Tag Archives: youtube

Today’s blog post is about Junie Genius

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/junie-genius/

It’s Monday. It’s morning. It’s England. The members of the Raspberry Pi Comms team begin to filter into Pi Towers, drowsy and semi-conscious. We’re tired from our weekends of debauchery.

One by one, we file into the kitchen. Fingers are clutching the handles of favourite mugs as we line up for the coffee machine. Select, click, wait. Select, click, wait. Double Americanos and Flat Whites pour, steaming hot and promising the glorious punch of caffeine to finally start our week.

Back in the office space, we turn on laptops, sign into Slack, and half-heartedly skim through pending messages while the coffee buzz begins to make its way through our systems, bringing us back to life.

“Ooooh”, comes a voice from the end desk, and heads turn towards Alex, who has opened the subscriptions page of the Raspberry Pi YouTube channel.

“Ooooh?” replies Helen, lifting herself from her chair to peer over the dividing wall between their desks.

“New Junie!”

Figures gather behind the Social Media Editor as she connects her laptop to her second display and enlarges the video to fullscreen.

It’s Monday. It’s morning. It’s England. And mornings like this are made for Junie Genius.

ROBOTS RUINED MY LIFE (and my sleep schedule)

This week, it gets personal. In the past, I’ve fought robots, and robots have fought me, BUT NOW, together, we’re fighting crime. SUPPORT ME ON PATREON: https://www.patreon.com/JunieGenius HANG W/ ME ONLINE: INSTAGRAM – https://www.instagram.com/juniegenius/ TWITTER – https://twitter.com/Junie_Genius I HAVE TEE SHIRTS: https://teespring.com/stores/junie-genius?page=1 #23942939_ON_TRENDING If you see this, comment if you would join my team of robotic Avengers.

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10 YouTubers you should be following

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/10-raspberry-pi-youtube/

When it comes to finding Raspberry Pi tutorials on the internet, many makers’ first port of call is YouTube. From professional content creators to part-time hobbyists, the video-sharing platform is full of makers documenting their projects for the world to see.

animated classic movie count down

Here are some of Youtube’s finest who use Raspberry Pi at the heart of many of their builds.

JenFoxBot

Jen’s channel is a collection of educational videos about computer science, explorations into the inner workings of tech, and build videos using Raspberry Pi. We’ve covered her work on the blog a few times, sharing her IoT Pet Monitor and her safety helmet, and we get excited about our subscriber notifications whenever she posts a new video.

Let’s Make a (Local) Internet Server!

What is the Internet and how does it work? Also, what the heck is a server?? Learn about all these awesome things & how you can make your very own with a Raspberry Pi computer! Hooray!

Sean Hodgins

Sean describes himself as someone who likes building, creating, and making, and his channel is brimming with examples of just how ingenious and interesting his makes are. From designing and creating his own PCBs for Kickstarter, to 3D-printing and Raspberry Pi project building, Sean’s channel has plenty to keep makers happy.

Haunted Jack in the Box – DIY Raspberry Pi Project

This project uses a raspberry pi and face detection using the pi camera to determine when someone is looking at it. Plenty of opportunities to scare people with it. You can make your own! Want to support these projects?

N-O-D-E

N-O-D-E tears Raspberry Pis to pieces and rebuilds them, turning them into mini servers, dongles, Pi slims, and more. N-O-D-E’s channel an interesting resource for those looking to modify their Pi, and it’s well documented and accessible, thanks to the supporting website.

The NODE Mini Server: A Computer For The Decentralized Age

More at N-O-D-E.net

Estefannie Explains It All

Estefannie started her video-making journey as a means to reassure herself that she knew what she was talking about. If she could successfully produce a tutorial video about algorithm analysis, this meant she had retained the information to begin with. Smart! From there, her channel has evolved into a kitchen table maker diary, with fun, entertaining tutorials on how to build using Raspberry Pi and Arduino.

ROBO SUIT | Halloween Build ft. Arduino + Raspberry Pi

I like making robots. So this Halloween I am going to be a robot. Check out the whole story and full tutorial on how to make your own Robo Suit here: https://www.hackster.io/estefanniegg/halloween-build-robosuit-c1a615 I used three Arduinos, one Raspberry Pi, servos, LEDs, and tons of wires to make this costume!

TucksProjects

With only a few videos so far, Tucker Shannon’s channel is a promising collection of rather wonderful Raspberry Pi builds. We covered his DIY CNC wood burner on the blog last year, and sat patiently waiting for more. And boy, were we happy with what came next. Check out his Raspberry Pi laser turret, and spend the rest of your day trying to figure out when you can make time to build your own.

Raspberry Pi Laser Turret (Draws on wall!) Pt1.

Glow in the dark laser pi tutorial PT. 2 https://www.youtube.com/watch?v=rg1HivG02tw STL FILES https://www.thingiverse.com/thing:2965798

Tinkernut

OMG, LOL, ROFLCOPTER, animated baby GIF, animated baby JIF — if you like YouTube and Raspberry Pi, we’d be shocked if you haven’t come across Tinkernut yet. With his well-documented projects and live comment aftershows, Tinkernut beautifully bridges the gap between his love of making and the interests of the community devouring his content.

BUILD: Coke Bottle SPY CAM! – Tinkernut Workbench

Learn how to take a regular Coke Zero bottle, cram a Raspberry Pi and webcam inside of it, and have it still look like a regular Coke Zero bottle. Why would you want to do this? To spy on those irritating April Fooligans!!!

Blitz City DIY

Looking to build a Raspberry Pi thermal camera? Need a review about Android TV OS for the Pi? Whatever your Raspberry Pi needs, Blitz City DIY will likely have you covered. With a collection of fun digital making builds using various tech; 3D-printing experiments; and reviews aplenty, Blitz City DIY is a gem amongst the maker channels of YouTube.

webOS Open Source Edition for Raspberry Pi

After reading an article in MagPi about the availability of webOS OSE for Raspberry Pi, I was curious to check it out. I think it definitely has potential and it’s always exciting when a new open source OS is available for the Pi.

engineerish

We’ve covered a few of engineerish’s projects here on the blog. He’s the king of creating projects you didn’t know you needed until you saw them, such as a Raspberry Pi binary clock, and a maze generator. While engineerish’s channel is fairly new, we’re excited to see where his builds will take him in the future.

Build a Binary Clock with Raspberry Pi – And how to tell the time

In this video I’ll be showing how I built a binary clock using a Raspberry Pi, NeoPixels and a few lines of Python. I also take a stab at explaining how the binary number system works so that we can decipher what said clock is trying to tell us.

Frederick Vandenbosch

Members of the Raspberry Pi Twitter community, you’ll recognise Frederick, who is an active contributor that often answers maker queries and takes part in the general Pi conversation. And on YouTube, his contributions are just as plentiful and rewarding.

Raspberry Pi Connected Picture Frame with Resin.io

▼ Info and links below ▼ For this project, I created a digital picture from which downloads its pictures from a shared Dropbox folder. A simple user interfaces allows the user to navigate the pictures and optionally like them. Upon liking a picture, a notification is sent via the IFTTT service.

Explaining Computers

Christopher Barnatt’s Explaining Computers channel reminds us a little of the educational videos our science teachers would record for us to play back during exam prep season. His videos are easy-to-follow explanations of various computing topics, well-presented, and with a theme tune that’ll be stuck in your head for days!

Raspberry Pi 3 B+ Overclocking

Overclocking a Raspberry Pi 3 B+ using a Noctua cooling fan to stop it throttling. Here I show how to overclock a Pi 3B+, and steadily take the CPU speed as high as it can go . . . but how far is that?!

Shameless plug…

Not to be confused with this, a shameless pug:

Raspberry Pi YouTube

The MagPi magazine

Is this cheating? Never mind. The MagPi magazine’s YouTube channel is full of reviews of the latest third-party add-ons for your Pi. 99% hosted by Rob (the guy who accosts our blog once a month to talk about the magazine), the MagPi’s channel is a must subscription for any Raspberry Pi enthusiast.

DiddyBorg Raspberry Pi robot

The DiddyBorg v2 is the latest robot from the excellent PiBorg, complete with ThunderBorg motor controller. Is it as good as it looks? Get one here: http://magpi.cc/diddyborg Subscribe today to twelve months print subscription to never miss an issue and get a Raspberry Pi Zero W with accessories.

Raspberry Pi Foundation

OK, this IS cheating, but it’s our blog post so we say it’s OK. The Raspberry Pi Foundation’s YouTube channel collects introduction videos for our free resources, live talks from events, portraits of your projects, and that one time our Director of Software Engineering decided to ride a Pi-powered motorised skateboard. Oh, and product releases like this…

A BRAND-NEW PI FOR π DAY

Raspberry Pi 3 Model B+ is now on sale now for $35.

Who did we miss?

If you run, or follow, a YouTube channel with Raspberry Pi–related content, share it with us in the comments! We’ll be watching.

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Австрия: отговорност на YouTube

Post Syndicated from nellyo original https://nellyo.wordpress.com/2018/06/06/youtube-2/

Виенският търговски съд постановява, че YouTube не е  интернет посредник, а носи отговорност за транспортираното съдържание. От това следва, че сайтът трябва предварително да проверява съдържанието.

Компанията YouTube вижда себе си като посредник, който не носи отговорност за съдържанието. И така би желала да я виждат другите. И това е стандартната защита.

Австрийска телевизия Puls 4  предприема действия срещу съдържание  в YouTube без уредени права. “Възразяваме срещу YouTube, което прави възможно качването на съдържание, произведено от нас, без да ни пита  и без да плаща  възнаграждение”, казват от телевизията.

Отговорност на платформите. Започва се.

Решението от първа инстанция не е окончателно.

Majority of Canadians Consume Online Content Legally, Survey Finds

Post Syndicated from Andy original https://torrentfreak.com/majority-of-canadians-consume-online-content-legally-survey-finds-180531/

Back in January, a coalition of companies and organizations with ties to the entertainment industries called on local telecoms regulator CRTC to implement a national website blocking regime.

