Tag Archives: DoD

Flight Sim Company Threatens Reddit Mods Over “Libelous” DRM Posts

Post Syndicated from Andy original https://torrentfreak.com/flight-sim-company-threatens-reddit-mods-over-libellous-drm-posts-180604/

Earlier this year, in an effort to deal with piracy of their products, flight simulator company FlightSimLabs took drastic action by installing malware on customers’ machines.

The story began when a Reddit user reported something unusual in his download of FlightSimLabs’ A320X module. A file – test.exe – was being flagged up as a ‘Chrome Password Dump’ tool, something which rang alarm bells among flight sim fans.

As additional information was made available, the story became even more sensational. After first dodging the issue with carefully worded statements, FlightSimLabs admitted that it had installed a password dumper onto ALL users’ machines – whether they were pirates or not – in an effort to catch a particular software cracker and launch legal action.

It was an incredible story that no doubt did damage to FlightSimLabs’ reputation. But the now the company is at the center of a new storm, again centered around anti-piracy measures and again focused on Reddit.

Just before the weekend, Reddit user /u/walkday reported finding something unusual in his A320X module, the same module that caused the earlier controversy.

“The latest installer of FSLabs’ A320X puts two cmdhost.exe files under ‘system32\’ and ‘SysWOW64\’ of my Windows directory. Despite the name, they don’t open a command-line window,” he reported.

“They’re a part of the authentication because, if you remove them, the A320X won’t get loaded. Does someone here know more about cmdhost.exe? Why does FSLabs give them such a deceptive name and put them in the system folders? I hate them for polluting my system folder unless, of course, it is a dll used by different applications.”

Needless to say, the news that FSLabs were putting files into system folders named to make them look like system files was not well received.

“Hiding something named to resemble Window’s “Console Window Host” process in system folders is a huge red flag,” one user wrote.

“It’s a malware tactic used to deceive users into thinking the executable is a part of the OS, thus being trusted and not deleted. Really dodgy tactic, don’t trust it and don’t trust them,” opined another.

With a disenchanted Reddit userbase simmering away in the background, FSLabs took to Facebook with a statement to quieten down the masses.

“Over the past few hours we have become aware of rumors circulating on social media about the cmdhost file installed by the A320-X and wanted to clear up any confusion or misunderstanding,” the company wrote.

“cmdhost is part of our eSellerate infrastructure – which communicates between the eSellerate server and our product activation interface. It was designed to reduce the number of product activation issues people were having after the FSX release – which have since been resolved.”

The company noted that the file had been checked by all major anti-virus companies and everything had come back clean, which does indeed appear to be the case. Nevertheless, the critical Reddit thread remained, bemoaning the actions of a company which probably should have known better than to irritate fans after February’s debacle. In response, however, FSLabs did just that once again.

In private messages to the moderators of the /r/flightsim sub-Reddit, FSLabs’ Marketing and PR Manager Simon Kelsey suggested that the mods should do something about the thread in question or face possible legal action.

“Just a gentle reminder of Reddit’s obligations as a publisher in order to ensure that any libelous content is taken down as soon as you become aware of it,” Kelsey wrote.

Noting that FSLabs welcomes “robust fair comment and opinion”, Kelsey gave the following advice.

“The ‘cmdhost.exe’ file in question is an entirely above board part of our anti-piracy protection and has been submitted to numerous anti-virus providers in order to verify that it poses no threat. Therefore, ANY suggestion that current or future products pose any threat to users is absolutely false and libelous,” he wrote, adding:

“As we have already outlined in the past, ANY suggestion that any user’s data was compromised during the events of February is entirely false and therefore libelous.”

Noting that FSLabs would “hate for lawyers to have to get involved in this”, Kelsey advised the /r/flightsim mods to ensure that no such claims were allowed to remain on the sub-Reddit.

But after not receiving the response he would’ve liked, Kelsey wrote once again to the mods. He noted that “a number of unsubstantiated and highly defamatory comments” remained online and warned that if something wasn’t done to clean them up, he would have “no option” than to pass the matter to FSLabs’ legal team.

Like the first message, this second effort also failed to have the desired effect. In fact, the moderators’ response was to post an open letter to Kelsey and FSLabs instead.

“We sincerely disagree that you ‘welcome robust fair comment and opinion’, demonstrated by the censorship on your forums and the attempted censorship on our subreddit,” the mods wrote.

“While what you do on your forum is certainly your prerogative, your rules do not extend to Reddit nor the r/flightsim subreddit. Removing content you disagree with is simply not within our purview.”

The letter, which is worth reading in full, refutes Kelsey’s claims and also suggests that critics of FSLabs may have been subjected to Reddit vote manipulation and coordinated efforts to discredit them.

What will happen next is unclear but the matter has now been placed in the hands of Reddit’s administrators who have agreed to deal with Kelsey and FSLabs’ personally.

It’s a little early to say for sure but it seems unlikely that this will end in a net positive for FSLabs, no matter what decision Reddit’s admins take.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Getting Rid of Your Mac? Here’s How to Securely Erase a Hard Drive or SSD

Post Syndicated from Roderick Bauer original https://www.backblaze.com/blog/how-to-wipe-a-mac-hard-drive/

erasing a hard drive and a solid state drive

What do I do with a Mac that still has personal data on it? Do I take out the disk drive and smash it? Do I sweep it with a really strong magnet? Is there a difference in how I handle a hard drive (HDD) versus a solid-state drive (SSD)? Well, taking a sledgehammer or projectile weapon to your old machine is certainly one way to make the data irretrievable, and it can be enormously cathartic as long as you follow appropriate safety and disposal protocols. But there are far less destructive ways to make sure your data is gone for good. Let me introduce you to secure erasing.

Which Type of Drive Do You Have?

Before we start, you need to know whether you have a HDD or a SSD. To find out, or at least to make sure, you click on the Apple menu and select “About this Mac.” Once there, select the “Storage” tab to see which type of drive is in your system.

The first example, below, shows a SATA Disk (HDD) in the system.

SATA HDD

In the next case, we see we have a Solid State SATA Drive (SSD), plus a Mac SuperDrive.

Mac storage dialog showing SSD

The third screen shot shows an SSD, as well. In this case it’s called “Flash Storage.”

Flash Storage

Make Sure You Have a Backup

Before you get started, you’ll want to make sure that any important data on your hard drive has moved somewhere else. OS X’s built-in Time Machine backup software is a good start, especially when paired with Backblaze. You can learn more about using Time Machine in our Mac Backup Guide.

With a local backup copy in hand and secure cloud storage, you know your data is always safe no matter what happens.

Once you’ve verified your data is backed up, roll up your sleeves and get to work. The key is OS X Recovery — a special part of the Mac operating system since OS X 10.7 “Lion.”

How to Wipe a Mac Hard Disk Drive (HDD)

NOTE: If you’re interested in wiping an SSD, see below.

    1. Make sure your Mac is turned off.
    2. Press the power button.
    3. Immediately hold down the command and R keys.
    4. Wait until the Apple logo appears.
    5. Select “Disk Utility” from the OS X Utilities list. Click Continue.
    6. Select the disk you’d like to erase by clicking on it in the sidebar.
    7. Click the Erase button.
    8. Click the Security Options button.
    9. The Security Options window includes a slider that enables you to determine how thoroughly you want to erase your hard drive.

There are four notches to that Security Options slider. “Fastest” is quick but insecure — data could potentially be rebuilt using a file recovery app. Moving that slider to the right introduces progressively more secure erasing. Disk Utility’s most secure level erases the information used to access the files on your disk, then writes zeroes across the disk surface seven times to help remove any trace of what was there. This setting conforms to the DoD 5220.22-M specification.

  1. Once you’ve selected the level of secure erasing you’re comfortable with, click the OK button.
  2. Click the Erase button to begin. Bear in mind that the more secure method you select, the longer it will take. The most secure methods can add hours to the process.

Once it’s done, the Mac’s hard drive will be clean as a whistle and ready for its next adventure: a fresh installation of OS X, being donated to a relative or a local charity, or just sent to an e-waste facility. Of course you can still drill a hole in your disk or smash it with a sledgehammer if it makes you happy, but now you know how to wipe the data from your old computer with much less ruckus.

The above instructions apply to older Macintoshes with HDDs. What do you do if you have an SSD?

Securely Erasing SSDs, and Why Not To

Most new Macs ship with solid state drives (SSDs). Only the iMac and Mac mini ship with regular hard drives anymore, and even those are available in pure SSD variants if you want.

If your Mac comes equipped with an SSD, Apple’s Disk Utility software won’t actually let you zero the hard drive.

Wait, what?

In a tech note posted to Apple’s own online knowledgebase, Apple explains that you don’t need to securely erase your Mac’s SSD:

With an SSD drive, Secure Erase and Erasing Free Space are not available in Disk Utility. These options are not needed for an SSD drive because a standard erase makes it difficult to recover data from an SSD.

In fact, some folks will tell you not to zero out the data on an SSD, since it can cause wear and tear on the memory cells that, over time, can affect its reliability. I don’t think that’s nearly as big an issue as it used to be — SSD reliability and longevity has improved.

If “Standard Erase” doesn’t quite make you feel comfortable that your data can’t be recovered, there are a couple of options.

FileVault Keeps Your Data Safe

One way to make sure that your SSD’s data remains secure is to use FileVault. FileVault is whole-disk encryption for the Mac. With FileVault engaged, you need a password to access the information on your hard drive. Without it, that data is encrypted.

There’s one potential downside of FileVault — if you lose your password or the encryption key, you’re screwed: You’re not getting your data back any time soon. Based on my experience working at a Mac repair shop, losing a FileVault key happens more frequently than it should.

