Tag Archives: movies

Court Suspends Ban on Roku Sales in Mexico

Post Syndicated from Ernesto original https://torrentfreak.com/court-suspends-ban-on-roku-sales-in-mexico-170623/

Last week, news broke that the Superior Court of Justice of the City of Mexico had issued a ban on Roku sales.

The order prohibited stores such as Amazon, Liverpool, El Palacio de Hierro, and Sears from importing and selling the devices. In addition, several banks were told stop processing payments from accounts that are linked to pirated services on Roku.

While Roku itself is not offering any pirated content, there is a market for third-party pirate channels outside the Roku Channel Store, which turn the boxes into pirate tools. Cablevision filed a complaint about this unauthorized use which eventually resulted in the ban.

The news generated headlines all over the world and was opposed immediately by several of the parties involved. Yesterday, a federal judge decided to suspend the import and sales ban, at least temporarily.

As a result, local vendors can resume their sales of the popular media player.

“Roku is pleased with today’s court decision, which paves the way for sales of Roku devices to resume in Mexico,” Roku’s General Counsel Steve Kay informed TorrentFreak after he heard the news.

Roku

TorrentFreak has not been able to get a copy of the suspension order, but it’s likely that the court wants to review the case in more detail before a final decision is made.

While streaming player piracy is seen as one of the greatest threats the entertainment industry faces today, the Roku ban went quite far. In a way, it would be similar to banning the Chrome browser because certain add-ons and sites allow users to stream pirated movies.

Roku, meanwhile, says it will continue to work with rightholders and other stakeholders to prevent piracy on its platform, to the best of their ability.

“Piracy is a problem the industry at large is facing,” Key tells TorrentFreak.

“We prohibit copyright infringement of any kind on the Roku platform. We actively work to prevent third-parties from using our platform to distribute copyright infringing content. Moreover, we have been actively working with other industry stakeholders on a wide range of anti-piracy initiatives.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Three Men Sentenced Following £2.5m Internet Piracy Case

Post Syndicated from Andy original https://torrentfreak.com/three-men-sentenced-following-2-5m-internet-piracy-case-170622/

While legal action against low-level individual file-sharers is extremely rare in the UK, the country continues to pose a risk for those engaged in larger-scale infringement.

That is largely due to the activities of the Police Intellectual Property Crime Unit and private anti-piracy outfits such as the Federation Against Copyright Theft (FACT). Investigations are often a joint effort which can take many years to complete, but the outcomes can often involve criminal sentences.

That was the profile of another Internet piracy case that concluded in London this week. It involved three men from the UK, Eric Brooks, 43, from Bolton, Mark Valentine, 44, from Manchester, and Craig Lloyd, 33, from Wolverhampton.

The case began when FACT became aware of potentially infringing activity back in February 2011. The anti-piracy group then investigated for more than a year before handing the case to police in March 2012.

On July 4, 2012, officers from City of London Police arrested Eric Brooks’ at his home in Bolton following a joint raid with FACT. Computer equipment was seized containing evidence that Brooks had been running a Netherlands-based server hosting more than £100,000 worth of pirated films, music, games, software and ebooks.

According to police, a spreadsheet on Brooks’ computer revealed he had hundreds of paying customers, all recruited from online forums. Using PayPal or utilizing bank transfers, each paid money to access the server. Police mentioned no group or site names in information released this week.

“Enquiries with PayPal later revealed that [Brooks] had made in excess of £500,000 in the last eight years from his criminal business and had in turn defrauded the film and TV industry alone of more than £2.5 million,” police said.

“As his criminal enterprise affected not only the film and TV but the wider entertainment industry including music, games, books and software it is thought that he cost the wider industry an amount much higher than £2.5 million.”

On the same day police arrested Brooks, Mark Valentine’s home in Manchester had a similar unwelcome visit. A day later, Craig Lloyd’s home in Wolverhampton become the third target for police.

Computer equipment was seized from both addresses which revealed that the pair had been paying for access to Brooks’ servers in order to service their own customers.

“They too had used PayPal as a means of taking payment and had earned thousands of pounds from their criminal actions; Valentine gaining £34,000 and Lloyd making over £70,000,” police revealed.

But after raiding the trio in 2012, it took more than four years to charge the men. In a feature common to many FACT cases, all three were charged with Conspiracy to Defraud rather than copyright infringement offenses. All three men pleaded guilty before trial.

On Monday, the men were sentenced at Inner London Crown Court. Brooks was sentenced to 24 months in prison, suspended for 12 months and ordered to complete 140 hours of unpaid work.

Valentine and Lloyd were each given 18 months in prison, suspended for 12 months. Each was ordered to complete 80 hours unpaid work.

Detective Constable Chris Glover, who led the investigation for the City of London Police, welcomed the sentencing.

“The success of this investigation is a result of co-ordinated joint working between the City of London Police and FACT. Brooks, Valentine and Lloyd all thought that they were operating under the radar and doing something which they thought was beyond the controls of law enforcement,” Glover said.

“Brooks, Valentine and Lloyd will now have time in prison to reflect on their actions and the result should act as deterrent for anyone else who is enticed by abusing the internet to the detriment of the entertainment industry.”

While even suspended sentences are a serious matter, none of the men will see the inside of a cell if they meet the conditions of their sentence for the next 12 months. For a case lasting four years involving such large sums of money, that is probably a disappointing result for FACT and the police.

Nevertheless, the men won’t be allowed to enjoy the financial proceeds of their piracy, if indeed any money is left. City of London Police say the trio will be subject to a future confiscation hearing to seize any proceeds of crime.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Sync vs. Backup vs. Storage

Post Syndicated from Yev original https://www.backblaze.com/blog/sync-vs-backup-vs-storage/

Cloud Sync vs. Cloud Backup vs. Cloud Storage

Google Drive recently announced their new Backup and Sync feature for Google Drive, which allows users to select folders on their computer that they want to back up to their Google Drive account (note: these files count against your Google Drive storage limit). Whenever new backup services are announced, we get a lot of questions so I thought we should take a minute to review the differences in cloud based services.

What is the Cloud? Sync Vs Backup Vs Storage

There is still a lot of confusion in the space about what exactly the “cloud” is and how different services interact with it. When folks use a syncing and sharing service like Dropbox, Box, Google Drive, OneDrive or any of the others, they often assume those are acting as a cloud backup solution as well. Adding to the confusion, cloud storage services are often the backend for backup and sync services as well as standalone services. To help sort this out, we’ll define some of the terms below as they apply to a traditional computer set-up with a bunch of apps and data.

Cloud Sync (ex. Dropbox, iCloud Drive, OneDrive, Box, Google Drive) – these services sync folders on your computer to folders on other machines or to the cloud – allowing users to work from a folder or directory across devices. Typically these services have tiered pricing, meaning you pay for the amount of data you store with the service. If there is data loss, sometimes these services even have a rollback feature, of course only files that are in the synced folders are available to be recovered.

Cloud Backup (ex. Backblaze Cloud Backup, Mozy, Carbonite) – these services work in the background automatically. The user does not need to take any action like setting up specific folders. Backup services typically back up any new or changed data on your computer to another location. Before the cloud took off, that location was primarily a CD or an external hard drive – but as cloud storage became more readily available it became the most popular storage medium. Typically these services have fixed pricing, and if there is a system crash or data loss, all backed up data is available for restore. In addition, these services have rollback features in case there is data loss / accidental file deletion.

