Tag Archives: eff

Weekly roundup: Truth or Dare

Post Syndicated from Eevee original https://eev.ee/dev/2017/12/11/weekly-roundup-truth-or-dare/

Oops, I seem to have missed a week. I was doing Ludum Dare 40, but then I stopped, because— well hang on lemme just bullet this.

  • anise!!: I intended to enter Ludum Dare with glip; we were working on a game about Anise that we’d conceived about a month ago but never gotten around to. We made pretty decent progress, but realized we couldn’t fit anywhere near what we wanted into only three days, so we’re just… running with it. It’s going on a little longer than we wanted, but it’s getting pretty fun to play now, and I guess that’s pretty good progress given that we had absolutely nothing ten days ago. I’m even figuring out AI for once.

  • fox flux: Worked on some portraits and big text and underground tiles. Made some sound effects. Did a whole pretty cool footstep thing that combines particles with footstep noises and is very great.

  • other games: I discovered bitsy, the teeniest game engine I’ve ever seen, and wanted to make something with it — so I made Roguelike Simulator (and also wrote a release post).

  • cc: I got so frustrated with trying to find something in Unity Collab history that I cobbled together a thing for exporting Collab history to git. No, you can’t have it, I’m still not convinced it won’t delete my entire hard drive or something. Also I probably fixed a bug in the actual game somewhere in there.

  • blog: Finally finished that post about object models, only a month late! Hooray! Also wrote a game night post, which may or may not become a series?

Also some other stuff that I’m not ready to share yet.

I have a lot going on and can’t believe the month is a third over yet, but I’m charging forwards!

[$] Toward better CPU load estimation

Post Syndicated from corbet original https://lwn.net/Articles/741171/rss

“Load tracking” refers to the kernel’s attempts to track how much load each
running process will put on the system’s CPUs. Good load tracking can
yield reasonable predictions about the near-future demands on the system;
those, in turn, can be used to optimize the placement of processes and the
selection of CPU-frequency parameters. Obviously, poor load tracking will
lead to less-than-optimal results. While achieving perfection in load tracking
seems unlikely for now, it appears that it is possible to to do better than
current kernels do. The utilization estimation
patch set
from Patrick Bellasi is the latest in a series of efforts to
make the scheduler’s load tracking work well with a wider variety of
workloads.

CoderDojo: 2000 Dojos ever

Post Syndicated from Giustina Mizzoni original https://www.raspberrypi.org/blog/2000-dojos-ever/

Every day of the week, we verify new Dojos all around the world, and each Dojo is championed by passionate volunteers. Last week, a huge milestone for the CoderDojo community went by relatively unnoticed: in the history of the movement, more than 2000 Dojos have now been verified!

CoderDojo banner — 2000 Dojos

2000 Dojos

This is a phenomenal achievement for a movement that’s just six years old and powered by volunteers. Presently, there are more than 1650 active Dojos running weekly, fortnightly, or monthly, and all of them are free for participants — for example, the Dojos run by Joel Bayubasire in Kampala, Uganda:

Joel Bayubasire with Ninjas at his Ugandan Dojo — 2000 Dojos

Empowering refugee children

This week, Joel set up his second Dojo and verified it on our global map. Joel is a Congolese refugee living in Kampala, Uganda, where he is currently completing his PhD in Economics at Madison International Institute and Business School.

Joel understands first-hand the challenges faced by refugees who were forced to leave their country due to war or conflict. Uganda is currently hosting more than 1.2 million refugees, 60% of which are children (World Bank, 2017). As refugees, children are only allowed to attend local schools until the age of 12. This results in lower educational attainment, which will likely affect their future employment prospects.

Two girls at a laptop. Joel Bayubasire CoderDojo — 2000 Dojos

Joel has the motivation to overcome these challenges, because he understands the power of education. Therefore, he initiated a number of community-based activities to provide educational opportunities for refugee children. As part of this, he founded his first Dojo earlier in the year, with the aim of giving these children a chance to compete in today’s global knowledge-based economy.

Two boys at a laptop. Joel Bayubasire CoderDojo — 2000 Dojos

Aware that securing volunteer mentors would be a challenge, Joel trained eight young people from the community to become youth mentors to their peers. He explains:

I believe that the mastery of computer coding allows talented young people to thrive professionally and enables them to not only be consumers but creators of the interconnected world of today!

Based on the success of Joel’s first Dojo, he has now expanded the CoderDojo initiative in his community; his plan is to provide computer science training for more than 300 refugee youths in Kampala by 2019. If you’d like to learn more about Joel’s efforts, head to this website.

Join the movement

If you are interested in creating opportunities for the young people in your community, then join the growing CoderDojo movement — you can volunteer to start a Dojo or to support an existing one today!

The post CoderDojo: 2000 Dojos ever appeared first on Raspberry Pi.

Hollywood and Netflix Ask Court to Seize Tickbox Streaming Devices

Post Syndicated from Ernesto original https://torrentfreak.com/hollywood-and-netflix-ask-court-to-seize-tickbox-streaming-devices-171209/

More and more people are starting to use Kodi-powered set-top boxes to stream video content to their TVs.

While Kodi itself is a neutral platform, sellers who ship devices with unauthorized add-ons give it a bad reputation.

According to the Alliance for Creativity and Entertainment (ACE), an anti-piracy partnership between Hollywood studios, Netflix, Amazon, and more than two dozen other companies, Tickbox TV is one of these bad actors.

Earlier this year, ACE filed a lawsuit against the Georgia-based company, which sells set-top boxes that allow users to stream a variety of popular media. The Tickbox devices use the Kodi media player and come with instructions on how to add various add-ons.

According to ACE, these devices are nothing more than pirate tools, allowing buyers to stream copyright infringing content. “TickBox promotes and distributes TickBox TV for infringing use, and that is exactly the result of its use,” they told court this week.

After the complaint was filed in October, Tickbox made some cosmetic changes to the site, removing some allegedly inducing language. The streaming devices are still for sale, however, but not for long if it’s up to the media giants.

This week ACE submitted a request for a preliminary injunction to the court, hoping to stop Tickbox’s sales activities.

“TickBox is intentionally inducing infringement, pure and simple. Plaintiffs respectfully request that the Court enter a preliminary injunction that requires TickBox to halt its flagrantly illegal conduct immediately,” they write in their application.

The companies explain that that since Tickbox is causing irreparable harm, all existing devices should be impounded.

“[A]ll TickBox TV devices in the possession of TickBox and all of its officers, directors, agents, servants, and employees, and all persons in active concert or participation or in privity with any of them are to be impounded and shall be retained by Defendant until further order of the Court,” the proposed order reads.

In addition, Tickbox should push out a software update which remove all infringing add-ons from the devices that were previously sold.

“TickBox shall, via software update, remove from all distributed TickBox TV devices all Kodi ‘Themes,’ ‘Builds,’ ‘Addons,’ or any other software that facilitates the infringing public performances of Plaintiffs’ Copyrighted Works.”

Among others, the list of allegedly infringing add-ons and themes includes Spinz, Lodi Black, Stream on Fire, Wookie, Aqua, CMM, Spanish Quasar, Paradox, Covenant, Elysium, UK Turk, Gurzil, Maverick, and Poseidon.

The filing shows that ACE is serious about its efforts to stop the sale of these type of streaming devices. Tickbox has yet to reply to the original complaint or the injunction request.

While this is the first US lawsuit of its kind, the anti-piracy conglomerate has been rather active in recent weeks. The group has successfully pressured several addon developers to quit and has been involved in enforcement actions around the globe.

A copy of the proposed preliminary injunction is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

CrimeStoppers Campaign Targets Pirate Set-Top Boxes & Their Users

Post Syndicated from Andy original https://torrentfreak.com/crimestoppers-campaign-targets-pirate-set-top-boxes-their-users-171209/

While many people might believe CrimeStoppers to be an official extension of the police in the UK, the truth is a little more subtle.

CrimeStoppers is a charity that operates a service through which members of the public can report crime anonymously, either using a dedicated phone line or via a website. Callers are not required to give their name, meaning that for those concerned about reprisals or becoming involved in a case for other sensitive reasons, it’s the perfect buffer between them and the authorities.

The people at CrimeStoppers deal with all kinds of crime but perhaps a little surprisingly, they’ve just got involved in the set-top box controversy in the UK.

“Advances in technology have allowed us to enjoy on-screen entertainment in more ways than ever before, with ever increasing amounts of exciting and original content,” the CrimeStoppers campaign begins.

“However, some people are avoiding paying for this content by using modified streaming hardware devices, like a set-top box or stick, in conjunction with software such as illegal apps or add-ons, or illegal mobile apps which allow them to watch new movie releases, TV that hasn’t yet aired, and subscription sports channels for free.”

The campaign has been launched in partnership with the Intellectual Property Office and unnamed “industry partners”. Who these companies are isn’t revealed but given the standard messages being portrayed by the likes of ACE, Premier League and Federation Against Copyright Theft lately, it wouldn’t be a surprise if some or all of them were involved.

Those messages are revealed in a series of four video ads, each taking a different approach towards discouraging the public from using devices loaded with pirate software.

The first video clearly targets the consumer, dispelling the myth that watching pirate video isn’t against the law. It is, that’s not in any doubt, but from the constant tone of the video, one could be forgiven that it’s an extremely serious crime rather than something which is likely to be a civil matter, if anything at all.