When you first set up a new Mac, you’re given the option of turning FileVault on. If you don’t do it then, you can turn on FileVault at any time by clicking on your Mac’s System Preferences, clicking on Security & Privacy, and clicking on the FileVault tab. Be warned, however, that the initial encryption process can take hours, as will decryption if you ever need to turn FileVault off.

With FileVault turned on, you can restart your Mac into its Recovery System (by restarting the Mac while holding down the command and R keys) and erase the hard drive using Disk Utility, once you’ve unlocked it (by selecting the disk, clicking the File menu, and clicking Unlock). That deletes the FileVault key, which means any data on the drive is useless.

FileVault doesn’t impact the performance of most modern Macs, though I’d suggest only using it if your Mac has an SSD, not a conventional hard disk drive.

Securely Erasing Free Space on Your SSD

If you don’t want to take Apple’s word for it, if you’re not using FileVault, or if you just want to, there is a way to securely erase free space on your SSD. It’s a little more involved but it works.

Before we get into the nitty-gritty, let me state for the record that this really isn’t necessary to do, which is why Apple’s made it so hard to do. But if you’re set on it, you’ll need to use Apple’s Terminal app. Terminal provides you with command line interface access to the OS X operating system. Terminal lives in the Utilities folder, but you can access Terminal from the Mac’s Recovery System, as well. Once your Mac has booted into the Recovery partition, click the Utilities menu and select Terminal to launch it.

From a Terminal command line, type:

diskutil secureErase freespace VALUE /Volumes/DRIVE

That tells your Mac to securely erase the free space on your SSD. You’ll need to change VALUE to a number between 0 and 4. 0 is a single-pass run of zeroes; 1 is a single-pass run of random numbers; 2 is a 7-pass erase; 3 is a 35-pass erase; and 4 is a 3-pass erase. DRIVE should be changed to the name of your hard drive. To run a 7-pass erase of your SSD drive in “JohnB-Macbook”, you would enter the following:

diskutil secureErase freespace 2 /Volumes/JohnB-Macbook

And remember, if you used a space in the name of your Mac’s hard drive, you need to insert a leading backslash before the space. For example, to run a 35-pass erase on a hard drive called “Macintosh HD” you enter the following:

diskutil secureErase freespace 3 /Volumes/Macintosh\ HD

Something to remember is that the more extensive the erase procedure, the longer it will take.

When Erasing is Not Enough — How to Destroy a Drive

If you absolutely, positively need to be sure that all the data on a drive is irretrievable, see this Scientific American article (with contributions by Gleb Budman, Backblaze CEO), How to Destroy a Hard Drive — Permanently.

The post Getting Rid of Your Mac? Here’s How to Securely Erase a Hard Drive or SSD appeared first on Backblaze Blog | Cloud Storage & Cloud Backup.

Google’s Chrome Web Store Spammed With Dodgy ‘Pirate’ Movie Links

Post Syndicated from Andy original https://torrentfreak.com/googles-chrome-web-store-spammed-with-dodgy-pirate-movie-links-180527/

Launched in 2010, Google’s Chrome Store is the go-to place for people looking to pimp their Chrome browser.

Often referred to as apps and extensions, the programs offered by the platform run in Chrome and can perform a dazzling array of functions, from improving security and privacy, to streaming video or adding magnet links to torrent sites.

Also available on the Chrome Store are themes, which can be installed locally to change the appearance of the Chrome browser.

While there are certainly plenty to choose from, some additions to the store over the past couple of months are not what most people have come to expect from the add-on platform.

Free movies on Chrome’s Web Store?

As the image above suggests, unknown third parties appear to be exploiting the Chrome Store’s ‘theme’ section to offer visitors access to a wide range of pirate movies including Black Panther, Avengers: Infinity War and Rampage.

When clicking through to the page offering Ready Player One, for example, users are presented with a theme that apparently allows them to watch the movie online in “Full HD Online 4k.”

Of course, the whole scheme is a dubious scam which eventually leads users to Vioos.co, a platform that tries very hard to give the impression of being a pirate streaming portal but actually provides nothing of use.

Nothing to see here

In fact, as soon as one clicks the play button on movies appearing on Vioos.co, visitors are re-directed to another site called Zumastar which asks people to “create a free account” to “access unlimited downloads & streaming.”

“With over 20 million titles, Zumastar is your number one entertainment resource. Join hundreds of thousands of satisfied members and enjoy the hottest movies,” the site promises.

With this kind of marketing, perhaps we should think about this offer for a second. Done. No thanks.

In extended testing, some visits to Vioos.co resulted in a redirection to EtnaMedia.net, a domain that was immediately blocked by MalwareBytes due to suspected fraud. However, after allowing the browser to make the connection, TF was presented with another apparent subscription site.

We didn’t follow through with a sign-up but further searches revealed upset former customers complaining of money being taken from their credit cards when they didn’t expect that to happen.

Quite how many people have signed up to Zumastar or EtnaMedia via this convoluted route from Google’s Chrome Store isn’t clear but a worrying number appear to have installed the ‘themes’ (if that’s what they are) offered on each ‘pirate movie’ page.

At the time of writing the ‘free Watch Rampage Online Full Movie’ ‘theme’ has 2,196 users, the “Watch Avengers Infinity War Full Movie” variant has 974, the ‘Watch Ready Player One 2018 Full HD’ page has 1,031, and the ‘Watch Black Panther Online Free 123putlocker’ ‘theme’ has more than 1,800. Clearly, a worrying number of people will click and install just about anything.

We haven’t tested the supposed themes to see what they do but it’s a cast-iron guarantee that they don’t offer the movies displayed and there’s always a chance they’ll do something awful. As a rule of thumb, it’s nearly always wise to steer clear of anything with “full movie” in the title, they can rarely be trusted.

Finally, those hoping to get some guidance on quality from the reviews on the Chrome Store will be bitterly disappointed.

Garbage reviews, probably left by the scammers

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

BPI Wants Piracy Dealt With Under New UK Internet ‘Clean-Up’ Laws

Post Syndicated from Andy original https://torrentfreak.com/bpi-wants-music-piracy-dealt-with-under-uk-internet-clean-up-laws-180523/

For the past several years, the UK Government has expressed a strong desire to “clean up” the Internet.

Strong emphasis has been placed on making the Internet safer for children but that’s just the tip of a much larger iceberg.

This week, the Government published its response to the Internet Safety Strategy green paper, stating unequivocally that more needs to be done to tackle “online harm”.

Noting that six out of ten people report seeing inappropriate or harmful content online, the Government said that work already underway with social media companies to protect users had borne fruit but overall industry response has been less satisfactory.

As a result, the Government will now carry through with its threat to introduce new legislation, albeit with the assistance of technology companies, children’s charities and other stakeholders.

“Digital technology is overwhelmingly a force for good across the world and we must always champion innovation and change for the better,” said Matt Hancock, Secretary of State for Digital, Culture, Media and Sport.

“At the same time I have been clear that we have to address the Wild West elements of the Internet through legislation, in a way that supports innovation. We strongly support technology companies to start up and grow, and we want to work with them to keep our citizens safe.”

While emphasis is being placed on hot-button topics such as cyberbullying and online child exploitation, the Government is clear that it wishes to tackle “the full range” of online harms. That has been greeted by UK music group BPI with a request that the Government introduces new measures to tackle Internet piracy.

In a statement issued this week, BPI chief executive Geoff Taylor welcomed the move towards legislative change and urged the Government to encompass the music industry and beyond.

“This is a vital opportunity to protect consumers and boost the UK’s music and creative industries. The BPI has long pressed for internet intermediaries and online platforms to take responsibility for the content that they promote to users,” Taylor said.

“Government should now take the power in legislation to require online giants to take effective, proactive measures to clean illegal content from their sites and services. This will keep fans away from dodgy sites full of harmful content and prevent criminals from undermining creative businesses that create UK jobs.”

The BPI has published four initial requests, each of which provides food for thought.

The demand to “establish a new fast-track process for blocking illegal sites” is not entirely unexpected, particularly given the expense of launching applications for blocking injunctions at the High Court.

“The BPI has taken a large number of actions against individual websites – 63 injunctions are in place against sites that are wholly or mainly infringing and whose business is simply to profit from criminal activity,” the BPI says.

Those injunctions can be expanded fairly easily to include new sites operating under similar banners or facilitating access to those already covered, but it’s clear the BPI would like something more streamlined. Voluntary schemes, such as the one in place in Portugal, could be an option but it’s unclear how troublesome that could be for ISPs. New legislation could solve that dilemma, however.

Another big thorn in the side for groups like the BPI are people and entities that post infringing content. The BPI is very good at taking these listings down from sites and search engines in particular (more than 600 million requests to date) but it’s a game of whac-a-mole the group would rather not engage in.

With that in mind, the BPI would like the Government to impose new rules that would compel online platforms to stop content from being re-posted after it’s been taken down while removing the accounts of repeat infringers.

Thirdly, the BPI would like the Government to introduce penalties for “online operators” who do not provide “transparent contact and ownership information.” The music group isn’t any more specific than that, but the suggestion is that operators of some sites have a tendency to hide in the shadows, something which frustrates enforcement activity.

Finally, and perhaps most interestingly, the BPI is calling on the Government to legislate for a new “duty of care” for online intermediaries and platforms. Specifically, the BPI wants “effective action” taken against businesses that use the Internet to “encourage” consumers to access content illegally.

While this could easily encompass pirate sites and services themselves, this proposal has the breadth to include a wide range of offenders, from people posting piracy-focused tutorials on monetized YouTube channels to those selling fully-loaded Kodi devices on eBay or social media.

