Tag Archives: streaming

Court Orders Spanish ISPs to Block Pirate Sites For Hollywood

Post Syndicated from Andy original https://torrentfreak.com/court-orders-spanish-isps-to-block-pirate-sites-for-hollywood-180216/

Determined to reduce levels of piracy globally, Hollywood has become one of the main proponents of site-blocking on the planet. To date there have been multiple lawsuits in far-flung jurisdictions, with Europe one of the primary targets.

Following complaints from Disney, 20th Century Fox, Paramount, Sony, Universal and Warner, Spain has become one of the latest targets. According to the studios a pair of sites – HDFull.tv and Repelis.tv – infringe their copyrights on a grand scale and need to be slowed down by preventing users from accessing them.

HDFull is a platform that provides movies and TV shows in both Spanish and English. Almost 60% its traffic comes from Spain and after a huge surge in visitors last July, it’s now the 337th most popular site in the country according to Alexa. Visitors from Mexico, Argentina, United States and Chile make up the rest of its audience.

Repelis.tv is a similar streaming portal specializing in movies, mainly in Spanish. A third of the site’s visitors hail from Mexico with the remainder coming from Argentina, Columbia, Spain and Chile. In common with HDFull, Repelis has been building its visitor numbers quickly since 2017.

The studios demanding more blocks

With a ruling in hand from the European Court of Justice which determined that sites can be blocked on copyright infringement grounds, the studios asked the courts to issue an injunction against several local ISPs including Telefónica, Vodafone, Orange and Xfera. In an order handed down this week, Barcelona Commercial Court No. 6 sided with the studios and ordered the ISPs to begin blocking the sites.

“They damage the legitimate rights of those who own the films and series, which these pages illegally display and with which they profit illegally through the advertising revenues they generate,” a statement from the Spanish Federation of Cinematographic Distributors (FEDECINE) reads.

FEDECINE General director Estela Artacho said that changes in local law have helped to provide the studios with a new way to protect audiovisual content released in Spain.

“Thanks to the latest reform of the Civil Procedure Law, we have in this jurisdiction a new way to exercise different possibilities to protect our commercial film offering,” Artacho said.

“Those of us who are part of this industry work to make culture accessible and offer the best cinematographic experience in the best possible conditions, guaranteeing the continuity of the sector.”

The development was also welcomed by Stan McCoy, president of the Motion Picture Association’s EMEA division, which represents the plaintiffs in the case.

“We have just taken a welcome step which we consider crucial to face the problem of piracy in Spain,” McCoy said.

“These actions are necessary to maintain the sustainability of the creative community both in Spain and throughout Europe. We want to ensure that consumers enjoy the entertainment offer in a safe and secure environment.”

After gaining experience from blockades and subsequent circumvention in other regions, the studios seem better prepared to tackle fallout in Spain. In addition to blocking primary domains, the ruling handed down by the court this week also obliges ISPs to block any other domain, subdomain or IP address whose purpose is to facilitate access to the blocked platforms.

News of Spain’s ‘pirate’ blocks come on the heels of fresh developments in Germany, where this week a court ordered ISP Vodafone to block KinoX, one of the country’s most popular streaming portals.

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Tickbox Must Remove Pirate Streaming Addons From Sold Devices

Post Syndicated from Ernesto original https://torrentfreak.com/tickbox-remove-pirate-streaming-addons-180214/

Online streaming piracy is on the rise and many people now use dedicated media players to watch content through their regular TVs.

This is a thorn in the side of various movie companies, who have launched a broad range of initiatives to curb this trend.

One of these initiatives is the Alliance for Creativity and Entertainment (ACE), an anti-piracy partnership between Hollywood studios, Netflix, Amazon, and more than two dozen other companies.

Last year, ACE filed a lawsuit against the Georgia-based company Tickbox TV, which sells Kodi-powered set-top boxes that stream a variety of popular media.

ACE sees these devices as nothing more than pirate tools so the coalition asked the court for an injunction to prevent Tickbox from facilitating copyright infringement, demanding that it removes all pirate add-ons from previously sold devices.

Last month, a California federal court issued an initial injunction, ordering Tickbox to keep pirate addons out of its box and halt all piracy-inducing advertisements going forward. In addition, the court directed both parties to come up with a proper solution for devices that were already sold.

The movie companies wanted Tickbox to remove infringing addons from previously sold devices, but the device seller refused this initially, equating it to hacking.

This week, both parties were able to reach an ‘agreement’ on the issue. They drafted an updated preliminary injunction which replaces the previous order and will be in effect for the remainder of the lawsuit.

The new injunction prevents Tickbox from linking to any “build,” “theme,” “app,” or “addon” that can be indirectly used to transmit copyright-infringing material. Web browsers such as Internet Explorer, Google Chrome, Safari, and Firefox are specifically excluded.

In addition, Tickbox must also release a new software updater that will remove any infringing software from previously sold devices.

“TickBox shall issue an update to the TickBox launcher software to be automatically downloaded and installed onto any previously distributed TickBox TV device and to be launched when such device connects to the internet,” the injunction reads.

“Upon being launched, the update will delete the Subject [infringing] Software downloaded onto the device prior to the update, or otherwise cause the TickBox TV device to be unable to access any Subject Software downloaded onto or accessed via that device prior to the update.”

All tiles that link to copyright-infringing software from the box’s home screen also have to be stripped. Going forward, only tiles to the Google Play Store or to Kodi within the Google Play Store are allowed.

In addition, the agreement also allows ACE to report newly discovered infringing apps or addons to Tickbox, which the company will then have to remove within 24-hours, weekends excluded.

“This ruling sets an important precedent and reduces the threat from piracy devices to the legal market for creative content and a vibrant creative economy that supports millions of workers around the world,” ACE spokesperson Zoe Thorogood says, commenting on the news.

The new injunction is good news for the movie companies, but many Tickbox customers will not appreciate the forced changes. That said, the legal battle is far from over. The main question, whether Tickbox contributed to the alleged copyright infringements, has yet to be answered.

Ultimately, this case is likely to result in a landmark decision, determining what sellers of streaming boxes can and cannot do in the United States.

A copy of the new Tickbox injunction is available here (pdf).

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Australian Government Launches Pirate Site-Blocking Review

Post Syndicated from Andy original https://torrentfreak.com/australian-government-launches-pirate-site-blocking-review-180214/

Following intense pressure from entertainment industry groups, in 2014 Australia began developing legislation which would allow ‘pirate’ sites to be blocked at the ISP level.

In March 2015 the Copyright Amendment (Online Infringement) Bill 2015 (pdf) was introduced to parliament and after just three months of consideration, the Australian Senate passed the legislation into law.

Soon after, copyright holders began preparing their first cases and in December 2016, the Australian Federal Court ordered dozens of local Internet service providers to block The Pirate Bay, Torrentz, TorrentHound, IsoHunt, SolarMovie, plus many proxy and mirror services.