It also warns people who are configuring and selling pirate devices that they are breaking the law. Again, this is absolutely true but this activity is clearly several magnitudes more serious than simply viewing. The video blurs the boundaries for what appears to be dramatic effect, however.

Selling and watching is illegal

The second video is all about demonizing the people and groups who may offer set-top boxes to the public.

Instead of portraying the hundreds of “cottage industry” suppliers behind many set-top box sales in the UK, the CrimeStoppers video paints a picture of dark organized crime being the main driver. By buying from these people, the charity warns, criminals are being welcomed in.

“It is illegal. You could also be helping to fund organized crime and bringing it into your community,” the video warns.

Are you funding organized crime?

The third video takes another approach, warning that set-top boxes have few if any parental controls. This could lead to children being exposed to inappropriate content, the charity warns.

“What are your children watching. Does it worry you?” the video asks.

Of course, the same can be said about the Internet, period. Web browsers don’t filter what content children have access to unless parents take pro-active steps to configure special services or software for the purpose.

There’s always the option to supervise children, of course, but Netflix is probably a safer option for those with a preference to stand off. It’s also considerably more expensive, a fact that won’t have escaped users of these devices.

Got kids? Take care….

Finally, video four picks up a theme that’s becoming increasingly common in anti-piracy campaigns – malware and identity theft.

“Why risk having your identity stolen or your bank account or home network hacked. If you access entertainment or sports using dodgy streaming devices or apps, or illegal addons for Kodi, you are increasing the risks,” the ad warns.

Danger….Danger….

Perhaps of most interest is that this entire campaign, which almost certainly has Big Media behind the scenes in advisory and financial capacities, barely mentions the entertainment industries at all.

Indeed, the success of the whole campaign hinges on people worrying about the supposed ill effects of illicit streaming on them personally and then feeling persuaded to inform on suppliers and others involved in the chain.

“Know of someone supplying or promoting these dodgy devices or software? It is illegal. Call us now and help stop crime in your community,” the videos warn.

That CrimeStoppers has taken on this campaign at all is a bit of a head-scratcher, given the bigger crime picture. Struggling with severe budget cuts, police in the UK are already de-prioritizing a number of crimes, leading to something called “screening out”, a process through which victims are given a crime number but no investigation is carried out.

This means that in 2016, 45% of all reported crimes in Greater Manchester weren’t investigated and a staggering 57% of all recorded domestic burglaries weren’t followed up by the police. But it gets worse.

“More than 62pc of criminal damage and arson offenses were not investigated, along with one in three reported shoplifting incidents,” MEN reports.

Given this backdrop, how will police suddenly find the resources to follow up lots of leads from the public and then subsequently prosecute people who sell pirate boxes? Even if they do, will that be at the expense of yet more “screening out” of other public-focused offenses?

No one is saying that selling pirate devices isn’t a crime or at least worthy of being followed up, but is this niche likely to be important to the public when they’re being told that nothing will be done when their homes are emptied by intruders? “NO” says a comment on one of the CrimeStoppers videos on YouTube.

“This crime affects multi-million dollar corporations, I’d rather see tax payers money invested on videos raising awareness of crimes committed against the people rather than the 0.001%,” it concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Movie Company Has No Right to Sue, Accused Pirate Argues

Post Syndicated from Ernesto original https://torrentfreak.com/movie-company-has-no-right-to-sue-accused-pirate-argues-171208/

In recent years, a group of select companies have pressured hundreds of thousands of alleged pirates to pay significant settlement fees, or face legal repercussions.

These so-called “copyright trolling” efforts have also been a common occurrence in the United States for more than half a decade, and still are today.

While copyright holders should be able to take legitimate piracy claims to court, not all cases are as strong as they first appear. Many defendants have brought up flaws, often in relation to the IP-address evidence, but an accused pirate in Oregon takes things up a notch.

Lingfu Zhang, represented by attorney David Madden, has turned the tables on the makers of the film Fathers & Daughters. The man denies having downloaded the movie but also points out that the filmmakers have signed away their online distribution rights.

The issue was brought up in previous months, but the relevant findings were only unsealed this week. They show that the movie company (F&D), through a sales agent, sold the online distribution rights to a third party.

While this is not uncommon in the movie business, it means that they no longer have the right to distribute the movie online, a right Zhang was accused of violating. This is also what his attorney pointed out to the court, asking for a judgment in favor of his client.

“ZHANG denies downloading the movie but Defendant’s current motion for summary judgment challenges a different portion of F&D’s case: Defendant argues that F&D has alienated all of the relevant rights necessary to sue for infringement under the Copyright Act,” Madden writes.

The filmmakers opposed the request and pointed out that they still had some rights. However, this is irrelevant according to the defense, since the distribution rights are not owned by them, but by a company that’s not part of the lawsuit.

“Plaintiff claims, for example, that it still owns the right to exploit the movie on airlines and oceangoing vessels. That may or may not be true – Plaintiff has not submitted any evidence on the question – but ZHANG is not accused of showing the movie on an airplane or a cruise ship.

“He is accused of downloading it over the Internet, which is an infringement that affects only an exclusive right owned by non-party DISTRIBUTOR 2,” Madden adds.

Interestingly, an undated addendum to the licensing agreement, allegedly created after the lawsuit was started, states that the filmmakers would keep their “anti-piracy” rights, as can be seen below.

Anti-Piracy rights?

This doesn’t save the filmmaker, according to the defense. The “licensor” who keeps these anti-piracy and enforcement rights refers to the sales agent, not the filmmaker, Madden writes. In addition, the case is about copyright infringement, and despite the addendum, the filmmakers don’t have the exclusive rights that apply here.

“Plaintiff represented to this Court that it was the ‘proprietor of all copyrights and interests need to bring suit’ […] notwithstanding that it had – years earlier – transferred away all its exclusive rights under Section 106 of the Copyright Act,” the defense lawyer concludes.

“Even viewing all Plaintiff’s agreements in the light most favorable to it, Plaintiff holds nothing more than a bare right to sue, which is not a cognizable right that may be exercised in the courts of this Circuit.”

While the court has yet to decide on the motion, this case could turn into a disaster for the makers of Fathers & Daughters.

If the court agrees that they don’t have the proper rights, defendants in other cases may argue the same. It’s easy to see how their entire trolling scheme would then collapse.

The original memorandum in support of the motion for summary judgment is available here (pdf) and a copy of the reply brief can be found here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Movie & TV Companies Tackle Pirate IPTV in Australia Federal Court

Post Syndicated from Andy original https://torrentfreak.com/movie-tv-companies-tackle-pirate-iptv-in-australia-federal-court-171207/

As movie and TV show piracy has migrated from the desktop towards mobile and living room-based devices, copyright holders have found the need to adapt to a new enemy.

Dealing with streaming services is now high on the agenda, with third-party Kodi addons and various Android apps posing the biggest challenge. Alongside is the much less prevalent but rapidly growing pay IPTV market, in which thousands of premium channels are delivered to homes for a relatively small fee.

In Australia, copyright holders are treating these services in much the same way as torrent sites. They feel that if they can force ISPs to block them, the problem can be mitigated. Most recently, movie and TV show giants Village Roadshow, Disney, Universal, Warner Bros, Twentieth Century Fox, and Paramount filed an application targeting HDSubs+, a pirate IPTV operation servicing thousands of Australians.

Filed in October, the application for the injunction targets Australia’s largest ISPs including Telstra, Optus, TPG, and Vocus, plus their subsidiaries. The movie and TV show companies want them to quickly block HDSubs+, to prevent it from reaching its audience.

HDSubs+ IPTV package
However, blocking isn’t particularly straightforward. Due to the way IPTV services are setup a number of domains need to be blocked, including their sales platforms, EPG (electronic program guide), software (such as an Android app), updates, and sundry other services. In HDSubs+ case around ten domains need to be restricted but in court today, Village Roadshow revealed that probably won’t deal with the problem.

HDSubs+ appears to be undergoing some kind of transformation, possibly to mitigate efforts to block it in Australia. ComputerWorld reports that it is now directing subscribers to update to a new version that works in a more evasive manner.

If they agree, HDSubs+ customers are being migrated over to a service called PressPlayPlus. It works in the same way as the old system but no longer uses the domain names cited in Village Roadshow’s injunction application. This means that DNS blocks, the usual weapon of choice for local ISPs, will prove futile.

Village Roadshow says that with this in mind it may be forced to seek enhanced IP address blocking, unless it is granted a speedy hearing for its application. This, in turn, may result in the normally cooperative ISPs returning to court to argue their case.

“If that’s what you want to do, then you’ll have to amend the orders and let the parties know,” Judge John Nicholas said.

“It’s only the former [DNS blocking] that carriage service providers have agreed to in the past.”

As things stand, Village Roadshow will return to court on December 15 for a case management hearing but in the meantime, the Federal Court must deal with another IPTV-related blocking request.

In common with its Australian and US-based counterparts, Hong Kong-based broadcaster Television Broadcasts Limited (TVB) has launched a similar case asking local ISPs to block another IPTV service.

“Television Broadcasts Limited can confirm that we have commenced legal action in Australia to protect our copyright,” a TVB spokesperson told Computerworld.