Overall, the BPI clearly wants to place pressure on intermediaries to take action against piracy when they’re in a position to do so, and particularly those who may not have shown much enthusiasm towards industry collaboration in the past.

“Legislation in this Bill, to take powers to intervene with respect to operators that do not co-operate, would bring focus to the roundtable process and ensure that intermediaries take their responsibilities seriously,” the BPI says.

The Department for Digital, Culture, Media & Sport and the Home Office will now work on a White Paper, to be published later this year, to set out legislation to tackle “online harms”. The BPI and similar entities will hope that the Government takes their concerns on board.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

How AWS Meets a Physical Separation Requirement with a Logical Separation Approach

Post Syndicated from Min Hyun original https://aws.amazon.com/blogs/security/how-aws-meets-a-physical-separation-requirement-with-a-logical-separation-approach/

We have a new resource available to help you meet a requirement for physically-separated infrastructure using logical separation in the AWS cloud. Our latest guide, Logical Separation: An Evaluation of the U.S. Department of Defense Cloud Security Requirements for Sensitive Workloads outlines how AWS meets the U.S. Department of Defense’s (DoD) stringent physical separation requirement by pioneering a three-pronged logical separation approach that leverages virtualization, encryption, and deploying compute to dedicated hardware.

This guide will help you understand logical separation in the cloud and demonstrates its advantages over a traditional physical separation model. Embracing this approach can help organizations confidently meet or exceed security requirements found in traditional on-premises environments, while also providing increased security control and flexibility.

Logical Separation is the second guide in the AWS Government Handbook Series, which examines cybersecurity policy initiatives and identifies best practices.

If you have questions or want to learn more, contact your account executive or AWS Support.

Video Deters People From Pirate Sites…Or Encourages Them to Start One?

Post Syndicated from Andy original https://torrentfreak.com/video-deters-people-from-pirate-sites-or-encourages-them-to-start-one-180505/

There are almost as many anti-piracy strategies as there are techniques for downloading.

Litigation and education are probably the two most likely to be seen by the public, who are often directly targeted by the entertainment industries.

Over the years this has led to many campaigns, one of which famously stated that piracy is a crime while equating it to the physical theft of a car, a handbag, a television, or a regular movie DVD. It’s debatable whether these campaigns have made much difference but they have raised awareness and some of the responses have been hilarious.

While success remains hard to measure, it hasn’t stopped these PSAs from being made. The latest efforts come out of Sweden, where the country’s Patent and Registration Office (PRV) was commissioned by the government to increase public awareness of copyright and help change attitudes surrounding streaming and illegal downloading.

“The purpose is, among other things, to reduce the use of illegal streaming sites and make it easier and safer to find and choose legal options,” PRV says.

“Every year, criminal networks earn millions of dollars from illegal streaming. This money comes from advertising on illegal sites and is used for other criminal activities. The purpose of our film is to inform about this.”

The series of videos show pirates in their supposed natural habitats of beautiful mansions, packed with luxurious items such as indoor pools, fancy staircases, and stacks of money. For some reason (perhaps to depict anonymity, perhaps to suggest something more sinister) the pirates are all dressed in animal masks, such as this one enjoying his Dodge Viper.

The clear suggestion here is that people who visit pirate sites and stream unlicensed content are helping to pay for this guy’s bright green car. The same holds true for his indoor swimming pool, jet bike, and gold chains in the next clip.

While some might have a problem with pirates getting rich from their clicks, it can’t have escaped the targets of these videos that they too are benefiting from the scheme. Granted, hyena-man gets the pool and the Viper, but they get the latest movies. It seems unlikely that pirate streamers refused to watch the copy of Black Panther that leaked onto the web this week (a month before its retail release) on the basis that someone else was getting rich from it.

That being said, most people will probably balk at elements of the full PSA, which suggests that revenue from illegal streaming goes on to fuel other crimes, such as prescription drug offenses.

After reporting piracy cases for more than twelve years, no one at TF has ever seen evidence of this happening with any torrent or streaming site operators. Still, it makes good drama for the full video, embedded below.

“In the film we follow a fictional occupational criminal who gives us a tour of his beautiful villa. He proudly shows up his multi-criminal activity, which was made possible by means of advertising money from his illegal streaming services,” PRV explains.

The dark tone and creepy masks are bound to put some people off but one has to question the effect this kind of video could have on younger people. Do pirates really make mountains of money so huge that they can only be counted by machine? If they do, then it’s a lot less risky than almost any other crime that yields this claimed level of profit.

With that in mind, will this video deter the public or simply encourage people to get involved for some of that big money? We sent a link to the operator of a large pirate site for his considered opinion.

“WTF,” he responded.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

MPAA Chief Says Fighting Piracy Remains “Top Priority”

Post Syndicated from Andy original https://torrentfreak.com/mpaa-chief-says-fighting-piracy-remains-top-priority-180425/

After several high-profile years at the helm of the movie industry’s most powerful lobbying group, last year saw the departure of Chris Dodd from the role of Chairman and CEO at the MPAA.

The former Senator, who earned more than $3.5m a year championing the causes of the major Hollywood studios since 2011, was immediately replaced by another political heavyweight.

Charles Rivkin, who took up his new role September 5, 2017, previously served as Assistant Secretary of State for Economic and Business Affairs in the Obama administration. With an underperforming domestic box office year behind him fortunately overshadowed by massive successes globally, this week he spoke before US movie exhibitors for the first time at CinemaCon in Las Vegas.

“Globally, we hit a record high of $40.6 billion at the box office. Domestically, our $11.1 billion box office was slightly down from the 2016 record. But it exactly matched the previous high from 2015. And it was the second highest total in the past decade,” Rivkin said.

“But it exactly matched the previous high from 2015. And it was the second highest total in the past decade.”

Rivkin, who spent time as President and CEO of The Jim Henson Company, told those in attendance that he shares a deep passion for the movie industry and looks forward optimistically to the future, a future in which content is secured from those who intend on sharing it for free.

“Making sure our creative works are valued and protected is one of the most important things we can do to keep that industry heartbeat strong. At the Henson Company, and WildBrain, I learned just how much intellectual property affects everyone. Our entire business model depended on our ability to license Kermit the Frog, Miss Piggy, and the Muppets and distribute them across the globe,” Rivkin said.

“I understand, on a visceral level, how important copyright is to any creative business and in particular our country’s small and medium enterprises – which are the backbone of the American economy. As Chairman and CEO of the MPAA, I guarantee you that fighting piracy in all forms remains our top priority.”

That tackling piracy is high on the MPAA’s agenda won’t comes as a surprise but at least in terms of the numbers of headlines plastered over the media, high-profile anti-piracy action has been somewhat lacking in recent years.

With lawsuits against torrent sites seemingly a thing of the past and a faltering Megaupload case that will conclude who-knows-when, the MPAA has taken a broader view, seeking partnerships with sometimes rival content creators and distributors, each with a shared desire to curtail illicit media.

“One of the ways that we’re already doing that is through the Alliance for Creativity and Entertainment – or ACE as we call it,” Rivkin said.

“This is a coalition of 30 leading global content creators, including the MPAA’s six member studios as well as Netflix, and Amazon. We work together as a powerful team to ensure our stories are seen as they were intended to be, and that their creators are rewarded for their hard work.”

Announced in June 2017, ACE has become a united anti-piracy powerhouse for a huge range of entertainment industry groups, encompassing the likes of CBS, HBO, BBC, Sky, Bell Canada, CBS, Hulu, Lionsgate, Foxtel and Village Roadshow, to name a few.

The coalition was announced by former MPAA Chief Chris Dodd and now, with serious financial input from all companies involved, appears to be picking its fights carefully, focusing on the growing problem of streaming piracy centered around misuse of Kodi and similar platforms.

From threatening relatively small-time producers and distributors of third-party addons and builds (1,2,3), ACE is also attempting to make its mark among the profiteers.

The group now has several lawsuits underway in the United States against people selling piracy-enabled IPTV boxes including Tickbox, Dragon Box, and during the last week, Set TV.

With these important cases pending, Rivkin offered assurances that his organization remains committed to anti-piracy enforcement and he thanked exhibitors for their efforts to prevent people quickly running away with copies of the latest releases.

“I am grateful to all of you for recognizing what is at stake, and for working with us to protect creativity, such as fighting the use of illegal camcorders in theaters,” he said.

“Protecting our creativity isn’t only a fundamental right. It’s an economic necessity, for us and all creative economies. Film and television are among the most valuable – and most impactful – exports we have.

Thus far at least, Rivkin has a noticeably less aggressive tone on piracy than his predecessor Chris Dodd but it’s unlikely that will be mistaken for weakness among pirates, nor should it. The MPAA isn’t known for going soft on pirates and it certainly won’t be changing course anytime soon.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Securing messages published to Amazon SNS with AWS PrivateLink

Post Syndicated from Otavio Ferreira original https://aws.amazon.com/blogs/security/securing-messages-published-to-amazon-sns-with-aws-privatelink/

Amazon Simple Notification Service (SNS) now supports VPC Endpoints (VPCE) via AWS PrivateLink. You can use VPC Endpoints to privately publish messages to SNS topics, from an Amazon Virtual Private Cloud (VPC), without traversing the public internet. When you use AWS PrivateLink, you don’t need to set up an Internet Gateway (IGW), Network Address Translation (NAT) device, or Virtual Private Network (VPN) connection. You don’t need to use public IP addresses, either.

VPC Endpoints doesn’t require code changes and can bring additional security to Pub/Sub Messaging use cases that rely on SNS. VPC Endpoints helps promote data privacy and is aligned with assurance programs, including the Health Insurance Portability and Accountability Act (HIPAA), FedRAMP, and others discussed below.