Since then, more processes have been launched establishing site-blocking as a permanent fixture on the Aussie anti-piracy agenda. But with yet more applications for injunction looming on the horizon, how is the mechanism performing and does anything else need to be done to improve or amend it?

Those are the questions now being asked by the responsible department of the Australian Government via a consultation titled Review of Copyright Online Infringement Amendment. The review should’ve been carried out 18 months after the law’s introduction in 2015 but the department says that it delayed the consultation to let more evidence emerge.

“The Department of Communications and the Arts is seeking views from stakeholders on the questions put forward in this paper. The Department welcomes single, consolidated submissions from organizations or parties, capturing all views on the Copyright Amendment (Online Infringement) Act 2015 (Online Infringement Amendment),” the consultation paper begins.

The three key questions for response are as follows:

– How effective and efficient is the mechanism introduced by the Online Infringement Amendment?

– Is the application process working well for parties and are injunctions operating well, once granted?

– Are any amendments required to improve the operation of the Online Infringement Amendment?

Given the tendency for copyright holders to continuously demand more bang for their buck, it will perhaps come as a surprise that at least for now there is a level of consensus that the system is working as planned.

“Case law and survey data suggests the Online Infringement Amendment has enabled copyright owners to work with [Internet service providers] to reduce large-scale online copyright infringement. So far, it appears that copyright owners and [ISPs] find the current arrangement acceptable, clear and effective,” the paper reads.

Thus far under the legislation there have been four applications for injunctions through the Federal Court, notably against leading torrent indexes and browser-based streaming sites, which were both granted.

The other two processes, which began separately but will be heard together, at least in part, involve the recent trend of set-top box based streaming.

Village Roadshow, Disney, Universal, Warner Bros, Twentieth Century Fox, and Paramount are currently presenting their case to the Federal Court. Along with Hong Kong-based broadcaster Television Broadcasts Limited (TVB), which has a separate application, the companies have been told to put together quality evidence for an April 2018 hearing.

With these applications already in the pipeline, yet more are on the horizon. The paper notes that more applications are expected to reach the Federal Court shortly, with the Department of Communications monitoring to assess whether current arrangements are refined as additional applications are filed.

Thus far, however, steady progress appears to have been made. The paper cites various precedents established as a result of the blocking process including the use of landing pages to inform Internet users why sites are blocked and who is paying.

“Either a copyright owner or [ISP] can establish a landing page. If an [ISP] wishes to avoid the cost of its own landing page, it can redirect customers to one that the copyright owner would provide. Another precedent allocates responsibility for compliance costs. Cases to date have required copyright owners to pay all or a significant proportion of compliance costs,” the paper notes.

But perhaps the issue of most importance is whether site-blocking as a whole has had any effect on the levels of copyright infringement in Australia.

The Government says that research carried out by Kantar shows that downloading “fell slightly from 2015 to 2017” with a 5-10% decrease in individuals consuming unlicensed content across movies, music and television. It’s worth noting, however, that Netflix didn’t arrive on Australian shores until May 2015, just a month before the new legislation was passed.

Research commissioned by the Department of Communications and published a year later in 2016 (pdf) found that improved availability of legal streaming alternatives was the main contributor to falling infringement rates. In a juicy twist, the report also revealed that Aussie pirates were the entertainment industries’ best customers.

“The Department is aware that other factors — such as the increasing availability of television, music and film streaming services and of subscription gaming services — may also contribute to falling levels of copyright infringement,” the paper notes.

Submissions to the consultation (pdf) are invited by 5.00 pm AEST on Friday 16 March 2018 via the government’s website.

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Pirate Streaming Search Engine Exploits Crunchyroll Vulnerability

Post Syndicated from Ernesto original https://torrentfreak.com/pirate-streaming-search-engine-exploits-crunchyroll-vulnerability-180213/

With 20 million members around the world, Crunchyroll is one of the largest on-demand streaming platforms for anime and manga content.

Much like Hollywood, the site has competition from pirate streaming sites which offer their content without permission. These usually stream pirated videos which are hosted on external sites.

However, this week Crunchyroll is facing a more direct attack. The people behind the new streaming meta-search engine StreamCR say they’ve found a way to stream the site’s content from its own servers, without paying.

“This works due to a vulnerability in the Crunchyroll system,” StreamCR’s operators tell TorrentFreak.

Simply put, StreamCR uses an active Crunchyroll account to locate the video streams and embeds this on its own website. This allows people to access Crunchyroll videos in the best quality without paying.

“This gives access to the full library in the region of our server, retrieving it as long as we’re not bound by the regular regional restriction. For this, we pick a US server as American Crunchyroll has the most library of content.

Stream in various qualities

The exploit was developed in-house, the StreamCR team informs us. While it works fine at the moment the team realizes that this may not last forever, as Crunchyroll might eventually patch the vulnerability.

However, the meta-search engine will have made its point by then.

“We expect them to fix this, Why wouldn’t they? In the meantime, this can demonstrate how vulnerable Crunchyroll is at the moment,” they tell us.

The site’s ultimate plan is to become the go-to search engine for people looking to stream all kinds of pirated videos. In addition to Crunchyroll, StreamCR also indexes various pirate sites, including YesMovies, Gomovies, and 9anime.

“StreamCR’s goal is to let people access streams with ease from a universal site, we’re trying to have a Google-like experience for finding online streams,” they say.

TorrentFreak reached out to Crunchyroll asking for a comment on the issue, but at the time of publication, we have yet to hear back.

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Pirate Site Blockades Enter Germany With Kinox.to as First Target

Post Syndicated from Ernesto original https://torrentfreak.com/pirate-site-blockades-enter-germany-with-kinox-to-as-first-target-180213/

Website blocking has become one of the leading anti-piracy mechanisms of recent years.

It is particularly prevalent across Europe, where thousands of sites are blocked by ISPs following court orders.

This week, these blocking efforts also reached Germany. Following a provisional injunction issued by the federal court in Munich, Internet provider Vodafone must block access to the popular streaming portal Kinox.to.

The injunction was issued on behalf of the German film production and distribution company Constantin Film. The company complained that Kinox facilitates copyright infringement and cited a recent order from the European Court of Justice in its defense, Golem reports.

While these types of blockades are common in Europe, they’re a new sight in Germany. Vodafone users who attempt to access the Kinox site will now be welcomed with a blocking notification instead.

“This portal is temporarily unavailable due to a copyright claim,” it reads, translated from German.

Blocked

The Kinox streaming site has been a thorn in the side of German authorities and copyright holders for a long time. Last year, one of the site’s admins was detained in Kosovo after a three-year manhunt, but despite these and other actions, the site remains online.

With the blocking efforts, Constantin Film hopes to make it harder for people to access the site, although this measure is also limited.

For now, it seems to be a simple DNS blockade, which means that people can bypass it relatively easily by switching to a free alternative DNS provider such as Google DNS or OpenDNS.

And there are other workarounds as well, as operators of Kinox point out in a message on their homepage.

“Vodafone User: Use the public Google DNS server: 8.8.8.8, that goes the .TO domain again! Otherwise, a VPN or the free Tor Browser can be used!” they write.