TVB wants ISPs including Telstra, Optus, Vocus, and TPG plus their subsidiaries to block access to seven Android-based services named as A1, BlueTV, EVPAD, FunTV, MoonBox, Unblock, and hTV5.

Court documents list 21 URLs maintaining the services. They will all need to be blocked by DNS or other means, if the former proves futile. Online reports suggest that there are similarities among the IPTV products listed above. A demo for the FunTV IPTV service is shown below.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Looking Forward to 2018

Post Syndicated from Let's Encrypt - Free SSL/TLS Certificates original https://letsencrypt.org//2017/12/07/looking-forward-to-2018.html

Let’s Encrypt had a great year in 2017. We more than doubled the number of active (unexpired) certificates we service to 46 million, we just about tripled the number of unique domains we service to 61 million, and we did it all while maintaining a stellar security and compliance track record. Most importantly though, the Web went from 46% encrypted page loads to 67% according to statistics from Mozilla – a gain of 21% in a single year – incredible. We’re proud to have contributed to that, and we’d like to thank all of the other people and organizations who also worked hard to create a more secure and privacy-respecting Web.

While we’re proud of what we accomplished in 2017, we are spending most of the final quarter of the year looking forward rather than back. As we wrap up our own planning process for 2018, I’d like to share some of our plans with you, including both the things we’re excited about and the challenges we’ll face. We’ll cover service growth, new features, infrastructure, and finances.

Service Growth

We are planning to double the number of active certificates and unique domains we service in 2018, to 90 million and 120 million, respectively. This anticipated growth is due to continuing high expectations for HTTPS growth in general in 2018.

Let’s Encrypt helps to drive HTTPS adoption by offering a free, easy to use, and globally available option for obtaining the certificates required to enable HTTPS. HTTPS adoption on the Web took off at an unprecedented rate from the day Let’s Encrypt launched to the public.

One of the reasons Let’s Encrypt is so easy to use is that our community has done great work making client software that works well for a wide variety of platforms. We’d like to thank everyone involved in the development of over 60 client software options for Let’s Encrypt. We’re particularly excited that support for the ACME protocol and Let’s Encrypt is being added to the Apache httpd server.

Other organizations and communities are also doing great work to promote HTTPS adoption, and thus stimulate demand for our services. For example, browsers are starting to make their users more aware of the risks associated with unencrypted HTTP (e.g. Firefox, Chrome). Many hosting providers and CDNs are making it easier than ever for all of their customers to use HTTPS. Government agencies are waking up to the need for stronger security to protect constituents. The media community is working to Secure the News.

New Features

We’ve got some exciting features planned for 2018.

First, we’re planning to introduce an ACME v2 protocol API endpoint and support for wildcard certificates along with it. Wildcard certificates will be free and available globally just like our other certificates. We are planning to have a public test API endpoint up by January 4, and we’ve set a date for the full launch: Tuesday, February 27.

Later in 2018 we plan to introduce ECDSA root and intermediate certificates. ECDSA is generally considered to be the future of digital signature algorithms on the Web due to the fact that it is more efficient than RSA. Let’s Encrypt will currently sign ECDSA keys from subscribers, but we sign with the RSA key from one of our intermediate certificates. Once we have an ECDSA root and intermediates, our subscribers will be able to deploy certificate chains which are entirely ECDSA.

Infrastructure

Our CA infrastructure is capable of issuing millions of certificates per day with multiple redundancy for stability and a wide variety of security safeguards, both physical and logical. Our infrastructure also generates and signs nearly 20 million OCSP responses daily, and serves those responses nearly 2 billion times per day. We expect issuance and OCSP numbers to double in 2018.

Our physical CA infrastructure currently occupies approximately 70 units of rack space, split between two datacenters, consisting primarily of compute servers, storage, HSMs, switches, and firewalls.

When we issue more certificates it puts the most stress on storage for our databases. We regularly invest in more and faster storage for our database servers, and that will continue in 2018.

We’ll need to add a few additional compute servers in 2018, and we’ll also start aging out hardware in 2018 for the first time since we launched. We’ll age out about ten 2u compute servers and replace them with new 1u servers, which will save space and be more energy efficient while providing better reliability and performance.

We’ll also add another infrastructure operations staff member, bringing that team to a total of six people. This is necessary in order to make sure we can keep up with demand while maintaining a high standard for security and compliance. Infrastructure operations staff are systems administrators responsible for building and maintaining all physical and logical CA infrastructure. The team also manages a 24/7/365 on-call schedule and they are primary participants in both security and compliance audits.

Finances

We pride ourselves on being an efficient organization. In 2018 Let’s Encrypt will secure a large portion of the Web with a budget of only $3.0M. For an overall increase in our budget of only 13%, we will be able to issue and service twice as many certificates as we did in 2017. We believe this represents an incredible value and that contributing to Let’s Encrypt is one of the most effective ways to help create a more secure and privacy-respecting Web.

Our 2018 fundraising efforts are off to a strong start with Platinum sponsorships from Mozilla, Akamai, OVH, Cisco, Google Chrome and the Electronic Frontier Foundation. The Ford Foundation has renewed their grant to Let’s Encrypt as well. We are seeking additional sponsorship and grant assistance to meet our full needs for 2018.

We had originally budgeted $2.91M for 2017 but we’ll likely come in under budget for the year at around $2.65M. The difference between our 2017 expenses of $2.65M and the 2018 budget of $3.0M consists primarily of the additional infrastructure operations costs previously mentioned.

Support Let’s Encrypt

We depend on contributions from our community of users and supporters in order to provide our services. If your company or organization would like to sponsor Let’s Encrypt please email us at [email protected]. We ask that you make an individual contribution if it is within your means.

We’re grateful for the industry and community support that we receive, and we look forward to continuing to create a more secure and privacy-respecting Web!

[$] Mozilla releases tools and data for speech recognition

Post Syndicated from jake original https://lwn.net/Articles/740768/rss

Voice computing has long been a staple of science fiction, but it has
only relatively recently made its way into fairly common mainstream use.
Gadgets like mobile
phones and “smart” home assistant devices (e.g. Amazon Echo, Google Home)
have brought voice-based user interfaces to the masses. The voice
processing for those gadgets relies on various proprietary services “in the
cloud”, which generally leaves the free-software world out in the cold.
There have
been FOSS speech-recognition efforts over
the years, but Mozilla’s recent
announcement
of the release of its voice-recognition code and voice
data set should help further the goal of FOSS voice interfaces.

Newly Updated Whitepaper: FERPA Compliance on AWS

Post Syndicated from Chris Gile original https://aws.amazon.com/blogs/security/newly-updated-whitepaper-ferpa-compliance-on-aws/

One of the main tenets of the Family Educational Rights and Privacy Act (FERPA) is the protection of student education records, including personally identifiable information (PII) and directory information. We recently updated our FERPA Compliance on AWS whitepaper to include AWS service-specific guidance for 24 AWS services. The whitepaper describes how these services can be used to help secure protected data. In conjunction with more detailed service-specific documentation, this updated information helps make it easier for you to plan, deploy, and operate secure environments to meet your compliance requirements in the AWS Cloud.

The updated whitepaper is especially useful for educational institutions and their vendors who need to understand:

  • AWS’s Shared Responsibility Model.
  • How AWS services can be used to help deploy educational and PII workloads securely in the AWS Cloud.
  • Key security disciplines in a security program to help you run a FERPA-compliant program (such as auditing, data destruction, and backup and disaster recovery).

In a related effort to help you secure PII, we also added to the whitepaper a mapping of NIST SP 800-122, which provides guidance for protecting PII, as well as a link to our NIST SP 800-53 Quick Start, a CloudFormation template that automatically configures AWS resources and deploys a multi-tier, Linux-based web application. To learn how this Quick Start works, see the Automate NIST Compliance in AWS GovCloud (US) with AWS Quick Start Tools video. The template helps you streamline and automate secure baselines in AWS—from initial design to operational security readiness—by incorporating the expertise of AWS security and compliance subject matter experts.

For more information about AWS Compliance and FERPA or to request support for your organization, contact your AWS account manager.

– Chris Gile, Senior Manager, AWS Security Assurance

New Police Anti-Piracy Task Force May Get Involved in Site Blocking

Post Syndicated from Ernesto original https://torrentfreak.com/new-police-anti-piracy-task-force-may-get-involved-in-site-blocking-171206/

On a regular basis, major media companies and their associates seek assistance from the authorities in order to curb copyright infringement.

In some cases, this has resulted in special police units that have piracy among their main objectives, such as The City of London Police Intellectual Property Crime Unit (PIPCU) in the UK.

Over in Denmark, the Government greenlighted a similar initiative last week. Justice Minister Søren Pape Poulsen approved a new task force that will operate under police wings, with an exclusive focus on intellectual property crimes.

“This is the culmination of a joint effort among Danish trade organizations’ calls for public engagement in the enforcement of IP crime in Denmark,” Maria Fredenslund, CEO of the local anti-piracy group RettighedsAlliancen (Rights Alliance) tells TorrentFreak.

“Similar to the PIPCU unit in the UK the task force will be specialized in IP crime and will handle existing cases and develop digital enforcement,” she adds.

The new unit will consist of five or six investigators, who will be assisted by prosecutors. The main goal will be to tackle organized crime on as many levels as possible.