Under the banner of Fairplay Canada, members including Bell, Cineplex, Directors Guild of Canada, Maple Leaf Sports and Entertainment, Movie Theatre Association of Canada, and Rogers Media, spoke of an industry under threat from marauding pirates. But just how serious is this threat?

The results of a new survey commissioned by Innovation Science and Economic Development Canada (ISED) in collaboration with the Department of Canadian Heritage (PCH) aims to shine light on the problem by revealing the online content consumption habits of citizens in the Great White North.

While there are interesting findings for those on both sides of the site-blocking debate, the situation seems somewhat removed from the Armageddon scenario predicted by the entertainment industries.

Carried out among 3,301 Canadians aged 12 years and over, the Kantar TNS study aims to cover copyright infringement in six key content areas – music, movies, TV shows, video games, computer software, and eBooks. Attitudes and behaviors are also touched upon while measuring the effectiveness of Canada’s copyright measures.

General Digital Content Consumption

In its introduction, the report notes that 28 million Canadians used the Internet in the three-month study period to November 27, 2017. Of those, 22 million (80%) consumed digital content. Around 20 million (73%) streamed or accessed content, 16 million (59%) downloaded content, while 8 million (28%) shared content.

Music, TV shows and movies all battled for first place in the consumption ranks, with 48%, 48%, and 46% respectively.

Copyright Infringement

According to the study, the majority of Canadians do things completely by the book. An impressive 74% of media-consuming respondents said that they’d only accessed material from legal sources in the preceding three months.

The remaining 26% admitted to accessing at least one illegal file in the same period. Of those, just 5% said that all of their consumption was from illegal sources, with movies (36%), software (36%), TV shows (34%) and video games (33%) the most likely content to be consumed illegally.

Interestingly, the study found that few demographic factors – such as gender, region, rural and urban, income, employment status and language – play a role in illegal content consumption.

“We found that only age and income varied significantly between consumers who infringed by downloading or streaming/accessing content online illegally and consumers who did not consume infringing content online,” the report reads.

“More specifically, the profile of consumers who downloaded or streamed/accessed infringing content skewed slightly younger and towards individuals with household incomes of $100K+.”

Licensed services much more popular than pirate haunts

It will come as no surprise that Netflix was the most popular service with consumers, with 64% having used it in the past three months. Sites like YouTube and Facebook were a big hit too, visited by 36% and 28% of content consumers respectively.

Overall, 74% of online content consumers use licensed services for content while 42% use social networks. Under a third (31%) use a combination of peer-to-peer (BitTorrent), cyberlocker platforms, or linking sites. Stream-ripping services are used by 9% of content consumers.

“Consumers who reported downloading or streaming/accessing infringing content only are less likely to use licensed services and more likely to use peer-to-peer/cyberlocker/linking sites than other consumers of online content,” the report notes.

Attitudes towards legal consumption & infringing content

In common with similar surveys over the years, the Kantar research looked at the reasons why people consume content from various sources, both legal and otherwise.

Convenience (48%), speed (36%) and quality (34%) were the most-cited reasons for using legal sources. An interesting 33% of respondents said they use legal sites to avoid using illegal sources.

On the illicit front, 54% of those who obtained unauthorized content in the previous three months said they did so due to it being free, with 40% citing convenience and 34% mentioning speed.

Almost six out of ten (58%) said lower costs would encourage them to switch to official sources, with 47% saying they’d move if legal availability was improved.

Canada’s ‘Notice-and-Notice’ warning system

People in Canada who share content on peer-to-peer systems like BitTorrent without permission run the risk of receiving an infringement notice warning them to stop. These are sent by copyright holders via users’ ISPs and the hope is that the shock of receiving a warning will turn consumers back to the straight and narrow.

The study reveals that 10% of online content consumers over the age of 12 have received one of these notices but what kind of effect have they had?

“Respondents reported that receiving such a notice resulted in the following: increased awareness of copyright infringement (38%), taking steps to ensure password protected home networks (27%), a household discussion about copyright infringement (27%), and discontinuing illegal downloading or streaming (24%),” the report notes.

While these are all positives for the entertainment industries, Kantar reports that almost a quarter (24%) of people who receive a notice simply ignore them.

Stream-ripping

Once upon a time, people obtaining music via P2P networks was cited as the music industry’s greatest threat but, with the advent of sites like YouTube, so-called stream-ripping is the latest bogeyman.

According to the study, 11% of Internet users say they’ve used a stream-ripping service. They are most likely to be male (62%) and predominantly 18 to 34 (52%) years of age.

“Among Canadians who have used a service to stream-rip music or entertainment, nearly half (48%) have used stream-ripping sites, one-third have used downloader apps (38%), one-in-seven (14%) have used a stream-ripping plug-in, and one-in-ten (10%) have used stream-ripping software,” the report adds.

Set-Top Boxes and VPNs

Few general piracy studies would be complete in 2018 without touching on set-top devices and Virtual Private Networks and this report doesn’t disappoint.

More than one in five (21%) respondents aged 12+ reported using a VPN, with the main purpose of securing communications and Internet browsing (57%).

A relatively modest 36% said they use a VPN to access free content while 32% said the aim was to access geo-blocked content unavailable in Canada. Just over a quarter (27%) said that accessing content from overseas at a reasonable price was the main motivator.

One in ten (10%) of respondents reported using a set-top box, with 78% stating they use them to access paid-for content. Interestingly, only a small number say they use the devices to infringe.

“A minority use set-top boxes to access other content that is not legal or they are unsure if it is legal (16%), or to access live sports that are not legal or they are unsure if it is legal (11%),” the report notes.

“Individuals who consumed a mix of legal and illegal content online are more likely to use VPN services (42%) or TV set-top boxes (21%) than consumers who only downloaded or streamed/accessed legal content.”

Kantar says that the findings of the report will be used to help policymakers evaluate how Canada’s Copyright Act is coping with a changing market and technological developments.

“This research will provide the necessary information required to further develop copyright policy in Canada, as well as to provide a foundation to assess the effectiveness of the measures to address copyright infringement, should future analysis be undertaken,” it concludes.

The full report can be found here (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

BPI Wants Piracy Dealt With Under New UK Internet ‘Clean-Up’ Laws

Post Syndicated from Andy original https://torrentfreak.com/bpi-wants-music-piracy-dealt-with-under-uk-internet-clean-up-laws-180523/

For the past several years, the UK Government has expressed a strong desire to “clean up” the Internet.

Strong emphasis has been placed on making the Internet safer for children but that’s just the tip of a much larger iceberg.

This week, the Government published its response to the Internet Safety Strategy green paper, stating unequivocally that more needs to be done to tackle “online harm”.

Noting that six out of ten people report seeing inappropriate or harmful content online, the Government said that work already underway with social media companies to protect users had borne fruit but overall industry response has been less satisfactory.

As a result, the Government will now carry through with its threat to introduce new legislation, albeit with the assistance of technology companies, children’s charities and other stakeholders.

“Digital technology is overwhelmingly a force for good across the world and we must always champion innovation and change for the better,” said Matt Hancock, Secretary of State for Digital, Culture, Media and Sport.

“At the same time I have been clear that we have to address the Wild West elements of the Internet through legislation, in a way that supports innovation. We strongly support technology companies to start up and grow, and we want to work with them to keep our citizens safe.”

While emphasis is being placed on hot-button topics such as cyberbullying and online child exploitation, the Government is clear that it wishes to tackle “the full range” of online harms. That has been greeted by UK music group BPI with a request that the Government introduces new measures to tackle Internet piracy.

In a statement issued this week, BPI chief executive Geoff Taylor welcomed the move towards legislative change and urged the Government to encompass the music industry and beyond.

“This is a vital opportunity to protect consumers and boost the UK’s music and creative industries. The BPI has long pressed for internet intermediaries and online platforms to take responsibility for the content that they promote to users,” Taylor said.

“Government should now take the power in legislation to require online giants to take effective, proactive measures to clean illegal content from their sites and services. This will keep fans away from dodgy sites full of harmful content and prevent criminals from undermining creative businesses that create UK jobs.”

The BPI has published four initial requests, each of which provides food for thought.

The demand to “establish a new fast-track process for blocking illegal sites” is not entirely unexpected, particularly given the expense of launching applications for blocking injunctions at the High Court.

“The BPI has taken a large number of actions against individual websites – 63 injunctions are in place against sites that are wholly or mainly infringing and whose business is simply to profit from criminal activity,” the BPI says.

Those injunctions can be expanded fairly easily to include new sites operating under similar banners or facilitating access to those already covered, but it’s clear the BPI would like something more streamlined. Voluntary schemes, such as the one in place in Portugal, could be an option but it’s unclear how troublesome that could be for ISPs. New legislation could solve that dilemma, however.

Another big thorn in the side for groups like the BPI are people and entities that post infringing content. The BPI is very good at taking these listings down from sites and search engines in particular (more than 600 million requests to date) but it’s a game of whac-a-mole the group would rather not engage in.

With that in mind, the BPI would like the Government to impose new rules that would compel online platforms to stop content from being re-posted after it’s been taken down while removing the accounts of repeat infringers.

Thirdly, the BPI would like the Government to introduce penalties for “online operators” who do not provide “transparent contact and ownership information.” The music group isn’t any more specific than that, but the suggestion is that operators of some sites have a tendency to hide in the shadows, something which frustrates enforcement activity.

Finally, and perhaps most interestingly, the BPI is calling on the Government to legislate for a new “duty of care” for online intermediaries and platforms. Specifically, the BPI wants “effective action” taken against businesses that use the Internet to “encourage” consumers to access content illegally.

While this could easily encompass pirate sites and services themselves, this proposal has the breadth to include a wide range of offenders, from people posting piracy-focused tutorials on monetized YouTube channels to those selling fully-loaded Kodi devices on eBay or social media.

Overall, the BPI clearly wants to place pressure on intermediaries to take action against piracy when they’re in a position to do so, and particularly those who may not have shown much enthusiasm towards industry collaboration in the past.

“Legislation in this Bill, to take powers to intervene with respect to operators that do not co-operate, would bring focus to the roundtable process and ensure that intermediaries take their responsibilities seriously,” the BPI says.