VPC Endpoints for SNS in action

Here’s how VPC Endpoints for SNS works. The following example is based on a banking system that processes mortgage applications. This banking system, which has been deployed to a VPC, publishes each mortgage application to an SNS topic. The SNS topic then fans out the mortgage application message to two subscribing AWS Lambda functions:

  • Save-Mortgage-Application stores the application in an Amazon DynamoDB table. As the mortgage application contains personally identifiable information (PII), the message must not traverse the public internet.
  • Save-Credit-Report checks the applicant’s credit history against an external Credit Reporting Agency (CRA), then stores the final credit report in an Amazon S3 bucket.

The following diagram depicts the underlying architecture for this banking system:
 
Diagram depicting the architecture for the example banking system
 
To protect applicants’ data, the financial institution responsible for developing this banking system needed a mechanism to prevent PII data from traversing the internet when publishing mortgage applications from their VPC to the SNS topic. Therefore, they created a VPC endpoint to enable their publisher Amazon EC2 instance to privately connect to the SNS API. As shown in the diagram, when the VPC endpoint is created, an Elastic Network Interface (ENI) is automatically placed in the same VPC subnet as the publisher EC2 instance. This ENI exposes a private IP address that is used as the entry point for traffic destined to SNS. This ensures that traffic between the VPC and SNS doesn’t leave the Amazon network.

Set up VPC Endpoints for SNS

The process for creating a VPC endpoint to privately connect to SNS doesn’t require code changes: access the VPC Management Console, navigate to the Endpoints section, and create a new Endpoint. Three attributes are required:

  • The SNS service name.
  • The VPC and Availability Zones (AZs) from which you’ll publish your messages.
  • The Security Group (SG) to be associated with the endpoint network interface. The Security Group controls the traffic to the endpoint network interface from resources in your VPC. If you don’t specify a Security Group, the default Security Group for your VPC will be associated.

Help ensure your security and compliance

SNS can support messaging use cases in regulated market segments, such as healthcare provider systems subject to the Health Insurance Portability and Accountability Act (HIPAA) and financial systems subject to the Payment Card Industry Data Security Standard (PCI DSS), and is also in-scope with the following Assurance Programs:

The SNS API is served through HTTP Secure (HTTPS), and encrypts all messages in transit with Transport Layer Security (TLS) certificates issued by Amazon Trust Services (ATS). The certificates verify the identity of the SNS API server when encrypted connections are established. The certificates help establish proof that your SNS API client (SDK, CLI) is communicating securely with the SNS API server. A Certificate Authority (CA) issues the certificate to a specific domain. Hence, when a domain presents a certificate that’s issued by a trusted CA, the SNS API client knows it’s safe to make the connection.

Summary

VPC Endpoints can increase the security of your pub/sub messaging use cases by allowing you to publish messages to SNS topics, from instances in your VPC, without traversing the internet. Setting up VPC Endpoints for SNS doesn’t require any code changes because the SNS API address remains the same.

VPC Endpoints for SNS is now available in all AWS Regions where AWS PrivateLink is available. For information on pricing and regional availability, visit the VPC pricing page.
For more information and on-boarding, see Publishing to Amazon SNS Topics from Amazon Virtual Private Cloud in the SNS documentation.

If you have comments about this post, submit them in the Comments section below. If you have questions about anything in this post, start a new thread on the Amazon SNS forum or contact AWS Support.

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Men Who Sold Pirate IPTV Service to Pubs Jailed for 4.5 Years

Post Syndicated from Andy original https://torrentfreak.com/men-who-sold-pirate-iptv-service-to-pubs-jailed-for-4-5-years-180404/

For owners and landlords of pubs and clubs in the UK, providing top-tier sports on TV can be the key to bringing in plenty of thirsty customers.

That being said, the costs of doing so is viewed by many as extortionate, with companies including Sky and BT Sport demanding huge fees for the privilege.

As a result, there is a growing opportunity for people to step in to provide cheaper alternatives. With satellite-type piracy now on the wane, IPTV is now a rising force and there’s no shortage of companies prepared to sell a device and associated subscription service to a landlord for the fraction of Sky’s fees.

That’s where John Dodds, 65, and Jason Richards, 45, stepped in. From 2009 until 2016, the pair were involved in an operation selling such services to a staggering 270 pubs and clubs in the North-East of England.

While Sky could charge thousands per month, the duo allegedly charged customers less than £200 per month. For this fee, they received a set-top box plus a service, which included Premier League soccer and otherwise PPV boxing matches.

According to local sources, the scheme was incredibly lucrative for the pair. Via a fraudulent company, the duo generated revenues of £1.5m, which provided luxury cars and foreign homes.

Unfortunately, however, the business – which at some point was branded ‘Full Effects HD Sports’ – attracted the attention of the Premier League. In common with the movie industry before them, they carried out a private prosecution on the basis the pair were defrauding the organization.

“What the defendants created was their own, highly professional broadcasting service which was being sold to subscribers at a rate designed to undercut any legitimate broadcaster, which they were able to do as they weren’t paying to make any of the programmes or buy from the owners, such as the Premier League,” Prosecutor David Groome told the court.

The court was convinced by the Premier League’s arguments and this morning, before Newcastle Crown Court, the pair were sentenced to four-and-a-half years each in prison.

“This was a sophisticated fraud committed against numerous broadcasters throughout the world and those who have interests in the contents of broadcasts, particularly the Football Association, Premier League,” the judge said, as quoted by Sunderland Echo.

“You both knew perfectly well you were engaged in fraud because you knew the broadcasters were not being paid any or any appropriate fee for the use of their broadcasts. You were able to mislead customers, tell them that the services were lawful for them to use when you knew they were not.”

Unfortunately for the duo’s customers, a number of publicans who bought the service were also sued or prosecuted, which the judge noted could have negative consequences in relation to their future suitability to hold a liquor license.

“This is a hugely significant judgment as it provides further evidence that selling these devices is illegal and can result in a prison sentence,” said Premier League director of legal services Kevin Plumb.

“We hope this verdict gets the message out that selling or using these devices is simply not worth the risk.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Dotcom Affidavit Calls For Obama to Give Evidence in Megaupload Case

Post Syndicated from Andy original https://torrentfreak.com/dotcom-affidavit-calls-for-obama-to-give-evidence-in-megaupload-case-180320/

For more than six years since the raid on Megaupload, founder Kim Dotcom has insisted that the case against him, his co-defendants, and his company, was politically motivated.

The serial entrepreneur states unequivocally that former president Barack Obama’s close ties to Hollywood were the driving force.

Later today, Obama will touch down for a visit to New Zealand. In what appears to be a tightly managed affair, with heavy restrictions placed on the media and publicity, it seems clear that Obama wants to maintain control over his social and business engagements in the country.

But of course, New Zealand is home to Kim Dotcom and as someone who feels wronged by the actions of the former administration, he is determined to use this opportunity to shine more light on Obama’s role in the downfall of his company.

In a statement this morning, Dotcom reiterated his claims that attempts to have him extradited to the United States have no basis in law, chiefly due to the fact that the online dissemination of copyright-protected works by Megaupload’s users is not an extradition offense in New Zealand.

But Dotcom also attacks the politics behind his case, arguing that the Obama administration was under pressure from Hollywood to do something about copyright enforcement or risk losing financial support.

In connection with his case, Dotcom is currently suing the New Zealand government for billions of dollars so while Obama is in town, Dotcom is demanding that the former president gives evidence.

Dotcom’s case is laid out in a highly-detailed sworn affidavit dated March 19, 2018. The Megaupload founder explains that Hollywood has historically been a major benefactor of the Democrats so when seeking re-election for a further term, the Democrats were under pressure from the movie companies to make an example of Megaupload and Dotcom.

Dotcom notes that while he was based in Hong Kong, extradition to the US would be challenging. So, with Dotcom seeking residence in New Zealand, a plot was hatched to allow him into the country, despite the New Zealand government knowing that a criminal prosecution lay in wait for him. Dotcom says that by doing a favor for Hollywood, it could mean that New Zealand became a favored destination for US filmmakers.

“The interests of the United States and New Zealand were therefore perfectly aligned. I provided the perfect opportunity for New Zealand to facilitate the United States’ show of force on copyright enforcement,” Dotcom writes.

Citing documents obtained from Open Secrets, Dotcom shows how the Democrats took an 81% share of more than $46m donated to political parties in the US during the 2008 election cycle. In the 2010 cycle, 76% of more than $24m went to the Democrats and in 2012, they scooped up 78% of more than $56m.

Dotcom then recalls the attempts at passing the Stop Online Piracy Act (SOPA), which would have shifted the enforcement of copyright onto ISPs, assisting Hollywood greatly. Ultimately, Congressional support for the proposed legislation was withdrawn and Dotcom recalls this was followed by a public threat from the MPAA to withdraw campaign contributions on which the Democrats were especially reliant.

“The message to the White House was plain: do not expect funding if you do not advance the MPAA’s legislative agenda. On 20 January 2012, the day after this statement, I was arrested,” Dotcom notes.

Describing Megaupload as a highly profitable and innovative platform that highlighted copyright owners’ failure to keep up with the way in which content is now consumed, Dotcom says it made the perfect target for the Democrats.

Convinced the party was at the root of his prosecution, he utilized his connections in Hong Kong to contact Thomas Hart, a lawyer and lobbyist in Washington, D.C. with strong connections to the Democrats and the White House.

Dotcom said a telephone call between him and Mr Hart revealed that then Vice President Joe Biden was at the center of Dotcom’s prosecution but that Obama was dissatisfied with the way things had been handled.

