Tag Archives: Publications

Build a physical game controller for Infinite Bunner

Post Syndicated from Andrew Gregory original https://www.raspberrypi.org/blog/build-a-physical-game-controller-for-infinite-bunner/

In HackSpace magazine issue 28 we had a look at how to create an ultrasonic controller for a version of Pong called Boing!. This month, we’re going to take a step further forward through video game history and look at the game Frogger. In this classic game, you control a frog as it makes its way across logs, roads, and train tracks, avoiding falling in the water or getting hit.

Infinite Bunner

The tribute to Frogger in the new Code the Classics Volume 1 book is called Infinite Bunner, and works in much the same way, except you control a bunny.

Jump along the logs, dodge the traffic, avoid the trains, and keep your bunny alive for as long as possible

All this hopping got us thinking about a controller. Our initial idea was that since the animals jump, so should the controller. An accelerometer can detect freefall, so it shouldn’t be too hard to convert that into button presses. However, it turns out that computer-controlled frogs and rabbits can jump much, much faster than humans can, and we really struggled to get a working game mechanic, so we compromised a little and worked with ‘flicks’.

The flick controller

The basic idea is that you tilt the controller left or right to move left or right, but you have to flick it up to register a jump (simply holding it upright won’t work).

We’ve used a Circuit Playground Bluefruit as our hardware, but it would work equally well with a Circuit Playground Express. There are two key parts to the software. The first is reading in accelerometer values and use these to know what orientation the board is in, and the second is the board mimicing a USB keyboard and sending keystrokes to any software running on it.

Playing Infinite Bunner

The first step is to get Infinite Bunner working on your machine.

Get your copy of Code the Classics today

You can download the code for all the Code the Classics Volume 1 games here. Click on Clone or Download > Download ZIP. Unzip the download somewhere.

You’ll need Python 3 with Pygame Zero installed. The process for this differs a little between different computers, but there’s a good overview of all the different options on page 186 of Code the Classics.

Subscribe to HackSpace magazine for twelve months and you get a Circuit Playground Express for free! Then you can make your very own Infinite Bunner controller

Once everything’s set up, open a terminal and navigate to the directory you unzipped the code in. Then, inside that, you should find a folder called bunner-master and move into that. You can then run:

python3 bunner.py

Have a few goes playing the game, and you’ll find that you need the left, right, and up arrow keys to play (there is also the down arrow, but we’ve ignored this since we’ve never actually used it in gameplay – if you’re a Frogger/Bunner aficionado, you may wish to implement this as well).

Reading the accelerometer is as easy as importing the appropriate module and running one line:

from adafruit_circuitplayground import cpx, y, z = cp.acceleration

Sending key presses is similarly easy. You can set up a keyboard with the following:

from adafruit_hid.keyboard import Keyboard
from adafruit_hid.keyboard_layout_us import KeyboardLayoutUS
from adafruit_hid.keycode import Keycode

keyboard = Keyboard(usb_hid.devices)

Then send key presses with code such as this:

time.keyboard.press(Keycode.LEFT_ARROW) time.sleep(0.1)
keyboard.release_all()

The only thing left is to slot in our mechanics. The X-axis on the accelerometer can determine if the controller is tilted left or right. The output is between 10 (all the way left) and -10 (all the way right). We chose to threshold it at 7 and -7 to require the user to tilt it most of the way. There’s a little bit of fuzz in the readings, especially as the user flicks the controller up, so having a high threshold helps avoid erroneous readings.

The Y-axis is for jumping. In this case, we require a ‘flap’ where the user first lifts it up (over a threshold of 5), then back down again.

The full code for our controller is:

import time
from adafruit_circuitplayground import cp
import usb_hid
from adafruit_hid.keyboard import Keyboard
from adafruit_hid.keyboard_layout_us import KeyboardLayoutUS
from adafruit_hid.keycode import Keycode

keyboard = Keyboard(usb_hid.devices)

jumping = 0
up=False
while True:
    x, y, z = cp.acceleration
    if abs(y) > 5:
        up=True
    if y < 5 and up:
        keyboard.press(Keycode.UP_ARROW)
        time.sleep(0.3)
        keyboard.release_all()
        up=False
    if x < -7 :
        keyboard.press(Keycode.LEFT_ARROW)
        time.sleep(0.1)
        keyboard.release_all()
    if x < 7 : keyboard.press(Keycode.RIGHT_ARROW)
        time.sleep(0.1)
        keyboard.release_all()
        time.sleep(0.1)
    if jumping > 0:
        jumping=jumping-1

It doesn’t take much CircuitPython to convert a microcontroller into a games controller

The final challenge we had was that there’s a bit of wobble when moving the controller around – especially when trying to jump repeatedly and quickly. After fiddling with thresholds for a while, we found that there’s a much simpler solution: increase the weight of the controller. The easiest way to do this is to place it inside a book. If you’ve ever held a copy of Code the Classics, you’ll know that it’s a fairly weighty tome. Just place the board inside and close the book around it, and all the jitter disappears.

That’s all there is to the controller. You can use it to play the game, just as you would any joypad. Start the game as usual, then start flapping the book around to get hopping.

HackSpace magazine is out now

The latest issue of HackSpace magazine is out today and can be purchased from the Raspberry Pi Press online store. You can also download a copy if you want to see what all the fuss is about.


Code the Classics is available from Raspberry Pi Press as well, and comes with free UK shipping. And here’s a lovely video about Code the Classics artist Dan Malone and the gorgeous artwork he created for the book:

Code the Classics: Artist Dan Malone

No Description

The post Build a physical game controller for Infinite Bunner appeared first on Raspberry Pi.

Wireframe’s deep(ish) dive into the glorious double jump

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/wireframes-deepish-dive-into-the-glorious-double-jump/

Yoshi aside, we can’t think of anyone who isn’t a fan of the double jump. In their latest video, the Wireframe magazine team take a deep(ish) dive into one of video gaming’s most iconic moves.

What is the Double Jump | Wireframe Deep Dive

The humble jump got a kick in 1984 with the introduction of the double jump, a physicist’s worst nightmare and one of video gaming’s most iconic moves. Subsc…

Also, HDR!

Are you looking to upgrade your computer monitor? Last week, Custom PC magazine, a publication of Raspberry Pi Press, released their latest video discussing HDR monitors. Are you ready to upgrade, and more importantly, should you?

What is an HDR monitor? High dynamic range explained | Custom PC magazine

High dynamic range (HDR) monitors are all the rage, but what exactly is HDR and which monitors produce the best image quality? Check out our full HDR guide: …

We produce videos for all our Raspberry Pi Press publications, including magazines such as The MagPi and HackSpace magazine, as well as our book releases, such as Code the Classics and Build Your Own First-Person Shooter in Unity.

Subscribe to the Raspberry Pi Press YouTube channel today and click on the bell button to ensure you’re notified of all new releases. And, for our complete publication library, visit the Raspberry Pi Press online store.

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Create Boing!, our Python tribute to Pong

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/create-boing-our-python-tribute-to-pong/

Following on from yesterday’s introduction to Pong, we’re sharing Boing!, the Python-based tribute to Pong created by Eben Upton exclusively for Code the Classics. Read on to get a detailed look at the code for Boing!

You can find the download link for the Boing! code in the Code the Classics book, available now in a variety of formats. Be sure to stick with today’s blog post until the end, for a special Code the Classics offer.

From Pong to Boing!

To show how a game like Pong can be coded, we’ve created Boing! using Pygame Zero, a beginner-friendly tool for making games in Python. It’s a good starting point for learning how games work – it takes place on a single screen without any scrolling, there are only three moving objects in the game (two bats and a ball), and the artificial intelligence for the computer player can be very simple – or even non-existent, if you’re happy for the game to be multiplayer only. In this case, we have both single-player and two-player modes.

The code can be divided into three parts. First, there’s the initial startup code. We import from other Python modules so we can use their code from ours. Then we check to make sure that the player has sufficiently up-to-date versions of Python and Pygame Zero. We set the WIDTH and HEIGHT variables, which are used by Pygame Zero when creating the game window. We also create two small helper functions which are used by the code.



The next section is the largest. We create four classes: Impact, Ball, Bat, and Game. The first three classes inherit from Pygame Zero’s Actor class, which amongst other things keeps track of an object’s location in the game world, and takes care of loading and displaying sprites. Bat and Ball define the behaviour of the corresponding objects in the game, while Impact is used for an animation which is displayed briefly whenever the ball bounces off something. The Game class’s job is to create and keep track of the key game objects, such as the two bats and the ball.

Further down, we find the update and draw functions. Pygame Zero calls these each frame, and aims to maintain a frame rate of 60 frames per second. Gameplay logic, such as updating the position of an object or working out if a point has been scored, should go in update, while in draw we tell each of the Actor objects to draw itself, as well as displaying backgrounds, text, and suchlike.



Our update and draw functions make use of two global variables: state and game. At any given moment, the game can be in one of three states: the main menu, playing the game, or the game-over screen. The update and draw functions read the state variable and run only the code relevant to the current state. So if state is currently State.MENU, for example, update checks to see if the SPACE bar or the up/down arrows are pressed and updates the menu accordingly, and draw displays the menu on the screen. The technical term for this kind of system is ‘finite state machine’.

The Game class’s job is to create and keep track of the key game objects

The game variable references an instance of the Game class as described above. The __init__ (constructor) method of Game optionally receives a parameter named controls. When we create a new Game object for the main menu, we don’t provide this parameter and so the game will therefore run in attract mode – in other words, while you’re on the main menu, you’ll see two computer-controlled players playing against each other in the background. When the player chooses to start a new game, we replace the existing Game instance with a new one, initialising it with information about the controls to be used for each player – if the controls for the second player are not specified, this indicates that the player has chosen a single-player game, so the second will be computer-controlled.

Two types of movement

In Boing!, the Bat and Ball classes inherit from Pygame Zero’s Actor class, which provides a number of ways to specify an object’s position. In this game, as well as games in later chapters, we’re setting positions using the x and y attributes, which by default specify where the centre of the sprite will be on the screen. Of course, we can’t just set an object’s position at the start and be done with it – if we want it to move as the game progresses, we need to update its position each frame. In the case of a Bat, movement is very simple. Each frame, we check to see if the relevant player (which could be a human or the computer) wants to move – if they do, we either subtract or add 4 from the bat’s Y coordinate, depending on whether they want to move up or down. We also ensure that the bat does not go off the top or bottom of the screen. So, not only are we only moving along a single axis, our Y coordinate will always be an integer (i.e. a whole number). For many games, this kind of simple movement is sufficient. Even in games where an object can move along both the X and Y axes, we can often think of the movement along each axis as being separate. For example, in the next chapter’s game, Cavern, the player might be pressing the right arrow key and therefore moving along the X axis at 4 pixels per frame, while also moving along the Y axis at 10 pixels per frame due to gravity. The movement along each axis is independent of the other.

Able to move at any angle, the ball needs to move at the same speed regardless of its direction

For the Ball, things get a bit more complicated. Not only can it move at any angle, it also needs to move at the same speed regardless of its direction. Imagine the ball moving at one pixel per frame to the right. Now imagine trying to make it move at a 45° angle from that by making it move one pixel right and one pixel up per frame. That’s a longer distance, so it would be moving faster overall. That’s not great, and that’s before we’ve even started to think about movement in any possible direction.

The solution is to make use of vector mathematics and trigonometry. In the context of a 2D game, a vector is simply a pair of numbers: X and Y. There are many ways in which vectors can be used, but most commonly they represent positions or directions.

You’ll notice that the Ball class has a pair of attributes, dx and dy. Together these form a vector representing the direction in which the ball is heading. If dx and dy are 1 and 0.5, then each time the ball moves, it’ll move by one pixel on the X axis and a half a pixel on the Y axis. What does it mean to move half a pixel? When a sprite is drawn, Pygame Zero will round its position to the nearest pixel. So the end result is that our sprite will move down the screen by one pixel every other frame, and one pixel to the right every frame (Figure 1).

We still need to make sure that our object moves at a consistent speed regardless of its direction. What we need to do is ensure that our direction vector is always a ‘unit vector’ – a vector which represents a distance of one (in this case, one means one pixel, but in some games it will represent a different distance, such as one metre). Near the top of the code you’ll notice a function named normalised. This takes a pair of numbers representing a vector, uses Python’s math.hypot function to calculate the length of that vector, and then divides both the X and Y components of the vector by that length, resulting in a vector which points in the same direction but has a length of one (Figure 2).

Vector maths is a big field, and we’ve only scratched the surface here. You can find many tutorials online, and we also recommend checking out the Vector2 class in Pygame (the library on top of which Pygame Zero is built).

Try Boing!

Update Raspbian to try Boing! and other Code the Classics games on your Raspberry Pi.

The full BOING! tutorial, including challenges, further explanations, and a link to the downloadable code can be found in Code the Classics, the latest book from Raspberry Pi Press.

We’re offering £1 off Code the Classics if you order it before midnight tomorrow from the Raspberry Pi Press online store. Visit the store now, or use the discount code PONG at checkout if you make a purchase before midnight tomorrow.

As always, Code the Classics is available as a free PDF from the Wireframe website, but we highly recommend purchasing the physical book, as it’s rather lovely to look at and would make a great gift for any gaming and/or coding enthusiast.

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Raspberry Pi Christmas Shopping Guide 2019

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/raspberry-pi-christmas-shopping-guide-2019/

Stuck for what to buy your friends and family this Christmas? Whether you’re looking to introduce someone to Raspberry Pi and coding, or trying to find the perfect gift for the tech-mad hobbyist in your life, our Christmas Shopping Guide 2019 will help you complete your shopping list. So, let’s get started…

The good ol’ Raspberry Pi

They’ve asked for a Raspberry Pi but not told you which one they want? You know they like coding but don’t know where to start? They’re an avid baker and you think they may have spelt ‘pie’ wrong on their Christmas list? No problem, we’ve got you sorted.

Raspberry Pi 4 Desktop Kit

With everything you need to get started using Raspberry Pi 4, the Raspberry Pi 4 Desktop Kit contains our official mouse, keyboard with an integrated USB hub, USB-C power adapter, case, two micro HDMI leads, our Beginner’s Guide and, of course, the 4GB Raspberry Pi 4. Available from our Approved Resellers and the Raspberry Pi Store, Cambridge, the Desktop Kit is the perfect gift for anyone who’s wanting to get started with coding and digital making, or who’s simply looking to upgrade their current home computer to a smaller, less power-hungry setup.

Visit the Raspberry Pi Store, Cambridge, or find your nearest Approved Reseller online.

Raspberry Pi Zero W

Raspberry Pi Zero WH

The smallest Raspberry Pi still packs a punch despite its size and price. For $10, Raspberry Pi Zero W is perfect for embedding into projects and, with onboard Bluetooth and wireless LAN, there are fewer cables to worry about. Buy a Raspberry Pi Zero W with or without pre-soldered header pins, and pop it in someone’s stocking this Christmas as a great maker surprise.

Visit the Raspberry Pi Store, Cambridge, or find your nearest Approved Reseller online.

Get Started with Raspberry Pi 3A+

 

This isn’t just a book: it’s a book with a computer on the front. Getting Started with Raspberry Pi is a great gift for anyone curious about coding and, at £35, it’s a pretty affordable gift to give this festive season. Alongside the 116-page getting-started guide, the package also contains a Raspberry Pi 3A+, official case, and 16GB micro SD card pre-loaded with NOOBs. Raspberry Pi 3A+ can be powered with a good-quality micro USB phone charger, and it can be connected to any TV or computer display via standard HDMI. Grab a keyboard and mouse — you’ll be surprised how many people have a keyboard and mouse lying around — and you’re good to go!

Order your gift today from the Raspberry Pi Press online store, with international shipping available.

A full range of all Raspberry Pi variants, official accessories, and add-ons can be found on our products page.

A Raspberry Pie

Don’t be lazy, make your own!

Books

Raspberry Pi Press has released a small library’s worth of publications these last few months — have you ordered all your copies yet?





Pre-orders are now open for our glorious Code the Classics, so secure your copy now for the 13 December release date, with free UK shipping. And, while you’re on our Raspberry Pi Press page, check out our latest range of publications to suit all techy interests: Retro Gaming with Raspberry Pi will show the budding gamer in your life how to build their own Raspberry Pi retro arcade to play their Code the Classics favourites on, while Book of Making 2 and Raspberry Pi Projects Book 5 will inspire them to make all manner of amazing projects, from electronics and woodworking to crafts and rockets.


An Introduction to C and GUI programming by Simon Long

If they’re already full to the brim with Raspberry Pi, why not treat them to our Get Started with Arduino guide so they can expand upon their electronics skills. We also offer a host of established publications at discounted prices, including Sophy Wong’s Wearable Tech Projects, An Introduction to C & GUI Programming, and previous volumes of the Book of Making and the Raspberry Pi Projects Book.

Visit the Raspberry Pi Press online store, or head to the Raspberry Pi Store, Cambridge to find all our publications. You may also find a selection in your local WHSmith, Sainsbury’s, or Barnes & Noble.

Magazine subscriptions

Subscriptions are available for all of our magazines. 12-month subscribers to The MagPi magazine will receive a free Raspberry Pi, while a 12-month subscription to HackSpace magazine will net you a free Adafruit Circuit Playground Express.

Subscribers to Wireframe magazine, Custom PC magazine, and Digital SLR Photography will save up to 49% compared to newsstand prices, with many subscription options to choose from.

Babbage Bear

Everyone needs a Babbage Bear. Your new Babs will come complete with their own Raspberry Pi-branded shirt. And, with some felt, stuffing, and a stapler, you can make them as festive as ours in no time!

Order yours online, or buy Babbage at the Raspberry Pi Store, Cambridge.

Great third-party add-ons and essential kit

The Pi Hut’s 3D Xmas Tree

This newest iteration of The Pi Hut 3D Xmas Tree includes programmable RGB LEDs! Simply detach the two halves of the tree from their frame, slot them together, and place them onto the GPIO pins of your Raspberry Pi. With the provided libraries of code, the tree will be lit up and merry before you know it.

How about programming it to flash to your favourite Christmas song? Get yours today from The Pi Hut and the Raspberry Pi Store, Cambridge.

Pimoroni Pirate Radio

“Pirate Audio Speaker,” Pimoroni explain “is perfect for making a Lilliputian radio, sound effect player, or even as a teeny-weeny games console!”

Attach this HAT to any 40-pin Raspberry Pi and start creating a whole host of wonderful audio-visual projects — such as a Christmas #1 jukebox — to get you in the mood for your office party.

Available from the Pimoroni website and the Raspberry Pi Store, Cambridge.

PocketMoneyTronics GPIO Christmas Tree

This super-cute GPIO add-on allows users to write their own light shows via GPIO. Available for £4 from the Raspberry Pi Store, Cambridge, and the PocketMoneyTronics website, it’s a nice festive addition to any coders stocking.

Full instructions are provided with the kit, and are also available online. Buy the kit pre-soldered or loose, depending on your giftee’s soldering skills.

Visit the websites of all our Approved Resellers for more great Raspberry Pi gifts. Find your local Approved Reseller by selecting your country from the dropdown menu on any Raspberry Pi Products page.

Essential kit

Fill their maker kit this festive season, with a whole host of great components and tools. A soldering iron is a great way for coders to start bringing their projects out into the real world, allowing them to permanently add sensors, lights, buttons, etc. to their Raspberry Pi. They’ll also need one if they want to add header pins to the $5 Raspberry Pi Zero and $10 Raspberry Pi Zero W.

You can never have enough LEDs. Available in a variety of sizes and colours, you can find packs of LEDs online or in your local electronics store.

Never underestimate the importance of a cutting mat. Not only will it save your tabletop from craft knife cuts and soldering iron burns, but they also look great in photos for when its time to show of their latest project!

Amazon Smile

If you plan on making online purchases via Amazon, please consider selecting the Raspberry Pi Foundation via Amazon Smile! Your items will still be the same cost to you, but Amazon will donate a portion of the purchase price to help us continue to make free computer science education available to adults  and young people everywhere.

  • Amazon Smile for the UK
  • Amazon Smile for the US
  • For those of you based elsewhere, we’re pretty sure that you just need to add smile. before amazon in the Amazon web address you use in your country, so give that a try. If that doesn’t work, try searching for Amazon Smile via your prefered search engine.

Our gift to you

We wanted to give you a gift this festive season, so we asked the incredibly talented Sam Alder to design an illustration for you to print or use as your desktop wallpaper.

The poster is completely free for you to use and can be opened by clicking on the image above. We just ask that you don’t sell it, print it onto a t-shirt or mug, tattoo it onto your body, or manipulate it. But do feel free to print it as a poster for your home, classroom, or office, or to upload it as your computer wallpaper. And, when you do, be sure to take a photo and share it with us on social media.

You can also download a wider version of the image.

Happy gift-giving this 2019!

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Pre-order Code the Classics today!

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/pre-order-code-the-classics-today/

Today, we are proud to announce Code the Classics, the latest (and long-awaited) publication from Raspberry Pi Press.

Pre-order Code the Classics today

Subscribe to our YouTube channel: http://rpf.io/ytsub Help us reach a wider audience by translating our video content: http://rpf.io/yttranslate Buy a Raspberry Pi from one of our Approved Resellers: http://rpf.io/ytproducts Find out more about the #RaspberryPi Foundation: Raspberry Pi http://rpf.io/ytrpi Code Club UK http://rpf.io/ytccuk Code Club International http://rpf.io/ytcci CoderDojo http://rpf.io/ytcd Check out our free online training courses: http://rpf.io/ytfl Find your local Raspberry Jam event: http://rpf.io/ytjam Work through our free online projects: http://rpf.io/ytprojects Do you have a question about your Raspberry Pi?

Code the Classics

Code the Classics not only tells the stories of some of the seminal video games of the 1970s and 1980s, but shows you how to create your own games inspired by them using Python and Pygame Zero, following examples programmed by Raspberry Pi founder Eben Upton.

Get game design tips and tricks from the masters. Explore the code listings and find out how they work.

Learn how to code your own games with Pygame Zero. Download and play games examples by Eben Upton.

Pre-order Code the Classics today

Code the Classics is available to pre-order now from the Raspberry Pi Press online store, and it will be released in time for Christmas on 13 December. Pre-order today for FREE UK shipping.

Code the Classics is the perfect gift for anyone with fond memories of the video games of the 1970s and 1980s, and it’s also a brilliant way for young coders to get into understanding the code mechanics behind gaming, helping to inspire them to create their own.

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Get started with… Arduino?

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/get-started-ardunio/

Yes, you read that title right, and no, you haven’t accidentally stumbled upon the Arduino Foundation’s website. Today, we’re pleased to announce a new addition to the Raspberry Pi Press family: Get Started with Arduino, a complete how-to guide to help you get hands on with the other pocket-sized board.

But why?

Why not? Our mission is to put the power of computing and digital making into the hands of people all over the world. Whether you’re using a Raspberry Pi, an Arduino, or any other piece of digital making kit, if you’re creating with tech, we’re happy. And Raspberry Pi and Arduino make wonderful project partners for all kinds of build.

What’s in the book?

Get Started with Arduino is packed full of how-tos and project tutorials to help you get better acquainted with the little blue microcontroller. Whether you’re brand new to digital making, a die-hard Raspberry Pi fan looking to expand your maker skillset, or simply a bit of a bookworm, Get Started with Arduino is a super addition to your bookshelves.


Aren’t Raspberry Pi and Arduino the same kind of thing?

Arduino is a microcontroller, while Raspberry Pi is a full computer. Microcontrollers don’t usually run a mainstream operating system, but they’re extremely power-efficient, so they can be great for projects that can’t stay plugged into the mains. You need to use a separate computer to set up your Arduino, but you can do everything on a Raspberry Pi itself… including setting up an Arduino. As we said, the two work really well together in some projects: for example, you might build a robot where the Raspberry Pi handles intensive processing tasks and provides you with a friendly environment for developing your code, while the Arduino handles precise real-time control of the motors.

Buy Get Started with Arduino today

Get Started with Arduino is out now! It’s available from the Raspberry Pi Press website with free international shipping, from the Raspberry Pi Store in Cambridge, and from WHSmith in the UK; it’ll reach Barnes & Noble stores in the US in a week or so.

Also out today…

HackSpace magazine issue #25 is also out today, available from the Raspberry Pi Press website, the Raspberry Pi Store in Cambridge, and every newsagent that’s worth its salt.

And, if that’s not enough, Wireframe magazine issue 27 is also out today, and it too is available from Raspberry Pi Press, the Raspberry Pi Store, and newsagents across the UK.

But wait, there’s more!

In case you missed it, on Monday we released Retro Gaming with Raspberry Pi, your one-stop guide to creating and playing classic retro games on your Raspberry Pi.

Did someone say free?

For getting this far in today’s blog, here’s your reward: Get Started with Arduino, HackSpace magazine, Wireframe magazine and Retro Gaming with Raspberry Pi are all available as free PDF downloads. However, when you buy our publications, you’re supporting the work of the Raspberry Pi Foundation to bring computing to everyone, as well as the continued production of even more great magazines and special edition books. So, you know what to do.

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What’s inside the Raspberry Pi 4 Desktop Kit?

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/whats-inside-the-raspberry-pi-4-desktop-kit/

The Raspberry Pi 4 Desktop Kit is the perfect gift for any budding maker, coder, or Raspberry Pi fanatic. Get yours today from Raspberry Pi Approved Resellers across the globe, and the Raspberry Pi Store, Cambridge.

What’s inside the Raspberry Pi 4 Desktop Kit?

Subscribe to our YouTube channel: http://rpf.io/ytsub Help us reach a wider audience by translating our video content: http://rpf.io/yttranslate Buy a Raspberry Pi from one of our Approved Resellers: http://rpf.io/ytproducts Find out more about the #RaspberryPi Foundation: Raspberry Pi http://rpf.io/ytrpi Code Club UK http://rpf.io/ytccuk Code Club International http://rpf.io/ytcci CoderDojo http://rpf.io/ytcd Check out our free online training courses: http://rpf.io/ytfl Find your local Raspberry Jam event: http://rpf.io/ytjam Work through our free online projects: http://rpf.io/ytprojects Do you have a question about your Raspberry Pi?

What’s inside?

The Official Raspberry Pi 4 Desktop Kit includes all you need to hook up your Raspberry Pi to an HDMI monitor or TV and get started.

Raspberry Pi Desktop Kit

Raspberry Pi 4 4GB

Released earlier this year, the Raspberry Pi 4 is the latest development from the Raspberry Pi team. Available in 1GB, 2GB and 4GB variants, the Raspberry Pi Desktop Kit is powerful enough to replace your humble desktop computer.

Official Raspberry Pi keyboard

Snazzy Raspberry Pi keyboard

Designed with Raspberry Pi users in mind, the new official keyboard is both aesthetically and functionally pleasing. Available in various language layouts, the keyboard also contains a USB hub, allowing for better cable management on the go.

Official Raspberry Pi mouse

Natty Raspberry Pi mouse

Light-weight and comfortable to use, the official mouse is the perfect pairing for our keyboard.

Official Raspberry Pi case

Or this side?

Protect your Raspberry Pi from dust and tea spills with the newly-designed Raspberry Pi 4 case. How did we design it? Find out more here.

Official Raspberry Pi Beginners Guide

Updated for the new Raspberry Pi 4, our Official Beginners Guide contains all the information needed to get up and running with your new computer and provides several projects to introduce you to the world of coding. It’s great, but don’t take our word for it; Wired said “The beginners guide that comes with the Desktop Kit is the nicest documentation I’ve seen with any hardware, possibly ever. ”

Official Raspberry Pi USB-C Power Adapter

We’ve updated the Raspberry Pis power supply to USB-C, allowing your new computer to receive all the juice it needs to run while supporting add-ons like HATs and other components.

16GB micro SD Card with NOOBS

Plugin and get started. With the NOOBS pre-loaded on a micro SD card, you can get up and running straight away, without the need to spend time installing your OS.

2x Raspberry Pi Micro HDMI leads

Two?! The Raspberry Pi 4 includes two micro HDMI connectors, which means you can run two monitors from one device.

The immense feeling of joy that you’re making a difference in the world

We’re a charity. 100% of the profit we make when you purchase official Raspberry Pi products goes to support the work of the Raspberry Pi Foundation, and its mission to put the power of computing and digital making into the hands of people all over the world. Thank you!

Get your Raspberry Pi 4 Desktop Kit

To find your nearest Raspberry Pi Approved reseller, visit our products page or the Raspberry Pi Store, Cambridge. We’re constantly working with new suppliers to ensure more availability of Raspberry Pi products across the world.

BONUS: Un-unboxing video for Christmas

Un-unboxing the Raspberry Pi 4 Desktop Kit

Subscribe to our YouTube channel: http://rpf.io/ytsub Help us reach a wider audience by translating our video content: http://rpf.io/yttranslate Buy a Raspberry Pi from one of our Approved Resellers: http://rpf.io/ytproducts Find out more about the #RaspberryPi Foundation: Raspberry Pi http://rpf.io/ytrpi Code Club UK http://rpf.io/ytccuk Code Club International http://rpf.io/ytcci CoderDojo http://rpf.io/ytcd Check out our free online training courses: http://rpf.io/ytfl Find your local Raspberry Jam event: http://rpf.io/ytjam Work through our free online projects: http://rpf.io/ytprojects Do you have a question about your Raspberry Pi?

 

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New book (with added computer): Get Started with Raspberry Pi

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/new-book-get-started-with-raspberry-pi/

The Raspberry Pi Press is really excited to announce the release of Get Started with Raspberry Pi. This isn’t just a book about a computer: it’s a book with a computer.

Ideal for beginners, this official guide and starter kit contains everything you need to get started with Raspberry Pi.

Inside you’ll find a Raspberry Pi 3A+, the official case, and a 16GB microSD memory card – preloaded with NOOBS, containing the Raspbian operating system. The accompanying 116-page book is packed with beginner’s guides to help you master your new Raspberry Pi!

  • Set up your new Raspberry Pi 3A+ for the first time.
  • Discover amazing software built for creative learning.
  • Learn how to program in Scratch and Python.
  • Control electronics: buttons, lights, and sensors.

A brilliant Christmas gift idea, it’s available now in the Raspberry Pi Press store. As always, we have also released the guide as a free PDF – minus the 3A+, case and SD card, of course!

Raspberry Pi Beginner’s Guide 3rd Edition

And that’s not all! We have also created a new edition of our popular Raspberry Pi Beginner’s Guide book.

As well as covering Raspberry Pi 4, this 252-page book features programming and physical computing projects updated for Scratch 3, which is available in the latest version of Raspbian.

It’s available now in the Raspberry Pi Press Store, with free worldwide delivery. And, as always, you can also download a free PDF version.

Free downloads: why?

Curious minds should make note that Raspberry Pi Press releases free downloadable PDFs of all publications on launch day. Why? Because, in line with our mission statement, we want to put the power of computing and digital making into the hands of people all over the world, and that includes the wealth of information we publish as part of Raspberry Pi Press.

We publish new issues of Wireframe magazine every two weeks, new issues of HackSpace magazine and The MagPi magazine every month, and project books such as The Book of Making, Wearable Tech Projects, and An Introduction to C & GUI Programming throughout the year.

If you’d like to own a physical copy of any of our publications, we offer free international shipping across our product range. You’ll also find many of our magazines in top UK supermarkets and newsagents, and in Barnes and Noble in the US.

 

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The NEW Official Raspberry Pi Beginner’s Guide: updated for Raspberry Pi 4

Post Syndicated from Phil King original https://www.raspberrypi.org/blog/the-new-official-raspberry-pi-beginners-guide-updated-for-raspberry-pi-4/

To coincide with the launch of Raspberry Pi 4, Raspberry Pi Press has created a new edition of The Official Raspberry Pi Beginner’s Guide book — as if this week wasn’t exciting enough! Weighing in at 252 pages, the book is even bigger than before, and it’s fully updated for Raspberry Pi 4 and the latest version of the Raspbian operating system, Buster.A picture of the front cover of the Raspberry Pi Beginner's Guide version two

The Official Raspberry Pi Beginner’s Guide

We’ve roped in Gareth Halfacree, full-time technology journalist and technical author, and the wonderful Sam Alder, illustrator of our incredible cartoons and animations, to put together the only guide you’ll ever need to get started with Raspberry Pi.



From setting up your Raspberry Pi on day one to taking your first steps into writing coding, digital making, and computing, The Official Raspberry Beginner’s Guide – 2nd Edition is great for users from age 7 to 107! It’s available now online from the Raspberry Pi Press store, with free international delivery, or from the real-life Raspberry Pi Store in Cambridge, UK.

As always, we have also released the guide as a free PDF, and you’ll soon be seeing physical copies on the shelves of Waterstones, Foyles, and other good bookshops.

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Liverpool MakeFest | HackSpace magazine #19

Post Syndicated from Ben Everard original https://www.raspberrypi.org/blog/liverpool-makefest-hackspace-magazine-19/

The news that UK Maker Faire was to shut its doors came as a bit of a surprise to many. This vibrant weekend of makers meeting, sharing, and learning was absolutely brilliant, and left us fizzing with ideas after our visits there. We’re sad that it’s gone.

Makers being makers though, if there’s demand, it will be filled. And that’s exactly what’s happening in Liverpool with Liverpool MakeFest. On 29 June 2019, the MakeFest will hold its fifth iteration. This is the UK’s biggest free maker event, attracting thousands of visitors, and its vision of a free, maker-focused festival is spreading far and wide.

We visited the mid-Victorian splendour of Liverpool Central Library, the home of MakeFest, to talk to the founders — Denise Jones, Mark Feltham, and Caroline Keep — to find out what makes this event special.

Liverpool MakeFest 2019 is taking place at the Central Library, Saturday 29 June 2019, and it’s completely free to attend

HackSpace magazine: Hello! Thanks for having us over here. How did the three of you come together to start Liverpool MakeFest?

Caroline Keep: I was a geotechnical engineer, Mark’s an academic, and Denise is a librarian. We bumped into each other watching a workshop in lantern making. Mark had all the academic experience. When I came to work with Mark on his makerspace, I was the geeky maker — he didn’t even have a smartphone at that time. I got the education bug and then moved into secondary school teaching.

Mark Feltham: It all started over there, as a chance meeting. We bumped into each other and got chatting. Within six weeks, we’d filled the library. We thought it would be a one-off, but since then it’s taken off.

Caroline is the reigning TES New Teacher Of The Year

HS: So no business plan, no franchising fees, no world domination?

CK: We’ve just winged it. We made all the banners, bunting. The first year my PGCE fund paid for MakeFest! This building reopened again in 2013, and in 2014 we were lucky that they were running a programme of events and initiatives to make it a really vibrant building, so it was the right time as well. We thought we’d have a little room off to the side and get maybe six tables. We’d already done a Mini Maker Faire, and we’ve always been good friends with [local makerspace] DoES Liverpool, so we were confident we’d get at least a few people turning up. And in six weeks we were full.

MF: We pulled the first one off, we’re talking the first three floors of the library and 60 makers, for £850. And that included feeding them and making badges as well.

One of the spin-offs that have come out of MakeFest is Little Sandboxes, which takes making out to deprived areas of the city

HS: For context, this building is huge. It’s bigger than most libraries; it’s probably about the same size as the Life Centre in Newcastle, where UK Maker Faire was held until recently. It must have helped to have a librarian on board to negotiate with the powers that be?

Denise Jones: I had to sell it to the people in charge back then, which were the head of service and the manager of this building. The Department for Culture, Media and Sport has a Taskforce for Libraries, which is funded until next year. We’re close to finishing the national guidance now for the Taskforce — the idea is to get one of these [MakeFests] in every library. We wanted the guidance doc to be inclusive of museums and libraries, because we knew that Manchester had opted to put their MakeFest in a museum. We’ve got Chester and Stoke MakeFest, and there’s one in the pipeline in Wrexham. We were having the same conversations over and over again, so we decided to write a document: how to run a MakeFest.

Liverpool Central Library was renovated a few years ago — the precious books went into temporary storage in a salt mine in Cheshire to keep them dry

HS: What have we got to look forward to this year and beyond?

CK: That’s a good question. We’ve got some corking stuff coming this year. We’ve given it the theme ’Space and time – creativity in the making’. We’ve got events planned for the Apollo anniversary, and [just] before MakeFest we’re going to kick off with a music day, showing people how to make music, and making the instruments to make music. That’s another spin-off that’s come out of MakeFest: the MakerNoise Unconference at Edge Hill University.

MF: We’ve always felt that we hold MakeFest in trust for makers. In terms of where it goes long-term, I don’t see it ever becoming more than a one-day event here, because one day is good. It gives people Sunday to get over things, and get home because they have day jobs on a Monday. We’re always very sensitive to that, we don’t want to take up too much of people’s time. The other thing is that I don’t see it spilling out into a bigger building; it’s always going to be in the library. But the way to grow it is to put it in other libraries. Not to make this one, Liverpool, bigger and take over. Then each maker community gets its own feel, and its own vibe — Stoke MakeFest has a very different feel to ours, because their maker scene is different to ours, and their city is different to ours.

The other way to expand it is that, rather than by just expanding to other cities, you can have more events on throughout the year. Rather than being solely a one-day event, you can have all these spin-offs, so once a month there’s something going on. Rather than it just being about tech and digital, we’ve always liked to have some sort of fantasy element. Things like Doctor Who, Star Wars, Darth Vader, K-9 — the kids love that. We have a lot of friends who are into steampunk; they get roped in to do front-of-house duties. You know what the funny thing was at the first one? Not only did the public enjoy it, but also the makers. It’s kind of like a musician playing an acoustic set. We’ve got a get-together on the Thursday before, we’ve got a Friday night party going, we always do an after-party. The public come on the Saturday, but there’s always stuff going on that week for makers.

In addition to always wanting it to be free for the public, and for the makers to not have to pay for their stand, we feel very strongly that we should give something back. We always give them lunch, we always give them a badge, and there’s always a party. We can’t pay them, but it’s our way of showing our appreciation to the makers who come and make it what it is. The celebration and sharing are big parts of the maker ethos.

People like to show [their projects] not to show off, not to say ‘Look at how clever I am’ — it’s more to say ‘Look at this awesome thing, isn’t this cool?’ Trying to explain that to people can be tricky. You can make this: here’s how you do it. That’s the ethos.

CK: I always feel with MakeFest — you said it’s like an acoustic gig. I always envisioned it as Liverpool’s party for makers. It’s our little get-together, and that’s how I like it.

Read the full interview in HackSpace magazine issue 19, out now! This month we’re looking at building a walking robot, laser cutting LED jewellery, the 55 timer chip, and much more. Download the issue for free, or buy it in print on our website.

Get HackSpace magazine issue 19 from all good newsagents

Special subscription offer

To have 132 pages of making delivered to your doorstep every month, subscribe to HackSpace magazine from just £5 for your first three issues.

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Raspberry Pi Press: what’s on our newsstand?

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/raspberry-pi-press-newsstand/

Raspberry Pi Press, the publishing branch of Raspberry Pi Trading, produces a great many magazines and books every month. And in keeping with our mission to make computing and digital making as accessible as possible to everyone across the globe, we make the vast majority of our publications available as free PDFs from the day we release new print versions.

We recently welcomed Custom PC to the Press family and we’ve just published the new-look Custom PC 190. So this is a perfect time to showcase the full catalogue of Raspberry Pi Press publications, to help you get the most out of what we have on offer.

The MagPi magazine

The MagPi was originally created by a group of Raspberry Pi enthusiasts from the Raspberry Pi forum who wanted to make a magazine that the whole community could enjoy. Packed full of Pi-based projects and tutorials, and Pi-themed news and reviews, The MagPi now sits proudly upon the shelves of Raspberry Pi Press as the official Raspberry Pi magazine.

The MagPi magazine issue 81

Visit The MagPi magazine online, and be sure to follow them on Twitter and subscribe to their YouTube channel.

HackSpace magazine

The maker movement is growing and growing as ever more people take to sheds and makerspaces to hone their skills in woodworking, blacksmithing, crafting, and other creative techniques. HackSpace magazine brings together the incredible builds of makers across the world with how-to guides, tips and advice — and some utterly gorgeous photography.

Visit the HackSpace magazine website, and follow their Twitter account and Instagram account.

Wireframe magazine

“Lifting the lid on video games”, Wireframe is a gaming magazine with a difference. Released bi-weekly, Wireframe reveals to readers the inner workings of the video game industry. Have you ever wanted to create your own video game? Wireframe also walks you through how you can do it, in their ‘The Toolbox’ section, which features tutorials from some of the best devs in the business.

Follow Wireframe magazine on Twitter, and learn more on their website.

Hello World magazine

Hello World is our free magazine for educators who teach computing and digital making, and we produce it in association with Computing at Schools and the BCS Academy of Computing. Full of lesson plans and features from teachers in the field, Hello World is a unique resource for everyone looking to bring computing into the classroom, and for anyone interested in computing and digital making education.

Hello World issue 8

Educators in the UK can subscribe to have Hello World delivered for free to their door; if you’re based somewhere else, you can download the magazine for free from the day of publication, or purchase it via the Raspberry Pi Press online store. Follow Hello World on Twitter and visit the website for more.

Custom PC magazine

New to Raspberry Pi Press, Custom PC is the UK’s best-selling magazine for PC hardware, overclocking, gaming, and modding. With monthly in-depth reviews, special features, and step-by-step guides, Custom PC is the go-to resource for turning your computer up to 11.

Visit the shiny new Custom PC website, and be sure to follow them on Twitter.

Books

Magazines aren’t our only jam: Raspberry Pi Press also publishes a wide variety of books, from introductions to topics like the C programming language and Minecraft on your Pi, to our brand-new Raspberry Pi Beginner’s Guide and the Code Club Book of Scratch.

An Introduction to C and GUI programming by Simon Long


We also bridge the gap between our publications with one-off book/magazine hybrids, such as HackSpace magazine’s Book of Making and Wearable Tech Projects, and The MagPi’s Raspberry Pi Projects Book series.



Getting your copies

If you’d like to support our educational mission at the Raspberry Pi Foundation, you can subscribe to our magazines, and you can purchase copies of all our publications via the Raspberry Pi Press website, from many high street newsagents, or from the Raspberry Pi Store in Cambridge. And most of our publications are available as free PDFs so you can get your hands on our magazines and books instantly.

Whichever of our publications you choose to read, and however you choose to read them, we’d love to hear what you think of our Raspberry Pi Press offerings, and we hope you enjoy them all.

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How musical game worlds are made | Wireframe #8

Post Syndicated from Ryan Lambie original https://www.raspberrypi.org/blog/how-musical-game-worlds-are-made-wireframe-8/

88 Heroes composer Mike Clark explains how music and sound intertwine to create atmospheric game worlds in this excerpt from Wireframe issue 8, available now.

Music for video games is often underappreciated. When I first started writing music in my bedroom, it took me a while to realise how much I was influenced by the worlds that came from my tiny CRT TV. A couple of years ago, I was lucky enough to be approached by Bitmap Bureau, an indie startup who hired me to compose the music for their first game, 88 Heroes.

88 Heroes is a platformer styled like a Saturday morning cartoon. Interestingly, cartoon soundtracks have a lot in common with those for stage productions: short musical cues accompany the actions on screen, so if someone violently falls downstairs, you hear a piano rolling down the keys. This is called ‘mickey mousing’ in cartoons, but we hear similar things in film soundtracks.

Take Raiders of the Lost Ark, scored by John Williams: for every heroic rope swing, leap of faith, or close encounter with danger, the main theme can be heard powering through the dissonances and changing rhythms. It fills the audience with hope and becomes synonymous with the lead character – we want to see him succeed. Let’s not forget the title theme. Every time you see the Star Wars logo, does that grand title theme play in your head? It’s the same with video games. The challenge here, of course, is that players often leave the title screen after three seconds.

Three seconds is all you need though. Take Super Mario World’s soundtrack, composed by Koji Kondo. Many of its levels have the same leading melody, which changes subtly in tonality and rhythm to create the appropriate mood. The most repeating part of the melody is four bars long, but we hear it in so many forms that we only need the first two bars to know where it’s from. In classical music, this is called ‘variations on a theme’. In video games, we call it a ‘sonic identity’.

Action platformer 88 Heroes, featuring music by Mike Clark.

How a picture should ‘sound’

Sonic identity informed my approach to the 88 Heroes soundtrack. The title screen tells us that an unknown group is going to save the day. I first thought about unlikely heroes who end up on an adventure, and Back to the Future, scored by Alan Silvestri, sprang to mind. The second inspiration came from traditional superheroes, like Superman. I composed a melody which travels between the first and fifth notes in the scale (in this case C and G), with little flourishes of the notes in-between. It’s a triumphant, heroic melody.

This concept helps to connect these worlds beyond their visuals. It took a long time for games to evolve into the cohesive open-world sandboxes or MMOs we see today; the technology that masked loading screens to create a seamless experience was unheard of in the 1990s, so a melody that you hear in different ‘costumes’ gives these games a sense of cohesion.

Intelligent instruments

What if you have levels (or worlds) so big that some areas need to be loaded? That’s where non-linear composition comes in. Banjo-Kazooie, released for the N64 in 1998, was among the first 3D games to feature dynamic music. It used a technique called MIDI channel fading. MIDI stands for Musical Instrument Digital Interface; think of it as a universal language for music that is played back in real time by the hardware. As you walk into caves, fly in the sky, or move near certain characters, instruments fade in and out using the different MIDI channels to mimic the atmosphere, give the player an audio cue, and build and release tension.

Learning how to write music that changes as you play might seem impossible at first, but it becomes second nature once you understand the relationship between every instrument in your composition. Many digital audio workstations, like Logic and FL Studio, let you import MIDI data for a song (so you have all the notes in front of you) and set the instruments yourself. Try slowly fading out or muting certain tracks altogether, and listen to how the mood changes. What could this change represent in a video game? It’s like when you’re riding Yoshi in many of the Mario games; the fast bongos come in to represent the quick-footed dinosaur as he dashes at high speeds.

Undertale’s soundtrack blends analogue synth instruments with a plethora of real instruments to help create emotion.

Music is used to evoke emotions that wouldn’t be possible with visuals alone. Beep: A Documentary History of Game Sound shows a six-second video of a boat accompanied by two soundtracks; one is a light and happy guitar piece, the other a grating, scary, orchestral dissonance. Through these two extremes, the music creates the mood by itself. I remember playing Metroid Prime and finding the Chozo Ghost enemies rather scary, not because of their appearance, but because of the unnerving music that accompanies them. Music and sound design are one and the same. Think about what feelings you can create by taking music away entirely — it’s a great way to create tension before a boss battle or pivotal plot point, and it really works. In Undertale, scored by Toby Fox, there are times when the music stops so abruptly during NPC dialogue that you feel shivers down your spine.

So, what if you’re trying to come up with some game music, and you have writer’s block? Well, the next time you play a new game, turn the sound off. As you’re playing, focus on how the story, art, or characters make you feel, and focus on the emotions the game is trying to convey. Then, think of a time when a song made you feel happy, sad, joyful, anxious, or even frightened. Maybe you can use the music to create the mood you want for that game, as opposed to what the game makes you feel. By finding these emotions and understanding how they can change, you’ll be able to write a score that helps strengthen the immersion, escapism, and player investment in your game.

You can read the rest of the feature in Wireframe issue 8, available now in Tesco, WHSmith, and all good independent UK newsagents.

Or you can buy Wireframe directly from us – worldwide delivery is available. And if you’d like to own a handy digital version of the magazine, you can also download a free PDF.

Markets, moggies, and making in Wireframe issue 8

Make sure to follow Wireframe on Twitter and Facebook for updates and exclusives, and for subcriptions, visit the Wireframe website to save 49% compared to newsstand pricing!

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Inside the Dreamcast homebrew scene | Wireframe issue 7

Post Syndicated from Ryan Lambie original https://www.raspberrypi.org/blog/wireframe-7-inside-dreamcast-homebrew-scene/

Despite its apparent death 17 years ago, the Sega Dreamcast still has a hardcore group of developers behind it. We uncover their stories in this excerpt from Wireframe issue 7, available now.

In 1998, the release of the Dreamcast gave Sega an opportunity to turn around its fortunes in the home console market. The firm’s earlier system, the Saturn, though host to some beloved titles, was running a distant third in sales behind the Nintendo 64 and PlayStation. The Dreamcast, by contrast, saw a successful launch and quickly became the go-to system for arcade-quality ports of fighting games, among other groundbreaking titles like Seaman and Crazy Taxi.

Unfortunately for fans, it wasn’t to last. The Dreamcast struggled to compete against the PlayStation 2, which launched in 2000, and at the end of March 2001, in the face of the imminent launch of the Nintendo GameCube and Microsoft’s new Xbox, Dreamcast left the stage, and Sega abandoned the console market altogether.

None of this stopped a vibrant homebrew development scene springing up around the console in Sega’s place, and even years later, the Dreamcast remains a thriving venue for indie developers. Roel van Mastbergen codes for Senile Team, the developers of Intrepid Izzy, a puzzle platformer coming soon to the PC, PS4, and Dreamcast.

Of the port to Sega’s ageing console, van Mastbergen tells us, “I started this project with only the PC in mind. I’m more used to developing for older hardware, though, so I tend to write code with low CPU and RAM requirements by force of habit. At some point I decided to see if I could get it running on the Dreamcast, and I was happy to find that it ran almost perfectly on the first try.”

It runs at a lower resolution than on PC, but Intrepid Izzy still maintains a smooth 60fps on Dreamcast.

One of the pluses of the Dreamcast, van Mastbergen points out, is how easy it is to develop for. “There are free tools and sufficient documentation available, and you can run your own code on a standard Dreamcast without any hardware modifications or hacks.”

Games burned to CD will play in most models of unmodified Dreamcast, usually with no extra software required. While this doesn’t result in a huge market — the customer base for new Dreamcast games is difficult to measure but certainly small — it makes development for original hardware far more viable than on other systems, which often need expensive and difficult-to-install modchips.

Many of the games now being developed for the system are available as digital downloads, but the state of Dreamcast emulation lags behind that of its competitors, with no equivalent to the popular Dolphin and PCSX2 emulators for GameCube and PS2. All this makes boxed games on discs more viable than on other systems — and, in many cases, physical games can also become prized collectors’ items.

Intrepid Izzy is developed with a custom code library that works across multiple systems; it’s simple to downscale PC assets and export a Dreamcast binary.

Kickstarting dreams

By now, you might be asking yourself what the point of developing for these old systems is — especially when creating games for PC is a much easier and potentially more profitable route to take. When it comes to crowdfunding, though, catering to a niche but dedicated audience can pay dividends.

Belgian developer Alice Team, creators of Alice Dreams Tournament, asked for €8000 in funding to complete its Dreamcast exclusive, which began development in 2006. It eventually raised €28,000 — more than treble its goal.

Intrepid Izzy didn’t quite reach such dizzying heights, only just meeting its €35,000 target, but van Mastbergen is clear it wouldn’t have been funded at all without the dedicated Dreamcast base. “The project has been under-funded since the beginning, which is slightly problematic,” van Mastbergen tells us. “Even so, it is true that the Dreamcast community is responsible for the lion’s share of the funding, which is a testament to how well-loved this system still is.”

You can read the rest of the feature in Wireframe issue 7, available in Tesco, WHSmith, and all good independent UK newsagents.

Or you can buy Wireframe directly from us – worldwide delivery is available. And if you’d like to own a handy digital version of the magazine, you can also download a free PDF.

Face your fears in the indie horror, Someday You’ll Return.

Make sure to follow Wireframe on Twitter and Facebook for updates and exclusives, and for subscriptions, visit the Wireframe website to save 49% compared to newsstand pricing!

The post Inside the Dreamcast homebrew scene | Wireframe issue 7 appeared first on Raspberry Pi.

From Wireframe issue 5: Breakthrough Brits in conversation

Post Syndicated from Ryan Lambie original https://www.raspberrypi.org/blog/wireframe-issue-5/

BAFTA-recognised developers Adrienne Law and Harry Nesbitt share their thoughts on making games, work-life balance, and more in this excerpt from Wireframe issue 5, available from today.

It’s certainly ‘woollies and scarf’ weather now, but the low-hanging sun provides a beautiful backdrop as Adrienne and Harry make their daily short walk from home to the ustwo games office. In late 2018, Adrienne Law and Harry Nesbitt were both recognised by BAFTA as Breakthrough Brits: an award given by BAFTA to new and emerging talent across a variety of art and entertainment industries. But that’s not the only thing they have in common — Adrienne and Harry work in the same office and are even housemates.

Monument Valley 2 screenshot

Monument Valley 2

Adrienne is a producer at ustwo games, most recently on the acclaimed puzzler Monument Valley 2. Harry doesn’t work for ustwo, but he’s a regular fixture there, taking a spare desk to work as the lead developer and artist for Alto’s Adventure and its sequel, Alto’s Odyssey.

Alto’s Odyssey screenshot

Alto’s Odyssey

As two professionals early in their careers in an ever-evolving industry, Adrienne and Harry find themselves with much in common, but the routes that led them to working and living together were very different. The pair agreed to take an hour out of their work schedules to speak to Wireframe, and to each other, about their personal experiences of game development, how it feels to release a game, work-life balance, and the potential of games to affect and enrich lives.

Adrienne Law: My route into the games industry was semi-accidental. I played games a lot when I was a kid but didn’t know there was an industry as such to go and work in. I did an English degree thinking that might possibly set me up for going into some kind of creative, story-driven field, which was what interested me. After that, I spent a few years working different jobs — I was a teaching assistant, I worked in finance, retail, marketing, and was circling around trying to get into film and TV industries.

Eventually, I got to the point where I went onto job sites and searched for “production assistant” and that’s where I found a production assistant role going at ustwo games. I thought, “Oh! Production is a thing in games! I didn’t know that.” I decided to just go for it. I ended up having a few interviews with ustwo — I think they were worried because I was quite quiet, and they weren’t sure how much I would step into the role — but they let me through the door and gave me a chance. I’ve been here ever since. I never set out to be in the games industry, but I think I’d been gaining a lot of skills and had an awareness of the medium, so those things combined into making me a good candidate for the role.

I went to an all girls’ school that specialised in maths and science, so there was no reason that I would have thought I couldn’t work in tech, but the school didn’t push the idea of working in tech and coding. I think if I had been aware of it from a younger age, I would have been a programmer.

Harry Nesbitt

Harry Nesbitt: I’ve always thought about working in games. From a young age, I had an interest in how games were made from an artistic standpoint. I would always look up who was responsible for the concept art. Concept art as a job was something I was aware of from a very young age.

Around 2006, when I started at university, indie games weren’t in the mainstream, and making games in your own bedroom wasn’t as popular an idea. When I discovered Unity, I thought “Oh, I can download this for free, and I can learn all the basics online.” I saw examples of illustrators who were downloading it and making cool, interesting little projects — almost like little art pieces — bringing their illustrations to life. It made me realise I could have a play with that. My knowledge of the basics of JavaScript and web development helped me pick up the coding side of things a little bit more easily.

When it came to making Alto’s Adventure, I knew a little bit of Unity and had been playing with it for about 12 months, so I realised I could at least be playing around with it, seeing what’s possible and using it as a way to demonstrate certain ideas.

Within a very short space of time, less than a week maybe, I’d been able to put together a basic prototype of the core systems, such as the terrain generation, basic player physics, even some effects such as particles and Alto’s scarf. It took another year and a half from there to get it finished, but online resources gave me what I needed to eventually get the game made. It’s not necessarily an experience I’d want to repeat though!

You can read the rest of this fantastic feature in Wireframe issue 5, out today, 17 January, in Tesco, WHSmith, and all good independent UK newsagents.

Or you can buy Wireframe directly from us — worldwide delivery is available. And if you’d like to own a handy digital version of the magazine, you can also download a free PDF.

The cutest Wireframe cover to date!

Make sure to follow Wireframe on Twitter and Facebook for updates and exclusives, and for subscriptions, visit the Wireframe website to save 49% compared to newsstand pricing!

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From HackSpace mag issue 14: DIY Geiger counters

Post Syndicated from Andrew Gregory original https://www.raspberrypi.org/blog/from-hackspace-mag-issue-14-diy-geiger-counters/

In HackSpace magazine issue 14, out today, Cameron Norris writes about how citizen scientists at Tokyo Hackerspace took on the Fukushima nuclear disaster.

Safecast is an independent citizen science project that emerged in the wake of the Fukushima nuclear disaster to provide accurate, unbiased, and credible data on radiation exposure in Japan.

On 11 March 2011, an undersea earthquake off the Pacific coast of Thoku, Japan, caused the second-worst nuclear accident in the history of nuclear power generation, releasing almost 30% more radiation than the Chernobyl disaster in 1986.

The magnitude 9.0–9.1 earthquake resulted in a series of devastating tsunami waves that damaged the backup generator of Fukushima Daiichi Nuclear Power Plant. Without functioning cooling systems, the temperature of the plant’s many nuclear reactors steadily began to rise, eventually leading to a partial meltdown and several hydrogen gas explosions, launching nuclear fallout into the air and sea. Due to concerns over possible radiation exposure, the Japanese government established an 18-mile no-fly zone around the Fukushima plant, and approximately 232 square miles of land was evacuated.

However, citizens of Fukushima Prefecture living outside of the exclusion zone were faced with a serious problem: radiation exposure data wasn’t available to the public until almost two months after the meltdown occurred. Many residents felt they had been left to guess if dangerous levels of ionising radiation had contaminated their communities or not.

Alarmed by the situation, Dutch electrical engineer and computer scientist Pieter Franken, who was living in Tokyo with his family at the time, felt compelled to act. “After the massive wall of water, we had this invisible wall of radiation that was between myself and my family-in-law in the north of Japan, so that kind of triggered the start of Safecast,” says Pieter.

Pieter Franken, a Dutchman living in Japan, who helped start Safecast
Image credit: Joi Ito – CC BY 2.0

Pieter picked up an idea from Ray Ozzie, the former CTO of Microsoft, who suggested quickly gathering data by attaching Geiger counters – used for measuring radioactivity – to the outside of cars before driving around Fukushima. The only problem was that Geiger counters sold out almost globally in a matter of hours after the tsunami hit, making it even more difficult for Pieter and others on the ground to figure out exactly what was going on. The discussion between Pieter and his friends quickly changed from buying devices to instead building and distributing them to the people of Fukushima.

At Tokyo Hackerspace, Pieter – along with several others, including Joi Ito, the director of the MIT Media Lab, and Sean Bonner, an activist and journalist from Los Angeles – built a series of open-source tools for radiation mapping, to enable anyone to build their own pocket Geiger counter and easily share the data they collect. “Six days after having the idea, we had a working system. The next day we were off to Fukushima,” recalls Sean.

A bGeigie Nano removed from its Pelican hardshell
Safecast CC-BY-NC 4.0

A successful Kickstarter campaign raised $36,900 to provide the funding necessary to distribute hundreds of Geiger counters to the people of Japan, while training volunteers on how to use them. Today, Safecast has collected over 100 million data points and is home to the largest open dataset about environmental radiation in the world. All of the data is collected via the Safecast API and published free of charge in the public domain to an interactive map developed by Safecast and MIT Media Lab.

You can read the rest of this feature in HackSpace magazine issue 14, out today in Tesco, WHSmith, and all good independent UK newsagents.

Or you can buy HackSpace mag directly from us — worldwide delivery is available. And if you’d like to own a handy digital version of the magazine, you can also download a free PDF.

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From Wireframe issue 4: Recovering Destiny’s long-lost soundtrack

Post Syndicated from Ian Dransfield original https://www.raspberrypi.org/blog/wireframe-issue-4-destinys-long-lost-soundtrack/

Missing for five years, Destiny’s soundtrack album, Music of the Spheres, resurfaced in 2017. Composer Marty O’Donnell reflects on what happened, in this excerpt from Wireframe issue 4.

When Bungie unveiled its space-opera shooter Destiny in February 2013, it marked the end of two years of near silence from the creators of the Halo franchise. Fans celebrated at the prospect of an entirely new game from such well known talent. Behind closed doors, however, Destiny was in trouble.

Though the game was almost complete by mid-2013, plans to launch that September were put on hold when concerns over Destiny’s story forced its narrative structure to be rebuilt from scratch. It would be more than 18 months before Destiny was released: a fun but strange shooter that bore difficult-to-pin-down traces of its troubled gestation. But one element of Destiny – that had been a huge part of its development – was nowhere to be seen. It was an ambitious original soundtrack written and recorded with an impressive but unexpected collaborator: Paul McCartney.

Spherical music

Audio director and composer Marty O’Donnell had been with Bungie since the late 1990s, and for him, Destiny represented an opportunity to develop something new: a musical prequel to the video game. This would become Music of the Spheres – an eight-part musical suite that took nearly two years to complete. This was no mere soundtrack, however. Born out of discussions between O’Donnell and Bungie COO Pete Parsons early in the game’s production, it was to play an integral role in Destiny’s marketing campaign.

“I wasn’t writing this just to be marketing fodder,” O’Donnell laughs. “I was writing it as a standalone listening experience that would then eventually become marketing fodder – but I didn’t want the other to happen first.”

Between 2011 and 2012, Bungie and O’Donnell devised plans for the album.

“Every few weeks or so, I would be called to a meeting in one of their big conference rooms and there would be a whole bunch of new faces there, pitching some cool idea or other,” says O’Donnell. “[At one point] it was going to be a visualisation with your mobile device.”

Difference of opinion

But there were fundamental differences between what Bungie had planned and what Activision – Destiny’s publisher, and keeper of the purse strings – wanted.

“I think Activision was confused [about] why you would ever use music as marketing… And the other thing is, I honestly don’t think they understood why we were working with Paul McCartney. I think they didn’t think that that was the right person for the demographic.”

News of a collaboration with McCartney had raised eyebrows when he revealed his involvement on Twitter in July 2012. His interest had been piqued during his attendance at E3 2009 following the announcement of The Beatles: Rock Band, which was preceded by Bungie’s unveiling of Halo ODST.

Loop symphony

“I had a contact in Los Angeles who worked out deals with actors we used on Halo,” O’Donnell recalls. “He was able to make contact with Paul’s people and set up a meeting between the two of us in spring of 2011. My impression was that Paul saw a new crop of fans come from Beatles Rock Band and was interested in seeing what was involved with creating music for video games. He seemed convinced that Bungie was working on a project that he could get behind.”

Within a few weeks, O’Donnell and McCartney were exchanging ideas for Destiny.

“The first thing he sent me was what he called his ‘loop symphony’,” says O’Donnell. “He used the same looping tape recorder that he used on Sgt. Pepper’s and Revolver… He hauled this tape recorder out of his attic.”

Working with regular collaborator Michael Salvatori, O’Donnell and McCartney set about developing Music of the Spheres into a fully fledged album, comprising eight movements.

Priorities

“I have all of these wonderful things, which included interesting things he did on his guitar that sort of loop and sound otherworldly… I think there are a couple of times in The Path, which is the first piece, and then I think The Prison, which is the seventh piece, where we use a recording of Paul doing this loop with his voice. This little funny thing. That’s Paul’s voice, which is cool.”

The album was completed in December 2012 following recording sessions at Capitol Studios in California, Avatar Studios in New York, and Abbey Road in London. Musical elements from Music of the Spheres accompanied Bungie’s big reveal of Destiny at a PlayStation 4 event in New York in February 2013. But after that, things started to go south.

“After that PlayStation 4 announcement, I said, ‘Let’s figure out how to release this. I don’t care if we have Harmonix do an iPad version with a visualiser for it. I mean, if we can’t pull the trigger on something big and interesting like that, that’s fine with me. Let’s just release it online.’ It had nothing to do with making money… It was always fan service, in my mind at least.”

Activision, on the other hand, had other priorities. “Activision had a lot of say on the marketing. I think that’s where things started to go wrong, for me… things started being handled badly, or postponed, and then all of a sudden I was seeing bits of Music of the Spheres being cut up and presented in ways that I wasn’t happy with.”

You can read the rest of this fantastic feature in Wireframe issue four, out 20 December in Tesco, WHSmith, and all good independent UK newsagents.

Or you can buy Wireframe directly from us — worldwide delivery is available. And if you’d like to own a handy digital version of the magazine, you can also download a free PDF.

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The Raspberry Pi Beginner’s Guide is out now (and it’s huge!)

Post Syndicated from Rob Zwetsloot original https://www.raspberrypi.org/blog/raspberry-pi-beginners-guide/

The Raspberry Pi Press has been hard at work of late, producing new issues of The MagPi, HackSpace magazine, and our latest publication, Wireframe. But that hasn’t slowed us down, and this week, we’re pleased to announce the release of The Official Raspberry Pi Beginner’s Guide, a 244-page book that will help get you well on your way to Raspberry Pi domination.

The Official Raspberry Pi Beginner's Guide front cover

The Official Raspberry Pi Beginner’s Guide

We’ve roped in Gareth Halfacree, full-time technology journalist and technical author, and the wonderful Sam Alder, illustrator of our incredible cartoons and animations, to put together the only guide you need to help you get started with the Raspberry Pi.

inside the Raspberry Pi Beginner's Guide

From setting up your Raspberry Pi on day 1, to taking your first steps into writing coding, digital making, and computing, The Official Raspberry Beginner’s Guide is great for users from age 7 to 107! It’s available now in the Raspberry Pi Press store, with free international delivery.

inside the Raspberry Pi Beginner's Guide

As always, we have also released the guide as a free PDF, and you’ll soon be seeing physical copies on the shelves of Waterstones, Foyles, and other good bookshops.

Code Club Book of Scratch

And that’s not all! This week we also launched the brand-new Code Club Book of Scratch, the first-ever print publication from the team at Code Club.

Code Club Book of Scratch Volume 1

You can learn more about the book on the Code Club blog, and you’ll also find it in the Raspberry Pi Press store, and in bookstores alongside The Raspberry Pi Beginner’s Guide. You can download the free PDF here, but the print version of the Code Club Book of Scratch is rather special. As well as being stuffed full of amazing Scratch projects to try down at your local Code Club, it also comes with magic glasses that reveal secret hints in some of the guides. It’s spiral bound, so it always lays flat, and there are 24 exclusive Code Club stickers as well! The pictures here don’t really do it justice – it’s a wonderful book, even if I am a bit biased.

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Wireframe 3: Phoenix Point, modders going pro, and more

Post Syndicated from Ian Dransfield original https://www.raspberrypi.org/blog/wireframe-issue-3/

We said we’d be back with more, so here we are back with more: issue 3 of Wireframe, the magazine that lifts the lid on video games.

From the ashes

Our third issue sees the now-established mix of great features, guides, reviews, and plenty more beyond that. Headlining it all is our sit-down chat with Julian Gollop about his upcoming strategy title Phoenix Point, with the X-Com creator waxing lyrical about Rebelstar, Chaos, and the secret of great AI.

We also take a look at the careers of amateurs-turned-pros, checking out the modders who went legit and getting input from those who’ve made the jump from doing it for fun, to doing it for fun and money.

And it doesn’t stop there

We’re investigating Thrunt XL, the indie game made without typing a single line of code; Terry Cavanaugh tells us about his unconventional new rogue-like Dicey Dungeons; and veteran game developer Howard Scott Warshaw looks back on the making of his Atari 2600 classic, Yars’ Revenge.

Plus:

  • Make your own first-person shooter in Unity with our step-by-step guide
  • The fur flies in the forthcoming multiplayer shooter, Super Animal Royale
  • How parallax scrolling gives 2D games the illusion of depth
  • The platformer from El Salvador that survived an attack of the clones

All this, and a variety of news, previews, and reviews covering everything from triple-A releases to dinky, loveable indie games.

Buy Wireframe issue 3

Print copies of Wireframe are available now in WHSmith, Tesco, and all good independent UK newsagents. Or you can buy Wireframe directly from us — worldwide delivery is available. And if you’d like to own a handy digital version of the magazine, you have the option to also download a free PDF.

Subscription options!

Whether you want to sample six print issues for a bargain price, subscribe for a full year, or get a regular digital edition sent directly to your device, we have some superb deals for you to choose from! To find out how you can save up to 49% on Wireframe, head to wfmag.cc/subscribe.

Or you can get the digital edition directly to your smart device via our Android and iOS apps.

See you in a fortnight!

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The Raspberry Pi Christmas shopping list 2018

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/christmas-shopping-list-2018/

Looking for this year’s perfect something to put under the tree ‘from Santa’? Well, look no further than right here — it’s time for our traditional Christmas shopping list!

Woohoo!

Which Raspberry Pi?

As you are no doubt aware, the Raspberry Pi comes in more than one variety. And if you’re planning to give a Pi as a gift to a first-time user, you may be confused as to which one you should buy.

Raspberry Pi 3B+

For someone learning to write code for the first time, we recommend the Raspberry Pi 3B+. Anyone living in a home with an HDMI display, such as a computer monitor or television, will be able to plug directly into the 3B+, and in case they don’t already have a standard USB mouse and keyboard, these can both easily be acquired online, in many charity shops, or by sweet-talking a friend/neighbour/employer. You can even find some great Raspberry Pi starter kits that include many of the items needed to get started.

Raspberry Pi Zero W

The Raspberry Pi Zero W comes at a lower price, and with it, a smaller footprint than the 3B+. This makes the tiny Pi the perfect addition to any creator’s toolkit, ideal for projects that run on a Pi long-term, such as display builds, robots, or near-space HABs.

Pre-loaded micro SD card

Whatever Raspberry Pi you choose for the lucky receiver of your Christmas gift, we also recommend getting them a pre-loaded micro SD card. While it’s really easy to flash an operating system image onto one of the dusty old micro SD cards you have lurking in a drawer, pre-loaded cards allow new Pi owners to plug in and get started right off the bat. Plus, the ones with our operating system Raspbian on come in rather fancy, logo-adorned SD adapters. And who doesn’t like a rather fancy, logo-adorned SD adapter?

Books, books, books

We’re releasing two new books this week that are perfect for any Christmas stocking!

Code Club Book of Scratch Volume 1

Code Club Book of Scratch Volume 1

The Code Club team is buzzing over the release of the first Code Club book, available to buy from Friday. Primarily aimed at learners aged 9–13, the book focuses on teaching the Scratch programming language, and it’s jam-packed with fun projects, tips, and stickers. The book also comes with a pair of super-special computer science glasses that allow you to see secret hints hidden throughout the book. Very, very cool.

And since Scratch is pre-installed on Raspbian, the Code Club Book of Scratch is the perfect accompaniment to that Raspberry Pi you’re planning to get for the young person in your life!

The Official Raspberry Pi Beginner’s Guide

Raspberry Pi Beginner's Guide Book 2018

From setting up a Raspberry Pi to using Scratch and Python to create games and animations, the hot-off-the-press Official Raspberry Pi Beginner’s Guide has everything your loved one needs to get started and keep going.

And when we say ‘ hot-off-the-press’, we mean it — we only released the book this week!

Both the Raspberry Pi Beginner’s Guide and the Code Club Book of Scratch are available with free international shipping. And if you’d like to give either of them a ‘try before you buy’ test drive, they should both available soon as free PDFs for you to download and peruse at your leisure.

Magazine subscriptions

Alongside our books, we have an array of magazines, including the brand-new, twice-monthly, video game–focused Wireframe! As with the books, you can download all issues of our magazines for a test read before you commit to a subscription.

Twelve-month print subscriptions to HackSpace magazine or The MagPi will reward you with a technical treat: an Adafruit Circuit Playground or a Raspberry Pi 3A+.


So not only can you give a gift that will last the entirety of 2019, but you’ll also automatically provide your favourite creative person with something rather lovely to play with when they receive their first issue.

And if you sign them up now, you can give someone a six-issue subscription of Wireframe magazine for £12! Or save 49% on a twelve-month subscription of 26 magazines from £40.

So many choices, so many ways to make the creators and tech fans in your life happy this holiday season.

Accessories and such

Maybe the person you’re shopping for already has every Raspberry Pi on the market. And as for our publications, their mailbox is full of magazines and books every week, and their smartphone and tablets are crammed with every PDF we’ve ever produced. So what next?

Swag

What do you buy the Raspberry Pi fan who has all the Pis? Swag, of course!

Raspberry Pi Swag - enamel pin
Raspberry Pi Swag - travel card holder
Raspberry Pi Swag - Mug

From stickers and mugs, to coasters and pins, check out the Raspberry Pi swag store for some wonderful treats!

Add-ons

Whether it’s a HAT (Hardware Attached on Top) for the Raspberry Pi, or a full kit to make something rather spectacular, our Approved Resellers stock all manner of Pi add-ons.


Pimoroni Picade
Pi Hut LED Xmas Tree

You can find your nearest Raspberry Pi Approved Reseller by clicking on any item on our products page and then selecting your country.

This isn’t all!

We’ve been putting together a Raspberry Pi shopping list every year in response to the message we receive from you asking for gift ideas. So why not have a look back at our previous lists to get more inspiration for what to give, including more books, toolkit staples, non-Pi tech bits, and, of course, LEGO.

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Wireframe 2: The Blackout Club, Battlefield V anxiety, and more

Post Syndicated from Ryan Lambie original https://www.raspberrypi.org/blog/wireframe-2/

Momentum firmly established, we’re back with our brilliant second issue of Wireframe — the magazine that lifts the lid on video games.

And yes, we are continuing to write ‘video games’ as two words.

Blacking out

In our sophomore edition, you’ll discover all manner of great features, guides, reviews, and everything else you could wish for. In an exclusive interview, BioShock 2 director Jordan Thomas talks about The Blackout Club, his new co-operative horror game – which also features on our fantastic front cover! With inspiration coming from the likes of Stranger Things, you just know The Blackout Club is going to be something special.

We also hear from Battlefield V’s Creative Director Lars Gustavsson in a candid discussion about his own personal excitement — and apprehension — surrounding the launch of DICE’s latest in its nearly 20-year-old series.

And a lot more

Is that all? Of course not. Thomas Was Alone and Subsurface Circular creator Mike Bithell shares his personal perspective on the ever-changing shape of video games.

Issue 2 also takes an extended look at an RPG’s journey from tabletop to screen: it’s not easy to bring the likes of Cyberpunk 2020 to the world of video games, and CD Projekt Red, Chris Avellone, and others tell us just why that is.

We’re just spoiling you now, but there’s plenty more besides, such as:

  • The maths behind matchmaking and video game economics
  • The changing face of Mega Man, an enduring 8-bit icon
  • An indie game’s path from Japanese restaurant to Nintendo eShop
  • The simple yet effective AI behind Galaxian’s angry aliens

All of this is joined by news, previews, and reviews of everything gaming has to offer.

Buy Wireframe issue 2

Physical copies of Wireframe are available now in WHSmith, Tesco, and all good independent UK newsagents. Of course, we don’t like to limit your choices, so you’re able to buy direct from us, with worldwide delivery available.

There’s also the option to download issue 2 a free PDF if you’d like a handy digital version.

Subscription options!

Fancy putting your feet up and letting Wireframe come directly to you? In that case, you should take a look at our subscription options: pick up a sample six issues for a bargain price, subscribe for a full year, or get the digital edition directly to your smart device via our Android and iOS apps. To find out how to save up to 49% on Wireframe’s print edition, head to wfmag.cc/subscribe.

wireframe magazine

See you again in two weeks!

A wild HackSpace magazine appeared

HackSpace magazine issue 13 is also out today, and it’s pretty sweet. Check it out here!

HackSpace issue 13 front cover

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