Cloud Storage (ex. Backblaze B2, Amazon S3, Microsoft Azure) – these services are where many online backup and syncing and sharing services store data. Cloud storage providers typically serve as the endpoint for data storage. These services typically provide APIs, CLIs, and access points for individuals and developers to tie in their cloud storage offerings directly. These services are priced “per GB” meaning you pay for the amount of storage that you use. Since these services are designed for high-availability and durability, data can live solely on these services – though we still recommend having multiple copies of your data, just in case.

What Should You Use?

Backblaze strongly believes in a 3-2-1 Backup Strategy. A 3-2-1 strategy means having at least 3 total copies of your data, 2 of which are local but on different mediums (e.g. an external hard drive in addition to your computer’s local drive), and at least 1 copy offsite. The best setup is data on your computer, a copy on a hard drive that lives somewhere not inside your computer, and another copy with a cloud backup provider. Backblaze Cloud Backup is a great compliment to other services, like Time Machine, Dropbox, and even the free-tiers of cloud storage services.

What is The Difference Between Cloud Sync and Backup?

Let’s take a look at some sync setups that we see fairly frequently.

Example 1) Users have one folder on their computer that is designated for Dropbox, Google Drive, OneDrive, or one of the other syncing/sharing services. Users save or place data into those directories when they want them to appear on other devices. Often these users are using the free-tier of those syncing and sharing services and only have a few GB of data uploaded in them.

Example 2) Users are paying for extended storage for Dropbox, Google Drive, OneDrive, etc… and use those folders as the “Documents” folder – essentially working out of those directories. Files in that folder are available across devices, however, files outside of that folder (e.g. living on the computer’s desktop or anywhere else) are not synced or stored by the service.

What both examples are missing however is the backup of photos, movies, videos, and the rest of the data on their computer. That’s where cloud backup providers excel, by automatically backing up user data with little or no set-up, and no need for the dragging-and-dropping of files. Backblaze actually scans your hard drive to find all the data, regardless of where it might be hiding. The results are, all the user’s data is kept in the Backblaze cloud and the portion of the data that is synced is also kept in that provider’s cloud – giving the user another layer of redundancy. Best of all, Backblaze will actually back up your Dropbox, iCloud Drive, Google Drive, and OneDrive folders.

Data Recovery

The most important feature to think about is how easy it is to get your data back from all of these services. With sync and share services, retrieving a lot of data, especially if you are in a high-data tier, can be cumbersome and take awhile. Generally, the sync and share services only allow customers to download files over the Internet. If you are trying to download more than a couple gigabytes of data, the process can take time and can be fraught with errors.

With cloud storage services, you can usually only retrieve data over the Internet as well, and you pay for both the storage and the egress of the data, so retrieving a large amount of data can be both expensive and time consuming.

Cloud backup services will enable you to download files over the internet too and can also suffer from long download times. At Backblaze we never want our customers to feel like we’re holding their data hostage, which is why we have a lot of restore options, including our Restore Return Refund policy, which allows people to restore their data via a USB Hard Drive, and then return that drive to us for a refund. Cloud sync providers do not provide this capability.

One popular data recovery use case we’ve seen when a person has a lot of data to restore is to download just the files that are needed immediately, and then order a USB Hard Drive restore for the remaining files that are not as time sensitive. The user gets all their files back in a few days, and their network is spared the download charges.

The bottom line is that all of these services have merit for different use-cases. Have questions about which is best for you? Sound off in the comments below!

The post Sync vs. Backup vs. Storage appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.

Top 10 Most Pirated Movies of The Week on BitTorrent – 06/19/17

Post Syndicated from Ernesto original https://torrentfreak.com/top-10-pirated-movies-week-bittorrent-061917/

This week we have three newcomers in our chart.

Wonder Woman is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the weekly movie download chart.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (2) Wonder Woman (TC) 8.2 / trailer
2 (…) Power Rangers 6.5 / trailer
3 (1) The Fate of the Furious 6.7 / trailer
4 (…) Chips 5.8 / trailer
5 (5) The Boss Baby 6.5 / trailer
6 (4) John Wick: Chapter 2 8.0 / trailer
7 (3) Life 6.8 / trailer
8 (…) The Mummy 2017 (HDTS) 5.8 / trailer
9 (7) Logan 8.6 / trailer
10 (6) Pirates of the Caribbean: Dead Men Tell No Tales (TS) 7.1 / trailer

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Comodo DNS Blocks TorrentFreak Over “Hacking and Warez “

Post Syndicated from Ernesto original https://torrentfreak.com/comodo-dns-blocks-torrentfreak-over-hacking-and-warez-170617/

Website blocking has become one of the go-to methods for reducing online copyright infringement.

In addition to court-ordered blockades, various commercial vendors also offer a broad range of blocking tools. This includes Comodo, which offers a free DNS service that keeps people away from dangerous sites.

The service labeled SecureDNS is part of the Comodo Internet Security bundle but can be used by the general public as well, without charge. Just change the DNS settings on your computer or any other device, and you’re ready to go.

“As a leading provider of computer security solutions, Comodo is keenly aware of the dangers that plague the Internet today. SecureDNS helps users keep safe online with its malware domain filtering feature,” the company explains.

Aside from malware and spyware, Comodo also blocks access to sites that offer access to pirated content. Or put differently, they try to do this. But it’s easier said than done.

This week we were alerted to the fact that Comodo blocks direct access to TorrentFreak. Those who try to access our news site get an ominous warning instead, suggesting that we might share pirated content.

“This website has been blocked temporarily because of the following reason(s): Hacking/Warez: Site may offer illegal sharing of copyrighted software or media,” the warning reads, adding that several users also reported the site to be unsafe.

TorrentFreak blocked

People can still access the site by clicking on a big red cross, although that’s something Comodo doesn’t recommend. However, it is quite clear that new readers will be pretty spooked by the alarming message.

We assume that TorrentFreak was added to Comodo’s blocklist by mistake. And while mistakes can happen everywhere, this once again show that overblocking is a serious concern.

We are lucky enough that readers alerted us to the problem, but in other cases, it could easily go unnoticed.

Interestingly, the ‘piracy’ blocklist is not as stringent as the above would suggest. While we replicated the issue, we also checked several other known ‘pirate’ sites including The Pirate Bay, RARBG, GoMovies, and Pubfilm. These could all be accessed through SecureDNS without any warning.

TorrentFreak contacted Comodo for a comment on their curious blocking efforts, but we have yet to hear back from the company. In the meantime, Comodo SecureDNS users may want to consider switching to a more open DNS provider.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Mira, tiny robot of joyful delight

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/mira-robot-alonso-martinez/

The staff of Pi Towers are currently melting into puddles while making ‘Aaaawwwwwww’ noises as Mira, the adorable little Pi-controlled robot made by Pixar 3D artist Alonso Martinez, steals their hearts.

Mira the robot playing peek-a-boo

If you want to get updates on Mira’s progress, sign up for the mailing list! http://eepurl.com/bteigD Mira is a desk companion that makes your life better one smile at a time. This project explores human robot interactivity and emotional intelligence. Currently Mira uses face tracking to interact with the users and loves playing the game “peek-a-boo”.