“Biden did admit to have… you know, kind of started it, you know, along with support from others but it was Biden’s decision…,” Hart allegedly said.

“What he [President Obama] expressed to me was a growing concern about the matter. He indicated an awareness of that it had not gone well, that it was more complicated than he thought, that he will turn his attention to it more prominently after November.”

Dotcom says that Obama was “questioning the whole thing,” a suggestion that he may not have been fully committed to the continuing prosecution.

The affidavit then lists a whole series of meetings in 2011, documented in the White House visitor logs. They include meetings with then United States Attorney Neil McBride, various representatives from Hollywood, MPAA chief Chris Dodd, Mike Ellis of the MPA (who was based in Hong Kong and had met with New Zealand’s then Minister of Justice, Simon Power) and the Obama administration.

In summary, Dotcom suggests there was a highly organized scheme against him, hatched between Hollywood and the Obama administration, that had the provision of funds to win re-election at its heart.

From there, an intertwined agreement was reached at the highest levels of both the US and New Zealand governments where the former would benefit through tax concessions to Hollywood (and a sweetening of relations between the countries) and the latter would benefit financially through investment.

All New Zealand had to do was let Dotcom in for a while and then hand him over to the United States for prosecution. And New Zealand definitely knew that Dotcom was wanted by the US. Emails obtained by Dotcom concerning his residency application show that clearly.

“Kim DOTCOM is not of security concern but is likely to soon become the subject of a joint FBI / NZ Police criminal investigation. We have passed this over to NZ Police,” one of the emails reads. Another, well over a year before the raid, also shows the level of knowledge.

Bad but wealthy, so we have plans for him…

With “political pressure” to grant Dotcom’s application in place, Immigration New Zealand finally gave the Megaupload founder the thumbs-up on November 1, 2010. Dotcom believes that New Zealand was concerned he may have walked away from his application.

“This would have been of grave concern to the Government, which, at that time, was in negotiations with Hollywood lobby,” his affidavit reads.

“The last thing they would have needed at that delicate stage of the negotiations was for me to walk away from New Zealand and return to Hong Kong, where extradition would be more difficult. I believe that this concern is what prompted the ‘political pressure’ that led to my application finally being granted despite the presence of factors that would have caused anyone else’s application to have been rejected.”

Dotcom says that after being granted residency, there were signs things weren’t going to plan for him. The entrepreneur applied to buy his now-famous former mansion for NZ$37m, an application that was initially approved. However, after being passed to Simon Power, the application was denied.

“It would appear that, although my character was apparently good enough for me to be granted residence in November 2010, in July 2011 it was not considered good enough for me to buy property in New Zealand,” Dotcom notes.

“The Honourable Mr Power clearly did not want me purchasing $37 million of real estate, presumably because he knew that the United States was going to seek forfeiture of my assets and he did not want what was then the most expensive property in New Zealand being forfeited to the United States government.”

Of course, Dotcom concludes by highlighting the unlawful spying by New Zealand’s GCSB spy agency and the disproportionate use of force displayed by the police when they raided him in 2010 using dozens of armed officers. This, combined with all of the above, means that questions about his case must now be answered at the highest levels. With Obama in town, there’s no time like the present.

“As the evidence above demonstrates, this improper purpose which was then embraced by the New Zealand authorities, originated in the White House under the Obama administration. It is therefore necessary to examine Mr Obama in this proceeding,” Dotcom concludes.

Press blackouts aside, it appears that Obama has rather a lot of golf lined up for the coming days. Whether he’ll have any time to answer Dotcom’s questions is one thing but whether he’ll even be asked to is perhaps the most important point of all.

The full affidavit and masses of supporting evidence can be found here.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Mission Space Lab flight status announced!

Post Syndicated from Erin Brindley original https://www.raspberrypi.org/blog/mission-space-lab-flight-status-announced/

In September of last year, we launched our 2017/2018 Astro Pi challenge with our partners at the European Space Agency (ESA). Students from ESA membership and associate countries had the chance to design science experiments and write code to be run on one of our two Raspberry Pis on the International Space Station (ISS).

Astro Pi Mission Space Lab logo

Submissions for the Mission Space Lab challenge have just closed, and the results are in! Students had the opportunity to design an experiment for one of the following two themes:

  • Life in space
    Making use of Astro Pi Vis (Ed) in the European Columbus module to learn about the conditions inside the ISS.
  • Life on Earth
    Making use of Astro Pi IR (Izzy), which will be aimed towards the Earth through a window to learn about Earth from space.

ESA astronaut Alexander Gerst, speaking from the replica of the Columbus module at the European Astronaut Center in Cologne, has a message for all Mission Space Lab participants:

ESA astronaut Alexander Gerst congratulates Astro Pi 2017-18 winners

Subscribe to our YouTube channel: http://rpf.io/ytsub Help us reach a wider audience by translating our video content: http://rpf.io/yttranslate Buy a Raspberry Pi from one of our Approved Resellers: http://rpf.io/ytproducts Find out more about the Raspberry Pi Foundation: Raspberry Pi http://rpf.io/ytrpi Code Club UK http://rpf.io/ytccuk Code Club International http://rpf.io/ytcci CoderDojo http://rpf.io/ytcd Check out our free online training courses: http://rpf.io/ytfl Find your local Raspberry Jam event: http://rpf.io/ytjam Work through our free online projects: http://rpf.io/ytprojects Do you have a question about your Raspberry Pi?

Flight status

We had a total of 212 Mission Space Lab entries from 22 countries. Of these, a 114 fantastic projects have been given flight status, and the teams’ project code will run in space!

But they’re not winners yet. In April, the code will be sent to the ISS, and then the teams will receive back their experimental data. Next, to get deeper insight into the process of scientific endeavour, they will need produce a final report analysing their findings. Winners will be chosen based on the merit of their final report, and the winning teams will get exclusive prizes. Check the list below to see if your team got flight status.

Belgium

Flight status achieved:

  • Team De Vesten, Campus De Vesten, Antwerpen
  • Ursa Major, CoderDojo Belgium, West-Vlaanderen
  • Special operations STEM, Sint-Claracollege, Antwerpen

Canada

Flight status achieved:

  • Let It Grow, Branksome Hall, Toronto
  • The Dark Side of Light, Branksome Hall, Toronto
  • Genie On The ISS, Branksome Hall, Toronto
  • Byte by PIthons, Youth Tech Education Society & Kid Code Jeunesse, Edmonton
  • The Broadviewnauts, Broadview, Ottawa

Czech Republic

Flight status achieved:

  • BLEK, Střední Odborná Škola Blatná, Strakonice

Denmark

Flight status achieved:

  • 2y Infotek, Nærum Gymnasium, Nærum
  • Equation Quotation, Allerød Gymnasium, Lillerød
  • Team Weather Watchers, Allerød Gymnasium, Allerød
  • Space Gardners, Nærum Gymnasium, Nærum

Finland

Flight status achieved:

  • Team Aurora, Hyvinkään yhteiskoulun lukio, Hyvinkää

France

Flight status achieved:

  • INC2, Lycée Raoul Follereau, Bourgogne
  • Space Project SP4, Lycée Saint-Paul IV, Reunion Island
  • Dresseurs2Python, clg Albert CAMUS, essonne
  • Lazos, Lycée Aux Lazaristes, Rhone
  • The space nerds, Lycée Saint André Colmar, Alsace
  • Les Spationautes Valériquais, lycée de la Côte d’Albâtre, Normandie
  • AstroMega, Institut de Genech, north
  • Al’Crew, Lycée Algoud-Laffemas, Auvergne-Rhône-Alpes
  • AstroPython, clg Albert CAMUS, essonne
  • Aruden Corp, Lycée Pablo Neruda, Normandie
  • HeroSpace, clg Albert CAMUS, essonne
  • GalaXess [R]evolution, Lycée Saint Cricq, Nouvelle-Aquitaine
  • AstroBerry, clg Albert CAMUS, essonne
  • Ambitious Girls, Lycée Adam de Craponne, PACA

Germany

Flight status achieved:

  • Uschis, St. Ursula Gymnasium Freiburg im Breisgau, Breisgau
  • Dosi-Pi, Max-Born-Gymnasium Germering, Bavaria

Greece

Flight status achieved:

  • Deep Space Pi, 1o Epal Grevenon, Grevena
  • Flox Team, 1st Lyceum of Kifissia, Attiki
  • Kalamaria Space Team, Second Lyceum of Kalamaria, Central Macedonia
  • The Earth Watchers, STEM Robotics Academy, Thessaly
  • Celestial_Distance, Gymnasium of Kanithos, Sterea Ellada – Evia
  • Pi Stars, Primary School of Rododaphne, Achaias
  • Flarions, 5th Primary School of Salamina, Attica

Ireland

Flight status achieved:

  • Plant Parade, Templeogue College, Leinster
  • For Peats Sake, Templeogue College, Leinster
  • CoderDojo Clonakilty, Co. Cork

Italy

Flight status achieved:

  • Trentini DOP, CoderDojo Trento, TN
  • Tarantino Space Lab, Liceo G. Tarantino, BA
  • Murgia Sky Lab, Liceo G. Tarantino, BA
  • Enrico Fermi, Liceo XXV Aprile, Veneto
  • Team Lampone, CoderDojoTrento, TN
  • GCC, Gali Code Club, Trentino Alto Adige/Südtirol
  • Another Earth, IISS “Laporta/Falcone-Borsellino”
  • Anti Pollution Team, IIS “L. Einaudi”, Sicily
  • e-HAND, Liceo Statale Scientifico e Classico ‘Ettore Majorana’, Lombardia
  • scossa team, ITTS Volterra, Venezia
  • Space Comet Sisters, Scuola don Bosco, Torino