The new police task force will first operate on a trial basis. After the first half year, the Government will evaluate its progress and decide if the project will continue. If that happens, the unit may also get involved in website blocking efforts.

Pirate site blockades are not new in Denmark, but thus far these have been the result of civil procedures initiated by copyright holders. According to new plans, which still have to be approved, legislation that’s currently used to block terrorist content may be used against pirate sites as well.

“The Government will look into the possibility to give the police authority to carry out blockades of infringing websites,” Fredenslund says.

This would be possible under a provision in the Administration of Justice Act, which the Danish Parliament recently adopted. While the blocking requests would be submitted by the police unit, instead of copyright holders, a court still has to approve them.

“The decision to block a website is made with a court order by request of the police. The court order shall list the specific circumstances that prove the conditions for the blocking of the website have been met. The court order may be revoked at any time,” the relevant provision reads.

For the time being, the new anti-piracy task force will focus on handling other copyright infringement cases, which these are plenty of.

Rights Alliance is happy with the help they are getting. The anti-piracy group has been working on their own “piracy disruption machine” in recent months and with assistance from law enforcement, they hope to achieve some good results soon.

For now, however, the private blocking requests are continuing as well.

Just yesterday the District Court in Frederiksberg issued an order (pdf) in favor of the Rights Alliance, requiring a local ISP to block dozens of Popcorn Time related domain names. As part of a voluntary agreement, this block will be implemented by other Internet providers as well.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Game night 1: Lisa, Lisa, MOOP

Post Syndicated from Eevee original https://eev.ee/blog/2017/12/05/game-night-1-lisa-lisa-moop/

For the last few weeks, glip (my partner) and I have spent a couple hours most nights playing indie games together. We started out intending to play a short list of games that had been recommended to glip, but this turns out to be a nice way to wind down, so we’ve been keeping it up and clicking on whatever looks interesting in the itch app.

Most of the games are small and made by one or two people, so they tend to be pretty tightly scoped and focus on a few particular kinds of details. I’ve found myself having brain thoughts about all that, so I thought I’d write some of them down.

I also know that some people (cough) tend not to play games they’ve never heard of, even if they want something new to play. If that’s you, feel free to play some of these, now that you’ve heard of them!

Also, I’m still figuring the format out here, so let me know if this is interesting or if you hope I never do it again!

First up:

  • Lisa: The Painful
  • Lisa: The Joyful
  • MOOP

These are impressions, not reviews. I try to avoid major/ending spoilers, but big plot points do tend to leave impressions.

Lisa: The Painful

long · classic rpg · dec 2014 · lin/mac/win · $10 on itch or steam · website

(cw: basically everything??)

Lisa: The Painful is true to its name. I hesitate to describe it as fun, exactly, but I’m glad we played it.

Everything about the game is dark. It’s a (somewhat loose) sequel to another game called Lisa, whose titular character ultimately commits suicide; her body hanging from a noose is the title screen for this game.

Ah, but don’t worry, it gets worse. This game takes place in a post-apocalyptic wasteland, where every female human — women, children, babies — is dead. You play as Brad (Lisa’s brother), who has discovered the lone exception: a baby girl he names Buddy and raises like a daughter. Now, Buddy has been kidnapped, and you have to go rescue her, presumably from being raped.

Ah, but don’t worry, it gets worse.


I’ve had a hard time putting my thoughts in order here, because so much of what stuck with me is the way the game entangles the plot with the mechanics.

I love that kind of thing, but it’s so hard to do well. I can’t really explain why, but I feel like most attempts to do it fall flat — they have a glimmer of an idea, but they don’t integrate it well enough, or they don’t run nearly as far as they could have. I often get the same feeling as, say, a hyped-up big moral choice that turns out to be picking “yes” or “no” from a menu. The idea is there, but the execution is so flimsy that it leaves no impact on me at all.

An obvious recent success here is Undertale, where the entire story is about violence and whether you choose to engage or avoid it (and whether you can do that). If you choose to eschew violence, not only does the game become more difficult, it arguably becomes a different game entirely. Granted, the contrast is lost if you (like me) tried to play as a pacifist from the very beginning. I do feel that you could go further with the idea than Undertale, but Undertale itself doesn’t feel incomplete.

Christ, I’m not even talking about the right game any more.

Okay, so: this game is a “classic” RPG, by which I mean, it was made with RPG Maker. (It’s kinda funny that RPG Maker was designed to emulate a very popular battle style, and now the only games that use that style are… made with RPG Maker.) The main loop, on the surface, is standard RPG fare: you walk around various places, talk to people, solve puzzles, recruit party members, and get into turn-based fights.

Now, Brad is addicted to a drug called Joy. He will regularly go into withdrawal, which manifests in the game as a status effect that cuts his stats (even his max HP!) dramatically.

It is really, really, incredibly inconvenient. And therein lies the genius here. The game could have simply told me that Brad is an addict, and I don’t think I would’ve cared too much. An addiction to a fantasy drug in a wasteland doesn’t mean anything to me, especially about this tiny sprite man I just met, so I would’ve filed this away as a sterile fact and forgotten about it. By making his addiction affect me, I’m now invested in it. I wish Brad weren’t addicted, even if only because it’s annoying. I found a party member once who turned out to have the same addiction, and I felt dread just from seeing the icon for the status effect. I’ve been looped into the events of this story through the medium I use to interact with it: the game.

It’s a really good use of games as a medium. Even before I’m invested in the characters, I’m invested in what’s happening to them, because it impacts the game!

Incidentally, you can get Joy as an item, which will temporarily cure your withdrawal… but you mostly find it by looting the corpses of grotesque mutant flesh horrors you encounter. I don’t think the game would have the player abruptly mutate out of nowhere, but I wasn’t about to find out, either. We never took any.


Virtually every staple of the RPG genre has been played with in some way to tie it into the theme/setting. I love it, and I think it works so well precisely because it plays with expectations of how RPGs usually work.

Most obviously, the game is a sidescroller, not top-down. You can’t jump freely, but you can hop onto one-tile-high boxes and climb ropes. You can also drop off off ledges… but your entire party will take fall damage, which gets rapidly more severe the further you fall.

This wouldn’t be too much of a problem, except that healing is hard to come by for most of the game. Several hub areas have campfires you can sleep next to to restore all your health and MP, but when you wake up, something will have happened to you. Maybe just a weird cutscene, or maybe one of your party members has decided to leave permanently.

Okay, so use healing items instead? Good luck; money is also hard to come by, and honestly so are shops, and many of the healing items are woefully underpowered.

Grind for money? Good luck there, too! While the game has plenty of battles, virtually every enemy is a unique overworld human who only appears once, and then is dead, because you killed him. Only a handful of places have unlimited random encounters, and grinding is not especially pleasant.

The “best” way to get a reliable heal is to savescum — save the game, sleep by the campfire, and reload if you don’t like what you wake up to.

In a similar vein, there’s a part of the game where you’re forced to play Russian Roulette. You choose a party member; he and an opponent will take turns shooting themselves in the head until someone finds a loaded chamber. If your party member loses, he is dead. And you have to keep playing until you win three times, so there’s no upper limit on how many people you might lose. I couldn’t find any way to influence who won, so I just had to savescum for a good half hour until I made it through with minimal losses.

It was maddening, but also a really good idea. Games don’t often incorporate the existence of saves into the gameplay, and when they do, they usually break the fourth wall and get all meta about it. Saves are never acknowledged in-universe here (aside from the existence of save points), but surely these parts of the game were designed knowing that the best way through them is by reloading. It’s rarely done, it can easily feel unfair, and it drove me up the wall — but it was certainly painful, as intended, and I kinda love that.

(Naturally, I’m told there’s a hard mode, where you can only use each save point once.)

The game also drives home the finality of death much better than most. It’s not hard to overlook the death of a redshirt, a character with a bit part who simply doesn’t appear any more. This game permanently kills your party members. Russian Roulette isn’t even the only way you can lose them! Multiple cutscenes force you to choose between losing a life or some other drastic consequence. (Even better, you can try to fight the person forcing this choice on you, and he will decimate you.) As the game progresses, you start to encounter enemies who can simply one-shot murder your party members.

It’s such a great angle. Just like with Brad’s withdrawal, you don’t want to avoid their deaths because it’d be emotional — there are dozens of party members you can recruit (though we only found a fraction of them), and most of them you only know a paragraph about — but because it would inconvenience you personally. Chances are, you have your strongest dudes in your party at any given time, so losing one of them sucks. And with few random encounters, you can’t just grind someone else up to an appropriate level; it feels like there’s a finite amount of XP in the game, and if someone high-level dies, you’ve lost all the XP that went into them.


The battles themselves are fairly straightforward. You can attack normally or use a special move that costs MP. SP? Some kind of points.

Two things in particular stand out. One I mentioned above: the vast majority of the encounters are one-time affairs against distinct named NPCs, who you then never see again, because they are dead, because you killed them.

The other is the somewhat unusual set of status effects. The staples like poison and sleep are here, but don’t show up all that often; more frequent are statuses like weird, drunk, stink, or cool. If you do take Joy (which also cures depression), you become joyed for a short time.

The game plays with these in a few neat ways, besides just Brad’s withdrawal. Some party members have a status like stink or cool permanently. Some battles are against people who don’t want to fight at all — and so they’ll spend most of the battle crying, purely for flavor impact. Seeing that for the first time hit me pretty hard; until then we’d only seen crying as a mechanical side effect of having sand kicked in one’s face.


