of Justice ruling which found that selling piracy-configured media players is illegal.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Google’s Chrome Web Store Spammed With Dodgy ‘Pirate’ Movie Links

Post Syndicated from Andy original https://torrentfreak.com/googles-chrome-web-store-spammed-with-dodgy-pirate-movie-links-180527/

Launched in 2010, Google’s Chrome Store is the go-to place for people looking to pimp their Chrome browser.

Often referred to as apps and extensions, the programs offered by the platform run in Chrome and can perform a dazzling array of functions, from improving security and privacy, to streaming video or adding magnet links to torrent sites.

Also available on the Chrome Store are themes, which can be installed locally to change the appearance of the Chrome browser.

While there are certainly plenty to choose from, some additions to the store over the past couple of months are not what most people have come to expect from the add-on platform.

Free movies on Chrome’s Web Store?

As the image above suggests, unknown third parties appear to be exploiting the Chrome Store’s ‘theme’ section to offer visitors access to a wide range of pirate movies including Black Panther, Avengers: Infinity War and Rampage.

When clicking through to the page offering Ready Player One, for example, users are presented with a theme that apparently allows them to watch the movie online in “Full HD Online 4k.”

Of course, the whole scheme is a dubious scam which eventually leads users to Vioos.co, a platform that tries very hard to give the impression of being a pirate streaming portal but actually provides nothing of use.

Nothing to see here

In fact, as soon as one clicks the play button on movies appearing on Vioos.co, visitors are re-directed to another site called Zumastar which asks people to “create a free account” to “access unlimited downloads & streaming.”

“With over 20 million titles, Zumastar is your number one entertainment resource. Join hundreds of thousands of satisfied members and enjoy the hottest movies,” the site promises.

With this kind of marketing, perhaps we should think about this offer for a second. Done. No thanks.

In extended testing, some visits to Vioos.co resulted in a redirection to EtnaMedia.net, a domain that was immediately blocked by MalwareBytes due to suspected fraud. However, after allowing the browser to make the connection, TF was presented with another apparent subscription site.

We didn’t follow through with a sign-up but further searches revealed upset former customers complaining of money being taken from their credit cards when they didn’t expect that to happen.

Quite how many people have signed up to Zumastar or EtnaMedia via this convoluted route from Google’s Chrome Store isn’t clear but a worrying number appear to have installed the ‘themes’ (if that’s what they are) offered on each ‘pirate movie’ page.

At the time of writing the ‘free Watch Rampage Online Full Movie’ ‘theme’ has 2,196 users, the “Watch Avengers Infinity War Full Movie” variant has 974, the ‘Watch Ready Player One 2018 Full HD’ page has 1,031, and the ‘Watch Black Panther Online Free 123putlocker’ ‘theme’ has more than 1,800. Clearly, a worrying number of people will click and install just about anything.

We haven’t tested the supposed themes to see what they do but it’s a cast-iron guarantee that they don’t offer the movies displayed and there’s always a chance they’ll do something awful. As a rule of thumb, it’s nearly always wise to steer clear of anything with “full movie” in the title, they can rarely be trusted.

Finally, those hoping to get some guidance on quality from the reviews on the Chrome Store will be bitterly disappointed.

Garbage reviews, probably left by the scammers

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Singapore ISPs Block 53 Pirate Sites Following MPAA Legal Action

Post Syndicated from Andy original https://torrentfreak.com/singapore-isps-block-53-pirate-sites-following-mpaa-legal-action-180521/

Under increasing pressure from copyright holders, in 2014 Singapore passed amendments to copyright law that allow ISPs to block ‘pirate’ sites.

“The prevalence of online piracy in Singapore turns customers away from legitimate content and adversely affects Singapore’s creative sector,” said then Senior Minister of State for Law Indranee Rajah.

“It can also undermine our reputation as a society that respects the protection of intellectual property.”

After the amendments took effect in December 2014, there was a considerable pause before any websites were targeted. However, in September 2016, at the request of the MPA(A), Solarmovie.ph became the first website ordered to be blocked under Singapore’s amended Copyright Act. The High Court subsequently ordering several major ISPs to disable access to the site.

A new wave of blocks announced this morning are the country’s most significant so far, with dozens of ‘pirate’ sites targeted following a successful application by the MPAA earlier this year.

In total, 53 sites across 154 domains – including those operated by The Pirate Bay plus KickassTorrents and Solarmovie variants – have been rendered inaccessible by ISPs including Singtel, StarHub, M1, MyRepublic and ViewQwest.

“In Singapore, these sites are responsible for a major portion of copyright infringement of films and television shows,” an MPAA spokesman told The Straits Times (paywall).

“This action by rights owners is necessary to protect the creative industry, enabling creators to create and keep their jobs, protect their works, and ensure the continued provision of high-quality content to audiences.”

Before granting a blocking injunction, the High Court must satisfy itself that the proposed online locations meet the threshold of being “flagrantly infringing”. This means that a site like YouTube, which carries a lot of infringing content but is not dedicated to infringement, would not ordinarily get caught up in the dragnet.

Sites considered for blocking must have a primary purpose to infringe, a threshold that is tipped in copyright holders’ favor when the sites’ operators display a lack of respect for copyright law and have already had their domains blocked in other jurisdictions.

The Court also weighs a number of additional factors including whether blocking would place an unacceptable burden on the shoulders of ISPs, whether the blocking demand is technically possible, and whether it will be effective.

In common with other regions such as the UK and Australia, for example, sites targeted for blocking must be informed of the applications made against them, to ensure they’re given a chance to defend themselves in court. No fully-fledged ‘pirate’ site has ever defended a blocking application in Singapore or indeed any jurisdiction in the world.

Finally, should any measures be taken by ‘pirate’ sites to evade an ISP blockade, copyright holders can apply to the Singapore High Court to amend the blocking order. This is similar to the Australian model where each application must be heard on its merits, rather than the UK model where a more streamlined approach is taken.

According to a recent report by Motion Picture Association Canada, at least 42 countries are now obligated to block infringing sites. In Europe alone, 1,800 sites and 5,300 domains have been rendered inaccessible, with Portugal, Italy, the UK, and Denmark leading the way.