Introducing Mira

Honestly, I can’t type words – I am but a puddle! If I could type at all, I would only produce a stream of affectionate fragments. Imagine walking into a room full of kittens. What you would sound like is what I’d type.

No! I can do this. I’m a professional. I write for a living! I can…

SHE BLINKS OHMYAAAARGH!!!

Mira Alonso Martinez Raspberry Pi

Weebl & Bob meets South Park’s Ike Broflovski in an adorable 3D-printed bundle of ‘Aaawwwww’

Introducing Mira (I promise I can do this)

Right. I’ve had a nap and a drink. I’ve composed myself. I am up for this challenge. As long as I don’t look directly at her, I’ll be fine!

Here I go.

As one of the many über-talented 3D artists at Pixar, Alonso Martinez knows a thing or two about bringing adorable-looking characters to life on screen. However, his work left him wondering:

In movies you see really amazing things happening but you actually can’t interact with them – what would it be like if you could interact with characters?

So with the help of his friends Aaron Nathan and Vijay Sundaram, Alonso set out to bring the concept of animation to the physical world by building a “character” that reacts to her environment. His experiments with robotics started with Gertie, a ball-like robot reminiscent of his time spent animating bouncing balls when he was learning his trade. From there, he moved on to Mira.

Mira Alonso Martinez

Many, many of the views of this Tested YouTube video have come from me. So many.

Mira swivels to follow a person’s face, plays games such as peekaboo, shows surprise when you finger-shoot her, and giggles when you give her a kiss.

Mira’s inner workings

To get Mira to turn her head in three dimensions, Alonso took inspiration from the Microsoft Sidewinder Pro joystick he had as a kid. He purchased one on eBay, took it apart to understand how it works, and replicated its mechanism for Mira’s Raspberry Pi-powered innards.

Mira Alonso Martinez

Alonso used the smallest components he could find so that they would fit inside Mira’s tiny body.

Mira’s axis of 3D-printed parts moves via tiny Power HD DSM44 servos, while a camera and OpenCV handle face-tracking, and a single NeoPixel provides a range of colours to indicate her emotions. As for the blinking eyes? Two OLED screens boasting acrylic domes fit within the few millimeters between all the other moving parts.

More on Mira, including her history and how she works, can be found in this wonderful video released by Tested this week.

Pixar Artist’s 3D-Printed Animated Robots!

We’re gushing with grins and delight at the sight of these adorable animated robots created by artist Alonso Martinez. Sean chats with Alonso to learn how he designed and engineered his family of robots, using processes like 3D printing, mold-making, and silicone casting. They’re amazing!

You can also sign up for Alonso’s newsletter here to stay up-to-date about this little robot. Hopefully one of these newsletters will explain how to buy or build your own Mira, as I for one am desperate to see her adorable little face on my desk every day for the rest of my life.

The post Mira, tiny robot of joyful delight appeared first on Raspberry Pi.

Pirates Cost Australia’s Ten Network “Hundreds of Millions of Dollars”

Post Syndicated from Andy original https://torrentfreak.com/pirates-cost-australias-ten-network-hundreds-of-millions-of-dollars-170616/

In 2016, Australia’s Ten Network posted losses of AUS$157 million. This April, the broadcaster showed signs of continuing distress when it posted a half-year loss of AUS$232 million.

In a statement to the stock exchange, Ten said it was trying to secure new terms for a AUS$200 million debt financing guarantee. According to ABC, the company had lost more than 60% of its value in the preceding 12 months and almost 98% over the previous five years.

More bad news arrived this week when Ten’s board decided to put the company into voluntary administration after failing to secure a guarantee for a AUS$250 million loan that could’ve kept the ship afloat into the new year. As moves get underway to secure the company’s future, fingers of blame are being raised.

According to Village Roadshow co-chief executive Graham Burke, Internet pirates cost Ten “hundreds of millions of dollars” in advertising revenue due to their tendency to obtain movies and TV shows from the web rather than via legitimate means.

Burke told The Australian (paywall) that movies supplied to Ten by 21st Century Fox (including The Revenant and The Peanuts Movie which were both leaked) had received lower broadcast ratings due to people viewing them online in advance.

“Piracy is a much bigger channel and an illicit economy than the three main commercial networks combined,” Burke told the publication.

“Movies from Fox arrive with several million people having seen them through piracy. If it wasn’t for piracy, the ratings would be stronger and the product would not be arriving clapped out.”

But leaked or not, content doesn’t come cheap. As part of efforts to remain afloat, Ten Network recently tried to re-negotiate content supply deals with Fox and CBS. Together they reportedly cost the broadcaster more than AUS$900 million over the previous six years.

Despite this massive price tag and numerous other problems engulfing the troubled company, Burke suggests it is pirates that are to blame for Ten’s demise.

“A large part of Ten’s expenditure is on movies and they are being seen by millions of people ­illegitimately on websites supported by rogue ­advertising for drugs, prostitution and even legitimate advertising. The cumulative effect of all the ­pirated product out there has brought down Ten,” Burke said.

While piracy has certainly been blamed for a lot of things over the years, it is extremely rare for a senior industry figure to link it so closely with the potential demise of a major broadcaster.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Popular Release Group ShAaNiG Permanently Shuts Down

Post Syndicated from Andy original https://torrentfreak.com/popular-release-group-shaanig-permanently-shuts-down-170612/

While there are dozens of torrent release groups in operation today, some providing extremely high quality work, every few years a notable ‘brand’ group appears.

Two of the most famous from recent memory were aXXo and YIFY. Neither were known for historic individual releases or world-beating quality, but both were particularly consistent. An aXXo or YIFY label on an official torrent assured the potential downloader they would be getting a ‘McDonalds-quality’ product; never haute cuisine but just enough taste and in enough volume to fill people up.

As a result, these groups gained millions of followers, something that put anti-piracy targets on their backs. No surprise then that neither are around today, with YIFY subjected to legal action in New Zealand and aXXo….well, no one seems to know.

With those groups gone, there was a gap in the market for a similar product. Popular releases delivered to the masses in small file sizes is clearly a recipe for success and an existing group called ShAaNiG decided to step in to take up some of the slack.

What followed was thousands of ShAaNiG movie and TV show releases, which were uploaded to The Pirate Bay and direct download sites. They also took pride of place on the group’s forum at Shaanig.org, where they were neatly organized into relevant categories.

ShAaNiG’s release forum

But like aXXO and YIFY before it, something went wrong at ShAaNiG. After publishing a couple of releases on Saturday, including a Blu-ray rip of the movie Jawbone and an episode of TV show Outcast, ShAaNiG unexpectedly threw in the towel. A notice on the group’s homepage gives no reason for the sudden shutdown but makes it clear that ShAaNiG won’t be coming back.

“ShAaNiG has shut down permanently,” it reads. “Every journey must come to an end, This is the end of our journey. Thank you for all your support.”

While there are only so many ways to say that a site has been shut down for good, the first sentence is identical to the one used by ExtraTorrent when it closed down last month.

Another potentially interesting similarity is that both ExtraTorrent and ShAaNiG had huge followings in India, with both sites indexing a lot of local content, especially movies.