Luxembourg

Flight status achieved:

  • Spaceballs, Atert Lycée Rédange, Diekirch
  • Aline in space, Lycée Aline Mayrisch Luxembourg (LAML)

Poland

Flight status achieved:

  • AstroLeszczynPi, I Liceum Ogolnoksztalcace im. Krola Stanislawa Leszczynskiego w Jasle, podkarpackie
  • Astrokompasy, High School nr XVII in Wrocław named after Agnieszka Osiecka, Lower Silesian
  • Cosmic Investigators, Publiczna Szkoła Podstawowa im. Św. Jadwigi Królowej w Rzezawie, Małopolska
  • ApplePi, III Liceum Ogólnokształcące im. prof. T. Kotarbińskiego w Zielonej Górze, Lubusz Voivodeship
  • ELE Society 2, Zespol Szkol Elektronicznych i Samochodowych, Lubuskie
  • ELE Society 1, Zespol Szkol Elektronicznych i Samochodowych, Lubuskie
  • SpaceOn, Szkola Podstawowa nr 12 w Jasle – Gimnazjum Nr 2, Podkarpackie
  • Dewnald Ducks, III Liceum Ogólnokształcące w Zielonej Górze, lubuskie
  • Nova Team, III Liceum Ogolnoksztalcace im. prof. T. Kotarbinskiego, lubuskie district
  • The Moons, Szkola Podstawowa nr 12 w Jasle – Gimnazjum Nr 2, Podkarpackie
  • Live, Szkoła Podstawowa nr 1 im. Tadeusza Kościuszki w Zawierciu, śląskie
  • Storm Hunters, I Liceum Ogolnoksztalcace im. Krola Stanislawa Leszczynskiego w Jasle, podkarpackie
  • DeepSky, Szkoła Podstawowa nr 1 im. Tadeusza Kościuszki w Zawierciu, śląskie
  • Small Explorers, ZPO Konina, Malopolska
  • AstroZSCL, Zespół Szkół w Czerwionce-Leszczynach, śląskie
  • Orchestra, Szkola Podstawowa nr 12 w Jasle, Podkarpackie
  • ApplePi, I Liceum Ogolnoksztalcace im. Krola Stanislawa Leszczynskiego w Jasle, podkarpackie
  • Green Crew, Szkoła Podstawowa nr 2 w Czeladzi, Silesia

Portugal

Flight status achieved:

  • Magnetics, Escola Secundária João de Deus, Faro
  • ECA_QUEIROS_PI, Secondary School Eça de Queirós, Lisboa
  • ESDMM Pi, Escola Secundária D. Manuel Martins, Setúbal
  • AstroPhysicists, EB 2,3 D. Afonso Henriques, Braga

Romania

Flight status achieved:

  • Caelus, “Tudor Vianu” National High School of Computer Science, District One
  • CodeWarriors, “Tudor Vianu” National High School of Computer Science, District One
  • Dark Phoenix, “Tudor Vianu” National High School of Computer Science, District One
  • ShootingStars, “Tudor Vianu” National High School of Computer Science, District One
  • Astro Pi Carmen Sylva 2, Liceul Teoretic “Carmen Sylva”, Constanta
  • Astro Meridian, Astro Club Meridian 0, Bihor

Slovenia

Flight status achieved:

  • astrOSRence, OS Rence
  • Jakopičevca, Osnovna šola Riharda Jakopiča, Ljubljana

Spain

Flight status achieved:

  • Exea in Orbit, IES Cinco Villas, Zaragoza
  • Valdespartans, IES Valdespartera, Zaragoza
  • Valdespartans2, IES Valdespartera, Zaragoza
  • Astropithecus, Institut de Bruguers, Barcelona
  • SkyPi-line, Colegio Corazón de María, Asturias
  • ClimSOLatic, Colegio Corazón de María, Asturias
  • Científicosdelsaz, IES Profesor Pablo del Saz, Málaga
  • Canarias 2, IES El Calero, Las Palmas
  • Dreamers, M. Peleteiro, A Coruña
  • Canarias 1, IES El Calero, Las Palmas

The Netherlands

Flight status achieved:

  • Team Kaki-FM, Rkbs De Reiger, Noord-Holland

United Kingdom

Flight status achieved:

  • Binco, Teignmouth Community School, Devon
  • 2200 (Saddleworth), Detached Flight Royal Air Force Air Cadets, Lanchashire
  • Whatevernext, Albyn School, Highlands
  • GraviTeam, Limehurst Academy, Leicestershire
  • LSA Digital Leaders, Lytham St Annes Technology and Performing Arts College, Lancashire
  • Mead Astronauts, Mead Community Primary School, Wiltshire
  • STEAMCademy, Castlewood Primary School, West Sussex
  • Lux Quest, CoderDojo Banbridge, Co. Down
  • Temparatus, Dyffryn Taf, Carmarthenshire
  • Discovery STEMers, Discovery STEM Education, South Yorkshire
  • Code Inverness, Code Club Inverness, Highland
  • JJB, Ashton Sixth Form College, Tameside
  • Astro Lab, East Kent College, Kent
  • The Life Savers, Scratch and Python, Middlesex
  • JAAPiT, Taylor Household, Nottingham
  • The Heat Guys, The Archer Academy, Greater London
  • Astro Wantenauts, Wantage C of E Primary School, Oxfordshire
  • Derby Radio Museum, Radio Communication Museum of Great Britain, Derbyshire
  • Bytesyze, King’s College School, Cambridgeshire

Other

Flight status achieved:

  • Intellectual Savage Stars, Lycée français de Luanda, Luanda

 

Congratulations to all successful teams! We are looking forward to reading your reports.

The post Mission Space Lab flight status announced! appeared first on Raspberry Pi.

Hollywood Asks New UK Culture Secretary To Fight Online Piracy

Post Syndicated from Andy original https://torrentfreak.com/hollywood-asks-new-uk-culture-secretary-to-fight-online-piracy-180119/

Following Prime Minister Theresa May’s cabinet reshuffle earlier this month, Matt Hancock replaced Karen Bradley as Secretary of State for Digital, Culture, Media and Sport.

Hancock, the 39-year-old MP for West Suffolk, was promoted from his role as Minister for Digital and Culture, a position he’d held since July 2016.

“Thrilled to become DCMS Secretary. Such an exciting agenda, so much to do, and great people. Can’t wait to get stuck in,” he tweeted.

Of course, the influence held by the Culture Secretary means that the entertainment industries will soon come calling, seeking help and support in a number of vital areas. No surprise then that Stan McCoy, president and managing director at the ‎Motion Picture Association’s EMEA division, has just jumped in with some advice for Hancock.

In an open letter published on Screen Daily, McCoy begins by reminding Hancock that the movie industry contributes considerable sums to the UK economy.

“We are one of the country’s most valuable economic and cultural assets – worth almost £92bn, growing at twice the rate of the economy, and making a positive contribution to the UK’s balance of payments,” McCoy writes.

“Britain’s status as a center of excellence for the audiovisual sector in particular is no accident: It results from the hard work and genius of our creative workforce, complemented by the support of governments that have guided their policies toward enabling continued excellence and growth.”

McCoy goes on to put anti-piracy initiatives at the very top of his wishlist – and Hancock’s to-do list.

“A joined-up strategy to curb proliferation of illegal, often age-inappropriate and malware-laden content online must include addressing the websites, environments and apps that host and facilitate piracy,” McCoy says.

“In addition to hurting one of Britain’s most important industries, they are overwhelmingly likely to harm children and adult consumers through nasty ads, links to adult content with no age verification, scams, fraud and other unpleasantness.”

That McCoy begins with the “piracy is dangerous” approach is definitely not a surprise. This Hollywood and wider video industry strategy is now an open secret. However, it feels a little off that the UK is being asked to further tackle pirate sites.

Through earlier actions, facilitated by the UK legal system and largely sympathetic judges, many thousands of URLs and domains linking to pirate sites, mirrors and proxies, are impossible to access directly through the UK’s major ISPs. Although a few slip through the net, directly accessing the majority of pirate sites in the UK is now impossible.

That’s already a considerable overseas anti-piracy position for the MPA who, as the “international voice” of the Motion Picture Association of America (MPAA), represents American corporations including Disney, Paramount, Sony Pictures, 20th Century Fox, Universal, and Warner Bros.

There’s no comparable blocking system for these companies to use in the United States and rightsholders in the UK can even have extra sites blocked without going back to court for permission. In summary, these US companies arguably get a better anti-piracy deal in the UK than they do at home in the United States.

In his next point, McCoy references last year’s deal – which was reached following considerable pressure from the UK government – between rightsholders and search engines including Google and Bing to demote ‘pirate’ results.

“Building on last year’s voluntary deal with search engines, the Government should stay at the cutting edge of ensuring that everyone in the ecosystem – including search engines, platforms and social media companies – takes a fair share of responsibility,” McCoy says.

While this progress is clearly appreciated by the MPA/MPAA, it’s difficult to ignore that the voluntary arrangement to demote infringing content is somewhat special if not entirely unique. There is definitely nothing comparable in the United States so keeping up the pressure on the UK Government feels a little like getting the good kid in class to behave, while his rowdy peers nearer the chalkboard get ignored.

The same is true for McCoy’s call for the UK to “banish dodgy streaming devices”.

“Illegal streaming devices loaded with piracy apps and malware – not to mention the occasional electrical failure – are proliferating across the UK, to the detriment of consumers and industry,” he writes.