In Canada, where copyright holders are lobbying hard for a site-blocking regime of their own, there’s pressure to avoid the “uncertain, slow and expensive” route of going through the courts.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Court Orders Pirate IPTV Linker to Shut Down or Face Penalties Up to €1.25m

Post Syndicated from Andy original https://torrentfreak.com/court-orders-pirate-iptv-linker-to-shut-down-or-face-penalties-up-to-e1-25m-180911/

There are few things guaranteed in life. Death, taxes, and lawsuits filed regularly by Dutch anti-piracy outfit BREIN.

One of its most recent targets was Netherlands-based company Leaper Beheer BV, which also traded under the names Flickstore, Dump Die Deal and Live TV Store. BREIN filed a complaint at the Limburg District Court in Maastricht, claiming that Leaper provides access to unlicensed live TV streams and on-demand movies.

The anti-piracy outfit claimed that around 4,000 live channels were on offer, including Fox Sports, movie channels, commercial and public channels. These could be accessed after the customer made a payment which granted access to a unique activation code which could be entered into a set-top box.

BREIN told the court that the code returned an .M3U playlist, which was effectively a hyperlink to IPTV channels and more than 1,000 movies being made available without permission from their respective copyright holders. As such, this amounted to a communication to the public in contravention of the EU Copyright Directive, BREIN argued.

In its defense, Leaper said that it effectively provided a convenient link-shortening service for content that could already be found online in other ways. The company argued that it is not a distributor of content itself and did not make available anything that wasn’t already public. The company added that it was completely down to the consumer whether illegal content was viewed or not.

The key question for the Court was whether Leaper did indeed make a new “communication to the public” under the EU Copyright Directive, a standard the Court of Justice of the European Union (CJEU) says should be interpreted in a manner that provides a high level of protection for rightsholders.

The Court took a three-point approach in arriving at its decision.

  • Did Leaper act in a deliberate manner when providing access to copyright content, especially when its intervention provided access to consumers who would not ordinarily have access to that content?
  • Did Leaper communicate the works via a new method to a new audience?
  • Did Leaper have a profit motive when it communicated works to the public?

    • The Court found that Leaper did communicate works to the public and intervened “with full knowledge of the consequences of its conduct” when it gave its customers access to protected works.

    “Access to [the content] in a different way would be difficult for those customers, if Leaper were not to provide its services in question,” the Court’s decision reads.

    “Leaper reaches an indeterminate number of potential recipients who can take cognizance of the protected works and form a new audience. The purchasers who register with Leaper are to be regarded as recipients who were not taken into account by the rightful claimants when they gave permission for the original communication of their work to the public.”

    With that, the Court ordered Leaper to cease-and-desist facilitating access to unlicensed streams within 48 hours of the judgment, with non-compliance penalties of 5,000 euros per IPTV subscription sold, link offered, or days exceeded, to a maximum of one million euros.

    But the Court didn’t stop there.

    “Leaper must submit a statement audited by an accountant, supported by (clear, readable copies of) all relevant documents, within 12 days of notification of this judgment of all the relevant (contact) details of the (person or legal persons) with whom the company has had contact regarding the provision of IPTV subscriptions and/or the provision of hyperlinks to sources where films and (live) broadcasts are evidently offered without the permission of the entitled parties,” the Court ruled.

    Failure to comply with this aspect of the ruling will lead to more penalties of 5,000 euros per day up to a maximum of 250,000 euros. Leaper was also ordered to pay BREIN’s costs of 20,700 euros.

    Describing the people behind Leaper as “crooks” who previously sold media boxes with infringing addons (as previously determined to be illegal in the Filmspeler case), BREIN chief Tim Kuik says that a switch of strategy didn’t help them evade the law.

    “[Leaper] sold a link to consumers that gave access to unauthorized content, i.e. pay-TV channels as well as video-on-demand films and series,” BREIN chief Tim Kuik informs TorrentFreak.

    “They did it for profit and should have checked whether the content was authorized. They did not and in fact were aware the content was unauthorized. Which means they are clearly infringing copyright.

    “This is evident from the CJEU case law in GS Media as well as Filmspeler and The Pirate Bay, aka the Dutch trilogy because the three cases came from the Netherlands, but these rulings are applicable throughout the EU.

    “They just keep at it knowing they’re cheating and we’ll take them to the cleaners,” Kuik concludes.

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    Bell/TSN Letter to University Connects Site-Blocking Support to Students’ Futures

    Post Syndicated from Andy original https://torrentfreak.com/bell-tsn-letter-to-university-connects-site-blocking-support-to-students-futures-180510/

    In January, a coalition of Canadian companies called on local telecoms regulator CRTC to implement a website-blocking regime in Canada.

    The coalition, Fairplay Canada, is a collection of organizations and companies with ties to the entertainment industries and includes Bell, Cineplex, Directors Guild of Canada, Maple Leaf Sports and Entertainment, Movie Theatre Association of Canada, and Rogers Media. Its stated aim is to address Canada’s online piracy problems.

    While CTRC reviews FairPlay Canada’s plans, the coalition has been seeking to drum up support for the blocking regime, encouraging a diverse range of supporters to send submissions endorsing the project. Of course, building a united front among like-minded groups is nothing out of the ordinary but a situation just uncovered by Canadian law Professor Micheal Geist, one of the most vocal opponents of the proposed scheme, is bound to raise eyebrows.

    Geist discovered a submission by Brian Hutchings, who works as Vice-President, Administration at Brock University in Ontario. Dated March 22, 2018, it notes that one of the university’s most sought-after programs is Sports Management, which helps Brock’s students to become “the lifeblood” of Canada’s sport and entertainment industries.

    “Our University is deeply alarmed at how piracy is eroding an industry that employs so many of our co-op students and graduates. Piracy is a serious, pervasive threat that steals creativity, undermines investment in content development and threatens the survival of an industry that is also part of our national identity,” the submission reads.

    “Brock ardently supports the FairPlay Canada coalition of more than 25 organizations involved in every aspect of Canada’s film, TV, radio, sports entertainment and music industries. Specifically, we support the coalition’s request that the CRTC introduce rules that would disable access in Canada to the most egregious piracy sites, similar to measures that have been taken in the UK, France and Australia. We are committed to assist the members of the coalition and the CRTC in eliminating the theft of digital content.”

    The letter leaves no doubt that Brock University as a whole stands side-by-side with Fairplay Canada but according to a subsequent submission signed by Michelle Webber, President, Brock University Faculty Association (BUFA), nothing could be further from the truth.

    Noting that BUFA unanimously supports the position of the Canadian Association of University Teachers which opposes the FairPlay proposal, Webber adds that BUFA stands in opposition to the submission by Brian Hutchings on behalf of Brock University.