More than 30% of ShAaNiG’s traffic came from India, with much of it driven from The Pirate Bay where more than a thousand releases live on today. When ExtraTorrent shut down, around 40% of the new traffic arriving at another popular platform came from India.

Whether the Indian connection is pure coincidence remains to be seen, but it seems possible if not likely that some kind of legal pressure played a part in the demise of both. However, if the situation plays out in the same manner, we’ll hear no more and like ExtraTorrent, ShAaNiG will simply fade away.

While that will come as a huge disappointment to ShAaNiG fans, other file-sharers are likely to have less sympathy. Like aXXo and YIFY before it, ShAaNiG was rarely (if ever) the source of the material it released, instead preferring to re-encode existing releases. For some pirates, that’s a red line that should never be crossed.

Whether a new group will rise phoenix-like from the ashes will remain to be seen but as these ‘brand’ groups have established time and again, there’s always a market for passable quality movie releases, if they come in a compact file-size.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Top 10 Most Pirated Movies of The Week on BitTorrent – 06/12/17

Post Syndicated from Ernesto original https://torrentfreak.com/top-10-pirated-movies-week-bittorrent-061217/

This week we have two newcomers in our chart.

The Fate of the Furious, which came out as Web-DL this week, is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the weekly movie download chart.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (5) The Fate of the Furious 6.7 / trailer
2 (…) Wonder Woman (TC) 8.2 / trailer
3 (7) Life 6.8 / trailer
4 (1) John Wick: Chapter 2 8.0 / trailer
5 (2) The Boss Baby 6.5 / trailer
6 (3) Pirates of the Caribbean: Dead Men Tell No Tales (TS) 7.1 / trailer
7 (4) Logan 8.6 / trailer
8 (…) The Belko Experiment 6.2 / trailer
9 (8) Ghost in The Shell (Subbed HDRip) 6.9 / trailer
10 (9) Kong: Skull Island (Subbed HDRip) 7.0 / trailer

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Who’s To Blame For The Kodi Crackdown?

Post Syndicated from Andy original https://torrentfreak.com/whos-to-blame-for-the-kodi-crackdown-170611/

Perfectly legal as standard, the Kodi media player can be easily modified to turn it into the ultimate streaming piracy machine.

Uptake by users has been nothing short of phenomenal. Millions of people are now consuming illicit media through third-party Kodi addons. With free movies, TV shows, sports, live TV and more on tap, it’s not difficult to see why the system is so popular.

As a result, barely a day goes by without Kodi making headlines and this week was no exception. On Monday, TorrentFreak broke the news that the ZEMTV addon and TV Addons, one of the most popular addon communities, were being sued by Dish Network for copyright infringement.

Within hours of the announcement and apparently as a direct result, several addons (including the massively popular Phoenix) decided to throw in the towel. Quite understandably, users of the platforms were disappointed, and that predictably resulted in people attempting to apportion blame.

The first comment to catch the eye was posted directly beneath our article. Interestingly, it placed the blame squarely on our shoulders.

“Thanks Torrentfreak, for ruining Kodi,” it read.

While shooting the messenger is an option, it’s historically problematic. Town criers were the original newsreaders, delivering important messages to the public. Killing a town crier was considered treason, but it was also pointless – it didn’t change the facts on the ground.

So if we can’t kill those who read about a lawsuit in the public PACER system and reported it, who’s left to blame? Unsurprisingly, there’s no shortage of targets, but most of them fall short.

The underlying theme is that most people voicing a negative opinion about the profile of Kodi do not appreciate their previously niche piracy system being in the spotlight. Everything was just great when just a few people knew about the marvelous hidden world of ‘secret’ XBMC/Kodi addons, many insist, but seeing it in the mainstream press is a disaster. It’s difficult to disagree.

However, the point where this all falls down is when people are asked when the discussion about Kodi should’ve stopped. We haven’t questioned them all, of course, but it’s almost guaranteed that while most with a grievance didn’t want Kodi getting too big, they absolutely appreciate the fact that someone told them about it. Piracy and piracy techniques spread by word of mouth so unfortunately, people can’t have it both ways.

Interestingly, some people placed the blame on TV Addons, the site that hosts the addons themselves. They argued that the addon scene didn’t need such a high profile target and that the popularity of the site only brought unwanted attention. However, for every critic, there are apparently thousands who love what the site does to raise the profile of Kodi. Without that, it’s clear that there would be fewer users and indeed, fewer addons.

For TV Addons’ part, they’re extremely clear who’s responsible for bringing the heat. On numerous occasions in emails to TF, the operators of the repository have blamed those who have attempted to commercialize the Kodi scene. For them, the responsibility must be placed squarely on the shoulders of people selling ‘Kodi boxes’ on places like eBay and Amazon. Once big money got involved, that attracted the authorities, they argue.

With this statement in mind, TF spoke with a box seller who previously backed down from selling on eBay due to issues over Kodi’s trademark. He didn’t want to speak on the record but admitted to selling “a couple of thousand” boxes over the past two years, noting that all he did was respond to demand with supply.

And this brings us full circle and a bit closer to apportioning blame for the Kodi crackdown.

The bottom line is that when it comes to piracy, Kodi and its third-party ‘pirate’ addons are so good at what they do, it’s no surprise they’ve been a smash hit with Internet users. All of the content that anyone could want – and more – accessible in one package, on almost any platform? That’s what consumers have been demanding for more than a decade and a half.

That brings us to the unavoidable conclusion that modified Kodi simply got too good at delivering content outside controlled channels, and that success was impossible to moderate or calm. Quite simply, every user that added to the Kodi phenomenon by installing the software with ‘pirate’ addons has to shoulder some of the blame for the crackdown.

That might sound harsh but in the piracy world it’s never been any different. Without millions of users, The Pirate Bay raid would never have happened. Without users, KickassTorrents might still be rocking today. But of course, what would be the point?

Users might break sites and services, but they also make them. That’s the piracy paradox.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

US Court Orders Pirate Streaming Site FMovies to Pay $210,000

Post Syndicated from Ernesto original https://torrentfreak.com/us-court-orders-pirate-streaming-site-fmovies-to-pay-210000-170609/

Last year, media conglomerate ABS-CBN took the popular pirate streaming site FMovies to court in the United States.

FMovies is one of several streaming sites that has grown explosively over the past year. It offers tens of thousands of mainstream movies and TV-shows to an audience of millions of people.

In a complaint filed in the U.S. District Court for the Southern District of Florida, the media company branded FMovies as a classic pirate site, offering unauthorized streams of content they own.

Despite facing hefty damages, FMovies’ operators didn’t defend themselves. Several months passed without any response from FMovies in court, which prompted the copyright media company to move ahead and file for a default judgment.

This week District Court Judge Otis D. Wright II issued his verdict, which doesn’t offer much good news for the streaming site.

Without evidence to the contrary, the Judge went along with ABS-CBN’s assessment that FMovies’ operators used the company’s trademarks and copyrighted works to draw in more visitors, generating a healthy profit through advertising.

In total, FMovies was found guilty on six counts; federal trademark infringement, false designation of origin, direct copyright infringement, contributory copyright infringement, unfair competition and false advertising.