“The sector is still waiting for the Intellectual Property Office to publish the report on its Call for Views on this subject. This will be one of several opportunities, along with the promised Digital Charter, to make clear that these devices and the apps and content they supply are unacceptable, dangerous to consumers, and harmful to the creative industry.”

Again, prompting the UK to stay on top of this game doesn’t feel entirely warranted.

With dozens of actions over the past few years, the Police Intellectual Property Crime Unit and the Federation Against Copyright Theft (which Hollywood ironically dumped in 2016) have done more to tackle the pirate set-top box problem than any group on the other side of the Atlantic.

Admittedly the MPAA is now trying to catch up, with recent prosecutions of two ‘pirate’ box vendors (1,2), but largely the work by the studios on their home turf has been outpaced by that of their counterparts in the UK.

Maybe Hancock will mention that to Hollywood at some point in the future.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

CrimeStoppers Campaign Targets Pirate Set-Top Boxes & Their Users

Post Syndicated from Andy original https://torrentfreak.com/crimestoppers-campaign-targets-pirate-set-top-boxes-their-users-171209/

While many people might believe CrimeStoppers to be an official extension of the police in the UK, the truth is a little more subtle.

CrimeStoppers is a charity that operates a service through which members of the public can report crime anonymously, either using a dedicated phone line or via a website. Callers are not required to give their name, meaning that for those concerned about reprisals or becoming involved in a case for other sensitive reasons, it’s the perfect buffer between them and the authorities.

The people at CrimeStoppers deal with all kinds of crime but perhaps a little surprisingly, they’ve just got involved in the set-top box controversy in the UK.

“Advances in technology have allowed us to enjoy on-screen entertainment in more ways than ever before, with ever increasing amounts of exciting and original content,” the CrimeStoppers campaign begins.

“However, some people are avoiding paying for this content by using modified streaming hardware devices, like a set-top box or stick, in conjunction with software such as illegal apps or add-ons, or illegal mobile apps which allow them to watch new movie releases, TV that hasn’t yet aired, and subscription sports channels for free.”

The campaign has been launched in partnership with the Intellectual Property Office and unnamed “industry partners”. Who these companies are isn’t revealed but given the standard messages being portrayed by the likes of ACE, Premier League and Federation Against Copyright Theft lately, it wouldn’t be a surprise if some or all of them were involved.

Those messages are revealed in a series of four video ads, each taking a different approach towards discouraging the public from using devices loaded with pirate software.

The first video clearly targets the consumer, dispelling the myth that watching pirate video isn’t against the law. It is, that’s not in any doubt, but from the constant tone of the video, one could be forgiven that it’s an extremely serious crime rather than something which is likely to be a civil matter, if anything at all.

It also warns people who are configuring and selling pirate devices that they are breaking the law. Again, this is absolutely true but this activity is clearly several magnitudes more serious than simply viewing. The video blurs the boundaries for what appears to be dramatic effect, however.

Selling and watching is illegal

The second video is all about demonizing the people and groups who may offer set-top boxes to the public.

Instead of portraying the hundreds of “cottage industry” suppliers behind many set-top box sales in the UK, the CrimeStoppers video paints a picture of dark organized crime being the main driver. By buying from these people, the charity warns, criminals are being welcomed in.

“It is illegal. You could also be helping to fund organized crime and bringing it into your community,” the video warns.

Are you funding organized crime?

The third video takes another approach, warning that set-top boxes have few if any parental controls. This could lead to children being exposed to inappropriate content, the charity warns.

“What are your children watching. Does it worry you?” the video asks.

Of course, the same can be said about the Internet, period. Web browsers don’t filter what content children have access to unless parents take pro-active steps to configure special services or software for the purpose.

There’s always the option to supervise children, of course, but Netflix is probably a safer option for those with a preference to stand off. It’s also considerably more expensive, a fact that won’t have escaped users of these devices.

Got kids? Take care….

Finally, video four picks up a theme that’s becoming increasingly common in anti-piracy campaigns — malware and identity theft.

“Why risk having your identity stolen or your bank account or home network hacked. If you access entertainment or sports using dodgy streaming devices or apps, or illegal addons for Kodi, you are increasing the risks,” the ad warns.

Danger….Danger….

Perhaps of most interest is that this entire campaign, which almost certainly has Big Media behind the scenes in advisory and financial capacities, barely mentions the entertainment industries at all.

Indeed, the success of the whole campaign hinges on people worrying about the supposed ill effects of illicit streaming on them personally and then feeling persuaded to inform on suppliers and others involved in the chain.

“Know of someone supplying or promoting these dodgy devices or software? It is illegal. Call us now and help stop crime in your community,” the videos warn.

That CrimeStoppers has taken on this campaign at all is a bit of a head-scratcher, given the bigger crime picture. Struggling with severe budget cuts, police in the UK are already de-prioritizing a number of crimes, leading to something called “screening out”, a process through which victims are given a crime number but no investigation is carried out.

This means that in 2016, 45% of all reported crimes in Greater Manchester weren’t investigated and a staggering 57% of all recorded domestic burglaries weren’t followed up by the police. But it gets worse.

“More than 62pc of criminal damage and arson offenses were not investigated, along with one in three reported shoplifting incidents,” MEN reports.

Given this backdrop, how will police suddenly find the resources to follow up lots of leads from the public and then subsequently prosecute people who sell pirate boxes? Even if they do, will that be at the expense of yet more “screening out” of other public-focused offenses?

No one is saying that selling pirate devices isn’t a crime or at least worthy of being followed up, but is this niche likely to be important to the public when they’re being told that nothing will be done when their homes are emptied by intruders? “NO” says a comment on one of the CrimeStoppers videos on YouTube.

“This crime affects multi-million dollar corporations, I’d rather see tax payers money invested on videos raising awareness of crimes committed against the people rather than the 0.001%,” it concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Despite Massive Site-Blocking, Russian Pirate Video Market Doubles

Post Syndicated from Andy original https://torrentfreak.com/despite-massive-site-blocking-russian-pirate-video-market-doubles-171029/

On many occasions, outgoing MPAA chief Chris Dodd has praised countries that have implemented legislation that allows for widespread site-blocking.

In 2014, when the UK had blocked just a few dozen sites, Dodd described the practice as both “balanced and proportionate” while noting that it had made “tremendous progress in tackling infringing websites.” This, the former senator said, made it “one of the most effective anti-piracy measures in the world.”

With many thousands of ‘pirate’ sites blocked across the country, perhaps Dodd should ask the Russians how they’re getting on. Spoiler: Not that great.

According to new research published by Group-IB and reported by Izvestia, Internet pirates have been adapting to their new reality, finding new and stable ways of doing business while growing their turnover.

In fact, according to the ‘Economics of Pirate Sites Report 2016’, they’ve been so successful that the market for Internet pirate video more than doubled in value during 2016, reaching a peak of 3.3 billion rubles ($57.2m) versus just 1.5 billion rubles ($26m) in 2015. Overall Internet piracy in 2016 was valued at a billion rubles more ($74.5m), Group-IB notes.

According to the report, Russian pirates operated with impunity until 2012, at which point the government – under pressure from rightsholders – began introducing tough anti-piracy legislation, which included the blocking of pirate domains. Since then there have been a number of amendments which further tightened the law but pirates have adapted each time, protecting their revenue with new business plans.

Group-IB says that the most successful pirate site in 2016 was Seasonvar.ru, which pulled in a million visitors every day generating just over $3.3m in revenue. Second place was taken by My-hit.org, with almost 400,000 daily visitors generating an annual income of $1.2m. HDrezka.me served more than 315,000 people daily and made roughly the same to take third. Fourth and fifth spots were taken by Kinokrad.co and Baskino.Club.

Overall, it’s estimated that the average pirate video site makes around $156,000 per year via advertising, subscriptions, or via voluntary donations. They’re creative with their money channels too.

According to Maxim Ryabyko, Director General of Association for the Protection of Copyright on the Internet (AZAPO), sites use middle-men for dealing with both advertisers and payment processors, which enables operators to remain anonymous.

Like in the United States, UK and elsewhere in Europe, lists of pirate sites have been drawn up to give advertisers and networks guidance on where not to place their ads. However, plenty of companies aren’t involved in the initiative. When challenged over their ads appearing on pirate sites, some protest that it hasn’t been proven that the sites are acting illegally, so the business will continue.

“There is no negative attitude towards piracy by intermediaries. Their money is not objectionable. Sometimes they say: ‘Go and sue. There will be a court hearing, there will be a decision, and we will draw conclusions then’,” Ryabyko told Izvestia.

Dealing with pirates in the criminal arena isn’t easy either, with key players admitting that the police have other things to concentrate on.

“Law enforcers do not know how to search for pirates, they have other priorities,” says Sergei Semenov of the Film and TV Producers Association.

“Criminal prosecutions in this area are a great strain – single cases require a lot of time for investigation and going to court does not achieve the desired effect. We therefore need to diversify the grounds for bringing people to justice. We need to see how this can be applied.”

One idea is to prosecute pirates for non-payment of taxes. Well, it worked for Al Capone….

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Inside the MPAA, Netflix & Amazon Global Anti-Piracy Alliance

Post Syndicated from Andy original https://torrentfreak.com/inside-the-mpaa-netflix-amazon-global-anti-piracy-alliance-170918/

The idea of collaboration in the anti-piracy arena isn’t new but an announcement this summer heralded what is destined to become the largest project the entertainment industry has ever seen.