    “Vice President Hutching’s intervention was undertaken without consultation with the wider Brock University community, including faculty, librarians, and Senate; therefore, his submission should not be seen as indicative of the views of Brock University as a whole.”

    BUFA goes on to stress the importance of an open Internet to researchers and educators while raising concerns that the blocking proposals could threaten the principles of net neutrality in Canada.

    While the undermining of Hutching’s position is embarrassing enough, via access to information laws Geist has also been able to reveal the chain of events that prompted the Vice-President to write a letter of support on behalf of the whole university.

    It began with an email sent by former Brock professor Cheri Bradish to Mark Milliere, TSN’s Senior Vice President and General Manager, with Hutchings copied in. The idea was to connect the pair, with the suggestion that supporting the site-blocking plan would help to mitigate the threat to “future work options” for students.

    What followed was a direct email from Mark Milliere to Brian Hutchings, in which the former laid out the contributions his company makes to the university, while again suggesting that support for site-blocking would be in the long-term interests of students seeking employment in the industry.

    On March 23, Milliere wrote to Hutchings again, thanking him for “a terrific letter” and stating that “If you need anything from TSN, just ask.”

    This isn’t the first time that Bell has asked those beholden to the company to support its site-blocking plans.

    Back in February it was revealed that the company had asked its own employees to participate in the site-blocking submission process, without necessarily revealing their affiliations with the company.

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    ISPs Win Landmark Case to Protect Privacy of Alleged Pirates

    Post Syndicated from Andy original https://torrentfreak.com/isps-win-landmark-case-protect-privacy-alleged-pirates-180508/

    With waves of piracy settlement letters being sent out across the world, the last line of defense for many accused Internet users has been their ISPs.

    In a number of regions, notably the United States, Europe, and the UK, most ISPs have given up the fight, handing subscriber details over to copyright trolls with a minimum of resistance. However, there are companies out there prepared to stand up for their customers’ rights, if eventually.

    Over in Denmark, Telenor grew tired of tens of thousands of requests for subscriber details filed by a local law firm on behalf of international copyright troll groups. It previously complied with demands to hand over the details of individuals behind 22,000 IP addresses, around 11% of the 200,000 total handled by ISPs in Denmark. But with no end in sight, the ISP dug in its heels.

    “We think there is a fundamental legal problem because the courts do not really decide what is most important: the legal security of the public or the law firms’ commercial interests,” Telenor’s Legal Director Mette Eistrøm Krüger said last year.

    Assisted by rival ISP Telia, Telenor subsequently began preparing a case to protect the interests of their customers, refusing in the meantime to comply with disclosure requests in copyright cases. But last October, the District Court ruled against the telecoms companies, ordering them to provide identities to the copyright trolls.

    Undeterred, the companies took their case to the Østre Landsret, one of Denmark’s two High Courts. Yesterday their determination paid off with a resounding victory for the ISPs and security for the individuals behind approximately 4,000 IP addresses targeted by Copyright Collection Ltd via law firm Njord Law.

    “In its order based on telecommunications legislation, the Court has weighed subscribers’ rights to confidentiality of information regarding their use of the Internet against the interests of rightsholders to obtain information for the purpose of prosecuting claims against the subscribers,” the Court said in a statement.

    Noting that the case raised important questions of European Union law and the European Convention on Human Rights, the High Court said that after due consideration it would overrule the decision of the District Court. The rights of the copyright holders do not trump the individuals right to privacy, it said.

    “The telecommunications companies are therefore not required to disclose the names and addresses of their subscribers,” the Court ruled.

    Telenor welcomed the decision, noting that it had received countless requests from law firms to disclose the identities of thousands of subscribers but had declined to hand them over, a decision that has now been endorsed by the High Court.

    “This is an important victory for our right to protect our customers’ data,” said Telenor Denmark’s Legal Director, Mette Eistrøm Krüger.

    “At Telenor we protect our customers’ data and trust – therefore it has been our conviction that we cannot be forced into almost automatically submitting personal data on our customers simply to support some private actors who are driven by commercial interests.”

    Noting that it’s been putting up a fight since 2016 against handing over customers’ data for purposes other than investigating serious crime, Telenor said that the clarity provided by the decision is most welcome.

    “We and other Danish telecom companies are required to log customer data for the police to fight serious crime and terrorism – but the legislation has just been insufficient in relation to the use of logged data,” Krüger said.

    “Therefore I am pleased that with this judgment the High Court has stated that customers’ legal certainty is most important in these cases.”

    The decision was also welcomed by Telia Denmark, with Legal Director Lasse Andersen describing the company as being “really really happy” with “a big win.”

    “It is a victory for our customers and for all telecom companies’ customers,” Andersen said.

    “They can now feel confident that the data that we collect about them cannot be disclosed for purposes other than the terms under which they are collected as determined by the jurisdiction.

    “Therefore, anyone and everybody cannot claim our data. We are pleased that throughout the process we have determined that we will not hand over our data to anyone other than the police with a court order,” Andersen added.

    But as the ISPs celebrate, the opposite is true for Njord Law and its copyright troll partners.

    “It is a sad message to the Danish film and television industry that the possibilities for self-investigating illegal file sharing are complicated and that the work must be left to the police’s scarce resources,” said Jeppe Brogaard Clausen of Njord Law.

    While the ISPs finally stood up for users in these cases, Telenor in particular wishes to emphasize that supporting the activities of pirates is not its aim. The company says it does not support illegal file-sharing “in any way” and is actively working with anti-piracy outfit Rights Alliance to prevent unauthorized downloading of movies and other content.

    The full decision of the Østre Landsret can be found here (Danish, pdf)

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    Video Deters People From Pirate Sites…Or Encourages Them to Start One?

    Post Syndicated from Andy original https://torrentfreak.com/video-deters-people-from-pirate-sites-or-encourages-them-to-start-one-180505/

    There are almost as many anti-piracy strategies as there are techniques for downloading.

    Litigation and education are probably the two most likely to be seen by the public, who are often directly targeted by the entertainment industries.

    Over the years this has led to many campaigns, one of which famously stated that piracy is a crime while equating it to the physical theft of a car, a handbag, a television, or a regular movie DVD. It’s debatable whether these campaigns have made much difference but they have raised awareness and some of the responses have been hilarious.