While the measure may not be foolproof, the current order is certainly significant. Previously, all German courts have denied similar blocking orders based on different arguments. This means that more blocking efforts may be on the horizon.

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Chrome and Firefox Block 123movies Over “Harmful Programs”

Post Syndicated from Ernesto original https://torrentfreak.com/chrome-and-firefox-block-123movies-over-harmful-programs-180209/

With millions of visitors per day, 123movies(hub), also known as Gomovies, is one of the largest pirate streaming sites on the web.

Today, however, many visitors were welcomed by a dangerous-looking red banner instead of the usual homepage.

“The site ahead contains harmful programs,” Chrome warns its users. “Attackers on 123movieshub.to might attempt to trick you into installing programs that harm your browsing experience.”

It is not clear what the problem is in this particular case, but these type of notifications are often triggered by malicious or deceptive third-party advertising that has appeared on a site.

Warning

These warning messages are triggered by Google’s Safebrowsing algorithm which flags websites that pose a potential danger to visitors. Chrome, Firefox, and others use this service to prevent users from running into unwanted software.

In addition to the browser block, Google generally informs the site’s owners that their domain will be demoted in search results until the issue is resolved.

Google previously informed us that these kinds of warnings automatically disappear when the flagged sites no longer violate Google’s policy. This can take one or two days, but also longer.

This isn’t the first time that Google has flagged such a large website. Many pirate sites, including The Pirate Bay, have been affected by this issue in the past.

Chrome and Firefox users should be familiar with these intermittent warning notices be now. If users believe that an affected site is harmless they can always take steps (Chrome, FF) to bypass the blocks, but that’s completely at their own risk.

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Pirate ‘Kodi’ Boxes & Infringing Streams Cost eBay Sellers Dearly

Post Syndicated from Andy original https://torrentfreak.com/pirate-kodi-boxes-infringing-streams-cost-ebay-sellers-dearly-180209/

Those on the look out for ready-configured pirate set-top boxes can drift around the web looking at hundreds of options or head off to the places most people know best – eBay and Facebook.

Known for its ease of use and broad range of content, eBay is often the go-to place for sellers looking to offload less than legitimate stock. Along with Facebook, it’s become one of the easiest places online to find so-called Kodi boxes.

While the Kodi software itself is entirely legal, millions of people have their boxes configured for piracy purposes and eBay and Facebook provide a buying platform for those who don’t want to do the work themselves.

Sellers generally operate with impunity but according to news from the Premier League and anti-piracy partners Federation Against Copyright Theft (FACT), that’s not always the case.

FACT reports that a supplier of ISDs (Illicit Streaming Devices) that came pre-loaded for viewing top-tier football without permission has agreed to pay the Premier League thousands of pounds.

Nayanesh Patel from Harrow, Middlesex, is said to have sold Kodi-type boxes on eBay and Facebook but got caught in the act. As a result he’s agreed to cough up £18,000, disable his website, remove all advertising, and cease future sales.

A second individual, who isn’t named, allegedly sold subscriptions to illegal streams of Premier League football via eBay. He too was tracked down and eventually agreed to pay £8,000 and cease all future streams sales.

“This case shows there are serious consequences for sellers of pre-loaded boxes and is a warning for anyone who thinks they might get away with this type of activity,” says Premier League Director of Legal Services, Kevin Plumb.

“The Premier League is currently engaged in a comprehensive copyright protection programme that includes targeting and taking action against sellers of pre-loaded devices, and any ISPs or hosts that facilitate the broadcast of pirated Premier League content.”

The number of individuals selling pirate set-top devices and IPTV-style subscription packages on eBay and social media has grown to epidemic proportions, so perhaps the biggest surprise is that there aren’t more cases like these. Importantly, however, these apparent settlement agreements are a step back from the criminal prosecutions we’ve seen in the past.

Previously, individuals under FACT’s spotlight have tended to be targeted by the police, with all the drawn-out misery that entails. While these cash settlements are fairly hefty, they appear to be in lieu of law enforcement involvement, not inconsiderable solicitors bills, and potential jail sentences. For a few unlucky sellers, this could prove the more attractive option.

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Man Handed Conditional Prison Sentence for Spreading Popcorn Time Information

Post Syndicated from Andy original https://torrentfreak.com/man-handed-conditional-prison-sentence-spreading-popcorn-time-information-180208/

In August 2015, police in Denmark announced they had arrested a man in his thirties said to be the operator of a Popcorn Time-focused website. Popcorntime.dk was subsequently shut down and its domain placed under the control of the state prosecutor.

“The Danish State Prosecutor for Serious Economic and International Crime is presently conducting a criminal investigation that involves this domain name,” a seizure notice on the site reads.

“As part of the investigation the state prosecutor has requested a Danish District Court to transfer the rights of the domain name to the state prosecutor. The District Court has complied with the request.”

In a circumstance like this, it’s common to conclude that the site was offering copyright-infringing content or software. That wasn’t the case though, not even close.

PopcornTime.dk was an information resource, offering news on Popcorn Time-related developments, guides, plus tips on how to use the software while staying anonymous.

PopcornTime.dk as it appeared in 2015

Importantly, PopcornTime.dk hosted no software, preferring to link to other sites where the application could be downloaded instead. That didn’t prevent an aggressive prosecution though and now, two-and-half years later, the verdict’s in and it’s bound to raise more than a few eyebrows.

On Wednesday, a court in Odense, Denmark, handed the now 39-year-old man behind PopcornTime.dk a six-month conditional prison sentence for spreading information about the controversial movie streaming service.

Senior prosecutor Dorte Køhler Frandsen from SØIK (State Attorney for Special Economic and International Crime), who was behind the criminal proceedings, described the successful prosecution as a first-of-its-kind moment for the entire region.

“Never before has a person been convicted of helping to spread streaming services. The judgment is therefore an important step in combating illegal streaming on the Internet and will reverberate throughout Europe,” Frandsen said.

According to a statement from the prosecutor, the 39-year-old earned 506,003 Danish Krone ($83,363) in advertising revenue from his website in 2015. In addition to forfeiting this amount and having his domain confiscated, the man will also be required to complete 120 hours of community service.

“The verdict is a clear signal to those who spread illegal pirate services. The film industry and others lose billions in revenue each year because criminals illegally offer films for free. It’s a loss for everyone. Also the consumer,” Frandsen added.

The convicted man now has two weeks to decide whether he will take his appeal to the Østre Landsret, one of Denmark’s two High Courts.

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Jailed Streaming Site Operator Hit With Fresh $3m Damages Lawsuit

Post Syndicated from Andy original https://torrentfreak.com/jailed-streaming-site-operator-hit-with-fresh-3m-damages-lawsuit-180207/

After being founded more than half a decade ago, Swefilmer grew to become Sweden’s most popular movie and TV show streaming site. It was only a question of time before authorities stepped in to bring the show to an end.

In 2015, a Swedish operator of the site in his early twenties was raided by local police. A second man, Turkish and in his late twenties, was later arrested in Germany.