The game does drag on a bit. I think we poured 10 in-game hours into it, which doesn’t count time spent reloading. It doesn’t help that you walk not super fast.

My biggest problem was with getting my bearings; I’m sure we spent a lot of that time wandering around accomplishing nothing. Most of the world is focused around one of a few hub areas, and once you’ve completed one hub, you can move onto the next one. That’s fine. Trouble is, you can go any of a dozen different directions from each hub, and most of those directions will lead you to very similar-looking hills built out of the same tiny handful of tiles. The connections between places are mostly cave entrances, which also largely look the same. Combine that with needing to backtrack for puzzle or progression reasons, and it’s incredibly difficult to keep track of where you’ve been, what you’ve done, and where you need to go next.

I don’t know that the game is wrong here; the aesthetic and world layout are fantastic at conveying a desolate wasteland. I wouldn’t even be surprised if the navigation were deliberately designed this way. (On the other hand, assuming every annoyance in a despair-ridden game is deliberate might be giving it too much credit.) But damn it’s still frustrating.

I felt a little lost in the battle system, too. Towards the end of the game, Brad in particular had over a dozen skills he could use, but I still couldn’t confidently tell you which were the strongest. New skills sometimes appear in the middle of the list or cost less than previous skills, and the game doesn’t outright tell you how much damage any of them do. I know this is the “classic RPG” style, and I don’t think it was hugely inconvenient, but it feels weird to barely know how my own skills work. I think this puts me off getting into new RPGs, just generally; there’s a whole new set of things I have to learn about, and games in this style often won’t just tell me anything, so there’s this whole separate meta-puzzle to figure out before I can play the actual game effectively.

Also, the sound could use a little bit of… mastering? Some music and sound effects are significantly louder and screechier than others. Painful, you could say.


The world is full of side characters with their own stuff going on, which is also something I love seeing in games; too often, the whole world feels like an obstacle course specifically designed for you.

Also, many of those characters are, well, not great people. Really, most of the game is kinda fucked up. Consider: the weird status effect is most commonly inflicted by the “Grope” skill. It makes you feel weird, you see. Oh, and the currency is porn magazines.

And then there are the gangs, the various spins on sex clubs, the forceful drug kingpins, and the overall violence that permeates everything (you stumble upon an alarming number of corpses). The game neither condones nor condemns any of this; it simply offers some ideas of how people might behave at the end of the world. It’s certainly the grittiest interpretation I’ve seen.

I don’t usually like post-apocalypses, because they try to have these very hopeful stories, but then at the end the world is still a blighted hellscape so what was the point of any of that? I like this game much better for being a blighted hellscape throughout. The story is worth following to see where it goes, not just because you expect everything wrapped up neatly at the end.

…I realize I’ve made this game sound monumentally depressing throughout, but it manages to pack in a lot of funny moments as well, from the subtle to the overt. In retrospect, it’s actually really good at balancing the mood so it doesn’t get too depressing. If nothing else, it’s hilarious to watch this gruff, solemn, battle-scarred, middle-aged man pedal around on a kid’s bike he found.


An obvious theme of the game is despair, but the more I think about it, the more I wonder if ambiguity is a theme as well. It certainly fits the confusing geography.

Even the premise is a little ambiguous. Is/was Olathe a city, a country, a whole planet? Did the apocalypse affect only Olathe, or the whole world? Does it matter in an RPG, where the only world that exists is the one mapped out within the game?

Towards the end of the game, you catch up with Buddy, but she rejects you, apparently resentful that you kept her hidden away for her entire life. Brad presses on anyway, insisting on protecting her.

At that point I wasn’t sure I was still on Brad’s side. But he’s not wrong, either. Is he? Maybe it depends on how old Buddy is — but the game never tells us. Her sprite is a bit smaller than the men’s, but it’s hard to gauge much from small exaggerated sprites, and she might just be shorter. In the beginning of the game, she was doing kid-like drawings, but we don’t know how much time passed after that. Everyone seems to take for granted that she’s capable of bearing children, and she talks like an adult. So is she old enough to be making this decision, or young enough for parent figure Brad to overrule her? What is the appropriate age of agency, anyway, when you’re the last girl/woman left more than a decade after the end of the world?

Can you repopulate a species with only one woman, anyway?


Well, that went on a bit longer than I intended. This game has a lot of small touches that stood out to me, and they all wove together very well.

Should you play it? I have absolutely no idea.

FINAL SCORE: 1 out of 6 chambers

Lisa: The Joyful

fairly short · classic rpg · aug 2015 · lin/mac/win · $5 on itch or steam

Surprise! There’s a third game to round out this trilogy.

Lisa: The Joyful is much shorter, maybe three hours long — enough to be played in a night rather than over the better part of a week.

This one picks up immediately after the end of Painful, with you now playing as Buddy. It takes a drastic turn early on: Buddy decides that, rather than hide from the world, she must conquer it. She sets out to murder all the big bosses and become queen.

The battle system has been inherited from the previous game, but battles are much more straightforward this time around. You can’t recruit any party members; for much of the game, it’s just you and a sword.

There is a catch! Of course.

The catch is that you do not have enough health to survive most boss battles without healing. With no party members, you cannot heal via skills. I don’t think you could buy healing items anywhere, either. You have a few when the game begins, but once you run out, that’s it.

Except… you also have… some Joy. Which restores you to full health and also makes you crit with every hit. And drops off of several enemies.

We didn’t even recognize Joy as a healing item at first, since we never used it in Painful; it’s description simply says that it makes you feel nothing, and we’d assumed the whole point of it was to stave off withdrawal, which Buddy doesn’t experience. Luckily, the game provided a hint in the form of an NPC who offers to switch on easy mode:

What’s that? Bad guys too tough? Not enough jerky? You don’t want to take Joy!? Say no more, you’ve come to the right place!

So the game is aware that it’s unfairly difficult, and it’s deliberately forcing you to take Joy, and it is in fact entirely constructed around this concept. I guess the title is a pretty good hint, too.

I don’t feel quite as strongly about Joyful as I do about Painful. (Admittedly, I was really tired and starting to doze off towards the end of Joyful.) Once you get that the gimmick is to force you to use Joy, the game basically reduces to a moderate-difficulty boss rush. Other than that, the only thing that stood out to me mechanically was that Buddy learns a skill where she lifts her shirt to inflict flustered as a status effect — kind of a lingering echo of how outrageous the previous game could be.

You do get a healthy serving of plot, which is nice and ties a few things together. I wouldn’t say it exactly wraps up the story, but it doesn’t feel like it’s missing anything either; it’s exactly as murky as you’d expect.

I think it’s worth playing Joyful if you’ve played Painful. It just didn’t have the same impact on me. It probably doesn’t help that I don’t like Buddy as a person. She seems cold, violent, and cruel. Appropriate for the world and a product of her environment, I suppose.

FINAL SCORE: 300 Mags

MOOP

fairly short · inventory game · nov 2017 · win · free on itch

Finally, as something of a palate cleanser, we have MOOP: a delightful and charming little inventory game.

I don’t think “inventory game” is a real genre, but I mean the kind of game where you go around collecting items and using them in the right place. Puzzle-driven, but with “puzzles” that can largely be solved by simply trying everything everywhere. I’d put a lot of point and click adventures in the same category, despite having a radically different interface. Is that fair? Yes, because it’s my blog.

MOOP was almost certainly also made in RPG Maker, but it breaks the mold in a very different way by not being an RPG. There are no battles whatsoever, only interactions on the overworld; you progress solely via dialogue and puzzle-solving. Examining something gives you a short menu of verbs — use, talk, get — reminiscent of interactive fiction, or perhaps the graphical “adventure” games that took inspiration from interactive fiction. (God, “adventure game” is the worst phrase. Every game is an adventure! It doesn’t mean anything!)

Everything about the game is extremely chill. I love the monochrome aesthetic combined with a large screen resolution; it feels like I’m peeking into an alternate universe where the Game Boy got bigger but never gained color. I played halfway through the game before realizing that the protagonist (Moop) doesn’t have a walk animation; they simply slide around. Somehow, it works.

The puzzles are a little clever, yet low-pressure; the world is small enough that you can examine everything again if you get stuck, and there’s no way to lose or be set back. The music is lovely, too. It just feels good to wander around in a world that manages to make sepia look very pretty.

The story manages to pack a lot into a very short time. It’s… gosh, I don’t know. It has a very distinct texture to it that I’m not sure I’ve seen before. The plot weaves through several major events that each have very different moods, and it moves very quickly — but it’s well-written and doesn’t feel rushed or disjoint. It’s lighthearted, but takes itself seriously enough for me to get invested. It’s fucking witchcraft.

I think there was even a non-binary character! Just kinda nonchalantly in there. Awesome.

What a happy, charming game. Play if you would like to be happy and charmed.