    While success remains hard to measure, it hasn’t stopped these PSAs from being made. The latest efforts come out of Sweden, where the country’s Patent and Registration Office (PRV) was commissioned by the government to increase public awareness of copyright and help change attitudes surrounding streaming and illegal downloading.

    “The purpose is, among other things, to reduce the use of illegal streaming sites and make it easier and safer to find and choose legal options,” PRV says.

    “Every year, criminal networks earn millions of dollars from illegal streaming. This money comes from advertising on illegal sites and is used for other criminal activities. The purpose of our film is to inform about this.”

    The series of videos show pirates in their supposed natural habitats of beautiful mansions, packed with luxurious items such as indoor pools, fancy staircases, and stacks of money. For some reason (perhaps to depict anonymity, perhaps to suggest something more sinister) the pirates are all dressed in animal masks, such as this one enjoying his Dodge Viper.

    The clear suggestion here is that people who visit pirate sites and stream unlicensed content are helping to pay for this guy’s bright green car. The same holds true for his indoor swimming pool, jet bike, and gold chains in the next clip.

    While some might have a problem with pirates getting rich from their clicks, it can’t have escaped the targets of these videos that they too are benefiting from the scheme. Granted, hyena-man gets the pool and the Viper, but they get the latest movies. It seems unlikely that pirate streamers refused to watch the copy of Black Panther that leaked onto the web this week (a month before its retail release) on the basis that someone else was getting rich from it.

    That being said, most people will probably balk at elements of the full PSA, which suggests that revenue from illegal streaming goes on to fuel other crimes, such as prescription drug offenses.

    After reporting piracy cases for more than twelve years, no one at TF has ever seen evidence of this happening with any torrent or streaming site operators. Still, it makes good drama for the full video, embedded below.

    “In the film we follow a fictional occupational criminal who gives us a tour of his beautiful villa. He proudly shows up his multi-criminal activity, which was made possible by means of advertising money from his illegal streaming services,” PRV explains.

    The dark tone and creepy masks are bound to put some people off but one has to question the effect this kind of video could have on younger people. Do pirates really make mountains of money so huge that they can only be counted by machine? If they do, then it’s a lot less risky than almost any other crime that yields this claimed level of profit.

    With that in mind, will this video deter the public or simply encourage people to get involved for some of that big money? We sent a link to the operator of a large pirate site for his considered opinion.

    “WTF,” he responded.

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    Raspberry Pi in your favourite films and TV shows

    Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/raspberry-pi-films-tv/

    If, like us, you’ve been bingeflixing your way through Netflix’s new show, Lost in Space, you may have noticed a Raspberry Pi being used as futuristic space tech.

    Raspberry Pi Netflix Lost in Space

    Danger, Will Robinson, that probably won’t work

    This isn’t the first time a Pi has been used as a film or television prop. From Mr. Robot and Disney Pixar’s Big Hero 6 to Mr. Robot, Sense8, and Mr. Robot, our humble little computer has become quite the celeb.

    Raspberry Pi Charlie Brooker Election Wipe
    Raspberry Pi Big Hero 6
    Raspberry Pi Netflix

    Raspberry Pi Spy has been working hard to locate and document the appearance of the Raspberry Pi in some of our favourite shows and movies. He’s created this video covering 2010-2017:

    Raspberry Pi TV and Film Appearances 2012-2017

    Since 2012 the Raspberry Pi single board computer has appeared in a number of movies and TV shows. This video is a run through of those appearances where the Pi has been used as a prop.

    For 2018 appearances and beyond, you can find a full list on the Raspberry Pi Spy website. If you’ve spotted an appearance that’s not on the list, tell us in the comments!

    The post Raspberry Pi in your favourite films and TV shows appeared first on Raspberry Pi.

    Pirate IPTV Blocking Case is No Slam Dunk Says Federal Court Judge

    Post Syndicated from Andy original https://torrentfreak.com/pirate-iptv-blocking-case-is-no-slam-dunk-says-federal-court-judge-180502/

    Last year, Hong Kong-based broadcaster Television Broadcasts Limited (TVB) applied for a blocking injunction against several unauthorized IPTV services.

    Under the Copyright Act, the broadcaster asked the Federal Court to order ISPs including Telstra, Optus, Vocus, and TPG plus their subsidiaries to block access to seven Android-based services named as A1, BlueTV, EVPAD, FunTV, MoonBox, Unblock, and hTV5.

    Unlike torrent site and streaming portal blocks granted earlier, it soon became clear that this case would present unique difficulties. TVB not only wants Internet locations (URLs, domains, IP addresses) related to the technical operation of the services blocked, but also hosting services akin to Google Play and Apple’s App Store that host the app.

    Furthermore, it is far from clear whether China-focused live programming is eligible for copyright protection in Australia. If China had been a party to the 1961 Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations, it would receive protection. As it stands, it does not.

    That causes complications in respect of Section 115a of the Copyright Act which allows rightsholders to apply for an injunction to have “overseas online locations” blocked if they facilitate access to copyrighted content. Furthermore, the section requires that the “primary purpose” of the location is to infringe copyrights recognized in Australia. If it does not, then there’s no blocking option available.

    “If most of what is occurring here is a reproduction of broadcasts that are not protected by copyright, then the primary purpose is not to facilitate copyright infringement,” Justice Nicholas said in April.

    This morning TVB returned to Federal Court for a scheduled hearing. The ISPs were a no-show again, leaving the broadcaster’s legal team to battle it out with Justice Nicholas alone. According to details published by ComputerWorld, he isn’t making it easy for the overseas company.

    The Judge put it to TVB that “the purpose of this system [the set-top boxes] is to make available a broadcast that’s not copyright protected in this country, in this country,” he said.

    “If 10 per cent of the content was infringing content, how could you say the primary purpose is infringing copyright?” the Judge asked.

    But despite the Judge’s reservations, TVB believes that the pirate IPTV services clearly infringe its rights, since alongside live programming, the devices also reproduce TVB movies which do receive protection in Australia. However, the company is also getting creative in an effort to sidestep the ‘live TV’ conundrum.

    TVB counsel Julian Cooke told the Court that live TVB broadcasts are first reproduced on foreign servers from where they are communicated to set-top devices in Australia with a delay of between one and four minutes. This is a common feature of all pirate IPTV services which potentially calls into question the nature of the ‘live’ broadcasts. The same servers also carry recorded content too, he argued.

    “Because the way the system is set up, it compounds itself … in a number of instances, a particular domain name, which we refer to as the portal target domain name, allows a communication path not just to live TV, but it’s also the communication path to other applications such as replay and video on demand,” Cooke said, as quoted by ZDNet.