Judge Wright’s order compels FMovies’ operators to pay the requested $30,000 in statutory copyright infringement damages for seven works, as well as $7,200 in attorneys’ fees and costs.

“Defendants shall pay ABS-CBN Two Hundred Eighteen Thousand Two Hundred Dollars ($218,200) in attorneys’ fees, costs, and statutory damages for Defendants’ infringement of Plaintiffs’ copyrights,” the judgment (pdf) reads.

Fmovies.to/se

The media conglomerate was also granted a preliminary injunction, which forbids FMovies from infringing ABS-CBN’s trademarks and copyrights going forward. In addition, ABS-CBN can also take over the FMovies.to domain name, according to the default judgment.

At the time of writing, Fmovies is still operational from the .to and .se domain names, but that may change in the near future, if the court order is enforced.

With a user base of millions of people, FMovies.to is by far the largest movie streaming site that has ever been targeted in a U.S. Court. With this in mind, it’s somewhat surprising that ABS-CBN ‘only’ requested $210,000 in statutory damages.

In a similar default judgment ABS-CBN requested two years ago, a U.S. federal court in Oregon ordered the operator of several tiny streaming sites to pay $10 million in damages to the company.

Then again, the FMovies operators have thus far remained in the shadows, so it’s unlikely that any damages will ever be paid.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Popular Kodi Add-ons Quit Following Prominent Piracy Lawsuit

Post Syndicated from Ernesto original https://torrentfreak.com/popular-kodi-add-ons-quit-following-prominent-piracy-lawsuit-170607/

On Monday we broke the news that third-party Kodi add-on ZemTV and the TVAddons library were being sued in a federal court in Texas.

In a complaint filed by American satellite and broadcast provider Dish Network, both stand accused of copyright infringement, facing up to $150,000 for each offense.

The news came as a shock to many add-on developers, most of whom release their software as a hobby, with no financial motive. A potential lawsuit that can run to hundreds of thousands of dollars in damages clearly takes away most of the fun.

This could very well explain why several add-ons have shut down over the past 48 hours. While the lawsuit isn’t specifically named in most cases, there appears to be a direct connection.

One of the main add-ons that has thrown in the towel is Phoenix, which offered access to a wide range of channels, broadcasts, movies and TV shows.

“In light of current events we have decided to close down Phoenix. This is not something that was easy for us to do; we have all formed a bond that cannot be broken as a team and have a HUGE support base that we are thankful of,” Phoenix developer Cosmix writes.

“I can speak for myself when I say thank you to everybody that has ever been involved in Phoenix and it will always be one of my fondest memories,” he adds.

Cosmix’s announcement

Developer One242415, known for his work on Navi-X, Phoenix and later his own add-on, took a similar decision. He announced the news directly from his add-on which will be closed in a few days.

“I am removing my addon for good. It was a hell of a ride for me. First starting off with Navi-X, then with Mashup, then with Phoenix, and for two months with my own add-on.”

In a similar vein, developer Echo Coder also announced that all his addons will be shut down. Again, without naming a specific reason. On Twitter, he did say, however, that the recent spike in popularity of third-party add-ons was not beneficial to the community.

“The reality is we did say the growth of third party popularity would hinder us. Unfortunately, now it looks like an implosion,” he tweeted yesterday.

A few hours later this message was followed up with a note that he had pulled his own add-ons offline.

“Thank you for the last year. My addons are now off-line. Its been emotional. Take care,” Echo Coder wrote.

Echo Coder’s announcement

The above is just the tip of the iceberg. Several other third-party projects and add-ons have also shut down, announced a temporary hiatus, or other changes.

Various Kodi community websites, including Kodi Geeks, are trying to keep up with all the add-ons that are toppling, and uncertainty remains. The community is in a state of turmoil, and it will take several more days to see what the exact fallout will be.

Assuming that the Dish lawsuit is indeed the main trigger for the recent uproar, it is clear that many developers prefer to stay out of trouble. And with Kodi related piracy in the spotlights of copyright holders, legal pressure is likely to increase.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

MPAA Chief Praises Site-Blocking But Italians Love Piracy – and the Quality

Post Syndicated from Andy original https://torrentfreak.com/mpaa-chief-praises-site-blocking-but-italians-love-pirate-quality-170606/

After holding a reputation for being soft on piracy for many years, in more recent times Italy has taken a much tougher stance. The country now takes regular action against pirate sites and has a fairly aggressive site-blocking mechanism.

On Monday, the industry gathered in Rome and was presented with new data from local anti-piracy outfit FAPAV. The research revealed that while there has been some improvement over the past six years, 39% of Italians are still consuming illicit movies, TV shows, sporting events and other entertainment, at the rate of 669m acts of piracy every year.

While movie piracy is down 4% from 2010, the content most often consumed by pirates is still films, with 33% of the adult population engaging in illicit consumption during the past year.

The downward trend was not shared by TV shows, however. In the past seven years, piracy has risen to 22% of the population, up 13% on figures from 2010.

In keeping with the MPAA’s recent coding of piracy in 1.0, 2.0, and 3.0 variants (P2P as 1.0, streaming websites as 2.0, streaming devices/Kodi as 3.0), FAPAV said that Piracy 2.0 had become even more established recently, with site operators making considerable technological progress.

“The research tells us we can not lower our guard, we always have to work harder and with greater determination in communication and awareness, especially with regard to digital natives,” said FAPAV Secretary General, Bagnoli Rossi.

The FAPAV chief said that there needs to be emphasis in two areas. One, changing perceptions among the public over the seriousness of piracy via education and two, placing pressure on websites using the police, judiciary, and other law enforcement agencies.

“The pillars of anti-piracy protection are: the judicial authority, self-regulatory agreements, communication and educational activities,” said Rossi, adding that cooperation with Italy’s AGCOM had resulted in 94 sites being blocked over three years.

FAPAV research has traditionally focused on people aged 15 and up but the anti-piracy group believes that placing more emphasis on younger people (aged 10-14) is important since they also consume a lot of pirated content online. MPAA chief Chris Dodd, who was at the event, agreed with the sentiment.

“Today’s youth are the future of the audiovisual industry. Young people must learn to respect the people who work in film and television that in 96% of cases never appear [in front of camera] but still work behind the scenes,” Dodd said.

“It is important to educate and direct them towards legal consumption, which creates jobs and encourages investment. Technology has expanded options to consume content legally and at any time and place, but at the same time has given attackers the opportunity to develop illegal businesses.”

Despite large-scale site-blocking not being a reality in the United States, Dodd was also keen to praise Italy for its efforts while acknowledging the wider blocking regimes in place across the EU.

“We must not only act by blocking pirate sites (we have closed a little less than a thousand in Europe) but also focus on legal offers. Today there are 480 legal online distribution services worldwide. We must have more,” Dodd said.

The outgoing MPAA chief reiterated that movies, music, games and a wide range of entertainment products are all available online legally now. Nevertheless, piracy remains a “growing phenomenon” that has criminals at its core.

“Piracy is composed of criminal organizations, ready to steal sensitive data and to make illegal profits any way they can. It’s a business that harms the entire audiovisual market, which in Europe alone has a million working professionals. To promote the culture of legality means protecting this market and its collective heritage,” Dodd said.