The Department for Digital, Culture, Media & Sport and the Home Office will now work on a White Paper, to be published later this year, to set out legislation to tackle “online harms”. The BPI and similar entities will hope that the Government takes their concerns on board.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Singapore ISPs Block 53 Pirate Sites Following MPAA Legal Action

Post Syndicated from Andy original https://torrentfreak.com/singapore-isps-block-53-pirate-sites-following-mpaa-legal-action-180521/

Under increasing pressure from copyright holders, in 2014 Singapore passed amendments to copyright law that allow ISPs to block ‘pirate’ sites.

“The prevalence of online piracy in Singapore turns customers away from legitimate content and adversely affects Singapore’s creative sector,” said then Senior Minister of State for Law Indranee Rajah.

“It can also undermine our reputation as a society that respects the protection of intellectual property.”

After the amendments took effect in December 2014, there was a considerable pause before any websites were targeted. However, in September 2016, at the request of the MPA(A), Solarmovie.ph became the first website ordered to be blocked under Singapore’s amended Copyright Act. The High Court subsequently ordering several major ISPs to disable access to the site.

A new wave of blocks announced this morning are the country’s most significant so far, with dozens of ‘pirate’ sites targeted following a successful application by the MPAA earlier this year.

In total, 53 sites across 154 domains – including those operated by The Pirate Bay plus KickassTorrents and Solarmovie variants – have been rendered inaccessible by ISPs including Singtel, StarHub, M1, MyRepublic and ViewQwest.

“In Singapore, these sites are responsible for a major portion of copyright infringement of films and television shows,” an MPAA spokesman told The Straits Times (paywall).

“This action by rights owners is necessary to protect the creative industry, enabling creators to create and keep their jobs, protect their works, and ensure the continued provision of high-quality content to audiences.”

Before granting a blocking injunction, the High Court must satisfy itself that the proposed online locations meet the threshold of being “flagrantly infringing”. This means that a site like YouTube, which carries a lot of infringing content but is not dedicated to infringement, would not ordinarily get caught up in the dragnet.

Sites considered for blocking must have a primary purpose to infringe, a threshold that is tipped in copyright holders’ favor when the sites’ operators display a lack of respect for copyright law and have already had their domains blocked in other jurisdictions.

The Court also weighs a number of additional factors including whether blocking would place an unacceptable burden on the shoulders of ISPs, whether the blocking demand is technically possible, and whether it will be effective.

In common with other regions such as the UK and Australia, for example, sites targeted for blocking must be informed of the applications made against them, to ensure they’re given a chance to defend themselves in court. No fully-fledged ‘pirate’ site has ever defended a blocking application in Singapore or indeed any jurisdiction in the world.

Finally, should any measures be taken by ‘pirate’ sites to evade an ISP blockade, copyright holders can apply to the Singapore High Court to amend the blocking order. This is similar to the Australian model where each application must be heard on its merits, rather than the UK model where a more streamlined approach is taken.

According to a recent report by Motion Picture Association Canada, at least 42 countries are now obligated to block infringing sites. In Europe alone, 1,800 sites and 5,300 domains have been rendered inaccessible, with Portugal, Italy, the UK, and Denmark leading the way.

In Canada, where copyright holders are lobbying hard for a site-blocking regime of their own, there’s pressure to avoid the “uncertain, slow and expensive” route of going through the courts.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Roku Displays FBI Anti-Piracy Warning to Legitimate YouTube & Netflix Users

Post Syndicated from Andy original https://torrentfreak.com/roku-displays-fbi-anti-piracy-warning-to-legitimate-youtube-netflix-users-180516/

In 2018, dealing with copyright infringement claims is a daily issue for many content platforms. The law in many regions demands swift attention and in order to appease copyright holders, most platforms are happy to oblige.

While it’s not unusual for ‘pirate’ content and services to suddenly disappear in response to a DMCA or similar notice, the same is rarely true for entire legitimate services.

But that’s what appeared to happen on the Roku platform during the night, when YouTube, Netflix and other channels disappeared only to be replaced with an ominous anti-piracy warning.

As the embedded tweet shows, the message caused confusion among Roku users who were only using their devices to access legal content. Messages replacing Netflix and YouTube seemed to have caused the greatest number of complaints but many other services were affected.

FoxSportsGo, FandangoNow, and India-focused YuppTV and Hotstar were also blacked out. As were the yoga and transformational videos specialists over at Gaia, the horror buffs at ChillerFlix, and UK TV service BritBox.

But while users scratched their heads, with some misguidedly blaming Roku for not being diligent enough against piracy, Roku took to Twitter to reveal that rather than anti-piracy complaints against the channels in question, a technical hitch was to blame.

However, a subsequent statement to CNET suggested that while blacking out Netflix and YouTube might have been accidental, Roku appears to have been taking anti-piracy action against another channel or channels at the time, with the measures inadvertently spilling over to innocent parties.

“We use that warning when we detect content that has violated copyright,” Roku said in a statement.

“Some channels in our Channel Store displayed that message and became inaccessible after Roku implemented a targeted anti-piracy measure on the platform.”

The precise nature of the action taken by Roku is unknown but it’s clear that copyright infringement is currently a hot topic for the platform.

Roku is currently fighting legal action in Mexico which ordered its products off the shelves following complaints that its platform is used by pirates. That led to an FBI warning being shown for what was believed to be the first time against the XTV and other channels last year.

This March, Roku took action against the popular USTVNow channel following what was described as a “third party” copyright infringement complaint. Just a couple of weeks later, Roku followed up by removing the controversial cCloud channel.

With Roku currently fighting to have sales reinstated in Mexico against a backdrop of claims that up to 40% of its users are pirates, it’s unlikely that Roku is suddenly going to go soft on piracy, so more channel outages can be expected in the future.

In the meantime, the scary FBI warnings of last evening are beginning to fade away (for legitimate channels at least) after the company issued advice on how to fix the problem.

“The recent outage which affected some channels has been resolved. Go to Settings > System > System update > Check now for a software update. Some channels may require you to log in again. Thank you for your patience,” the company wrote in an update.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Sending Inaudible Commands to Voice Assistants

Post Syndicated from Bruce Schneier original https://www.schneier.com/blog/archives/2018/05/sending_inaudib.html

Researchers have demonstrated the ability to send inaudible commands to voice assistants like Alexa, Siri, and Google Assistant.

Over the last two years, researchers in China and the United States have begun demonstrating that they can send hidden commands that are undetectable to the human ear to Apple’s Siri, Amazon’s Alexa and Google’s Assistant. Inside university labs, the researchers have been able to secretly activate the artificial intelligence systems on smartphones and smart speakers, making them dial phone numbers or open websites. In the wrong hands, the technology could be used to unlock doors, wire money or buy stuff online ­– simply with music playing over the radio.

A group of students from University of California, Berkeley, and Georgetown University showed in 2016 that they could hide commands in white noise played over loudspeakers and through YouTube videos to get smart devices to turn on airplane mode or open a website.

This month, some of those Berkeley researchers published a research paper that went further, saying they could embed commands directly into recordings of music or spoken text. So while a human listener hears someone talking or an orchestra playing, Amazon’s Echo speaker might hear an instruction to add something to your shopping list.

Австрия: регулаторът не разрешава собствен канал на ORF в YouTube и нова филмова услуга на ORF

Post Syndicated from nellyo original https://nellyo.wordpress.com/2018/05/14/orf-3/

Информация от Австрия за начина, по който обществената телевизия е под надзора на местния регулатор за изпълнение на обществената мисия.

Регулаторът не е одобрил две предложения на ORF –  за собствен канал в YouTube и за нова услуга – предавания/филми от програмите на ORF срещу абонамент.

Видимо в Австрия  регулаторът има роля ex ante в  по-широк обхват – което е в защита на аудиторията.   БНТ е в YouYube  – или поне в интернет се вижда “Официален канал на БНТ” в YouTube. Но това не е единствената илюстрация за ограничената роля на българския регулатор – не е ясно например какво става с политематичната БНТ2, нито може да се прочете мониторингов доклад как БНТ изпълнява лицензиите си.

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Eто какво става в Австрия:

Според прессъобщение от днес, австрийският медиен орган KommAustria е отхвърлил плановете на обществения телевизионен оператор ORF да създаде собствен канал в YouTube .

ORF кандидатства за разрешение да добави канал в YouTube към своите медийни дейности. Този канал трябваше да предложи главно предавания на ORF, които поради правни ограничения понастоящем не могат да бъдат предоставени за повече от 7 дни чрез catch-up услугата ORF TVthek.

KommAustria   твърди, че изключителното сътрудничество между ORF и YouTube би дискриминирало други, сравними компании.

Регулаторът също така  взема предвид съществуващите услуги, когато одобрява нови услуги на ORF. KommAustria предполага намаляване на интереса към ORF TVthek, ако се създаде  канал на ORF в YouTube. Освен това регулаторът твърди, че е възможно да се удължи общият период за предоставяне на програми на ORF TVthek (повече от 7 дни) чрез преразглеждане на правната рамка.

Не е одобрено и искането на ORF да превърне Flimmit в австрийска услуга тип Netflix, предлагайки предавания, които вече са били излъчвани по телевизионните канали или са предназначени за излъчване. ORF притежава Filmmit чрез дъщерно дружество.

Според KommAustria   по принцип не е забранено на ORF да предлага абонаментна услуга. В конкретния случай обаче нито икономически, нито правно искането не е обосновано, напр. остава “напълно неясно” колко голям ще бъде делът от таксата за тази услуга – доколкото разбирам, не е изяснена  пропорцията между абонамент и обществено финансиране.

ORF може да обжалва.

 

Mayank Sinha’s home security project

Post Syndicated from Helen Lynn original https://www.raspberrypi.org/blog/home-security/

Yesterday, I received an email from someone called Mayank Sinha, showing us the Raspberry Pi home security project he’s been working on. He got in touch particularly because, he writes, the Raspberry Pi community has given him “immense support” with his build, and he wanted to dedicate it to the commmunity as thanks.

Mayank’s project is named Asfaleia, a Greek word that means safety, certainty, or security against threats. It’s part of an honourable tradition dating all the way back to 2012: it’s a prototype housed in a polystyrene box, using breadboards and jumper leads and sticky tape. And it’s working! Take a look.