FINAL SCORE: 1 waxing moon

Implementing Dynamic ETL Pipelines Using AWS Step Functions

Post Syndicated from Tara Van Unen original https://aws.amazon.com/blogs/compute/implementing-dynamic-etl-pipelines-using-aws-step-functions/

This post contributed by:
Wangechi Dole, AWS Solutions Architect
Milan Krasnansky, ING, Digital Solutions Developer, SGK
Rian Mookencherry, Director – Product Innovation, SGK

Data processing and transformation is a common use case you see in our customer case studies and success stories. Often, customers deal with complex data from a variety of sources that needs to be transformed and customized through a series of steps to make it useful to different systems and stakeholders. This can be difficult due to the ever-increasing volume, velocity, and variety of data. Today, data management challenges cannot be solved with traditional databases.

Workflow automation helps you build solutions that are repeatable, scalable, and reliable. You can use AWS Step Functions for this. A great example is how SGK used Step Functions to automate the ETL processes for their client. With Step Functions, SGK has been able to automate changes within the data management system, substantially reducing the time required for data processing.

In this post, SGK shares the details of how they used Step Functions to build a robust data processing system based on highly configurable business transformation rules for ETL processes.

SGK: Building dynamic ETL pipelines

SGK is a subsidiary of Matthews International Corporation, a diversified organization focusing on brand solutions and industrial technologies. SGK’s Global Content Creation Studio network creates compelling content and solutions that connect brands and products to consumers through multiple assets including photography, video, and copywriting.

We were recently contracted to build a sophisticated and scalable data management system for one of our clients. We chose to build the solution on AWS to leverage advanced, managed services that help to improve the speed and agility of development.

The data management system served two main functions:

  1. Ingesting a large amount of complex data to facilitate both reporting and product funding decisions for the client’s global marketing and supply chain organizations.
  2. Processing the data through normalization and applying complex algorithms and data transformations. The system goal was to provide information in the relevant context—such as strategic marketing, supply chain, product planning, etc. —to the end consumer through automated data feeds or updates to existing ETL systems.

We were faced with several challenges:

  • Output data that needed to be refreshed at least twice a day to provide fresh datasets to both local and global markets. That constant data refresh posed several challenges, especially around data management and replication across multiple databases.
  • The complexity of reporting business rules that needed to be updated on a constant basis.
  • Data that could not be processed as contiguous blocks of typical time-series data. The measurement of the data was done across seasons (that is, combination of dates), which often resulted with up to three overlapping seasons at any given time.
  • Input data that came from 10+ different data sources. Each data source ranged from 1–20K rows with as many as 85 columns per input source.

These challenges meant that our small Dev team heavily invested time in frequent configuration changes to the system and data integrity verification to make sure that everything was operating properly. Maintaining this system proved to be a daunting task and that’s when we turned to Step Functions—along with other AWS services—to automate our ETL processes.

Solution overview

Our solution included the following AWS services:

  • AWS Step Functions: Before Step Functions was available, we were using multiple Lambda functions for this use case and running into memory limit issues. With Step Functions, we can execute steps in parallel simultaneously, in a cost-efficient manner, without running into memory limitations.
  • AWS Lambda: The Step Functions state machine uses Lambda functions to implement the Task states. Our Lambda functions are implemented in Java 8.
  • Amazon DynamoDB provides us with an easy and flexible way to manage business rules. We specify our rules as Keys. These are key-value pairs stored in a DynamoDB table.
  • Amazon RDS: Our ETL pipelines consume source data from our RDS MySQL database.
  • Amazon Redshift: We use Amazon Redshift for reporting purposes because it integrates with our BI tools. Currently we are using Tableau for reporting which integrates well with Amazon Redshift.
  • Amazon S3: We store our raw input files and intermediate results in S3 buckets.
  • Amazon CloudWatch Events: Our users expect results at a specific time. We use CloudWatch Events to trigger Step Functions on an automated schedule.

Solution architecture

This solution uses a declarative approach to defining business transformation rules that are applied by the underlying Step Functions state machine as data moves from RDS to Amazon Redshift. An S3 bucket is used to store intermediate results. A CloudWatch Event rule triggers the Step Functions state machine on a schedule. The following diagram illustrates our architecture:

Here are more details for the above diagram:

  1. A rule in CloudWatch Events triggers the state machine execution on an automated schedule.
  2. The state machine invokes the first Lambda function.
  3. The Lambda function deletes all existing records in Amazon Redshift. Depending on the dataset, the Lambda function can create a new table in Amazon Redshift to hold the data.
  4. The same Lambda function then retrieves Keys from a DynamoDB table. Keys represent specific marketing campaigns or seasons and map to specific records in RDS.
  5. The state machine executes the second Lambda function using the Keys from DynamoDB.
  6. The second Lambda function retrieves the referenced dataset from RDS. The records retrieved represent the entire dataset needed for a specific marketing campaign.
  7. The second Lambda function executes in parallel for each Key retrieved from DynamoDB and stores the output in CSV format temporarily in S3.
  8. Finally, the Lambda function uploads the data into Amazon Redshift.

To understand the above data processing workflow, take a closer look at the Step Functions state machine for this example.

We walk you through the state machine in more detail in the following sections.

Walkthrough

To get started, you need to:

  • Create a schedule in CloudWatch Events
  • Specify conditions for RDS data extracts
  • Create Amazon Redshift input files
  • Load data into Amazon Redshift

Step 1: Create a schedule in CloudWatch Events
Create rules in CloudWatch Events to trigger the Step Functions state machine on an automated schedule. The following is an example cron expression to automate your schedule:

In this example, the cron expression invokes the Step Functions state machine at 3:00am and 2:00pm (UTC) every day.

Step 2: Specify conditions for RDS data extracts
We use DynamoDB to store Keys that determine which rows of data to extract from our RDS MySQL database. An example Key is MCS2017, which stands for, Marketing Campaign Spring 2017. Each campaign has a specific start and end date and the corresponding dataset is stored in RDS MySQL. A record in RDS contains about 600 columns, and each Key can represent up to 20K records.

A given day can have multiple campaigns with different start and end dates running simultaneously. In the following example DynamoDB item, three campaigns are specified for the given date.

The state machine example shown above uses Keys 31, 32, and 33 in the first ChoiceState and Keys 21 and 22 in the second ChoiceState. These keys represent marketing campaigns for a given day. For example, on Monday, there are only two campaigns requested. The ChoiceState with Keys 21 and 22 is executed. If three campaigns are requested on Tuesday, for example, then ChoiceState with Keys 31, 32, and 33 is executed. MCS2017 can be represented by Key 21 and Key 33 on Monday and Tuesday, respectively. This approach gives us the flexibility to add or remove campaigns dynamically.

Step 3: Create Amazon Redshift input files
When the state machine begins execution, the first Lambda function is invoked as the resource for FirstState, represented in the Step Functions state machine as follows:

"Comment": ” AWS Amazon States Language.", 
  "StartAt": "FirstState",
 
"States": { 
  "FirstState": {
   
"Type": "Task",
   
"Resource": "arn:aws:lambda:xx-xxxx-x:XXXXXXXXXXXX:function:Start",
    "Next": "ChoiceState" 
  } 

As described in the solution architecture, the purpose of this Lambda function is to delete existing data in Amazon Redshift and retrieve keys from DynamoDB. In our use case, we found that deleting existing records was more efficient and less time-consuming than finding the delta and updating existing records. On average, an Amazon Redshift table can contain about 36 million cells, which translates to roughly 65K records. The following is the code snippet for the first Lambda function in Java 8:

public class LambdaFunctionHandler implements RequestHandler<Map<String,Object>,Map<String,String>> {
    Map<String,String> keys= new HashMap<>();
    public Map<String, String> handleRequest(Map<String, Object> input, Context context){
       Properties config = getConfig(); 
       // 1. Cleaning Redshift Database
       new RedshiftDataService(config).cleaningTable(); 
       // 2. Reading data from Dynamodb
       List<String> keyList = new DynamoDBDataService(config).getCurrentKeys();
       for(int i = 0; i < keyList.size(); i++) {
           keys.put(”key" + (i+1), keyList.get(i)); 
       }
       keys.put(”key" + T,String.valueOf(keyList.size()));
       // 3. Returning the key values and the key count from the “for” loop
       return (keys);
}

The following JSON represents ChoiceState.

"ChoiceState": {
   "Type" : "Choice",
   "Choices": [ 
   {

      "Variable": "$.keyT",
     "StringEquals": "3",
     "Next": "CurrentThreeKeys" 
   }, 
   {

     "Variable": "$.keyT",
    "StringEquals": "2",
    "Next": "CurrentTwooKeys" 
   } 
 ], 
 "Default": "DefaultState"
}

The variable $.keyT represents the number of keys retrieved from DynamoDB. This variable determines which of the parallel branches should be executed. At the time of publication, Step Functions does not support dynamic parallel state. Therefore, choices under ChoiceState are manually created and assigned hardcoded StringEquals values. These values represent the number of parallel executions for the second Lambda function.