The pair, who hadn’t met in person, appeared before the Varberg District Court in January 2017, accused of making more than $1.5m from their activities between November 2013 and June 2015.

The prosecutor described Swefilmer as “organized crime”, painting the then 26-year-old as the main brains behind the site and the 23-year-old as playing a much smaller role. The former was said to have led a luxury lifestyle after benefiting from $1.5m in advertising revenue.

The sentences eventually handed down matched the defendants’ alleged level of participation. While the younger man received probation and community service, the Turk was sentenced to serve three years in prison and ordered to forfeit $1.59m.

Very quickly it became clear there would be an appeal, with plaintiffs represented by anti-piracy outfit RightsAlliance complaining that their 10m krona ($1.25m) claim for damages over the unlawful distribution of local movie Johan Falk: Kodnamn: Lisa had been ruled out by the Court.

With the appeal hearing now just a couple of weeks away, Swedish outlet Breakit is reporting that media giant Bonnier Broadcasting has launched an action of its own against the now 27-year-old former operator of Swefilmer.

According to the publication, Bonnier’s pay-TV company C More, which distributes for Fox, MGM, Paramount, Universal, Sony and Warner, is set to demand around 24m krona ($3.01m) via anti-piracy outfit RightsAlliance.

“This is about organized crime and grossly criminal individuals who earned huge sums on our and others’ content. We want to take every opportunity to take advantage of our rights,” says Johan Gustafsson, Head of Corporate Communications at Bonnier Broadcasting.

C More reportedly filed its lawsuit at the Stockholm District Court on January 30, 2018. At its core are four local movies said to have been uploaded and made available via Swefilmer.

“C More would probably never even have granted a license to [the operator] to make or allow others to make the films available to the public in a similar way as [the operator] did, but if that had happened, the fee would not be less than 5,000,000 krona ($628,350) per film or a total of 20,000,000 krona ($2,513,400),” C More’s claim reads.

Speaking with Breakit, lawyer Ansgar Firsching said he couldn’t say much about C More’s claims against his client.

“I am very surprised that two weeks before the main hearing [C More] comes in with this requirement. If you open another front, we have two trials that are partly about the same thing,” he said.

Firsching said he couldn’t elaborate at this stage but expects his client to deny the claim for damages. C More sees things differently.

“Many people live under the illusion that sites like Swefilmer are driven by idealistic teens in their parents’ basements, which is completely wrong. This is about organized crime where our content is used to generate millions and millions in revenue,” the company notes.

The appeal in the main case is set to go ahead February 20th.

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Anti-Piracy Video Scares Kids With ‘Fake’ Malware Info

Post Syndicated from Ernesto original https://torrentfreak.com/anti-piracy-video-scares-kids-with-fake-malware-info-180206/

Today is Safer Internet Day, a global awareness campaign to educate the public on all sorts of threats that people face online.

It is a laudable initiative supported by the Industry Trust for IP Awareness which, together with the children’s charity Into Film, has released an informative video and associated course materials.

The organizations have created a British version of an animation previously released as part of the Australian “Price of Piracy” campaign. While the video includes an informative description of the various types of malware, there appears to be a secondary agenda.

Strangely enough, the video itself contains no advice on how to avoid malware at all, other than to avoid pirate sites. In that sense, it looks more like an indirect anti-piracy ad.

While there’s no denying that kids might run into malware if they randomly click on pirate site ads, this problem is certainly not exclusive to these sites. Email and social media are frequently used to link to malware too, and YouTube comments can pose the same risk. The problem is everywhere.

What really caught our eye, however, is the statement that pirate sites are the most used propagation method for malware. “Did you know, the number one way we infect your device is via illegal pirate sites,” an animated piece of malware claims in the video.

Forget about email attachments, spam links, compromised servers, or even network attacks. Pirate sites are the number one spot through which malware spreads. According to the video at least. But where do they get this knowledge?

Meet the malwares

When we asked the Industry Trust for IP Awareness for further details, the organization checked with their Australian colleagues, who pointed us to a working paper (pdf) from 2014. This paper includes the following line: “Illegal streaming websites are now the number one propagation mechanism for malicious software as 97% of them contain malware.”

Unfortunately, there’s a lot wrong with this claim.

Through another citation, the 97% figure points to this unpublished study of which only the highlights were shared. This “malware” research looked at the prevalence of malware and other unwanted software linked to pirate sites. Not just streaming sites as the other paper said, but let’s ignore that last bit.

What the study actually found is that of the 30 researched pirate sites, “90% contained malware or other ‘Potentially Unwanted Programmes’.” Note that this is not the earlier mentioned 97%, and that this broad category not only includes malware but also popup ads, which were most popular. This means that the percentage of actual malware on these sites can be anywhere from 0.1% to 90%.

Importantly, none of the malware found in this research was installed without an action performed by the user, such as clicking on a flashy download button or installing a mysterious .exe file.

Aside from clearly erroneous references, the more worrying issue is that even the original incorrect statement that “97% of all pirate sites contain malware” provides no evidence for the claim in the video that pirate sites are “the number one way” through which malware spreads.

Even if 100% of all pirate sites link to malware, that’s no proof that it’s the most used propagation method.

The malware issue has been a popular talking point for a while, but after searching for answers for days, we couldn’t find a grain of evidence. There are a lot of malware propagation methods, including email, which traditionally is a very popular choice.

Even more confusingly, the same paper that was cited as a source for the pirate site malware claim notes that 80% of all web-based malware is hosted on “innocent” but compromised websites.

As the provided evidence gave no answers, we asked the experts to chime in. Luckily, security company Malwarebytes was willing to share its assessment. As leaders in the anti-malware industry, they should know better than researchers who have their numbers and terminology mixed up.

“These days, most common infections come from malicious spam campaigns and drive-by exploit attacks,” Adam Kujawa, Director of Malware Intelligence at Malwarebytes informs us.

“Torrent sites are still frequently used by criminals to host malware disguised as something the user wants, like an application, movie, etc. However they are really only a threat to people who use torrent sites regularly and those people have likely learned how to avoid malicious torrents,” he adds.

In other words, most people who regularly visit pirate sites know how to avoid these dangers. That doesn’t mean that they are not a threat to unsuspecting kids who visit them for the first time of course.

“Now, if users who were not familiar with torrent and pirate sites started using these services, there is a high probability that they could encounter some kind of malware. However, many of these sites have user review processes to let other users know if a particular torrent or download is likely malicious.

“So, unless a user is completely new to this process and ignores all the warning signs, they could walk away from a pirate site without getting infected,” Kujawa says.

Overall, the experts at Malwarebytes see no evidence for the claim that pirate sites are the number one propagation method for malware.

“So in summary, I don’t think the claim that ‘pirate sites’ are the number one way to infect users is accurate at all,” Kujawa concludes.

While it’s always a good idea to avoid places that can have a high prevalence of malware, including pirate sites, the claims in the video are not backed up by real evidence. There are tens of thousands of non-pirate sites that pose similar or worse risks, so it’s always a good idea to have anti-malware and virus software installed.