Asfaleia DIY Home Security System

An IOT based home security system. The link to the code: https://github.com/mayanksinha11/Asfaleia

Home security with Asfaleida

Asfaleia has a PIR (passive infrared) motion sensor, an IR break beam sensor, and a gas sensor. All are connected to a Raspberry Pi 3 Model B, the latter two via a NodeMCU board. Mayank currently has them set up in a box that’s divided into compartments to model different rooms in a house.

A shallow box divided into four labelled "rooms", all containing electronic components

All the best prototypes have sticky tape or rubber bands

If the IR sensors detect motion or a broken beam, the webcam takes a photo and emails it to the build’s owner, and the build also calls their phone (I like your ringtone, Mayank). If the gas sensor detects a leak, the system activates an exhaust fan via a small relay board, and again the owner receives a phone call. The build can also authenticate users via face and fingerprint recognition. The software that runs it all is written in Python, and you can see Mayank’s code on GitHub.

Of prototypes and works-in-progess

Reading Mayank’s email made me very happy yesterday. We know that thousands of people in our community give a great deal of time and effort to help others learn and make things, and it is always wonderful to see an example of how that support is helping someone turn their ideas into reality. It’s great, too, to see people sharing works-in-progress, as well as polished projects! After all, the average build is more likely to feature rubber bands and Tupperware boxes than meticulously designed laser-cut parts or expert joinery. Mayank’s YouTube channel shows earlier work on this and another Pi project, and I hope he’ll continue to document his builds.

So here’s to Raspberry Pi projects big, small, beginner, professional, endlessly prototyped, unashamedly bodged, unfinished or fully working, shonky or shiny. Please keep sharing them all!

The post Mayank Sinha’s home security project appeared first on Raspberry Pi.

YouTube Won’t Put Up With Blatant Piracy Tutorials Forever

Post Syndicated from Andy original https://torrentfreak.com/youtube-wont-put-up-with-blatant-piracy-tutorials-forever-180506/

Once upon a time, Internet users’ voices would be heard in limited circles, on platforms such as Usenet or other niche platforms.

Then, with the rise of forum platforms such as phpBB in 2000 and Invision Power Board in 2002, thriving communities could gather in public to discuss endless specialist topics, including file-sharing of course.

When dedicated piracy forums began to gain traction, it was pretty much a free-for-all. People discussed obtaining free content absolutely openly. Nothing was taboo and no one considered that there would be any repercussions. As such, moderation was limited to keeping troublemakers in check.

As the years progressed and lawsuits against both sites and services became more commonplace, most sites that weren’t actually serving illegal content began to consider their positions. Run by hobbyists, most didn’t want the hassle of a multi-million dollar lawsuit, so links to pirate content began to diminish and the more overt piracy tutorials began to disappear underground.

Those that remained in plain sight became much more considered. Tutorials on how to pirate specific Hollywood blockbusters were no longer needed, a plain general tutorial would suffice. And, as communities matured and took time to understand the implications of their actions, those without political motivations realized that drawing attention to potential criminality was neither required nor necessary.

Then YouTube and social media happened and almost overnight, no one was in charge and anyone could say whatever they liked.

In this new reality, there were no irritating moderator-type figures removing links to this and that, and nobody warning people against breaking rules that suddenly didn’t exist anymore. In essence, previously tight-knit and street-wise file-sharing and piracy communities not only became fragmented, but also chaotic.

This meant that anyone could become a leader and in some cases, this was the utopia that many had hoped for. Not only couldn’t the record labels or Hollywood tell people what to do anymore, discussion site operators couldn’t either. For those who didn’t abuse the power and for those who knew no better, this was a much-needed breath of fresh air. But, like all good things, it was unlikely to last forever.

Where most file-sharing of yesterday was carried out by hobbyist enthusiasts, many of today’s pirates are far more casual. They’re just as thirsty for content, but they don’t want to spend hours hunting for it. They want it all on a plate, at the flick of a switch, delivered to their TV with a minimum of hassle.

With online discussions increasingly seen as laborious and old-fashioned, many mainstream pirates have turned to easy-to-consume videos. In support of their Kodi media player habits, YouTube has become the educational platform of choice for millions.

As a result, there is now a long line of self-declared Kodi piracy specialists scooping up millions of views on YouTube. Their videos – which in many cases are thinly veiled advertisements for third party addons, Kodi ‘builds’, illegal IPTV services, and obscure Android APKs – are now the main way for a new generation to obtain direct advice on pirating.

Many of the videos are incredibly blatant, like the past 15 years of litigation never happened. All the lessons learned by the phpBB board operators of yesteryear, of how to achieve their goals of sharing information without getting shut down, have been long forgotten. In their place, a barrage of daily videos designed to generate clicks and affiliate revenue, no matter what the cost, no matter what the risk.

It’s pretty clear that these videos are at least partly responsible for the phenomenal uptick in Kodi and Android-based piracy over the past few years. In that respect, many lovers of free content will be eternally grateful for the service they’ve provided. But like many piracy movements over the years, people shouldn’t get too attached to them, at least in their current form.

Thanks to the devil-may-care approach of many influential YouTubers, it won’t be long before a whole new set of moderators begin flexing their muscles. While your average phpBB moderator could be reasoned with in order to get a second chance, a determined and largely faceless YouTube will eject offenders without so much as a clear explanation.

When this happens (and it’s only a question of time given the growing blatancy of many tutorials) YouTubers will not only lose their voices but their revenue streams too. While YouTube’s partner programs bring in some welcome cash, the profitable affiliate schemes touted on these channels for external products will also be under threat.

Perhaps the most surprising thing in this drama-waiting-to-happen is that many of the most popular YouTubers can hardly be considered young and naive. While some are of more tender years, most – with their undoubted skill, knowledge and work ethic – should know better for their 30 or 40 years on this planet. Yet not only do they make their names public, they feature their faces heavily in their videos too.

Still, it’s likely that it will take some big YouTube accounts to fall before YouTubers respond by shaving the sharp edges off their blatant promotion of illegal activity. And there’s little doubt that those advertising products (which is most of them) will have to do so sooner rather than later.

Just this week, YouTube made it clear that it won’t tolerate people making money from the promotion of illegal activities.

“YouTube creators may include paid endorsements as part of their content only if the product or service they are endorsing complies with our advertising policies,” YouTube told the BBC.

“We will be working with creators going forward so they better understand that in video promotions [they] must not promote dishonest activity.”

That being said, like many other players in the piracy and file-sharing space over the past 18 years, YouTubers will eventually begin to learn that not only can the smart survive, they can flourish too.

Sure, there will be people out there who’ll protest that free speech allows citizens to express themselves in a manner of their choosing. But try PM’ing that to YouTube in response to a strike, and see how that fares.

When they say you’re done, the road back is a long one.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Own your own working Pokémon Pokédex!

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/deep-learning-pokedex/

Squeal with delight as your inner Pokémon trainer witnesses the wonder of Adrian Rosebrock’s deep learning Pokédex.

Creating a real-life Pokedex with a Raspberry Pi, Python, and Deep Learning

This video demos a real-like Pokedex, complete with visual recognition, that I created using a Raspberry Pi, Python, and Deep Learning. You can find the entire blog post, including code, using this link: https://www.pyimagesearch.com/2018/04/30/a-fun-hands-on-deep-learning-project-for-beginners-students-and-hobbyists/ Music credit to YouTube user “No Copyright” for providing royalty free music: https://www.youtube.com/watch?v=PXpjqURczn8

The history of Pokémon in 30 seconds

The Pokémon franchise was created by video game designer Satoshi Tajiri in 1995. In the fictional world of Pokémon, Pokémon Trainers explore the vast landscape, catching and training small creatures called Pokémon. To date, there are 802 different types of Pokémon. They range from the ever recognisable Pikachu, a bright yellow electric Pokémon, to the highly sought-after Shiny Charizard, a metallic, playing-card-shaped Pokémon that your mate Alex claims she has in mint condition, but refuses to show you.

Pokemon GIF

In the world of Pokémon, children as young as ten-year-old protagonist and all-round annoyance Ash Ketchum are allowed to leave home and wander the wilderness. There, they hunt vicious, deadly creatures in the hope of becoming a Pokémon Master.

Adrian’s deep learning Pokédex

Adrian is a bit of a deep learning pro, as demonstrated by his Santa/Not Santa detector, which we wrote about last year. For that project, he also provided a great explanation of what deep learning actually is. In a nutshell:

…a subfield of machine learning, which is, in turn, a subfield of artificial intelligence (AI).While AI embodies a large, diverse set of techniques and algorithms related to automatic reasoning (inference, planning, heuristics, etc), the machine learning subfields are specifically interested in pattern recognition and learning from data.

As with his earlier Raspberry Pi project, Adrian uses the Keras deep learning model and the TensorFlow backend, plus a few other packages such as Adrian’s own imutils functions and OpenCV.

Adrian trained a Convolutional Neural Network using Keras on a dataset of 1191 Pokémon images, obtaining 96.84% accuracy. As Adrian explains, this model is able to identify Pokémon via still image and video. It’s perfect for creating a Pokédex – an interactive Pokémon catalogue that should, according to the franchise, be able to identify and read out information on any known Pokémon when captured by camera. More information on model training can be found on Adrian’s blog.

Adrian Rosebeck deep learning pokemon pokedex

For the physical build, a Raspberry Pi 3 with camera module is paired with the Raspberry Pi 7″ touch display to create a portable Pokédex. And while Adrian comments that the same result can be achieved using your home computer and a webcam, that’s not how Adrian rolls as a Raspberry Pi fan.

Adrian Rosebeck deep learning pokemon pokedex

Plus, the smaller size of the Pi is perfect for one of you to incorporate this deep learning model into a 3D-printed Pokédex for ultimate Pokémon glory, pretty please, thank you.

Adrian Rosebeck deep learning pokemon pokedex

Adrian has gone into impressive detail about how the project works and how you can create your own on his blog, pyimagesearch. So if you’re interested in learning more about deep learning, and making your own Pokédex, be sure to visit.