For example, if $.keyT equals 3, the second Lambda function is executed three times in parallel with keys, $key1, $key2 and $key3 retrieved from DynamoDB. Similarly, if $.keyT equals two, the second Lambda function is executed twice in parallel.  The following JSON represents this parallel execution:

"CurrentThreeKeys": { 
  "Type": "Parallel",
  "Next": "NextState",
  "Branches": [ 
  {

     "StartAt": “key31",
    "States": { 
       “key31": {

          "Type": "Task",
        "InputPath": "$.key1",
        "Resource": "arn:aws:lambda:xx-xxxx-x:XXXXXXXXXXXX:function:Execution",
        "End": true 
       } 
    } 
  }, 
  {

     "StartAt": “key32",
    "States": { 
     “key32": {

        "Type": "Task",
       "InputPath": "$.key2",
         "Resource": "arn:aws:lambda:xx-xxxx-x:XXXXXXXXXXXX:function:Execution",
       "End": true 
      } 
     } 
   }, 
   {

      "StartAt": “key33",
       "States": { 
          “key33": {

                "Type": "Task",
             "InputPath": "$.key3",
             "Resource": "arn:aws:lambda:xx-xxxx-x:XXXXXXXXXXXX:function:Execution",
           "End": true 
       } 
     } 
    } 
  ] 
} 

Step 4: Load data into Amazon Redshift
The second Lambda function in the state machine extracts records from RDS associated with keys retrieved for DynamoDB. It processes the data then loads into an Amazon Redshift table. The following is code snippet for the second Lambda function in Java 8.

public class LambdaFunctionHandler implements RequestHandler<String, String> {
 public static String key = null;

public String handleRequest(String input, Context context) { 
   key=input; 
   //1. Getting basic configurations for the next classes + s3 client Properties
   config = getConfig();

   AmazonS3 s3 = AmazonS3ClientBuilder.defaultClient(); 
   // 2. Export query results from RDS into S3 bucket 
   new RdsDataService(config).exportDataToS3(s3,key); 
   // 3. Import query results from S3 bucket into Redshift 
    new RedshiftDataService(config).importDataFromS3(s3,key); 
   System.out.println(input); 
   return "SUCCESS"; 
 } 
}

After the data is loaded into Amazon Redshift, end users can visualize it using their preferred business intelligence tools.

Lessons learned

  • At the time of publication, the 1.5–GB memory hard limit for Lambda functions was inadequate for processing our complex workload. Step Functions gave us the flexibility to chunk our large datasets and process them in parallel, saving on costs and time.
  • In our previous implementation, we assigned each key a dedicated Lambda function along with CloudWatch rules for schedule automation. This approach proved to be inefficient and quickly became an operational burden. Previously, we processed each key sequentially, with each key adding about five minutes to the overall processing time. For example, processing three keys meant that the total processing time was three times longer. With Step Functions, the entire state machine executes in about five minutes.
  • Using DynamoDB with Step Functions gave us the flexibility to manage keys efficiently. In our previous implementations, keys were hardcoded in Lambda functions, which became difficult to manage due to frequent updates. DynamoDB is a great way to store dynamic data that changes frequently, and it works perfectly with our serverless architectures.

Conclusion

With Step Functions, we were able to fully automate the frequent configuration updates to our dataset resulting in significant cost savings, reduced risk to data errors due to system downtime, and more time for us to focus on new product development rather than support related issues. We hope that you have found the information useful and that it can serve as a jump-start to building your own ETL processes on AWS with managed AWS services.

For more information about how Step Functions makes it easy to coordinate the components of distributed applications and microservices in any workflow, see the use case examples and then build your first state machine in under five minutes in the Step Functions console.

If you have questions or suggestions, please comment below.

AWS Contributes to Milestone 1.0 Release and Adds Model Serving Capability for Apache MXNet

Post Syndicated from Ana Visneski original https://aws.amazon.com/blogs/aws/aws-contributes-to-milestone-1-0-release-and-adds-model-serving-capability-for-apache-mxnet/

Post by Dr. Matt Wood

Today AWS announced contributions to the milestone 1.0 release of the Apache MXNet deep learning engine including the introduction of a new model-serving capability for MXNet. The new capabilities in MXNet provide the following benefits to users:

1) MXNet is easier to use: The model server for MXNet is a new capability introduced by AWS, and it packages, runs, and serves deep learning models in seconds with just a few lines of code, making them accessible over the internet via an API endpoint and thus easy to integrate into applications. The 1.0 release also includes an advanced indexing capability that enables users to perform matrix operations in a more intuitive manner.

  • Model Serving enables set up of an API endpoint for prediction: It saves developers time and effort by condensing the task of setting up an API endpoint for running and integrating prediction functionality into an application to just a few lines of code. It bridges the barrier between Python-based deep learning frameworks and production systems through a Docker container-based deployment model.
  • Advanced indexing for array operations in MXNet: It is now more intuitive for developers to leverage the powerful array operations in MXNet. They can use the advanced indexing capability by leveraging existing knowledge of NumPy/SciPy arrays. For example, it supports MXNet NDArray and Numpy ndarray as index, e.g. (a[mx.nd.array([1,2], dtype = ‘int32’]).

2) MXNet is faster: The 1.0 release includes implementation of cutting-edge features that optimize the performance of training and inference. Gradient compression enables users to train models up to five times faster by reducing communication bandwidth between compute nodes without loss in convergence rate or accuracy. For speech recognition acoustic modeling like the Alexa voice, this feature can reduce network bandwidth by up to three orders of magnitude during training. With the support of NVIDIA Collective Communication Library (NCCL), users can train a model 20% faster on multi-GPU systems.

  • Optimize network bandwidth with gradient compression: In distributed training, each machine must communicate frequently with others to update the weight-vectors and thereby collectively build a single model, leading to high network traffic. Gradient compression algorithm enables users to train models up to five times faster by compressing the model changes communicated by each instance.
  • Optimize the training performance by taking advantage of NCCL: NCCL implements multi-GPU and multi-node collective communication primitives that are performance optimized for NVIDIA GPUs. NCCL provides communication routines that are optimized to achieve high bandwidth over interconnection between multi-GPUs. MXNet supports NCCL to train models about 20% faster on multi-GPU systems.

3) MXNet provides easy interoperability: MXNet now includes a tool for converting neural network code written with the Caffe framework to MXNet code, making it easier for users to take advantage of MXNet’s scalability and performance.

  • Migrate Caffe models to MXNet: It is now possible to easily migrate Caffe code to MXNet, using the new source code translation tool for converting Caffe code to MXNet code.

MXNet has helped developers and researchers make progress with everything from language translation to autonomous vehicles and behavioral biometric security. We are excited to see the broad base of users that are building production artificial intelligence applications powered by neural network models developed and trained with MXNet. For example, the autonomous driving company TuSimple recently piloted a self-driving truck on a 200-mile journey from Yuma, Arizona to San Diego, California using MXNet. This release also includes a full-featured and performance optimized version of the Gluon programming interface. The ease-of-use associated with it combined with the extensive set of tutorials has led significant adoption among developers new to deep learning. The flexibility of the interface has driven interest within the research community, especially in the natural language processing domain.

Getting started with MXNet
Getting started with MXNet is simple. To learn more about the Gluon interface and deep learning, you can reference this comprehensive set of tutorials, which covers everything from an introduction to deep learning to how to implement cutting-edge neural network models. If you’re a contributor to a machine learning framework, check out the interface specs on GitHub.

To get started with the Model Server for Apache MXNet, install the library with the following command:

$ pip install mxnet-model-server

The Model Server library has a Model Zoo with 10 pre-trained deep learning models, including the SqueezeNet 1.1 object classification model. You can start serving the SqueezeNet model with just the following command:

$ mxnet-model-server \
  --models squeezenet=https://s3.amazonaws.com/model-server/models/squeezenet_v1.1/squeezenet_v1.1.model \
  --service dms/model_service/mxnet_vision_service.py

Learn more about the Model Server and view the source code, reference examples, and tutorials here: https://github.com/awslabs/mxnet-model-server/

-Dr. Matt Wood

Glenn’s Take on re:Invent 2017 – Part 3

Post Syndicated from Glenn Gore original https://aws.amazon.com/blogs/architecture/glenns-take-on-reinvent-2017-part-3/

Glenn Gore here, Chief Architect for AWS. I was in Las Vegas last week — with 43K others — for re:Invent 2017. I checked in to the Architecture blog here and here with my take on what was interesting about some of the bigger announcements from a cloud-architecture perspective.

In the excitement of so many new services being launched, we sometimes overlook feature updates that, while perhaps not as exciting as Amazon DeepLens, have significant impact on how you architect and develop solutions on AWS.

Amazon DynamoDB is used by more than 100,000 customers around the world, handling over a trillion requests every day. From the start, DynamoDB has offered high availability by natively spanning multiple Availability Zones within an AWS Region. As more customers started building and deploying truly-global applications, there was a need to replicate a DynamoDB table to multiple AWS Regions, allowing for read/write operations to occur in any region where the table was replicated. This update is important for providing a globally-consistent view of information — as users may transition from one region to another — or for providing additional levels of availability, allowing for failover between AWS Regions without loss of information.

There are some interesting concurrency-design aspects you need to be aware of and ensure you can handle correctly. For example, we support the “last writer wins” reconciliation where eventual consistency is being used and an application updates the same item in different AWS Regions at the same time. If you require strongly-consistent read/writes then you must perform all of your read/writes in the same AWS Region. The details behind this can be found in the DynamoDB documentation. Providing a globally-distributed, replicated DynamoDB table simplifies many different use cases and allows for the logic of replication, which may have been pushed up into the application layers to be simplified back down into the data layer.

The other big update for DynamoDB is that you can now back up your DynamoDB table on demand with no impact to performance. One of the features I really like is that when you trigger a backup, it is available instantly, regardless of the size of the table. Behind the scenes, we use snapshots and change logs to ensure a consistent backup. While backup is instant, restoring the table could take some time depending on its size and ranges — from minutes to hours for very large tables.