In Italy, convincing pirates to go legal might be more easily said than done. Not only do millions download video every year, but the majority of pirates are happy with the quality too. 89% said they were pleased with the quality of downloaded movies while the satisfaction with TV shows was even greater with 91% indicating approval.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Dish Network Sues ‘ZemTV’ and ‘TV Addons’ For Copyright Infringement

Post Syndicated from Ernesto original https://torrentfreak.com/dish-network-sues-zemtv-and-tv-addons-for-copyright-infringement-170605/

More and more people are starting to use Kodi-powered set-top boxes to stream video content to their TVs.

While Kodi itself is a neutral platform, third-party add-ons can turn it into the ultimate pirate machine, providing access to movies, TV-shows and IPTV channels.

These add-ons are direct competition for traditional broadcast providers, such as Dish Network in the United States, which filed a lawsuit in a Texas federal court late last week.

The complaint lists the add-on ZemTV as the prime target. The service in question allows users to watch a variety of Dish channels, without permission.

“The ZemTV service is retransmitting these channels over the Internet to end-users that download the ZemTV add-on for the Kodi media player, which is available for download at the websites www.tvaddons.ag and www.tvaddons.org,” Dish’s lawyers write.

The TVAddons platform, which hosts hundreds of unofficial Kodi add-ons including ZemTV, is also listed as a defendant. According to Dish, TVAddons plays an important role in the distribution of the infringing add-on.

The ZemTV operator, who is only known as “Shani” and “Shani_08,” used the TVAddons platform to share and promote its service while asking for donations, the complaint alleges.

“Website Operators have actual or constructive knowledge of this infringing activity and materially contribute to that activity by providing the forum where the ZemTV add-on can be downloaded and soliciting and accepting donations from ZemTV users,” Dish writes.

“But for the availability of the ZemTV add-on at www.tvaddons.ag or www.tvaddons.org, most if not all of Developer’s distribution and/or public performance would not occur,” the complaint adds.

Dish claims that it sent numerous takedown requests to Internet service providers associated with the ZemTV service, but the developer has continued to offer the add-on, circumventing any countermeasures.

With the lawsuit, the broadcast provider holds ZemTV accountable for direct copyright infringement, demanding $150,000 per infringement in damages. TVAddons is accused of contributory and vicarious copyright infringement and also faces statutory damages.

TorrentFreak spoke to a representative from TVAddons, who wasn’t aware of the lawsuit. Dish has not contacted them directly with any takedown requests, he says.

“This is the first we’ve heard of this lawsuit. No one ever sent us any type of takedown or DMCA notice or even tried to contact us prior, they could have easily done so through our contact page or site emails,” TVAddons informs us.

TVAddons says that the ZemTV add-on was already removed prior to the lawsuit due to a technical issue, and it won’t return.

“The Zem addon was actually removed from our addon library and community tools weeks ago due to a completely unrelated technical issue. I have already spoken to the developer, and he has since deleted the Zem addon entirely,” the TVAddons representative says.

Also, shortly after we started to inquire about the lawsuit, the ZemTV add-on appears to have shut down completely. According to Kodi Tips, developer “Shani” said it became too popular to maintain, but the legal threat likely played a role as well.

The lawsuit against ZemTV and TVAddons is the first of its kind in the United States. As such, it will be closely watched by other rightsholders, add-on developers, and platforms similar to TVAddons that distribute software.

The full complaint Dish Network filed is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

TheDarkOverlord Leaks Eight Episodes of an Unreleased ABC Show

Post Syndicated from Andy original https://torrentfreak.com/thedarkoverlord-leaks-eight-episodes-of-unreleased-abc-show-170605/

Late April, a hacking group calling itself TheDarkOverlord (TDO) warned that unless a ransom was paid, it would begin leaking a trove of unreleased TV shows and movies.

Almost immediately it carried through with its threat by leaking the season five premiere of Netflix’s Orange is The New Black. The leak was just the start though, with another nine episodes quickly following. Netflix had clearly refused to pay any ransom.

Ever since there have been suggestions that TDO could leak additional material. It was previously established that the Orange is the New Black leak was the result of a breach at post-production studio Larson Studios. TDO previously indicated that it had more content up its sleeve from the same location.

During the past few hours that became evident when a message sent to TF heralded a new leak of yet another unaired show.

“We’ve just released ABC’s ‘Steve Harvey’s Funderdome’ Season 01 Episodes 01 through 08. This is a completely unaired show,” TDO told TF.

TDO refused to confirm where it had obtained the content but since the show was present in an earlier list distributed by TDO, it seems possible if not probable that the episodes were also obtained from Larson.

“We’re unwilling to discuss the source of this material, but we’ll go on the record stating that this is content that is owned by American Broadcasting Company and it’s just been released on the world wide web for everyone’s consumption,” TDO said.

As can be seen from the image below, the series is now being distributed on The Pirate Bay.

At the time of writing, interest in the episodes is low, with less than a dozen peers reported on the torrent. Those numbers are likely to increase as the day goes on but it’s safe to say that interest is at a much lower level than when Orange is the New Black was dumped online.

Interest levels aside, the reason that both series were leaked appears to be the same. Although TDO wouldn’t go into specifics, the hacking entity told TF that it contacted ABC with demands but had no success.

“We approached ABC with a most handsome business proposal, but we were so rudely denied an audience. Therefore, we decided to bestow a gift upon the good people of the internet,” TDO said.

On June 2, TDO already indicated that ABC could be the next target with a short announcement on Twitter. “American Broadcasting Company may be up next, ladies and gentlemen,” TDO wrote.

Interestingly, there’s a suggestion that TDO views the Netflix and ABC leaks as being different, in that it views the companies’ routes to market as dissimilar.

“This is a different model than Netflix as ABC’s profits are generated much differently,” TDO concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Top 10 Most Pirated Movies of The Week on BitTorrent – 06/05/17

Post Syndicated from Ernesto original https://torrentfreak.com/top-10-pirated-movies-week-bittorrent-060517/

This week we have two newcomers in our chart.

John Wick: Chapter 2 is the most downloaded movie for the second week in a row.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the weekly movie download chart.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (1) John Wick: Chapter 2 8.0 / trailer
2 (3) The Boss Baby 6.5 / trailer
3 (…) Pirates of the Caribbean: Dead Men Tell No Tales (TS) 7.1 / trailer
4 (2) Logan 8.6 / trailer
5 (4) The Fate of the Furious (subbed HDRip) 6.7 / trailer
6 (5) A Cure For Wellness 6.5 / trailer
7 (…) Life 6.8 / trailer
8 (7) Ghost in The Shell (Subbed HDRip) 6.9 / trailer
9 (8) Kong: Skull Island (Subbed HDRip) 7.0 / trailer
10 (6) T2 Trainspotting 7.7 / trailer

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

No, Netflix Hasn’t Won The War on Piracy

Post Syndicated from Ernesto original https://torrentfreak.com/no-netflix-hasnt-won-the-war-on-piracy-170604/

Recently a hacker group, or hacker, going by the name TheDarkOverlord (TDO) published the premiere episode of the fifth season of Netflix’s Orange is The New Black, followed by nine more episodes a few hours later.

TDO obtained the videos from Larson Studios, which didn’t pay the 50 bitcoin ransom TDO had requested. The hackers then briefly turned their attention to Netflix, before releasing the shows online.

In the aftermath, a flurry of articles claimed that Netflix’s refusal to pay means that it is winning the war on piracy. Torrents are irrelevant or no longer a real threat and piracy is pointless, they concluded.

One of the main reasons cited is a decline in torrent traffic over the years, as reported by the network equipment company Sandvine.

“Last year, BitTorrent traffic reached 1.73 percent of peak period downstream traffic in North America. That’s down from the 60 percent share peer-to-peer file sharing had in 2003. Netflix was responsible for 35.15 percent of downstream traffic,” one reporter wrote.

Piracy pointless?

Even Wired, a reputable technology news site, jumped on the bandwagon.

“It’s not that torrenting is so onerous. But compared to legitimate streaming, the process of downloading a torrenting client, finding a legit file, waiting for it to download, and watching it on a laptop (or mirroring it to a television) hardly seems worth it,” the articles states.

These and many similar articles suggest that Netflix’s ease of use is superior to piracy. Netflix is winning the war on piracy, which is pretty much reduced to a fringe activity carried out by old school data hoarders, they claimed.

But is that really the case?

I wholeheartedly agree that Netflix is a great alternative to piracy, and admit that torrents are not as dominant as they were before. But, everybody who thinks that piracy is limited to torrents, need to educate themselves properly.

Piracy has evolved quite a bit over the past several years and streaming is now the main source to satisfy people’s ‘illegal’ viewing demands.

Whether it’s through pirate streaming sites, mobile apps or dedicated media players hooked to TVs; it’s not hard to argue that piracy is easier and more convenient than it has even been in the past. And arguably, more popular too.

The statistics are dazzling. According to piracy monitoring outfit MUSO there are half a billion visits to video pirate sites every day. Roughly 60% of these are to streaming sites.

While there has been a small decline in streaming visits over the past year, MUSO’s data doesn’t cover the explosion of media player piracy, which means that there is likely a significant increase in piracy overall.

TorrentFreak contacted the aforementioned network equipment company Sandvine, which said that we’re “on to something.”

Unfortunately, they currently have no data to quantify the amount of pirate streaming activity. This is, in part, because many of these streams are hosted by legitimate companies such as Google.

Torrents may not be dominant anymore, but with hundreds of millions of visits to streaming pirate sites per day, and many more via media players and other apps, piracy is still very much alive. Just ask the Motion Picture Association.

I would even argue that piracy is more of a threat to Netflix than it has ever been before.

To illustrate, here is a screenshot from one of the most visited streaming piracy sites online. The site in question receives millions of views per day and featured two Netflix shows, “13 Reasons Why” and the leaked “Orange is The New Black,” in its daily “most viewed” section recently.

Netflix shows among the “most viewed” pirate streams

If you look at a random streaming site, you’ll see that they offer an overview of thousands of popular movies and TV-shows, far more than Netflix. Pirate streaming sites have more content than Netflix, often in high quality, and it doesn’t cost a penny.

Throw in the explosive growth of piracy-capable media players that can bring this content directly to the TV-screen, and you’ll start to realize the magnitude of this threat.

In a way, the boost in streaming piracy is a bigger threat to Netflix than the traditional Hollywood studios. Hollywood still has its exclusive release windows and a superior viewing experience at the box office. All Netflix content is instantly pirated, or already available long before they add it to their catalog.

Sure, pirate sites might not appeal to the average middle-class news columnist who’s been subscribed to Netflix for years, but for tens of millions of less fortunate people, who can do without another monthly charge on their household bill, it’s an easy choice.

Not the right choice, legally speaking, but that doesn’t seem to bother them much.

That’s illustrated by tens of thousands of people from all over the world commenting with their public Facebook accounts, on movies and TV-shows that were obviously pirated.

Pirate comments on a streaming site

Of course, if piracy disappeared overnight then only a fraction of these pirates would pay for a Netflix subscription, but saying that piracy is irrelevant for the streaming giant may be a bit much.

Netflix itself is all too aware of this it seems. The company has launched its own “Global Copyright Protection Group,” an anti-piracy division that’s on par with those of many major Hollywood studios.

Netflix isn’t winning the war on piracy; it just got started….

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Pornhub Piracy Stopped Me Producing Porn, Jenna Haze Says

Post Syndicated from Andy original https://torrentfreak.com/pornhub-piracy-stopped-me-producing-porn-jenna-haze-says-170531/

Last week, adult ‘tube’ site Pornhub celebrated its 10th anniversary, and what a decade it was.

Six months after its May 2007 launch, the site was getting a million visitors every day. Six months after that, traffic had exploded five-fold. Such was the site’s success, by November 2008 Pornhub entered the ranks of the top 100 most-visited sites on the Internet.

As a YouTube-like platform, Pornhub traditionally relied on users to upload content to the site. Uploaders have to declare that they have the rights to do so but it’s clear that amid large quantities of fully licensed material, content exists on Pornhub that is infringing copyright.

Like YouTube, however, the site says it takes its legal responsibilities seriously by removing content whenever a valid DMCA notice is received. Furthermore, it also has a Content Partner Program which allows content owners to monetize their material on the platform.

But despite these overtures, Pornhub has remained a divisive operation. While some partners happily generate revenue from the platform and use it to drive valuable traffic to their own sites, others view it as a parasite living off their hard work. Today those critics were joined by one of the biggest stars the adult industry has ever known.

After ten years as an adult performer, starring in more than 600 movies (including one that marked her as the first adult performer to appear on Blu-ray format), in 2012 Jenna Haze decided on a change of pace. No longer interested in performing, she headed to the other side of the camera as a producer and director.

“Directing is where my heart is now. It’s allowed me to explore a creative side that is different from what performing has offered me,” she said in a statement.

“I am very satisfied with what I was able to accomplish in 10 years of performing, and now I’m enjoying the challenges of being on the other side of the camera and running my studio.”

But while Haze enjoyed success with 15 movies, it wasn’t to last. The former performer eventually backed away from both directing and producing adult content. This morning she laid the blame for that on Pornhub and similar sites.

It all began with a tweet from Conan O’Brien, who belatedly wished Pornhub a happy 10th anniversary.

In response to O’Brien apparently coming to the party late, a Twitter user informed him how he’d been missing out on Jenna Haze. That drew a response from Haze herself, who accused Pornhub of pirating her content.

“Please don’t support sites like porn hub,” she wrote. “They are a tube site that pirates content that other adult companies produce. It’s like Napster!”

In a follow-up, Haze went on to accuse Pornhub of theft and blamed the site for her exit from the business.

“Well they steal my content from my company, as do many other tube sites. It’s why I don’t produce or direct anymore,” Haze wrote.

“Maybe not all of their content is stolen, but I have definitely seen my content up there, as well as other people’s content.”

Of course, just like record companies can do with YouTube, there’s always the option for Haze to file a DMCA notice with Pornhub to have offending content taken down. However, it’s a route she claims to have taken already, but without much success.

“They take the videos down and put [them] back up. I’m not saying they don’t do legitimate business as well,” she said.