    Cooke told the Court that he wasn’t sure whether the threshold for “primary purpose” was set at 50% of infringing content but noted that the majority of the content available through the boxes is infringing and the nature of the servers is even more pronounced.

    “It compounds the submission that the primary purpose of the online location which is the facilitating server is to facilitate the infringement of copyright using that communication path,” he said.

    As TF predicted in our earlier coverage, TVB today got creative by highlighting other content that it does receive copyright protection for in Australia. Previously in the UK, the Premier League successfully stated that it owns copyright in the logos presented in a live broadcast.

    This morning, Cooke told the court that TVB “literary works” – scripts used on news shows and subtitling services – receive copyright protection in Australia so urged the Court to consider the full package.

    “If one had concerns about live TV, one shouldn’t based on the analysis we’ve done … if one adds that live TV infringements together with video on demand together with replay, there could be no doubt that the primary purpose of the online locations is to infringe copyright,” he said.

    Due to the apparent complexity of the case, Justice Nicholas reserved his decision, telling TVB that his ruling could take a couple of months after receiving his “close attention.”

    Last week, Village Roadshow and several major Hollywood studios won a blocking injunction against a different pirate IPTV service. HD Subs Plus delivers around 600 live premium channels plus hundreds of movies on demand, but the service will now be blocked by ISPs across Australia.

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    Danish Traffic to Pirate Sites Increases 67% in Just a Year

    Post Syndicated from Andy original https://torrentfreak.com/danish-traffic-to-pirate-sites-increases-67-in-just-a-year-180501/

    For close to 20 years, rightsholders have tried to stem the tide of mainstream Internet piracy. Yet despite increasingly powerful enforcement tools, infringement continues on a grand scale.

    While the problem is global, rightsholder groups often zoom in on their home turf, to see how the fight is progressing locally. Covering Denmark, the Rights Alliance Data Report 2017 paints a fairly pessimistic picture.

    Published this week, the industry study – which uses SimilarWeb and MarkMonitor data – finds that Danes visited 2,000 leading pirate sites 596 million times in 2017. That represents a 67% increase over the 356 million visits to unlicensed platforms made by citizens during 2016.

    The report notes that, at least in part, this explosive growth can be attributed to mobile-compatible sites and services, which make it easier than ever to consume illicit content on the move, as well as at home.

    In a sea of unauthorized streaming sites, Rights Alliance highlights one platform above all the others as a particularly bad influence in 2017 – 123movies (also known as GoMovies and GoStream, among others).

    “The popularity of this service rose sharply in 2017 from 40 million visits in 2016 to 175 million visits in 2017 – an increase of 337 percent, of which most of the traffic originates from mobile devices,” the report notes.

    123movies recently announced its closure but before that the platform was subjected to web-blocking in several jurisdictions.

    Rights Alliance says that Denmark has one of the most effective blocking systems in the world but that still doesn’t stop huge numbers of people from consuming pirate content from sites that aren’t yet blocked.

    “Traffic to infringing sites is overwhelming, and therefore blocking a few sites merely takes the top of the illegal activities,” Rights Alliance chief Maria Fredenslund informs TorrentFreak.

    “Blocking is effective by stopping 75% of traffic to blocked sites but certainly, an upscaled effort is necessary.”

    Rights Alliance also views the promotion of legal services as crucial to its anti-piracy strategy so when people visit a blocked site, they’re also directed towards legitimate platforms.

    “That is why we are working at the moment with Denmark’s Ministry of Culture and ISPs on a campaign ‘Share With Care 2′ which promotes legal services e.g. by offering a search function for legal services which will be placed in combination with the signs that are put on blocked websites,” the anti-piracy group notes.

    But even with such measures in place, the thirst for unlicensed content is great. In 2017 alone, 500 of the most popular films and TV shows were downloaded from P2P networks like BitTorrent more than 15 million times from Danish IP addresses, that’s up from 11.9 million in 2016.

    Given the dramatic rise in visits to pirate sites overall, the suggestion is that plenty of consumers are still getting through. Rights Alliance says that the number of people being restricted is also hampered by people who don’t use their ISP’s DNS service, which is the method used to block sites in Denmark.

    Additionally, interest in VPNs and similar anonymization and bypass-capable technologies is on the increase. Between 3.5% and 5% of Danish Internet users currently use a VPN, a number that’s expected to go up. Furthermore, Rights Alliance reports greater interest in “closed” pirate communities.

    “The data is based on closed [BitTorrent] networks. We also address the challenges with private communities on Facebook and other [social media] platforms,” Fredenslund explains.

    “Due to the closed doors of these platforms it is not possible for us to say anything precisely about the amount of infringing activities there. However, we receive an increasing number of notices from our members who discover that their products are distributed illegally and also we do an increased monitoring of these platforms.”

    But while more established technologies such as torrents and regular web-streaming continue in considerable volumes, newer IPTV-style services accessible via apps and dedicated platforms are also gaining traction.

    “The volume of visitors to these services’ websites has been sharply rising in 2017 – an increase of 84 percent from January to December,” Rights Alliance notes.

    “Even though the number of visitors does not say anything about actual consumption, as users usually only visit pages one time to download the program, the number gives an indication that the interest in IPTV is increasing.”

    To combat this growth market, Rights Alliance says it wants to establish web-blockades against sites hosting the software applications.

    Also on the up are visits to platforms offering live sports illegally. In 2017, Danish IP addresses made 2.96 million visits to these services, corresponding to almost 250,000 visits per month and representing an annual increase of 28%.

    Rights Alliance informs TF that in future a ‘live’ blocking mechanism similar to the one used by the Premier League in the UK could be deployed in Denmark.

    “We already have a dynamic blocking system, and we see an increasing demand for illegal TV products, so this could be a natural next step,” Fredenslund explains.

    Another small but perhaps significant detail is how users are accessing pirate sites. According to the report, large volumes of people are now visiting platforms directly, with more than 50% doing so in preference to referrals from search engines such as Google.

    In terms of deterrence, the Rights Alliance report sticks to the tried-and-tested approaches seen so often in the anti-piracy arena.

    Firstly, the group notes that it’s increasingly encountering people who are paying for legal services such as Netflix and Spotify so believe that allows them to grab something extra from a pirate site. However, in common with similar organizations globally, the group counters that pirate sites can serve malware or have other nefarious business interests behind the scenes, so people should stay away.