The organizations and people involved in the British “Meet the Malwares” video might not have been aware of the doubtful claims, but it’s unfortunate that they didn’t opt for a broader campaign instead of the focused anti-piracy message.

Finally, since it’s still Safer Internet Day, we encourage kids to take a close look at the various guides on how to avoid “fake news” while engaging in critical thinking.

Be safe!

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Virgin Media Store Caught Running Movie & TV Show Piracy Software (Updated)

Post Syndicated from Andy original https://torrentfreak.com/virgin-media-store-caught-running-movie-tv-show-piracy-software-180205/

While other providers in the UK and Ireland aim to compete, those requiring the absolute fastest fibre optic broadband coupled with a comprehensive TV package will probably find themselves considering Virgin Media.

Despite sporting Richard Branson’s Virgin brand, the company has been owned by US-based Liberty Global since 2013. It previously earned the title of first quad-play media company in the United Kingdom, offering broadband, TV, fixed-line and mobile telecoms packages.

Today, however, the company has a small piracy-related embarrassment to address.

Like several of the large telecoms companies in the region, Virgin Media operates a number of bricks-and-mortar stores which are used to drum up sales for Internet, TV and phone packages while offering support to new and existing customers. They typically look like the one in the image below.

Virgin Media store (credit: Virgin)

The outside windows of Virgin stores are usually covered with advertising for the company’s products and regularly carry digital displays which present the latest deals. However, one such display spotted by a passer-by carried a little extra.

In a now-deleted post on Reddit, a user explained that when out and about he’d passed a Virgin Media store which sported a digital display advertising the company’s impressive “Full House” package. However, intruding at the top of the screen was a notification from one of the most impressive piracy apps available, Terrarium TV.

Busted: Terrarium TV notification top and center (credit)

For those out of the loop, Terrarium TV is one of the most feature-rich Android-based applications available today. For reasons that aren’t exactly clear, it hasn’t received the attention of ‘rivals’ such as Popcorn Time and Showbox but its abilities are extremely impressive.

As the image shows, the notification is letting the user know that two new movies – The Star and The Stray – have been added to Terrarium’s repertoire. In other words, they’ve just been listed in the Terrarium app for streaming directly to the user’s installation (in this case one of Virgin’s own displays) for free, without permission from copyright holders.

Of course, Virgin Media definitely won’t have authorized the installation of Terrarium TV on any of its units, so it’s most likely down to someone in the store with access to the display, perhaps a staff member but possibly a mischievous customer. Whoever it was should probably uninstall it now though, if they’re able to. Virgin will not be happy about this.

The person who took the photo didn’t respond to TorrentFreak’s request for comment on where it was taken but from the information available in the image, it seems likely that it’s in Ireland. Virgin Media ads elsewhere in the region are priced in pounds – not in euros – so a retail outlet in the country is the most likely location. The same 99 euro “Full House” deal is also advertised on Virgin’s .ie website.

Terrarium TV

Terrarium TV

While a display running a piracy application over the top of an advert trying to sell premium access to movies and TV shows is embarrassing enough, Virgin and other ISPs including Eircom, Sky Ireland, and Vodafone Ireland are currently subject to a court order which compels them to block several pirate sites in Ireland.

The sources used by Terrarium to supply illicit copies of movies are not part of that order but since ISPs in the region don’t contest blocking orders when rightsholders apply for them, it’s reasonable to presume they’re broadly in favor of blocking pirate sites.

Of course, that makes perfect sense if you’re a company trying to make money from selling premium access to content.

Update: We have a lengthy statement from Virgin Media:

“Virgin Media takes copyright very seriously and does not condone illegal streaming.

Our new Tallaght Store is due to officially open later this month and currently does not currently have Virgin Media network connectivity.

Over the weekend, an advertising screen display in this Store was being set up by a contractor.

The contractor took it on themselves to use their own 4G device to set up the screen, ahead of the store being connected to our fibre services this week.

At some stage, it seems an unwanted pop-up appeared on the screen from an illegal streaming site. To be clear, this was not on the Virgin Media network.

Other than as outlined above, this occurrence has no connection whatsoever with Virgin Media. We have notified the contractor regarding this incident.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Court Orders Tickbox to Keep Pirate Streaming Addons Out

Post Syndicated from Ernesto original https://torrentfreak.com/court-orders-tickbox-to-keep-pirate-streaming-addons-out-180131/

Kodi-powered set-top boxes are a great way to to stream video content to a TV, but sellers who ship these devices with unauthorized add-ons give them a bad reputation.

According to the Alliance for Creativity and Entertainment (ACE), an anti-piracy partnership comprised of Hollywood studios, Netflix, Amazon, and more than two dozen other companies, Tickbox TV is one of these bad actors.

Last year, ACE filed a lawsuit against the Georgia-based company, which sells Kodi-powered set-top boxes that stream a variety of popular media.

According to ACE, these devices are nothing more than pirate tools, allowing buyers to stream copyright-infringing content and being advertised as such. The coalition, therefore, asked the court for an injunction to prevent Tickbox from facilitating copyright infringement by removing all pirate add-ons from previously sold devices.

This week US District Court Judge Michael Fitzgerald issued a preliminary injunction, which largely sides with the movie companies. According to the Judge, there is sufficient reason to believe that Tickbox can be held liable for inducing copyright infringement.

One of the claims is that Tickbox promoted its service for piracy purposes, and according to the Judge the movie companies provided enough evidence to make this likely. This includes various advertising messages the box seller used.

“There is ample evidence that, at least prior to Plaintiffs’commencement of this action, TickBox explicitly advertised the Device as a means to accessing unauthorized versions of copyrighted audiovisual content,” Judge Fitzgerald writes.

In its defense, Tickbox argued that it merely offered a computer which users can then configure to their liking. However, the Judge points out that the company went further, as it actively directed its users to install certain themes (builds) to watch movies, TV and sports.

“Thus, the fact that the Device is just a ‘computer’ that can be used for infringing and noninfringing purposes does not insulate TickBox from liability if [..] the Device is actually used for infringing purposes and TickBox encourages such use.”

Taking these and several other factors into account, the Court ruled that a preliminary injunction is warranted at this stage. After the lawsuit was filed, Tickbox already voluntarily removed much of the inducing advertisements and addons, and this will remain so.

The preliminary injunction compels TickBox to the current version of the user interface, without easy access to pirate add-ons. The devices should no longer contain links to any of the themes and addons that the movie companies have flagged as copyright infringing.

Tickbox had argued that a broad injunction could shut down its business, but the court counters this. Customers will still be able to use the box for legitimate purposes. If they are no longer interested it suggests that piracy was the main draw.

“[A]n injunction of this scope will not ‘shut down Defendant’s business’ as TickBox contends. In the event that such an injunction does shut TickBox down, that will be indicative not of an unjustifiably burdensome injunction, but of a nonviable business model,” Judge Fitzgerald writes.