The Alliance for Creativity and Entertainment (ACE) is a coalition of 30 companies that reads like a who’s who of the global entertainment market. In alphabetical order its members are:

Amazon, AMC Networks, BBC Worldwide, Bell Canada and Bell Media, Canal+ Group, CBS Corporation, Constantin Film, Foxtel, Grupo Globo, HBO, Hulu, Lionsgate, Metro-Goldwyn-Mayer (MGM), Millennium Media, NBCUniversal, Netflix, Paramount Pictures, SF Studios, Sky, Sony Pictures Entertainment, Star India, Studio Babelsberg, STX Entertainment, Telemundo, Televisa, Twentieth Century Fox, Univision Communications Inc., Village Roadshow, The Walt Disney Company, and Warner Bros. Entertainment Inc.

The aim of the project is clear. Instead of each company considering its anti-piracy operations as a distinct island, ACE will bring them all together while presenting a united front to decision and lawmakers. At the core of the Alliance will be the MPAA.

“ACE, with its broad coalition of creators from around the world, is designed, specifically, to leverage the best possible resources to reduce piracy,”
outgoing MPAA chief Chris Dodd said in June.

“For decades, the MPAA has been the gold standard for antipiracy enforcement. We are proud to provide the MPAA’s worldwide antipiracy resources and the deep expertise of our antipiracy unit to support ACE and all its initiatives.”

Since then, ACE and its members have been silent on the project. Today, however, TorrentFreak can pull back the curtain, revealing how the agreement between the companies will play out, who will be in control, and how much the scheme will cost.

Power structure: Founding Members & Executive Committee Members

Netflix, Inc., Amazon Studios LLC, Paramount Pictures Corporation, Sony Pictures Entertainment, Inc., Twentieth Century Fox Film Corporation, Universal City Studios LLC, Warner Bros. Entertainment Inc., and Walt Disney Studios Motion Pictures, are the ‘Founding Members’ (Governing Board) of ACE.

These companies are granted full voting rights on ACE business, including the approval of initiatives and public policy, anti-piracy strategy, budget-related matters, plus approval of legal action. Not least, they’ll have the power to admit or expel ACE members.

All actions taken by the Governing Board (never to exceed nine members) need to be approved by consensus, with each Founding Member able to vote for or against decisions. Members are also allowed to abstain but one persistent objection will be enough to stop any matter being approved.

The second tier – ‘Executive Committee Members’ – is comprised of all the other companies in the ACE project (as listed above, minus the Governing Board). These companies will not be allowed to vote on ACE initiatives but can present ideas and strategies. They’ll also be allowed to suggest targets for law enforcement action while utilizing the MPAA’s anti-piracy resources.

Rights of all members

While all members of ACE can utilize the alliance’s resources, none are barred from simultaneously ‘going it alone’ on separate anti-piracy initiatives. None of these strategies and actions need approval from the Founding Members, provided they’re carried out in a company’s own name and at its own expense.

Information obtained by TorrentFreak indicates that the MPAA also reserves the right to carry out anti-piracy actions in its own name or on behalf of its member studios. The pattern here is different, since the MPAA’s global anti-piracy resources are the same resources being made available to the ACE alliance and for which members have paid to share.

Expansion of ACE

While ACE membership is already broad, the alliance is prepared to take on additional members, providing certain criteria are met. Crucially, any prospective additions must be owners or producers of movies and/or TV shows. The Governing Board will then vet applicants to ensure that they meet the criteria for acceptance as a new Executive Committee Members.

ACE Operations

The nine Governing Board members will meet at least four times a year, with each nominating a senior executive to serve as its representative. The MPAA’s General Counsel will take up the position of non-voting member of the Governing Board and will chair its meetings.

Matters to be discussed include formulating and developing the alliance’s ‘Global Anti-Piracy Action Plan’ and approving and developing the budget. ACE will also form an Anti-Piracy Working Group, which is scheduled to meet at least once a month.

On a daily basis, the MPAA and its staff will attend to the business of the ACE alliance. The MPAA will carry out its own work too but when presenting to outside third parties, it will clearly state which “hat” it is currently wearing.

Much deliberation has taken place over who should be the official spokesperson for ACE. Documents obtained by TF suggest that the MPAA planned to hire a consulting firm to find a person for the role, seeking a professional with international experience who had never been previously been connected with the MPAA.

They appear to have settled on Zoe Thorogood, who previously worked for British Prime Minister David Cameron.

Money, money, money

Of course, the ACE program isn’t going to fund itself, so all members are required to contribute to the operation. The MPAA has opened a dedicated bank account under its control specifically for the purpose, with members contributing depending on status.

Founding/Governing Board Members will be required to commit $5m each annually. However, none of the studios that are MPAA members will have to hand over any cash, since they already fund the MPAA, whose anti-piracy resources ACE is built.

“Each Governing Board Member will contribute annual dues in an amount equal to $5 million USD. Payment of dues shall be made bi-annually in equal shares, payable at
the beginning of each six (6) month period,” the ACE agreement reads.

“The contribution of MPAA personnel, assets and resources…will constitute and be considered as full payment of each MPAA Member Studio’s Governing Board dues.”

That leaves just Netflix and Amazon paying the full amount of $5m in cash each.

From each company’s contribution, $1m will be paid into legal trust accounts allocated to each Governing Board member. If ACE-agreed litigation and legal expenses exceed that amount for the year, members will be required to top up their accounts to cover their share of the costs.

For the remaining 21 companies on the Executive Committee, annual dues are $200,000 each, to be paid in one installment at the start of the financial year – $4.2m all in. Of all dues paid by all members from both tiers, half will be used to boost anti-piracy resources, over and above what the MPAA will spend on the same during 2017.

“Fifty percent (50%) of all dues received from Global Alliance Members other than
the MPAA Member Studios…shall, as agreed by the Governing Board, be used (a) to increase the resources spent on online antipiracy over and above….the amount of MPAA’s 2017 Content Protection Department budget for online antipiracy initiatives/operations,” an internal ACE document reads.

Intellectual property

As the project moves forward, the Alliance expects to gain certain knowledge and experience. On the back of that, the MPAA hopes to grow its intellectual property portfolio.

“Absent written agreement providing otherwise, any and all data, intellectual property, copyrights, trademarks, or know-how owned and/or contributed to the Global Alliance by MPAA, or developed or created by the MPAA or the Global Alliance during the Term of this Charter, shall remain and/or become the exclusive property of the MPAA,” the ACE agreement reads.

That being said, all Governing Board Members will also be granted “perpetual, irrevocable, non-exclusive licenses” to use the same under certain rules, even in the event they leave the ACE initiative.

Terms and extensions

Any member may withdraw from the Alliance at any point, but there will be no refunds. Additionally, any financial commitment previously made to litigation will have to be honored by the member.

The ACE agreement has an initial term of two years but Governing Board Members will meet not less than three months before it is due to expire to vote on any extension.

To be continued……

With the internal structure of ACE now revealed, all that remains is to discover the contents of the initiative’s ‘Global Anti-Piracy Action Plan’. To date, that document has proven elusive but with an operation of such magnitude, future leaks are a distinct possibility.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

AWS Earns Department of Defense Impact Level 5 Provisional Authorization

Post Syndicated from Chris Gile original https://aws.amazon.com/blogs/security/aws-earns-department-of-defense-impact-level-5-provisional-authorization/

AWS GovCloud (US) Region image

The Defense Information Systems Agency (DISA) has granted the AWS GovCloud (US) Region an Impact Level 5 (IL5) Department of Defense (DoD) Cloud Computing Security Requirements Guide (CC SRG) Provisional Authorization (PA) for six core services. This means that AWS’s DoD customers and partners can now deploy workloads for Controlled Unclassified Information (CUI) exceeding IL4 and for unclassified National Security Systems (NSS).

We have supported sensitive Defense community workloads in the cloud for more than four years, and this latest IL5 authorization is complementary to our FedRAMP High Provisional Authorization that covers 18 services in the AWS GovCloud (US) Region. Our customers now have the flexibility to deploy any range of IL 2, 4, or 5 workloads by leveraging AWS’s services, attestations, and certifications. For example, when the US Air Force needed compute scale to support the Next Generation GPS Operational Control System Program, they turned to AWS.

In partnership with a certified Third Party Assessment Organization (3PAO), an independent validation was conducted to assess both our technical and nontechnical security controls to confirm that they meet the DoD’s stringent CC SRG standards for IL5 workloads. Effective immediately, customers can begin leveraging the IL5 authorization for the following six services in the AWS GovCloud (US) Region:

AWS has been a long-standing industry partner with DoD, federal-agency customers, and private-sector customers to enhance cloud security and policy. We continue to collaborate on the DoD CC SRG, Defense Acquisition Regulation Supplement (DFARS) and other government requirements to ensure that policy makers enact policies to support next-generation security capabilities.

In an effort to reduce the authorization burden of our DoD customers, we’ve worked with DISA to port our assessment results into an easily ingestible format by the Enterprise Mission Assurance Support Service (eMASS) system. Additionally, we undertook a separate effort to empower our industry partners and customers to efficiently solve their compliance, governance, and audit challenges by launching the AWS Customer Compliance Center, a portal providing a breadth of AWS-specific compliance and regulatory information.

We look forward to providing sustained cloud security and compliance support at scale for our DoD customers and adding additional services within the IL5 authorization boundary. See AWS Services in Scope by Compliance Program for updates. To request access to AWS’s DoD security and authorization documentation, contact AWS Sales and Business Development. For a list of frequently asked questions related to AWS DoD SRG compliance, see the AWS DoD SRG page.

To learn more about the announcement in this post, tune in for the AWS Automating DoD SRG Impact Level 5 Compliance in AWS GovCloud (US) webinar on October 11, 2017, at 11:00 A.M. Pacific Time.

– Chris Gile, Senior Manager, AWS Public Sector Risk & Compliance