    Whether significant volumes will heed this advice will remain to be seen but if a 67% increase last year is any predictor of the future, piracy is here to stay – and then some. Rights Alliance says it is ready for the challenge but will need some assistance to achieve its goals.

    “As it is evident from the traffic data, criminal activities are not something that we, private companies (right holders in cooperation with ISPs), can handle alone,” Fredenslund says.

    “Therefore, we are very pleased that DK Government recently announced that the IP taskforce which was set down as a trial period has now been made permanent. In that regard it is important and necessary that the police will also obtain the authority to handle blocking of massively infringing websites. Police do not have the authority to carry out blocking as it is today.”

    The full report is available here (Danish, pdf)

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    Reddit Repeat Infringer Policy Shuts Down Megalinks Piracy Sub

    Post Syndicated from Andy original https://torrentfreak.com/reddit-repeat-infringer-policy-shuts-down-megalinks-piracy-sub-180430/

    Without doubt, Reddit is one of the most popular sites on the entire Internet. At the time of writing it’s the fourth most visited site in the US with 330 million users per month generating 14 billion screenviews.

    The core of the site’s success is its communities. Known as ‘sub-Reddits’ or just ‘subs’, there are currently 138,000 of them dedicated to every single subject you can think of and tens of thousands you’d never considered.

    Even though they’re technically forbidden, a small but significant number are dedicated to piracy, offering links to copyright-infringing content hosted elsewhere. One of the most popular is /r/megalinks, which is dedicated to listing infringing content (mainly movies and TV shows) uploaded to file-hosting site Mega.

    Considering its activities, Megalinks has managed to stay online longer than most people imagined but following an intervention from Reddit, the content indexing sub has stopped accepting new submissions, which will effectively shut it down.

    In an announcement Sunday, the sub’s moderators explained that following a direct warning from Reddit’s administrators, the decision had been taken to move on.

    “As most of you know by now, we’ve had to deal with a lot of DMCA takedowns over the last 6 months. Everyone knew this day would come, eventually, and its finally here,” they wrote.

    “We received a formal warning from Reddit’s administration 2 days ago, and have decided to restrict new submissions for the safety of the subreddit.”

    The message from Reddit’s operators makes it absolutely clear that Reddit isn’t the platform to host what amounts to a piracy links forum.

    “This is an official warning from Reddit that we are receiving too many copyright infringement notices about material posted to your community. We will be required to ban this community if you can’t adequately address the problem,” the warning reads.

    Noting that Redditors aren’t allowed to post content that infringes copyrights, the administrators say they are required by law to handle DMCA notices and that in cases where infringement happens on multiple occasions, that needs to be handled in a more aggressive manner.

    “The law also requires us to issue bans in cases of repeat infringement. Sometimes a repeat infringement problem is limited to just one user and we ban just that person. Other times the problem pervades a whole community and we ban the community,” the admins continue.

    “This is our formal warning about repeat infringement in this community. Over the past three months we’ve had to remove material from the community in response to copyright notices 60 times. That’s an unusually high number taking into account the community’s size.

    The warning suggests ways to keep infringing content down but in a sub dedicated to piracy, they’re all completely irrelevant. It also suggests removing old posts to ensure that Reddit doesn’t keep getting notices, but that would mean deleting pretty much everything. Backups exist but a simple file is a poor substitute for a community.

    So, with Reddit warning that without change the sub will be banned, the moderators of /r/megalinks have decided to move on to a new home. Reportedly hosted ‘offshore’, their new forum already has more than 9,800 members and is likely to grow quickly as the word spreads.

    A month ago, the /r/megaporn sub-Reddit suffered a similar fate following a warning from Reddit’s admins. It successfully launched a new external forum which is why the Megalinks crew decided on the same model.

    “[A]fter seeing how /r/megaporn approached the same situation, we had started working on an offshore forum a week ago in anticipation of the ban. This allows us to work however we want, without having to deal with Reddit’s policies and administration,” the team explain.

    Ever since the BMG v Cox case went bad ways for the ISP in 2015, repeat infringer policies have become a very hot topic in the US. That Reddit is now drawing a line in the sand over a relatively small number of complaints (at least compared to other similar platforms) is clear notice that Reddit and blatant piracy won’t be allowed to walk hand in hand.

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    Former Judge Accuses IP Court of Using ‘Pirate’ Microsoft Software

    Post Syndicated from Andy original https://torrentfreak.com/former-judge-accuses-ip-court-of-using-pirate-microsoft-software-180429/

    While piracy of movies, TV shows, and music grabs most of the headlines, software piracy is a huge issue, from both consumer and commercial perspectives.

    For many years, software such as Photoshop has been pirated on a grand scale and around the world, millions of computers rely on cracked and unlicensed copies of Microsoft’s Windows software.

    One of the key drivers of this kind of piracy is the relative expense of software. Open source variants are nearly always available but big brand names always seem more popular due to their market penetration and perceived ease of use.

    While using pirated software very rarely gets individuals into trouble, the same cannot be said of unlicensed commercial operators. That appears to be the case in Russia where somewhat ironically the Court for Intellectual Property Rights stands accused of copyright infringement.

    A complaint filed by the Paragon law firm at the Prosecutor General’s Office of the Court for Intellectual Property Rights (CIP) alleges that the Court is illegally using Microsoft software, something which has the potential to affect the outcome of court cases involving the US-based software giant.

    Paragon is representing Alexander Shmuratov, who is a former Assistant Judge at the Court for Intellectual Property Rights. Shmuratov worked at the Court for several years and claims that the computers there were being operated with expired licenses.

    Shmuratov himself told Kommersant that he “saw the notice of an activation failure every day when using MS Office products” in intellectual property court.

    A representative of the Prosecutor General’s Office confirmed that a complaint had been received but said it had been forwarded to the Ministry of Internal Affairs.

    In respect of the counterfeit software claims, CIP categorically denies the allegations. CIP says that licenses for all Russian courts were purchased back in 2008 and remained in force until 2011. In 2013, Microsoft agreed to an extension.

    Only adding more intrigue to the story, CIP Assistant chairman Catherine Ulyanova said that the initator of the complaint, former judge Alexander Shmuratov, was dismissed from the CIP because he provided false information about income. He later mounted a challenge against his dismissal but was unsuccessful.