The preliminary injunction is not final yet as there are several questions still unanswered.

It’s unclear, for example, if and how Tickbox should remove addons from previously sold devices. The Court, therefore, instructs both parties to attempt to reach agreement on these outstanding issues, to include them in an updated injunction.

The above findings are preliminary and apply specifically to the injunction request and the case itself will continue. However, the Court’s early opinion suggests that Tickbox has plenty of work ahead to prove its innocence.

A copy of the preliminary injunction is available here (pdf), and Judge Fitzgerald’s findings can be found here (pdf).

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Piracy Can Help Music Sales of Many Artists, Research Shows

Post Syndicated from Ernesto original https://torrentfreak.com/piracy-can-help-music-sales-of-many-artists-research-shows-180128/

The debate over whether online piracy helps or hurts music sales has been dragging on for several decades now.

The issue has been researched extensively with both positive and negative effects being reported, often varying based on the type of artist, music genre and media, among other variables.

One of the more extensive studies was published this month in the peer-reviewed Information Economics and Policy journal, by Queen’s University economics researcher Jonathan Lee.

In a paper titled ‘Purchase, pirate, publicize: Private-network music sharing and market album sales’ he examined the effect of BitTorrent-based piracy on both digital and physical music sales.

We covered an earlier version of the study two years ago when it was still a work in progress. With updates to the research methods and a data sample, the results are now more clear.

The file-sharing data was obtained from an unnamed private BitTorrent tracker and covers a data set of 250,000 albums and more than five million downloads. These were matched to US sales data for thousands of albums provided by Nielsen SoundScan.

By refining the estimation approach and updating the matching technique, the final version of the paper shows some interesting results.

Based on the torrent tracker data, Lee finds that piracy can boost sales of mid-tier artists, both for physical CDs and digital downloads. For the most popular artists, this effect is reversed. In both cases, the impact is the largest for digital sales.

“I now find that top artists are harmed and mid-tier artists may be helped in both markets, but that these effects are larger for digital sales,” Lee tells TorrentFreak. “This is consistent with the idea that people are more willing to switch between digital piracy and digital sales than between digital piracy and physical CDs.”

The findings lead to the conclusion that there is no ideal ‘one-size-fits-all’ response to piracy. In fact, some unauthorized sharing may be a good thing.

This is in line with observations from musicians themselves over the past years. Several top artists have admitted the positive effects of piracy, including Ed Sheeran, who recently said that he owes his career to it.

“I know that’s a bad thing to say, because I’m part of a music industry that doesn’t like illegal file sharing,” Sheeran said in an interview with CBS. “Illegal file sharing was what made me. It was students in England going to university, sharing my songs with each other.”

Sheeran sharing on TPB

Today, Sheeran is in a totally different position of course. As one of the top artists, he would now be hurt by piracy. However, the new stars of tomorrow may still reap the benefits.

According to the researcher, the music industry should realize that shutting down pirate sites may not always be the best option. On the contrary, file-sharing sites may be useful as promotional platforms in some cases.

“Following above, a policy of total shutdown of private file sharing networks seems excessively costly (compared with their relatively small impact on sales) and unwise (as a one-size-fits-all policy). It would be better to make legal consumption more convenient, reducing the demand for piracy as an alternative to purchasing,” Lee tells us.

“It would also be smart to experiment with releasing music onto piracy networks themselves, especially for up-and-coming artists, similar to the free promotion afforded by commercial radio.”

The researcher makes another interesting extrapolation from the findings. In recent years, some labels and artists have signed exclusive deals with some streaming platforms. This means that content is not available everywhere, and this fragmentation may make piracy look more appealing.

“Here you can view piracy as a non-fragmented alternative platform to Spotify et al. Thus consumers will have a strong incentive to use a single non-fragmented platform (piracy) over having multiple subscriptions to fragmented platforms,” Lee says.

It would be better for the labels to publish their music on all platforms, and to make these more appealing and convenient than the pirate alternative.

The data used for the research was collected several years ago before the big streaming boom, so it might be that the results are different today. However, it is clear that the effect of piracy on sales is not as uniform as the music industry often portrays it.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

MagPi 66: Raspberry Pi media projects for your home

Post Syndicated from Rob Zwetsloot original https://www.raspberrypi.org/blog/magpi-66-media-pi/

Hey folks, Rob from The MagPi here! Issue 66 of The MagPi is out right now, with the ultimate guide to powering your home media with Raspberry Pi. We think the Pi is the perfect replacement or upgrade for many media devices, so in this issue we show you how to build a range of Raspberry Pi media projects.

MagPi 66

Yes, it does say Pac-Man robotics on the cover. They’re very cool.

The article covers file servers for sharing media across your network, music streaming boxes that connect to Spotify, a home theatre PC to make your TV-watching more relaxing, a futuristic Pi-powered moving photoframe, and even an Alexa voice assistant to control all these devices!

More to see

That’s not all though — The MagPi 66 also shows you how to build a Raspberry Pi cluster computer, how to control LEGO robots using the GPIO, and why your Raspberry Pi isn’t affected by Spectre and Meltdown.




In addition, you’ll also find our usual selection of product reviews and excellent project showcases.

Get The MagPi 66

Issue 66 is available today from WHSmith, Tesco, Sainsbury’s, and Asda. If you live in the US, head over to your local Barnes & Noble or Micro Center in the next few days. You can also get the new issue online from our store, or digitally via our Android and iOS apps. And don’t forget, there’s always the free PDF as well.

Subscribe for free goodies

Want to support the Raspberry Pi Foundation and the magazine, and get some cool free stuff? If you take out a twelve-month print subscription to The MagPi, you’ll get a Pi Zero W, Pi Zero case, and adapter cables absolutely free! This offer does not currently have an end date.

I hope you enjoy this issue! See you next month.

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Court Orders Hosting Provider to Stop Pirate Premier League Streams

Post Syndicated from Ernesto original https://torrentfreak.com/court-orders-hosting-provider-to-stop-pirate-premier-league-streams-180126/

In many parts of the world football, or soccer as some would call it, is the number one spectator sport.

The English Premier League, widely regarded as one the top competitions, draws hundreds of millions of viewers per year. Many of these pay for access to the matches, but there’s also a massive circuit of unauthorized streams.

The Football Association Premier League (FAPL) has been clamping down on these pirate sources for years. In the UK, for example, it obtained a unique High Court injunction last year, which requires local Internet providers to block streams as they go live.

In addition, the organization has also filed legal action against a hosting provider through which several live sports streaming sites are operating. The case in question was filed in the Netherlands where Ecatel LTD, a UK company, operated several servers.

According to the complaint, Ecatel hosted sites such as cast247.tv, streamlive.to and iguide.to, which allowed visitors to watch live Premier League streams without paying.

As the streaming platforms themselves were not responsive to takedown requests, the Premier League demanded action from their hosting provider. Specifically, they wanted the company to disconnect live streams on their end, by null-routing the servers of the offending customer.