While Pornhub has its critics, the site does indeed do masses of legitimate business. The platform is owned by Mindgeek, whose websites receive a combined 115 million visitors per day, fueled in part by content supplied by Brazzers and Digital Playground, which Mindgeek owns. That being said, Mindgeek’s position in the market has always been controversial.

Three years ago, it became evident that Mindgeek had become so powerful in the adult industry that performers (some of whom felt their content was being exploited by the company) indicated they were scared to criticize it.

Adult actress and outspoken piracy critic Tasha Reign, who also had her videos uploaded to Pornhub without her permission, revealed she was in a particularly tight spot.

“It’s like we’re stuck between a rock and a hard place in a way, because if I want to shoot content then I kinda have to shoot for [Mindgeek] because that’s the company that books me because they own…almost…everything,” Reign said.

In 2017, Mindgeek’s dominance is clearly less of a problem for Haze, who is now concentrating on other things. But for those who remain in the industry, Mindgeek is a force to be reckoned with, so criticism will probably remain somewhat muted.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Anti-Piracy Group Shuts Down ‘Pirate’ Kodi Repos and Add-Ons

Post Syndicated from Ernesto original https://torrentfreak.com/anti-piracy-group-shuts-down-pirate-kodi-repos-and-add-ons-170531/

The Kodi media player software, previously known as XBMC, has seen a massive surge in popularity in recent years.

More and more people have started to use Kodi as their primary source of entertainment, often with help from unofficial add-ons that allow them to access pirated movies and TV-shows.

While the Kodi software itself is perfectly legal, a lot of third-party software are not. In Israel, this prompted the local anti-piracy group ZIRA to take action against several popular Kodi add-ons and repositories.

Last week the group filed for an injunction to stop the site owners from offering their ‘pirate’ Kodi tools, but before the cases went to court, the industry group already announced a settlement with three of them.

A few days ago abeksis.com, kodiwizardil.net, and kodi-senyor.co.il ceased operating, without prior warning. The Abeksis repository was one main targets, as it offered an easy way to turn the Kodi media player into a piracy hub.

Abeksis

The targeted Kodi repos and add-ons were not monetizing their services and some also offered access to legal content. However, facing the threat of a lawsuit by the anti-piracy group, they chose to cease their services indefinitely.

ZIRA is happy with the outcome and notes that the shutdowns are “another victory in the struggle against the pirated content on the Internet and the preservation of Israeli creators and content.”

The operators of the sites reportedly paid a settlement of a few thousand shekels. In addition, they will have to pay 100,000 more ($28,000) if the repositories or add-ons reappear in the future.

As a warning to the public, the three sites in question replaced their regular content with a message from ZIRA. The message informs visitors about the shutdown, and the threat piracy poses to the local content industry.

“The site you’ve entered was taken down since it was violating intellectual property rights. The site’s operators were fined by the court and therefore the site ceased to operate!” the message reads.

“The cost of copyright infringement is paid by the Israeli population, Israeli culture and the income of the producers,” it adds.

ZIRA’s message

The enforcement actions have caused quite a bit of uncertainty among developers of Kodi add-ons and repositories. Several members of the community feel that the services in question did nothing wrong. Some other developers, however, also prefer to play it safe from now on.

The IsraeLive add-on, for example, which offered access to streams that are available through public websites, decided to remove all Israeli content and rename itself GlobeTV. This was presumably done to prevent legal issues with the respective rightsholders.

“Israeli broadcast streams are available on official websites and not using our add-on, and that’s due to legal reasoning and the Laws of the State of Israel,” the developer posted recently.

Whether ZIRA’s enforcement actions will have a lasting effect on the use of streaming piracy in Israel has yet to be seen. However, as the first broad enforcement action against developers of ‘pirate’ Kodi repos and add-ons, it’s a landmark case that could very well be copied elsewhere in the future.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

To Torrent or To Stream? That is The Big Piracy Question

Post Syndicated from Andy original https://torrentfreak.com/to-torrent-or-to-stream-that-is-the-big-piracy-question-170529/

As recently as perhaps six years ago, there was no question over where the majority of Internet video pirates would be getting their online fix. Just as they had done for at least as many years before, BitTorrent was the go-to protocol.

While still massively popular today to the tune of scores of millions of daily users, torrent consumption has been tempered in recent years by the rise of streaming platforms. These sites, with their glossy indexes and YouTube-like interfaces, grant easy access to a wide range of movies and TV shows, almost as quickly as their torrent counterparts.

So why, when these streaming services are so easy to use, would anyone bother with relatively cumbersome torrent downloads? The answer isn’t immediately obvious but for those with intimate experience of both, it’s a pretty serious question.

First of all, we have the important question of content ‘ownership’.

While people have easy access to the latest movies on streamingmovies123 or whatever .com, users never ‘own’ those streams. They are absolutely transient and once the stop button is pressed, that movie or TV show instance is gone forever. The user downloads the file of course, but it is almost immediately dumped into the ether.

For the same download bandwidth expenditure, the user can visit a torrent site and obtain exactly the same content. This time, however, there are two key differences. One, they help to distribute that content among other downloaders and two, they get to keep that content for as long as they choose.

Storing content locally is important to many pirates. Not only can that content be played on any device of the users’ choosing, it can also be played offline. Sure, it takes up some drive space, but it doesn’t require streamingmovies123 to stay online to be enjoyed. It can be played again, potentially forever, and certainly long after the streaming site has disappeared, which they often do.

But while maintaining control of content rarely has a downside for the consumer, the issue of whether distribution (uploading) via BitTorrent is ‘good’ depends on perspective.

Users of streaming sites will correctly argue that with no uploading, they are much safer than their torrenting counterparts. Torrent users, on the other hand, note that their participation in uploading helps to provide content to others. Torrent users are effectively a plus to the piracy ecosystem, while streamers (if we refer to them in torrent terms) are merely leechers.

There’s a whole generation of streaming consumers coming through today who literally have no idea about the concept of sharing. They do not understand where the content comes from, nor do they care. This lack of ‘pirate education’ could eventually present a negative for content availability.

While we’re on that topic, there’s the important question of how and why pirated content travels through the online ecosystem.

There are long-established routes for content from so-called ‘top sites’ to be shifted quickly to torrent sites. Furthermore, torrent sites provide platforms for non-scene P2P releasers to distribute their offerings to the public. In this respect, torrent sites contribute much more to the overall piracy ecosystem than most streaming sites.

Also, there’s the not inconsiderable issue of where streaming sites obtain their content. Of course, many people involved in that area of piracy will have either direct or indirect top-site access, but many simply choose to grab their content from either public or private torrents like the average user might. It’s not hard to see who relies on who here.

This brings us to how each kind of piracy is perceived by Hollywood interests. It doesn’t take Einstein to reveal that both torrents and streaming are the enemy, but since streaming platforms are closest to legitimate offerings such as Netflix and Amazon, the threat they pose is often portrayed as being the greatest.

Indeed, the rise of modified Kodi setups (and the aggressive response to them) seems to support that, with piracy shifting from the relatively geeky torrent environment to the point-and-click living room domain, occupied by the general public.

So the question of what is best – torrents or streaming – is largely down to consumer preference. However, for those with an interest in the piracy ecosystem, it’s a question of whether streaming can improve or even survive without torrents, and whether exclusively supporting the former is a potential road to nowhere.

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