    Ulyanova said that Microsoft licensed all courts from 2006 for use of Windows and MS Office. The licenses were acquired through a third-party company and more licenses than necessary were purchased, with some licenses being redistributed for use by CIP in later years with the consent of Microsoft.

    Kommersant was unable to confirm how licenses were paid for beyond December 2011 but apparently an “official confirmation letter from the Irish headquarters of Microsoft, which does not object to the transfer of CIP licenses” had been sent to the Court.

    Responding to Shmuratov’s allegations that software he used hadn’t been activated, Ulyanova said that technical problems had no relationship with the existence of software licenses.

    The question of whether the Court is properly licensed will be determined at a later date but observers are already raising questions concerning CIP’s historical dealings with Microsoft not only in terms of licensing, but in cases it handled.

    In the period 2014-2017, the Court for Intellectual Property Rights handled around 80 cases involving Microsoft and claims of between 50 thousand ($800) and several million rubles.

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    Aussie Federal Court Orders ISPs to Block Pirate IPTV Service

    Post Syndicated from Andy original https://torrentfreak.com/aussie-federal-court-orders-isps-to-block-pirate-iptv-service-180427/

    After successful applying for ISP blocks against dozens of traditional torrent and streaming portals, Village Roadshow and a coalition of movie studios switched tack last year.

    With the threat of pirate subscription IPTV services looming large, Roadshow, Disney, Universal, Warner Bros, Twentieth Century Fox, and Paramount targeted HDSubs+ (also known as PressPlayPlus), a fairly well-known service that provides hundreds of otherwise premium live channels, movies, and sports for a relatively small monthly fee.

    The injunction, which was filed last October, targets Australia’s largest ISPs including Telstra, Optus, TPG, and Vocus, plus subsidiaries.

    Unlike blocking injunctions targeting regular sites, the studios sought to have several elements of HD Subs+ infrastructure rendered inaccessible, so that its sales platform, EPG (electronic program guide), software (such as an Android and set-top box app), updates, and sundry other services would fail to operate in Australia.

    After a six month wait, the Federal Court granted the application earlier today, compelling Australia’s ISPs to block “16 online locations” associated with the HD Subs+ service, rendering its TV services inaccessible Down Under.

    “Each respondent must, within 15 business days of service of these orders, take reasonable steps to disable access to the target online locations,” said Justice Nicholas, as quoted by ZDNet.

    A small selection of channels in the HDSubs+ package

    The ISPs were given flexibility in how to implement the ban, with the Judge noting that DNS blocking, IP address blocking or rerouting, URL blocking, or “any alternative technical means for disabling access”, would be acceptable.

    The rightsholders are required to pay a fee of AU$50 fee for each domain they want to block but Village Roadshow says it doesn’t mind doing so, since blocking is in “public interest”. Continuing a pattern established last year, none of the ISPs showed up to the judgment.

    A similar IPTV blocking application was filed by Hong Kong-based broadcaster Television Broadcasts Limited (TVB) last year.

    TVB wants ISPs including Telstra, Optus, Vocus, and TPG plus their subsidiaries to block access to seven Android-based services named as A1, BlueTV, EVPAD, FunTV, MoonBox, Unblock, and hTV5.

    The application was previously heard alongside the HD Subs+ case but will now be handled separately following complications. In April it was revealed that TVB not only wants to block Internet locations related to the technical operation of the service, but also hosting sites that fulfill a role similar to that of Google Play or Apple’s App Store.

    TVB wants to have these app marketplaces blocked by Australian ISPs, which would not only render the illicit apps inaccessible to the public but all of the non-infringing ones too.

    Justice Nicholas will now have to decide whether the “primary purpose” of these marketplaces is to infringe or facilitate the infringement of TVB’s copyrights. However, there is also a question of whether China-focused live programming has copyright status in Australia. An additional hearing is scheduled for May 2 for these matters to be addressed.

    Also on Friday, Foxtel filed yet another blocking application targeting “15 online locations” involving 27 domain names connected to traditional BitTorrent and streaming services.

    According to ComputerWorld the injunction targets the same set of ISPs but this time around, Foxtel is trying to save on costs.

    The company doesn’t want to have expert witnesses present in court, doesn’t want to stage live demos of websites, and would like to rely on videos and screenshots instead. Foxtel also says that if the ISPs agree, it won’t serve its evidence on them as it has done previously.

    The company asked Justice Nicholas to deal with the injunction application “on paper” but he declined, setting a hearing for June 18 but accepting screenshots and videos as evidence.

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    Under-Fire “Kodi Box” Company “Sold to Chinese Investor” For US$8.82m

    Post Syndicated from Andy original https://torrentfreak.com/under-fire-kodi-box-company-sold-to-chinese-investor-for-us8-82m-180426/

    Back in 2016, an article appeared in Kiwi media discussing the rise of a new company pledging to beat media giant Sky TV at its own game.

    My Box NZ owner Krish Reddy told the publication he was selling Android boxes loaded with Kodi software and augmented with third-party addons.

    Without any hint of fear, he stated that these devices enabled customers to access movies, TV shows and live channels for free, after shelling out a substantial US$182 for the box first, that is.

    “Why pay $80 minimum per month for Sky when for one payment you can have it free for good?” a claim on the company’s website asked.

    Noting that he’d been importing the boxes from China, Reddy suggested that his lawyers hadn’t found any problem with the business plan.

    “I don’t see why [Sky] would contact me but if they do contact me and … if there’s something of theirs that they feel I’ve unlawfully taken then yeah … but as it stands I don’t [have any concerns],” he said.

    At this point, Reddy said he’d been selling the boxes for just six weeks and had shifted around 80 units. To get coverage from a national newspaper at this stage of the game must’ve been very much appreciated but Reddy didn’t stop there.

    In a bulk advertising email sent out to 50,000 people, Reddy described his boxes as “better than Sky”. However, by design or misfortune, the email managed to land in the inboxes of 50 Sky TV staff and directors, something that didn’t go unnoticed by the TV giant.

    With Reddy claiming sales of 8,000 units, Sky ran out of patience last April. In a letter from its lawyers, the pay-TV company said Reddy’s devices breached copyright law and the Fair Trading Act. Reddy responded by calling the TV giant “a playground bully”, again denying that he was breaking the law.

    “From a legal perspective, what we do is completely within the law. We advertise Sky television channels being available through our website and social media platforms as these are available via streams which you can find through My Box,” he said.

    “The content is already available, I’m not going out there and bringing the content so how am I infringing the copyright… the content is already there, if someone uses the box to search for the content, that’s what it is.”