This week the Court of The Hague issued its judgment, which is a clear win for the football association.

The Court ruled that, after the hosting company receives a takedown notice from FAPL or one of its agents, Ecatel must disconnect pirate Premier League streams within 30 minutes.

“[The Court] recommends that, after 24 hours of service of this judgment, Ecatel cease and discontinue any service used by third parties to infringe the copyright to FAPL by promptly but no later than 30 minutes after receipt of a request to that end,” the verdict reads.

The ban can be lifted after the game has ended, making it a temporary measure similar to the UK Internet provider blockades. If Ecatel fails to comply, it faces a penalty of €5,000 for each illegal stream, to a maximum of € 1,500,000.

While the order is good news for the Premier League, it will be hard to enforce, since Ecatel LTD was dissolved last year. Another hosting company called Novogara was previously linked with Ecatel and is still active, but that is not mentioned in the court order.

This means that the order will mostly be valuable as a precedent. Especially since it goes against an earlier order from 2015, which Emerce pointed out. This warrants a closer look at how the Court reached its decision.

In its defense, Ecatel had argued that an obligation to disconnect customers based on a takedown notice would be disproportionate and violate its entrepreneurial freedoms. The latter is protected by the EU Charter of Fundamental Rights.

The Court, however, highlights that there is a clash between the entrepreneurial rights of Ecatel and the copyrights of FAPL in this case. This requires the Court to weigh these rights to see which prevails over the other.

According to the verdict, the measures Ecatel would have to take to comply are not overly costly. The company already null-routed customers who failed to pay, so the technical capabilities are there.

Ecatel also argued that disconnecting a server could affect legal content that’s provided by its customers. However, according to the Court, Ecatel is partly to blame for this, as it does business with customers who seemingly don’t have a proper takedown process themselves. This is something the company could have included in their contracts.

As a result, the Court put the copyrights of FAPL above the entrepreneurial freedom rights of the hosting provider.

The second right that has to be weighed is the public’s right to freedom of expression and information. While the Court rules that this right is limited by the measures, it argues that the rights of copyright holders weigh stronger.

“Admittedly, this freedom [of expression and information] is restricted, but according to the order, this will only apply for the duration of the offending streams. Furthermore, as said, this will only take place if the stream has not already been blocked in another way,” the Court writes.

If any legal content is affected by the measures then the offending streaming platform itself will experience more pressure from users to deal with the problem, and offer a suitable takedown procedure to prevent similar problems in the future, the Court notes.

TorrentFreak reached out to FAPL and Ecatel’s lawyers for a comment on the verdict but at the time of writing we haven’t heard back.

The verdict appears to be a powerful precedent for copyright holders. Kim Kuik, director of local anti-piracy group BREIN, is pleased with the outcome. While BREIN was not involved in this lawsuit, it previously sued Ecatel in another case.

“It is a good precedent. An intermediary like Ecatel has its accountability and must have an effective notice and take down procedure,” Kuik tells TorrentFreak.

“Too bad it wasn’t also against the people behind Ecatel, who now can continue using another vehicle. The judge thinks this verdict serves a warning to them. Time will tell if that is so.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Spiegelbilder Studio’s giant CRT video walls

Post Syndicated from Alex Bate original https://www.raspberrypi.org/blog/crt-video-walls/

After getting in contact with us to share their latest build with us, we invited Matvey Fridman of Germany-based production company Spiegelbilder Studio to write a guest blog post about their CRT video walls created for the band STRANDKØNZERT.

STRANDKØNZERT – TAGTRAUMER – OFFICIAL VIDEO

GERMAN DJENT RAP / EST. 2017. COMPLETE DIY-PROJECT.

CRT video wall

About a year ago, we had the idea of building a huge video wall out of old TVs to use in a music video. It took some time, but half a year later we found ourselves in a studio actually building this thing using 30 connected computers, 24 of which were Raspberry Pis.

STRANDKØNZERT CRT video wall Raspberry Pi

How we did it

After weeks and months of preproduction and testing, we decided on two consecutive days to build the wall, create the underlying IP network, run a few tests, and then film the artists’ performance in front of it. We actually had 32 Pis (a mixed bag of first, second, and third generation models) and even more TVs ready to go, since we didn’t know what the final build would actually look like. We ended up using 29 separate screens of various sizes hooked up to 24 separate Pis — the remaining five TVs got a daisy-chained video signal out of other monitors for a cool effect. Each Pi had to run a free software called PiWall.

STRANDKØNZERT CRT video wall Raspberry Pi

Since the TVs only had analogue video inputs, we had to get special composite breakout cables and then adapt the RCA connectors to either SCART, S-Video, or BNC.

STRANDKØNZERT CRT video wall Raspberry Pi

As soon as we had all of that running, we connected every Pi to a 48-port network switch that we’d hooked up to a Windows PC acting as a DHCP server to automatically assign IP addresses and handle the multicast addressing. To make remote control of the Raspberry Pis easier, a separate master Linux PC and two MacBook laptops, each with SSH enabled and a Samba server running, joined the network as well.

STRANDKØNZERT CRT video wall Raspberry Pi

The MacBook laptops were used to drop two files containing the settings on each Pi. The .pitile file was unique to every Pi and contained their respective IDs. The .piwall file contained the same info for all Pis: the measurements and positions of every single screen to help the software split up the video signal coming in through the network. After every Pi got the command to start the PiWall software, which specifies the UDP multicast address and settings to be used to receive the video stream, the master Linux PC was tasked with streaming the video file to these UDP addresses. Now every TV was showing its section of the video, and we could begin filming.

STRANDKØNZERT CRT video wall Raspberry Pi

The whole process and the contents of the files and commands are summarised in the infographic below. A lot of trial and error was involved in the making of this project, but it all worked out well in the end. We hope you enjoy the craft behind the music video even though the music is not for everybody 😉

PiWall_Infographic

You can follow Spiegelbilder Studio on Facebook, Twitter, and Instagram. And if you enjoyed the music video, be sure to follow STRANDKØNZERT too.

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Detecting Drone Surveillance with Traffic Analysis

Post Syndicated from Bruce Schneier original https://www.schneier.com/blog/archives/2018/01/detecting_drone.html

This is clever:

Researchers at Ben Gurion University in Beer Sheva, Israel have built a proof-of-concept system for counter-surveillance against spy drones that demonstrates a clever, if not exactly simple, way to determine whether a certain person or object is under aerial surveillance. They first generate a recognizable pattern on whatever subject­ — a window, say — someone might want to guard from potential surveillance. Then they remotely intercept a drone’s radio signals to look for that pattern in the streaming video the drone sends back to its operator. If they spot it, they can determine that the drone is looking at their subject.

In other words, they can see what the drone sees, pulling out their recognizable pattern from the radio signal, even without breaking the drone’s encrypted video.

The details have to do with the way drone video is compressed:

The researchers’ technique takes advantage of an efficiency feature streaming video has used for years, known as “delta frames.” Instead of encoding video as a series of raw images, it’s compressed into a series of changes from the previous image in the video. That means when a streaming video shows a still object, it transmits fewer bytes of data than when it shows one that moves or changes color.