The post Own your own working Pokémon Pokédex! appeared first on Raspberry Pi.

10 visualizations to try in Amazon QuickSight with sample data

Post Syndicated from Karthik Kumar Odapally original https://aws.amazon.com/blogs/big-data/10-visualizations-to-try-in-amazon-quicksight-with-sample-data/

If you’re not already familiar with building visualizations for quick access to business insights using Amazon QuickSight, consider this your introduction. In this post, we’ll walk through some common scenarios with sample datasets to provide an overview of how you can connect yuor data, perform advanced analysis and access the results from any web browser or mobile device.

The following visualizations are built from the public datasets available in the links below. Before we jump into that, let’s take a look at the supported data sources, file formats and a typical QuickSight workflow to build any visualization.

Which data sources does Amazon QuickSight support?

At the time of publication, you can use the following data methods:

  • Connect to AWS data sources, including:
    • Amazon RDS
    • Amazon Aurora
    • Amazon Redshift
    • Amazon Athena
    • Amazon S3
  • Upload Excel spreadsheets or flat files (CSV, TSV, CLF, and ELF)
  • Connect to on-premises databases like Teradata, SQL Server, MySQL, and PostgreSQL
  • Import data from SaaS applications like Salesforce and Snowflake
  • Use big data processing engines like Spark and Presto

This list is constantly growing. For more information, see Supported Data Sources.

Answers in instants

SPICE is the Amazon QuickSight super-fast, parallel, in-memory calculation engine, designed specifically for ad hoc data visualization. SPICE stores your data in a system architected for high availability, where it is saved until you choose to delete it. Improve the performance of database datasets by importing the data into SPICE instead of using a direct database query. To calculate how much SPICE capacity your dataset needs, see Managing SPICE Capacity.

Typical Amazon QuickSight workflow

When you create an analysis, the typical workflow is as follows:

  1. Connect to a data source, and then create a new dataset or choose an existing dataset.
  2. (Optional) If you created a new dataset, prepare the data (for example, by changing field names or data types).
  3. Create a new analysis.
  4. Add a visual to the analysis by choosing the fields to visualize. Choose a specific visual type, or use AutoGraph and let Amazon QuickSight choose the most appropriate visual type, based on the number and data types of the fields that you select.
  5. (Optional) Modify the visual to meet your requirements (for example, by adding a filter or changing the visual type).
  6. (Optional) Add more visuals to the analysis.
  7. (Optional) Add scenes to the default story to provide a narrative about some aspect of the analysis data.
  8. (Optional) Publish the analysis as a dashboard to share insights with other users.

The following graphic illustrates a typical Amazon QuickSight workflow.

Visualizations created in Amazon QuickSight with sample datasets

Visualizations for a data analyst

Source:  https://data.worldbank.org/

Download and Resources:  https://datacatalog.worldbank.org/dataset/world-development-indicators

Data catalog:  The World Bank invests into multiple development projects at the national, regional, and global levels. It’s a great source of information for data analysts.

The following graph shows the percentage of the population that has access to electricity (rural and urban) during 2000 in Asia, Africa, the Middle East, and Latin America.

The following graph shows the share of healthcare costs that are paid out-of-pocket (private vs. public). Also, you can maneuver over the graph to get detailed statistics at a glance.

Visualizations for a trading analyst

Source:  Deutsche Börse Public Dataset (DBG PDS)

Download and resources:  https://aws.amazon.com/public-datasets/deutsche-boerse-pds/

Data catalog:  The DBG PDS project makes real-time data derived from Deutsche Börse’s trading market systems available to the public for free. This is the first time that such detailed financial market data has been shared freely and continually from the source provider.

The following graph shows the market trend of max trade volume for different EU banks. It builds on the data available on XETRA engines, which is made up of a variety of equities, funds, and derivative securities. This graph can be scrolled to visualize trade for a period of an hour or more.

The following graph shows the common stock beating the rest of the maximum trade volume over a period of time, grouped by security type.

Visualizations for a data scientist

Source:  https://catalog.data.gov/

Download and resources:  https://catalog.data.gov/dataset/road-weather-information-stations-788f8

Data catalog:  Data derived from different sensor stations placed on the city bridges and surface streets are a core information source. The road weather information station has a temperature sensor that measures the temperature of the street surface. It also has a sensor that measures the ambient air temperature at the station each second.

The following graph shows the present max air temperature in Seattle from different RWI station sensors.

The following graph shows the minimum temperature of the road surface at different times, which helps predicts road conditions at a particular time of the year.

Visualizations for a data engineer

Source:  https://www.kaggle.com/

Download and resources:  https://www.kaggle.com/datasnaek/youtube-new/data

Data catalog:  Kaggle has come up with a platform where people can donate open datasets. Data engineers and other community members can have open access to these datasets and can contribute to the open data movement. They have more than 350 datasets in total, with more than 200 as featured datasets. It has a few interesting datasets on the platform that are not present at other places, and it’s a platform to connect with other data enthusiasts.

The following graph shows the trending YouTube videos and presents the max likes for the top 20 channels. This is one of the most popular datasets for data engineers.

The following graph shows the YouTube daily statistics for the max views of video titles published during a specific time period.

Visualizations for a business user

Source:  New York Taxi Data

Download and resources:  https://data.cityofnewyork.us/Transportation/2016-Green-Taxi-Trip-Data/hvrh-b6nb

Data catalog: NYC Open data hosts some very popular open data sets for all New Yorkers. This platform allows you to get involved in dive deep into the data set to pull some useful visualizations. 2016 Green taxi trip dataset includes trip records from all trips completed in green taxis in NYC in 2016. Records include fields capturing pick-up and drop-off dates/times, pick-up and drop-off locations, trip distances, itemized fares, rate types, payment types, and driver-reported passenger counts.

The following graph presents maximum fare amount grouped by the passenger count during a period of time during a day. This can be further expanded to follow through different day of the month based on the business need.

The following graph shows the NewYork taxi data from January 2016, showing the dip in the number of taxis ridden on January 23, 2016 across all types of taxis.

A quick search for that date and location shows you the following news report:

Summary

Using Amazon QuickSight, you can see patterns across a time-series data by building visualizations, performing ad hoc analysis, and quickly generating insights. We hope you’ll give it a try today!

 


Additional Reading

If you found this post useful, be sure to check out Amazon QuickSight Adds Support for Combo Charts and Row-Level Security and Visualize AWS Cloudtrail Logs Using AWS Glue and Amazon QuickSight.


Karthik Odapally is a Sr. Solutions Architect in AWS. His passion is to build cost effective and highly scalable solutions on the cloud. In his spare time, he bakes cookies and cupcakes for family and friends here in the PNW. He loves vintage racing cars.

 

 

 

Pranabesh Mandal is a Solutions Architect in AWS. He has over a decade of IT experience. He is passionate about cloud technology and focuses on Analytics. In his spare time, he likes to hike and explore the beautiful nature and wild life of most divine national parks around the United States alongside his wife.

 

 

 

 

Stream to Twitch with the push of a button

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/tinkernut-twitch-streaming/

Stream your video gaming exploits to the internet at the touch of a button with the Twitch-O-Matic. Everyone else is doing it, so you should too.

Twitch-O-Matic: Raspberry Pi Twitch Streaming Device – Weekend Hacker #1804

Some gaming consoles make it easy to stream to Twitch, some gaming consoles don’t (come on, Nintendo). So for those that don’t, I’ve made this beta version of the “Twitch-O-Matic”. No it doesn’t chop onions or fold your laundry, but what it DOES do is stream anything with HDMI output to your Twitch channel with the simple push of a button!

eSports and online game streaming

Interest in eSports has skyrocketed over the last few years, with viewership numbers in the hundreds of millions, sponsorship deals increasing in value and prestige, and tournament prize funds reaching millions of dollars. So it’s no wonder that more and more gamers are starting to stream live to online platforms in order to boost their fanbase and try to cash in on this growing industry.

Streaming to Twitch

Launched in 2011, Twitch.tv is an online live-streaming platform with a primary focus on video gaming. Users can create accounts to contribute their comments and content to the site, as well as watching live-streamed gaming competitions and broadcasts. With a staggering fifteen million daily users, Twitch is accessible via smartphone and gaming console apps, smart TVs, computers, and tablets. But if you want to stream to Twitch, you may find yourself using third-party software in order to do so. And with more buttons to click and more wires to plug in for older, app-less consoles, streaming can get confusing.

Enter Tinkernut.

Side note: we ❤ Tinkernut

We’ve featured Tinkernut a few times on the Raspberry Pi blog – his tutorials are clear, his projects are interesting and useful, and his live-streamed comment videos for every build are a nice touch to sharing homebrew builds on the internet.

Tinkernut Raspberry Pi Zero W Twitch-O-Matic

So, yes, we love him. [This is true. Alex never shuts up about him. – Ed.] And since he has over 500K subscribers on YouTube, we’re obviously not the only ones. We wave our Tinkernut flags with pride.

Twitch-O-Matic

With a Raspberry Pi Zero W, an HDMI to CSI adapter, and a case to fit it all in, Tinkernut’s Twitch-O-Matic allows easy connection to the Twitch streaming service. You’ll also need a button – the bigger, the better in our opinion, though Tinkernut has opted for the Adafruit 16mm Illuminated Pushbutton for his build, and not the 100mm Massive Arcade Button that, sadly, we still haven’t found a reason to use yet.

Adafruit massive button

“I’m sorry, Dave…”

For added frills and pizzazz, Tinketnut has also incorporated Adafruit’s White LED Backlight Module into the case, though you don’t have to do so unless you’re feeling super fancy.

The setup

The Raspberry Pi Zero W is connected to the HDMI to CSI adapter via the camera connector, in the same way you’d attach the camera ribbon. Tinkernut uses a standard Raspbian image on an 8GB SD card, with SSH enabled for remote access from his laptop. He uses the simple command Raspivid to test the HDMI connection by recording ten seconds of video footage from his console.

Tinkernut Raspberry Pi Zero W Twitch-O-Matic

One lead is all you need

Once you have the Pi receiving video from your console, you can connect to Twitch using your Twitch stream key, which you can find by logging in to your account at Twitch.tv. Tinkernut’s tutorial gives you all the commands you need to stream from your Pi.

The frills

To up the aesthetic impact of your project, adding buttons and backlights is fairly straightforward.

Tinkernut Raspberry Pi Zero W Twitch-O-Matic

Pretty LED frills

To run the stream command, Tinketnut uses a button: press once to start the stream, press again to stop. Pressing the button also turns on the LED backlight, so it’s obvious when streaming is in progress.

The tutorial

For the full code and 3D-printable case STL file, head to Tinketnut’s hackster.io project page. And if you’re already using a Raspberry Pi for Twitch streaming, share your build setup with us. Cheers!

The post Stream to Twitch with the push of a button appeared first on Raspberry Pi.

Continued: the answers to your questions for Eben Upton

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/eben-q-a-2/

Last week, we shared the first half of our Q&A with Raspberry Pi Trading CEO and Raspberry Pi creator Eben Upton. Today we follow up with all your other questions, including your expectations for a Raspberry Pi 4, Eben’s dream add-ons, and whether we really could go smaller than the Zero.

Live Q&A with Eben Upton, creator of the Raspberry Pi

Get your questions to us now using #AskRaspberryPi on Twitter

With internet security becoming more necessary, will there be automated versions of VPN on an SD card?

There are already third-party tools which turn your Raspberry Pi into a VPN endpoint. Would we do it ourselves? Like the power button, it’s one of those cases where there are a million things we could do and so it’s more efficient to let the community get on with it.

Just to give a counterexample, while we don’t generally invest in optimising for particular use cases, we did invest a bunch of money into optimising Kodi to run well on Raspberry Pi, because we found that very large numbers of people were using it. So, if we find that we get half a million people a year using a Raspberry Pi as a VPN endpoint, then we’ll probably invest money into optimising it and feature it on the website as we’ve done with Kodi. But I don’t think we’re there today.

Have you ever seen any Pis running and doing important jobs in the wild, and if so, how does it feel?

It’s amazing how often you see them driving displays, for example in radio and TV studios. Of course, it feels great. There’s something wonderful about the geographic spread as well. The Raspberry Pi desktop is quite distinctive, both in its previous incarnation with the grey background and logo, and the current one where we have Greg Annandale’s road picture.

The PIXEL desktop on Raspberry Pi

And so it’s funny when you see it in places. Somebody sent me a video of them teaching in a classroom in rural Pakistan and in the background was Greg’s picture.

Raspberry Pi 4!?!

There will be a Raspberry Pi 4, obviously. We get asked about it a lot. I’m sticking to the guidance that I gave people that they shouldn’t expect to see a Raspberry Pi 4 this year. To some extent, the opportunity to do the 3B+ was a surprise: we were surprised that we’ve been able to get 200MHz more clock speed, triple the wireless and wired throughput, and better thermals, and still stick to the $35 price point.

We’re up against the wall from a silicon perspective; we’re at the end of what you can do with the 40nm process. It’s not that you couldn’t clock the processor faster, or put a larger processor which can execute more instructions per clock in there, it’s simply about the energy consumption and the fact that you can’t dissipate the heat. So we’ve got to go to a smaller process node and that’s an order of magnitude more challenging from an engineering perspective. There’s more effort, more risk, more cost, and all of those things are challenging.

With 3B+ out of the way, we’re going to start looking at this now. For the first six months or so we’re going to be figuring out exactly what people want from a Raspberry Pi 4. We’re listening to people’s comments about what they’d like to see in a new Raspberry Pi, and I’m hoping by early autumn we should have an idea of what we want to put in it and a strategy for how we might achieve that.

Could you go smaller than the Zero?

The challenge with Zero as that we’re periphery-limited. If you run your hand around the unit, there is no edge of that board that doesn’t have something there. So the question is: “If you want to go smaller than Zero, what feature are you willing to throw out?”

It’s a single-sided board, so you could certainly halve the PCB area if you fold the circuitry and use both sides, though you’d have to lose something. You could give up some GPIO and go back to 26 pins like the first Raspberry Pi. You could give up the camera connector, you could go to micro HDMI from mini HDMI. You could remove the SD card and just do USB boot. I’m inventing a product live on air! But really, you could get down to two thirds and lose a bunch of GPIO – it’s hard to imagine you could get to half the size.

What’s the one feature that you wish you could outfit on the Raspberry Pi that isn’t cost effective at this time? Your dream feature.

Well, more memory. There are obviously technical reasons why we don’t have more memory on there, but there are also market reasons. People ask “why doesn’t the Raspberry Pi have more memory?”, and my response is typically “go and Google ‘DRAM price’”. We’re used to the price of memory going down. And currently, we’re going through a phase where this has turned around and memory is getting more expensive again.

Machine learning would be interesting. There are machine learning accelerators which would be interesting to put on a piece of hardware. But again, they are not going to be used by everyone, so according to our method of pricing what we might add to a board, machine learning gets treated like a $50 chip. But that would be lovely to do.

Which citizen science projects using the Pi have most caught your attention?

I like the wildlife camera projects. We live out in the countryside in a little village, and we’re conscious of being surrounded by nature but we don’t see a lot of it on a day-to-day basis. So I like the nature cam projects, though, to my everlasting shame, I haven’t set one up yet. There’s a range of them, from very professional products to people taking a Raspberry Pi and a camera and putting them in a plastic box. So those are good fun.

Raspberry Shake seismometer

The Raspberry Shake seismometer

And there’s Meteor Pi from the Cambridge Science Centre, that’s a lot of fun. And the seismometer Raspberry Shake – that sort of thing is really nice. We missed the recent South Wales earthquake; perhaps we should set one up at our Californian office.

How does it feel to go to bed every day knowing you’ve changed the world for the better in such a massive way?

What feels really good is that when we started this in 2006 nobody else was talking about it, but now we’re part of a very broad movement.

We were in a really bad way: we’d seen a collapse in the number of applicants applying to study Computer Science at Cambridge and elsewhere. In our view, this reflected a move away from seeing technology as ‘a thing you do’ to seeing it as a ‘thing that you have done to you’. It is problematic from the point of view of the economy, industry, and academia, but most importantly it damages the life prospects of individual children, particularly those from disadvantaged backgrounds. The great thing about STEM subjects is that you can’t fake being good at them. There are a lot of industries where your Dad can get you a job based on who he knows and then you can kind of muddle along. But if your dad gets you a job building bridges and you suck at it, after the first or second bridge falls down, then you probably aren’t going to be building bridges anymore. So access to STEM education can be a great driver of social mobility.

By the time we were launching the Raspberry Pi in 2012, there was this wonderful movement going on. Code Club, for example, and CoderDojo came along. Lots of different ways of trying to solve the same problem. What feels really, really good is that we’ve been able to do this as part of an enormous community. And some parts of that community became part of the Raspberry Pi Foundation – we merged with Code Club, we merged with CoderDojo, and we continue to work alongside a lot of these other organisations. So in the two seconds it takes me to fall asleep after my face hits the pillow, that’s what I think about.

We’re currently advertising a Programme Manager role in New Delhi, India. Did you ever think that Raspberry Pi would be advertising a role like this when you were bringing together the Foundation?

No, I didn’t.

But if you told me we were going to be hiring somewhere, India probably would have been top of my list because there’s a massive IT industry in India. When we think about our interaction with emerging markets, India, in a lot of ways, is the poster child for how we would like it to work. There have already been some wonderful deployments of Raspberry Pi, for example in Kerala, without our direct involvement. And we think we’ve got something that’s useful for the Indian market. We have a product, we have clubs, we have teacher training. And we have a body of experience in how to teach people, so we have a physical commercial product as well as a charitable offering that we think are a good fit.

It’s going to be massive.

What is your favourite BBC type-in listing?

There was a game called Codename: Druid. There is a famous game called Codename: Droid which was the sequel to Stryker’s Run, which was an awesome, awesome game. And there was a type-in game called Codename: Druid, which was at the bottom end of what you would consider a commercial game.

codename druid

And I remember typing that in. And what was really cool about it was that the next month, the guy who wrote it did another article that talks about the memory map and which operating system functions used which bits of memory. So if you weren’t going to do disc access, which bits of memory could you trample on and know the operating system would survive.

babbage versus bugs Raspberry Pi annual

See the full listing for Babbage versus Bugs in the Raspberry Pi 2018 Annual

I still like type-in listings. The Raspberry Pi 2018 Annual has a type-in listing that I wrote for a Babbage versus Bugs game. I will say that’s not the last type-in listing you will see from me in the next twelve months. And if you download the PDF, you could probably copy and paste it into your favourite text editor to save yourself some time.

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Facebook Privacy Fiasco Sees Congress Urged on Anti-Piracy Action

Post Syndicated from Andy original https://torrentfreak.com/facebook-privacy-fiasco-sees-congress-urged-on-anti-piracy-action-180420/

It has been a tumultuous few weeks for Facebook, and some would say quite rightly so. The company is a notorious harvester of personal information but last month’s Cambridge Analytica scandal really brought things to a head.

With Facebook co-founder and Chief Executive Officer Mark Zuckerberg in the midst of a PR nightmare, last Tuesday the entrepreneur appeared before the Senate. A day later he faced a grilling from lawmakers, answering questions concerning the social networking giant’s problems with user privacy and how it responds to breaches.

What practical measures Zuckerberg and his team will take to calm the storm are yet to unfold but the opportunity to broaden the attack on both Facebook and others in the user-generated content field is now being seized upon. Yes, privacy is the number one controversy at the moment but Facebook and others of its ilk need to step up and take responsibility for everything posted on their platforms.

That’s the argument presented by the American Federation of Musicians, the Content Creators Coalition, CreativeFuture, and the Independent Film & Television Alliance, who together represent more than 650 entertainment industry companies and 240,000 members. CreativeFuture alone represents more than 500 companies, including all the big Hollywood studios and major players in the music industry.

In letters sent to the Senate Committee on the Judiciary; the Senate Committee on Commerce, Science, and Transportation; and the House Energy and Commerce Committee, the coalitions urge Congress to not only ensure that Facebook gets its house in order, but that Google, Twitter, and similar platforms do so too.

The letters begin with calls to protect user data and tackle the menace of fake news but given the nature of the coalitions and their entertainment industry members, it’s no surprise to see where this is heading.

“In last week’s hearing, Mr. Zuckerberg stressed several times that Facebook must ‘take a broader view of our responsibility,’ acknowledging that it is ‘responsible for the content’ that appears on its service and must ‘take a more active view in policing the ecosystem’ it created,” the letter reads.

“While most content on Facebook is not produced by Facebook, they are the publisher and distributor of immense amounts of content to billions around the world. It is worth noting that a lot of that content is posted without the consent of the people who created it, including those in the creative industries we represent.”

The letter recalls Zuckerberg as characterizing Facebook’s failure to take a broader view of its responsibilities as a “big mistake” while noting he’s also promised change.

However, the entertainment groups contend that the way the company has conducted itself – and the manner in which many Silicon Valley companies conduct themselves – is supported and encouraged by safe harbors and legal immunities that absolve internet platforms of accountability.

“We agree that change needs to happen – but we must ask ourselves whether we can expect to see real change as long as these companies are allowed to continue to operate in a policy framework that prioritizes the growth of the internet over accountability and protects those that fail to act responsibly. We believe this question must be at the center of any action Congress takes in response to the recent failures,” the groups write.

But while the Facebook fiasco has provided the opportunity for criticism, CreativeFuture and its colleagues see the problem from a much broader perspective. They suck in companies like Google, which is also criticized for shirking its responsibilities, largely because the law doesn’t compel it to act any differently.

“Google, another major global platform that has long resisted meaningful accountability, also needs to step forward and endorse the broader view of responsibility expressed by Mr. Zuckerberg – as do many others,” they continue.

“The real problem is not Facebook, or Mark Zuckerberg, regardless of how sincerely he seeks to own the ‘mistakes’ that led to the hearing last week. The problem is endemic in a system that applies a different set of rules to the internet and fails to impose ordinary norms of accountability on businesses that are built around monetizing other people’s personal information and content.”

Noting that Congress has encouraged technology companies to prosper by using a “light hand” for the past several decades, the groups say their level of success now calls for a fresh approach and a heavier touch.

“Facebook and Google are grown-ups – and it is time they behaved that way. If they will not act, then it is up to you and your colleagues in the House to take action and not let these platforms’ abuses continue to pile up,” they conclude.

But with all that said, there is an interesting conflict that develops when presenting the solution to piracy in the context of a user privacy fiasco.

In the EU, many of the companies involved in the coalitions above are calling for pre-emptive filters to prevent allegedly infringing content being uploaded to Facebook and YouTube. That means that all user uploads to such platforms will have to be opened and scanned to see what they contain before they’re allowed online.

So, user privacy or pro-active anti-piracy filters? It might not be easy or even legal to achieve both.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Hackspace magazine 6: Paper Engineering

Post Syndicated from Andrew Gregory original https://www.raspberrypi.org/blog/hackspace-magazine-6/

HackSpace magazine is back with our brand-new issue 6, available for you on shop shelves, in your inbox, and on our website right now.

Inside Hackspace magazine 6

Paper is probably the first thing you ever used for making, and for good reason: in no other medium can you iterate through 20 designs at the cost of only a few pennies. We’ve roped in Rob Ives to show us how to make a barking paper dog with moveable parts and a cam mechanism. Even better, the magazine includes this free paper automaton for you to make yourself. That’s right: free!

At the other end of the scale, there’s the forge, where heat, light, and noise combine to create immutable steel. We speak to Alec Steele, YouTuber, blacksmith, and philosopher, about his amazingly beautiful Damascus steel creations, and about why there’s no difference between grinding a knife and blowing holes in a mountain to build a road through it.

HackSpace magazine 6 Alec Steele

Do it yourself

You’ve heard of reading glasses — how about glasses that read for you? Using a camera, optical character recognition software, and a text-to-speech engine (and of course a Raspberry Pi to hold it all together), reader Andrew Lewis has hacked together his own system to help deal with age-related macular degeneration.

It’s the definition of hacking: here’s a problem, there’s no solution in the shops, so you go and build it yourself!

Radio

60 years ago, the cutting edge of home hacking was the transistor radio. Before the internet was dreamt of, the transistor radio made the world smaller and brought people together. Nowadays, the components you need to build a radio are cheap and easily available, so if you’re in any way electronically inclined, building a radio is an ideal excuse to dust off your soldering iron.

Tutorials

If you’re a 12-month subscriber (if you’re not, you really should be), you’ve no doubt been thinking of all sorts of things to do with the Adafruit Circuit Playground Express we gave you for free. How about a sewable circuit for a canvas bag? Use the accelerometer to detect patterns of movement — walking, for example — and flash a series of lights in response. It’s clever, fun, and an easy way to add some programmable fun to your shopping trips.


We’re also making gin, hacking a children’s toy car to unlock more features, and getting started with robot sumo to fill the void left by the cancellation of Robot Wars.

HackSpace magazine 6

All this, plus an 11-metre tall mechanical miner, in HackSpace magazine issue 6 — subscribe here from just £4 an issue or get the PDF version for free. You can also find HackSpace magazine in WHSmith, Tesco, Sainsbury’s, and independent newsagents in the UK. If you live in the US, check out your local Barnes & Noble, Fry’s, or Micro Center next week. We’re also shipping to stores in Australia, Hong Kong, Canada, Singapore, Belgium, and Brazil, so be sure to ask your local newsagent whether they’ll be getting HackSpace magazine.

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TV Broadcaster Wants App Stores Blocked to Prevent Piracy

Post Syndicated from Andy original https://torrentfreak.com/tv-broadcaster-wants-app-stores-blocked-to-prevent-piracy-180416/

After first targeting torrent and regular streaming platforms with blocking injunctions, last year Village Roadshow and studios including Disney, Universal, Warner Bros, Twentieth Century Fox, and Paramount began looking at a new threat.

The action targeted HDSubs+, a reasonably popular IPTV service that provides hundreds of otherwise premium live channels, movies, and sports for a relatively small monthly fee. The application was filed during October 2017 and targeted Australia’s largest ISPs.

In parallel, Hong Kong-based broadcaster Television Broadcasts Limited (TVB) launched a similar action, demanding that the same ISPs (including Telstra, Optus, TPG, and Vocus, plus subsidiaries) block several ‘pirate’ IPTV services, named in court as A1, BlueTV, EVPAD, FunTV, MoonBox, Unblock, and hTV5.

Due to the similarity of the cases, both applications were heard in Federal Court in Sydney on Friday. Neither case is as straightforward as blocking a torrent or basic streaming portal, so both applicants are having to deal with additional complexities.

The TVB case is of particular interest. Up to a couple of dozen URLs maintain the services, which are used to provide the content, an EPG (electronic program guide), updates and sundry other features. While most of these appear to fit the description of an “online location” designed to assist copyright infringement, where the Android-based software for the IPTV services is hosted provides an interesting dilemma.

ComputerWorld reports that the apps – which offer live broadcasts, video-on-demand, and catch-up TV – are hosted on as-yet-unnamed sites which are functionally similar to Google Play or Apple’s App Store. They’re repositories of applications that also carry non-infringing apps, such as those for Netflix and YouTube.

Nevertheless, despite clear knowledge of this dual use, TVB wants to have these app marketplaces blocked by Australian ISPs, which would not only render the illicit apps inaccessible to the public but all of the non-infringing ones too. Part of its argument that this action would be reasonable appears to be that legal apps – such as Netflix’s for example – can also be freely accessed elsewhere.

It will be up to Justice Nicholas to decide whether the “primary purpose” of these marketplaces is to infringe or facilitate the infringement of TVB’s copyrights. However, TVB also appears to have another problem which is directly connected to the copyright status in Australia of its China-focused live programming.

Justice Nicholas questioned whether watching a stream in Australia of TVB’s live Chinese broadcasts would amount to copyright infringement because no copy of that content is being made.

“If most of what is occurring here is a reproduction of broadcasts that are not protected by copyright, then the primary purpose is not to facilitate copyright infringement,” Justice Nicholas said.

One of the problems appears to be that China is not a party to the 1961 Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations. However, TVB is arguing that it should still receive protection because it airs pre-recorded content and the live broadcasts are also archived for re-transmission via catch-up services.

The question over whether unchoreographed live broadcasts receive protection has been raised in other regions but in most cases, a workaround has been found. The presence of broadcaster logos on screen (which receive copyright protection) is a factor and it’s been reported that broadcasters are able to record the ‘live’ action and transmit a copy just a couple of seconds later, thereby broadcasting an already-copyrighted work.

While TVB attempts to overcome its issues, Village Roadshow is facing some of its own in its efforts to take down HDSubs+.

It appears that at least partly in response to the Roadshow legal action, the service has undergone some modifications, including a change of brand to ‘Press Play Extra’. As reported by ZDNet, there have been structural changes too, which means that Roadshow can no longer “see under the hood”.

According to Justice Nicholas, there is no evidence that the latest version of the app infringes copyright but according to counsel for Village Roadshow, the new app is merely transitional and preparing for a possible future change.

“We submit the difference to be drawn is reactive to my clients serving on the operators a notice,” counsel for Roadshow argued, with an expert describing the new app as “almost like a placeholder.”

In short, Roadshow still wants all of the target domains in its original application blocked because the company believes there’s a good chance they’ll be reactivated in the future.

None of the ISPs involved in either case turned up to the hearings on Friday, which removes one layer of complexity in what appears thus far to be less than straightforward cases.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Artefacts in the classroom with Museum in a Box

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/museum-in-a-box/

Museum in a Box bridges the gap between museums and schools by creating a more hands-on approach to conservation education through 3D printing and digital making.

Artefacts in the classroom with Museum in a Box || Raspberry Pi Stories

Learn more: http://rpf.io/ Subscribe to our YouTube channel: http://rpf.io/ytsub Help us reach a wider audience by translating our video content: http://rpf.io/yttranslate Buy a Raspberry Pi from one of our Approved Resellers: http://rpf.io/ytproducts Find out more about the Raspberry Pi Foundation: Raspberry Pi http://rpf.io/ytrpi Code Club UK http://rpf.io/ytccuk Code Club International http://rpf.io/ytcci CoderDojo http://rpf.io/ytcd Check out our free online training courses: http://rpf.io/ytfl Find your local Raspberry Jam event: http://rpf.io/ytjam Work through our free online projects: http://rpf.io/ytprojects Do you have a question about your Raspberry Pi?

Fantastic collections and where to find them

Large, impressive statues are truly a sight to be seen. Take for example the 2.4m Hoa Hakananai’a at the British Museum. Its tall stature looms over you as you read its plaque to learn of the statue’s journey from Easter Island to the UK under the care of Captain Cook in 1774, and you can’t help but wonder at how it made it here in one piece.

Hoa Hakananai’a Captain Cook British Museum
Hoa Hakananai’a Captain Cook British Museum

But unless you live near a big city where museums are plentiful, you’re unlikely to see the likes of Hoa Hakananai’a in person. Instead, you have to content yourself with online photos or videos of world-famous artefacts.

And that only accounts for the objects that are on display: conservators estimate that only approximately 5 to 10% of museums’ overall collections are actually on show across the globe. The rest is boxed up in storage, inaccessible to the public due to risk of damage, or simply due to lack of space.

Museum in a Box

Museum in a Box aims to “put museum collections and expert knowledge into your hand, wherever you are in the world,” through modern maker practices such as 3D printing and digital making. With the help of the ‘Scan the World’ movement, an “ambitious initiative whose mission is to archive objects of cultural significance using 3D scanning technologies”, the Museum in a Box team has been able to print small, handheld replicas of some of the world’s most recognisable statues and sculptures.

Museum in a Box Raspberry Pi

Each 3D print gets NFC tags so it can initiate audio playback from a Raspberry Pi that sits snugly within the laser-cut housing of a ‘brain box’. Thus the print can talk directly to us through the magic of wireless technology, replacing the dense, dry text of a museum plaque with engaging speech.

Museum in a Box Raspberry Pi

The Museum in a Box team headed by CEO George Oates (featured in the video above) makes use of these 3D-printed figures alongside original artefacts, postcards, and more to bridge the gap between large, crowded, distant museums and local schools. Modeled after the museum handling collections that used to be sent to schools, Museum in a Box is a cheaper, more accessible alternative. Moreover, it not only allows for hands-on learning, but also encourages children to get directly involved by hacking its technology! With NFC technology readily available to the public, students can curate their own collections about their local area, record their own messages, and send their own box-sized museums on to schools in other towns or countries. In this way, Museum in a Box enables students to explore, and expand the reach of, their own histories.

Moving forward

With the technology perfected and interest in the project ever-growing, Museum in a Box has a busy year ahead. Supporting the new ‘Unstacked’ learning initiative, the team will soon be delivering ten boxes to the Smithsonian Libraries. The team has curated two collections specifically for this: an exploration into Asia-Pacific America experiences of migration to the USA throughout the 20th century, and a look into the history of science.

Smithsonian Library Museum in a Box Raspberry Pi

The team will also be making a box for the British Museum to support their Iraq Scheme initiative, and another box will be heading to the V&A to support their See Red programme. While primarily installed in the Lansbury Micro Museum, the box will also take to the road to visit the local Spotlight high school.

Museum in a Box at Raspberry Fields

Lastly, by far the most exciting thing the Museum in a Box team will be doing this year — in our opinion at least — is showcasing at Raspberry Fields! This is our brand-new festival of digital making that’s taking place on 30 June and 1 July 2018 here in Cambridge, UK. Find more information about it and get your ticket here.

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If YouTube-Ripping Sites Are Illegal, What About Tools That Do a Similar Job?

Post Syndicated from Andy original https://torrentfreak.com/if-youtube-ripping-sites-are-illegal-what-about-tools-that-do-a-similar-job-180407/

In 2016, the International Federation of the Phonographic Industry published research which claimed that half of 16 to 24-year-olds use stream-ripping tools to copy music from sites like YouTube.

While this might not have surprised those who regularly participate in the activity, IFPI said that volumes had become so vast that stream-ripping had overtaken pirate site music downloads. That was a big statement.

Probably not coincidentally, just two weeks later IFPI, RIAA, and BPI announced legal action against the world’s largest YouTube ripping site, YouTube-MP3.

“YTMP3 rapidly and seamlessly removes the audio tracks contained in videos streamed from YouTube that YTMP3’s users access, converts those audio tracks to an MP3 format, copies and stores them on YTMP3’s servers, and then distributes copies of the MP3 audio files from its servers to its users in the United States, enabling its users to download those MP3 files to their computers, tablets, or smartphones,” the complaint read.

The labels sued YouTube-MP3 for direct infringement, contributory infringement, vicarious infringement, inducing others to infringe, plus circumvention of technological measures on top. The case was big and one that would’ve been intriguing to watch play out in court, but that never happened.

A year later in September 2017, YouTubeMP3 settled out of court. No details were made public but YouTube-MP3 apparently took all the blame and the court was asked to rule in favor of the labels on all counts.

This certainly gave the impression that what YouTube-MP3 did was illegal and a strong message was sent out to other companies thinking of offering a similar service. However, other onlookers clearly saw the labels’ lawsuit as something to be studied and learned from.

One of those was the operator of NotMP3downloader.com, a site that offers Free MP3 Recorder for YouTube, a tool offering similar functionality to YouTube-MP3 while supposedly avoiding the same legal pitfalls.

Part of that involves audio being processed on the user’s machine – not by stream-ripping as such – but by stream-recording. A subtle difference perhaps, but the site’s operator thinks it’s important.

“After examining the claims made by the copyright holders against youtube-mp3.org, we identified that the charges were based on the three main points. [None] of them are applicable to our product,” he told TF this week.

The first point involves YouTube-MP3’s acts of conversion, storage and distribution of content it had previously culled from YouTube. Copies of unlicensed tracks were clearly held on its own servers, a potent direct infringement risk.

“We don’t have any servers to download, convert or store a copyrighted or any other content from YouTube. Therefore, we do not violate any law or prohibition implied in this part,” NotMP3downloader’s operator explains.

Then there’s the act of “stream-ripping” itself. While YouTube-MP3 downloaded digital content from YouTube using its own software, NotMP3downloader claims to do things differently.

“Our software doesn’t download any streaming content directly, but only launches a web browser with the video specified by a user. The capturing happens from a local machine’s sound card and doesn’t deal with any content streamed through a network,” its operator notes.

This part also seems quite important. YouTube-MP3 was accused of unlawfully circumventing technological measures implemented by YouTube to prevent people downloading or copying content. By opening up YouTube’s own website and viewing content in the way the site demands, NotMP3downloader says it does not “violate the website’s integrity nor performs direct download of audio or video files.”

Like the Betamax video recorder before it that enabled recording from analog TV, NotMP3downloader enables a user to record a YouTube stream on their local machine. This, its makers claim, means the software is completely legal and defeats all the claims made by the labels in the YouTube-MP3 lawsuit.

“What YouTube does is broadcasting content through the Internet. Thus, there is nothing wrong if users are allowed to watch such content later as they may want,” the NotMP3downloader team explain.

“It is worth noting that in Sony Corp. of America v. United City Studios, Inc. (464 U.S. 417) the United States Supreme Court held that such practice, also known as time-shifting, was lawful representing fair use under the US Copyright Act and causing no substantial harm to the copyright holder.”

While software that can record video and sounds locally are nothing new, the developments in the YouTube-MP3 case and this response from NotMP3downloader raises interesting questions.

We put some of them to none other than former RIAA Executive Vice President, Neil Turkewitz, who now works as President of Turkewitz Consulting Group.

Turkewitz stressed that he doesn’t speak for the industry as a whole or indeed the RIAA but it’s clear that his passion for protecting creators persists. He told us that in this instance, reliance on the Betamax decision is “misplaced”.

“The content is different, the activity is different, and the function is different,” Turkewitz told TF.

“The Sony decision must be understood in its context — the time shifting of audiovisual programming being broadcast from point to multipoint. The making available of content by a point-to-point interactive service like YouTube isn’t broadcasting — or at a minimum, is not a form of broadcasting akin to that considered by the Supreme Court in Sony.

“More fundamentally, broadcasting (right of communication to the public) is one of only several rights implicated by the service. And of course, issues of liability will be informed by considerations of purpose, effect and perceived harm. A court’s judgment will also be affected by whether it views the ‘innovation’ as an attempt to circumvent the requirements of law. The decision of the Supreme Court in ABC v. Aereo is certainly instructive in that regard.”

And there are other issues too. While YouTube itself is yet to take any legal action to deter users from downloading rather than merely streaming content, its terms of service are quite specific and seem to cover all eventualities.

“[Y]ou agree not to access Content or any reason other than your personal, non-commercial use solely as intended through and permitted by the normal functionality of the Service, and solely for Streaming,” YouTube’s ToS reads.

“‘Streaming’ means a contemporaneous digital transmission of the material by YouTube via the Internet to a user operated Internet enabled device in such a manner that the data is intended for real-time viewing and not intended to be downloaded (either permanently or temporarily), copied, stored, or redistributed by the user.

“You shall not copy, reproduce, distribute, transmit, broadcast, display, sell, license, or otherwise exploit any Content for any other purposes without the prior written consent of YouTube or the respective licensors of the Content.”

In this respect, it seems that a user doing anything but real-time streaming of YouTube content is breaching YouTube’s terms of service. The big question then, of course, is whether providing a tool specifically for that purpose represents an infringement of copyright.

The people behind Free MP3 Recorder believe that the “scope of application depends entirely on the end users’ intentions” which seems like a fair argument at first view. But, as usual, copyright law is incredibly complex and there are plenty of opposing views.

We asked the BPI, which took action against YouTubeMP3, for its take on this type of tool. The official response was “No comment” which doesn’t really clarify the position, at least for now.

Needless to say, the Betamax decision – relevant or not – doesn’t apply in the UK. But that only adds more parameters into the mix – and perhaps more opportunities for lawyers to make money arguing for and against tools like this in the future.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.