    The initial compensation demand from Sky against Reddy’s company My Box ran to NZD$1.4m, around US$1m. It was an amount that had the potential rise by millions if matters got drawn out and/or escalated. But despite picking a terrible opponent in a battle he was unlikely to win, Reddy refused to give up.

    “[Sky’s] point of view is they own copyright and I’m destroying the market by giving people content for free. To me it is business; I have got something that is new … that’s competition,” he said.

    The Auckland High Court heard the case against My Box last month with Judge Warwick Smith reserving his judgment and Reddy still maintaining that his business is entirely legal. Sales were fantastic, he said, with 20,000 devices sold to customers in 12 countries.

    Then something truly amazing happened.

    A company up to its eyeballs in litigation, selling a commodity product that an amateur can buy and configure at home for US$40, reportedly got a chance of a lifetime. Reddy revealed to Stuff that a Chinese investor had offered to buy his company for an eye-watering NZ$10 million (US$7.06m).

    “We have to thank Sky,” he said. “If they had left us alone we would just have been selling a few boxes, but the controversy made us world famous.”

    Reddy noted he’d been given 21 days to respond to the offer, but refused to name the company. Interestingly, he also acknowledged that if My Box lost its case, the company would be liable for damages. However, that wouldn’t bother the potential investor.

    “It makes no difference to them whether we win or lose, because their operations won’t be in New Zealand,” Reddy said.

    According to the entrepreneur, that’s how things are playing out.

    The Chinese firm – which Reddy is still refusing to name – has apparently accepted a counter offer from Reddy of US$8.8m for My Box. As a result, Reddy will wrap up his New Zealand operations within the next 90 days and his six employees will be rendered unemployed.

    Given that anyone with the ability to install Kodi and a few addons before putting a box in the mail could replicate Reddy’s business model, the multi-million dollar offer for My Box was never anything less than a bewildering business proposition. That someone carried through with it an even higher price is so fantastic as to be almost unbelievable.

    In a sea of unhappy endings for piracy-enabled Kodi box sellers globally, this is the only big win to ever grace the headlines. Assuming this really is the end of the story (and that might not be the case) it will almost certainly be the last.

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

    MPAA Chief Says Fighting Piracy Remains “Top Priority”

    Post Syndicated from Andy original https://torrentfreak.com/mpaa-chief-says-fighting-piracy-remains-top-priority-180425/

    After several high-profile years at the helm of the movie industry’s most powerful lobbying group, last year saw the departure of Chris Dodd from the role of Chairman and CEO at the MPAA.

    The former Senator, who earned more than $3.5m a year championing the causes of the major Hollywood studios since 2011, was immediately replaced by another political heavyweight.

    Charles Rivkin, who took up his new role September 5, 2017, previously served as Assistant Secretary of State for Economic and Business Affairs in the Obama administration. With an underperforming domestic box office year behind him fortunately overshadowed by massive successes globally, this week he spoke before US movie exhibitors for the first time at CinemaCon in Las Vegas.

    “Globally, we hit a record high of $40.6 billion at the box office. Domestically, our $11.1 billion box office was slightly down from the 2016 record. But it exactly matched the previous high from 2015. And it was the second highest total in the past decade,” Rivkin said.

    “But it exactly matched the previous high from 2015. And it was the second highest total in the past decade.”

    Rivkin, who spent time as President and CEO of The Jim Henson Company, told those in attendance that he shares a deep passion for the movie industry and looks forward optimistically to the future, a future in which content is secured from those who intend on sharing it for free.

    “Making sure our creative works are valued and protected is one of the most important things we can do to keep that industry heartbeat strong. At the Henson Company, and WildBrain, I learned just how much intellectual property affects everyone. Our entire business model depended on our ability to license Kermit the Frog, Miss Piggy, and the Muppets and distribute them across the globe,” Rivkin said.

    “I understand, on a visceral level, how important copyright is to any creative business and in particular our country’s small and medium enterprises – which are the backbone of the American economy. As Chairman and CEO of the MPAA, I guarantee you that fighting piracy in all forms remains our top priority.”

    That tackling piracy is high on the MPAA’s agenda won’t comes as a surprise but at least in terms of the numbers of headlines plastered over the media, high-profile anti-piracy action has been somewhat lacking in recent years.

    With lawsuits against torrent sites seemingly a thing of the past and a faltering Megaupload case that will conclude who-knows-when, the MPAA has taken a broader view, seeking partnerships with sometimes rival content creators and distributors, each with a shared desire to curtail illicit media.

    “One of the ways that we’re already doing that is through the Alliance for Creativity and Entertainment – or ACE as we call it,” Rivkin said.

    “This is a coalition of 30 leading global content creators, including the MPAA’s six member studios as well as Netflix, and Amazon. We work together as a powerful team to ensure our stories are seen as they were intended to be, and that their creators are rewarded for their hard work.”

    Announced in June 2017, ACE has become a united anti-piracy powerhouse for a huge range of entertainment industry groups, encompassing the likes of CBS, HBO, BBC, Sky, Bell Canada, CBS, Hulu, Lionsgate, Foxtel and Village Roadshow, to name a few.

    The coalition was announced by former MPAA Chief Chris Dodd and now, with serious financial input from all companies involved, appears to be picking its fights carefully, focusing on the growing problem of streaming piracy centered around misuse of Kodi and similar platforms.

    From threatening relatively small-time producers and distributors of third-party addons and builds (1,2,3), ACE is also attempting to make its mark among the profiteers.

    The group now has several lawsuits underway in the United States against people selling piracy-enabled IPTV boxes including Tickbox, Dragon Box, and during the last week, Set TV.

    With these important cases pending, Rivkin offered assurances that his organization remains committed to anti-piracy enforcement and he thanked exhibitors for their efforts to prevent people quickly running away with copies of the latest releases.

    “I am grateful to all of you for recognizing what is at stake, and for working with us to protect creativity, such as fighting the use of illegal camcorders in theaters,” he said.

    “Protecting our creativity isn’t only a fundamental right. It’s an economic necessity, for us and all creative economies. Film and television are among the most valuable – and most impactful – exports we have.

    Thus far at least, Rivkin has a noticeably less aggressive tone on piracy than his predecessor Chris Dodd but it’s unlikely that will be mistaken for weakness among pirates, nor should it. The MPAA isn’t known for going soft on pirates and it certainly won’t be changing course anytime soon.

    Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.