That compression feature can reveal key information about the content of the video to someone who’s intercepting the streaming data, security researchers have shown in recent research, even when the data is encrypted.

Research paper and video.

Police Shut Down Pirate Streaming TV Provider, Three Men Arrested

Post Syndicated from Andy original https://torrentfreak.com/police-shut-down-pirate-streaming-tv-provider-three-men-arrested-180120/

As prices for official multi-channel cable and satellite packages continue to increase, unauthorized streaming TV providers are providing an interesting alternative for those who demand the greatest variety of channels at a cut-down price.

Of course, none of this is legal and as such, authorities are clamping down. Today brings news of yet another pirate raid, this time in the city of Lublin, Poland.

A statement from the Provincial Police Headquarters reveals that officers from the Cybercrime and Economic Crime units conducted an investigation under the supervision of the District Prosecutor’s Office in Lublin. Locations in three provinces – Dolnośląskie, Zachodniopomorskie and Wielkopolskie – were searched.

According to prosecutors, the operators of the website illegally streamed the majority of all television channels available locally, including digital TV and state television. More than 160 channels were supplied via the site without permission. Users were initially given free access to the currently unnamed service but were then encouraged to subscribe to a premium package.

Pirate Streaming TV service (Credit: Polish police)

“The funds obtained from this procedure were invested in the further development of criminal activity and in foreign and Polish companies, of which [the suspects] were owners,” a police statement notes.

Local reports indicate three men, aged 30, 42 and 57, were arrested and brought to the prosecutor’s office. There they faced allegations of illegally distributing pay television and using the revenue as a permanent source of income.

“We estimate that the suspects could have benefited to the tune of nearly 3.5 million zlotys [840,663 euros] via their illegal practices,” police add.

Pirate Streaming TV service (Credit: Polish police)

In addition to the arrests, police also seized equipment including 12 computers, nine servers, tablets, decoders, telephones, more than 60 hard drives and similar devices, plus documentation.

The news of these raids in Poland follows on the heels of a Europol led operation to close down an IPTV operation said to be one of the largest in the world. The still-unnamed provider allegedly serviced around 500,000 subscribers from a base in Bulgaria, where a local ISP has come under the spotlight.

A video of the Polish operation, including a suspect under arrest, is available here.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons

Hollywood Asks New UK Culture Secretary To Fight Online Piracy

Post Syndicated from Andy original https://torrentfreak.com/hollywood-asks-new-uk-culture-secretary-to-fight-online-piracy-180119/

Following Prime Minister Theresa May’s cabinet reshuffle earlier this month, Matt Hancock replaced Karen Bradley as Secretary of State for Digital, Culture, Media and Sport.

Hancock, the 39-year-old MP for West Suffolk, was promoted from his role as Minister for Digital and Culture, a position he’d held since July 2016.

“Thrilled to become DCMS Secretary. Such an exciting agenda, so much to do, and great people. Can’t wait to get stuck in,” he tweeted.

Of course, the influence held by the Culture Secretary means that the entertainment industries will soon come calling, seeking help and support in a number of vital areas. No surprise then that Stan McCoy, president and managing director at the ‎Motion Picture Association’s EMEA division, has just jumped in with some advice for Hancock.

In an open letter published on Screen Daily, McCoy begins by reminding Hancock that the movie industry contributes considerable sums to the UK economy.

“We are one of the country’s most valuable economic and cultural assets – worth almost £92bn, growing at twice the rate of the economy, and making a positive contribution to the UK’s balance of payments,” McCoy writes.

“Britain’s status as a center of excellence for the audiovisual sector in particular is no accident: It results from the hard work and genius of our creative workforce, complemented by the support of governments that have guided their policies toward enabling continued excellence and growth.”

McCoy goes on to put anti-piracy initiatives at the very top of his wishlist – and Hancock’s to-do list.

“A joined-up strategy to curb proliferation of illegal, often age-inappropriate and malware-laden content online must include addressing the websites, environments and apps that host and facilitate piracy,” McCoy says.

“In addition to hurting one of Britain’s most important industries, they are overwhelmingly likely to harm children and adult consumers through nasty ads, links to adult content with no age verification, scams, fraud and other unpleasantness.”

That McCoy begins with the “piracy is dangerous” approach is definitely not a surprise. This Hollywood and wider video industry strategy is now an open secret. However, it feels a little off that the UK is being asked to further tackle pirate sites.

Through earlier actions, facilitated by the UK legal system and largely sympathetic judges, many thousands of URLs and domains linking to pirate sites, mirrors and proxies, are impossible to access directly through the UK’s major ISPs. Although a few slip through the net, directly accessing the majority of pirate sites in the UK is now impossible.

That’s already a considerable overseas anti-piracy position for the MPA who, as the “international voice” of the Motion Picture Association of America (MPAA), represents American corporations including Disney, Paramount, Sony Pictures, 20th Century Fox, Universal, and Warner Bros.

There’s no comparable blocking system for these companies to use in the United States and rightsholders in the UK can even have extra sites blocked without going back to court for permission. In summary, these US companies arguably get a better anti-piracy deal in the UK than they do at home in the United States.

In his next point, McCoy references last year’s deal – which was reached following considerable pressure from the UK government – between rightsholders and search engines including Google and Bing to demote ‘pirate’ results.

“Building on last year’s voluntary deal with search engines, the Government should stay at the cutting edge of ensuring that everyone in the ecosystem – including search engines, platforms and social media companies – takes a fair share of responsibility,” McCoy says.

While this progress is clearly appreciated by the MPA/MPAA, it’s difficult to ignore that the voluntary arrangement to demote infringing content is somewhat special if not entirely unique. There is definitely nothing comparable in the United States so keeping up the pressure on the UK Government feels a little like getting the good kid in class to behave, while his rowdy peers nearer the chalkboard get ignored.

The same is true for McCoy’s call for the UK to “banish dodgy streaming devices”.

“Illegal streaming devices loaded with piracy apps and malware – not to mention the occasional electrical failure – are proliferating across the UK, to the detriment of consumers and industry,” he writes.

“The sector is still waiting for the Intellectual Property Office to publish the report on its Call for Views on this subject. This will be one of several opportunities, along with the promised Digital Charter, to make clear that these devices and the apps and content they supply are unacceptable, dangerous to consumers, and harmful to the creative industry.”

Again, prompting the UK to stay on top of this game doesn’t feel entirely warranted.

With dozens of actions over the past few years, the Police Intellectual Property Crime Unit and the Federation Against Copyright Theft (which Hollywood ironically dumped in 2016) have done more to tackle the pirate set-top box problem than any group on the other side of the Atlantic.

Admittedly the MPAA is now trying to catch up, with recent prosecutions of two ‘pirate’ box vendors (1,2), but largely the work by the studios on their home turf has been outpaced by that of their counterparts in the UK.

Maybe Hancock will mention that to Hollywood at some point in the future.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons