Tag Archives: laws

Healthy Aussie Pirates Set To Face Cash ‘Fines’, Poor & Sick Should Be OK

Post Syndicated from Andy original https://torrentfreak.com/healthy-aussie-pirates-set-to-face-cash-fines-poor-sick-should-be-ok-170821/

One of the oldest methods of trying to get people to stop downloading and sharing pirated material is by hitting them with ‘fines’.

The RIAA began the practice in September 2003, tracking people sharing music on early peer-to-peer networks, finding out their identities via ISPs, and sending them cease-and-desist orders with a request to pay hundreds to thousands of dollars.

Many thousands of people were fined and the campaign raised awareness, but it did nothing to stop millions of file-sharers who continue to this day.

That’s something that Village Roadshow co-chief Graham Burke now wants to do something about. He says his company will effectively mimic the RIAA’s campaign of 14 years ago and begin suing Internet pirates Down Under. He told AFR that his company is already setting things up, ready to begin suing later in the year.

Few details have been made available at this stage but it’s almost certain that Village Roadshow’s targets will be BitTorrent users. It’s possible that users of other peer-to-peer networks could be affected but due to their inefficiency and relative obscurity, it’s very unlikely.

That leaves users of The Pirate Bay and any other torrent site vulnerable to the company, which will jump into torrent swarms masquerading as regular users, track IP addresses, and trace them back to Internet service providers. What happens next will depend on the responses of those ISPs.

If the ISPs refuse to cooperate, they will have to be taken to court to force them to hand over the personal details of their subscribers to Village Roadshow. It’s extremely unlikely they’ll hand them over voluntarily, so it could be some time before any ISP customer hears anything from the film distributor.

The bottom line is that Village Roadshow will want money to go away and Burke is already being open over the kind of sums his company will ask for.

“We will be looking for damages commensurate with what they’ve done. We’ll be saying ‘You’ve downloaded our Mad Max: Fury Road, our Red Dog, and we want $40 for the four movies plus $200 in costs’,” he says.

While no one will relish any kind of ‘bill’ dropping through a mail box, in the scheme of things a AUS$240 settlement demand isn’t huge, especially when compared to the sums demanded by companies such as Voltage Pictures, who tried and failed to start piracy litigation in Australia two years ago.

However, there’s even better news for some, who have already been given a heads-up that they won’t have to pay anything.

“We will identify people who are stealing our product, we will ask them do they have ill health or dire circumstances, and if they do and undertake to stop, we’ll drop the case,” Burke says.

While being upfront about such a policy has its pros and cons, Burke is also reducing his range of targets, particularly if likes to be seen as a man of his word, whenever those words were delivered. In March 2016, when he restated his intention to begin suing pirates, he also excluded some other groups from legal action.

“We don’t want to sue 16-year-olds or mums and dads,” Burke said. “It takes 18 months to go through the courts and all that does is make lawyers rich and clog the court system. It’s not effective.”

It will remain to be seen what criteria Village Roadshow ultimately employs but it’s likely the company will be asked to explain its intentions to the court, when it embarks on the process to discover alleged pirates’ identities. When it’s decided who is eligible, Burke says the gloves will come off, with pirates being “pursued vigorously” and “sued for damages.”

While Village Roadshow’s list of films is considerable, any with a specifically Australian slant seem the most likely to feature in any legal action. Burke tends to push the narrative that he’s looking after local industry so something like Mad Max: Fury Road would be perfect. It would also provide easy pickings for any anti-piracy company seeking to harvest Aussie IP addresses since it’s still very popular.

Finally, it’s worth noting that Australians who use pirate streaming services will be completely immune to the company’s planned lawsuit campaign. However, Burke appears to be tackling that threat using a couple of popular tactics currently being deployed elsewhere by the movie industry.

“Google are not doing enough and could do a lot more,” he told The Australian (subscription)

Burke said that he was “shocked” at how easy it was to find streaming content using Google’s search so decided to carry out some research of his own at home. He said he found Christopher Nolan’s Dunkirk with no difficulty but that came with a sting in the tail.

According to the movie boss, his computer was immediately infected with malware and began asking for his credit card details. He doesn’t say whether he put them in.

As clearly the world’s most unlucky would-be movie pirate, Burke deserves much sympathy. It’s also completely coincidental that Hollywood is now pushing a “danger” narrative to keep people away from pirate sites.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Rightscorp Bleeds Another Million, Borrows $200K From Customer BMG

Post Syndicated from Andy original https://torrentfreak.com/rightscorp-bleeds-another-million-borrows-200k-from-customer-bmg-170819/

Anti-piracy outfit Rightscorp is one of the many companies trying to turn Internet piracy into profit. The company has a somewhat novel approach but has difficulty balancing the books.

Essentially, Rightscorp operates like other so-called copyright-trolling operations, in that it monitors alleged offenders on BitTorrent networks, tracks them to their ISPs, then attempts to extract a cash settlement. Rightscorp does this by sending DMCA notices with settlement agreements attached, in the hope that at-this-point-anonymous Internet users break cover in panic. This can lead to a $20 or $30 ‘fine’ or in some cases dozens of multiples of that.

But despite settling hundreds of thousands of these cases, profit has thus far proven elusive, with the company hemorrhaging millions in losses. The company has just filed its results for the first half of 2017 and they contain more bad news.

In the six months ended June 2017, revenues obtained from copyright settlements reached just $138,514, that’s 35% down on the $214,326 generated in the same period last year. However, the company did manage to book $148,332 in “consulting revenue” in the first half of this year, a business area that generated no revenue in 2016.

Overall then, total revenue for the six month period was $286,846 – up from $214,326 last year. While that’s a better picture in its own right, Rightscorp has a lot of costs attached to its business.

After paying out $69,257 to copyright holders and absorbing $1,190,696 in general and administrative costs, among other things, the company’s total operating expenses topped out at $1,296,127 for the first six months of the year.

To make a long story short, the company made a net loss of $1,068,422, which was more than the $995,265 loss it made last year and despite improved revenues. The company ended June with just $1,725 in cash.

“These factors raise substantial doubt about the Company’s ability to continue as a going concern within one year after the date that the financial statements are issued,” the company’s latest statement reads.

This hanging-by-a-thread narrative has followed Rightscorp for the past few years but there’s information in the latest accounts which indicates how bad things were at the start of the year.

In January 2016, Rightscorp and several copyright holders, including Hollywood studio Warner Bros, agreed to settle a class-action lawsuit over intimidating robo-calls that were made to alleged infringers. The defendants agreed to set aside $450,000 to cover the costs, and it appears that Rightscorp was liable for at least $200,000 of that.

Rightscorp hasn’t exactly been flush with cash, so it was interesting to read that its main consumer piracy settlement client, music publisher BMG, actually stepped in to pay off the class-action settlement.

“At December 31, 2016, the Company had accrued $200,000 related to the settlement of a class action complaint. On January 7, 2017, BMG Rights Management (US) LLC (“BMG”) advanced the Company $200,000, which was used to pay off the settlement. The advance from BMG is to be applied to future billings from the Company to BMG for consulting services,” Rightscorp’s filing reads.

With Rightscorp’s future BMG revenue now being gobbled up by what appears to be loan repayments, it becomes difficult to see how the anti-piracy outfit can make enough money to pay off the $200,000 debt. However, its filing notes that on July 21, 2017, the company issued “an aggregate of 10,000,000 shares of common stock to an investor for a purchase price of $200,000.” While that amount matches the BMG debt, the filing doesn’t reveal who the investor is.

The filing also reveals that on July 31, Rightscorp entered into two agreements to provide services “to a holder of multiple copyrights.” The copyright holder isn’t named, but the deal reveals that it’s in Rightscorp’s best interests to get immediate payment from people to whom it sends cash settlement demands.

“[Rightscorp] will receive 50% of all gross proceeds of any settlement revenue received by the Client from pre-lawsuit ‘advisory notices,’ and 37.5% of all gross proceeds received by the Client from ‘final warning’ notices sent immediately prior to a lawsuit,” the filing notes.

Also of interest is that Rightscorp has offered not to work with any of the copyright holders’ direct competitors, providing certain thresholds are met – $10,000 revenue in the first month to $100,000 after 12 months. But there’s more to the deal.

Rightscorp will also provide a number of services to this client including detecting and verifying copyright works on P2P networks, providing information about infringers, plus reporting, litigation support, and copyright protection advisory services.

For this, Rightscorp will earn $10,000 for the first three months, rising to $85,000 per month after 16 months, valuable revenue for a company fighting for its life.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Porn Producer Says He’ll Prove That AMC TV Exec is a BitTorrent Pirate

Post Syndicated from Andy original https://torrentfreak.com/porn-producer-says-hell-prove-that-amc-tv-exec-is-a-bittorrent-pirate-170818/

When people are found sharing copyrighted pornographic content online in the United States, there’s always a chance that an angry studio will attempt to track down the perpertrator in pursuit of a cash settlement.

That’s what adult studio Flava Works did recently, after finding its content being shared without permission on a number of gay-focused torrent sites. It’s now clear that their target was Marc Juris, President & General Manager of AMC-owned WE tv. Until this week, however, that information was secret.

As detailed in our report yesterday, Flava Works contacted Juris with an offer of around $97,000 to settle the case before trial. And, crucially, before Juris was publicly named in a lawsuit. If Juris decided not to pay, that amount would increase significantly, Flava Works CEO Phillip Bleicher told him at the time.

Not only did Juris not pay, he actually went on the offensive, filing a ‘John Doe’ complaint in a California district court which accused Flava Works of extortion and blackmail. It’s possible that Juris felt that this would cause Flava Works to back off but in fact, it had quite the opposite effect.

In a complaint filed this week in an Illinois district court, Flava Works named Juris and accused him of a broad range of copyright infringement offenses.

The complaint alleges that Juris was a signed-up member of Flava Works’ network of websites, from where he downloaded pornographic content as his subscription allowed. However, it’s claimed that Juris then uploaded this material elsewhere, in breach of copyright law.

“Defendant downloaded copyrighted videos of Flava Works as part of his paid memberships and, in violation of the terms and conditions of the paid sites, posted and distributed the aforesaid videos on other websites, including websites with peer to peer sharing and torrents technology,” the complaint reads.

“As a result of Defendant’ conduct, third parties were able to download the copyrighted videos, without permission of Flava Works.”

In addition to demanding injunctions against Juris, Flava Works asks the court for a judgment in its favor amounting to a cool $1.2m, more than twelve times the amount it was initially prepared to settle for. It’s a huge amount, but according to CEO Phillip Bleicher, it’s what his company is owed, despite Juris being a former customer.

“Juris was a member of various Flava Works websites at various times dating back to 2006. He is no longer a member and his login info has been blocked by us to prevent him from re-joining,” Bleicher informs TF.

“We allow full downloads, although each download a person performs, it tags the video with a hidden code that identifies who the user was that downloaded it and their IP info and date / time.”

We asked Bleicher how he can be sure that the content downloaded from Flava Works and re-uploaded elsewhere was actually uploaded by Juris. Fine details weren’t provided but he’s insistent that the company’s evidence holds up.

“We identified him directly, this was done by cross referencing all his IP logins with Flava Works, his email addresses he used and his usernames. We can confirm that he is/was a member of Gay-Torrents.org and Gayheaven.org. We also believe (we will find out in discovery) that he is a member of a Russian file sharing site called GayTorrent.Ru,” he says.

While the technicalities of who downloaded and shared what will be something for the court to decide, there’s still Juris’ allegations that Bleicher used extortion-like practices to get him to settle and used his relative fame against him. Bleicher says that’s not how things played out.

“[Juris] hired an attorney and they agreed to settle out of court. But then we saw him still accessing the file sharing sites (one site shows a user’s last login) and we were waiting on the settlement agreement to be drafted up by his attorney,” he explains.

“When he kept pushing the date of when we would see an agreement back we gave him a final deadline and said that after this date we would sue [him] and with all lawsuits – we make a press release.”

Bleicher says at this point Juris replaced his legal team and hired lawyer Mark Geragos, who Bleicher says tried to “bully” him, warning him of potential criminal offenses.

“Your threats in the last couple months to ‘expose’ Mr. Juris knowing he is a high profile individual, i.e., today you threatened to issue a press release, to induce him into wiring you close to $100,000 is outright extortion and subject to criminal prosecution,” Geragos wrote.

“I suggest you direct your attention to various statutes which specifically criminalize your conduct in the various jurisdictions where you have threatened suit.”

Interestingly, Geragos then went on to suggest that the lawsuit may ultimately backfire, since going public might affect Flava Works’ reputation in the gay market.

“With respect to Mr. Juris, your actions have been nothing but extortion and we reject your attempts and will vigorously pursue all available remedies against you,” Geragos’ email reads.

“We intend to use the platform you have provided to raise awareness in the LGBTQ community of this new form of digital extortion that you promote.”

But Bleicher, it seems, is up for a fight.

“Marc knows what he did and enjoyed downloading our videos and sharing them and those of videos of other studios, but now he has been caught,” he told the lawyer.

“This is the kind of case I would like to take all the way to trial, win or lose. It shows
people that want to steal our copyrighted videos that we aggressively protect our intellectual property.”

But to the tune of $1.2m? Apparently so.

“We could get up to $150,000 per infringement – we have solid proof of eight full videos – not to mention we have caught [Juris] downloading many other studios’ videos too – I think – but not sure – the number was over 75,” Bleicher told TF.

It’s quite rare for this kind of dispute to play out in public, especially considering Juris’ profile and occupation. Only time will tell if this will ultimately end in a settlement, but Bleicher and Juris seemed determined at this stage to stand by their ground and fight this out in court.

Complaint (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Artists Protest RIAA for Trampling on Their Moral Rights

Post Syndicated from Ernesto original https://torrentfreak.com/artists-protest-riaa-for-trampling-on-their-moral-rights-170817/

Most people who create something like to be credited for their work. Whether you make a video, song, photo, or blog post, it feels ‘right’ to receive recognition.

The right to be credited is part of the so-called “moral rights,” which are baked into many copyright laws around the world, adopted at the international level through the Berne Convention.

However, in the United States, this is not the case. The US didn’t sign the Berne Convention right away and opted out from the “moral rights” provision when it eventually joined.

Now that the U.S. Copyright Office is looking into ways to improve current copyright law, the issue has been brought to the forefront again. The Government recently completed a consultation to hear the thoughts of various stakeholders, which resulted in several noteworthy contributions.

As it turns out, the RIAA doesn’t want artists, such as songwriters, to have moral rights. Crediting everyone who’s involved in making a song can be confusing and complicated the group notes, arguing against the addition of a new statutory attribution right.

The RIAA highlights that it would be costly for streaming services to credit everyone involved in the creative process. In addition, they stress that the likes of Spotify might not have the screen real estate to attribute all creators, without ruining the user experience with long lists of names.

“If a statutory attribution right suddenly required these services to provide attribution to others involved in the creative process, that would presumably require costly changes to their user interfaces and push them up against the size limitations of their display screens,” the RIAA writes.

These comments don’t sit well with songwriters and other creators around the world, who feel that the RIAA is putting trivial metadata issues above their rights. In a protest against the RIAA’s stance, several songwriter groups around the world are now joining hands to show their discontent.

The British Academy of Songwriters, Composers and Authors (BASCA), Songwriters Association of Canada (SAC), Songwriters Guild of America (SGA), Music Creators North America (MCNA), Council of Music Creators (CMC), and several others, have sent a strongly worded open letter to the RIAA accusing the record label group of betrayal.

“The RIAA’s argument prioritizes the inconvenience of dealing with accurate metadata over the principle of the protection of the rights of the people upon whose work the music business is built,” the letter reads.

“More fundamentally, RIAA’s comments are taken by many in the music creator community as a betrayal of our joint commitment to expand opportunities for creators. Unfortunately, this divergence of views gives our common adversaries an opportunity to divide our community.”

The groups warn that without proper attribution, songwriters and other contributors risk not receiving any compensation for the work they do. This puts the RIAA in the same camp as those who want to weaken copyright in general, the letter notes.

“Without accurate metadata, contributors to a work risk not getting paid. That’s a moral dilemma intrinsically linked to the issue of moral rights — and on this issue the RIAA has now aligned itself with those who seek to enfeeble IP rights.”

The RIAA’s stance goes even further than that of Creative Commons and the “copyleft,” according to the groups.

“Even anti-copyright groups like Creative Commons understand the importance of attribution. If the RIAA is seen as less artist-friendly than Creative Commons, the copyleft and all who seek to undervalue our work will benefit.”

While Creative Commons has more flexible views on copyright than the average entertainment industry company, describing it as “anti-copyright” goes a bit far. Still, the groups send a strong message to the RIAA, that the organization’s stance on moral rights is abhorrent.

The songwriter and artist groups stress that the RIAA might shoot itself in the foot, as it’s distancing the people it needs to further its interests around the globe. As for the metadata problems, they believe that the streaming platforms and other services will come up with a proper solution eventually.

“We believe there’s no doubt music platforms will come up with innovative and effective ways to give credit. Certainly there’s no need to set expectations at rock bottom as the RIAA did in their comments,” the groups write in their letter.

The groups urge the RIAA to revise its views and start collaborating with creators to address specific implementation problems. The record labels and creators should stand together as one, instead of going against each other.

It will be interesting to see if and how the RIAA responds to the critique.

While the US Government has yet to decide on the moral rights issue, in other countries the attribution right is taken very seriously. Just recently, a District Court in Isreal awarded a local music composer $223,000 in statutory damages because his name was removed from the credits of an online kids animation series.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Cloudflare Kicking ‘Daily Stormer’ is Bad News For Pirate Sites

Post Syndicated from Ernesto original https://torrentfreak.com/cloudflare-kicking-daily-stormer-is-bad-news-for-pirate-sites-170817/

“I woke up this morning in a bad mood and decided to kick them off the Internet.”

Those are the words of Cloudflare CEO Matthew Prince, who decided to terminate the account of controversial Neo-Nazi site Daily Stormer.

Bam. Gone. At least for a while.

Although many people are happy to see the site go offline, the decision is not without consequence. It goes directly against what many saw as the core values of the company.

For years on end, Cloudflare has been asked to remove terrorist propaganda, pirate sites, and other possibly unacceptable content. Each time, Cloudflare replied that it doesn’t take action without a court order. No exceptions.

“Even if it were able to, Cloudfare does not monitor, evaluate, judge or store content appearing on a third party website,” the company wrote just a few weeks ago, in its whitepaper on intermediary liability.

“We’re the plumbers of the internet. We make the pipes work but it’s not right for us to inspect what is or isn’t going through the pipes,” Cloudflare CEO Matthew Prince himself said not too long ago.

“If companies like ours or ISPs start censoring there would be an uproar. It would lead us down a path of internet censors and controls akin to a country like China,” he added.

The same arguments were repeated in different contexts, over and over.

This strong position was also one of the reasons why Cloudflare was dragged into various copyright infringement court cases. In these cases, the company repeatedly stressed that removing a site from Cloudflare’s service would not make infringing content disappear.

Pirate sites would just require a simple DNS reconfiguration to continue their operation, after all.

“[T]here are no measures of any kind that CloudFlare could take to prevent this alleged infringement, because the termination of CloudFlare’s CDN services would have no impact on the existence and ability of these allegedly infringing websites to continue to operate,” it said.

That comment looks rather misplaced now that the CEO of the same company has decided to “kick” a website “off the Internet” after an emotional, but deliberate, decision.

Taking a page from Cloudflare’s (old) playbook we’re not going to make any judgments here. Just search Twitter or any social media site and you’ll see plenty of opinions, both for and against the company’s actions.

We do have a prediction though. During the months and years to come, Cloudflare is likely to be dragged into many more copyright lawsuits, and when they are, their counterparts are going to bring up Cloudflare’s voluntary decision to kick a website off the Internet.

Unless Cloudflare suddenly decides to pull all pirate sites from its service tomorrow, of course.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

“Public Figure” Threatened With Exposure Over Gay Piracy ‘Fine’

Post Syndicated from Andy original https://torrentfreak.com/public-figure-threatened-with-exposure-over-gay-piracy-fine-170817/

Flava Works is an Illinois-based company specializing in adult material featuring black and Latino men. It operates an aggressive anti-piracy strategy which has resulted in some large damages claims in the past.

Now, however, the company has found itself targeted by a lawsuit filed by one of its alleged victims. Filed in a California district court by an unnamed individual, it accuses Flava Works of shocking behavior relating to a claim of alleged piracy.

According to the lawsuit, ‘John Doe’ received a letter in early June from Flava Works CEO Phillip Bleicher, accusing him of Internet piracy. Titled “Settlement Demand and Cease and Desist”, the letter got straight to the point.

“Flava Works is aware that you have been ‘pirating’ the content from its website(s) for your own personal financial benefit,” the letter read.

[Update: ‘John Doe’ has now been identified as Marc Juris, President & General Manager of AMC-owned WE tv. All references to John Doe below refer to Juris. See note at footer]

As is often the case with such claims, Flava Works offered to settle with John Doe for a cash fee. However, instead of the few hundred or thousand dollars usually seen in such cases, the initial settlement amount was an astronomical $97,000. But that wasn’t all.

According to John Doe, Bleicher warned that unless the money was paid in ten days, Flava Works “would initiate litigation against [John Doe], publically accusing him of being a consumer and pirate of copyrighted gay adult entertainment.”

Amping up the pressure, Bleicher then warned that after the ten-day deadline had passed, the settlement amount of $97,000 would be withdrawn and replaced with a new amount – $525,000.

The lawsuit alleges that Bleicher followed up with more emails in which he indicated that there was still time to settle the matter “one on one” since the case hadn’t been assigned to an attorney. However, he warned John Doe that time was running out and that public exposure via a lawsuit would be the next step.

While these kinds of tactics are nothing new in copyright infringement cases, the amounts of money involved are huge, indicating something special at play. Indeed, it transpires that John Doe is a public figure in the entertainment industry and the suggestion is that Flava Works’ assessment of his “wealth and profile” means he can pay these large sums.

According to the suit, on July 6, 2017, Bleicher sent another email to John Doe which “alluded to [his] high-profile status and to the potential publicity that a lawsuit would bring.” The email went as far as threatening an imminent Flava Works press release, announcing that a public figure, who would be named, was being sued for pirating gay adult content.

Flava Works alleges that John Doe uploaded its videos to various BitTorrent sites and forums, but John Doe vigorously denies the accusations, noting that the ‘evidence’ presented by Flava Works fails to back up its claims.

“The materials do not reveal or expose infringement of any sort. [Flava Works’] real purpose in sending this ‘proof’ was to demonstrate just how humiliating it would be to defend against Flava Works’ scurrilous charges,” John Doe’s lawsuit notes.

“[Flava Works’] materials consist largely of screen shots of extremely graphic images of pornography, which [Flava Works] implies that [John Doe] has viewed — but which are completely irrelevant given that they are not Flava Works content. Nevertheless, Bleicher assured [John Doe] that these materials would all be included in a publicly filed lawsuit if he refused to accede to [Flava Works’] payment demands.”

From his lawsuit (pdf) it’s clear that John Doe is in no mood to pay Flava Works large sums of cash and he’s aggressively on the attack, describing the company’s demands as “criminal extortion.”

He concludes with a request for a declaration that he has not infringed Flava Works’ copyrights, while demanding attorneys’ fees and further relief to be determined by the court.

The big question now is whether Flava Works will follow through with its threats to exposure the entertainer, or whether it will drift back into the shadows to fight another day. Definitely one to watch.

Update: Flava Works has now followed through on its threat to sue Juris. A complaint filed iat an Illinois court accuses the TV executive of uploading Flava Works titles to several gay-focused torrent sites in breach of copyright. It demands $1.2m in damages.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Showtime Seeks Injunction to Stop Mayweather v McGregor Piracy

Post Syndicated from Andy original https://torrentfreak.com/showtime-seeks-injunction-to-stop-mayweather-v-mcgregor-piracy-170816/

It’s the fight that few believed would become reality but on August 26, at the T-Mobile Arena in Las Vegas, Floyd Mayweather Jr. will duke it out with UFC lightweight champion Conor McGregor.

Despite being labeled a freak show by boxing purists, it is set to become the biggest combat sports event of all time. Mayweather, undefeated in his professional career, will face brash Irishman McGregor, who has gained a reputation for accepting fights with anyone – as long as there’s a lot of money involved. Big money is definitely the theme of the Mayweather bout.

Dubbed “The Money Fight”, some predict it could pull in a billion dollars, with McGregor pocketing $100m and Mayweather almost certainly more. Many of those lucky enough to gain entrance on the night will have spent thousands on their tickets but for the millions watching around the world….iiiiiiiit’s Showtimmme….with hefty PPV prices attached.

Of course, not everyone will be handing over $89.95 to $99.99 to watch the event officially on Showtime. Large numbers will turn to the many hundreds of websites set to stream the fight for free online, which has the potential to reduce revenues for all involved. With that in mind, Showtime Networks has filed a lawsuit in California which attempts to preemptively tackle this piracy threat.

The suit targets a number of John Does said to be behind a network of dozens of sites planning to stream the fight online for free. Defendant 1, using the alias “Kopa Mayweather”, is allegedly the operator of LiveStreamHDQ, a site that Showtime has grappled with previously.

“Plaintiff has had extensive experience trying to prevent live streaming websites from engaging in the unauthorized reproduction and distribution of Plaintiff’s copyrighted works in the past,” the lawsuit reads.

“In addition to bringing litigation, this experience includes sending cease and desist demands to LiveStreamHDQ in response to its unauthorized live streaming of the record-breaking fight between Floyd Mayweather, Jr. and Manny Pacquiao.”

Showtime says that LiveStreamHDQ is involved in the operations of at least 41 other sites that have been set up to specifically target people seeking to watch the fight without paying. Each site uses a .US ccTLD domain name.

Sample of the sites targeted by the lawsuit

Showtime informs the court that the registrant email and IP addresses of the domains overlap, which provides further proof that they’re all part of the same operation. The TV network also highlights various statements on the sites in question which demonstrate intent to show the fight without permission, including the highly dubious “Watch From Here Mayweather vs Mcgregor Live with 4k Display.”

In addition, the lawsuit is highly critical of efforts by the sites’ operator(s) to stuff the pages with fight-related keywords in order to draw in as much search engine traffic as they can.

“Plaintiff alleges that Defendants have engaged in such keyword stuffing as a form of search engine optimization in an effort to attract as much web traffic as possible in the form of Internet users searching for a way to access a live stream of the Fight,” it reads.

While site operators are expected to engage in such behavior, Showtime says that these SEO efforts have been particularly successful, obtaining high-ranking positions in major search engines for the would-be pirate sites.

For instance, Showtime says that a Google search for “Mayweather McGregor Live” results in four of the target websites appearing in the first 100 results, i.e the first 10 pages. Interestingly, however, to get that result searchers would need to put the search in quotes as shown above, since a plain search fails to turn anything up in hundreds of results.

At this stage, the important thing to note is that none of the sites are currently carrying links to the fight, because the fight is yet to happen. Nevertheless, Showtime is convinced that come fight night, all of the target websites will be populated with pirate links, accessible for free or after paying a fee. This needs to be stopped, it argues.

“Defendants’ anticipated unlawful distribution will impair the marketability and profitability of the Coverage, and interfere with Plaintiff’s own authorized distribution of the Coverage, because Defendants will provide consumers with an opportunity to view the Coverage in its entirety for free, rather than paying for the Coverage provided through Plaintiff’s authorized channels.

“This is especially true where, as here, the work at issue is live coverage of a one-time live sporting event whose outcome is unknown,” the network writes.

Showtime informs the court that it made efforts to contact the sites in question but had just a single response from an individual who claimed to be sports blogger who doesn’t offer streaming services. The undertone is one of disbelief.

In closing, Showtime demands a temporary restraining order, preliminary injunction, and permanent injunction, prohibiting the defendants from making the fight available in any way, and/or “forming new entities” in order to circumvent any subsequent court order. Compensation for suspected damages is also requested.

Showtime previously applied for and obtained a similar injunction to cover the (hugely disappointing) Mayweather v Pacquiao fight in 2015. In that case, websites were ordered to be taken down on the day before the fight.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Spinrilla Refuses to Share Its Source Code With the RIAA

Post Syndicated from Ernesto original https://torrentfreak.com/spinrilla-refuses-to-share-its-source-code-with-the-riaa-170815/

Earlier this year, a group of well-known labels targeted Spinrilla, a popular hip-hop mixtape site and accompanying app with millions of users.

The coalition of record labels including Sony Music, Warner Bros. Records, and Universal Music Group, filed a lawsuit accusing the service of alleged copyright infringements.

Both sides have started the discovery process and recently asked the court to rule on several unresolved matters. The parties begin with their statements of facts, clearly from opposite angles.

The RIAA remains confident that the mixtape site is ripping off music creators and wants its operators to be held accountable.

“Since Spinrilla launched, Defendants have facilitated millions of unauthorized downloads and streams of thousands of Plaintiffs’ sound recordings without Plaintiffs’ permission,” RIAA writes, complaining about “rampant” infringement on the site.

However, Spinrilla itself believes that the claims are overblown. The company points out that the RIAA’s complaint only lists a tiny fraction of all the songs uploaded by its users. These somehow slipped through its Audible Magic anti-piracy filter.

Where the RIAA paints a picture of rampant copyright infringement, the mixtape site stresses that the record labels are complaining about less than 0.001% of all the tracks they ever published.

“From 2013 to the present, Spinrilla users have uploaded about 1 million songs to Spinrilla’s servers and Spinrilla published about 850,000 of those. Plaintiffs are complaining that 210 of those songs are owned by them and published on Spinrilla without permission,” Spinrilla’s lawyers write.

“That means that Plaintiffs make no claim to 99.9998% of the songs on Spinrilla. Plaintiffs’ shouting of ‘rampant infringement on Spinrilla’, an accusation that Spinrilla was designed to allow easy and open access to infringing material, and assertion that ‘Defendants have facilitated millions of unauthorized downloads’ of those 210 songs is untrue – it is nothing more than a wish and a dream.”

The company reiterates that it’s a platform for independent musicians and that it doesn’t want to feature the Eminem’s and Bieber’s of this world, especially not without permission.

As for the discovery process, there are still several outstanding issues they need the Court’s advice on. Spinrilla has thus far produced 12,000 pages of documents and answered all RIAA interrogatories, but refuses to hand over certain information, including its source code.

According to Spinrilla, there is no reason for the RIAA to have access to its “crown jewel.”

“The source code is the crown jewel of any software based business, including Spinrilla. Even worse, Plaintiffs want an ‘executable’ version of Spinrilla’s source code, which would literally enable them to replicate Spinrilla’s entire website. Any Plaintiff could, in hours, delete all references to ‘Spinrilla,’ add its own brand and launch Spinrilla’s exact website.

“If we sued YouTube for hosting 210 infringing videos, would I be entitled to the source code for YouTube? There is simply no justification for Spinrilla sharing its source code with Plaintiffs,” Spinrilla adds.

The RIAA, on the other hand, argues that the source code will provide insight into several critical issues, including Spinrilla’s knowledge about infringing activity and its ability to terminate repeat copyright infringers.

In addition to the source code, the RIAA has also requested detailed information about the site’s users, including their download and streaming history. This request is too broad, the mixtape site argues, and has offered to provide information on the uploaders of the 210 infringing tracks instead.

It’s clear that the RIAA and Spinrilla disagree on various fronts and it will be up to the court to decide what information must be handed over. So far, however, the language used clearly shows that both parties are far from reaching some kind of compromise.

—

The first joint discovery statement is available in full here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Roku Gets Tough on Pirate Channels, Warns Users

Post Syndicated from Ernesto original https://torrentfreak.com/roku-gets-tough-on-pirate-channels-warns-users-170815/

In recent years it has become much easier to stream movies and TV-shows over the Internet.

Legal services such as Netflix and HBO are flourishing, but there’s also a darker side to this streaming epidemic. Millions of people are streaming from unauthorized sources, often paired with perfectly legal streaming platforms and devices.

Hollywood insiders have dubbed this trend “Piracy 3.0” are actively working with stakeholders to address the threat. One of the companies rightsholders are working with is Roku, known for its easy-to-use media players.

Earlier this year Roku was harshly confronted with this new piracy crackdown when a Mexican court ordered local retailers to take its media player off the shelves. While this legal battle isn’t over yet, it was clear to Roku that misuse of its platform wasn’t without consequences.

While Roku never permitted any infringing content, it appears that the company has recently made some adjustments to better deal with the problem, or at least clarify its stance.

Pirate content generally doesn’t show up in the official Roku Channel Store but is directly loaded onto the device through third-party “private” channels. A few weeks ago, Roku renamed these “private” channels to “non-certified” channels, while making it very clear that copyright infringement is not allowed.

A “WARNING!” message that pops up during the installation of these third-party channels stresses that Roku has no control over the content. In addition, the company notes that these channels may be removed if it links to copyright infringing content.

Roku Warning

“By continuing, you acknowledge you are accessing a non-certified channel that may include content that is offensive or inappropriate for some audiences,” Roku’s warning reads.

“Moreover, if Roku determines that this channel violates copyright, contains illegal content, or otherwise violates Roku’s terms and conditions, then ROKU MAY REMOVE THIS CHANNEL WITHOUT PRIOR NOTICE.”

TorrentFreak reached out to Roku to find out how they plan to enforce this policy, but we have yet to hear back. According to Cord Cutters News, several piracy channels have already been removed recently, with other developers opting to leave the platform.

Roku’s General Counsel Steve Kay previously informed us that the company is taking the piracy problem seriously. Together with various stakeholders, they are working hard to address the problem.

“We actively work to prevent third-parties from using our platform to distribute copyright infringing content. Moreover, we have been actively working with other industry stakeholders on a wide range of anti-piracy initiatives,” Kay said.

Roku is not the only platform dealing with the piracy epidemic, the popular media player software Kodi is in the same boat. Kodi has also taken an active anti-piracy stance but they’re not banning any add-ons. They believe it would be pointless due to the open source nature of their software.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Wirzenius: Retiring Obnam

Post Syndicated from corbet original https://lwn.net/Articles/730986/rss

Lars Wirzenius announces
that he is ending development of the Obnam backup system. “After
some careful thought, I fear that the maintainability problems of Obnam can
realistically only be solved by a complete rewrite from scratch, and I’m
not up to doing that. If you use Obnam, you should migrate to some other
backup solution. Don’t worry, you have until the end of the year. I will be
around and I intend to fix any serious bugs in Obnam; in particular,
security flaws. But you should start looking for a replacement sooner
rather than later.” LWN looked at
Obnam in 2012.

Piracy Narrative Isn’t About Ethics Anymore, It’s About “Danger”

Post Syndicated from Andy original https://torrentfreak.com/piracy-narrative-isnt-about-ethics-anymore-its-about-danger-170812/

Over the years there have been almost endless attempts to stop people from accessing copyright-infringing content online. Campaigns have come and gone and almost two decades later the battle is still ongoing.

Early on, when panic enveloped the music industry, the campaigns centered around people getting sued. Grabbing music online for free could be costly, the industry warned, while parading the heads of a few victims on pikes for the world to see.

Periodically, however, the aim has been to appeal to the public’s better nature. The idea is that people essentially want to do the ‘right thing’, so once they understand that largely hard-working Americans are losing their livelihoods, people will stop downloading from The Pirate Bay. For some, this probably had the desired effect but millions of people are still getting their fixes for free, so the job isn’t finished yet.

In more recent years, notably since the MPAA and RIAA had their eyes blacked in the wake of SOPA, the tone has shifted. In addition to educating the public, torrent and streaming sites are increasingly being painted as enemies of the public they claim to serve.

Several studies, largely carried out on behalf of the Digital Citizens Alliance (DCA), have claimed that pirate sites are hotbeds of malware, baiting consumers in with tasty pirate booty only to offload trojans, viruses, and God-knows-what. These reports have been ostensibly published as independent public interest documents but this week an advisor to the DCA suggested a deeper interest for the industry.

Hemanshu Nigam is a former federal prosecutor, ex-Chief Security Officer for News Corp and Fox Interactive Media, and former VP Worldwide Internet Enforcement at the MPAA. In an interview with Deadline this week, he spoke about alleged links between pirate sites and malware distributors. He also indicated that warning people about the dangers of pirate sites has become Hollywood’s latest anti-piracy strategy.

“The industry narrative has changed. When I was at the MPAA, we would tell people that stealing content is wrong and young people would say, yeah, whatever, you guys make a lot of money, too bad,” he told the publication.

“It has gone from an ethical discussion to a dangerous one. Now, your parents’ bank account can be raided, your teenage daughter can be spied on in her bedroom and extorted with the footage, or your computer can be locked up along with everything in it and held for ransom.”

Nigam’s stance isn’t really a surprise since he’s currently working for the Digital Citizens Alliance as an advisor. In turn, the Alliance is at least partly financed by the MPAA. There’s no suggestion whatsoever that Nigam is involved in any propaganda effort, but recent signs suggest that the DCA’s work in malware awareness is more about directing people away from pirate sites than protecting them from the alleged dangers within.

That being said and despite the bias, it’s still worth giving experts like Nigam an opportunity to speak. Largely thanks to industry efforts with brands, pirate sites are increasingly being forced to display lower-tier ads, which can be problematic. On top, some sites’ policies mean they don’t deserve any visitors at all.

In the Deadline piece, however, Nigam alleges that hackers have previously reached out to pirate websites offering $200 to $5000 per day “depending on the size of the pirate website” to have the site infect users with malware. If true, that’s a serious situation and people who would ordinarily use ‘pirate’ sites would definitely appreciate the details.

For example, to which sites did hackers make this offer and, crucially, which sites turned down the offer and which ones accepted?

It’s important to remember that pirates are just another type of consumer and they would boycott sites in a heartbeat if they discovered they’d been paid to infect them with malware. But, as usual, the claims are extremely light in detail. Instead, there’s simply a blanket warning to stay away from all unauthorized sites, which isn’t particularly helpful.

In some cases, of course, operational security will prevent some details coming to light but without these, people who don’t get infected on a ‘pirate’ site (the vast majority) simply won’t believe the allegations. As the author of the Deadline piece pointed out, it’s a bit like Reefer Madness all over again.

The point here is that without hard independent evidence to back up these claims, with reports listing sites alongside the malware they’ve supposed to have spread and when, few people will respond to perceived scaremongering. Free content trumps a few distant worries almost every time, whether that involves malware or the threat of a lawsuit.

It’ll be up to the DCA and their MPAA paymasters to consider whether the approach is working but thus far, not even having government heavyweights on board has helped.

Earlier this year the DCA launched a video campaign, enrolling 15 attorney generals to publish their own anti-piracy PSAs on YouTube. Thus far, interest has been minimal, to say the least.

At the time of writing the 15 PSAs have 3,986 views in total, with 2,441 of those contributed by a single video contributed by Wisconsin Attorney General Brad Schimel. Despite the relative success, even that got slammed with 2 upvotes and 127 downvotes.

A few of the other videos have a couple of hundred views each but more than half have less than 70. Perhaps most worryingly for the DCA, apart from the Schimel PSA, none have any upvotes at all, only down. It’s unclear who the viewers were but it seems reasonable to conclude they weren’t entertained.

The bottom line is nobody likes malware or having their banking details stolen but yet again, people who claim to have the public interest at heart aren’t actually making a difference on the ground. It could be argued that groups advocating online safety should be publishing guides on how to stay protected on the Internet period, not merely advising people to stay away from certain sites.

But of course, that wouldn’t achieve the goals of the MPAA Digital Citizens Alliance.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

72-Year-Old Man Accused of ‘Pirating’ Over a Thousand Torrents

Post Syndicated from Ernesto original https://torrentfreak.com/72-year-old-man-accused-of-pirating-over-a-thousand-torrents-170810/

In recent years, file-sharers around the world have been pressured to pay significant settlement fees, or face legal repercussions.

These so-called ‘copyright trolling‘ efforts are a common occurrence in the United States too, where hundreds of thousands of people have been targeted in recent years.

While a significant number of defendants are indeed guilty, there are also many that are wrongfully accused. Third-parties may have connected to their Wi-Fi, for example, which isn’t a rarity.

In Hawaii, a recent target of a copyright trolling expedition claims to be innocent, and he’s taken his case to the local press. The 72-year-old John J. Harding doesn’t fit the typical profile of a prolific pirate, but that’s exactly what a movie company has accused him of being.

In June, Harding received a letter from local attorney Kerry Culpepper, who works for the rightsholders of movies such as ‘Mechanic: Resurrection’ and ‘Once Upon a Time in Venice.’

The letter accused the 72-year-old of downloading a movie and also listed over 1,000 other downloads that were tied to his IP-address. Harding was understandably shocked by the threat and says he never downloads anything.

“I’ve never illegally downloaded anything … or even legally! I use my computer for email, games, news and that’s about it,” Harding told HawaiiNewsNow.

“I know definitely that I’m not guilty and my wife is not guilty. So what’s going on? Did somebody hack us? Is somebody out there actively hacking us? How they do that and go about doing that, I have no idea,” Harding added.

As is common in these cases, the copyright holder asked the Hawaii Federal Court for a subpoena, which ordered the associated Internet provider to hand over the personal details of the alleged infringers. The attorney then went on to send out settlement requests to the exposed users.

Harding received a letter offering an easy $3,900 settlement, which would increase to $4,900 if he failed to respond before August 7th. However, the elderly man wasn’t keen on taking the deal, describing the pay-up-or-else demand as “absolutely absurd.”

The attorney reiterated to the local newspaper that these are not idle threats. People risk $150,000 per illegal download, he stressed. That said, mistakes happen and people who feel that they are wrongfully accused should contact his office.

Culpepper explained it further with an analogy while adding a new dimension to the ‘you wouldn’t steal a car’ meme in the process.

“This is similar to a car stolen. If your car was stolen and your car hit someone or did some damage, initially the victim would look to see who was the owner of the car. You would probably tell them, someone stole my car. That time, that person would try to find the person who stole your car,” he said.

The attorney says that they are not trying to bankrupt people. Their goal is to deter piracy. There are cases where they’ve accepted lower settlements or even a mere apology, he notes.

How the 72-year-old will respond in unknown, but judging for his tone he may be looking for an apology himself. Going to the press was probably a smart move, as rightsholders generally don’t like the PR that comes with this kind of story.

These cases are by no means unique though. While browsing through the court dockets of Culpepper’s recent cases we quickly stumbled upon a similar denial. This one comes from a Honolulu woman who’s accused of pirating ‘Mechanic: Resurrection.’

“I have never downloaded the movie they are referencing and when I do download movies I use legal services such as Amazon, and Apple TV,” she wrote to the court, urging it to keep her personal information private.

“I do have frequent guests at our house often using the Internet. In the future I will request that nobody uses any file sharing on our Internet connection,” the letter added.

Unfortunately for her, the letter includes her full name and address, which means that she has effectively exposed herself. This likely means that she will soon receive a settlement request in the mail, just like Harding did, if she hasn’t already.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Pirate Domain Blocking ‘Door’ Should Remain Open, RIAA Tells Court

Post Syndicated from Ernesto original https://torrentfreak.com/pirate-domain-blocking-door-should-remain-open-riaa-tells-court-170808/

As one of the leading CDN and DDoS protection services, Cloudflare is used by millions of websites across the globe.

This includes thousands of “pirate” sites which rely on the U.S.-based company to keep server loads down.

While Cloudflare is a neutral service provider, rightsholders are not happy with its role. The company has been involved in several legal disputes already, including the RIAA’s lawsuit against MP3Skull.

Last year the record labels won their case against the MP3 download portal but the site ignored the court order and continued to operate. This prompted the RIAA to go after third-party services including Cloudflare, to target associated domain names.

The RIAA demanded domain blockades, arguing that Cloudflare actively cooperated with the pirates. The CDN provider objected and argued that the DMCA shielded the company from the broad blocking requirements. In turn, the court ruled that the DMCA doesn’t apply in this case, opening the door to widespread anti-piracy filtering.

While it’s still to be determined whether Cloudflare is indeed “in active concert or participation” with MP3Skull, the company recently asked the court to vacate the order, arguing that the case is moot.

MP3Skull no longer has an active website, and previous domain names either never used Cloudflare or stopped using it long before the order was issued, the company argued.

The RIAA clearly disagrees. According to the music industry group, Cloudflare’s request relies on “misstatements.” The motion wasn’t moot when the court issued it in March, and it isn’t moot today, they argue.

Some MP3Skull domains were still actively using Cloudflare as recently as April, but Cloudflare failed to mention these.

“CloudFlare’s arguments to the contrary rely largely on misdirection, pointing to the status of domain names that expressly were not at issue in Plaintiffs’ motion,” the RIAA writes.

Even if all the domain names are no longer active on Cloudflare, the order should remain in place, the RIAA argues. The group points out that nothing is preventing the MP3Skull owners from relaunching the site and moving back to Cloudflare in the future.

“By its own admission, CloudFlare took no steps to prevent Defendants from using its services at any time. Given Defendants’ established practice of moving from domain to domain and from service to service throughout this case in contempt of this Court’s orders, Defendants could easily have resumed — and may tomorrow resume — their use of CloudFlare’s services.”

In addition, the RIAA stressed that the present ruling doesn’t harm Cloudflare at all. Since there are no active MP3Skull domains using the service presently, it need take no action.

“The March 23 Order does not require CloudFlare to do anything. All that Order did was to clarify that Rule 65, and not Section 512(j) of the DMCA, applied,” the RIAA stresses.

While it seems pointless to spend hours of legal counsel on a site that is no longer active, it shows the importance of the court’s ruling and the wider site blocking implications it has.

The RIAA wants to keep the door open for similar requests in the future, and Cloudflare wants to avoid any liability for pirate sites. These looming legal consequences are the main reason why the CDN provider asked the court to vacate the order, the RIAA notes.

“It is evident that the only reason why CloudFlare wants the Court to vacate its March 23 Order is that it does not like the Court’s ruling on the purely legal issue of Rule 65(d)’s scope,” the RIAA writes.

It is now up to the court to decide how to move forward. A decision on Cloudflare’s request is expected to be issued during the weeks to come.

—

The RIAA’s full reply is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

RIAA’s Piracy Claims are Misleading and Inaccurate, ISP Says

Post Syndicated from Ernesto original https://torrentfreak.com/riaas-piracy-claims-are-misleading-and-inaccurate-isp-says-170807/

For more than a decade, copyright holders have been sending ISPs takedown notices to alert them that their subscribers are sharing copyrighted material.

Under US law, providers have to terminate the accounts of repeat infringers “in appropriate circumstances” and increasingly they are being held to this standard.

Earlier this year several major record labels, represented by the RIAA, filed a lawsuit in a Texas District Court, accusing ISP Grande Communications of failing to take action against its pirating subscribers.

The ISP is not happy with the claims and was quick to submit a motion to dismiss the lawsuit. One of the arguments is that the RIAA’s evidence is insufficient.

In its original motion, Grande doesn’t deny receiving millions of takedown notices from piracy tracking company Rightscorp. However, it believes that these notices are flawed as Rightscorp is incapable of monitoring actual copyright infringements.

The RIAA disagreed and pointed out that their evidence is sufficient. They stressed that Rightcorp is able to monitor actual downloads, as opposed to simply checking if a subscriber is offering certain infringing content.

In a response from Grande, late last week, the ISP argues that this isn’t good enough to build a case. While Rightcorp may be able to track the actual infringing downloads to which the RIAA labels hold the copyrights, there is no such evidence provided in the present case, the ISP notes.

“Importantly, Plaintiffs do not allege that Rightscorp has ever recorded an instance of a Grande subscriber actually distributing even one of Plaintiffs’ copyrighted works. Plaintiffs certainly have not alleged any concrete facts regarding such an act,” Grande’s legal team writes (pdf).

According to the ISP, the RIAA’s evidence merely shows that Rightscorp sent notices of alleged infringements on behalf of other copyright holders, who are not involved in the lawsuit.

“Instead, Plaintiffs generally allege that Rightscorp has sent notices regarding ‘various copyrighted works,’ encompassing all of the notices sent by Rightscorp on behalf of entities other than Plaintiffs.”

While the RIAA argues that this circumstantial evidence is sufficient, the ISP believes that there are grounds to have the entire case dismissed.

The record labels can’t hold Grande liable for secondary copyright infringement, without providing concrete evidence that their works were actively distributed by Grande subscribers, the company claims.

“Plaintiffs cannot allege direct infringement without alleging concrete facts which show that a Grande subscriber actually infringed one of Plaintiffs’ copyrights,” Grande’s lawyers note.

“For this reason, it is incredibly misleading for Plaintiffs to repeatedly refer to Grande having received ‘millions’ of notices of alleged infringement, as if those notices all pertained to Plaintiffs’ asserted copyrights.”

The “misleading” copyright infringement evidence argument is only one part of the ISPs defense. The company also notes that it has no control over what its subscribers do, nor do they control the BitTorrent clients that were allegedly used to download content.

If the court ruled otherwise, Grande and other ISPs would essentially be forced to become an “unpaid enforcement agent of the recording industry,” the company’s lawyers note.

The RIAA, however, sees things quite differently.

The music industry group believes that Grande failed to take proper action in response to repeat infringers and should pay damages to compensate the labels. This claim is very similar to the one BMG brought against Cox, where the latter was eventually ordered to pay $25 million.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Lawyer Says He Was Deceived Into BitTorrent Copyright Trolling Scheme

Post Syndicated from Andy original https://torrentfreak.com/lawyer-says-he-was-deceived-into-bittorrent-copyright-trolling-scheme-170807/

For more than a decade, companies around the world have been trying to turn piracy into profit. For many this has meant the development of “copyright trolling” schemes, in which alleged pirates are monitored online and then pressured into cash settlements.

The shadowy nature of this global business means that its true scale will never be known but due to the controversial activities of some of the larger players, it’s occasionally possible to take a peek inside their operations. One such opportunity has just raised its head.

According to a lawsuit filed in California, James Davis is an attorney licensed in Oregon and California. Until two years ago, he was largely focused on immigration law. However, during March 2015, Davis says he was approached by an old classmate with an opportunity to get involved in a new line of business.

That classmate was Oregon lawyer Carl Crowell, who over the past several years has been deeply involved in copyright-trolling cases, including a deluge of Dallas Buyers Club and London Has Fallen litigation. He envisioned a place for Davis in the business.

Davis seemed to find the proposals attractive and became seriously involved in the operation, filing 58 cases on behalf of the companies involved. In common with similar cases, the lawsuits were brought in the name of the entities behind each copyrighted work, such as Dallas Buyers Club, LLC and LHF Productions, Inc.

In time, however, things started to go wrong. Davis claims that he discovered that Crowell, in connection with and on behalf of the other named defendants, “misrepresented the true nature of the Copyright Litigation Campaign, including the ownership of the works at issue and the role of the various third-parties involved in the litigation.”

Davis says that Crowell and the other defendants (which include the infamous Germany-based troll outfit Guardaley) made false representations to secure his participation, while holding back other information that might have made him think twice about becoming involved.

“Crowell and other Defendants withheld numerous material facts that were known to Crowell and the knowledge of which would have cast doubt on the value and ethical propriety of the Copyright Litigation Campaign for Mr. Davis,” the lawsuit reads.

Davis goes on to allege serious misconduct, including that representations regarding ownership of various entities were false and used to deceive him into participating in the scheme.

As time went on, Davis said he had increasing doubts about the operation. Then, in August 2016 as a result of a case underway in California, he began asking questions which resulted in him uncovering additional facts. These undermined both the representations of the people he was working for and his own belief in the “value and ethical propriety of the Copyright Litigation Campaign,” the lawsuit claims.

Davis said this spurred him on to “aggressively seek further information” from Crowell and other people involved in the scheme, including details of its structure and underlying support. He says all he received were “limited responses, excuses, and delays.”

The case was later dismissed by mutual agreement of the parties involved but of course, Davis’ concerns about the underlying case didn’t come to the forefront until the filing of his suit against Crowell and the others.

Davis says that following a meeting in Santa Monica with several of the main players behind the litigation campaign, he decided its legal and factual basis were unsound. He later told Crowell and Guardaley that he was withdrawing from their project.

As the result of the misrepresentations made to him, Davis is now suing the defendants on a number of counts, detailed below.

“Defendants’ business practices are unfair, unlawful, and fraudulent. Davis has suffered monetary damage as a direct result of the unfair, unlawful, and fraudulent business practices set forth herein,” the lawsuit reads.

Requesting a trial by jury, Davis is seeking actual damages, statutory damages, punitive or treble damages “in the amount of no less than $300,000.”

While a payment of that not insignificant amount would clearly satisfy Davis, the prospect of a trial in which the Guardaley operation is laid bare would be preferable when the interests of its thousands of previous targets are considered.

Only time will tell how things will pan out but like the vast majority of troll cases, this one too seems destined to be settled in private, to ensure the settlement machine keeps going.

Note: The case was originally filed in June, only to be voluntarily dismissed. It has now been refiled in state court.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Seller of ‘Fully Loaded’ Kodi Boxes Pleads Guilty to Money Laundering

Post Syndicated from Andy original https://torrentfreak.com/seller-of-fully-loaded-kodi-boxes-pleads-guilty-to-money-laundering-170806/

In June 2015, police and Trading Standards officers in the UK carried out raids on sellers of Android boxes configured to receive unauthorized content. One seller, operating from GeekyKit.com, told customers that his physical shops would be shutting down.

“As you may be aware we were visited yesterday by Sky [television] in conjunction with Trading Standards. Whilst we continue to investigate our position the stores will remain closed and support will remain suspended. Our sincere apologies for any inconvenience caused,” he explained.

Julian Allen was arrested after raids at ‘Geeky Kit’ premises in Billingham and Middlesbrough in the north of England. One of the locations is pictured below.

Despite the seriously incriminating storefront claims, Allen insisted that his businesses couldn’t be held responsible for copyrighted TV shows, movies and sports received by customers on boxes his company supplied.

“We do not control the content that is accessible on the internet via the product that we sell. We are currently working with Trading Standards to ensure that we can sell our products whilst adhering to UK copyright laws,” he said.

This January, Allen appeared before Teesside Crown Court charged with laundering £135,173, money said to have been generated via the sale of pre-loaded set-top boxes and premium packages over a 30-month period.

Allen was expected to appear for a week-long trial scheduled to start this Monday but that was scrapped after the 40-year-old pleaded guilty to using or acquiring criminal property.

According to Gazette Live, a proceeds of crime hearing has been scheduled for next year. In the meantime, Allen was granted unconditional bail until sentencing on October 20, where he faces a potential jail sentence.

“I don’t know what the sentence will be until all the matters are known,” the judge said.

Ever since a European Court of Justice ruling earlier this year that found that selling “fully-loaded” streaming boxes are illegal, people in a similar position to Allen have seen their cases take a turn for the worse.

One such case, involving Middlesbrough shopkeeper Brian Thompson, appears to be progressing under different legislation, however. Thompson stands accused of two offenses under section 296ZB of the Copyright, Designs and Patents Act, which deals with devices and services designed to circumvent technological measures.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Court Won’t Drop Case Against Alleged KickassTorrents Owner

Post Syndicated from Ernesto original https://torrentfreak.com/court-wont-drop-case-against-alleged-kickasstorrents-owner-170804/

kickasstorrents_500x500Last summer, Polish law enforcement officers arrested Artem Vaulin, the alleged founder of KickassTorrents.

Polish authorities acted on a criminal complaint from the US Government, which accused Vaulin of criminal copyright infringement and money laundering.

While Vaulin is still awaiting the final decision in his extradition process in Poland, his US counsel tried to have the entire case thrown out with a motion to dismiss submitted to the Illinois District Court late last year.

One of the fundamental flaws of the case, according to the defense, is that torrent files themselves are not copyrighted content. In addition, they argued that any secondary copyright infringement claims would fail as these are non-existent under criminal law.

After a series of hearings and a long wait afterwards, US District Judge John Z. Lee has now issued his verdict (pdf).

In a 28-page memorandum and order, the motion to dismiss was denied on various grounds.

The court doesn’t contest that torrent files themselves are not protected content under copyright law. However, this argument ignores the fact that the files are used to download copyrighted material, the order reads.

“This argument, however, misunderstands the indictment. The indictment is not concerned with the mere downloading or distribution of torrent files,” Judge Lee writes.

“Granted, the indictment describes these files and charges Vaulin with operating a website dedicated to hosting and distributing them. But the protected content alleged to have been infringed in the indictment is a number of movies and other copyright protected media that users of Vaulin’s network purportedly downloaded and distributed..,” he adds.

In addition, the defense’s argument that secondary copyright infringement claims are non-existent under criminal law doesn’t hold either, according to the Judge’s decision.

Vaulin’s defense noted that the Government’s theory could expose other search engines, such as Google, to criminal liability. While this is theoretically possible, the court sees distinct differences and doesn’t aim to rule on all search engines in general.

“For present purposes, though, the Court need not decide whether and when a search engine operator might engage in conduct sufficient to constitute aiding and abetting criminal copyright infringement. The issue here is whether 18 U.S.C. § 2 applies to 17 U.S.C. § 506. The Court is persuaded that it does,” Judge Lee writes.

Based on these and other conclusions, the motion to dismiss was denied. This means that the case will move forward. The next step will be to see how the Polish court rules on the extradition request.

Vaulin’s lead counsel Ira Rothken is disappointed with the outcome. He stresses that while courts commonly construe indictments in a light most favorable to the government, it went too far in this case.

“Currently a person merely ‘making available’ a file on a network in California wouldn’t even be committing a civil copyright infringement under the ruling in Napster but under today’s ruling that same person doing it in Illinois could be criminally prosecuted by the United States,” Rothken informs TorrentFreak.

“If federal judges disagree on the state of the federal copyright law then people shouldn’t be criminally prosecuted absent clarification by Congress,” he adds.

The defense team is still considering the best options for appeal, and whether they want to go down that road. However, Rothken hopes that the Seventh Circuit Court of Appeals will address the issue in the future.

“We hope one day that the Seventh Circuit Court of Appeals will undo this ruling and the chilling effect it will have on internet search engines, user generated content sites, and millions of netizens globally,” Rothken notes.

For now, however, Vaulin’s legal team will likely shift its focus to preventing his extradition to the United States.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

TV Box Seller Emails Sky TV Bosses With ‘Pirate’ Offer, Gets Sued for $1m

Post Syndicated from Andy original https://torrentfreak.com/tv-box-seller-emails-sky-tv-bosses-with-pirate-offer-gets-sued-for-1m-170804/

After relatively quiet treatment in the media, last year press in New Zealand began reporting on the booming ‘pirate’ set-top box business sweeping the world.

Often based around legal Kodi software boosted with third-party addons, the devices are known for providing free movies, TV shows, and sports.

Last November, ‘My Box NZ’ owner Krish Reddy, who said he would take on Sky in its own backyard with his custom streaming boxes, hit the headlines. The 27-year-old told NZHerald that “it seemed like a great idea so we decided to do it ourselves.”

The boxes offered some local free-to-air channels but also the all-important premium offerings from Sky, including Sky Movies and Sky Sports, an expensive proposition for an official subscriber.

“Why pay $80 minimum per month for Sky when for one payment you can have it free for good?” Reddy’s advertising said.

Reddy was confident in the abilities of his product but was also confident he wasn’t breaking the law.

“I don’t see why [Sky] would contact me but if they do contact me and … if there’s something of theirs that they feel I’ve unlawfully taken then yeah … but as it stands I don’t [have any concerns],” he told the Herald.

As things moved on, Reddy’s business really took off. He admitted to having sold 8,000 of the devices and then April this year, Sky appeared to ruh out of patience. In a letter from its lawyers, the pay TV company said Reddy’s devices breached copyright law and the Fair Trading Act. Reddy responded by calling the TV giant “a playground bully” and denied again that he was breaking the law.

“From a legal perspective, what we do is completely within the law. We advertise Sky television channels being available through our website and social media platforms as these are available via streams which you can find through My Box,” he said.

“The content is already available, I’m not going out there and bringing the content so how am I infringing the copyright… the content is already there, if someone uses the box to search for the content, that’s what it is.”

Stuff reports that the initial compensation demand from Sky against Reddy’s company My Box runs to NZD$1.4m (US$1m), an amount that could “rise by millions” by the time a judgment is reached.

“They have given us until September 24 to respond. We are not going to sit and take it,” Reddy told the publication. “How many people can say they went up against a multimillion dollar giant like Sky?”

And it seems that Reddy is absolutely determined to fight back. Earlier this year he said that his father always encouraged him as a child to seek out the big guy for a fight, something that is now playing out with one of the world’s biggest broadcasters.

“[Sky’s] point of view is they own copyright and I’m destroying the market by giving people content for free. To me it is business; I have got something that is new … that’s competition,” he said.

In Europe, where these kinds of cases have already been tested at the highest level, comments like these would be extremely ill-advised and enough to give any defending lawyer a high temperature, but Reddy really doesn’t seem to care.

In fact, a bulk email he sent out to 50,000 people advertising his product as “being better than Sky”, actually found the inboxes of 50 Sky TV staff and directors. He believes this triggered the legal action from the company.

While Reddy was on Sky’s radar long before the mailshot, the blatancy of his advertising and its targets won’t have helped his case one bit. Sky, for its part, is determined to get a ruling against a large player and Reddy seems the perfect catch.

“Anyone selling these boxes are within our sights. You have got to go after the big fish first,” said Sky spokeswoman Kirsty Way.

No case like this has ever gone to court in New Zealand so it could be important for setting the ground rules on several aspects of copyright law, including the making available right.

In addition to prosecutions, Way told Stuff that it could also be possible to introduce site-blocking laws such as those already in place in Australia and the UK. These would aim to render Kodi-powered devices less effective at providing copyrighted content from unauthorized sources.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.

Linux kernel hardeners Grsecurity sue Bruce Perens (Register)

Post Syndicated from corbet original https://lwn.net/Articles/729805/rss

The Register reports
that the developers of the grsecurity patch set have filed a defamation
suit against Bruce Perens. “A legal complaint filed on behalf of
Grsecurity in San Francisco, California, insists the company’s software
complies with the GPLv2. Grsecurity’s agreement, the lawsuit states, only
applies to future patches, which have yet to be developed. ‘There is no
explicit or implicit term, section, or clause in the GPLv2 that is
applicable over future versions or updates of the Patches that have not yet
been developed, created, or released by [Grsecurity],’ the complaint
contends.”

Font Maker Sues Universal Music Over ‘Pirated’ The Vamps Logo

Post Syndicated from Ernesto original https://torrentfreak.com/font-maker-sues-universal-music-over-pirated-the-vamps-logo-170802/

Piracy comes in all shapes and sizes. While record labels regularly see themselves as victims, they can sometimes cross the line as well.

According to HypeForType, which designs, creates, and licenses various custom fonts, this is exactly what record label Universal Music Group did.

The font maker has filed a lawsuit accusing the major label of using its “Nanami Rounded” and “Ebisu Bold” fonts without permission.

The lawsuit centers around fonts used for the logo and merchandise of the popular British band The Vamps. According to a complaint, filed in a New York federal court, Universal failed to obtain a proper license for its use, so they are essentially using pirated fonts.

According to the complaint, designer Stuart Hardie did purchase a basic license in 2013. However, Universal itself hasn’t bought the additional and required license upgrade to use the Nanami Rounded or Ebisu Bold Font Software on a commercial scale.

“Plaintiff requires a license upgrade (‘Special Font License’) for use of its typeface font software in commercial, for-profit usage including, inter alia, on goods for sale,” the complaint reads.

“Upon information and belief, Defendant has used and/or caused others to use unauthorized copies of the Font Software in the creation of The Vamps goods for sale, including, inter alia, clothing, accessories, DVDs, and CDs,” it adds.

HypeForType says that unauthorized use of its font has caused the company significant damages, which it wants to recoup. In addition, the font maker claims any gains and profits Universal made using its fonts.

“At present, the amount of such damages, gains, profits, and advantages cannot be fully ascertained by Plaintiff but are believed to be not less than $1,251,235 together with prejudgment interest and reasonable costs and fees or Statutory Damages under Copyright Law, whichever is greater.”

On top of the damages, HypeForType also requests an injunction preventing Universal, and thus The Vamps, from using the fonts without a proper license. They also want all existing materials, including merchandise, to be destroyed.

While it seems unlikely that The Vamps will stop using their existing logo anytime soon, a substantial settlement might be warranted, if the copyright infringement claims hold up in court. But then again, that’s only fair when you’re ‘stealing’ someone’s work.

—-

A copy of HypeForType’s complaint is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.