This feature is super important for those of you who work in regulated industries that often have strict requirements around data retention and backups of data, which sometimes limited the use of DynamoDB or required complex workarounds to implement some sort of backup feature in the past. This often incurred significant, additional costs due to increased read transactions on their DynamoDB tables.

Amazon Simple Storage Service (Amazon S3) was our first-released AWS service over 11 years ago, and it proved the simplicity and scalability of true API-driven architectures in the cloud. Today, Amazon S3 stores trillions of objects, with transactional requests per second reaching into the millions! Dealing with data as objects opened up an incredibly diverse array of use cases ranging from libraries of static images, game binary downloads, and application log data, to massive data lakes used for big data analytics and business intelligence. With Amazon S3, when you accessed your data in an object, you effectively had to write/read the object as a whole or use the range feature to retrieve a part of the object — if possible — in your individual use case.

Now, with Amazon S3 Select, an SQL-like query language is used that can work with delimited text and JSON files, as well as work with GZIP compressed files. We don’t support encryption during the preview of Amazon S3 Select.

Amazon S3 Select provides two major benefits:

  • Faster access
  • Lower running costs

Serverless Lambda functions, where every millisecond matters when you are being charged, will benefit greatly from Amazon S3 Select as data retrieval and processing of your Lambda function will experience significant speedups and cost reductions. For example, we have seen 2x speed improvement and 80% cost reduction with the Serverless MapReduce code.

Other AWS services such as Amazon Athena, Amazon Redshift, and Amazon EMR will support Amazon S3 Select as well as partner offerings including Cloudera and Hortonworks. If you are using Amazon Glacier for longer-term data archival, you will be able to use Amazon Glacier Select to retrieve a subset of your content from within Amazon Glacier.

As the volume of data that can be stored within Amazon S3 and Amazon Glacier continues to scale on a daily basis, we will continue to innovate and develop improved and optimized services that will allow you to work with these magnificently-large data sets while reducing your costs (retrieval and processing). I believe this will also allow you to simplify the transformation and storage of incoming data into Amazon S3 in basic, semi-structured formats as a single copy vs. some of the duplication and reformatting of data sometimes required to do upfront optimizations for downstream processing. Amazon S3 Select largely removes the need for this upfront optimization and instead allows you to store data once and process it based on your individual Amazon S3 Select query per application or transaction need.

Thanks for reading!

Glenn contemplating why CSV format is still relevant in 2017 (Italy).

Mozilla releases its speech-recognition system

Post Syndicated from corbet original https://lwn.net/Articles/740611/rss

Mozilla has announced
the initial releases from its “Project DeepSpeech” and “Project Common
Voice” efforts. “I’m excited to announce the initial release of
Mozilla’s open source speech recognition model that has an accuracy
approaching what humans can perceive when listening to the same
recordings. We are also releasing the world’s second largest publicly
available voice dataset, which was contributed to by nearly 20,000 people
globally.

Coalition Against Piracy Wants Singapore to Block Streaming Piracy Software

Post Syndicated from Andy original https://torrentfreak.com/coalition-against-piracy-wants-singapore-to-block-streaming-piracy-software-171204/

Earlier this year, major industry players including Disney, HBO, Netflix, Amazon and NBCUniversal formed the Alliance for Creativity and Entertainment (ACE), a huge coalition set to tackle piracy on a global scale.

Shortly after the Coalition Against Piracy (CAP) was announced. With a focus on Asia and backed by CASBAA, CAP counts Disney, Fox, HBO Asia, NBCUniversal, Premier League, Turner Asia-Pacific, A&E Networks, BBC Worldwide, National Basketball Association, Viacom International, and others among its members.

In several recent reports, CAP has homed in on the piracy situation in Singapore. Describing the phenomenon as “rampant”, the group says that around 40% of locals engage in the practice, many of them through unlicensed streaming. Now CAP, in line with its anti-streaming stance, wants the government to do more – much more.

Since a large proportion of illicit streaming takes place through set-top devices, CAP’s 21 members want the authorities to block the software inside them that enables piracy, Straits Times reports.

“Within the Asia-Pacific region, Singapore is the worst in terms of availability of illicit streaming devices,” said CAP General Manager Neil Gane.

“They have access to hundreds of illicit broadcasts of channels and video-on-demand content.”

There are no precise details on CAP’s demands but it is far from clear how any government could effectively block software.

Blocking access to the software package itself would prove all but impossible, so that would leave blocking the infrastructure the software uses. While that would be relatively straightforward technically, the job would be large and fast-moving, particularly when dozens of apps and addons would need to be targeted.

However, CAP is also calling on the authorities to block pirate streams from entering Singapore. The country already has legislation in place that can be used for site-blocking, so that is not out of the question. It’s notable that the English Premier League is part of the CAP coalition and following legal action taken in the UK earlier this year, now has plenty of experience in blocking streams, particularly of live broadcasts.

While that is a game of cat-and-mouse, TorrentFreak sources that have been monitoring the Premier League’s actions over the past several months report that the soccer outfit has become more effective over time. Its blocks can still be evaded but it can be hard work for those involved. That kind of expertise could prove invaluable to CAP.

“The Premier League is currently engaged in its most comprehensive global anti-piracy programme,” a spokesperson told ST. “This includes supporting our broadcast partners in South-east Asia with their efforts to prevent the sale of illicit streaming devices.”

In common with other countries around the world, the legality of using ‘pirate’ streaming boxes is somewhat unclear in Singapore. A Bloomberg report cites a local salesman who reports sales of 10 to 20 boxes on a typical weekend, rising to 300 a day during electronic fairs. He believes the devices are legal, since they don’t download full copies of programs.

While that point is yet to be argued in court (previously an Intellectual Property Office of Singapore spokesperson said that copyright owners could potentially go after viewers), it seems unlikely that those selling the devices will be allowed to continue completely unhindered. The big question is how current legislation can be successfully applied.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Digital Rights Groups Warn Against Copyright “Parking Tickets” Bill

Post Syndicated from Ernesto original https://torrentfreak.com/digital-rights-groups-warn-against-copyright-parking-tickets-bill-171203/

Nearly five years ago, US lawmakers agreed to carry out a comprehensive review of United States copyright law.

In the following years, the House Judiciary Committee held dozens of hearings on various topics, from DMCA reform and fair use exemptions to the possibility of a small claims court for copyright offenses.

While many of the topics never got far beyond the discussion stage, there’s now a new bill on the table that introduces a small claims process for copyright offenses.

The CASE Act, short for Copyright Alternative in Small-Claims Enforcement, proposes to establish a small claims court to resolve copyright disputes outside the federal courts. This means that legal costs will be significantly reduced.

The idea behind the bill is to lower the barrier for smaller copyright holders with limited resources, who usually refrain from going to court. Starting a federal case with proper representation is quite costly, while the outcome is rather uncertain.

While this may sound noble, digital rights groups, including the Electronic Frontier Foundation (EFF) and Public Knowledge, warn that the bill could do more harm than good.

One of the problems they signal is that the proposed “Copyright Claims Board” would be connected to the US Copyright Office. Given this connection, the groups fear that the three judges might be somewhat biased towards copyright holders.

“Unfortunately, the Copyright Office has a history of putting copyright holders’ interests ahead of other important legal rights and policy concerns. We fear that any small claims process the Copyright Office conducts will tend to follow that pattern,” EFF’s Mitch Stoltz warns.

The copyright claims board will have three judges who can hear cases from all over the country. They can award damages awards of up to $15,000 per infringement, or $30,000 per case.

Participation is voluntary and potential defendants can opt-out. However, if they fail to do so, any order against them can still be binding and enforceable through a federal court.

An opt-in system would be much better, according to EFF, as that would prevent abuse by copyright holders who are looking for cheap default judgments.

“[A]n opt-in approach would help ensure that both participants affirmatively choose to litigate their dispute in this new court, and help prevent copyright holders from abusing the system to obtain inexpensive default judgments that will be hard to appeal.”

While smart defendants would opt-out in certain situations, those who are less familiar with the law might become the target of what are essentially copyright parking tickets.

“Knowledgeable defendants will opt out of such proceedings, while legally unsophisticated targets, including ordinary Internet users, could find themselves committed to an unfair, accelerated process handing out largely unappealable $5,000 copyright parking tickets,” EFF adds.

In its current form, the small claims court may prove to be an ideal tool for copyright trolls, including those who made a business out of filing federal cases against alleged BitTorrent pirates.

This copyright troll issue angle highlighted by both EFF and Public Knowlege, who urge lawmakers to revise the bill.

“[I]t’s not hard to see how trolls and default judgments could come to dominate the system,” Public Knowledge says.

“Instead of creating a reliable, fair mechanism for independent artists to pursue scaled infringement claims online, it would establish an opaque, unaccountable legislation mill that will likely get bogged down by copyright trolls and questionable claimants looking for a payout,” they conclude.

Various copyright holder groups are more positive about the bill. The Copyright Alliance, for example, says that it will empower creators with smaller budgets to protect their rights.

“The next generation of creators deserves copyright protection that is as pioneering and forward-thinking as they are. They deserve practical solutions to the real-life problems they face as creators. This bill is the first step.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons